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The Revolt of the Angels
CHAPTER XXI
THE GARDENER'S STORY, CONCLUDED
TT seemed as if science and thought had perished for all eternity, and that the earth would never again know peace, joy, and beauty.
"But one day, under the walls of Rome, some workmen, excavating the earth on the borders of an ancient road, found a marble sarcophagus which bore carved on its sides simulacra of Love and the triumphs of Bacchus.
"The lid being raised, a maiden appeared whose face shone with dazzling freshness. Her long hair spread over her white shoulders, she was smiling in her sleep. A band of citizens, thrilled with enthusiasm, raised the funeral couch and bore it to the Capitol. The people came in crowds to contemplate the ineffable beauty of the Roman maiden and stood around in silence, watching for the awakening of the divine soul held within this form of adorable beauty.
"And it came to pass that the City was so greatly stirred by this spectacle that the Pope, fearing, not without reason, the birth of a pagan cult from this radiant body, caused it to be removed at night and secretly buried. The precaution was vain, the labour fruitless. After so many centuries of barbarism, the beauty of the antique world had appeared for a moment before the eyes of men; it was long enough for its image, graven on their hearts, to inspire them with an ardent desire to love and to know.
"Henceforth, the star of the God of the Christians paled and sloped to its decline. Bold navigators discovered worlds inhabited by numerous races who knew not old Iahveh, and it was suspected that he was no less ignorant of them, since he had given them no news of himself or of his son the expiator. A Polish Canon demonstrated the true motions of the earth, and it was seen that, far from having created the world, the old demiurge of Israel had not even an inkling of its structure. The writings of philosophers, orators, jurisconsults, and ancient poets were dragged from the dust of the cloisters and passing from hand to hand inspired men's minds with the love of wisdom. The Vicar of the jealous God, the Pope himself, no longer believed in Him whom he represented on earth. He loved the arts and had no other care than to collect ancient statues and to rear sumptuous buildings wherein were displayed the orders of Vitruvius re-established by Bramante. We began to breathe anew. Already the old gods, recalled from their long exile, were returning to dwell upon earth. There they found once more their temples and their altars. Leo, placing at their feet the ring, the three crowns, and the keys, offered them in secret the incense of sacrifices. Already Polyhymnia, leaning on her elbow, had begun to resume the golden thread of her meditations; already, in the gardens, the comely Graces and the Nymphs and Satyrs were weaving their mazy dances, and at length the earth had joy once more within its grasp. But, O calamity, unlucky fate, – most tragic circumstance! A German monk, all swollen with beer and theology, rose up against this renaissance of paganism, hurled menaces against it, shattered it, and prevailed single handed against the Princes of the Church. Inciting the nations, he called upon them to undertake a reform which saved that which was about to be destroyed. Vainly did the cleverest among us try to turn him from his work. A subtle demon, on earth called Beelzebub, marked him out for attack, now embarrassing him with learned controversial argument, now tormenting him with cruel mockery. The stubborn monk hurled his ink-pot at his head and went on with his dismal reformation. What ultimately happened? The sturdy mariner repaired, calked, and refloated the damaged ship of the Church. Jesus Christ owes it to this shaveling that his shipwreck was delayed for perhaps more than ten centuries. Henceforth things went from bad to worse. In the wake of this loutish monk, this beer-swiller and brawler, came that tall, dry doctor from Geneva, who, filled with the spirit of the ancient Iahveh, strove to bring the world back again to the abominable days of Joshua and the Judges of Israel. A maniac was he, filled with cold fury, a heretic and a burner of heretics, the most ferocious enemy of the Graces.
"These mad apostles and their mad disciples made even demons like myself, even the horned devils, look back longingly on the time when the Son with his Virgin Mother reigned over the nations dazzled with splendours: cathedrals with their stone tracery delicate as lace, flaming roses of stained glass, frescoes painted in vivid colours telling countless wondrous tales, rich orfrays, glittering enamel of shrines and reliquaries, gold of crosses and of monstrances, waxen tapers gleaming like starry galaxies amid the gloom of vaulted arches, organs with their deep-toned harmonies. All this doubtless was not the Parthenon, nor yet the Panathenæa, but it gladdened eyes and hearts; it was, at all events, beauty. And these cursed reformers would not suffer anything either pleasing or lovable. You should have seen them climbing in black swarms over doorways, plinths, spires, and bell-towers, striking with senseless hammers those images in stone which the demons had carved working hand in hand with the master designers, those genial saints and dear, holy women, and the touching idols of Virgin Mothers pressing their suckling to their heart. For, to be just, a little agreeable paganism had slipped into the cult of the jealous God. These monsters of heretics were for extirpating idolatry. We did our best, my companions and I, to hamper their horrible work, and I, for one, had the pleasure of flinging down some dozens from the top of the porches and galleries on to the Cathedral Square, where their detestable brains got knocked out. The worst of it was that the Catholic Church also reformed herself and grew more mischievous than ever. In the pleasant land of France, the seminarists and the monks were inflamed with unheard-of fury against the ingenious demons and the men of learning. My prior was one of the most violent opponents of sound knowledge. For some time past my studious lucubrations had caused him anxiety, and perhaps he had caught sight of my cloven foot. The scoundrel searched my cell and found paper, ink, some Greek books newly printed, and some Pan-pipes hanging on the wall. By these signs he knew me for an evil spirit and had me thrown into a dungeon where I should have eaten the bread of suffering and drunk the waters of bitterness, had I not promptly made my escape by the window and sought refuge in the wooded groves among the Nymphs and the Fauns.
"Far and wide the lighted pyres cast the odour of charred flesh. Everywhere there were tortures, executions, broken bones, and tongues cut out. Never before had the spirit of Iahveh breathed forth such atrocious fury. However, it was not altogether in vain that men had raised the lid of the ancient sarcophagus and gazed upon the Roman Virgin.
"During this time of great terror when Papists and Reformers rivalled one another in violence and cruelty, amidst all these scenes of torture, the mind of man was regaining strength and courage. It dared to look up to the heavens, and there it saw, not the old Jew drunk with vengeance, but Venus Urania, tranquil and resplendent. Then a new order of things was born, then the great centuries came into being. Without publicly denying the god of their ancestors, men of intellect submitted to his mortal enemies, Science and Reason, and Abbé Gassendi relegated him gently to the far-distant abyss of first causes. The kindly demons who teach and console unhappy mortals, inspired the great minds of those days with discourses of all kinds, with comedies and tales told in the most polished fashion. Women invented conversation, the art of intimate letter-writing, and politeness. Manners took on a sweetness and a nobility unknown to preceding ages. One of the finest minds of that age of reason, the amiable Bernier, wrote one day to St. Evremond: 'It is a great sin to deprive oneself of a pleasure.' And this pronouncement alone should suffice to show the progress of intelligence in Europe. Not that there had not always been Epicureans but, unlike Bernier, Chapelle, and Molière, they had not the consciousness of their talent.
"Then even the very devotees understood Nature. And Racine, fierce bigot that he was, knew as well as such an atheistical physician as Guy Patin, how to attribute to divers states of the organs the passions which agitate mankind.
"Even in my abbey, whither I had returned after the turmoil, and which sheltered only the ignorant and the shallow thinker, a young monk, less of a dunce than the rest, confided to me that the Holy Spirit expresses itself in bad Greek to humiliate the learned.
"Nevertheless, theology and controversy were still raging in this society of thinkers. Not far from Paris in a shady valley there were to be seen solitary beings known as 'les Messieurs,' who called themselves disciples of St. Augustine, and argued with honest conviction that the God of the Scriptures strikes those who fear Him, spares those who confront Him, holds works of no account, and damns – should He so wish it – His most faithful servant; for His justice is not our justice, and His ways are incomprehensible.
"One evening I met one of these gentlemen in his garden, where he was pacing thoughtfully among the cabbage-plots and lettuce-beds. I bowed my horned head before him and murmured these friendly words: 'May old Jehovah protect you, sir. You know him well. Oh, how well you know him, and how perfectly you have understood his character.' The holy man thought he discerned in me a messenger from Hell, concluded he was eternally damned, and died suddenly of fright.
"The following century was the century of philosophy. The spirit of research was developed, reverence was lost; the pride of the flesh was diminished and the mind acquired fresh energy. Manners took on an elegance until then unknown. On the other hand, the monks of my order grew more and more ignorant and dirty, and the monastery no longer offered me any advantage now that good manners reigned in the town. I could bear it no longer. Flinging my habit to the nettles, I put a powdered wig on my horned brow, hid my goat's legs under white stockings, and cane in hand, my pockets stuffed with gazettes, I frequented the fashionable world, visited the modish promenades, and showed myself assiduously in the cafés where men of letters were to be found. I was made welcome in salons where, as a happy novelty, there were arm-chairs that fitted the form, and where both men and women engaged in rational conversation.
"The very metaphysicians spoke intelligibly. I acquired great weight in the town as an authority on matters of exegesis, and, without boasting, I was largely responsible for the Testament of the curé Meslier and The Bible Explained, brought out by the chaplains to the King of Prussia.
"At this time a comic and cruel misadventure befel the ancient Iahveh. An American Quaker, by means of a kite, stole his thunderbolts.
"I was living in Paris, and was at the supper where they talked of strangling the last of the priests with the entrails of the last of the kings. France was in a ferment; a terrible revolution broke out. The ephemeral leaders of the disordered State carried on a Reign of Terror amidst unheard-of perils. They were, for the most part, less pitiless and less cruel than the princes and judges instituted by Iahveh in the kingdoms of the earth; nevertheless, they appeared more ferocious, because they gave judgment in the name of Humanity. Unhappily they were easily moved to pity and of great sensibility. Now men of sensibility are irritable and subject to fits of fury. They were virtuous; they had moral laws, that is to say they conceived certain narrowly defined moral obligations, and judged human actions not by their natural consequences but by abstract principles. Of all the vices which contribute to the undoing of a statesman, virtue is the most fatal; it leads to murder. To work effectively for the happiness of mankind, a man must be superior to all morals, like the divine Julius. God, so ill-used for some time past, did not, on the whole, suffer excessively harsh treatment from these new men. He found protectors among them, and was adored under the name of the Supreme Being. One might even go so far as to say that terror created a diversion from philosophy and was profitable to the old demiurge, in that he appeared to represent order, public tranquillity, and the security of person and property.
"While Liberty was coming to birth amid the storm, I lived at Auteuil, and visited Madame Helvetius, where freethinkers in every branch of intellectual activity were to be met with. Nothing could be rarer than a freethinker, even after Voltaire's day. A man who will face death without trembling dare not say anything out of the ordinary about morals. That very same respect for Humanity which prompts him to go forth to his death, makes him bow to public opinion. In those days I enjoyed listening to the talk of Volney, Cabanis, and Tracy. Disciples of the great Condillac, they regarded the senses as the origin of all our knowledge. They called themselves ideologists, were the most honourable people in the world, and grieved the vulgar minds by refusing them immortality. For the majority of people, though they do not know what to do with this life, long for another that shall have no end. During the turmoil, our small philosophical society was sometimes disturbed in the peaceful shades of Auteuil by patrols of patriots. Condorcet, our great man, was an outlaw. I myself was regarded as suspect by the friends of the people, who, in spite of my rustic appearance and my frieze coat, believed me to be an aristocrat, and I confess that independence of thought is the proudest of all aristocracies.
"One evening while I was stealthily watching the dryads of Boulogne, who gleamed amid the leaves like the moon rising above the horizon, I was arrested as a suspect, and put in prison. It was a pure misunderstanding; but the Jacobins of those days, like the monks whose place they had usurped, laid great stress on unity of obedience. After the death of Madame Helvetius our society gathered together in the salon of Madame de Condorcet. Bonaparte did not disdain to chat with us sometimes.
"Recognizing him to be a great man, we thought him an ideologist like ourselves. Our influence in the land was considerable. We used it in his favour, and urged him towards the Imperial throne, thinking to display to the world a second Marcus Aurelius. We counted on him to establish universal peace; he did not fulfil our expectations, and we were wrong-headed enough to be wroth with him for our own mistake.
"Without any doubt he greatly surpassed all other men in quickness of intelligence, depth of dissimulation, and capacity for action. What made him an accomplished ruler was that he lived entirely in the present moment, and had no thoughts for anything beyond the immediate and actual reality. His genius was far-reaching and agile; his intelligence, vast in extent but common and vulgar in character, embraced humanity, but did not rise above it. He thought what every grenadier in the army thought; but he thought it with unprecedented force. He loved the game of chance, and it pleased him to tempt fortune by urging pigmies in their hundreds and thousands against each other. It was the game of a child as big as the world. He was too wily not to introduce old Iahveh into the game, – Iahveh, who was still powerful on earth, and who resembled him in his spirit of violence and domination. He threatened him, flattered him, caressed him, and intimidated him. He imprisoned his Vicar, of whom he demanded, with the knife at his throat, that rite of unction which, since the days of Saul of old, has bestowed might upon kings; he restored the worship of the demiurge, sang Te Deums to him, and made himself known through him as God of the earth, in small catechisms scattered broadcast throughout the Empire. They united their thunders, and a fine uproar they made.
"While Napoleon's amusements were throwing Europe into a turmoil, we congratulated ourselves on our wisdom, a little sad, withal, at seeing the era of philosophy ushered in with massacre, torture, and war. The worst is that the children of the century, fallen into the most distressing disorder, formed the conception of a literary and picturesque Christianity, which betokens a degeneracy of mind really unbelievable, and finally fell into Romanticism. War and Romanticism, what terrible scourges! And how pitiful to see these same people nursing a childish and savage love for muskets and drums! They did not understand that war, which trained the courage and founded the cities of barbarous and ignorant men, brings to the victor himself but ruin and misery, and is nothing but a horrible and stupid crime when nations are united together by common bonds of art, science, and trade.
"Insane Europeans who plot to cut each others' throats, now that one and the same civilisation enfolds and unites them all!
"I renounced all converse with these madmen and withdrew to this village, where I devoted myself to gardening. The peaches in my orchard remind me of the sun-kissed skin of the Mænads. For mankind I have retained my old friendship, a little admiration, and much pity, and I await, while cultivating this enclosure, that still distant day when the great Dionysus shall come, followed by his Fauns and his Bacchantes, to restore beauty and gladness to the world, and bring back the Golden Age. I shall fare joyously behind his car. And who knows if in that day of triumph mankind will be there for us to see? Who knows whether their worn-out race will not have already fulfilled its destiny, and whether other beings will not rise upon the ashes and ruins of what once was man and his genius? Who knows if winged beings will not have taken possession of the terrestrial empire? Even then the work of the good demons will not be ended, – they will teach a winged race arts and the joy of life."
CHAPTER XXII
WHEREIN WE ARE SHOWN THE INTERIOR OF A BRIC-A-BRAC SHOP, AND SEE HOW PÈRE GUINARDON'S GUILTY HAPPINESS IS MARRED BY THE JEALOUSY OF A LOVE-LORN DAME
PÈRE GUINARDON (as Zéphyrine had faithfully reported to Monsieur Sariette) smuggled out the pictures, furniture, and curios stored in his attic in the rue Princesse – his studio he called it – and used them to stock a shop he had taken in the rue de Courcelles. Thither he went to take up his abode, leaving Zéphyrine, with whom he had lived for fifty years, without a bed or a saucepan or a penny to call her own, except eighteenpence the poor creature had in her purse. Père Guinardon opened an old picture and curiosity shop, and in it he installed the fair Octavie.
The shop-front presented an attractive appearance: there were Flemish angels in green copes, after the manner of Gérard David, a Salomé of the Luini school, a Saint Barbara in painted wood of French workmanship, Limoges enamel-work, Bohemian and Venetian glass, dishes from Urbino. There were specimens of English point-lace which, if her tale was true, had been presented to Zéphyrine, in the days of her radiant girlhood, by the Emperor Napoleon III. Within, there were golden articles that glinted in the shadows, while pictures of Christ, the Apostles, high-bred dames, and nymphs also presented themselves to the gaze. There was one canvas that was turned face to the wall so that it should only be looked at by connoisseurs; and connoisseurs are scarce. It was a replica of Fragonard's Gimblette, a brilliant painting that looked as if it had barely had time to dry. Papa Guinardon himself remarked on the fact. At the far end of the shop was a king-wood cabinet, the drawers of which were full of all manner of treasures: water-colours by Baudouin, eighteenth-century books of illustrations, miniatures, and so forth.
But the real masterpiece, the marvel, the gem, the pearl of great price, stood upon an easel veiled from public view. It was a Coronation of the Virgin by Fra Angelico, an exquisitely delicate thing in gold and blue and pink. Père Guinardon was asking a hundred thousand francs for it. Upon a Louis XV chair beside an Empire work-table on which stood a vase of flowers, sat the fair Octavie, broidery in hand. She, having left her glistering rags behind her in the garret in the rue Princesse, no longer presented the appearance of a touched-up Rembrandt, but shone, rather, with the soft radiance and limpidity of a Vermeer of Delft, for the delectation of the connoisseurs who frequented the shop of Papa Guinardon. Tranquil and demure, she remained alone in the shop all day, while the old fellow himself was up aloft working away at the deuce knows what picture. About five o'clock he used to come downstairs and have a chat with the habitués of the establishment.
The most regular caller was the Comte Desmaisons, a thin, cadaverous man. A strand of hair issued from the deep hollow under each cheek-bone, and, broadening as it descended, shed upon his chin and chest torrents of snow in which he was for ever trailing his long, fleshless, gold-ringed fingers. For twenty years he had been mourning the loss of his wife, who had been carried off by consumption in the flower of her youth and beauty. Since then he had spent his whole life in endeavouring to hold converse with the dead and in filling his lonely mansion with second-rate paintings. His confidence in Guinardon knew no bounds. Another client who was a scarcely less frequent visitor to the shop was Monsieur Blancmesnil, a director of a large financial establishment. He was a florid, prosperous-looking man of fifty. He took no great interest in matters of art, and was perhaps an indifferent connoisseur, but, in his case, it was the fair Octavie, seated in the middle of the shop, like a song-bird in its cage, that offered the attraction.
Monsieur Blancmesnil soon established relations with her, a fact which Père Guinardon alone failed to perceive, for the old fellow was still young in his love-affair with Octavie. Monsieur Gaétan d'Esparvieu used to pay occasional visits to Père Guinardon's shop out of mere curiosity, for he strongly suspected the old man of being a first-rate "faker."
And then that doughty swordsman, Monsieur Le Truc de Ruffec, also came to see the old antiquary on one occasion, and acquainted him with a plan he had on foot. Monsieur Le Truc de Ruffec was getting up a little historical exhibition of small arms at the Petit Palais in aid of the fund for the education of the native children in Morocco and wanted Père Guinardon to lend him a few of the most valuable articles in his collection.
"Our first idea," he said, "was to organise an exhibition to be called 'The Cross and the Sword.' The juxtaposition of the two words will make the idea which has prompted our undertaking sufficiently clear to you. It was an idea pre-eminently patriotic and Christian which led us to associate the Sword, which is the symbol of Honour, with the Cross, which is the symbol of Salvation. It was hoped that our work would be graced by the distinguished patronage of the Minister of War and Monseigneur Cachepot. Unfortunately there were difficulties in the way, and the full realisation of the project had to be deferred. In the meantime we are limiting our exhibition to 'The Sword.' I have drawn up an explanatory note indicating the significance of the demonstration."
Having delivered himself of these remarks, Monsieur Le Truc de Ruffec produced a pocket-case stuffed full of papers. Picking out from a medley of judgment summonses and other odds and ends a little piece of very crumpled paper, he exclaimed, "Ah, here it is," and proceeded to read as follows: "'The Sword is a fierce Virgin; it is par excellence the Frenchman's weapon. And now, when patriotic sentiment, after suffering an all too protracted eclipse, is beginning to shine forth again more ardently than ever …' and so forth; you see?"
And he repeated his request for some really fine specimen to be placed in the most conspicuous position in the exhibition to be held on behalf of the little native children of Morocco, of which General d'Esparvieu was to be honorary President.
Arms and armour were by no means Père Guinardon's strong point. He dealt principally in pictures, drawings, and books. But he was never to be taken unawares. He took down a rapier with a gilt colander-shaped hilt, a highly typical piece of workmanship of the Louis XIII-Napoleon III period, and presented it to the exhibition promoter, who, while contemplating it with respect, maintained a diplomatic silence.
"I have something better still in here," said the antiquary, and he produced from his inner shop – where it had been lying among the walking-sticks and umbrellas – a real demon of a sword, adorned with fleurs-de-lys, a genuine royal relic. It was the sword of Philippe-Auguste as worn by an actor at the Odéon when Agnès de Méranie was being performed in 1846. Guinardon held it point downwards, as though it were a cross, clasping his hands piously on the cross-bar. He looked as loyal as the sword itself.
"Have her for your exhibition," said he. "The damsel is well worth it. Bouvines is her name."
"If I find a buyer for it," said Monsieur Le True de Ruffec, twirling his enormous moustachios, "I suppose you will allow me a little commission?"
Some days later, Père Guinardon was mysteriously displaying a picture to the Comte Desmaisons and Monsieur Blancmesnil. It was a newly discovered work of El Greco, an amazingly fine example of the Master's later style. It represented a Saint Francis of Assisi standing erect upon Mont Alverno. He was mounting heavenward like a column of smoke, and was plunging into the regions of the clouds a monstrously narrow head that the distance rendered smaller still. In fine it was a real, very real, nay, too real El Greco. The two collectors were attentively scrutinizing the work, while Père Guinardon was belauding the depth of the shadows and the sublimity of the expression. He was raising his arms aloft to convey an idea of the greatness of Theotocopuli, who derived from Tintoretto, whom, however, he surpassed in loftiness by a hundred cubits.
"He was chaste and pure and strong; a mystic, a visionary."
Comte Desmaisons declared that El Greco was his favourite painter. In his inmost heart Blancmesnil was not so entirely struck with it.
The door opened, and Monsieur Gaétan quite unexpectedly appeared on the scene.
He gave a glance at the Saint Francis, and said:
"Bless my soul!"
Monsieur Blancmesnil, anxious to improve his knowledge, asked him what he thought of this artist who was now so much in vogue. Gaétan replied, glibly enough, that he did not regard El Greco as the eccentric, the madman that people used to take him for. It was rather his opinion that a defect of vision from which Theotocopuli suffered compelled him to deform his figures.
"Being afflicted with astigmatism and strabismus," Gaétan went on, "he painted the things he saw exactly as he used to see them."
Comte Desmaisons was not readily disposed to accept so natural an explanation, which, however, by its very simplicity, highly commended itself to Monsieur Blancmesnil.
Père Guinardon, quite beside himself, exclaimed:
"Are you going to tell me, Monsieur d'Esparvieu, that Saint John was astigmatic because he beheld a woman clothed with the sun, crowned with stars, with the moon about her feet; the Beast with seven heads and ten horns, and the seven angels robed in white linen that bore the seven cups filled with the wrath of the Living God?"
"After all," said Monsieur Gaétan, by way of conclusion, "people are right in admiring El Greco if he had genius enough to impose his morbidity of vision upon them. By the same token, the contortions to which he subjects the human countenance may give satisfaction to those who love suffering, – a class more numerous than is generally supposed."
"Monsieur," replied the Comte Desmaisons, stroking his luxuriant beard with his long, thin hand, "we must love those that love us. Suffering loves us and attaches itself to us. We must love it if life is to be supportable to us. In the knowledge of this truth lies the strength and value of Christianity. Alas! I do not possess the gift of Faith. It is that which drives me to despair."
The old man thought of her for whom he had been mourning twenty years, and forthwith his reason left him, and his thoughts abandoned themselves unresistingly to the morbid imaginings of gentle and melancholy madness.
Having, he said, made a study of psychic matters, and having, with the co-operation of a favourable medium, carried out experiments concerning the nature and duration of the soul, he had obtained some remarkable results, which, however, did not afford him complete satisfaction. He had succeeded in viewing the soul of his dead wife under the appearance of a transparent and gelatinous mass which bore not the slightest resemblance to his adored one. The most painful part about the whole experiment – which he had repeated over and over again – was that the gelatinous mass, which was furnished with a number of extremely slender tentacles, maintained them in constant motion in time to a rhythm apparently intended to make certain signs, but of what these movements were supposed to convey there was not the slightest clue.
During the whole of this narrative Monsieur Blancmesnil had been whispering in a corner with the youthful Octavie, who sat mute and still, with her eyes on the ground.
Now Zéphyrine had by no means made up her mind to resign her lover into the hands of an unworthy rival. She would often go round of a morning, with her shopping-basket on her arm, and prowl about outside the curio shop. Torn betwixt grief and rage, tormented by warring ideas, she sometimes thought she would empty a saucepanful of vitriol on the head of the faithless one; at others that she would fling herself at his feet, and shower tears and kisses on his precious hands. One day, as she was thus eyeing her Michel – her beloved but guilty Michel – she noticed through the window the fair and youthful Octavie, who was sitting with her embroidery at a table upon which, in a vase of crystal, a rose was swooning to death. Zéphyrine, in a transport of fury, brought down her umbrella on her rival's fair head, and called her a bitch and a trollop. Octavie fled in terror, and ran for the police, while Zéphyrine, beside herself with grief and love, kept digging away with her old gamp at the Gimblette of Fragonard, the fuliginous Saint Francis of El Greco, the virgins, the nymphs, and the apostles, and knocked the gilt off the Fra Angelico, shrieking all the while: