These features of the dream-work may be called archaic. They are connected with ancient systems of expression, ancient languages and literatures, and involve the same difficulties which we shall deal with later in a critical connection.
Now for some other aspects of the matter. In the dream-work it is plainly a question of translating the latent thoughts, expressed in words, into psychic images, in the main, of a visual kind. Now our thoughts were developed from such psychic images; their first material and the steps which led up to them were psychic impressions, or to be more exact, the memory images of these psychic impressions. Only later were words attached to these and then combined into thoughts. The dream-work therefore puts the thoughts through a regressive treatment, that is, one that retraces the steps in their development. In this regression, all that has been added to the thoughts as a new contribution in the course of the development of the memory pictures must fall away.
This, then, is the dream-work. In view of the processes that we have discovered about it, our interest in the manifest dream was forced into the background. I shall, however, devote a few remarks to the latter, since it is after all the only thing that is positively known to us.
It is natural that the manifest dream should lose its importance for us. It must be a matter of indifference to us whether it is well composed or resolved into a series of disconnected single images. Even when its exterior seems to be significant, we know that it has been developed by means of dream distortion and may have as little organic connection with the inner content of the dream as the facade of an Italian church has with its structure and ground plan. At other times this facade of the dream, too, has its significance, in that it reproduces with little or no distortion an important part of the latent dream thought. But we cannot know this before we have put the dream through a process of interpretation and reached a decision as to what amount of distortion has taken place. A similar doubt prevails when two elements in the dream seem to have been brought into close relations to one another. This may be a valuable hint, suggesting that we may join together those manifest thoughts which correspond to the elements in the latent dream; yet at other times we are convinced that what belongs together in thought has been torn apart in the dream.
As a general rule we must refrain from trying to explain one part of the manifest dream by another, as if the dream were coherently conceived and pragmatically represented. At the most it is comparable to a Breccian stone, produced by the fusion of various minerals in such a way that the markings it shows are entirely different from those of the original mineral constituents. There is actually a part of the dream-work, the so-called secondary treatment, whose function it is to develop something unified, something approximately coherent from the final products of the dream-work. In so doing the material is often arranged in an entirely misleading sense and insertions are made wherever it seems necessary.
On the other hand, we must not over-estimate the dream-work, nor attribute too much to it. The processes which we have enumerated tell the full tale of its functioning; beyond condensing, displacing, representing plastically, and then subjecting the whole to a secondary treatment, it can do nothing. Whatever of judgment, of criticism, of surprise, and of deduction are to be found in the dream are not products of the dream-work and are only very seldom signs of afterthoughts about the dream, but are generally parts of the latent dream thought, which have passed over into the manifest dream, more or less modified and adapted to the context. In the matter of composing speeches, the dream-work can also do nothing. Except for a few examples, the speeches in the dream are imitations and combinations of speeches heard or made by oneself during the day, and which have been introduced into the latent thought, either as material or as stimuli for the dream. Neither can the dream pose problems; when these are found in the dream, they are in the main combinations of numbers, semblances of examples that are quite absurd or merely copies of problems in the latent dream thought. Under these conditions it is not surprising that the interest which has attached itself to the dream-work is soon deflected from it to the latent dream thoughts which are revealed in more or less distorted form in the manifest dream. It is not justifiable, however, to have this change go so far that in a theoretical consideration one regularly substitutes the latent dream thought for the dream itself, and maintains of the latter what can hold only for the former. It is odd that the results of psychoanalysis should be misused for such an exchange. "Dream" can mean nothing but the result of the dream-work, that is, the form into which the latent dream thoughts have been translated by the dream-work.
Dream-work is a process of a very peculiar sort, the like of which has hitherto not been discovered in psychic life. These condensations, displacements, regressive translations of thoughts into pictures, are new discoveries which richly repay our efforts in the field of psychoanalysis. You will realize from the parallel to the dream-work, what connections psychoanalytic studies will reveal with other fields, especially with the development of speech and thought. You can only surmise the further significance of these connections when you hear that the mechanism of the dream structure is the model for the origin of neurotic symptoms.
I know too that we cannot as yet estimate the entire contribution that this work has made to psychology. We shall only indicate the new proofs that have been given of the existence of unconscious psychic acts – for such are the latent dream thoughts – and the unexpectedly wide approach to the understanding of the unconscious psychic life that dream interpretation opens up to us.
The time has probably come, however, to illustrate separately, by various little examples of dreams, the connected facts for which you have been prepared.
I HOPE you will not be disappointed if I again lay before you excerpts from dream analyses instead of inviting you to participate in the interpretation of a beautiful long dream. You will say that after so much preparation you ought to have this right, and that after the successful interpretation of so many thousands of dreams it should long ago have become possible to assemble a collection of excellent dream samples with which we could demonstrate all our assertions concerning dream-work and dream thoughts. Yes, but the difficulties which stand in the way of the fulfillment of your wish are too many.
First of all, I must confess to you that no one practices dream interpretation as his main occupation. When does one interpret dreams? Occasionally one can occupy himself with the dream of some friend, without any special purpose, or else he may work with his own dreams for a time in order to school himself in psychoanalytic method; most often, however, one deals with the dreams of nervous individuals who are undergoing analytic treatment. These latter dreams are excellent material, and in no way inferior to those of normal persons, but one is forced by the technique of the treatment to subordinate dream analysis to therapeutic aims and to pass over a large number of dreams after having derived something from them that is of use in the treatment. Many dreams we meet with during the treatment are, as a matter of fact, impossible of complete analysis. Since they spring from the total mass of psychic material which is still unknown to us, their understanding becomes possible only after the completion of the cure. Besides, to tell you such dreams would necessitate the disclosure of all the secrets concerning a neurosis. That will not do for us, since we have taken the dream as preparation for the study of the neuroses.
I know you would gladly leave this material, and would prefer to hear the dreams of healthy persons, or your own dreams explained. But that is impossible because of the content of these dreams. One can expose neither himself, nor another whose confidence he has won, so inconsiderately as would result from a thorough interpretation of his dreams – which, as you already know, refer to the most intimate things of his personality. In addition to this difficulty, caused by the nature of the material, there is another that must be considered when communicating a dream. You know the dream seems strange even to the dreamer himself, let alone to one who does not know the dreamer. Our literature is not poor in good and detailed dream analyses. I myself have published some in connection with case histories. Perhaps the best example of a dream interpretation is the one published by O. Rank, being two related dreams of a young girl, covering about two pages of print, the analysis covering seventy-six pages. I would need about a whole semester in order to take you through such a task. If we select a longer or more markedly distorted dream, we have to make so many explanations, we must make use of so many free associations and recollections, must go into so many bypaths, that a lecture on the subject would be entirely unsatisfactory and inconclusive. So I must ask you to be content with what is more easily obtained, with the recital of small bits of dreams of neurotic persons, in which we may be able to recognize this or that isolated fact. Dream symbols are the most easily demonstrable, and after them, certain peculiarities of regressive dream representations.34 I shall tell you why I considered each of the following dreams worthy of communication.
1. A dream, consisting of only two brief pictures: "The dreamer's uncle is smoking a cigarette, although it is Saturday. A woman caresses him as though he were her child."
In commenting on the first picture, the dreamer (a Jew) remarks that his uncle is a pious man who never did, and never would do, anything so sinful as smoking on the Sabbath. As to the woman of the second picture, he has no free associations other than his mother. These two pictures or thoughts should obviously be brought into connection with each other, but how? Since he expressly rules out the reality of his uncle's action, then it is natural to interpolate an "if." "If my uncle, that pious man, should smoke a cigarette on Saturday, then I could also permit my mother's caresses." This obviously means that the mother's caresses are prohibited, in the same manner as is smoking on Saturday, to a pious Jew. You will recall, I told you that all relations between the dream thoughts disappear in the dream-work, that these relations are broken up into their raw material, and that it is the task of interpretation to re-interpolate the omitted connections.
2. Through my publications on dreams I have become, in certain respects, the public consultant on matters pertaining to dreams, and for many years I have been receiving communications from the most varied sources, in which dreams are related to me or presented to me for my judgment. I am of course grateful to all those persons who include with the story of the dream, enough material to make an interpretation possible, or who give such an interpretation themselves. It is in this category that the following dream belongs, the dream of a Munich physician in the year 1910. I select it because it goes to show how impossible of understanding a dream generally is before the dreamer has given us what information he has about it. I suspect that at bottom you consider the ideal dream interpretation that in which one simply inserts the meaning of the symbols, and would like to lay aside the technique of free association to the dream elements. I wish to disabuse your minds of this harmful error.
"On July 13, 1910, toward morning, I dreamed that I was bicycling down a street in Tübingen, when a brown Dachshund tore after me and caught me by the heel. A bit further on I get off, seat myself on a step, and begin to beat the beast, which has clenched its teeth tight. (I feel no discomfort from the biting or the whole scene.) Two elderly ladies are sitting opposite me and watching me with grins on their faces. Then I wake up and, as so often happens to me, the whole dream becomes perfectly clear to me in this moment of transition to the waking state."
Symbols are of little use in this case. The dreamer, however, informs us, "I lately fell in love with a girl, just from seeing her on the street, but had no means of becoming acquainted with her. The most pleasant means might have been the Dachshund, since I am a great lover of animals, and also felt that the girl was in sympathy with this characteristic." He also adds that he repeatedly interfered in the fights of scuffling dogs with great dexterity and frequently to the great amazement of the spectators. Thus we learn that the girl, who pleased him, was always accompanied by this particular dog. This girl, however, was disregarded in the manifest dream, and there remained only the dog which he associates with her. Perhaps the elderly ladies who simpered at him took the place of the girl. The remainder of what he tells us is not enough to explain this point. Riding a bicycle in the dream is a direct repetition of the remembered situation. He had never met the girl with the dog except when he was on his bicycle.
3. When anyone has lost a loved one, he produces dreams of a special sort for a long time afterward, dreams in which the knowledge of death enters into the most remarkable compromises with the desire to have the deceased alive again. At one time the deceased is dead and yet continues to live on because he does not know that he is dead, and would die completely only if he knew it; at another time he is half dead and half alive, and each of these conditions has its particular signs. One cannot simply label these dreams nonsense, for to come to life again is no more impossible in the dream than, for example, it is in the fairy story, in which it occurs as a very frequent fate. As far as I have been able to analyze such dreams, I have always found them to be capable of a sensible solution, but that the pious wish to recall the deceased to life goes about expressing itself by the oddest methods. Let me tell you such a dream, which seems queer and senseless enough, and analysis of which will show you many of the points for which you have been prepared by our theoretical discussions. The dream is that of a man who had lost his father many years previously.
"Father is dead, but has been exhumed and looks badly. He goes on living, and the dreamer does everything to prevent him from noticing that fact." Then the dream goes on to other things, apparently irrelevant.
The father is dead, that we know. That he was exhumed is not really true, nor is the truth of the rest of the dream important. But the dreamer tells us that when he came back from his father's funeral, one of his teeth began to ache. He wanted to treat this tooth according to the Jewish precept, "If thy tooth offend thee, pluck it out," and betook himself to the dentist. But the latter said, "One does not simply pull a tooth out, one must have patience with it. I shall inject something to kill the nerve. Come again in three days and then I will take it out."
"This 'taking it out'," says the dreamer suddenly, "is the exhuming."
Is the dreamer right? It does not correspond exactly, only approximately, for the tooth is not taken out, but something that has died off is taken out of it. But after our other experiences we are probably safe in believing that the dream work is capable of such inaccuracies. It appears that the dreamer condensed, fused into one, his dead father and the tooth that was killed but retained. No wonder then, that in the manifest dream something senseless results, for it is impossible for everything that is said of the tooth to fit the father. What is it that serves as something intermediate between tooth and father and makes this condensation possible?
This interpretation must be correct, however, for the dreamer says that he is acquainted with the saying that when one dreams of losing a tooth it means that one is going to lose a member of his family.
We know that this popular interpretation is incorrect, or at least is correct only in a scurrilous sense. For that reason it is all the more surprising to find this theme thus touched upon in the background of other portions of the dream content.
Without any further urging, the dreamer now begins to tell of his father's illness and death as well as of his relations with him. The father was sick a long time, and his care and treatment cost him, the son, much money. And yet it was never too much for him, he never grew impatient, never wished it might end soon. He boasts of his true Jewish piety toward his father, of rigid adherence to the Jewish precepts. But are you not struck by a contradiction in the thoughts of the dream? He had identified tooth with father. As to the tooth he wanted to follow the Jewish precept that carries out its own judgment, "pull it out if it causes pain and annoyance." He had also been anxious to follow the precept of the law with regard to his father, which in this case, however, tells him to disregard trouble and expense, to take all the burdens upon himself and to let no hostile intent arise toward the object which causes the pain. Would not the agreement be far more compelling if he had really developed feelings toward his father similar to those about his sick tooth; that is, had he wished that a speedy death should put an end to that superfluous, painful and expensive existence?
I do not doubt that this was really his attitude toward his father during the latter's extended illness, and that his boastful assurances of filial piety were intended to distract his attention from these recollections. Under such circumstances, the death-wish directed toward the parent generally becomes active, and disguises itself in phrases of sympathetic consideration such as, "It would really be a blessed release for him." But note well that we have here overcome an obstacle in the latent dream thoughts themselves. The first part of these thoughts was surely unconscious only temporarily, that is to say, during the dream-work, while the inimical feelings toward the father might have been permanently unconscious, dating perhaps from childhood, occasionally slipping into consciousness, shyly and in disguise, during his father's illness. We can assert this with even greater certainty of other latent thoughts which have made unmistakable contributions to the dream content. To be sure, none of these inimical feelings toward the father can be discovered in the dream. But when we search a childhood history for the root of such enmity toward the father, we recollect that fear of the father arises because the latter, even in the earliest years, opposes the boy's sex activities, just as he is ordinarily forced to oppose them again, after puberty, for social motives. This relation to the father applies also to our dreamer; there had been mixed with his love for him much respect and fear, having its source in early sex intimidation.
From the onanism complex we can now explain the other parts of the manifest dream. "He looks badly" does, to be sure, allude to another remark of the dentist, that it looks badly to have a tooth missing in that place; but at the same time it refers to the "looking badly" by which the young man betrayed, or feared to betray, his excessive sexual activity during puberty. It was not without lightening his own heart that the dreamer transposed the bad looks from himself to his father in the manifest content, an inversion of the dream work with which you are familiar. "He goes on living since then," disguises itself with the wish to have him alive again as well as with the promise of the dentist that the tooth will be preserved. A very subtle phrase, however, is the following: "The dreamer does everything to prevent him (the father) from noticing the fact," a phrase calculated to lead us to conclude that he is dead. Yet the only meaningful conclusion is again drawn from the onanism complex, where it is a matter of course for the young man to do everything in order to hide his sex life from his father. Remember, in conclusion, that we were constantly forced to interpret the so-called tooth-ache dreams as dreams dealing with the subject of onanism and the punishment that is feared.
You now see how this incomprehensible dream came into being, by the creation of a remarkable and misleading condensation, by the fact that all the ideas emerge from the midst of the latent thought process, and by the creation of ambiguous substitute formations for the most hidden and, at the time, most remote of these thoughts.
4. We have tried repeatedly to understand those prosaic and banal dreams which have nothing foolish or repulsive about them, but which cause us to ask: "Why do we dream such unimportant stuff?" So I shall give you a new example of this kind, three dreams belonging together, all of which were dreamed in the same night by a young woman.
(a). "She it going through the hall of her house and strikes her head against the low-hanging chandelier, so that her head bleeds."
She has no reminiscence to contribute, nothing that really happened. The information she gives leads in quite another direction. "You know how badly my hair is falling out. Mother said to me yesterday, 'My child, if it goes on like this, you will have a head like the cheek of a buttock.'" Thus the head here stands for the other part of the body. We can understand the chandelier symbolically without other help; all objects that can be lengthened are symbols of the male organ. Thus the dream deals with a bleeding at the lower end of the body, which results from its collision with the male organ. This might still be ambiguous; her further associations show that it has to do with her belief that menstrual bleeding results from sexual intercourse with a man, a bit of sexual theory believed by many immature girls.
(b). "She sees a deep hole in the vineyard which she knows was made by pulling out a tree." Herewith her remark that "she misses the tree." She means that she did not see the tree in the dream, but the same phrase serves to express another thought which symbolic interpretation makes completely certain. The dream deals with another bit of the infantile sex theory, namely, with the belief that girls originally had the same genitals as boys and that the later conformation resulted from castration (pulling out of a tree).
(c). "She is standing in front of the drawer of her writing table, with which she is so familiar that she knows immediately if anybody has been through it." The writing-table drawer, like every drawer, chest, or box, stands for the female genital. She knows that one can recognize from the genital the signs of sexual intercourse (and, as she thinks, even of any contact at all) and she has long been afraid of such a conviction. I believe that the accent in all these dreams is to be laid upon the idea of knowing. She is reminded of the time of her childish sexual investigations, the results of which made her quite proud at the time.
5. Again a little bit of symbolism. But this time I must first describe the psychic situation in a short preface. A man who spent the night with a woman describes his partner as one of those motherly natures whose desire for a child irresistibly breaks through during intercourse. The circumstances of their meeting, however, necessitated a precaution whereby the fertilizing discharge of semen is kept away from the womb. Upon awaking after this night, the woman tells the following dream:
"An officer with a red cap follows her on the street. She flees from him, runs up the staircase, and he follows after her. Breathlessly she reaches her apartment and slams and locks the door behind her. He remains outside and as she looks through a peephole she sees him sitting outside on a bench and weeping."
You undoubtedly recognize in the pursuit by an officer with a red cap, and the breathless stair climbing, the representation of the sexual act. The fact that the dreamer locks herself in against the pursuer may serve as an example of that inversion which is so frequently used in dreams, for in reality it was the man who withdrew before the completion of the act. In the same way her grief has been transposed to the partner, it is he who weeps in the dream, whereby the discharge of the semen is also indicated.
You must surely have heard that in psychoanalysis it is always maintained that all dreams have a sexual meaning. Now you yourselves are in a position to form a judgment as to the incorrectness of this reproach. You have become acquainted with the wish-fulfillment dreams, which deal with the satisfying of the plainest needs, of hunger, of thirst, of longing for freedom, the dreams of convenience and of impatience and likewise the purely covetous and egoistic dreams. But that the markedly distorted dreams preponderantly – though again not exclusively – give expression to sex wishes, is a fact you may certainly keep in mind as one of the results of psychoanalytical research.
6. I have a special motive for piling up examples of the use of symbols in dreams. At our first meeting I complained of how hard it is, when lecturing on psychoanalysis, to demonstrate the facts in order to awaken conviction; and you very probably have come to agree with me since then. But the various assertions of psychoanalysis are so closely linked that one's conviction can easily extend from one point to a larger part of the whole. We might say of psychoanalysis that if we give it our little finger it promptly demands the whole hand. Anyone who was convinced by the explanation of errors can no longer logically disbelieve in all the rest of psychoanalysis. A second equally accessible point of approach is furnished by dream symbolism. I shall give you a dream, already published, of a peasant woman, whose husband is a watchman and who has certainly never heard anything about dream symbolism and psychoanalysis. You may then judge for yourselves whether its explanation with the help of sex symbols can be called arbitrary and forced.
"Then someone broke into her house and she called in fright for a watchman. But the latter had gone companionably into a church together with two 'beauties.' A number of steps led up to the church. Behind the church was a hill, and on its crest a thick forest. The watchman was fitted out with a helmet, gorget and a cloak. He had a full brown beard. The two were going along peacefully with the watchman, had sack-like aprons bound around their hips. There was a path from the church to the hill. This was overgrown on both sides with grass and underbrush that kept getting thicker and that became a regular forest on the crest of the hill."
You will recognize the symbols without any difficulty. The male genital is represented by a trinity of persons, the female by a landscape with a chapel, hill and forest. Again you encounter steps as the symbol of the sexual act. That which is called a hill in the dream has the same name in anatomy, namely, mons veneris, the mount of Venus.
7. I have another dream which can be solved by means of inserting symbols, a dream that is remarkable and convincing because the dreamer himself translated all the symbols, even though he had had no preliminary knowledge of dream interpretation. This situation is very unusual and the conditions essential to its occurrence are not clearly known.
"He is going for a walk with his father in some place which must be the Prater,35 for one can see the rotunda and before it a smaller building to which is anchored a captive balloon, which, however, seems fairly slack. His father asks him what all that is for; he wonders at it himself but explains it to his father. Then they come to a courtyard in which there lies spread out a big sheet of metal. His father wants to break off a big piece of it for himself but first looks about him to see if anyone might see him. He says to him that all he needs to do is to tell the inspector and then he can take some without more ado. There are steps leading from this courtyard down into a pit, the walls of which are upholstered with some soft material rather like a leather arm chair. At the end of this pit is a longish platform and then a new pit begins…"
The dreamer himself interprets as follows: "The rotunda is my genital, the balloon in front of it is my penis, of whose slackness I have been complaining." Thus one may translate in more detail, that the rotunda is the posterior – a part of the body which the child regularly considers as part of the genital – while the smaller building before it is the scrotum. In the dream his father asks him what all that is for; that is to say, he asks the object and function of the genitals. It is easy to turn this situation around so that the dreamer is the one who does the asking. Since no such questioning of the father ever took place in real life, we must think of the thought of this dream as a wish or consider it in the light of a supposition, "If I had asked father for sexual enlightenment." We will find the continuation of this idea in another place shortly.
The courtyard, in which the sheet metal lies spread out, is not to be considered primarily as symbolical but refers to the father's place of business. For reasons of discretion I have substituted the "sheet metal" for another material with which the father deals, without changing anything in the literal wording of the dream. The dreamer entered his father's business and took great offense at the rather dubious practices upon which the profits depended to a large extent. For this reason the continuation of the above idea of the dream might be expressed as "if I had asked him, he would only have deceived me as he deceives his customers." The dreamer himself gives us the second meaning of "breaking off the metal," which serves to represent the commercial dishonesty. He says it means masturbation. Not only have we long since become familiar with this symbol, but the fact also is in agreement. The secrecy of masturbation is expressed by means of its opposite – "It can be safely done openly." Again our expectations are fulfilled by the fact that masturbatory activity is referred to as the father's, just as the questioning was in the first scene of the dream. Upon being questioned he immediately gives the interpretation of the pit as the vagina on account of the soft upholstering of its walls. I will add arbitrarily that the "going down" like the more usual "going up" is meant to describe the sexual intercourse in the vagina.