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Anna Karenina

Chapter 5

In the church there was all Moscow, all the friends and relations; and during the ceremony of plighting troth, in the brilliantly lighted church, there was an incessant flow of discreetly subdued talk in the circle of gaily dressed women and girls, and men in white ties, frockcoats, and uniforms. The talk was principally kept up by the men, while the women were absorbed in watching every detail of the ceremony, which always means so much to them.

In the little group nearest to the bride were her two sisters: Dolly, and the other one, the self-possessed beauty, Madame Lvova, who had just arrived from abroad.

"Why is it Marie’s in lilac, as bad as black, at a wedding?" said Madame Korsunskaya.

"With her complexion, it’s the one salvation," responded Madame Trubetskaya. "I wonder why they had the wedding in the evening? It’s like shop-people…"

"So much prettier. I was married in the evening too…" answered Madame Korsunskaya, and she sighed, remembering how charming she had been that day, and how absurdly in love her husband was, and how different it all was now.

"They say if anyone’s best man more than ten times, he’ll never be married. I wanted to be for the tenth time, but the post was taken," said Count Siniavin to the pretty Princess Tcharskaya, who had designs on him.

Princess Tcharskaya only answered with a smile. She looked at Kitty, thinking how and when she would stand with Count Siniavin in Kitty’s place, and how she would remind him then of his joke today.

Shtcherbatsky told the old maid of honor, Madame Nikolaeva, that he meant to put the crown on Kitty’s chignon for luck.

"She ought not to have worn a chignon," answered Madame Nikolaeva, who had long ago made up her mind that if the elderly widower she was angling for married her, the wedding should be of the simplest. "I don’t like such grandeur."

Sergey Ivanovitch was talking to Darya Dmitrievna, jestingly assuring her that the custom of going away after the wedding was becoming common because newly married people always felt a little ashamed of themselves.

"Your brother may feel proud of himself. She’s a marvel of sweetness. I believe you’re envious."

"Oh, I’ve got over that, Darya Dmitrievna," he answered, and a melancholy and serious expression suddenly came over his face.

Stepan Arkadyevitch was telling his sister-in-law his joke about divorce.

"The wreath wants setting straight," she answered, not hearing him.

"What a pity she’s lost her looks so," Countess Nordston said to Madame Lvova. "Still he’s not worth her little finger, is he?"

"Oh, I like him so – not because he’s my future beau-frère," answered Madame Lvova. "And how well he’s behaving! It’s so difficult, too, to look well in such a position, not to be ridiculous. And he’s not ridiculous, and not affected; one can see he’s moved."

"You expected it, I suppose?"

"Almost. She always cared for him."

"Well, we shall see which of them will step on the rug first. I warned Kitty."

"It will make no difference," said Madame Lvova; "we’re all obedient wives; it’s in our family."

"Oh, I stepped on the rug before Vassily on purpose. And you, Dolly?"

Dolly stood beside them; she heard them, but she did not answer. She was deeply moved. The tears stood in her eyes, and she could not have spoken without crying. She was rejoicing over Kitty and Levin; going back in thought to her own wedding, she glanced at the radiant figure of Stepan Arkadyevitch, forgot all the present, and remembered only her own innocent love. She recalled not herself only, but all her women-friends and acquaintances. She thought of them on the one day of their triumph, when they had stood like Kitty under the wedding crown, with love and hope and dread in their hearts, renouncing the past, and stepping forward into the mysterious future. Among the brides that came back to her memory, she thought too of her darling Anna, of whose proposed divorce she had just been hearing. And she had stood just as innocent in orange flowers and bridal veil. And now? "It’s terribly strange," she said to herself. It was not merely the sisters, the women-friends and female relations of the bride who were following every detail of the ceremony. Women who were quite strangers, mere spectators, were watching it excitedly, holding their breath, in fear of losing a single movement or expression of the bride and bridegroom, and angrily not answering, often not hearing, the remarks of the callous men, who kept making joking or irrelevant observations.

"Why has she been crying? Is she being married against her will?"

"Against her will to a fine fellow like that? A prince, isn’t he?"

"Is that her sister in the white satin? Just listen how the deacon booms out, ‘And fearing her husband.’"

"Are the choristers from Tchudovo?"

"No, from the Synod."

"I asked the footman. He says he’s going to take her home to his country place at once. Awfully rich, they say. That’s why she’s being married to him."

"No, they’re a well-matched pair."

"I say, Marya Vassilievna, you were making out those fly-away crinolines were not being worn. Just look at her in the puce dress – an ambassador’s wife they say she is – how her skirt bounces out from side to side!"

"What a pretty dear the bride is – like a lamb decked with flowers! Well, say what you will, we women feel for our sister."

Such were the comments in the crowd of gazing women who had succeeded in slipping in at the church doors.

Chapter 6

When the ceremony of plighting troth was over, the beadle spread before the lectern in the middle of the church a piece of pink silken stuff, the choir sang a complicated and elaborate psalm, in which the bass and tenor sang responses to one another, and the priest turning round pointed the bridal pair to the pink silk rug. Though both had often heard a great deal about the saying that the one who steps first on the rug will be the head of the house, neither Levin nor Kitty were capable of recollecting it, as they took the few steps towards it. They did not hear the loud remarks and disputes that followed, some maintaining he had stepped on first, and others that both had stepped on together.

After the customary questions, whether they desired to enter upon matrimony, and whether they were pledged to anyone else, and their answers, which sounded strange to themselves, a new ceremony began. Kitty listened to the words of the prayer, trying to make out their meaning, but she could not. The feeling of triumph and radiant happiness flooded her soul more and more as the ceremony went on, and deprived her of all power of attention.

They prayed: "Endow them with continence and fruitfulness, and vouchsafe that their hearts may rejoice looking upon their sons and daughters." They alluded to God’s creation of a wife from Adam’s rib "and for this cause a man shall leave father and mother, and cleave unto his wife, and they two shall be one flesh," and that "this is a great mystery"; they prayed that God would make them fruitful and bless them, like Isaac and Rebecca, Joseph, Moses and Zipporah, and that they might look upon their children’s children. "That’s all splendid," thought Kitty, catching the words, "all that’s just as it should be," and a smile of happiness, unconsciously reflected in everyone who looked at her, beamed on her radiant face.

"Put it on quite," voices were heard urging when the priest had put on the wedding crowns and Shtcherbatsky, his hand shaking in its three-button glove, held the crown high above her head.

"Put it on!" she whispered, smiling.

Levin looked round at her, and was struck by the joyful radiance on her face, and unconsciously her feeling infected him. He too, like her felt glad and happy.

They enjoyed hearing the epistle read, and the roll of the head deacon’s voice at the last verse, awaited with such impatience by the outside public. They enjoyed drinking out of the shallow cup of warm red wine and water, and they were still more pleased when the priest, flinging back his stole and taking both their hands in his, led them round the lectern to the accompaniment of bass voices chanting "Glory to God."

Shtcherbatsky and Tchirikov, supporting the crowns and stumbling over the bride’s train, smiling too and seeming delighted at something, were at one moment left behind, at the next treading on the bridal pair as the priest came to a halt. The spark of joy kindled in Kitty seemed to have infected everyone in the church. It seemed to Levin that the priest and the deacon too wanted to smile just as he did.

Taking the crowns off their heads the priest read the last prayer and congratulated the young people. Levin looked at Kitty, and he had never before seen her look as she did. She was charming with the new radiance of happiness in her face. Levin longed to say something to her, but he did not know whether it was all over. The priest got him out of his difficulty. He smiled his kindly smile and said gently, "Kiss your wife, and you kiss your husband," and took the candles out of their hands.

Levin kissed her smiling lips with timid care, gave her his arm, and with a new strange sense of closeness, walked out of the church. He did not believe, he could not believe, that it was true. It was only when their wondering and timid eyes met that he believed in it, because he felt that they were one.

After supper, the same night, the young people left for the country.

Chapter 7

Vronsky and Anna had been traveling for three months together in Europe. They had visited Venice, Rome, and Naples, and had just arrived at a small Italian town where they meant to stay some time. A handsome head waiter, with thick pomaded hair parted from the neck upwards, an evening coat, a broad white cambric shirt front, and a bunch of trinkets hanging above his rounded stomach, stood with his hands in the full curve of his pockets, looking contemptuously from under his eyelids while he gave some frigid reply to a gentleman who had stopped him. Catching the sound of footsteps coming from the other side of the entry towards the staircase, the head waiter turned round, and seeing the Russian count, who had taken their best rooms, he took his hands out of his pockets deferentially, and with a bow informed him that a courier had been, and that the business about the palazzo had been arranged. The steward was prepared to sign the agreement.

"Ah! I’m glad to hear it," said Vronsky. "Is madame at home or not?"

"Madame has been out for a walk but has returned now," answered the waiter.

Vronsky took off his soft, wide-brimmed hat and passed his handkerchief over his heated brow and hair, which had grown half over his ears, and was brushed back covering the bald patch on his head. And glancing casually at the gentleman, who still stood there gazing intently at him, he would have gone on.

"This gentleman is a Russian, and was inquiring after you," said the head waiter.

With mingled feelings of annoyance at never being able to get away from acquaintances anywhere, and longing to find some sort of diversion from the monotony of his life, Vronsky looked once more at the gentleman, who had retreated and stood still again, and at the same moment a light came into the eyes of both.

"Golenishtchev!"

"Vronsky!"

It really was Golenishtchev, a comrade of Vronsky’s in the Corps of Pages. In the corps Golenishtchev had belonged to the liberal party; he left the corps without entering the army, and had never taken office under the government. Vronsky and he had gone completely different ways on leaving the corps, and had only met once since.

At that meeting Vronsky perceived that Golenishtchev had taken up a sort of lofty, intellectually liberal line, and was consequently disposed to look down upon Vronsky’s interests and calling in life. Hence Vronsky had met him with the chilling and haughty manner he so well knew how to assume, the meaning of which was: "You may like or dislike my way of life, that’s a matter of the most perfect indifference to me; you will have to treat me with respect if you want to know me." Golenishtchev had been contemptuously indifferent to the tone taken by Vronsky. This second meeting might have been expected, one would have supposed, to estrange them still more. But now they beamed and exclaimed with delight on recognizing one another. Vronsky would never have expected to be so pleased to see Golenishtchev, but probably he was not himself aware how bored he was. He forgot the disagreeable impression of their last meeting, and with a face of frank delight held out his hand to his old comrade. The same expression of delight replaced the look of uneasiness on Golenishtchev’s face.

"How glad I am to meet you!" said Vronsky, showing his strong white teeth in a friendly smile.

"I heard the name Vronsky, but I didn’t know which one. I’m very, very glad!"

"Let’s go in. Come, tell me what you’re doing."

"I’ve been living here for two years. I’m working."

"Ah!" said Vronsky, with sympathy; "let’s go in." And with the habit common with Russians, instead of saying in Russian what he wanted to keep from the servants, he began to speak in French.

"Do you know Madame Karenina? We are traveling together. I am going to see her now," he said in French, carefully scrutinizing Golenishtchev’s face.

"Ah! I did not know" (though he did know), Golenishtchev answered carelessly. "Have you been here long?" he added.

"Four days," Vronsky answered, once more scrutinizing his friend’s face intently.

"Yes, he’s a decent fellow, and will look at the thing properly," Vronsky said to himself, catching the significance of Golenishtchev’s face and the change of subject. "I can introduce him to Anna, he looks at it properly."

During those three months that Vronsky had spent abroad with Anna, he had always on meeting new people asked himself how the new person would look at his relations with Anna, and for the most part, in men, he had met with the "proper" way of looking at it. But if he had been asked, and those who looked at it "properly" had been asked, exactly how they did look at it, both he and they would have been greatly puzzled to answer.

In reality, those who in Vronsky’s opinion had the "proper" view had no sort of view at all, but behaved in general as well-bred persons do behave in regard to all the complex and insoluble problems with which life is encompassed on all sides; they behaved with propriety, avoiding allusions and unpleasant questions. They assumed an air of fully comprehending the import and force of the situation, of accepting and even approving of it, but of considering it superfluous and uncalled for to put all this into words.

Vronsky at once divined that Golenishtchev was of this class, and therefore was doubly pleased to see him. And in fact, Golenishtchev’s manner to Madame Karenina, when he was taken to call on her, was all that Vronsky could have desired. Obviously without the slightest effort he steered clear of all subjects which might lead to embarrassment.

He had never met Anna before, and was struck by her beauty, and still more by the frankness with which she accepted her position. She blushed when Vronsky brought in Golenishtchev, and he was extremely charmed by this childish blush overspreading her candid and handsome face. But what he liked particularly was the way in which at once, as though on purpose that there might be no misunderstanding with an outsider, she called Vronsky simply Alexey, and said they were moving into a house they had just taken, what was here called a palazzo. Golenishtchev liked this direct and simple attitude to her own position. Looking at Anna’s manner of simple-hearted, spirited gaiety, and knowing Alexey Alexandrovitch and Vronsky, Golenishtchev fancied that he understood her perfectly. He fancied that he understood what she was utterly unable to understand: how it was that, having made her husband wretched, having abandoned him and her son and lost her good name, she yet felt full of spirits, gaiety, and happiness.

"It’s in the guide-book," said Golenishtchev, referring to the palazzo Vronsky had taken. "There’s a first-rate Tintoretto there. One of his latest period."

"I tell you what: it’s a lovely day, let’s go and have another look at it," said Vronsky, addressing Anna.

"I shall be very glad to; I’ll go and put on my hat. Would you say it’s hot?" she said, stopping short in the doorway and looking inquiringly at Vronsky. And again a vivid flush overspread her face.

Vronsky saw from her eyes that she did not know on what terms he cared to be with Golenishtchev, and so was afraid of not behaving as he would wish.

He looked a long, tender look at her.

"No, not very," he said.

And it seemed to her that she understood everything, most of all, that he was pleased with her; and smiling to him, she walked with her rapid step out at the door.

The friends glanced at one another, and a look of hesitation came into both faces, as though Golenishtchev, unmistakably admiring her, would have liked to say something about her, and could not find the right thing to say, while Vronsky desired and dreaded his doing so.

"Well then," Vronsky began to start a conversation of some sort; "so you’re settled here? You’re still at the same work, then?" he went on, recalling that he had been told Golenishtchev was writing something.

"Yes, I’m writing the second part of the Two Elements," said Golenishtchev, coloring with pleasure at the question – "that is, to be exact, I am not writing it yet; I am preparing, collecting materials. It will be of far wider scope, and will touch on almost all questions. We in Russia refuse to see that we are the heirs of Byzantium," and he launched into a long and heated explanation of his views.

Vronsky at the first moment felt embarrassed at not even knowing of the first part of the Two Elements, of which the author spoke as something well known. But as Golenishtchev began to lay down his opinions and Vronsky was able to follow them even without knowing the Two Elements, he listened to him with some interest, for Golenishtchev spoke well. But Vronsky was startled and annoyed by the nervous irascibility with which Golenishtchev talked of the subject that engrossed him. As he went on talking, his eyes glittered more and more angrily; he was more and more hurried in his replies to imaginary opponents, and his face grew more and more excited and worried. Remembering Golenishtchev, a thin, lively, good-natured and well-bred boy, always at the head of the class, Vronsky could not make out the reason of his irritability, and he did not like it. What he particularly disliked was that Golenishtchev, a man belonging to a good set, should put himself on a level with some scribbling fellows, with whom he was irritated and angry. Was it worth it? Vronsky disliked it, yet he felt that Golenishtchev was unhappy, and was sorry for him. Unhappiness, almost mental derangement, was visible on his mobile, rather handsome face, while without even noticing Anna’s coming in, he went on hurriedly and hotly expressing his views.

When Anna came in in her hat and cape, and her lovely hand rapidly swinging her parasol, and stood beside him, it was with a feeling of relief that Vronsky broke away from the plaintive eyes of Golenishtchev which fastened persistently upon him, and with a fresh rush of love looked at his charming companion, full of life and happiness. Golenishtchev recovered himself with an effort, and at first was dejected and gloomy, but Anna, disposed to feel friendly with everyone as she was at that time, soon revived his spirits by her direct and lively manner. After trying various subjects of conversation, she got him upon painting, of which he talked very well, and she listened to him attentively. They walked to the house they had taken, and looked over it.

"I am very glad of one thing," said Anna to Golenishtchev when they were on their way back, "Alexey will have a capital atelier. You must certainly take that room," she said to Vronsky in Russian, using the affectionately familiar form as though she saw that Golenishtchev would become intimate with them in their isolation, and that there was no need of reserve before him.

"Do you paint?" said Golenishtchev, turning round quickly to Vronsky.

"Yes, I used to study long ago, and now I have begun to do a little," said Vronsky, reddening.

"He has great talent," said Anna with a delighted smile. "I’m no judge, of course. But good judges have said the same."