Роберт Льюис Стивенсон
Essays of Travel
They were of all ages: children at their first web of lace, a stripling girl with a bashful but encouraging play of eyes, solid married women, and grandmothers, some on the top of their age and some falling towards decrepitude. One and all were pleasant and natural, ready to laugh and ready with a certain quiet solemnity when that was called for by the subject of our talk. Life, since the fall in wages, had begun to appear to them with a more serious air. The stripling girl would sometimes laugh at me in a provocative and not unadmiring manner, if I judge aright; and one of the grandmothers, who was my great friend of the party, gave me many a sharp word of judgment on my sketches, my heresy, or even my arguments, and gave them with a wry mouth and a humorous twinkle in her eye that were eminently Scottish. But the rest used me with a certain reverence, as something come from afar and not entirely human. Nothing would put them at their ease but the irresistible gaiety of my native tongue. Between the old lady and myself I think there was a real attachment. She was never weary of sitting to me for her portrait, in her best cap and brigand hat, and with all her wrinkles tidily composed, and though she never failed to repudiate the result, she would always insist upon another trial. It was as good as a play to see her sitting in judgment over the last. ‘No, no,’ she would say, ‘that is not it. I am old, to be sure, but I am better-looking than that. We must try again.’ When I was about to leave she bade me good-bye for this life in a somewhat touching manner. We should not meet again, she said; it was a long farewell, and she was sorry. But life is so full of crooks, old lady, that who knows? I have said good-bye to people for greater distances and times, and, please God, I mean to see them yet again.
One thing was notable about these women, from the youngest to the oldest, and with hardly an exception. In spite of their piety, they could twang off an oath with Sir Toby Belch in person. There was nothing so high or so low, in heaven or earth or in the human body, but a woman of this neighbourhood would whip out the name of it, fair and square, by way of conversational adornment. My landlady, who was pretty and young, dressed like a lady and avoided patois like a weakness, commonly addressed her child in the language of a drunken bully. And of all the swearers that I ever heard, commend me to an old lady in Gondet, a village of the Loire. I was making a sketch, and her curse was not yet ended when I had finished it and took my departure. It is true she had a right to be angry; for here was her son, a hulking fellow, visibly the worse for drink before the day was well begun. But it was strange to hear her unwearying flow of oaths and obscenities, endless like a river, and now and then rising to a passionate shrillness, in the clear and silent air of the morning. In city slums, the thing might have passed unnoticed; but in a country valley, and from a plain and honest countrywoman, this beastliness of speech surprised the ear.
The Conductor, as he is called, of Roads and Bridges was my principal companion. He was generally intelligent, and could have spoken more or less falsetto on any of the trite topics; but it was his specially to have a generous taste in eating. This was what was most indigenous in the man; it was here he was an artist; and I found in his company what I had long suspected, that enthusiasm and special knowledge are the great social qualities, and what they are about, whether white sauce or Shakespeare’s plays, an altogether secondary question.
I used to accompany the Conductor on his professional rounds, and grew to believe myself an expert in the business. I thought I could make an entry in a stone-breaker’s time-book, or order manure off the wayside with any living engineer in France. Gondet was one of the places we visited together; and Laussonne, where I met the apothecary’s father, was another. There, at Laussonne, George Sand spent a day while she was gathering materials for the Marquis de Villemer; and I have spoken with an old man, who was then a child running about the inn kitchen, and who still remembers her with a sort of reverence. It appears that he spoke French imperfectly; for this reason George Sand chose him for companion, and whenever he let slip a broad and picturesque phrase in patois, she would make him repeat it again and again till it was graven in her memory. The word for a frog particularly pleased her fancy; and it would be curious to know if she afterwards employed it in her works. The peasants, who knew nothing of betters and had never so much as heard of local colour, could not explain her chattering with this backward child; and to them she seemed a very homely lady and far from beautiful: the most famous man-killer of the age appealed so little to Velaisian swine-herds!
On my first engineering excursion, which lay up by Crouzials towards Mount Mezenc and the borders of Ardèche, I began an improving acquaintance with the foreman road-mender. He was in great glee at having me with him, passed me off among his subalterns as the supervising engineer, and insisted on what he called ‘the gallantry’ of paying for my breakfast in a roadside wine-shop. On the whole, he was a man of great weather-wisdom, some spirits, and a social temper. But I am afraid he was superstitious. When he was nine years old, he had seen one night a company of bourgeois et dames qui faisaient la manège avec des chaises, and concluded that he was in the presence of a witches’ Sabbath. I suppose, but venture with timidity on the suggestion, that this may have been a romantic and nocturnal picnic party. Again, coming from Pradelles with his brother, they saw a great empty cart drawn by six enormous horses before them on the road. The driver cried aloud and filled the mountains with the cracking of his whip. He never seemed to go faster than a walk, yet it was impossible to overtake him; and at length, at the comer of a hill, the whole equipage disappeared bodily into the night. At the time, people said it was the devil qui s’amusait à faire ca.
I suggested there was nothing more likely, as he must have some amusement.
The foreman said it was odd, but there was less of that sort of thing than formerly. ‘C’est difficile,’ he added, ‘à expliquer.’
When we were well up on the moors and the Conductor was trying some road-metal with the gauge —
‘Hark!’ said the foreman, ‘do you hear nothing?’
We listened, and the wind, which was blowing chilly out of the east, brought a faint, tangled jangling to our ears.
‘It is the flocks of Vivarais,’ said he.
For every summer, the flocks out of all Ardèche are brought up to pasture on these grassy plateaux.
Here and there a little private flock was being tended by a girl, one spinning with a distaff, another seated on a wall and intently making lace. This last, when we addressed her, leaped up in a panic and put out her arms, like a person swimming, to keep us at a distance, and it was some seconds before we could persuade her of the honesty of our intentions.
The Conductor told me of another herdswoman from whom he had once asked his road while he was yet new to the country, and who fled from him, driving her beasts before her, until he had given up the information in despair. A tale of old lawlessness may yet be read in these uncouth timidities.
The winter in these uplands is a dangerous and melancholy time. Houses are snowed up, and way-farers lost in a flurry within hail of their own fireside. No man ventures abroad without meat and a bottle of wine, which he replenishes at every wine-shop; and even thus equipped he takes the road with terror. All day the family sits about the fire in a foul and airless hovel, and equally without work or diversion. The father may carve a rude piece of furniture, but that is all that will be done until the spring sets in again, and along with it the labours of the field. It is not for nothing that you find a clock in the meanest of these mountain habitations. A clock and an almanac, you would fancy, were indispensable in such a life.
VII.
RANDOM MEMORIES: ROSA QUO LOCORUM
Through what little channels, by what hints and premonitions, the consciousness of the man’s art dawns first upon the child, it should be not only interesting but instructive to inquire. A matter of curiosity to-day, it will become the ground of science to-morrow. From the mind of childhood there is more history and more philosophy to be fished up than from all the printed volumes in a library. The child is conscious of an interest, not in literature but in life. A taste for the precise, the adroit, or the comely in the use of words, comes late; but long before that he has enjoyed in books a delightful dress rehearsal of experience. He is first conscious of this material – I had almost said this practical – pre-occupation; it does not follow that it really came the first. I have some old fogged negatives in my collection that would seem to imply a prior stage ‘The Lord is gone up with a shout, and God with the sound of a trumpet’ – memorial version, I know not where to find the text – rings still in my ear from my first childhood, and perhaps with something of my nurses accent. There was possibly some sort of image written in my mind by these loud words, but I believe the words themselves were what I cherished. I had about the same time, and under the same influence – that of my dear nurse – a favourite author: it is possible the reader has not heard of him – the Rev. Robert Murray M’Cheyne. My nurse and I admired his name exceedingly, so that I must have been taught the love of beautiful sounds before I was breeched; and I remember two specimens of his muse until this day: —
‘Behind the hills of Naphtali
The sun went slowly down,
Leaving on mountain, tower, and tree,
A tinge of golden brown.’
There is imagery here, and I set it on one side. The other – it is but a verse – not only contains no image, but is quite unintelligible even to my comparatively instructed mind, and I know not even how to spell the outlandish vocable that charmed me in my childhood:
‘Jehovah Tschidkenu is nothing to her’; —6
I may say, without flippancy, that he was nothing to me either, since I had no ray of a guess of what he was about; yet the verse, from then to now, a longer interval than the life of a generation, has continued to haunt me.
I have said that I should set a passage distinguished by obvious and pleasing imagery, however faint; for the child thinks much in images, words are very live to him, phrases that imply a picture eloquent beyond their value. Rummaging in the dusty pigeon-holes of memory, I came once upon a graphic version of the famous Psalm, ‘The Lord is my shepherd’: and from the places employed in its illustration, which are all in the immediate neighbourhood of a house then occupied by my father, I am able, to date it before the seventh year of my age, although it was probably earlier in fact. The ‘pastures green’ were represented by a certain suburban stubble-field, where I had once walked with my nurse, under an autumnal sunset, on the banks of the Water of Leith: the place is long ago built up; no pastures now, no stubble-fields; only a maze of little streets and smoking chimneys and shrill children. Here, in the fleecy person of a sheep, I seemed to myself to follow something unseen, unrealised, and yet benignant; and close by the sheep in which I was incarnated – as if for greater security – rustled the skirt, of my nurse. ‘Death’s dark vale’ was a certain archway in the Warriston Cemetery: a formidable yet beloved spot, for children love to be afraid, – in measure as they love all experience of vitality. Here I beheld myself some paces ahead (seeing myself, I mean, from behind) utterly alone in that uncanny passage; on the one side of me a rude, knobby, shepherd’s staff, such as cheers the heart of the cockney tourist, on the other a rod like a billiard cue, appeared to accompany my progress; the stiff sturdily upright, the billiard cue inclined confidentially, like one whispering, towards my ear. I was aware – I will never tell you how – that the presence of these articles afforded me encouragement. The third and last of my pictures illustrated words: —
‘My table Thou hast furnished
In presence of my foes:
My head Thou dost with oil anoint,
And my cup overflows’:
and this was perhaps the most interesting of the series. I saw myself seated in a kind of open stone summer-house at table; over my shoulder a hairy, bearded, and robed presence anointed me from an authentic shoe-horn; the summer-house was part of the green court of a ruin, and from the far side of the court black and white imps discharged against me ineffectual arrows. The picture appears arbitrary, but I can trace every detail to its source, as Mr. Brock analysed the dream of Alan Armadale. The summer-house and court were muddled together out of Billings’ Antiquities of Scotland; the imps conveyed from Bagster’s Pilgrim’s Progress; the bearded and robed figure from any one of the thousand Bible pictures; and the shoe-horn was plagiarised from an old illustrated Bible, where it figured in the hand of Samuel anointing Saul, and had been pointed out to me as a jest by my father. It was shown me for a jest, remark; but the serious spirit of infancy adopted it in earnest. Children are all classics; a bottle would have seemed an intermediary too trivial – that divine refreshment of whose meaning I had no guess; and I seized on the idea of that mystic shoe-horn with delight, even as, a little later, I should have written flagon, chalice, hanaper, beaker, or any word that might have appealed to me at the moment as least contaminate with mean associations. In this string of pictures I believe the gist of the psalm to have consisted; I believe it had no more to say to me; and the result was consolatory. I would go to sleep dwelling with restfulness upon these images; they passed before me, besides, to an appropriate music; for I had already singled out from that rude psalm the one lovely verse which dwells in the minds of all, not growing old, not disgraced by its association with long Sunday tasks, a scarce conscious joy in childhood, in age a companion thought: —
‘In pastures green Thou leadest me,
The quiet waters by.’
The remainder of my childish recollections are all of the matter of what was read to me, and not of any manner in the words. If these pleased me it was unconsciously; I listened for news of the great vacant world upon whose edge I stood; I listened for delightful plots that I might re-enact in play, and romantic scenes and circumstances that I might call up before me, with closed eyes, when I was tired of Scotland, and home, and that weary prison of the sick-chamber in which I lay so long in durance. Robinson Crusoe; some of the books of that cheerful, ingenious, romantic soul, Mayne Reid; and a work rather gruesome and bloody for a child, but very picturesque, called Paul Blake; these are the three strongest impressions I remember: The Swiss Family Robinson came next, longo intervallo. At these I played, conjured up their scenes, and delighted to hear them rehearsed unto seventy times seven. I am not sure but what Paul Blake came after I could read. It seems connected with a visit to the country, and an experience unforgettable. The day had been warm; H- and I had played together charmingly all day in a sandy wilderness across the road; then came the evening with a great flash of colour and a heavenly sweetness in the air. Somehow my play-mate had vanished, or is out of the story, as the sages say, but I was sent into the village on an errand; and, taking a book of fairy tales, went down alone through a fir-wood, reading as I walked. How often since then has it befallen me to be happy even so; but that was the first time: the shock of that pleasure I have never since forgot, and if my mind serves me to the last, I never shall, for it was then that I knew I loved reading.
II
To pass from hearing literature to reading it is to take a great and dangerous step. With not a few, I think a large proportion of their pleasure then comes to an end; ‘the malady of not marking’ overtakes them; they read thenceforward by the eye alone and hear never again the chime of fair words or the march of the stately period. Non ragioniam of these. But to all the step is dangerous; it involves coming of age; it is even a kind of second weaning. In the past all was at the choice of others; they chose, they digested, they read aloud for us and sang to their own tune the books of childhood. In the future we are to approach the silent, inexpressive type alone, like pioneers; and the choice of what we are to read is in our own hands thenceforward. For instance, in the passages already adduced, I detect and applaud the ear of my old nurse; they were of her choice, and she imposed them on my infancy, reading the works of others as a poet would scarce dare to read his own; gloating on the rhythm, dwelling with delight on assonances and alliterations. I know very well my mother must have been all the while trying to educate my taste upon more secular authors; but the vigour and the continual opportunities of my nurse triumphed, and after a long search, I can find in these earliest volumes of my autobiography no mention of anything but nursery rhymes, the Bible, and Mr. M’Cheyne.
I suppose all children agree in looking back with delight on their school Readers. We might not now find so much pathos in ‘Bingen on the Rhine,’ ‘A soldier of the Legion lay dying in Algiers,’ or in ‘The Soldier’s Funeral,’ in the declamation of which I was held to have surpassed myself. ‘Robert’s voice,’ said the master on this memorable occasion, ‘is not strong, but impressive’: an opinion which I was fool enough to carry home to my father; who roasted me for years in consequence. I am sure one should not be so deliciously tickled by the humorous pieces: —
‘What, crusty? cries Will in a taking,
Who would not be crusty with half a year’s baking?’
I think this quip would leave us cold. The ‘Isles of Greece’ seem rather tawdry too; but on the ‘Address to the Ocean,’ or on ‘The Dying Gladiator,’ ‘time has writ no wrinkle.’
’Tis the morn, but dim and dark,
Whither flies the silent lark?’ —
does the reader recall the moment when his eye first fell upon these lines in the Fourth Reader; and ‘surprised with joy, impatient as the wind,’ he plunged into the sequel? And there was another piece, this time in prose, which none can have forgotten; many like me must have searched Dickens with zeal to find it again, and in its proper context, and have perhaps been conscious of some inconsiderable measure of disappointment, that it was only Tom Pinch who drove, in such a pomp of poetry, to London.
But in the Reader we are still under guides. What a boy turns out for himself, as he rummages the bookshelves, is the real test and pleasure. My father’s library was a spot of some austerity; the proceedings of learned societies, some Latin divinity, cyclopædias, physical science, and, above all, optics, held the chief place upon the shelves, and it was only in holes and corners that anything really legible existed as by accident. The Parent’s Assistant, Rob Roy, Waverley, and Guy Mannering, the Voyages of Captain Woods Rogers, Fuller’s and Bunyan’s Holy Wars, The Reflections of Robinson Crusoe, The Female Bluebeard, G. Sand’s Mare au Diable– (how came it in that grave assembly!), Ainsworth’s Tower of London, and four old volumes of Punch – these were the chief exceptions. In these latter, which made for years the chief of my diet, I very early fell in love (almost as soon as I could spell) with the Snob Papers. I knew them almost by heart, particularly the visit to the Pontos; and I remember my surprise when I found, long afterwards, that they were famous, and signed with a famous name; to me, as I read and admired them, they were the works of Mr. Punch. Time and again I tried to read Rob Roy, with whom of course I was acquainted from the Tales of a Grandfather; time and again the early part, with Rashleigh and (think of it!) the adorable Diana, choked me off; and I shall never forget the pleasure and surprise with which, lying on the floor one summer evening, I struck of a sudden into the first scene with Andrew Fairservice. ‘The worthy Dr. Lightfoot’ – ‘mistrysted with a bogle’ – ‘a wheen green trash’ – ‘Jenny, lass, I think I ha’e her’: from that day to this the phrases have been unforgotten. I read on, I need scarce say; I came to Glasgow, I bided tryst on Glasgow Bridge, I met Rob Roy and the Bailie in the Tolbooth, all with transporting pleasure; and then the clouds gathered once more about my path; and I dozed and skipped until I stumbled half-asleep into the clachan of Aberfoyle, and the voices of Iverach and Galbraith recalled me to myself. With that scene and the defeat of Captain Thornton the book concluded; Helen and her sons shocked even the little schoolboy of nine or ten with their unreality; I read no more, or I did not grasp what I was reading; and years elapsed before I consciously met Diana and her father among the hills, or saw Rashleigh dying in the chair. When I think of that novel and that evening, I am impatient with all others; they seem but shadows and impostors; they cannot satisfy the appetite which this awakened; and I dare be known to think it the best of Sir Walter’s by nearly as much as Sir Walter is the best of novelists. Perhaps Mr. Lang is right, and our first friends in the land of fiction are always the most real. And yet I had read before this Guy Mannering, and some of Waverley, with no such delighted sense of truth and humour, and I read immediately after the greater part of the Waverley Novels, and was never moved again in the same way or to the same degree. One circumstance is suspicious: my critical estimate of the Waverley Novels has scarce changed at all since I was ten. Rob Roy, Guy Mannering, and Redgauntlet first; then, a little lower; The Fortunes of Nigel; then, after a huge gulf, Ivanhoe and Anne of Geierstein: the rest nowhere; such was the verdict of the boy. Since then The Antiquary, St. Ronan’s Well, Kenilworth, and The Heart of Midlothian have gone up in the scale; perhaps Ivanhoe and Anne of Geierstein have gone a trifle down; Diana Vernon has been added to my admirations in that enchanted world of Rob Roy; I think more of the letters in Redgauntlet, and Peter Peebles, that dreadful piece of realism, I can now read about with equanimity, interest, and I had almost said pleasure, while to the childish critic he often caused unmixed distress. But the rest is the same; I could not finish The Pirate when I was a child, I have never finished it yet; Peveril of the Peak dropped half way through from my schoolboy hands, and though I have since waded to an end in a kind of wager with myself, the exercise was quite without enjoyment. There is something disquieting in these considerations. I still think the visit to Ponto’s the best part of the Book of Snobs: does that mean that I was right when I was a child, or does it mean that I have never grown since then, that the child is not the man’s father, but the man? and that I came into the world with all my faculties complete, and have only learned sinsyne to be more tolerant of boredom?.
