Роберт Льюис Стивенсон
Essays of Travel
VIII.
THE IDEAL HOUSE
Two things are necessary in any neighbourhood where we propose to spend a life: a desert and some living water.
There are many parts of the earth’s face which offer the necessary combination of a certain wildness with a kindly variety. A great prospect is desirable, but the want may be otherwise supplied; even greatness can be found on the small scale; for the mind and the eye measure differently. Bold rocks near hand are more inspiriting than distant Alps, and the thick fern upon a Surrey heath makes a fine forest for the imagination, and the dotted yew trees noble mountains. A Scottish moor with birches and firs grouped here and there upon a knoll, or one of those rocky seaside deserts of Provence overgrown with rosemary and thyme and smoking with aroma, are places where the mind is never weary. Forests, being more enclosed, are not at first sight so attractive, but they exercise a spell; they must, however, be diversified with either heath or rock, and are hardly to be considered perfect without conifers. Even sand-hills, with their intricate plan, and their gulls and rabbits, will stand well for the necessary desert.
The house must be within hail of either a little river or the sea. A great river is more fit for poetry than to adorn a neighbourhood; its sweep of waters increases the scale of the scenery and the distance of one notable object from another; and a lively burn gives us, in the space of a few yards, a greater variety of promontory and islet, of cascade, shallow goil, and boiling pool, with answerable changes both of song and colour, than a navigable stream in many hundred miles. The fish, too, make a more considerable feature of the brookside, and the trout plumping in the shadow takes the ear. A stream should, besides, be narrow enough to cross, or the burn hard by a bridge, or we are at once shut out of Eden. The quantity of water need be of no concern, for the mind sets the scale, and can enjoy a Niagara Fall of thirty inches. Let us approve the singer of
‘Shallow rivers, by whose falls
Melodious birds sing madrigals.’
If the sea is to be our ornamental water, choose an open seaboard with a heavy beat of surf; one much broken in outline, with small havens and dwarf headlands; if possible a few islets; and as a first necessity, rocks reaching out into deep water. Such a rock on a calm day is a better station than the top of Teneriffe or Chimborazo. In short, both for the desert and the water, the conjunction of many near and bold details is bold scenery for the imagination and keeps the mind alive.
Given these two prime luxuries, the nature of the country where we are to live is, I had almost said, indifferent; after that inside the garden, we can construct a country of our own. Several old trees, a considerable variety of level, several well-grown hedges to divide our garden into provinces, a good extent of old well-set turf, and thickets of shrubs and ever-greens to be cut into and cleared at the new owner’s pleasure, are the qualities to be sought for in your chosen land. Nothing is more delightful than a succession of small lawns, opening one out of the other through tall hedges; these have all the charm of the old bowling-green repeated, do not require the labour of many trimmers, and afford a series of changes. You must have much lawn against the early summer, so as to have a great field of daisies, the year’s morning frost; as you must have a wood of lilacs, to enjoy to the full the period of their blossoming. Hawthorn is another of the Spring’s ingredients; but it is even best to have a rough public lane at one side of your enclosure which, at the right season, shall become an avenue of bloom and odour. The old flowers are the best and should grow carelessly in corners. Indeed, the ideal fortune is to find an old garden, once very richly cared for, since sunk into neglect, and to tend, not repair, that neglect; it will thus have a smack of nature and wildness which skilful dispositions cannot overtake. The gardener should be an idler, and have a gross partiality to the kitchen plots: an eager or toilful gardener misbecomes the garden landscape; a tasteful gardener will be ever meddling, will keep the borders raw, and take the bloom off nature. Close adjoining, if you are in the south, an olive-yard, if in the north, a swarded apple-orchard reaching to the stream, completes your miniature domain; but this is perhaps best entered through a door in the high fruit-wall; so that you close the door behind you on your sunny plots, your hedges and evergreen jungle, when you go down to watch the apples falling in the pool. It is a golden maxim to cultivate the garden for the nose, and the eyes will take care of themselves. Nor must the ear be forgotten: without birds a garden is a prison-yard. There is a garden near Marseilles on a steep hill-side, walking by which, upon a sunny morning, your ear will suddenly be ravished with a burst of small and very cheerful singing: some score of cages being set out there to sun their occupants. This is a heavenly surprise to any passer-by; but the price paid, to keep so many ardent and winged creatures from their liberty, will make the luxury too dear for any thoughtful pleasure-lover. There is only one sort of bird that I can tolerate caged, though even then I think it hard, and that is what is called in France the Bec-d’Argent. I once had two of these pigmies in captivity; and in the quiet, hire house upon a silent street where I was then living, their song, which was not much louder than a bee’s, but airily musical, kept me in a perpetual good humour. I put the cage upon my table when I worked, carried it with me when I went for meals, and kept it by my head at night: the first thing in the morning, these maestrini would pipe up. But these, even if you can pardon their imprisonment, are for the house. In the garden the wild birds must plant a colony, a chorus of the lesser warblers that should be almost deafening, a blackbird in the lilacs, a nightingale down the lane, so that you must stroll to hear it, and yet a little farther, tree-tops populous with rooks.
Your house should not command much outlook; it should be set deep and green, though upon rising ground, or, if possible, crowning a knoll, for the sake of drainage. Yet it must be open to the east, or you will miss the sunrise; sunset occurring so much later, you can go up a few steps and look the other way. A house of more than two stories is a mere barrack; indeed the ideal is of one story, raised upon cellars. If the rooms are large, the house may be small: a single room, lofty, spacious, and lightsome, is more palatial than a castleful of cabinets and cupboards. Yet size in a house, and some extent and intricacy of corridor, is certainly delightful to the flesh. The reception room should be, if possible, a place of many recesses, which are ‘petty retiring places for conference’; but it must have one long wall with a divan: for a day spent upon a divan, among a world of cushions, is as full of diversion as to travel. The eating-room, in the French mode, should be ad hoc: unfurnished, but with a buffet, the table, necessary chairs, one or two of Canaletto’s etchings, and a tile fire-place for the winter. In neither of these public places should there be anything beyond a shelf or two of books; but the passages may be one library from end to end, and the stair, if there be one, lined with volumes in old leather, very brightly carpeted, and leading half-way up, and by way of landing, to a windowed recess with a fire-place; this window, almost alone in the house, should command a handsome prospect. Husband and wife must each possess a studio; on the woman’s sanctuary I hesitate to dwell, and turn to the man’s. The walls are shelved waist-high for books, and the top thus forms a continuous table running round the wall. Above are prints, a large map of the neighbourhood, a Corot and a Claude or two. The room is very spacious, and the five tables and two chairs are but as islands. One table is for actual work, one close by for references in use; one, very large, for MSS. or proofs that wait their turn; one kept clear for an occasion; and the fifth is the map table, groaning under a collection of large-scale maps and charts. Of all books these are the least wearisome to read and the richest in matter; the course of roads and rivers, the contour lines and the forests in the maps – the reefs, soundings, anchors, sailing marks and little pilot-pictures in the charts – and, in both, the bead-roll of names, make them of all printed matter the most fit to stimulate and satisfy the fancy. The chair in which you write is very low and easy, and backed into a corner; at one elbow the fire twinkles; close at the other, if you are a little inhumane, your cage of silver-bills are twittering into song.
Joined along by a passage, you may reach the great, sunny, glass-roofed, and tiled gymnasium, at the far end of which, lined with bright marble, is your plunge and swimming bath, fitted with a capacious boiler.
The whole loft of the house from end to end makes one undivided chamber; here are set forth tables on which to model imaginary or actual countries in putty or plaster, with tools and hardy pigments; a carpenter’s bench; and a spared corner for photography, while at the far end a space is kept clear for playing soldiers. Two boxes contain the two armies of some five hundred horse and foot; two others the ammunition of each side, and a fifth the foot-rules and the three colours of chalk, with which you lay down, or, after a day’s play, refresh the outlines of the country; red or white for the two kinds of road (according as they are suitable or not for the passage of ordnance), and blue for the course of the obstructing rivers. Here I foresee that you may pass much happy time; against a good adversary a game may well continue for a month; for with armies so considerable three moves will occupy an hour. It will be found to set an excellent edge on this diversion if one of the players shall, every day or so, write a report of the operations in the character of army correspondent.
I have left to the last the little room for winter evenings. This should be furnished in warm positive colours, and sofas and floor thick with rich furs. The hearth, where you burn wood of aromatic quality on silver dogs, tiled round about with Bible pictures; the seats deep and easy; a single Titian in a gold frame; a white bust or so upon a bracket; a rack for the journals of the week; a table for the books of the year; and close in a corner the three shelves full of eternal books that never weary: Shakespeare, Molière, Montaigne, Lamb, Sterne, De Musset’s comedies (the one volume open at Carmosine and the other at Fantasio); the Arabian Nights, and kindred stories, in Weber’s solemn volumes; Borrow’s Bible in Spain, the Pilgrim’s Progress, Guy Mannering and Rob Roy, Monte Cristo and the Vicomte de Bragelonne, immortal Boswell sole among biographers, Chaucer, Herrick, and the State Trials.
The bedrooms are large, airy, with almost no furniture, floors of varnished wood, and at the bed-head, in case of insomnia, one shelf of books of a particular and dippable order, such as Pepys, the Paston Letters, Burt’s Letters from the Highlands, or the Newgate Calendar..
IX.
DAVOS IN WINTER
A mountain valley has, at the best, a certain prison-like effect on the imagination, but a mountain valley, an Alpine winter, and an invalid’s weakness make up among them a prison of the most effective kind. The roads indeed are cleared, and at least one footpath dodging up the hill; but to these the health-seeker is rigidly confined. There are for him no cross-cuts over the field, no following of streams, no unguided rambles in the wood. His walks are cut and dry. In five or six different directions he can push as far, and no farther, than his strength permits; never deviating from the line laid down for him and beholding at each repetition the same field of wood and snow from the same corner of the road. This, of itself, would be a little trying to the patience in the course of months; but to this is added, by the heaped mantle of the snow, an almost utter absence of detail and an almost unbroken identity of colour. Snow, it is true, is not merely white. The sun touches it with roseate and golden lights. Its own crushed infinity of crystals, its own richness of tiny sculpture, fills it, when regarded near at hand, with wonderful depths of coloured shadow, and, though wintrily transformed, it is still water, and has watery tones of blue. But, when all is said, these fields of white and blots of crude black forest are but a trite and staring substitute for the infinite variety and pleasantness of the earth’s face. Even a boulder, whose front is too precipitous to have retained the snow, seems, if you come upon it in your walk, a perfect gem of colour, reminds you almost painfully of other places, and brings into your head the delights of more Arcadian days – the path across the meadow, the hazel dell, the lilies on the stream, and the scents, the colours, and the whisper of the woods. And scents here are as rare as colours. Unless you get a gust of kitchen in passing some hotel, you shall smell nothing all day long but the faint and choking odour of frost. Sounds, too, are absent: not a bird pipes, not a bough waves, in the dead, windless atmosphere. If a sleigh goes by, the sleigh-bells ring, and that is all; you work all winter through to no other accompaniment but the crunching of your steps upon the frozen snow.
It is the curse of the Alpine valleys to be each one village from one end to the other. Go where you please, houses will still be in sight, before and behind you, and to the right and left. Climb as high as an invalid is able, and it is only to spy new habitations nested in the wood. Nor is that all; for about the health resort the walks are besieged by single people walking rapidly with plaids about their shoulders, by sudden troops of German boys trying to learn to jödel, and by German couples silently and, as you venture to fancy, not quite happily, pursuing love’s young dream. You may perhaps be an invalid who likes to make bad verses as he walks about. Alas! no muse will suffer this imminence of interruption – and at the second stampede of jödellers you find your modest inspiration fled. Or you may only have a taste for solitude; it may try your nerves to have some one always in front whom you are visibly overtaking, and some one always behind who is audibly overtaking you, to say nothing of a score or so who brush past you in an opposite direction. It may annoy you to take your walks and seats in public view. Alas! there is no help for it among the Alps. There are no recesses, as in Gorbio Valley by the oil-mill; no sacred solitude of olive gardens on the Roccabruna-road; no nook upon Saint Martin’s Cape, haunted by the voice of breakers, and fragrant with the threefold sweetness of the rosemary and the sea-pines and the sea.
For this publicity there is no cure, and no alleviation; but the storms of which you will complain so bitterly while they endure, chequer and by their contrast brighten the sameness of the fair-weather scenes. When sun and storm contend together – when the thick clouds are broken up and pierced by arrows of golden daylight – there will be startling rearrangements and transfigurations of the mountain summits. A sun-dazzling spire of alp hangs suspended in mid-sky among awful glooms and blackness; or perhaps the edge of some great mountain shoulder will be designed in living gold, and appear for the duration of a glance bright like a constellation, and alone ‘in the unapparent.’ You may think you know the figure of these hills; but when they are thus revealed, they belong no longer to the things of earth – meteors we should rather call them, appearances of sun and air that endure but for a moment and return no more. Other variations are more lasting, as when, for instance, heavy and wet snow has fallen through some windless hours, and the thin, spiry, mountain pine trees stand each stock-still and loaded with a shining burthen. You may drive through a forest so disguised, the tongue-tied torrent struggling silently in the cleft of the ravine, and all still except the jingle of the sleigh bells, and you shall fancy yourself in some untrodden northern territory – Lapland, Labrador, or Alaska.
Or, possibly, you arise very early in the morning; totter down stairs in a state of somnambulism; take the simulacrum of a meal by the glimmer of one lamp in the deserted coffee-room; and find yourself by seven o’clock outside in a belated moonlight and a freezing chill. The mail sleigh takes you up and carries you on, and you reach the top of the ascent in the first hour of the day. To trace the fires of the sunrise as they pass from peak to peak, to see the unlit tree-tops stand out soberly against the lighted sky, to be for twenty minutes in a wonderland of clear, fading shadows, disappearing vapours, solemn blooms of dawn, hills half glorified already with the day and still half confounded with the greyness of the western heaven – these will seem to repay you for the discomforts of that early start; but as the hour proceeds, and these enchantments vanish, you will find yourself upon the farther side in yet another Alpine valley, snow white and coal black, with such another long-drawn congeries of hamlets and such another senseless watercourse bickering along the foot. You have had your moment; but you have not changed the scene. The mountains are about you like a trap; you cannot foot it up a hillside and behold the sea as a great plain, but live in holes and corners, and can change only one for another.
X.
HEALTH AND MOUNTAINS
There has come a change in medical opinion, and a change has followed in the lives of sick folk. A year or two ago and the wounded soldiery of mankind were all shut up together in some basking angle of the Riviera, walking a dusty promenade or sitting in dusty olive-yards within earshot of the interminable and unchanging surf – idle among spiritless idlers; not perhaps dying, yet hardly living either, and aspiring, sometimes fiercely, after livelier weather and some vivifying change. These were certainly beautiful places to live in, and the climate was wooing in its softness. Yet there was a later shiver in the sunshine; you were not certain whether you were being wooed; and these mild shores would sometimes seem to you to be the shores of death. There was a lack of a manly element; the air was not reactive; you might write bits of poetry and practise resignation, but you did not feel that here was a good spot to repair your tissue or regain your nerve. And it appears, after all, that there was something just in these appreciations. The invalid is now asked to lodge on wintry Alps; a ruder air shall medicine him; the demon of cold is no longer to be fled from, but bearded in his den. For even Winter has his ‘dear domestic cave,’ and in those places where he may be said to dwell for ever tempers his austerities.
Any one who has travelled westward by the great transcontinental railroad of America must remember the joy with which he perceived, after the tedious prairies of Nebraska and across the vast and dismal moorlands of Wyoming, a few snowy mountain summits alone, the southern sky. It is among these mountains in the new State of Colorado that the sick man may find, not merely an alleviation of his ailments, but the possibility of an active life and an honest livelihood. There, no longer as a lounger in a plaid, but as a working farmer, sweating at his work, he may prolong and begin anew his life. Instead of the bath-chair, the spade; instead of the regulated walk, rough journeys in the forest, and the pure, rare air of the open mountains for the miasma of the sick-room – these are the changes offered him, with what promise of pleasure and of self-respect, with what a revolution in all his hopes and terrors, none but an invalid can know. Resignation, the cowardice that apes a kind of courage and that lives in the very air of health resorts, is cast aside at a breath of such a prospect. The man can open the door; he can be up and doing; he can be a kind of a man after all and not merely an invalid.
But it is a far cry to the Rocky Mountains. We cannot all of us go farming in Colorado; and there is yet a middle term, which combines the medical benefits of the new system with the moral drawbacks of the old. Again the invalid has to lie aside from life and its wholesome duties; again he has to be an idler among idlers; but this time at a great altitude, far among the mountains, with the snow piled before his door and the frost flowers every morning on his window. The mere fact is tonic to his nerves. His choice of a place of wintering has somehow to his own eyes the air of an act of bold contract; and, since he has wilfully sought low temperatures, he is not so apt to shudder at a touch of chill. He came for that, he looked for it, and he throws it from him with the thought.
A long straight reach of valley, wall-like mountains upon either hand that rise higher and higher and shoot up new summits the higher you climb; a few noble peaks seen even from the valley; a village of hotels; a world of black and white – black pine-woods, clinging to the sides of the valley, and white snow flouring it, and papering it between the pine-woods, and covering all the mountains with a dazzling curd; add a few score invalids marching to and fro upon the snowy road, or skating on the ice-rinks, possibly to music, or sitting under sunshades by the door of the hotel – and you have the larger features of a mountain sanatorium. A certain furious river runs curving down the valley; its pace never varies, it has not a pool for as far as you can follow it; and its unchanging, senseless hurry is strangely tedious to witness. It is a river that a man could grow to hate. Day after day breaks with the rarest gold upon the mountain spires, and creeps, growing and glowing, down into the valley. From end to end the snow reverberates the sunshine; from end to end the air tingles with the light, clear and dry like crystal. Only along the course of the river, but high above it, there hangs far into the noon, one waving scarf of vapour. It were hard to fancy a more engaging feature in a landscape; perhaps it is harder to believe that delicate, long-lasting phantom of the atmosphere, a creature of the incontinent stream whose course it follows. By noon the sky is arrayed in an unrivalled pomp of colour – mild and pale and melting in the north, but towards the zenith, dark with an intensity of purple blue. What with this darkness of heaven and the intolerable lustre of the snow, space is reduced again to chaos. An English painter, coming to France late in life, declared with natural anger that ‘the values were all wrong.’ Had he got among the Alps on a bright day he might have lost his reason. And even to any one who has looked at landscape with any care, and in any way through the spectacles of representative art, the scene has a character of insanity. The distant shining mountain peak is here beside your eye; the neighbouring dull-coloured house in comparison is miles away; the summit, which is all of splendid snow, is close at hand; the nigh slopes, which are black with pine trees, bear it no relation, and might be in another sphere. Here there are none of those delicate gradations, those intimate, misty joinings-on and spreadings-out into the distance, nothing of that art of air and light by which the face of nature explains and veils itself in climes which we may be allowed to think more lovely. A glaring piece of crudity, where everything that is not white is a solecism and defies the judgment of the eyesight; a scene of blinding definition; a parade of daylight, almost scenically vulgar, more than scenically trying, and yet hearty and healthy, making the nerves to tighten and the mouth to smile: such is the winter daytime in the Alps.
With the approach of evening all is changed. A mountain will suddenly intercept the sun; a shadow fall upon the valley; in ten minutes the thermometer will drop as many degrees; the peaks that are no longer shone upon dwindle into ghosts; and meanwhile, overhead, if the weather be rightly characteristic of the place, the sky fades towards night through a surprising key of colours. The latest gold leaps from the last mountain. Soon, perhaps, the moon shall rise, and in her gentler light the valley shall be mellowed and misted, and here and there a wisp of silver cloud upon a hilltop, and here and there a warmly glowing window in a house, between fire and starlight, kind and homely in the fields of snow.
But the valley is not seated so high among the clouds to be eternally exempt from changes. The clouds gather, black as ink; the wind bursts rudely in; day after day the mists drive overhead, the snow-flakes flutter down in blinding disarray; daily the mail comes in later from the top of the pass; people peer through their windows and foresee no end but an entire seclusion from Europe, and death by gradual dry-rot, each in his indifferent inn; and when at last the storm goes, and the sun comes again, behold a world of unpolluted snow, glossy like fur, bright like daylight, a joy to wallowing dogs and cheerful to the souls of men. Or perhaps from across storied and malarious Italy, a wind cunningly winds about the mountains and breaks, warm and unclean, upon our mountain valley. Every nerve is set ajar; the conscience recognises, at a gust, a load of sins and negligences hitherto unknown; and the whole invalid world huddles into its private chambers, and silently recognises the empire of the Föhn.
