Эдвард Бульвер-Литтон
Godolphin, Volume 4
CHAPTER XXXIV
AMBITION VINDICATED.—THE HOME OF GODOLPHIN AND LUCILLA.—LUCILLA'S MIND.—THE EFFECT OF HAPPY LOVE ON FEMALE TALENT.—THE EVE OF FAREWELL. LUCILLA ALONE.—TEST OF A WOMAN'S AFFECTION
0 much-abused and highly-slandered passion!—passion rather of the soul than the heart: hateful to the pseudo-moralist, but viewed with favouring, though not undiscriminating eyes by the true philosopher: bright-winged and august ambition! It is well for fools to revile thee, because thou art liable, like other utilities, to abuse! The wind uproots the oak—but for every oak it uproots it scatters a thousand acorns. Ixion embraced the cloud, but from the embrace sprang a hero. Thou, too, hast thy fits of violence and storm; but without thee, life would stagnate:–thou, too, embracest thy clouds; but even thy clouds have the demigods for their offspring!
It was the great and prevailing misfortune of Godolphin's life, that he had early taught himself to be superior to exertion. His talents, therefore, only preyed on himself; and instead of the vigorous and daring actor of the world, he was alternately the indolent sensualist or the solitary dreamer. He did not view the stir of the great Babel as a man with a wholesome mind should do; and thus from his infirmities we draw a moral. The moral is not the worse, in that it opposes the trite moralities of those who would take from action its motive: the men of genius, who are not also men of ambition, are either humourists, or visionaries, or hypochondriacs.
By the side of one of the Italian lakes, Godolphin and Lucilla fixed their abode; and here the young idealist for some time imagined himself happy. Never until now so fond of nature as of cities, he gave himself up to the enchantment of the Eden around him. He spent the long sunny hours of noon on the smooth lake, or among the sheltering trees by which it was encircled. The scenes he had witnessed in the world became to him the food of quiet meditation, and for the first time in his life, thought did not weary him with its sameness.
When his steps turned homeward, the anxious form of Lucilla waited for him: her eye brightened at his approach, her spirit escaped restraint and bounded into joy: and Godolphin, touched by her delight, became eager to witness it: he felt the magnet of a Home. Yet as the first enthusiasm of passion died away, he could not but be sensible that Lucilla was scarcely a companion. Her fancy was indeed lively, and her capacity acute; but experience had set a confined limit to her ideas. She had nothing save love, and a fitful temperament, upon which she could draw for conversation. Those whose education debars them from deriving instruction from things, have in general the power to extract amusement from persons:—they can talk of the ridiculous Mrs. So-and-so, or the absurd Mr. Blank. But our lovers saw no society: and thus their commune was thrown entirely on their internal resources.
There was always that in the peculiar mind of Godolphin which was inclined towards ideas too refined and subtle even for persons of cultivated intellect. If Constance could scarcely comprehend the tone of his character, we may believe that to Lucilla he was wholly a mystery. This, perhaps, enhanced her love, but the consciousness of it disappointed his. He felt that what he considered the noblest faculties he possessed were unappreciated. He was sometimes angry with Lucilla that she loved only those qualities in his character which he shared with the rest of mankind. His speculative and Hamlet-like temper—(let us here take Goethe's view of Hamlet, and combine a certain weakness with finer traits of the royal dreamer)—perpetually deserted the solid world, and flew to aerial creations. He could not appreciate the present. Had Godolphin loved Lucilla as he once thought that he should love her, the beauties of her character would have blinded him to its defects; but its passion had been too sudden to be thoroughly grounded. It had arisen from the knowledge of her affection–not grown step by step from the natural bias of his own. Between the interval of liking and possession, love (to be durable) should pass through many stages. The doubt, the fear, the first pressure of the hand, the first kiss, each should be an epoch for remembrance to cling to. In moments of after coolness or anger, the mind should fly from the sated present to the million tender and freshening associations of the past. With these associations the affection renews its youth. How vast a store of melting reflections, how countless an accumulation of the spells that preserve constancy, does that love forfeit, in which the memory only commences with possession!
And the more delicate and thoughtful our nature, the more powerful are these associations. Do they not constitute the immense difference between the love and the intrigue? All things that savour of youth make our most exquisite sensations, whether to experience, or recall:—thus, in the seasons of the year, we prize the spring; and in the effusions of the heart, the courtship.
Beautiful, too, and tender—wild and fresh in her tenderness—as Lucilla was, there was that in her character, in addition to her want of education, which did not wholly accord with Godolphin's preconception of the being his fancy had conjured up. His calm and profound nature desired one in whom he could not only confide, but, as it were, repose. Thus one great charm that had attracted him to Constance was the evenness and smoothness of her temper. But the self-formed mind of Lucilla was ever in a bright, and to him a wearying, agitation;—tears and smiles perpetually chased each other. Not comprehending his character, but thinking only and wholly of him, she distracted herself with conjectures and suspicions, which she was too ingenious and too impassioned to conceal. After watching him for hours, she would weep that he did not turn from his books or his reverie to search also for her, with eyes equally yearning and tender as her own. The fear in absence, the absorbed devotion when present, that absolutely made her existence—she was wretched because he did not reciprocate with the same intensity of soul. She could conceive nothing of love but that which she felt herself; and she saw, daily and hourly, that in that love he did not sympathise; and therefore she embittered her life by thinking that he did not return her affection.
"You wrong us both," said he in answer to her tearful accusations; "but our sex love differently from yours."
"Ah," she replied, "I feel that love has no varieties: there is but one love, but there may be many counterfeits."
Godolphin smiled to think how the untutored daughter of nature had unconsciously uttered the sparkling aphorism of the most artificial of maxim-makers.2 Lucilla saw the smile, and her tears flowed instantly. "Thou mockest me."
"Thou art a little fool," said Godolphin, kindly, and he kissed away the storm.
And this was ever an easy matter. There was nothing unfeminine or sullen in Lucilla's irregulated moods; a kind word—a kind caress—allayed them in an instant, and turned the transient sorrow into sparkling delight. But they who know how irksome is the perpetual trouble of conciliation to a man meditative and indolent like Godolphin, will appreciate the pain that even her tenderness occasioned him.
There in one thing very noticeable in women when they have once obtained the object of their life—the sudden check that is given to the impulses of their genius!—Content to have found the realisation of their chief hope, they do not look beyond to other but lesser objects, as they had been wont to do before. Hence we see so many who, before marriage, strike us with admiration, from the vividness of their talents, and after marriage settle down into the mere machine. We wonder that we ever feared, while we praised, the brilliancy of an intellect that seems now never to wander from the limits of house and hearth. So with poor Lucilla; her restless mind and ardent genius had once seized on every object within their reach:—she had taught herself music; she had learned the colourings and lines of art; not a book came in her way, but she would have sought to extract from it a new idea. But she was now with Godolphin, and all other occupations for thought were gone; she had nothing beyond his love to wish for, nothing beyond his character to learn. He was the circle of hope, and her heart its centre; all lines were equal to that heart, so that they touched him. It is clear that this devotion prevented her, however, from fitting herself to be his companion; she did not seek to accomplish herself, but to study him: thus in her extreme love was another reason why that love was not adequately returned.
But Godolphin felt all the responsibility that he had taken on himself. He felt how utterly the happiness of this poor and solitary child—for a child she was in character, and almost in years—depended upon him. He roused himself, therefore, from his ordinary selfishness, and rarely, if ever, gave way to the irritation which she unknowingly but constantly kept alive. The balmy and delicious climate, the liquid serenity of the air, the majestic repose with which Nature invested the loveliness that surrounded their home, contributed to soften and calm his mind. And he had persuaded Lucilla to look without despair upon his occasional although short absences. Sometimes he passed two or three weeks at Rome, sometimes at Naples or Florence. He knew so well how necessary such intervals of absence are to the preservation of love, to the defeat of that satiety which creeps over us with custom, that he had resolutely enforced it as a necessity, although always under the excuse of business—a plea that Lucilla could understand and not resist; for the word business seemed to her like destiny—a call that, however odious, we cannot disobey. At first, indeed, she was disconsolate at the absence only of two days; but when she saw how eagerly her lover returned to her, with what a fresh charm he listened to her voice or her song, she began to confess that even in the evil might be good.
By degrees he accustomed her to longer intervals; and Lucilla relieved the dreariness of the time by the thousand little plans and surprises with which women delight in receiving the beloved wanderer after absence. His departure was a signal for a change in the house, the gardens, the arbour; and when she was tired with these occupations, she was not forbidden at least to write to him and receive his letters. Daily intoxication! and men's words are so much kinder when written, than they are when uttered! Fortunately for Lucilla, her early habits, and her strange qualities of mind, rendered her independent of companionship, and fond of solitude.
Often Godolphin, who could not conceive how persons without education could entertain themselves, taking pity on her loneliness and seclusion, would say,
"But how, Lucilla, have you passed this long day that I have spent away from you?—among the woods or on the lake?"
And Lucilla, delighted to recount to him the history of her hours, would go over each incident, and body forth every thought that had occurred to her, with a grave and serious minuteness that evinced her capabilities of dispensing with the world.
In this manner they passed somewhat more than two years: and in spite of the human alloy, it was perhaps the happiest period of Godolphin's life, and the one that the least disappointed his too exacting imagination. Lucilla had had one daughter, but she died a few weeks after birth. She wept over the perished flower, but was not inconsolable; for, before its loss, she had taught herself to think no affliction could be irremediable that did not happen to Godolphin. Perhaps Godolphin was the more grieved of the two; men of his character are fond of the occupation of watching the growth of minds; they put in practice their chimeras of education. Happy child, to have escaped an experiment!
It was the eve before one of Godolphin's periodical excursions, and it was Rome that he proposed to visit; Godolphin had lingered about the lake until the sun had set; and Lucilla, grown impatient, went forth to seek him. The day had been sultry, and now a sombre and breathless calm hung over the deepening eve. The pines, those gloomy children of the forest, which shed something of melancholy and somewhat of sternness over the brighter features of an Italian landscape, drooped heavily in the breezeless air. As she came on the border of the lake, its waves lay dark and voiceless; only, at intervals, the surf, fretting along the pebbles made a low and dreary sound, or from the trees some lingering songster sent forth a shrill and momentary note, and then again all became
"An atmosphere without a breath, A silence sleeping there."
There was a spot where the trees, receding in a ring, left some bare and huge fragments of stone uncovered by verdure. It was the only spot around that rich and luxuriant scene that was not in harmony with the soft spirit of the place: might I indulge a fanciful comparison, I should say that it was like one desolate and grey remembrance in the midst of a career of pleasure. On this spot Godolphin now stood alone, looking along the still and purple waters that lay before him. Lucilla, with a light step, climbed the rugged stones, and, touching his shoulder, reproached him with a tender playfulness for his truancy.
"Lucilla," said he, when peace was restored, "what impressions does this dreary and prophetic pause of nature before the upgathering of the storm, create in you? Does it inspire you with melancholy, or thought, or fear?"
"I see my star," answered Lucilla, pointing to a far and solitary orb, which hung islanded in a sea of cloud, that swept slowly and blackly onward:—"I see my star, and I think more of that little light than of the darkness around it."
"But it will presently be buried among the clouds," said Godolphin, smiling at that superstition which Lucilla had borrowed from her father.
"But the clouds pass away, and the star endures."
"You are of a sanguine nature, my Lucilla." Lucilla sighed.
"Why that sigh, dearest?"
"Because I am thinking how little even those who love us most know of us! I never tell my disquiet and sorrow. There are times when thou wouldst not think me too warmly addicted to hope!"
"And what, poor idler, have you to fear?"
"Hast thou never felt it possible that thou couldst love me less?"
"Never!"
Lucilla raised her large searching eyes, and gazed eagerly on his face; but in its calm features and placid brow she saw no ground for augury, whether propitious or evil. She turned away.
"I cannot think, Lucilla," said Godolphin, "that you ever direct those thoughts of yours, wandering though they be, to the future. Do they ever extend to the space of some ten or twenty years?"
"No. But one year may contain the whole history of my future."
As she spoke, the clouds gathered round the solitary star to which Lucilla had pointed. The storm was at hand; they felt its approach, and turned homeward.
There is something more than ordinarily fearful in the tempests that visit those soft and garden climes. The unfrequency of such violent changes in the mood of nature serves to appal us as with an omen; it is like a sudden affliction in the midst of happiness—or a wound from the hand of one we love. For the stroke for which we are not prepared we have rather despondency than resistance.
As they reached their home, the heavy rain-drops began to fall. They stood for some minutes at the casement, watching the coruscations of the lightning as it played over the black and heavy waters of the lake. Lucilla, whom the influences of nature always strangely and mysteriously affected, clung pale and almost trembling to Godolphin; but even in her fear there was delight in being so near to him in whose love alone she thought there was protection. Oh what luxury so dear to a woman as is the sense of dependence! Poor Lucilla! it was the last evening she ever spent with one whom she worshipped so entirely.
Godolphin remained up longer than Lucilla. When he joined her in her room, the storm had ceased; and he found her standing by the open window, and gazing on the skies that were now bright and serene. Far in the deep stillness of midnight crept the waters of the lake, hushed once more into silence, and reflecting the solemn and unfathomable stars. That chain of hills, which but to name, awakens countless memories of romance, stretched behind—their blue and dim summits melting into the skies, and over one higher than the rest, paused the new risen moon, silvering the first beneath, and farther down, breaking with one long and yet mellower track of light over the waters of the lake.
As Godolphin approached he did so, unconsciously, with a hushed and noiseless step. There is something in the quiet of nature like worship; it is as if, from the breathless heart of Things, went up a prayer or a homage to the Arch-Creator. One feels subdued by a stillness so utter and so august; it extends itself to our own sensations, and deepens into an awe.
Both, then, looked on in silence, indulging it may be different thoughts. At length, Lucilla said softly:—"Tell me, hast thou really no faith in my father's creed? Are the stars quite dumb? Is there no truth in their movements, no prophecy in their lustre?"
"My Lucilla, reason and experience tell us that the astrologers nurse a dream that has no reality."
"Reason! well!—Experience!—why, did not thy father's mortal illness hurry thee from home at the very time in which mine foretold thy departure and its cause? I was then but a child; yet I shall never forget the paleness of thy cheek when my father uttered his prediction."
"I, too, was almost a child then, Lucilla."
"But that prediction was verified?"
"It was so; but how many did Volktman utter that were never verified? In true science there are no chances—no uncertainties."
"And my father," said Lucilla, unheeding the answer, "always foretold that thy lot and mine were to be entwined."
"And the prophecy, perhaps, disposed you to the fact. You might never have loved me, Lucilla, if your thoughts had not been driven to dwell upon me by the prediction."
"Nay; I thought of thee before I heard the prophecy."
"But your father foretold me, dearest—cross and disappointment in my love—was he not wrong? am I not blest with you?"
Lucilla threw herself into her lover's arms, and, as she kissed him, murmured, "Ah, if I could make thee happy!" The next day Godolphin departed for Rome. Lucilla was more dejected at his departure than she had been even in his earliest absence. The winter was now slowly approaching, and the weather was cold and dreary. That year it was unusually rainy and tempestuous, and as the wild gusts howled around her solitary home—how solitary now!—or she heard the big drops hurrying down on the agitated lake, she shuddered at her own despondent thoughts, and dreaded the gloom and loneliness of the lengthened night. For the first time since she had lived with Godolphin she turned, but disconsolately, to the company of books.
Works of all sorts filled their home, but the spell that once spoke to her from the page was broken. If the book was not of love, it possessed no interest;—if of love, she thought the description both tame and false. No one ever painted love so as fully to satisfy another:—to some it is too florid—to some too commonplace; the god, like other gods, has no likeness on earth, and every wave on which the star of passion beams, breaks the lustre into different refractions of light.
As one day she was turning listlessly over some books that had been put aside by Godolphin in a closet, and hoping to find one that contained, as sometimes happened, his comments or at least his marks—she was somewhat startled to find among them several volumes which she remembered to have belonged to her father. Godolphin had bought them after Volktman's death, and put them by as relics of his singular friend, and as samples of the laborious and selfwilled aberration of the human intellect.
Few among these works could Lucilla comprehend, for they were chiefly in other tongues than the only two with which she was acquainted. But some, among which were manuscripts by her father, beautifully written, and curiously ornamented (some of the chief works on the vainer sciences are only to be found in manuscript), she could contrive to decipher by a little assistance from her memory, in recalling the signs and hieroglyphics which her father had often explained to her, and, indeed, caused her to copy out for him in his calculations. Always possessing an untaxed and unquestioned belief in the astral powers, she now took some interest in reading of their mysteries. Her father, secretly, perhaps, hoping to bequeath his name to the gratitude of some future Hermes, had in his manuscripts reduced into a system many scattered theories of others, and many dogmas of his own. Over these, for they were simpler and easier than the crabbed and mystical speculations in the printed books, she more especially pored; and she was not sorry at finding fresh reasons for her untutored adoration of the stars and apparitions of the heavens.
Still, however, these bewildering researches made but a small part, comparatively speaking, of the occupation of her thoughts. To write to, and hear from, Godolphin had become to her more necessary than ever, and her letters were fuller and more minute in their details of love than even in the period of their first passion. Wouldst thou know if the woman thou lovest still loves thee, trust not her spoken words, her present smiles; examine her letters in absence, see if she dwells, as she once did, upon trifles—but trifles relating to thee. The things which the indifferent forget are among the most treasured meditations of love.
