Эдвард Бульвер-Литтон
Godolphin, Complete
CHAPTER LII
RADCLYFFE AND GODOLPHIN CONVERSE.—THE VARIETIES OF AMBITION
“I don’t know,” said Godolphin to Radclyffe, as they were one day riding together among the green lanes that border the metropolis—“I don’t know what to do with myself this evening. Lady Erpingham is gone to Windsor; I have no dinner engagement, and I am wearied of balls. Shall we dine together, and go to the play quietly, as we might have done some ten years ago?”
“Nothing I should like better;—and the theatre—are you fond of it now? I think I have heard you say that it once made your favorite amusement.”
“I still like it passably,” answered Godolphin; “but the gloss is gone from the delusion. I am grown mournfully fastidious. I must have excellent acting—an excellent play. A slight fault—a slight deviation from nature—robs me of my content at the whole.”
“The same fault in your character pervading all things,” said Radclyffe, half smiling.
“True,” said Godolphin, yawning;—“but have you seen my new Canova?”
“No: I care nothing for statues, and I know nothing of the Fine Arts.”
“What a confession!”
“Yes, it is a rare confession: but I suspect that the Arts, like truffles and olives, are an acquired taste. People talk themselves into admiration, where at first they felt indifference. But how can you, Godolphin, with your talents, fritter away life on these baubles?”
“You are civil,” said Godolphin, impatiently. “Allow me to tell you that it is your objects I consider baubles. Your dull, plodding, wearisome honours; a name in the newspapers—a place, perhaps, in the Ministry—purchased by a sacrificed youth and a degraded manhood—a youth in labour, a manhood in schemes. No, Radclyffe! give me the bright, the glad sparkle of existence; and, ere the sad years of age and sickness, let me at least enjoy. That is wisdom! Your creed is—But I will not imitate your rudeness!” and Godolphin laughed.
“Certainly,” replied Radclyffe, “you do your best to enjoy yourself. You live well and fare sumptuously: your house is superb, your villa enchanting. Lady Erpingham is the handsomest woman of her time: and, as if that were not enough, half the fine women in London admit you at their feet. Yet you are not happy.”
“Ay: but who is?” cried Godolphin, energetically.
“I am,” said Radclyffe, drily.
“You!—humph!”
“You disbelieve me.”
“I have no right to do so: but are you not ambitious? And is not ambition full of anxiety, care,—mortification at defeat, disappointment in success? Does not the very word ambition—that is, a desire to be something you are not—prove you discontented with what you are?”
“You speak of a vulgar ambition,” said Radclyffe.
“Most august sage!—and what species of ambition is yours?”
“Not that which you describe. You speak of the ambition for self; my ambition is singular—it is the ambition for others. Some years ago I chanced to form an object in what I considered the welfare of my race. You smile. Nay, I boast no virtue in my dreams; but philanthropy was my hobby, as statues may be yours. To effect this object, I see great changes are necessary: I desire, I work for these great changes. I am not blind, in the meanwhile, to glory. I desire, on the contrary, to obtain it! But it would only please me if it came from certain sources. I want to feel that I may realise what I attempt; and wish for that glory that comes from the permanent gratitude of my species, not that which springs from the momentary applause. Now, I am vain, very vain: vanity was, some years ago, the strongest characteristic of my nature. I do not pretend to conquer the weakness, but to turn it towards my purposes. I am vain enough to wish to shine, but the light must come from deeds I think really worthy.”
“Well, well!” said Godolphin, a little interested in spite of himself: “but ambition of one sort resembles ambition of another, inasmuch as it involves perpetual harassment and humiliations.”
“Not so,” answered Radclyffe;—“because when a man is striving for what he fancies a laudable object, the goodness of his intentions comforts him for a failure in success, whereas your selfishly ambitious man has no consolation in his defeats; he is humbled by the external world, and has no inner world to apply to for consolation.”
“Oh, man!” said Godolphin, almost bitterly, “how dost thou eternally deceive thyself! Here is the thirst for power, and it calls itself the love of mankind!”
“Believe me,” said Radclyffe, so earnestly, and with so deep a meaning in his grave, bright eye, that Godolphin was staggered from his scepticism;—“believe me, they may be distinct passions, and yet can be united.”
CHAPTER LIII
FANNY BEHIND THE SCENES.—REMINISCENCES OF YOUTH.—THE UNIVERSALITY OF TRICK.—THE SUPPER AT FANNY MILLINGER’S.—TALK ON A THOUSAND MATTERS, EQUALLY LIGHT AND TRUE.—FANNY’S SONG
The play was Pizarro, and Fanny Millinger acted Cora, Godolphin and Radclyffe went behind the scenes.
“Ah!” said Fanny, as she stood in her white Peruvian dress, waiting her turn to re-enter the stage,—“ah, Godolphin! this reminds me of old times. How many years have passed since you used to take such pleasure in this mimic life! Well do I remember your musing eye and thoughtful brow bent kindly on me from the stage-box yonder: and do you recollect how prettily you used to moralise on the deserted scenes when the play was over? And you sometimes waited on these very boards to escort me home. Those times have changed. Heigh-ho!”
“Ay, Fanny, we have passed through new worlds of feeling since then. Could life be to us now what it was at that time, we might love each other anew: but tell me, Fanny, has not the experience of life made you a wiser woman? Do you not seek more to enjoy the present—to pluck Tirne’s fruit on the bough, ere yet the ripeness is gone? I do. I dreamed away my youth—I strive to enjoy my manhood.”
“Then,” said Fanny, with that quickness with which, in matters of the heart, women beat all our philosophy—“then I can prophesy that, since we parted, you have loved or lost some one. Regret, which converts the active mind into the dreaming temper, makes the dreamer hurry into activity, whether of business or of pleasure.”
“Right,” said Radclyffe, as a shade darkened his stern brow.
“Right,” said Godolphin thoughtfully, and Lucille’s image smote his heart like an avenging conscience. “Right,” repeated he, turning aside and soliloquising; “and those words from an idle tongue have taught me some of the motives of my present conduct. But away reflection! I have resolved to forswear it. My pretty Cora!” said he, aloud, as he turned back to the actress, “you are a very De Stael in your wisdom: but let us not be wise; ‘tis the worst of our follies. Do you not give us one of your charming suppers to-night?”
“To be sure: your friend will join us. He was once the gayest of the gay; but years and fame have altered him a little.”
“Radclyffe gay! Bah!” said Godolphin surprised. “Ay, you may well look astonished,” said Fanny, archly; “but note that smile—it tells of old days.”
And Godolphin turning to his friend, saw indeed on the thin lip of that earnest face a smile so buoyant, so joyous, that it seemed as if the whole character of the man were gone: but while he gazed, the smile vanished, and Radclyffe gravely declined the invitation.
Cora was now on the stage: a transport of applause shook the house.
“How well she acts!” said Radclyffe warmly.
“Yes,” answered Godolphin, as with folded arms he looked quietly on; “but what a lesson in the human heart does good acting teach us! Mark that glancing eye—that heaving breast—that burst of passion—that agonised voice: the spectators are in tears! The woman’s whole soul is in her child! Not a bit of it! She feels no more than the boards we tread on: she is probably thinking of the lively supper we shall have; and when she comes off the stage, she will cry, ‘Did I not act it well?’”
“Nay,” said Radclyffe, “she probably feels while she depicts the feeling.”
“Not she: years ago she told me the whole science of acting was trick; and trick—trick—trick it is, on the stage or off. The noble art of oratory—(noble forsooth!)—is just the same: philosophy, poetry—all, all hypocrisy. ‘Damn the moon!’ said B– to me, as we once stood gazing on it at Venice; ‘it always gives me the ague: but I have described it well in my poetry, Godolphin—eh?’”
“But—,” began Radclyffe.
“But me no buts,” interrupted Godolphin, with the playful pertinacity which he made so graceful: “you are younger than I am; when you have lived as long, you shall have a right to contradict my system—not before.”
Godolphin joined the supper party. Like Godolphin’s, Fanny’s life was the pursuit of pleasure: she lavished on it, in proportion to her means, the same cost and expense, though she wanted the same taste and refinement. Generous and profuse, like all her tribe—like all persons who win money easily—she was charitable to all and luxurious in herself. The supper was attended by four male guests—Godolphin, Saville, Lord Falconer; and Mr. Windsor.
It was early summer: the curtains were undrawn, the windows were half opened, and the moonlight slept on the little grassplot that surrounded the house. The guests were in high spirits. “Fill me this goblet,” cried Godolphin; “champagne is the boy’s liquor; I will return to it con amore. Fanny, let us pledge each other: stay: a toast!—What shall it be?”
“Hope till old age, and Memory afterwards,” said Fanny, smiling.
“Pshaw! theatricals still, Fan?” growled Saville, who had placed a large screen between himself and the window; “no sentiment between friends.”
“Out on you, Saville,” said Godolphin; “as well might you say no music out of the opera; these verbal prettinesses colour conversation. But your roues are so d–d prosaic, you want us to walk to Vice without a flower by the way.”
“Vice indeed!” cried Saville. “I abjure your villanous appellatives. It was in your companionship that I lost my character, and now you turn king’s evidence against the poor devil you seduced.”
“Humph!” cried Godolphin gaily; “you remind me of the advice of the Spanish hidalgo to a servant: always choose a master with a good memory: for ‘if he does not pay, he will at least remember that he owes you.’ In future, I shall take care to herd only with those who recollect, after they are finally debauched, all the good advice I gave them beforehand.”
“Meanwhile,” said the pretty Fanny, with her arch mouth half-full of chicken, “I shall recollect that Mr. Saville drinks his wine without toasts—as being a useless delay.”
“Wine,” said Mr. Windsor, sententiously, “wine is just the reverse of love. Your old topers are all for coming at once, to the bottle, and your old lovers for ever mumbling the toast.”
“See what you have brought on yourself, Saville, by affecting a joke upon me,” said Godolphin. “Come, let us make it up: we fell out with the toast—let us be reconciled by the glass.—Champagne?”
“Ay, anything for a quiet life,—even champagne,” said Saville, with a mock air of patience, and dropping his sharp features into a state of the most placid repose. “Your wits are so very severe. Yes, champagne if you please. Fanny, my love,” and Saville made a wry face as he put down the scarce-tasted glass; “go on—another joke, if you please; I now find I can bear your satire better, at least, than your wine.”
Fanny was all bustle: it is in these things that the actress differs from the lady—there is no quiet in her. “Another bottle of champagne:—what can have happened to this?” Poor Fanny was absolutely pained. Saville enjoyed it, for he always revenged a jest by an impertinence.
“Nay,” said Godolphin, “our friend does but joke. Your champagne is excellent, Fanny. Well, Saville, and where is young Greenhough? He is vanished. Report says he was marked down in your company, and has not risen since.”
“Report is the civilest jade in the world. According to her all the pigeons disappear in my fields. But, seriously speaking, Greenhough is off—gone to America—over head and ears in debt—debts of honor. Now,” said Saville, very slowly, “there’s the difference between the gentleman and the parvenu; the gentleman, when all is lost, cuts his throat: the parvenu only cuts his creditors. I am really very angry with Greenhough that he did not destroy himself. A young man under my protection and all: so d–d ungrateful in him.”
“He was not much in your debt—eh?” said Lord Falconer, speaking for the first time as the wine began to get into his head.
Saville looked hard at the speaker.
“Lord Falconer, a pinch of snuff: there is something singularly happy in your question; so much to the point: you have great knowledge of the world—great. He was very much in my debt. I introduced the vulgar dog into the world, and he owes me all the thousands he had the Honor to lose in good society!”
“Do you know, Percy,” continued Saville, “do you know, by the way, that my poor dear friend Jasmin is dead? died after a hearty game of whist. He had just time to cry ‘four by honours’ when death trumped him. It was a great shock to me: he was the second best player at Graham’s. Those sudden deaths are very awful—especially with the game in one’s hands.”
“Very mortifying, indeed,” seriously said Lord Falconer, who had just been initiated into whist.
“‘Tis droll,” said Saville, “to see how often the last words of a man tally with his life; ‘tis like the moral to the fable. The best instance I know is in Lord Chesterfield, whose fine soul went out in that sublime and inimitable sentence—`Give Mr. Darrell a chair.’”
“Capital,” cried Lord Falconer. “Saville, a game at ecarte.”
As the lion in the Tower looked at the lapdog, so in all the compassion of contempt looked Saville on Lord Falconer.
“Infelix puer!” muttered Godolphin; “Infelix puer atque, impar congressus Achilli.”
“With all my heart,” said Saville at last. “Yet, no—we’ve been talking of death—such topics waken a man’s conscience, Falconer, I never play for less than–”
“Ponies!—I know it!” cried Falconer, triumphantly.
“Ponies—less than chargers!”
“Chargers—what are chargers?”
“The whole receipts of an Irish peer, Lord Falconer; and I make it a point never to lose the first game.”
“Such men are dangerous,” said Mr. Windsor, with his eyes shut.
“O Night!” cried Godolphin, springing up theatrically, “thou wert made for song, and moonlight, and laughter—but woman’s laughter. Fanny, a song—the pretty quaint song you sang me, years ago, in praise of a town love and an easy life.”
Fanny, who had been in the pouts ever since Saville had blamed the champagne—for she was very anxious to be of bon ton in her own little way—now began to smile once more; and, as the moon played on her arch face, she seated herself at the piano, and, glancing at Godolphin, sang the following song:—
LOVE COURTS THE PLEASURES
I
Believe me, Love was never made
In deserts to abide;
Leave Age to take the sober shade,
And Youth the sunny side.
II
Love dozes by the purling brook,
No friend to lonely places;
Or, if he toy with Strephon’s crook,
His Chloes are the Graces.
III
Forsake ‘The Flaunting Town!’ Alas!
Be cells for saints, my own love!
The wine of life’s a social glass,
Nor may be quaffed alone, love.
IV
Behold the dead and solemn sea,
To which our beings flow;
Let waves that soon so dark must be
Catch every glory now.
V
I would not chain that heart to this
To sicken at the rest;
The cage we close a prison is,
The open cage a nest.
CHAPTER LIV
THE CAREER OF CONSTANCE.—REAL STATE OF HER FEELINGS TOWARDS GODOLPHIN.—RAPID SUCCESSION OF POLITICAL EVENTS.—CANNING’S ADMINISTRATION.—CATHOLIC QUESTION.—LORD GREY’S SPEECH.—CANNING’S DEATH
While in scenes like these, alternated with more refined and polished dissipation, Godolphin lavished away his life, Constance, became more and more powerful as one of the ornaments of a great political party. Few women in England ever mixed more actively in politics than Lady Erpingham, or with more remarkable ability. Her friends were out of office, it is true; but she saw the time approaching rapidly when their opinions must come into power. She had begun to love, for itself, the scheming of political ambition, and in any country but England she would have been a conspirator, and in old times might have risen to be a queen; but as it was, she was only a proud, discontented woman. She knew, too, that it was all she could be—all that her sex allowed her to be—yet did she not the less straggle and toil on. The fate of her father still haunted her; her promise and his death-bed still rose oft and solemnly before her; the humiliations she had known in her early condition—the homage that had attended her later career—still cherished in her haughty soul indignation at the faction he had execrated, and little less of the mighty class which that faction represented. The system of “fashion” she had so mainly contributed to strengthen, and which was originally by her intended to build up a standard of opinion, independent of mere rank, and in defiance of mere wealth, she saw polluted and debased by the nature of its followers, into a vulgar effrontery, which was worse than the more quiet dulness it had attempted to supplant. Yet still she was comforted by the thought that through this system lay the way to more wholesome changes. The idols of rank and wealth once broken, she believed that a pure and sane worship must ultimately be established. Doubtless in the old French regime there were many women who thought like her, but there were none who acted like her—deliberately, and with an end. What an excellent, what a warning picture is contained in the entertaining Memoirs of Count Segur! how admirably that agreeable gossip develops the state of mind among the nobility of France!—“merry censurers of the old customs”—“enchanted by the philosophy of Voltaire”—“ridiculing the old system”—“embracing liberality as a fashion,” and “gaily treading a soil bedecked with flowers, which concealed a precipice from their view!” In England, there are fewer flowers, and the precipice will be less fearful.
A certain disappointment which had attended her marriage with Godolphin, and the disdainful resentment she felt at the pleasures that allured him from her, tended yet more to deepen at once her distaste for the habits of a frivolous society, and to nerve and concentrate her powers of political intrigue. Her mind grew more and more masculine; her dark eye burnt with a sterner fire; the sweet mouth was less prodigal of its smiles; and that air of dignity which she had always possessed, grew harder in its character, and became command.
This change did not tend to draw Godolphin nearer to her. He, so susceptible to coldness, so refining, so exacting, believed fully that she loved him no more—that she repented the marriage she had contracted. His pride was armed against her; and he sought more eagerly those scenes where all, for the admired, the gallant, the sparkling Godolphin, wore smiles and sunshine.
There was another matter that rankled in his breast with peculiar bitterness. He had wished to raise a large sum of money (in the purchase of some celebrated works of art), which could only be raised with Lady Erpingham’s consent. When he had touched upon the point to her, she had not refused, but she had hesitated. She seemed embarrassed, and, he thought, discontented. His delicacy took alarm, and he never referred to the question again; but he was secretly much displeased with her reluctant manner on that occasion. Nothing the proud so little forget as a coolness conceived upon money matters: In this instance, Godolphin afterwards discovered that he had wronged Constance, and misinterpreted the cause of her reluctance.
Yet as time flew on for both, both felt a yearning of the heart towards each other; and had they been thrown upon a desert island—had there been full leisure, full opportunity, for a frank unfettered interchange and confession of thought—they would have been mutually astonished to find themselves still so beloved, and each would have been dearer to the other than in their warmest hour of earlier attachment. But when once, in a very gay and occupied life, a husband and wife have admitted a seeming indifference to creep in between them, the chances are a thousand to one against its after-removal. How much more so with a wife so proud as Constance, and a husband so refining as Godolphin! Fortunately, however, as I said before, the temper of each was excellent; they never quarrelled; and the indifference, therefore, lay on the surface, not at the depth. They seemed to the world an affectionate couple, as couples go; and their union would have been classed by Rochefoucauld among those marriages that are very happy—il n’y a point de delicieux.
Meanwhile, as Constance had predicted, the political history of the country was marked by a perpetual progress towards liberal opinions. Mr. Canning was now in office; the Catholic Question was in every one’s mouth.
There was a brilliant meeting at Erpingham House; those who composed it were of the heads of the party: but there were divisions amongst themselves; some were secretly for joining Mr. Canning’s administration; some had openly done so; others remained in stubborn and jealous opposition. With these last was the heart of Constance. “Well, well, Lady Erpingham,” said Lord Paul Plympton, a young nobleman, who had written a dull history, and was therefore considered likely to succeed in parliamentary life—“well, I cannot help thinking you are too severe upon Canning: he is certainly very liberal in his views.”
“Is there one law he ever caused to pass for the benefit of the working classes? No, Lord Paul, his Whiggism is for peers, and his Toryism for peasants. With the same zeal he advocates the Catholic Question and the Manchester Massacre.”
“Yet, surely,” cried Lord Paul, “you make a difference between the just liberality that provides for property and intelligence, and the dangerous liberality that would slacken the reins of an ignorant multitude.”
“But,” said Mr. Benson, a very powerful member of the Lower House, “true politicians must conform to circumstances. Canning may not be all we wish, but still he ought to be supported. I confess that I shall be generous: I care not for office, I care not for power; but Canning is surrounded with enemies, who are enemies also to the people: for that reason I shall support him.”
“Bravo, Benson!” cried Lord Paul.
“Bravo, Benson!” echoed two or three notables, who had waited an opportunity to declare themselves; “that’s what I call handsome.”
“Manly!”
“Fair!”
“Disinterested, by Jove!”
Here the Duke of Aspindale suddenly entered the room. “Ah, Lady Erpingham, you should have been in the Lords to-night; such a speech! Canning is crushed for ever!”
“Speech! from whom?”
“Lord Grey—terrific: it was the vengeance of a life concentrated into one hour; it has shaken the Ministry fearfully.”
“Humph!” said Benson, rising; “I shall go to Brooks’s and hear more.”
“And I too,” said Lord Paul.
A day or two after, Benson in presenting a petition, alluded in terms of high eulogy to the masterly speech made “in another place:” and Lord Paul Plympton said, “it was indeed unequalled.”
That’s what I call handsome. Manly!
Fair!
Disinterested, by Jove!
And Canning died; his gallant soul left the field of politics broken into a thousand petty parties. From the time of his death the two great hosts into which the struggles for power were divided have never recovered their former strength. The demarcation that his policy had tended to efface was afterwards more weakened by his successor, the Duke of Wellington; and had it not been for the question of Reform that again drew the stragglers on either side around one determined banner, it is likely that Whig and Tory would, among the many minute sections and shades of difference, have lost for ever the two broad distinguishing colours of their separate factions.
Mr. Canning died; and now, with redoubled energy, went on the wheels of political intrigue. The rapid succession of short-lived administrations, the leisure of a prolonged peace, the pressure of debt, the writings of philosophers, all, insensibly, yet quickly, excited that popular temperament which found its crisis in the Reform Bill.
