Baring-Gould Sabine
Cornish Characters and Strange Events
He published in the same year "The Cry of the Oppressed, being a true and tragical account of the unparallel'd suffering of multitudes of poor imprisoned debtors in most of the gaols of England, under the tyranny of the gaolers and other oppressors… Together with the case of the Publisher." The sufferings of the debtors he knew by personal experience, and his revelation is one of horrors perpetrated in the Fleet and elsewhere, and illustrated with very graphic copper-plates. His account of his own troubles occupies sixty-seven pages, and shows him to have been a reckless speculator. Having been educated as a haberdasher, he undertook to be a publisher, and simultaneously to be a builder.
He probably obtained his release before 1695, as in that year he published a letter relative to some discourses upon Dr. Burnet and Dr. Tillotson, by a parson named George Hicker, d. d., and in 1696 he wrote the account of Anne Jefferies, given above. He was married to a Miss Upman. The date of his death is not known. Justice Tregeagle, who was the special "persecutor" of Anne Jefferies, is very well remembered in Cornish legend. He was a particularly wicked man and harsh steward, and lies buried near the chancel of S. Breock. His home was Trevorder, in that parish.
THOMAS KILLIGREW, THE KING'S JESTER
The Killigrew family seems to have possessed a great hankering after the stage, for four of them were playwrights. Indeed, Henry Killigrew, educated at Christ Church, Oxford, began at the age of seventeen, when a play written by him was performed at the nuptials of Lord Charles Herbert with Lady Mary Villiers, at the Black Friars. Some critics present objected that one of the characters, representing a boy of seventeen, talked too freely for his age, and Falkland replied "that it was neither monstrous nor impossible for one of seventeen years to speak at such a rate; when he that made him speak in that manner, and who wrote the whole play, was himself no older."
Sir William Killigrew, Knt., who was loyal to Charles I, and stood high in favour with Charles II, usher of the privy chamber and vice-chamberlain to the Queen, also wrote plays, tragi-comedies, but they do not appear to have taken with the public.
But the man who was most stage-stricken of the family was Thomas, the fourth son of Sir Robert Killigrew, born in 1611. He became early in life page of honour to Charles I, and he attended Charles II when in exile. At this period, when Charles was sorely in need of money, Thomas Killigrew was despatched as "Resident" to Venice, in 1652, "to borrow money of English merchants for his (Charles's) owne subsistence," and "to press the Duke to furnish Us with a present some (sum) of money and we will engage ourselves by any Act or Acts to repay with interest, and so likewise for any Arms or Ammunition he shall be pleased to furnish Us withall. The summe you shall move him to furnish Us with shall be Ten thousand Pistolls."
According to Hyde, Charles misdoubted the suitableness of Killigrew for this delicate negotiation; and was finally prevailed to send him, simply to gratify Tom.
The misgivings of the Prince were justified, for Killigrew and his servants behaved so badly at Venice that the Doge, Francisco Erizzo, had to complain through his ambassador.
Sir Edward Hyde, in a letter to Sir Richard Browne, wrote: "I have informed the Kinge of the Venetian Ambassador's complainte against Mr. Killigrew, with which His Majesty is very much troubled, and resolves upon his returne hither to examyne his miscarriage, and to proceed therein in such a manner as shall be worthy of him, and as may manifest his respecte to that Commonwealth, with which the Crowne of Englande hath alwayes held a very stricte amity, and His Majesty's Ministers have in all places preserved a very good correspondence with the Ministers of that State, and therefore His Majesty is more sensible of this misdemeanour of his Resident."
On Killigrew's return to the Court of S. Germain, Sir John Denham addressed him in these lines: —
Our Resident Tom
From Venice has come,
And has left the Statesman behind him;
Talks at the same pitch,
Is as wise, is as rich,
And just where you left him, you find him.
But who says he is not
A man of much plot,
May repent of this false accusation;
Having-plotted and penn'd
Six plays to attend
The Farce of his negotiation.
But although Charles might put on an appearance of being indignant, and though he was vexed that Tom did not return laden with "pistolls," he was too careless and too fond of being entertained to part with his principal buffoon. But thenceforth he employed him mainly in transactions about wine, canary and sack, of which the Prince needed much.
The story is told of Louis XIV that he had heard much of the wit of Tom Killigrew, and sent for him to Versailles, where he talked to him, but could elicit nothing from him. Thinking that this proceeded from shyness he drew him apart, and led him into the gallery to show him the pictures. There he asked him if he knew what they represented. Tom expressed his ignorance, whereupon the King led him before a painting of the Crucifixion, and asked him what that represented. "I believe, your Majesty," replied Tom, "that it is a picture of Christ between two thieves."
"And who might they be?"
"Your Majesty and the Pope," replied the audacious jester.
The first wife of Thomas Killigrew was Cecilia, a daughter of Sir John Crofts, of Saxham, in Suffolk, and he was married to her on June 29th, 1636.
The weather on the wedding day was rude and boisterous, which gave rise to some lines by Thomas Carew: —
"Such should this day be; so the sun should hide
His bashful face, and let the conquering bride
Without a rivall shine, whilst he forbears
To mingle his unequall beams with hers;
Or if sometime he glance his squinting eye
Between the parting clouds, 'tis but to spye,
Not emulate her glories; so comes drest
In vayles, but as a masquer to the feast."
She brought her husband a fortune of £10,000, and a son and heir, Henry, born in April, 1637. She was buried the 5th January, 1638, in Westminster Abbey. Tom married again, when in exile, at the Hague, and his second wife was Charlotte, daughter of John van Hesse, a Dutch woman. The marriage took place 26th January, 1655, and by her he had three sons, Robert, Charles, and Thomas.
At length came the recall of Charles to England, and Tom Killigrew accompanied him in the same vessel, very lighthearted, and expectant of great things. Pepys had gone over to meet the King, and he says, May 24th, 1660: "Walking upon the decks, were persons of honour all the afternoon, among others Thomas Killigrew, a merry droll, but a gentleman of great esteem with the King, who told us many merry stories." Among them one Pepys quotes, which is profane.
Thomas Killigrew was appointed Groom of the Bedchamber, with a salary of £400 per annum, which he augmented by receiving bribes from those who were solicitous to obtain posts under the Crown, and to use his influence with the King to get them.
He had now an opportunity of producing on the London stage the plays that he had composed whilst abroad. Of these there were eight, comedies and tragi-comedies, all borrowed, none exhibiting any genuine wit, but steeped in ordure. One, The Parson's Wedding, borrowed from The Antiquary, by Shakerly Marmion, and Raw Alley, by Lord Barrey, was actually to be performed wholly by women. It has been well said by Mr. Tregellas: "We find ourselves indeed 'surrounded by foreheads of bronze, hearts like the nether millstone, and tongues set on fire of hell.' I must add that they have scarcely a sparkle of that witty wickedness which one meets with in the writings of Sir Charles Sedley."
All Killigrew's plays were printed in folio in 1644. Pepys did not see much merit in them. Of The Parson's Wedding he says: "Luellin tells me what an obscene, loose play this is, that is acted by nothing but women, at the King's House." Of Claracilla, "a poor play." Of Love at First Sight, "I find the play to be a poor thing, and so I perceive every body else do." Nor did he think much of Killigrew's conversation. He described it as "poor and frothy."
In The Companion to the Playhouse, 1764, there are some stories told of Killigrew.
"After the Restoration he continued in high favour with the King, and had frequently access to him when he was denied to the first peers of the realm; and being a man of great wit and liveliness of parts, and having from his long intimacy with that monarch, and being continually about his person during his troubles, acquired a freedom of familiarity with him, which even the pomp of Majesty afterwards could not check in him, he sometimes, by way of jest, which King Charles was ever fond of, if genuine, even tho' himself was the object of the satire, would adventure bold truths which scarcely any one beside would have dared even to hint to. One story in particular is related of him, which, if true, is a strong proof of the great lengths he would sometimes proceed in his freedoms of this kind, which is as follows: When the King's unbounded passion for women had given his mistress such an ascendancy over him, that, like the effeminate Persian monarch, he was fitter to have handled a distaff than to wield a sceptre, and for the conversation of his concubines utterly neglected the most important affairs of state, Mr. Killigrew went to pay his Majesty a visit in his private apartments, habited like a pilgrim who was bent on a long journey. The King, surprised at the oddity of his appearance, immediately asked him what was the meaning of it, and whither he was going. 'To Hell,' bluntly replied the man. 'Prithee,' said the King, 'what can your errand be to that place?' 'To fetch back Oliver Cromwell,' rejoined he, 'that he may take some care of the affairs of England, for his successor takes none at all.'"
This was not the only time that Killigrew gave good counsel to the King. Pepys says: "Mr. Pierce did tell me as a great truth, as being told by Mr. Cowley, who was by, and heard it, that Tom Killigrew should publicly tell the King that his matters were coming into a very ill state, and that yet there was a way to help all. Says he: 'There is a good, honest, able man, that I could name, that, if your Majesty would employ, and command to see all things well executed, all things would soon be mended; and this one is Charles Stuart, who now spends his time in employing his lips about the Court, and hath no other employment, but if you would give him this employment, he were the fittest man in the world to perform it.' This, he says, is most true; but the King do not profit by any of this, but lays it aside, and remembers nothing, but to his pleasures again."
On another occasion Killigrew is said to have placed under the candlestick where Charles II supped, five small papers, on each of which he had written the word all. The King on seeing them, asked what he meant by these five words. "If your Majesty will grant my pardon, I will tell you," was his reply. Pardon being promised, Killigrew said: "The first ALL signified that the country had sent all it could to the exchequer; the second, that the City had lent all it could and would; the third, that the Court had spent all; the fourth, that if we did not mend all; the fifth would be the worse for all."
This was afterwards adapted and turned upon the family of William of Orange: "That he was William Think-all; his queen Mary Take-all; Prince George of Denmark, George Drink-all; and Princess Anne, Anne Eat-all."
Although Thomas Killigrew went by the designation of the King's Jester, he held no official position as such.
"Mr. Cooling told us how the King, once speaking of the Duke of York's being mastered by his wife, said to some of the company, by that he would go no more abroad with this Tom Otter (a hen-pecked husband in Ben Jonson's Epicæne), meaning the Duke of York and his wife. Tom Killigrew, being by, said, 'Sir, pray which is the best, for a man to be a Tom Otter to his wife or to his mistress?' meaning the King's being so to my Lady Castlemaine."
Killigrew was engaged one morning with one of his own plays, which he took up in the window, whilst His Majesty was shaving. "Ah, Killigrew," asked the King, "what will you say at the Last Day in defence of the idle words in that book?" To which Tom replied, that he could give a better account of his "idle words," than the King would be able to give respecting his "idle promises and more idle patents, that had undone more than ever did his books."
"One more story is related of him, which is not barren of humour. King Charles's fondness for pleasure, to which he almost always made business give way, used frequently to delay affairs of consequence, from His Majesty's disappointing the Council of his presence when met for dispatch of business, which neglect gave great disgust and offence to many of those who were treated with this seeming disrespect. On one of these occasions the Duke of Lauderdale, who was naturally impetuous and turbulent, quitted the council-chamber in a violent passion, and, meeting Mr. Killigrew presently after, expressed himself on the occasion in very disrespectful terms of His Majesty. Killigrew begged His Grace to moderate his passion, and offered to lay him a wager of a hundred pounds that he himself would prevail on His Majesty to come to the council within half an hour. The Duke, surprised at the boldness of the assertion, and warmed by his resentment against the King, accepted the wager, on which Killigrew immediately went to the King, and without ceremony told him what had happened, adding these words: 'I knew that Your Majesty hated Lauderdale, though the necessity of your affairs compels you to carry an outward appearance of civility; now, if you choose to be rid of a man who is thus disagreeable to you, you need only go this once to council, for I know his covetous disposition so perfectly, that I am well persuaded, rather than pay this hundred pounds, he would hang himself out of the way, and never plague you more.'
"The King was so pleased with the archness of the observation, that he immediately replied, 'Well, then, Killigrew, I positively will go.' And kept his word accordingly."
Pepys has a good deal to say about Killigrew. He tells how Killigrew became enamoured of the stage when a boy. "He would go to the 'Red Bull,' and when the man cried to the boys, 'Who will go and be a devil, and he shall see the play for nothing?' then would he go in, and be a devil upon the stage, and so get to see plays."
2nd August, 1664. "To the King's playhouse, and there saw Bartholomew Fayre, which do still please me, and is, as it is acted, the best comedy in the world, I believe. I chanced to sit by Tom Killigrew, who tells me that he is setting up a nursery (for actors), that is, is going to build a house in Moorefields, wherein he will have common plays acted."
12th February, 1666-7. "With my Lord Bronnaker by coach to his house, there to hear some Italian musique, and there we met Tom Killigrew, Sir Robert Murray, and the Italian, Signor Baptista, who hath proposed a play in Italian for the Opera, which T. Killigrew do intend to have up."
Thomas Killigrew was nearly sixty years old when he narrowly escaped assassination in S. James's Park. He had been carrying on an intrigue with Lady Shrewsbury, but found a dangerous and more successful rival in the Duke of Buckingham. Whereupon in spite and revenge he poured over the lady a stream of foul and venomous satire. The result was that one evening, on his return from the Duke of York's, some ruffians, hired for the purpose, set upon Tom's chair, through which they passed their swords three times, wounding him in the arm. The assassins then fled, having killed his man, and believing they had killed Tom Killigrew.
He recovered from his wound, lived on thirteen or fourteen years longer, and was buried in Westminster Abbey on 19th March, 1682-3.
His son Thomas was a playwright, and his son Charles proprietor of "the Playhouse, Drury Lane."
The Killigrews have now passed, not individually only, but as a family off the stage of life, and are remembered only by their deeds, good and bad, as recorded in history. It was usually said of Tom Killigrew that when he attempted to write he was dull, whereas in conversation he was smart; and this was precisely the reverse of Cowley, who did not shine in conversation, but sparkled with his pen. In allusion to this Denham wrote: —
Had Cowley ne'er spoken, and Killigrew ne'er writ,
Combin'd in one, they'd make a matchless wit.
NICOLAS ROSCARROCK
Nicolas Roscarrock was the fifth son of Richard Roscarrock, of Roscarrock, in S. Endelion, by Isabell, daughter of Richard Trevenor. His grandmother was a Boscawen. His father during his lifetime had settled upon him the estates of Penhall, Carbura, and Newtown, in the parishes of S. Cleer and S. Germans.
He first studied at Exeter College, Oxford, and took his B.A. in 1568. Carew, in his Survey of Cornwall, p. 299, tells us of "his industrious delight in matters of history and antiquity."
In 1577 Roscarrock was admitted student of the Inner Temple. In the same year was published by Richard Tottell The Worthies of Armorie … collected and gathered by John Bossewell, to which were prefixed ninety-four verses, entitled Cilenus, Censur of the Author of his High Court of Herehautry, by Nicolas Roscarrocke.
In the Inner Temple he seems to have been associated with Raleigh, for in 1576 appeared The Steepleglas, a satyre, and among commendatory verses are some signed "N. R." and the rest by "Walter Rawely of the Inner Temple."
In 1577 he was in Cornwall, where he suffered much annoyance because of his faith, as he refused to conform to the English liturgy, and maintained the Papal supremacy. It was in 1570 that Pope Pius V had issued a bull of excommunication against Elizabeth, deprived her of her title to the crown, and absolved her subjects from their oaths of allegiance. This violent and ill-judged proceeding at once converted all those who held by the Pope into suspected traitors; and measures were adopted against them, the more so as the Jesuits and their agents were more than suspected of forming plots for the assassination of the Queen.
Nicolas Roscarrock was accused at Launceston Assizes on September 16th, 1577, "for not going to church." He was in London later, and was an active member of the "Young Men's Club," 1579-81.
From the State Papers, 1547-50, we learn that two spies were employed by the Government to discover Nicolas Roscarrock. He had, however, probably fled to Douay, where a Roscarrock is entered in the Douay Diary as landing on September, 1580.
But he was again in England in 1581, when he was sent to the Tower, where by a refinement of cruelty he was placed in a cell adjoining that of a friend who had been racked, that the moans of the latter might intimidate Roscarrock into giving evidence of plots against the life of the Queen. On January 14th, 1581, Nicolas was himself tortured on the rack. He remained for five years in prison in the Tower, and in the Fleet again till 1594, in all fourteen years.
He was finally released, and went in 1607 north to Naworth to Lord William Howard, with whom he remained till his death, which took place in 1633 or 1634, when he had reached an advanced age.
Such in brief is the history of Nicolas Roscarrock.
Whilst he was at Naworth, he occupied himself in compiling a volume of the Lives of the English Saints.
The first part he wrote with his own hand, but as his sight failed, he was obliged to employ an amanuensis, who wrote very untidily and made strange havoc of many of the names, which he wrote phonetically from dictation. The MS. has undergone annotation by two hands: one was Roscarrock himself, who added in matters which reached him later; the other was Dom Gregory Hungate, a Benedictine.
As far as can be judged, the MS. was compiled between 1610 and 1625.32
After the dispersion of Lord William Howard's library, we do not know what became of the book till about 1700, when it formed a portion of a library bequeathed to Brent Eleigh parish, in Suffolk, by a certain Mr. Edward Colman, sometime of Trinity College, Cambridge. Here it seems to have undergone rough usage, and it was probably there that the MS. lost so many pages torn out. As it is, it consists of no fewer than 850 pages; folio 253 is missing, also some pages from the beginning and something like ninety at the end that have been torn out.
At the sale of the Brent Eleigh Library, the MS. was purchased by the University Library managers, Cambridge, and it is now in that library (Add. MS. 3041).
It is a thick volume, measuring 1 ft. by 8¼ in.
It possesses an Introduction, "How Saynts may be esteemed soe, Secondlye of their Commemorations and the trewest enfalliblest manner of discovering them, and what Course the Collector of this Alphebitt of Saints that he observed in this Collection." Then follows an article on the Canonizing of Saints, and another "Of the Course and Order which is to be observed in my Collection." Then ensues a Calendar, and this is followed by an alphabetical biographical notice of the saints to Simon Sudbury, where the rest is torn away.
Nicolas Roscarrock had recourse mainly to printed authorities, to Capgrave, Surius, Harpsfield, and to Whytford's Martyrologie. But he had also access to the MSS. of Edward Powell, a Welsh priest, who had a considerable collection of Welsh saintly pedigrees. With regard to the Cornish saints, he records current traditions of his time, that he had collected in his youth. But he had also a MS. Cornish life of S. Columba, to which Hals refers. Unhappily, he has not given us the original, only its substance. And he quotes from a Cornish hymn or ballad relative to S. Mabenna, but which to our great regret he does not give. Here and there he indulges in verses of his own composition in honour of the saints, but they are of no poetic merit.
In the volume is a letter undated, addressed by one W. Webbe to – we suppose – the chaplain at Naworth. It is as follows: —
"Most Worthy Syr,
"Mr. Trewenna Roscarrock found in the library of Oxford a story of a certain Christian and his wife who came out of Ireland with their children to fly the persecution, and lived in Cornwall: and after some tyme both he and his wife with the children suffered martyrdom in Cornwall, and in their honour were faire Churches dedicated. Some of the names of these saints (as wee suppose) wear these as follow: —
"S. Essye, S. Milior, S. Que, S. Einendar, S. Eue, S. Maubon, S. Breage, S. Earvin, S. Merrine, &c.
"They were about 20 at the least; the story at large, Mr. Roscarrock's Book, and keeping noe coppy of it lent it to his brother, Mr. Nicolas Roscarocke, who lived and dyed at my Lord William Hoard's House in ye North.
"Now some worthye Catholickes of Cornwall being desirous to understand the full story, to the end they may the better honour these Saynts of their County, besought me to write unto the North about this, and get out of Mr. Nicolas Roscarocke's writings this story, they knowing that he was wont to compile together such monuments for further memorye. I did soe and I was assured by a good Gentleman a friend of mine, and who actually lives with the house, that Sir William Hoard, my Lord William's son, had Mr. Nicolas Roscarock's written booke, and papers, and that he would most willingly pleasure my Countrymen in this holy desire of theirs – Wherefore Worthy Syr I shall humble intreate you for God's sake, and for the honours of these glorious [sai33]nts martyrs, to deale efficaciously with Syr William Hoard [to obta]ine a copy of this story for all our comforts and wee [shall be al]wayes obleidged to pray for you and Syr William [both in] this worlde and in the next.
"Your servant to his honor,"H. Webbe."
