Виктор Мари Гюго
Les Misérables, v. 4
"Do you know where I am going?"
"To the abbey of Go-up-with-regret" (the scaffold), said Gavroche.
"Joker!"
And Montparnasse added, —
"I am going to meet Babet."
"Ah!" said Gavroche, "her name is Babet, is it?"
Montparnasse lowered his voice, —
"It is not a she, but a he."
"I thought he was buckled up."
"He has unfastened the buckle," Montparnasse replied.
And he hurriedly told the boy that on that very morning Babet, while being removed to the Conciergerie, escaped by turning to the left instead of the right in the "police-office passage."
Gavroche admired his skill.
"What a dentist!" said he.
Montparnasse added a few details about Babet's escape, and ended with, "Oh, that is not all."
Gavroche, while talking, had seized a cane which Montparnasse held in his hand; he mechanically pulled at the upper part, and a dagger blade became visible.
"Ah!" he said as he quickly thrust it back, "you have brought your gendarme with you disguised as a civilian."
Montparnasse winked.
"The deuce!" Gavroche continued, "are you going to have a turn-up with the slops?"
"There's no knowing," Montparnasse answered carelessly; "it's always as well to have a pin about you."
Gavroche pressed him.
"What are you going to do to-night?"
Montparnasse again became serious, and said, mincing his words, —
"Some things."
And he suddenly changed the conversation.
"By the bye – "
"What?"
"Something that happened the other day. Just fancy. I meet a bourgeois, and he makes me a present of a sermon, and a purse. I put it in my pocket, a moment later I feel for it, and there was nothing there."
"Only the sermon," said Gavroche.
"But where are you going now?" Montparnasse continued.
Gavroche pointed to his two protégés, and said, —
"I am going to put these two children to bed."
"Where?"
"At my house."
"Have you a lodging?"
"Yes."
"Where?"
"Inside the elephant," said Gavroche.
Montparnasse, though naturally not easy to astonish, could not refrain from the exclamation, —
"Inside the elephant?"
"Well, yes, kekçaa?"
This is another word belonging to the language which nobody reads and everybody speaks; kekçaa signifies, qu'est-ce-que cela a? The gamin's profound remark brought Montparnasse back to calmness and good sense: he seemed to entertain a better opinion of Gavroche's lodgings.
"Ah, yes," he said, "the 'elephant.' Are you comfortable there?"
"Very," Gavroche replied. "Most comfortable. There are no draughts as there are under the bridges."
"How do you get in? Is there a hole?"
"Of course there is, but you have no need to mention it; it's between the front legs, and the police-spies don't know it."
"And you climb in? yes, I understand."
"A turn of the hand, cric crac, it's done; and there's no one to be seen."
After a pause Gavroche added, —
"I shall have a ladder for these young ones."
Montparnasse burst into a laugh.
"Where the devil did you pick up those kids?"
"A barber made me a present of them."
In the mean while Montparnasse had become pensive.
"You recognized me very easily," he said.
He took from his pocket two small objects, which were quills wrapped in cotton, and thrust one into each nostril; they made him quite a different nose.
"That changes you," said Gavroche; "you are not so ugly now, and you ought to keep them in for good."
Montparnasse was a handsome fellow, but Gavroche was fond of a joke.
"Without any humbug," Montparnasse asked; "what do you think of me now?"
It was also a different sound of voice; in a second Montparnasse had become unrecognizable.
"Oh! play Porrichinelle for us!" Gavroche exclaimed.
The two lads, who had heard nothing up to this moment, engaged as they were themselves in thrusting their fingers up their noses, drew nearer on hearing this name, and gazed at Montparnasse with a beginning of joy and admiration. Unhappily Montparnasse was in no humor for jesting; he laid his hand on Gavroche's shoulder, and said, with a stress on each word, —
"Listen to what I tell you, boy; if I were on the spot, with my dog, my knife, and my wife, and you were to offer me ten double sous I would not refuse to work, but we are not at Mardi Gras."1
This strange sentence produced a singular effect on the gamin; he turned around sharply, looked with his little bright eyes all around, and noticed a few yards off a policeman with his back turned to them. Gavroche let an "all-right" slip from him, which he at once repressed, and shook Montparnasse's hand.
"Well, good-night," he said; "I am off to my elephant with my brats. Should you happen to want me any night you'll find me there. I lodge in the entresol, and there's no porter; ask for Monsieur Gavroche."
"All right," said Montparnasse.
And they parted, Montparnasse going toward the Grève, and Gavroche toward the Bastille. The youngest boy, dragged on by his brother, whom Gavroche dragged along in his turn, looked round several times to watch "Porrichinelle" go away.
The enigmatical sentence by which Montparnasse informed Gavroche of the presence of the policeman contained no other talisman but the sound dig repeated five or six times under various forms. This syllable, not pronounced separately, but artistically mingled with the words of a sentence, means, "Take care, we cannot speak freely." There was also in Montparnasse's remark a literary beauty which escaped Gavroche's notice, that is, mon dogue, ma dague, et ma digue, – a phrase of the Temple slang greatly in use among the merry-andrews and queues rouges of the great age in which Molière wrote and Callot designed.
Twenty years back there might have been seen in the southeastern corner of the square of the Bastille near the canal dock, dug in the old moat of the citadel-prison, a quaint monument, which has already been effaced from the memory of Parisians, and which should have left some trace, as it was an idea of the "Member of the Institute, Commander-in-Chief of the army of Egypt." We say monument, though it was only a plaster cast; but this cast itself, a prodigious sketch, the grand corpse of a Napoleonic idea which two or three successive puffs of wind carried away each time farther from us, had become historic, and assumed something definitive, which formed a contrast with its temporary appearance. It was an elephant, forty feet high, constructed of carpentry and masonry, bearing on its back a castle which resembled a house, once painted green by some plasterer, and now painted black by the heavens, the rain, and time. In this deserted and uncovered corner of the square the wide forehead of the colossus, its trunk, its tusks, its castle, its enormous back, and its four feet like columns, produced at night upon the starlit sky a surprising and terrible outline. No one knew what it meant, and it seemed a sort of symbol of the popular strength. It was gloomy, enigmatical, and immense; it looked like a powerful phantom visible and erect by the side of the invisible spectre of the Bastille. Few strangers visited this edifice, and no passer-by looked at it. It was falling in ruins, and each season plaster becoming detached from its flanks, made horrible wounds upon it. The "Édiles," as they were called in the fashionable slang, had forgotten it since 1814. It stood there in its corner, gloomy, sickly, crumbling away, surrounded by rotting palings, which were sullied every moment by drunken drivers. There were yawning cracks in its stomach, a lath issued from its tail, and tall grass grew between its legs; and as the level of the square had risen during the last thirty years through that slow and continuous movement which insensibly elevates the soil of great cities, it was in a hollow, and it seemed as if the earth were giving way beneath it. It was unclean, despised, repulsive, and superb; ugly in the eyes of cits, but melancholy in the eyes of the thinker. It had something about it of the ordure which is swept away, and something of the majesty which is decapitated.
As we said, at night its appearance changed; for night is the real medium of everything which is shadow. So soon as twilight set in the old elephant was transfigured; and it assumed a placid and redoubtable appearance in the formidable serenity of the darkness. As it belonged to the past it belonged to night, and this obscurity suited its grandeur. This monument, rude, broad, heavy, rough, austere, and almost shapeless, but most assuredly majestic, and imprinted with a species of magnificent and savage gravity, has disappeared to allow the sort of gigantic stove adorned with its pipe to reign in peace, which was substituted for the frowning fortalice with its nine towers much in the same way as the bourgeoisie are substituted for feudalism. It is very simple that a stove should be the symbol of an epoch in which a copper contains the power. This period will pass away; it is already passing away. People are beginning to understand that if there may be strength in a boiler there can only be power in a brain; in other words, that what leads and carries away the world is not locomotives, but ideas. Attach locomotives to ideas, and then it is all right; but do not take the horse for the rider.
However this may be, to return to the Bastille square, the architect of the elephant managed to produce something grand with plaster, while the architect of the stove-pipe has succeeded in making something little out of bronze. This stove-pipe, which was christened a sonorous name and called the Column of July, this spoiled monument of an abortive revolution, was still wrapped up, in 1832, in an immense sheet of carpentry-work, – which we regret for our part, – and a vast enclosure of planks, which completed the isolation of the elephant. It was to this corner of this square, which was scarce lighted by the reflection of a distant oil-lamp, that the gamin led the two urchins.
(Allow us to interrupt our narrative here, and remind our readers that we are recording the simple truth; and that twenty years ago a boy, who was caught sleeping in the inside of the elephant of the Bastille, was brought before the police on the charge of vagabondage and breaking a public monument.)
On coming near the colossus, Gavroche understood the effect which the infinitely great may produce on the infinitely little, and said, —
"Don't be frightened, brats."
Then he went through a hole in the palings into the ground round the elephant, and helped the children to pass through the breach. The lads, a little frightened, followed Gavroche without a word, and confided in this little Providence in rags who had given them bread and promised them a bed. A ladder, employed by workmen at the column by day, was lying along the palings; Gavroche raised it with singular vigor, and placed it against one of the elephant's fore legs. At the point where the ladder ended, a sort of black hole could be distinguished in the belly of the colossus. Gavroche pointed out the ladder and the hole to his guests, and said, "Go up, and go in." The two little boys looked at each other in terror.
"You are frightened, kids!" Gavroche exclaimed, and added, "you shall see."
He clung round the elephant's wrinkled foot, and in a twinkling, without deigning to employ the ladder, he reached the hole. He went in like a lizard gliding into a crevice, and a moment after the boys saw his head vaguely appear, like a white livid form, on the edge of the hole, which was full of darkness.
"Well," he cried, "come up, my blessed babes. You will see how snug it is. Come up, you," he said to the elder. "I will hold your hand."
The little boys nudged each other, for the gamin at once frightened and reassured them; and then it was raining very hard. The elder boy ventured, and the younger, on seeing his brother ascending and himself left alone between the feet of this great beast, felt greatly inclined to cry, but did not dare. The elder climbed up the rungs of the ladder in a very tottering way, and as he did so Gavroche encouraged him by exclamations of a fencing-master to his pupils, or of a muleteer to his mules.
"Don't be frightened! That is it – keep on moving; set your foot there; now, your hand here – bravo!"
And when he was within reach he quickly and powerfully seized him by the arm, and drew him to him.
"Swallowed!" he said.
The boy had passed through the crevice.
"Now," said Gavroche, "wait for me. Pray sit down, sir."
And leaving the hole in the same way as he had entered it, he slid down the elephant's leg with the agility of a monkey, fell on his feet in the grass, seized the youngest boy round the waist and planted him on the middle of the ladder; then he began ascending behind him, shouting to the elder boy, —
"I'll push him and you'll pull him."
In a second the little fellow was pushed up, dragged, pulled, and drawn through the hole before he knew where he was; and Gavroche, entering after him, kicked away the ladder, which fell in the grass, and clapped his hands as he shouted, "There we are! Long live General Lafayette!" This explosion over, he added, "Brats, you are in my house."
Gavroche was, in fact, at home. Oh, unexpected utility of the useless! Oh, charity of great things! Oh, goodness of the giants! This huge monument, which had contained a thought of the Emperor, had become the lodging of a gamin. The brat had been accepted and sheltered by the colossus. The cits in their Sunday clothes who passed by the elephant of the Bastille were prone to say, as they measured it with a contemptuous look from the eyes flush with their head, Of what service is that? It served to save from cold, from frost, from damp and rain; to protect from the winter wind; to preserve from sleeping in the mud, which entails fever, and from sleeping in the snow, which causes death, a little fatherless and motherless boy without bread, clothes, or shelter. It served to shelter the innocent boy whom society repulsed. It served to diminish the public wrong. It was a lair opened to him against whom all doors were closed. It seemed as if the old wretched mastodon, attacked by vermin and oblivion, covered with warts, mould, and ulcers, tottering, crumbling, abandoned, and condemned, – a species of colossal mendicant asking in vain the alms of a benevolent glance in the midst of the highway, – had taken pity on this other beggar, the poor pygmy who walked about without shoes on his feet, without a ceiling over his head, blowing his fingers, dressed in rags, and supporting life on what was thrown away. This is of what use the elephant of the Bastille was; and this idea of Napoleon, disdained by men, had been taken up again by God. What had only been illustrious had become august. The Emperor would have needed, in order to realize what he meditated, porphyry, bronze, iron, gold, and marble; but for God the old collection of planks, beams, and plaster was sufficient. The Emperor had had a dream of genius. In this Titanic elephant, armed, prodigious, raising its trunk, and spouting all around glad and living waters, he wished to incarnate the people; and God had made a greater thing of it, for He lodged a child in it.
The hole by which Gavroche entered was a breach scarce visible from the outside, as it was concealed, as we said, under the elephant's belly, and so narrow that only cats and boys could pass through it.
"Let us begin," said Gavroche, "by telling the porter that we are not at home."
And plunging into the darkness with certainty like a man who knows every corner of the room, he took a plank and stopped up the hole. Gavroche plunged again into the darkness; the children heard the fizzing of a match dipped into the bottle of phosphorus, – for lucifer matches did not yet exist, and the Fumade fire-producer represented progress at that day. A sudden light made them wink. Gavroche had lit one of those bits of string dipped in pitch which are called "cellar rats;" and this thing, which smoked more than it illumined, rendered the inside of the elephant indistinctly visible. Gavroche's two guests looked around them, and had much such a feeling as any one would have if shut up in the Heidelberg tun, or, better still, what Jonas must have experienced in the biblical belly of the whale. An entire gigantic skeleton was visible to them and enveloped them; above their heads a long brown beam, from which sprang at regular distances massive cross-bars, represented the spine with the ribs; stalactites of plaster hung down like viscera, and vast spider webs formed from one side to the other dusty diaphragms. Here and there in corners could be seen large black spots which seemed alive, and changed places rapidly with a quick and startled movement. The pieces which had fallen from the elephant's back on its belly had filled up the concavity, so that it was possible to walk on it as on a flooring. The youngest lad nudged his brother and said, —
"It is black."
This remark made Gavroche cry out, for the petrified air of the two lads rendered a check necessary.
"What's that you give me?" he shouted; "do you gab? You have dislikes, eh! I suppose you want the Tuileries? Are you brutes? Tell me, but I warn you that I do not belong to the regiment of spoonies. Well, to hear you talk one would think that your father was a prince of the blood."
A little roughness is good in terror, for it reassures; the two children drew nearer to Gavroche, who, affected paternally by this confidence, passed from sternness to gentleness, and addressing the younger lad, —
"Blockhead," he said, toning down the insult with a caressing inflection of the voice, "it is outside that it's black. Outside it rains, and here it does not rain; outside it is cold, and here there is not a breath of wind; outside there is a heap of people, and here there's nobody; outside there's not even the moon, and here there's a candle, the deuce take it all!"
The two lads began looking round the apartment with less terror, but Gavroche did not allow them any leisure for contemplation.
"Quick," he said.
And he thrust them toward what we are very happy to call the end of the room, where his bed was. Gavroche's bed was perfect, that is to say, there was a mattress, a coverlet, and an alcove with curtains. The mattress was a straw mat, and the coverlet was a rather wide wrapper of coarse gray wool, very warm, and nearly new. This is what the alcove was, – three long props were driven securely into the plaster soil, that is to say, the elephant's belly, two in front and one behind, and were fastened by a cord at the top, so as to form a hollow pyramid. These props supported a grating of brass wire, simply laid upon them, but artistically fastened with iron wire, so that it entirely surrounded the three poles. A row of large stones fastened the lattice-work down to the ground, so that nothing could pass; and this lattice was merely a piece of the brass-work put up in aviaries in menageries. Gavroche's bed was under the wire-work as in a cage, and the whole resembled an Esquimaux's tent. Gavroche moved a few of the stones that held down the lattice-work in front, and shouted to the lads, —
"Now then, on all fours."
He made his guests enter the cage cautiously, then went in after them, brought the stones together again, and hermetically closed the opening. They lay down all three on the mat, and though they were all so short, not one of them could stand upright in the alcove. Gavroche still held the "cellar rat" in his hand.
"Now," he said, "to roost; I am going to suppress the chandelier."
"What is that, sir?" the elder of the lads asked Gavroche, pointing to the brass grating.
"That," said Gavroche, gravely, "is on account of the rats. Go to roost!"
Still he thought himself obliged to add a few words of instruction for these young creatures, and continued, —
"It comes from the Jardin des Plantes, and is employed to guard ferocious animals. There is a whole store-house full; you have only to climb over a wall, crawl through a window, and pass under a door, and you can have as much as you like."
While speaking he wrapped up the little boy in the blanket, who murmured, —
"Oh, that is nice, it's so warm!"
Gavroche took a glance of satisfaction at the coverlet.
"That also comes from the Jardin des Plantes," he said, "I took it from the monkeys."
And pointing out to the elder one the straw mat on which he was lying, which was very thick and admirably made, he added, —
"That belonged to the giraffe."
After a pause he continued, —
"The beasts had all those things, and I took them from them; they were not at all angry, for I told them that I wanted them for the elephant."
There was another interval of silence, after which he continued, "You climb over walls and snap your fingers at the Government."
The two lads gazed with a timid and stupefied respect at this intrepid and inventive being, a vagabond like them, isolated like them, weak like them, who had something admirable and omnipotent about him, who appeared to them supernatural, and whose face was composed of all the grimaces of an old mountebank, mingled with the simplest and most charming smile.
"Then, sir," the elder lad said timidly, "you are not afraid of the policemen?"
Gavroche limited himself to answering, —
"Brat! we don't say 'policemen,' we say 'slops.'"
The younger had his eyes wide open, but said nothing; as he was at the edge of the mat, the elder being in the centre, Gavroche tucked in the coverlet around him as a mother would have done, and raised the mat under his head with old rags, so as to make him a pillow. Then he turned to the elder boy, —
"Well! it is jolly here, eh?"
"Oh, yes!" the lad answered, as he looked at Gavroche with the expression of a saved angel.
The two poor little fellows, who were wet through, began to grow warm again.
"By the bye," Gavroche went on, "why were you blubbering?"
And pointing to the younger boy he said to his brother, —
"A baby like that, I don't say no; but for a tall chap like you to cry is idiotic, you look like a calf."
"Well, sir," the lad said, "we hadn't any lodging to go to."
"Brat," Gavroche remarked, "we don't say 'lodging,' but 'crib.'"
"And then we felt afraid of being all alone like that in the night."
"We don't say 'night,' but 'sorgue.'"
"Thank you, sir," said the boy.
"Listen to me," Gavroche went on. "You must never blubber for anything. I'll take care of you, and you'll see what fun we shall have. In summer we'll go to the Glacière with Navet, a pal of mine; we'll bathe in the dock, and run about naked on the timber floats in front of the bridge of Austerlitz, for that makes the washerwomen rage. They yell, they kick, and, Lord! if you only knew how ridiculous they are! We'll go and see the skeleton man; he's alive at the Champs Élysées, and the cove is as thin as blazes. And then I will take you to the play, and let you see Frederick Lemaître; I get tickets, for I know some actors, and even performed myself once in a piece. We were a lot of boys who ran about under a canvas, and that made the sea. I will get you an engagement at my theatre. We will go and see the savages, but they ain't real savages, they wear pink fleshing which forms creases, and you can see repairs made at their elbows with white thread. After that we will go to the Opera, and enter with the claquers. The claque at the Opera is very well selected, though I wouldn't care to be seen with the claque on the boulevard. At the Opera, just fancy, they're people who pay their twenty sous, but they are asses, and we call them dish-clouts. And then we will go and see a man guillotined, and I'll point out the executioner to you, Monsieur Sanson; he lives in the Rue de Marais, and he's got a letter-box at his door. Ah! we shall amuse ourselves famously."
At this moment a drop of pitch fell on Gavroche's hand, and recalled him to the realities of life.
"The devil," he said, "the match is wearing out. Pay attention! I can't afford more than a sou a month for lighting, and when people go to bed they are expected to sleep. We haven't the time to read M. Paul de Kock's romances. Besides, the light might pass through the crevices of the gate, and the slops might see it."
"And then," timidly observed the elder lad, who alone dared to speak to Gavroche and answer him, "a spark might fall on the straw, and we must be careful not to set the house on fire."
"You mustn't say 'set the house on fire,'" Gavroche remarked, "but 'blaze the crib.'"
The storm grew more furious, and through the thunder-peals the rain could be heard pattering on the back of the colossus.
"The rain's sold!" said Gavroche. "I like to hear the contents of the water-bottle running down the legs of the house. Winter's an ass; it loses its time, it loses its trouble; it can't drown us, and so that is the reason why the old water-carrier is so growling with us."
This allusion to the thunder, whose consequences Gavroche, in his quality as a nineteenth-century philosopher, accepted, was followed by a lengthened flash, so dazzling that a portion of it passed through the hole in the elephant's belly. Almost at the same moment the thunder roared, and very furiously. The two little boys uttered a cry, and rose so quickly that the brass grating was almost thrown down; but Gavroche turned toward them his bold face, and profited by the thunder-clap to burst into a laugh.
"Be calm, children, and do not upset the edifice. That's fine thunder of the right sort, and it isn't like that humbugging lightning. It's almost as fine as at the 'Ambigu.'"
This said, he restored order in the grating, softly pushed the two lads on to the bed, pressed their knees to make them lie full length, and cried, —
"Since le Bon Dieu is lighting his candle, I can put out mine. Children, my young humans, we must sleep, for it's very bad not to sleep. It makes you stink in the throat, as people say in fashionable society. Wrap yourselves well up in the blanket, for I am going to put the light out; are you all right?"
"Yes," said the elder boy, "I'm all right, and feel as if I had a feather pillow under my head."
"You mustn't say 'head,'" Gavroche cried, "but 'nut.'"
The two lads crept close together; Gavroche made them all right on the mat, and pulled the blanket up to their ears; then he repeated for the third time in the hieratic language, "Roost."
And he blew out the rope's end. The light was scarce extinguished ere a singular trembling began to shake the trellis-work under which the three children were lying. It was a multitude of dull rubbings which produced a metallic sound, as if claws and teeth were assailing the copper wire, and this was accompanied by all sorts of little shrill cries. The little boy of five years of age, hearing this noise above his head, and chilled with terror, nudged his elder brother, but he was "roosting" already, as Gavroche had ordered him; then the little one, unable to hold out any longer for fright, dared to address Gavroche, but in a very low voice and holding his breath.
"Sir?"
"Hilloh!" said Gavroche, who had just closed his eyes.
"What is that?"
"It's the rats," Gavroche answered.
And he laid his head again on the mat. The rats, which were really by thousands in the elephant's carcass, and were the live black spots to which we have alluded, had been held in check by the flame of the link so long as it was alight; but as soon as this cavern, which was, so to speak, their city, had been restored to night, sniffing what that famous story-teller, Perrault, calls "fresh meat," they rushed in bands to Gavroche's tent, climbed to the top, and were biting the meshes, as if trying to enter this novel sort of trap. In the mean while the little one did not sleep.
"Sir?" he began again.
"Well?" Gavroche asked.
"What are rats?"
"They're mice."
This explanation slightly reassured the child, for he had seen white mice in his life, and had not been afraid of them; still, he raised his voice again.
"Sir?"
"Well?" Gavroche repeated.
"Why don't you keep a cat?"
"I had one," Gavroche answered; "I brought it here, but they ate it for me."
This second explanation undid the work of the first, and the child began trembling once more; the dialogue between him and Gavroche was resumed for the fourth time.
"Sir?"
"Well?"
"What was eaten?"
"The cat."
"What ate the cat?"
"The rats."
"The mice?"
"Yes, the rats."
The child, terrified by these mice which ate the cats, continued, —
"Would those mice eat us?"
"Oh, Lord, yes!" Gavroche said.
The child's terror was at its height, but Gavroche added, —
"Don't be frightened, they cant get in. And then, I am here. Stay; take my hand, hold your tongue, and sleep."
Gavroche at the same time took the boy's hand across his brother, and the child pressed the hand against his body and felt reassured; for courage and strength have mysterious communications. Silence had set in again around them, the sound of voices had startled and driven away the rats; and when they returned a few minutes later and furiously attacked, the three boys, plunged in sleep, heard nothing more. The night hours passed away; darkness covered the immense Bastille Square. A winter wind, which was mingled with the rain, blew in gusts. The patrols examined doors, enclosures, and dark corners, and, while searching for nocturnal vagabonds, passed silently before the elephant; the monster, erect and motionless, with its eyes open in the darkness, seemed to be dreaming, as if satisfied at its good deed, and sheltered from the sky and rain the three poor sleeping children. In order to understand what is going to follow, it must be remembered that at this period the main-guard of the Bastille was situated at the other end of the square, and that what took place near the elephant could neither be prevented nor heard by the sentry. Toward the end of the hour which immediately precedes daybreak, a man came running out of the Rue St. Antoine, crossed the square, went round the great enclosure of the Column of July, and slipped through the palings under the elephant's belly. If any light had fallen on this man, it might have been guessed from his thoroughly drenched state that he had passed the night in the rain. On getting under the elephant he uttered a peculiar cry, which belongs to no human language, and which a parrot alone could reproduce. He repeated twice this cry, of which the following orthography scarce supplies any idea, "Kirikikiou!" At the second cry a clear, gay, and young voice answered from the elephant's belly, "Yes!" Almost immediately the plank that closed the whole was removed, and left a passage for a lad, who slid down the elephant's leg and fell at the man's feet. It was Gavroche, and the man was Montparnasse. As for the cry of "Kirikikiou," it was doubtless what the lad meant to say by, "You will ask for Monsieur Gavroche." On hearing it, he jumped up with a start, crept out of his alcove by moving the grating a little, and then carefully closing it again, after which he opened the trap and went down. The man and the child silently recognized each other in the night, and Montparnasse confined himself to saying, —
