George Meredith
Sandra Belloni (originally Emilia in England). Complete
During the delivery of this charge against the household, Mr. Pole had several times waved to the servants to begone; but as they had always the option to misunderstand authoritative gestures, they preferred remaining, and possibly he perceived that they might claim to do so under accusation.
“How can you bring this charge against the inmates of my house—eh? I guarantee the honesty of all who serve me. Martha! you must be mad, mad!—Money? why, you never have money; you waste it if you do.”
“Not money, Pole? Oh! and why? Becas ye keep me low o’ purpose, till I cringe like a slut o’ the scullery, and cry out for halfpence. But, oh! that seventy-five pounds in notes!”
Mr. Pole shook his head, as one who deals with a gross delusion: “I remember nothing about it.”
“Not about—?” Mrs. Chump dropped her chin. “Ye don’t remember the givin’ of me just that sum of seventy-five, in eight notes, Pole?”
“Eh? I daresay I have given you the amount, one time or other. Now, let’s be quiet about it.”
“Yesterday mornin’, Pole! And the night I go to bed I count my money, and, says I, I’ll not lock ut up, for I’ll onnly be unlockin’ again to-morrow; and doin’ a thing and undoin’ ut’s a sign of a brain that’s addled—like yours, Pole, if ye say ye didn’t go to give me the notes.”
Mr. Pole frowned at her sagaciously. “Must change your diet, Martha!”
“My dite? And what’s my dite to do with my money?”
“Who went into Mrs. Chump’s bedchamber this morning?” asked Mr. Pole generally.
A pretty little housemaid replied, with an indignant flush, that she was the person. Mrs. Chump acknowledged to being awake when the shutters were opened, and agreed that it was not possible her pockets could have been rifled then.
“So, you see, Martha, you’re talking nonsense,” said Mr. Pole. “Do you know the numbers of those notes?”
“The numbers at the sides, ye mean, Pole?”
“Ay, the numbers at the sides, if you like; the 21593, and so on?”
“The 21593! Oh! I can’t remember such a lot as that, if ever I leave off repeatin’ it.”
“There! you see, you’re not fit to have money in your possession, Martha. Everybody who has bank-notes looks at the numbers. You have a trick of fancying all sorts of sums in your pocket; and when you don’t find them there, of course they’re lost! Now, let’s have some breakfast.”
Arabella told the maids to go out. Mr. Pole turned to the breakfast-table, rubbing his hands. Seeing herself and her case abandoned, Mrs. Chump gave a deplorable shout. “Ye’re crool! and young women that look on at a fellow-woman’s mis’ry. Oh! how can ye do ut! But soft hearts can be the hardest. And all my seventy-five gone, gone! and no law out of annybody. And no frightenin’ of ‘em off from doin’ the like another time! Oh, I will, I will have my money!”
“Tush! Come to breakfast, Martha,” said Mr. Pole. “You shall have money, if you want it; you have only to ask. Now, will you promise to be quiet? and I’ll give you this money—the amount you’ve been dreaming about last night. I’ll fetch it. Now, let us have no scenes. Dry your eyes.”
Mr. Pole went to his private room, and returned just as Mrs. Chump had got upon a succession of quieter sobs with each one of which she addressed a pathetic roll of her eyes to the utterly unsympathetic ladies respectively.
“There, Martha; there’s exactly the sum for you—free gift. Say thank you, and eat a good breakfast to show your gratitude. Mind, you take this money on condition that you let the servants know you made a mistake.”
Mrs. Chump sighed heavily, crumpling the notes, that the crisp sweet sound might solace her for the hard condition.
“And don’t dream any more—not about money, I mean,” said Mr. Pole.
“Oh! if I dream like that I’ll be living double.” Mrs. Chump put her hand to the notes, and called him kind, and pitied him for being the loser. The sight of a fresh sum in her possession intoxicated her. It was but feebly that she regretted the loss to her Samuel Bolton Pole. “Your memory’s worth more than that!” she said as she filled her purse with the notes. “Anyhow, now I can treat somebody,” and she threw a wink of promise at Adela. Adela’s eyes took refuge with her papa, who leaned over to her, and said: “You won’t mind waiting till you see me again? She’s taken all I had.” Adela nodded blankly, and the next moment, with an angry glance toward Mrs. Chump, “Papa,” said she, “if you wish to see servants in the house on your return, you must yourself speak to them, and tell them that we, their master and mistresses, do not regard them as thieves.” Out of this there came a quarrel as furious as the ladies would permit it to be. For Mrs. Chump, though willing to condone the offence for the sum she had received, stuck infamy upon the whole list of them. “The Celtic nature,” murmured Cornelia. And the ladies maintained that their servants should be respected, at any cost. “You, ma’am,” said Arabella, with a clear look peculiar to her when vindictive—“you may have a stain on your character, and you are not ruined by it. But these poor creatures…”
“Ye dare to compar’ me—!”
“Contrast you, ma’am.”
“It’s just as imp’dent.”
“I say, our servants, ma’am…”
“Oh! to the deuce with your ‘ma’am;’ I hate the word. It’s like fittin’ a cap on me. Ye want to make one a turbaned dow’ger, ye malicious young woman!”
“Those are personages that are, I believe, accepted in society!”
So the contest raged, Mrs. Chump being run clean through the soul twenty times, without touching the consciousness of that sensitive essence. Mr. Pole appeared to take the part of his daughters, and by-and-by Mrs. Chump, having failed to arouse Mrs. Lupin’s involuntary laugh (which always consoled her in such cases), huffed out of the room. Then Mr. Pole, in an abruptly serious way, bashfully entreated the ladies to be civil to Martha, who had the best heart in the world. It sounded as if he were going to say more. After a pause, he added emphatically, “Do!” and went. He was many days absent: nor did he speak to Adela of the money she had asked for when he returned. Adela had not the courage to allude to it.
CHAPTER XVII
Emilia sat in her old place under the dwarf pine. Mr. Powys had brought her back to Brookfield, where she heard that Wilfrid had been seen; and now her heart was in contest with an inexplicable puzzle: “He was here, and did not come to me!” Since that night when they had walked home from Ipley Green, she had not suffered a moment of longing. Her senses had lain as under a charm, with heart at anchor and a mind free to work. No one could have guessed that any human spell was on the girl. “Wherever he is, he thinks of me. I find him everywhere. He is safe, for I pray for him and have my arms about him. He will come.” So she waited, as some grey lake lies, full and smooth, awaiting the star below the twilight. If she let her thoughts run on to the hour of their meeting, she had to shut her eyes and press at her heart; but as yet she was not out of tune for daily life, and she could imagine how that hour was to be strewn with new songs and hushed surprises. And ‘thus’ he would look: and ‘thus.’ “My hero!” breathed Emilia, shuddering a little. But now she was perplexed. Now that he had come and gone, she began to hunger bitterly for the sight of his face, and that which had hitherto nourished her grew a sickly phantom of delight. She wondered how she had forced herself to be patient, and what it was that she had found pleasure in.
None of the ladies were at home when Emilia returned. She went out to the woods, and sat, shadowed by the long bent branch; watching mechanically the slow rounding and yellowing of the beam of sunlight over the thick floor of moss, up against the fir-stems. The chaffinch and the linnet flitted off the grey orchard twigs, singing from new stations; and the bee seemed to come questioning the silence of the woods and droning disappointed away. The first excess of any sad feeling is half voluntary. Emilia could not help smiling, when she lifted her head out of a musing fit, to find that she had composed part of a minuet for the languid dancing motes in the shaft of golden light at her feet. “Can I remember it?” she thought, and forgot the incident with the effort.
Down at her right hand, bordering a water, stood a sallow, a dead tree, channelled inside with the brown trail of a goat-moth. Looking in this direction, she saw Cornelia advancing to the tree. When the lady had reached it, she drew a little book from her bosom, kissed it, and dropped it in the hollow. This done, she passed among the firs. Emilia had perceived that she was agitated: and with that strange instinct of hearts beginning to stir, which makes them divine at once where they will come upon the secret of their own sensations, she ran down to the tree and peered on tiptoe at the embedded volume. On a blank page stood pencilled: “This is the last fruit of the tree. Come not to gather more.” There was no meaning for her in that sentimental chord but she must have got some glimpse of a meaning; for now, as in an agony, her lips fashioned the words: “If I forget his face I may as well die;” and she wandered on, striving more and more vainly to call up his features. The—“Does he think of me?” and—“What am I to him?”—such timorous little feather-play of feminine emotion she knew nothing of: in her heart was the strong flood of a passion.
She met Edward Buxley and Freshfield Sumner at a cross-path, on their way to Brookfield; and then Adela joined the party, which soon embraced Mr. Barrett, and subsequently Cornelia. All moved on in a humming leisure, chattering by fits. Mr. Sumner was delicately prepared to encounter Mrs. Chump, “whom,” said Adela, “Edward himself finds it impossible to caricature;” and she affected to laugh at the woman.
“Happy the pencil that can reproduce!” Mr. Barrett exclaimed; and, meeting his smile, Cornelia said: “Do you know, my feeling is, and I cannot at all account for it, that if she were a Catholic she would not seem so gross?”
“Some of the poetry of that religion would descend upon her, possibly,” returned Mr. Barrett.
“Do you mean,” Freshfield said quickly, “that she would stand a fair chance of being sainted?”
Out of this arose some polite fencing between the two. Freshfield might have argued to advantage in a Court of law; but he was no match, on such topics and before such an audience, for a refined sentimentalist. More than once he betrayed a disposition to take refuge in his class (he being son to one of the puisne Judges). Cornelia speedily punished him, and to any correction from her he bowed his head.
Adela was this day gifted with an extraordinary insight. Emilia alone of the party was as a blot to her; but the others she saw through, as if they had been walking transparencies. She divined that Edward and Freshfield had both come, in concert, upon amorous business—that it was Freshfield’s object to help Edward to a private interview with her, and, in return, Edward was to perform the same service for him with Cornelia. So that Mr. Barrett was shockingly in the way of both; and the perplexity of these stupid fellows—who would insist upon wondering why the man Barrett and the girl Emilia (musicians both: both as it were, vagrants) did not walk together and talk of quavers and minims—was extremely comic. Passing the withered tree, Mr. Barrett deserved thanks from Freshfield, if he did not obtain them; for he lingered, surrendering his place. And then Adela knew that the weight of Edward Buxley’s remonstrative wrath had fallen on silent Emilia, to whom she clung fondly.
“I have had a letter,” Edward murmured, in the voice that propitiates secresy.
“A letter?” she cried loud; and off flew the man like a rabbit into his hole, the mask of him remaining.
Emilia presently found Mr. Barrett at her elbow. His hand clasped the book Cornelia had placed in the tree.
“It is hers,” said Emilia.
He opened it and pointed to his initials. She looked in his face.
“Are you very ill?”
Adela turned round from Edward’s neighbouring head. “Who is ill?”
Cornelia brought Freshfield to a stop: “Ill?”
Before them all, book in hand, Mr. Barrett had to give assurance that he was hearty, and to appear to think that his words were accepted, in spite of blanched jowl and reddened under-lid. Cornelia threw him one glance: his eyes closed under it. Adela found it necessary to address some such comforting exclamation as ‘Goodness gracious!’ to her observant spirit.
In the park-path, leading to the wood, Arabella was seen as they came out the young branches that fringed the firs. She hurried up.
“I have been looking for you. Papa has arrived with Sir Twickenham Pryme, who dines with us.”
Adela unhesitatingly struck a blow.
“Lady Pryme, we make place for you.”
And she crossed to Cornelia. Cornelia kept her eyes fixed on Adela’s mouth, as one looks at a place whence a venomous reptile has darted out. Her eyelids shut, and she stood a white sculpture of pain, pitiable to see. Emilia took her hand, encouraging the tightening fingers with a responsive pressure. The group shuffled awkwardly together, though Adela did her best. She was very angry with Mr. Barrett for wearing that absurdly pale aspect. She was even angry with his miserable bankrupt face for mounting a muscular edition of the smile Cornelia had shown. “His feelings!” she cried internally; and the fact presented itself to her, that feelings were a luxury utterly unfit for poor men, who were to be accused of presumption for indulging in them.
“Now, I suppose you are happy?” she spoke low between Arabella and Edward.
The effect of these words was to colour violently two pair of cheeks. Arabella’s behaviour did not quite satisfy the fair critic. Edward Buxley was simply caught in a trap: He had the folly to imagine that by laughing he released himself.
“Is not that the laugh of an engaged?” said Adela to Freshfield.
He replied: “That would have been my idea under other conditions,” and looked meaningly.
She met the look with: “There are harsh conditions in life, are there not?” and left him sufficiently occupied by his own sensations.
“Mr. Barrett,” she inquired (partly to assist the wretch out of his compromising depression, and also that the question represented a real matter of debate in her mind), “I want your opinion; will you give it me? Apropos of slang, why does it sit well on some people? It certainly does not vulgarize them. After all, in many cases, it is what they call ‘racy idiom.’ Perhaps our delicacy is strained?”
Now, it was Mr. Barrett’s established manner to speak in a deliberately ready fashion upon the introduction of a new topic. Habit made him, on this occasion, respond instantly; but the opening of the gates displayed the confusion of ideas within and the rageing tumult.
He said: “In many cases. There are two sorts. If you could call it the language of nature! which anything… I beg your pardon, Slang! Polite society rightly excludes it, because....”
“Yes, yes,” returned Adela; “but do we do rightly in submitting to the absolute tyranny?—I mean, I think, originality flies from us in consequence.”
The pitiable mortal became a trifle more luminous: “The objection is to the repetition of risked phrases. A happy audacity of expression may pass. It is bad taste to repeat it, that is all. Then there is the slang of heavy boorishness, and the slang of impatient wit…”
“Is there any fine distinction between the extremes?” said Cornelia, in as clear a tone as she could summon.
“I think,” observed Arabella, “that whatever shows staleness speedily is self-condemned; and that is the case with slang.”
“And yet it’s to avoid some feeling of the sort that people employ it,” was Adela’s remark; and the discussion of this theme dropped lifelessly, and they walked on as before.
Coming to a halt near the garden gate, Adela tapped Emilia’s cheek, addressing her: “How demure she has become!”
“Ah!” went Arabella, “does she know papa has had a letter from Mr. Pericles, who wrote from Milan to say that he has made arrangements for her to enter the Academy there, and will come to fetch her in a few days?”
Emilia’s wrists crossed below her neck, while she gave ear.
“To take me away?” she said.
The tragic attitude and outcry, with the mournful flash of her eyes, might have told Emilia’s tale.
Adela unwillingly shielded her by interpreting the scene. “See! she must be a born actress. They always exaggerate in that style, so that you would really think she had a mighty passion for Brookfield.”
“Or in it,” suggested Freshfield.
“Or in it!” she laughed assentingly.
Mr. Pole was perceived entering the garden, rubbing his hands a little too obsequiously to some remark of the baronet’s, as the critical ladies imagined. Sir Twickenham’s arm spread out in a sweep; Mr. Pole’s head nodded. After the ceremony of the salute, the ladies were informed of Sir Twickenham’s observation: Sir Twickenham Pryme, a statistical member of Parliament, a well-preserved half-century in age, a gentleman in bearing, passably grey-headed, his whiskers brushed out neatly, as if he knew them individually and had the exact amount of them collectively at his fingers’ ends: Sir Twickenham had said of Mr. Pole’s infant park that if devoted to mangold-wurzel it would be productive and would pay: whereas now it was not ornamental and was waste.
“Sir Twickenham calculates,” said Mr. Pole, “that we should have a crop of—eh?”
“The average?” Sir Twickenham asked, on the evident upward mounting of a sum in his brain. And then, with a relaxing look upon Cornelia: “Perhaps you might have fifteen, sixteen, perhaps for the first year; or, say—you see, the exact acreage is unknown to me. Say roughly, ten thousand sacks the first year.”
“Of what?” inquired Cornelia.
“Mangold-wurzel,” said the baronet.
She gazed about her. Mr. Barrett was gone.
“But, no doubt, you take no interest in such reckonings?” Sir Twickenham added.
“On the contrary, I take every interest in practical details.”
Practical men believe this when they hear it from the lips of gentlewomen, and without philosophically analyzing the fact that it is because the practical quality possesses simply the fascination of a form of strength. Sir Twickenham pursued his details. Day closed on Brookfield blankly. Nevertheless, the ladies felt that the situation was now dignified by tragic feeling, and remembering keenly how they had been degraded of late, they had a sad enjoyment of the situation.
CHAPTER XVIII
Meantime Wilfrid was leading a town-life and occasionally visiting Stornley. He was certainly not in love with Lady Charlotte Chillingworth, but he was in harness to that lady. In love we have some idea whither we would go: in harness we are simply driven, and the destination may be anywhere. To be reduced to this condition (which will happen now and then in the case of very young men who are growing up to something, and is, if a momentary shame to them, rather a sign of promise than not) the gentle male need not be deeply fascinated. Lady Charlotte was not a fascinating person. She did not lay herself out to attract. Had she done so, she would have failed to catch Wilfrid, whose soul thirsted for poetical refinement and filmy delicacies in a woman. What she had, and what he knew that he wanted, and could only at intervals assume by acting as if he possessed it, was a victorious aplomb, which gave her a sort of gallant glory in his sight. He could act it well before his sisters, and here and there a damsel; and coming fresh from Lady Charlotte’s school, he had recently done so with success, and had seen the ladies feel toward him, as he felt under his instructress in the art. Some nature, however, is required for every piece of art. Wilfrid knew that he had been brutal in his representation of the part, and the retrospect of his conduct at Brookfield did not satisfy his remorseless critical judgement. In consequence, when he again saw Lady Charlotte, his admiration of that one prized characteristic of hers paralyzed him. She looked, and moved, and spoke, as if the earth were her own. She was a note of true music, and he felt himself to be an indecisive chord; capable ultimately of a splendid performance, it might be, but at present crying out to be played upon. This is the condition of a man in harness, whom witlings may call what they will. He is subjugated: not won. In this state of subjugation he will joyfully sacrifice as much as a man in love. For, having no consolatory sense of happiness, such as encircles and makes a nest for lovers, he seeks to attain some stature, at least, by excesses of apparent devotion. Lady Charlotte believed herself beloved at last. She was about to strike thirty; and Rumour, stalking with a turban of cloud on her head,—enough that this shocking old celestial dowager, from condemnation had passed to pity of the dashing lady. Beloved at last! After a while there is no question of our loving; but we thirst for love, if we have not had it. The key of Lady Charlotte will come in the course of events. She was at the doubtful hour of her life, a warm-hearted woman, known to be so by few, generally consigned by devout-visaged Scandal (for who save the devout will dare to sit in the chair of judgement?) as a hopeless rebel against conventional laws; and worse than that, far worse,—though what, is not said.
At Stornley the following letter from Emilia hit its mark:—
Dear Mr. Wilfrid,
“It is time for me to see you. Come when you have read this letter. I cannot tell you how I am, because my heart feels beating in another body. Pray come; come now. Come on a swift horse. The thought of you galloping to me goes through me like a flame that hums. You will come, I know. It is time. If I write foolishly, do forgive me. I can only make sure of the spelling, and I cannot please you on paper, only when I see you.”
The signature of ‘Emilia Alessandra Belloni’ was given with her wonted proud flourish.
Wilfrid stared at the writing. “What! all this time she has been thinking the same thing!” Her constancy did not swim before him in alluring colours. He regarded it as a species of folly. Disgust had left him. The pool of Memory would have had to be stirred to remind him of the pipe-smoke in her hair. “You are sure to please me when you see me?” he murmured. “You are very confident, young lady!” So much had her charm faded. And then he thought kindly of her, and that a meeting would not be good for her, and that she ought to go to Italy and follow her profession. “If she grows famous,” whispered coxcombry, “why then oneself will take a little of the praises given to her.” And that seemed eminently satisfactory. Men think in this way when you have loved them, ladies. All men? No; only the coxcombs; but it is to these that you give your fresh affection. They are, as it were, the band of the regiment of adorers, marching ahead, while we sober working soldiers follow to their music. “If she grows famous, why then I can bear in mind that her heart was once in my possession: and it may return to its old owner, perchance.” Wilfrid indulged in a pleasant little dream of her singing at the Opera-house, and he, tied to a ferocious, detested wife, how softly and luxuriously would he then be sighing for the old time! It was partly good seed in his nature, and an apprehension of her force of soul, that kept him from a thought of evil to her. Passion does not inspire dark appetite. Dainty innocence does, I am told. Things are tested by the emotions they provoke. Wilfrid knew that there was no trifling with Emilia, so he put the letter by, commenting thus “she’s right, she doesn’t spell badly.” Behind, which, to those who have caught the springs of his character, volumes may be seen.
He put the letter by. Two days later, at noon, the card of Captain Gambier was brought to him in the billiard-room,—on it was written: “Miss Belloni waits on horseback to see you.” Wilfrid thought “Waits!” and the impossibility of escape gave him a notion of her power.
“So, you are letting that go on,” said Lady Charlotte, when she heard that Emilia and the captain were in company.
“There is no fear for her whatever.”
“There is always fear when a man gives every minute of his time to that kind of business,” retorted her ladyship.
Wilfrid smiled the smile of the knowing. Rivalry with Gambier (and successful too!) did not make Emilia’s admiration so tasteless. Some one cries out: “But, what a weak creature is this young man!” I reply, he was at a critical stage of his career. All of us are weak in the period of growth, and are of small worth before the hour of trial. This fellow had been fattening all his life on prosperity; the very best dish in the world; but it does not prove us. It fattens and strengthens us, just as the sun does. Adversity is the inspector of our constitutions; she simply tries our muscle and powers of endurance, and should be a periodical visitor. But, until she comes, no man is known. Wilfrid was not absolutely engaged to Lady Charlotte (she had taken care of that), and being free, and feeling his heart beat in more lively fashion, he turned almost delightedly to the girl he could not escape from. As when the wriggling eel that has been prodded by the countryman’s fork, finds that no amount of wriggling will release it, to it twists in a knot around the imprisoning prong. This simile says more than I mean it to say, but those who understand similes will know the measure due to them.
There sat Emilia on her horse. “Has Gambier been giving her lessons?” thought Wilfrid. She sat up, well-balanced; and, as he approached, began to lean gently forward to him. A greeting ‘equal to any lady’s,’ there was no doubt. This was the point Emilia had to attain, in his severe contemplation. A born lady, on her assured level, stood a chance of becoming a Goddess; but ladyship was Emilia’s highest mark. Such is the state of things to the sentimental fancy when girls are at a disadvantage. She smiled, and held out both hands. He gave her one, nodding kindly, but was too confused to be the light-hearted cavalier. Lady Charlotte walked up to her horse’s side, after receiving Captain Gambier’s salute, and said: “Come, catch hold of my hands and jump.”
“No,” replied Emilia; “I only came to see him.”
“But you will see him, and me in the bargain, if you stay.”
“I fancy she has given her word to return early,” interposed Wilfrid.
“Then we’ll ride back with her,” said Lady Charlotte. “Give me five minutes. I’ll order a horse out for you.”
She smiled, and considerately removed the captain, by despatching him to the stables.
A quivering dimple of tenderness hung for a moment in Emilia’s cheeks, as she looked upon Wilfrid. Then she said falteringly, “I think they wish to be as we do.”
“Alone?” cried Wilfrid.
“Yes; that is why I brought him over. He will come anywhere with me.”
“You must be mistaken.”
“No; I know it.”
“Did he tell you so?”
“No; Mr. Powys did.”
“Told you that Lady Charlotte—”
“Yes. Not, is; but, was. And he used that word… there is no word like it,… he said ‘her lover’—Oh! mine!” Emilia lifted her arms. Her voice from its deepest fall had risen to a cry.
Wilfrid caught her as she slipped from her saddle. His heart was in a tumult; stirred both ways: stirred with wrath and with love. He clasped her tightly.
“Am I?—am I?” he breathed.
“My lover!” Emilia murmured.
He was her slave again.
For, here was something absolutely his own. His own from the roots; from the first growth of sensation. Something with the bloom on it: to which no other finger could point and say: “There is my mark.”
(And, ladies, if you will consent to be likened to a fruit, you must bear with these observations, and really deserve the stigma. If you will smile on men, because they adore you as vegetable products, take what ensues.)
Lady Charlotte did no more than double the time she had asked for. The party were soon at a quiet canter up the lanes; but entering a broad furzy common with bramble-plots and oak-shaws, the Amazon flew ahead. Emilia’s eyes were so taken with her, that she failed to observe a tiny red-flowing runlet in the clay, with yellow-ridged banks almost baked to brick. Over it she was borne, but at the expense of a shaking that caused her to rely on her hold of the reins, ignorant of the notions of a horse outstripped. Wilfrid looked to see that the jump had been accomplished, and was satisfied. Gambier was pressing his hack to keep a respectable second.
Lady Charlotte spun round suddenly, crying, “Catch the mare!” and galloped back to Emilia, who was deposited on a bush of bramble. Dismounting promptly, the lady said: “My child, you’re not hurt?”
“Not a bit.” Emilia blinked.
“Not frightened?”
“Not a bit,” was half whispered.
“That’s brave. Now jump on your feet. Tell me why you rode over to us this morning. Quick. Don’t hesitate.”
“Because I want Wilfrid to see his sister Cornelia,” came the answer, with the required absence of indecision.
Emilia ran straightway to meet Wilfrid approaching; and as both her hands, according to her fashion, were stretched out to him to assure him of her safety and take his clasp, forgetful of the instincts derived from riding-habits, her feet became entangled; she trod herself down, falling plump forward and looking foolish—perhaps for the first time in her life plainly feeling so.
“Up! little woman,” said Lady Charlotte, supporting her elbow.
“Now, Sir Wilfrid, we part here; and don’t spoil her courage, now she has had a spill, by any ‘assiduous attentions’ and precautions. She’s sure to take as many as are needed. If Captain Gambler thinks I require an escort, he may offer.”
The captain, taken by surprise, bowed, and flowed in ardent commonplace. Wilfrid did not look of a wholesome colour.
“Do you return?” he stammered; not without a certain aspect of righteous reproach.
“Yes. You will ride over to us again, probably, in a day or two? Captain Gambler will see me safe from the savage admirers that crowd this country, if I interpreted him rightly.”
