Оноре де Бальзак
The Thirteen
One of these Parisian Melmoths had come within a few days into a neighborhood of sober, quiet people, who, when the weather is fine, are invariably to be found in the space which lies between the south entrance of the Luxembourg and the north entrance of the Observatoire, – a space without a name, the neutral space of Paris. There, Paris is no longer; and there, Paris still lingers. The spot is a mingling of street, square, boulevard, fortification, garden, avenue, high-road, province, and metropolis; certainly, all of that is to be found there, and yet the place is nothing of all that, – it is a desert. Around this spot without a name stand the Foundling hospital, the Bourbe, the Cochin hospital, the Capucines, the hospital La Rochefoucauld, the Deaf and Dumb Asylum, the hospital of the Val-de-Grace; in short, all the vices and all the misfortunes of Paris find their asylum there. And (that nothing may lack in this philanthropic centre) Science there studies the tides and longitudes, Monsieur de Chateaubriand has erected the Marie-Therese Infirmary, and the Carmelites have founded a convent. The great events of life are represented by bells which ring incessantly through this desert, – for the mother giving birth, for the babe that is born, for the vice that succumbs, for the toiler who dies, for the virgin who prays, for the old man shaking with cold, for genius self-deluded. And a few steps off is the cemetery of Mont-Parnasse, where, hour after hour, the sorry funerals of the faubourg Saint-Marceau wend their way. This esplanade, which commands a view of Paris, has been taken possession of by bowl-players; it is, in fact, a sort of bowling green frequented by old gray faces, belonging to kindly, worthy men, who seem to continue the race of our ancestors, whose countenances must only be compared with those of their surroundings.
The man who had become, during the last few days, an inhabitant of this desert region, proved an assiduous attendant at these games of bowls; and must, undoubtedly, be considered the most striking creature of these various groups, who (if it is permissible to liken Parisians to the different orders of zoology) belonged to the genus mollusk. The new-comer kept sympathetic step with the cochonnet, – the little bowl which serves as a goal and on which the interest of the game must centre. He leaned against a tree when the cochonnet stopped; then, with the same attention that a dog gives to his master’s gestures, he looked at the other bowls flying through the air, or rolling along the ground. You might have taken him for the weird and watchful genii of the cochonnet. He said nothing; and the bowl-players – the most fanatic men that can be encountered among the sectarians of any faith – had never asked the reason of his dogged silence; in fact, the most observing of them thought him deaf and dumb.
When it happened that the distances between the bowls and the cochonnet had to be measured, the cane of this silent being was used as a measure, the players coming up and taking it from the icy hands of the old man and returning it without a word or even a sign of friendliness. The loan of his cane seemed a servitude to which he had negatively consented. When a shower fell, he stayed near the cochonnet, the slave of the bowls, and the guardian of the unfinished game. Rain affected him no more than the fine weather did; he was, like the players themselves, an intermediary species between a Parisian who has the lowest intellect of his kind and an animal which has the highest.
In other respects, pallid and shrunken, indifferent to his own person, vacant in mind, he often came bareheaded, showing his sparse white hair, and his square, yellow, bald skull, like the knee of a beggar seen through his tattered trousers. His mouth was half-open, no ideas were in his glance, no precise object appeared in his movements; he never smiled; he never raised his eyes to heaven, but kept them habitually on the ground, where he seemed to be looking for something. At four o’clock an old woman arrived, to take him Heaven knows where; which she did by towing him along by the arm, as a young girl drags a wilful goat which still wants to browse by the wayside. This old man was a horrible thing to see.
In the afternoon of the day when Jules Desmarets left Paris, his travelling-carriage, in which he was alone, passed rapidly through the rue de l’Est, and came out upon the esplanade of the Observatoire at the moment when the old man, leaning against a tree, had allowed his cane to be taken from his hand amid the noisy vociferations of the players, pacifically irritated. Jules, thinking that he recognized that face, felt an impulse to stop, and at the same instant the carriage came to a standstill; for the postilion, hemmed in by some handcarts, had too much respect for the game to call upon the players to make way for him.
“It is he!” said Jules, beholding in that human wreck, Ferragus XXIII., chief of the Devorants. Then, after a pause, he added, “How he loved her! – Go on, postilion.”
ADDENDUM
Note: Ferragus is the first part of a trilogy. Part two is entitled The Duchesse de Langeais and part three is The Girl with the Golden Eyes. In other addendum references all three stories are usually combined under the title The Thirteen.
The following personages appear in other stories of the Human Comedy.
Bourignard, Gratien-Henri-Victor-Jean-Joseph The Girl with the Golden Eyes
Desmartes, Jules Cesar Birotteau
Desmartes, Madame Jules Cesar Birotteau
Desplein The Atheist’s Mass
Cousin Pons
Lost Illusions
The Government Clerks
Pierrette
A Bachelor’s Establishment
The Seamy Side of History
Modeste Mignon
Scenes from a Courtesan’s Life
Honorine
Gruget, Madame Etienne The Government Clerks
A Bachelor’s Establishment
Haudry (doctor) Cesar Birotteau
A Bachelor’s Establishment
The Seamy Side of History
Cousin Pons
Langeais, Duchesse Antoinette de Father Goriot
The Duchesse of Langeais
Marsay, Henri de The Duchesse of Langeais
The Girl with the Golden Eyes
The Unconscious Humorists
Another Study of Woman
The Lily of the Valley
Father Goriot
Jealousies of a Country Town
Ursule Mirouet
A Marriage Settlement
Lost Illusions
A Distinguished Provincial at Paris
Letters of Two Brides
The Ball at Sceaux
Modeste Mignon
The Secrets of a Princess
The Gondreville Mystery
A Daughter of Eve
Maulincour, Baronne de A Marriage Settlement
Meynardie, Madame Scenes from a Courtesan’s Life
Nucingen, Baronne Delphine de Father Goriot
Eugenie Grandet
Cesar Birotteau
Melmoth Reconciled
Lost Illusions
A Distinguished Provincial at Paris
The Commission in Lunacy
Scenes from a Courtesan’s Life
Modeste Mignon
The Firm of Nucingen
Another Study of Woman
A Daughter of Eve
The Member for Arcis
Pamiers, Vidame de The Duchesse of Langeais
Jealousies of a Country Town
Ronquerolles, Marquis de The Imaginary Mistress
The Duchess of Langeais
The Girl with the Golden Eyes
The Peasantry
Ursule Mirouet
A Woman of Thirty
Another Study of Woman
The Member for Arcis
Serizy, Comtesse de A Start in Life
The Duchesse of Langeais
Ursule Mirouet
A Woman of Thirty
Scenes from a Courtesan’s Life
Another Study of Woman
The Imaginary Mistress
II. THE DUCHESSE OF LANGEAIS
Translated by Ellen Marriage
To Franz Liszt
In a Spanish city on an island in the Mediterranean, there stands a convent of the Order of Barefoot Carmelites, where the rule instituted by St. Theresa is still preserved with all the first rigor of the reformation brought about by that illustrious woman. Extraordinary as this may seem, it is none the less true. Almost every religious house in the Peninsula, or in Europe for that matter, was either destroyed or disorganized by the outbreak of the French Revolution and the Napoleonic wars; but as this island was protected through those times by the English fleet, its wealthy convent and peaceable inhabitants were secure from the general trouble and spoliation. The storms of many kinds which shook the first fifteen years of the nineteenth century spent their force before they reached those cliffs at so short a distance from the coast of Andalusia.
If the rumour of the Emperor’s name so much as reached the shore of the island, it is doubtful whether the holy women kneeling in the cloisters grasped the reality of his dream-like progress of glory, or the majesty that blazed in flame across kingdom after kingdom during his meteor life.
In the minds of the Roman Catholic world, the convent stood out pre-eminent for a stern discipline which nothing had changed; the purity of its rule had attracted unhappy women from the furthest parts of Europe, women deprived of all human ties, sighing after the long suicide accomplished in the breast of God. No convent, indeed, was so well fitted for that complete detachment of the soul from all earthly things, which is demanded by the religious life, albeit on the continent of Europe there are many convents magnificently adapted to the purpose of their existence. Buried away in the loneliest valleys, hanging in mid-air on the steepest mountainsides, set down on the brink of precipices, in every place man has sought for the poetry of the Infinite, the solemn awe of Silence; in every place man has striven to draw closer to God, seeking Him on mountain peaks, in the depths below the crags, at the cliff’s edge; and everywhere man has found God. But nowhere, save on this half-European, half-African ledge of rock could you find so many different harmonies, combining so to raise the soul, that the sharpest pain comes to be like other memories; the strongest impressions are dulled, till the sorrows of life are laid to rest in the depths.
The convent stands on the highest point of the crags at the uttermost end of the island. On the side towards the sea the rock was once rent sheer away in some globe-cataclysm; it rises up a straight wall from the base where the waves gnaw at the stone below high-water mark. Any assault is made impossible by the dangerous reefs that stretch far out to sea, with the sparkling waves of the Mediterranean playing over them. So, only from the sea can you discern the square mass of the convent built conformably to the minute rules laid down as to the shape, height, doors, and windows of monastic buildings. From the side of the town, the church completely hides the solid structure of the cloisters and their roofs, covered with broad slabs of stone impervious to sun or storm or gales of wind.
The church itself, built by the munificence of a Spanish family, is the crowning edifice of the town. Its fine, bold front gives an imposing and picturesque look to the little city in the sea. The sight of such a city, with its close-huddled roofs, arranged for the most part amphitheatre-wise above a picturesque harbour, and crowned by a glorious cathedral front with triple-arched Gothic doorways, belfry towers, and filigree spires, is a spectacle surely in every way the sublimest on earth. Religion towering above daily life, to put men continually in mind of the End and the way, is in truth a thoroughly Spanish conception. But now surround this picture by the Mediterranean, and a burning sky, imagine a few palms here and there, a few stunted evergreen trees mingling their waving leaves with the motionless flowers and foliage of carved stone; look out over the reef with its white fringes of foam in contrast to the sapphire sea; and then turn to the city, with its galleries and terraces whither the townsfolk come to take the air among their flowers of an evening, above the houses and the tops of the trees in their little gardens; add a few sails down in the harbour; and lastly, in the stillness of falling night, listen to the organ music, the chanting of the services, the wonderful sound of bells pealing out over the open sea. There is sound and silence everywhere; oftener still there is silence over all.
The church is divided within into a sombre mysterious nave and narrow aisles. For some reason, probably because the winds are so high, the architect was unable to build the flying buttresses and intervening chapels which adorn almost all cathedrals, nor are there openings of any kind in the walls which support the weight of the roof. Outside there is simply the heavy wall structure, a solid mass of grey stone further strengthened by huge piers placed at intervals. Inside, the nave and its little side galleries are lighted entirely by the great stained-glass rose-window suspended by a miracle of art above the centre doorway; for upon that side the exposure permits of the display of lacework in stone and of other beauties peculiar to the style improperly called Gothic.
The larger part of the nave and aisles was left for the townsfolk, who came and went and heard mass there. The choir was shut off from the rest of the church by a grating and thick folds of brown curtain, left slightly apart in the middle in such a way that nothing of the choir could be seen from the church except the high altar and the officiating priest. The grating itself was divided up by the pillars which supported the organ loft; and this part of the structure, with its carved wooden columns, completed the line of the arcading in the gallery carried by the shafts in the nave. If any inquisitive person, therefore, had been bold enough to climb upon the narrow balustrade in the gallery to look down into the choir, he could have seen nothing but the tall eight-sided windows of stained glass beyond the high altar.
At the time of the French expedition into Spain to establish Ferdinand VII once more on the throne, a French general came to the island after the taking of Cadiz, ostensibly to require the recognition of the King’s Government, really to see the convent and to find some means of entering it. The undertaking was certainly a delicate one; but a man of passionate temper, whose life had been, as it were, but one series of poems in action, a man who all his life long had lived romances instead of writing them, a man pre-eminently a Doer, was sure to be tempted by a deed which seemed to be impossible.
To open the doors of a convent of nuns by lawful means! The metropolitan or the Pope would scarcely have permitted it! And as for force or stratagem – might not any indiscretion cost him his position, his whole career as a soldier, and the end in view to boot? The Duc d’Angouleme was still in Spain; and of all the crimes which a man in favour with the Commander-in-Chief might commit, this one alone was certain to find him inexorable. The General had asked for the mission to gratify private motives of curiosity, though never was curiosity more hopeless. This final attempt was a matter of conscience. The Carmelite convent on the island was the only nunnery in Spain which had baffled his search.
As he crossed from the mainland, scarcely an hour’s distance, he felt a presentiment that his hopes were to be fulfilled; and afterwards, when as yet he had seen nothing of the convent but its walls, and of the nuns not so much as their robes; while he had merely heard the chanting of the service, there were dim auguries under the walls and in the sound of the voices to justify his frail hope. And, indeed, however faint those so unaccountable presentiments might be, never was human passion more vehemently excited than the General’s curiosity at that moment. There are no small events for the heart; the heart exaggerates everything; the heart weighs the fall of a fourteen-year-old Empire and the dropping of a woman’s glove in the same scales, and the glove is nearly always the heavier of the two. So here are the facts in all their prosaic simplicity. The facts first, the emotions will follow.
An hour after the General landed on the island, the royal authority was re-established there. Some few Constitutional Spaniards who had found their way thither after the fall of Cadiz were allowed to charter a vessel and sail for London. So there was neither resistance nor reaction. But the change of government could not be effected in the little town without a mass, at which the two divisions under the General’s command were obliged to be present. Now, it was upon this mass that the General had built his hopes of gaining some information as to the sisters in the convent; he was quite unaware how absolutely the Carmelites were cut off from the world; but he knew that there might be among them one whom he held dearer than life, dearer than honour.
His hopes were cruelly dashed at once. Mass, it is true, was celebrated in state. In honour of such a solemnity, the curtains which always hid the choir were drawn back to display its riches, its valuable paintings and shrines so bright with gems that they eclipsed the glories of the ex-votos of gold and silver hung up by sailors of the port on the columns in the nave. But all the nuns had taken refuge in the organ-loft. And yet, in spite of this first check, during this very mass of thanksgiving, the most intimately thrilling drama that ever set a man’s heart beating opened out widely before him.
The sister who played the organ aroused such intense enthusiasm, that not a single man regretted that he had come to the service. Even the men in the ranks were delighted, and the officers were in ecstasy. As for the General, he was seemingly calm and indifferent. The sensations stirred in him as the sister played one piece after another belong to the small number of things which it is not lawful to utter; words are powerless to express them; like death, God, eternity, they can only be realised through their one point of contact with humanity. Strangely enough, the organ music seemed to belong to the school of Rossini, the musician who brings most human passion into his art.
Some day his works, by their number and extent, will receive the reverence due to the Homer of music. From among all the scores that we owe to his great genius, the nun seemed to have chosen Moses in Egypt for special study, doubtless because the spirit of sacred music finds therein its supreme expression. Perhaps the soul of the great musician, so gloriously known to Europe, and the soul of this unknown executant had met in the intuitive apprehension of the same poetry. So at least thought two dilettanti officers who must have missed the Theatre Favart in Spain.
At last in the Te Deum no one could fail to discern a French soul in the sudden change that came over the music. Joy for the victory of the Most Christian King evidently stirred this nun’s heart to the depths. She was a Frenchwoman beyond mistake. Soon the love of country shone out, breaking forth like shafts of light from the fugue, as the sister introduced variations with all a Parisienne’s fastidious taste, and blended vague suggestions of our grandest national airs with her music. A Spaniard’s fingers would not have brought this warmth into a graceful tribute paid to the victorious arms of France. The musician’s nationality was revealed.
“We find France everywhere, it seems,” said one of the men.
The General had left the church during the Te Deum; he could not listen any longer. The nun’s music had been a revelation of a woman loved to frenzy; a woman so carefully hidden from the world’s eyes, so deeply buried in the bosom of the Church, that hitherto the most ingenious and persistent efforts made by men who brought great influence and unusual powers to bear upon the search had failed to find her. The suspicion aroused in the General’s heart became all but a certainty with the vague reminiscence of a sad, delicious melody, the air of Fleuve du Tage. The woman he loved had played the prelude to the ballad in a boudoir in Paris, how often! and now this nun had chosen the song to express an exile’s longing, amid the joy of those that triumphed. Terrible sensation! To hope for the resurrection of a lost love, to find her only to know that she was lost, to catch a mysterious glimpse of her after five years – five years, in which the pent-up passion, chafing in an empty life, had grown the mightier for every fruitless effort to satisfy it!
Who has not known, at least once in his life, what it is to lose some precious thing; and after hunting through his papers, ransacking his memory, and turning his house upside down; after one or two days spent in vain search, and hope, and despair; after a prodigious expenditure of the liveliest irritation of soul, who has not known the ineffable pleasure of finding that all-important nothing which had come to be a king of monomania? Very good. Now, spread that fury of search over five years; put a woman, put a heart, put love in the place of the trifle; transpose the monomania into the key of high passion; and, furthermore, let the seeker be a man of ardent temper, with a lion’s heart and a leonine head and mane, a man to inspire awe and fear in those who come in contact with him – realise this, and you may, perhaps, understand why the General walked abruptly out of the church when the first notes of a ballad, which he used to hear with a rapture of delight in a gilt-paneled boudoir, began to vibrate along the aisles of the church in the sea.
The General walked away down the steep street which led to the port, and only stopped when he could not hear the deep notes of the organ. Unable to think of anything but the love which broke out in volcanic eruption, filling his heart with fire, he only knew that the Te Deum was over when the Spanish congregation came pouring out of the church. Feeling that his behaviour and attitude might seem ridiculous, he went back to head the procession, telling the alcalde and the governor that, feeling suddenly faint, he had gone out into the air. Casting about for a plea for prolonging his stay, it at once occurred to him to make the most of this excuse, framed on the spur of the moment. He declined, on a plea of increasing indisposition, to preside at the banquet given by the town to the French officers, betook himself to his bed, and sent a message to the Major-General, to the effect that temporary illness obliged him to leave the Colonel in command of the troops for the time being. This commonplace but very plausible stratagem relieved him of all responsibility for the time necessary to carry out his plans. The General, nothing if not “catholic and monarchical,” took occasion to inform himself of the hours of the services, and manifested the greatest zeal for the performance of his religious duties, piety which caused no remark in Spain.
The very next day, while the division was marching out of the town, the General went to the convent to be present at vespers. He found an empty church. The townsfolk, devout though they were, had all gone down to the quay to watch the embarkation of the troops. He felt glad to be the only man there. He tramped noisily up the nave, clanking his spurs till the vaulted roof rang with the sound; he coughed, he talked aloud to himself to let the nuns know, and more particularly to let the organist know that if the troops were gone, one Frenchman was left behind. Was this singular warning heard and understood? He thought so. It seemed to him that in the Magnificat the organ made response which was borne to him on the vibrating air. The nun’s spirit found wings in music and fled towards him, throbbing with the rhythmical pulse of the sounds. Then, in all its might, the music burst forth and filled the church with warmth. The Song of Joy set apart in the sublime liturgy of Latin Christianity to express the exaltation of the soul in the presence of the glory of the ever-living God, became the utterance of a heart almost terrified by its gladness in the presence of the glory of a mortal love; a love that yet lived, a love that had risen to trouble her even beyond the grave in which the nun is laid, that she may rise again as the bride of Christ.
The organ is in truth the grandest, the most daring, the most magnificent of all instruments invented by human genius. It is a whole orchestra in itself. It can express anything in response to a skilled touch. Surely it is in some sort a pedestal on which the soul poises for a flight forth into space, essaying on her course to draw picture after picture in an endless series, to paint human life, to cross the Infinite that separates heaven from earth? And the longer a dreamer listens to those giant harmonies, the better he realizes that nothing save this hundred-voiced choir on earth can fill all the space between kneeling men, and a God hidden by the blinding light of the Sanctuary. The music is the one interpreter strong enough to bear up the prayers of humanity to heaven, prayer in its omnipotent moods, prayer tinged by the melancholy of many different natures, coloured by meditative ecstasy, upspringing with the impulse of repentance – blended with the myriad fancies of every creed. Yes. In those long vaulted aisles the melodies inspired by the sense of things divine are blended with a grandeur unknown before, are decked with new glory and might. Out of the dim daylight, and the deep silence broken by the chanting of the choir in response to the thunder of the organ, a veil is woven for God, and the brightness of His attributes shines through it.
And this wealth of holy things seemed to be flung down like a grain of incense upon the fragile altar raised to Love beneath the eternal throne of a jealous and avenging God. Indeed, in the joy of the nun there was little of that awe and gravity which should harmonize with the solemnities of the Magnificat. She had enriched the music with graceful variations, earthly gladness throbbing through the rhythm of each. In such brilliant quivering notes some great singer might strive to find a voice for her love, her melodies fluttered as a bird flutters about her mate. There were moments when she seemed to leap back into the past, to dally there now with laughter, now with tears. Her changing moods, as it were, ran riot. She was like a woman excited and happy over her lover’s return.
But at length, after the swaying fugues of delirium, after the marvellous rendering of a vision of the past, a revulsion swept over the soul that thus found utterance for itself. With a swift transition from the major to the minor, the organist told her hearer of her present lot. She gave the story of long melancholy broodings, of the slow course of her moral malady. How day by day she deadened the senses, how every night cut off one more thought, how her heart was slowly reduced to ashes. The sadness deepened shade after shade through languid modulations, and in a little while the echoes were pouring out a torrent of grief. Then on a sudden, high notes rang out like the voices of angels singing together, as if to tell the lost but not forgotten lover that their spirits now could only meet in heaven. Pathetic hope! Then followed the Amen. No more joy, no more tears in the air, no sadness, no regrets. The Amen was the return to God. The final chord was deep, solemn, even terrible; for the last rumblings of the bass sent a shiver through the audience that raised the hair on their heads; the nun shook out her veiling of crepe, and seemed to sink again into the grave from which she had risen for a moment. Slowly the reverberations died away; it seemed as if the church, but now so full of light, had returned to thick darkness.
The General had been caught up and borne swiftly away by this strong-winged spirit; he had followed the course of its flight from beginning to end. He understood to the fullest extent the imagery of that burning symphony; for him the chords reached deep and far. For him, as for the sister, the poem meant future, present, and past. Is not music, and even opera music, a sort of text, which a susceptible or poetic temper, or a sore and stricken heart, may expand as memories shall determine? If a musician must needs have the heart of a poet, must not the listener too be in a manner a poet and a lover to hear all that lies in great music? Religion, love, and music – what are they but a threefold expression of the same fact, of that craving for expansion which stirs in every noble soul. And these three forms of poetry ascend to God, in whom all passion on earth finds its end. Wherefore the holy human trinity finds a place amid the infinite glories of God; of God, whom we always represent surrounded with the fires of love and seistrons of gold – music and light and harmony. Is not He the Cause and the End of all our strivings?
The French General guessed rightly that here in the desert, on this bare rock in the sea, the nun had seized upon music as an outpouring of the passion that still consumed her. Was this her manner of offering up her love as a sacrifice to God? Or was it Love exultant in triumph over God? The questions were hard to answer. But one thing at least the General could not mistake – in this heart, dead to the world, the fire of passion burned as fiercely as in his own.
Vespers over, he went back to the alcalde with whom he was staying. In the all-absorbing joy which comes in such full measure when a satisfaction sought long and painfully is attained at last, he could see nothing beyond this – he was still loved! In her heart love had grown in loneliness, even as his love had grown stronger as he surmounted one barrier after another which this woman had set between them! The glow of soul came to its natural end. There followed a longing to see her again, to contend with God for her, to snatch her away – a rash scheme, which appealed to a daring nature. He went to bed, when the meal was over, to avoid questions; to be alone and think at his ease; and he lay absorbed by deep thought till day broke.
He rose only to go to mass. He went to the church and knelt close to the screen, with his forehead touching the curtain; he would have torn a hole in it if he had been alone, but his host had come with him out of politeness, and the least imprudence might compromise the whole future of his love, and ruin the new hopes.