Вашингтон Ирвинг
Abbotsford and Newstead Abbey
NEWSTEAD ABBEY
HISTORICAL NOTICE
Being about to give a few sketches taken during a three weeks' sojourn in the ancestral mansion of the late Lord Byron, I think it proper to premise some brief particulars concerning its history.
Newstead Abbey is one of the finest specimens in existence of those quaint and romantic piles, half castle, half convent, which remain as monuments of the olden times of England. It stands, too, in the midst of a legendary neighborhood; being in the heart of Sherwood Forest, and surrounded by the haunts of Robin Hood and his band of outlaws, so famous in ancient ballad and nursery tale. It is true, the forest scarcely exists but in name, and the tract of country over which it once extended its broad solitudes and shades, is now an open and smiling region, cultivated with parks and farms, and enlivened with villages.
Newstead, which probably once exerted a monastic sway over this region, and controlled the consciences of the rude foresters, was originally a priory, founded in the latter part of the twelfth century, by Henry II., at the time when he sought, by building of shrines and convents, and by other acts of external piety, to expiate the murder of Thomas a Becket. The priory was dedicated to God and the Virgin, and was inhabited by a fraternity of canons regular of St. Augustine. This order was originally simple and abstemious in its mode of living, and exemplary in its conduct; but it would seem that it gradually lapsed into those abuses which disgraced too many of the wealthy monastic establishments; for there are documents among its archives which intimate the prevalence of gross misrule and dissolute sensuality among its members. At the time of the dissolution of the convents during the reign of Henry VIII., Newstead underwent a sudden reverse, being given, with the neighboring manor and rectory of Papelwick, to Sir John Byron, Steward of Manchester and Rochdale, and Lieutenant of Sherwood Forest. This ancient family worthy figures in the traditions of the Abbey, and in the ghost stories with which it abounds, under the quaint and graphic appellation of "Sir John Byron the Little, with the great Beard." He converted the saintly edifice into a castellated dwelling, making it his favorite residence and the seat of his forest jurisdiction.
The Byron family being subsequently ennobled by a baronial title, and enriched by various possessions, maintained great style and retinue at Newstead. The proud edifice partook, however, of the vicissitudes of the times, and Lord Byron, in one of his poems, represents it as alternately the scene of lordly wassailing and of civil war:
"Hark, how the hall resounding to the strain,
Shakes with the martial music's novel din!
The heralds of a warrior's haughty reign,
High crested banners wave thy walls within.
"Of changing sentinels the distant hum,
The mirth of feasts, the clang of burnish'd arms,
The braying trumpet, and the hoarser drum,
Unite in concert with increased alarms."
About the middle of the last century, the Abbey came into the possession of another noted character, who makes no less figure in its shadowy traditions than Sir John the Little with the great Beard. This was the grand-uncle of the poet, familiarly known among the gossiping chroniclers of the Abbey as "the Wicked Lord Byron." He is represented as a man of irritable passions and vindictive temper, in the indulgence of which an incident occurred which gave a turn to his whole character and life, and in some measure affected the fortunes of the Abbey. In his neighborhood lived his kinsman and friend, Mr. Chaworth, proprietor of Annesley Hall. Being together in London in 1765, in a chamber of the Star and Garter tavern in Pall Mall, a quarrel rose between them. Byron insisted upon settling it upon the spot by single combat. They fought without seconds, by the dim light of a candle, and Mr. Chaworth, although the most expert swordsman, received a mortal wound. With his dying breath he related such particulars the contest as induced the coroner's jury to return a verdict of wilful murder. Lord Byron was sent to the Tower, and subsequently tried before the House of Peers, where an ultimate verdict was given of manslaughter.
He retired after this to the Abbey, where he shut himself up to brood over his disgraces; grew gloomy, morose, and fantastical, and indulged in fits of passion and caprice, that made him the theme of rural wonder and scandal. No tale was too wild or too monstrous for vulgar belief. Like his successor the poet, he was accused of all kinds of vagaries and wickedness. It was said that he always went armed, as if prepared to commit murder on the least provocation. At one time, when a gentleman of his neighborhood was to dine tete a tete with him, it is said a brace of pistols were gravely laid with the knives and forks upon the table, as part of the regular table furniture, and implements that might be needed in the course of the repast. Another rumor states that being exasperated at his coachman for disobedience to orders, he shot him on the spot, threw his body into the coach where Lady Byron was seated, and, mounting the box, officiated in his stead. At another time, according to the same vulgar rumors, he threw her ladyship into the lake in front of the Abbey, where she would have been drowned, but for the timely aid of the gardener. These stories are doubtless exaggerations of trivial incidents which may have occurred; but it is certain that the wayward passions of this unhappy man caused a separation from his wife, and finally spread a solitude around him. Being displeased at the marriage of his son and heir, he displayed an inveterate malignity toward him. Not being able to cut off his succession to the Abbey estate, which descended to him by entail, he endeavored to injure it as much as possible, so that it might come a mere wreck into his hands. For this purpose he suffered the Abbey to fall out of repair, and everything to go to waste about it, and cut down all the timber on the estate, laying low many a tract of old Sherwood Forest, so that the Abbey lands lay stripped and bare of all their ancient honors. He was baffled in his unnatural revenge by the premature death of his son, and passed the remainder of his days in his deserted and dilapidated halls, a gloomy misanthrope, brooding amidst the scenes he had laid desolate.
His wayward humors drove from him all neighborly society, and for a part of the time he was almost without domestics. In his misanthropic mood, when at variance with all human kind, he took to feeding crickets, so that in process of time the Abbey was overrun with them, and its lonely halls made more lonely at night by their monotonous music. Tradition adds that, at his death, the crickets seemed aware that they had lost their patron and protector, for they one and all packed up bag and baggage, and left the Abbey, trooping across its courts and corridors in all directions.
The death of the "Old Lord," or "The Wicked Lord Byron," for he is known by both appellations, occurred in 1798; and the Abbey then passed into the possession of the poet. The latter was but eleven years of age, and living in humble style with his mother in Scotland. They came soon after to England, to take possession. Moore gives a simple but striking anecdote of the first arrival of the poet at the domains of his ancestors.
They had arrived at the Newstead toll-bar, and saw the woods of the Abbey stretching out to receive them, when Mrs. Byron, affecting to be ignorant of the place, asked the woman of the toll-house to whom that seat belonged? She was told that the owner of it, Lord Byron, had been some months dead. "And who is the next heir?" asked the proud and happy mother. "They say," answered the old woman, "it is a little boy who lives at Aberdeen." "And this is he, bless him!" exclaimed the nurse, no longer able to contain herself, and turning to kiss with delight the young lord who was seated on her lap.1
During Lord Byron's minority, the Abbey was let to Lord Grey de Ruthen, but the poet visited it occasionally during the Harrow vacations, when he resided with his mother at lodgings in Nottingham. It was treated little better by its present tenant, than by the old lord who preceded him; so that when, in the autumn of 1808, Lord Byron took up his abode there, it was in a ruinous condition. The following lines from his own pen may give some idea of its condition:
"Through thy battlements, Newstead, the hollow winds whistle,
Thou, the hall of my fathers, art gone to decay;
In thy once smiling garden, the hemlock and thistle
Have choked up the rose which once bloomed in the way.
"Of the mail-covered barons who, proudly, to battle
Led thy vassals from Europe to Palestine's plain,
The escutcheon and shield, which with every wind rattle,
Are the only sad vestiges now that remain."2
In another poem he expresses the melancholy feeling with which he took possession of his ancestral mansion:
"Newstead! what saddening scene of change is thine,
Thy yawning arch betokens sure decay:
The last and youngest of a noble line,
Now holds thy mouldering turrets in his sway.
"Deserted now, he scans thy gray-worn towers,
Thy vaults, where dead of feudal ages sleep,
Thy cloisters, pervious to the wintry showers,
These – these he views, and views them but to weep.
"Yet he prefers thee to the gilded domes,
Or gewgaw grottoes of the vainly great;
Yet lingers mid thy damp and mossy tombs,
Nor breathes a murmur 'gainst the will of fate."3
Lord Byron had not fortune sufficient to put the pile in extensive repair, nor to maintain anything like the state of his ancestors. He restored some of the apartments, so as to furnish his mother with a comfortable habitation, and fitted up a quaint study for himself, in which, among books and busts, and other library furniture, were two skulls of the ancient friars, grinning on each side of an antique cross. One of his gay companions gives a picture of Newstead when thus repaired, and the picture is sufficiently desolate.
"There are two tiers of cloisters, with a variety of cells and rooms about them, which, though not inhabited, nor in an inhabitable state, might easily be made so; and many of the original rooms, among which is a fine stone hall, are still in use. Of the Abbey church, one end only remains; and the old kitchen, with a long range of apartments, is reduced to a heap of rubbish. Leading from the Abbey to the modern part of the habitation is a noble room, seventy feet in length, and twenty-three in breadth; but every part of the house displays neglect and decay, save those which the present lord has lately fitted up."4
Even the repairs thus made were but of transient benefit, for the roof being left in its dilapidated state, the rain soon penetrated into the apartments which Lord Byron had restored and decorated, and in a few years rendered them almost as desolate as the rest of the Abbey.
Still he felt a pride in the ruinous old edifice; its very dreary and dismantled state, addressed itself to his poetical imagination, and to that love of the melancholy and the grand which is evinced in all his writings. "Come what may," said he in one of his letters, "Newstead and I stand or fall together. I have now lived on the spot. I have fixed my heart upon it, and no pressure, present or future, shall induce me to barter the last vestige of our inheritance. I have that pride within me which will enable me to support difficulties: could I obtain in exchange for Newstead Abbey, the first fortune in the country, I would reject the proposition."
His residence at the Abbey, however, was fitful and uncertain. He passed occasional portions of time there, sometimes studiously and alone, oftener idly and recklessly, and occasionally with young and gay companions, in riot and revelry, and the indulgence of all kinds of mad caprice. The Abbey was by no means benefited by these roystering inmates, who sometimes played off monkish mummeries about the cloisters, at other times turned the state chambers into schools for boxing and single-stick, and shot pistols in the great hall. The country people of the neighborhood were as much puzzled by these madcap vagaries of the new incumbent, as by the gloomier habits of the "old lord," and began to think that madness was inherent in the Byron race, or that some wayward star ruled over the Abbey.
It is needless to enter into a detail of the circumstances which led his Lordship to sell his ancestral estate, notwithstanding the partial predilections and hereditary feeling which he had so eloquently expressed. Fortunately, it fell into the hands of a man who possessed something of a poetical temperament, and who cherished an enthusiastic admiration for Lord Byron. Colonel (at that time Major) Wildman had been a schoolmate of the poet, and sat with him on the same form at Harrow. He had subsequently distinguished himself in the war of the Peninsula, and at the battle of Waterloo, and it was a great consolation to Lord Byron, in parting with his family estate, to know that it would be held by one capable of restoring its faded glories, and who would respect and preserve all the monuments and memorials of his line.5
The confidence of Lord Byron in the good feeling and good taste of Colonel Wildman has been justified by the event. Under his judicious eye and munificent hand the venerable and romantic pile has risen from its ruins in all its old monastic and baronial splendor, and additions have been made to it in perfect conformity of style. The groves and forests have been replanted; the lakes and fish-ponds cleaned out, and the gardens rescued from the "hemlock and thistle," and restored to their pristine and dignified formality.
The farms on the estate have been put in complete order, new farm-houses built of stone, in the picturesque and comfortable style of the old English granges; the hereditary tenants secured in their paternal homes, and treated with the most considerate indulgence; everything, in a word, gives happy indications of a liberal and beneficent landlord.
What most, however, will interest the visitors to the Abbey in favor of its present occupant, is the reverential care with which he has preserved and renovated every monument and relic of the Byron family, and every object in anywise connected with the memory of the poet. Eighty thousand pounds have already been expended upon the venerable pile, yet the work is still going on, and Newstead promises to realize the hope faintly breathed by the poet when bidding it a melancholy farewell —
"Haply thy sun emerging, yet may shine,
Thee to irradiate with meridian ray;
Hours splendid as the past may still be thine,
And bless thy future, as thy former day."
ARRIVAL AT THE ABBEY
I had been passing a merry Christmas in the good old style at Barlhoro' Hall, a venerable family mansion in Derbyshire, and set off to finish the holidays with the hospitable proprietor of Newstead Abbey. A drive of seventeen miles through a pleasant country, part of it the storied region of Sherwood Forest, brought me to the gate of Newstead Park. The aspect of the park was by no means imposing, the fine old trees that once adorned it having been laid low by Lord Byron's wayward predecessor.
Entering the gate, the postchaise rolled heavily along a sandy road, between naked declivities, gradually descending into one of those gentle and sheltered valleys, in which the sleek monks of old loved to nestle themselves. Here a sweep of the road round an angle of a garden wall brought us full in front of the venerable edifice, embosomed in the valley, with a beautiful sheet of water spreading out before it.
The irregular gray pile, of motley architecture, answered to the description given by Lord Byron:
"An old, old monastery once, and now
Still older mansion, of a rich and rare
Mixed Gothic" —
One end was fortified by a castellated tower, bespeaking the baronial and warlike days of the edifice; the other end maintained its primitive monastic character. A ruined chapel, flanked by a solemn grove, still reared its front entire. It is true, the threshold of the once frequented portal was grass-grown, and the great lancet window, once glorious with painted glass, was now entwined and overhung with ivy; but the old convent cross still braved both time and tempest on the pinnacle of the chapel, and below, the blessed effigies of the Virgin and child, sculptured in gray stone, remained uninjured in their niche, giving a sanctified aspect to the pile.6
A flight of rooks, tenants of the adjacent grove, were hovering about the ruin, and balancing themselves upon ever airy projection, and looked down with curious eye and cawed as the postchaise rattled along below.
The chamberlain of the Abbey, a most decorous personage, dressed in black, received us at the portal. Here, too, we encountered a memento of Lord Byron, a great black and white Newfoundland dog, that had accompanied his remains from Greece. He was descended from the famous Boatswain, and inherited his generous qualities. He was a cherished inmate of the Abbey, and honored and caressed by every visitor. Conducted by the chamberlain, and followed by the dog, who assisted in doing the honors of the house, we passed through a long low vaulted hall, supported by massive Gothic arches, and not a little resembling the crypt of a cathedral, being the basement story of the Abbey.
From this we ascended a stone staircase, at the head of which a pair of folding doors admitted us into a broad corridor that ran round the interior of the Abbey. The windows of the corridor looked into a quadrangular grass-grown court, forming the hollow centre of the pile. In the midst of it rose a lofty and fantastic fountain, wrought of the same gray stone as the main edifice, and which has been well described by Lord Byron.
"Amidst the court a Gothic fountain play'd,
Symmetrical, but deck'd with carvings quaint,
Strange faces, like to men in masquerade,
And here perhaps a monster, there a saint:
The spring rush'd through grim mouths of granite made,
And sparkled into basins, where it spent
Its little torrent in a thousand bubbles,
Like man's vain glory, and his vainer troubles."7
Around this quadrangle were low vaulted cloisters, with Gothic arches, once the secluded walks of the monks: the corridor along which we were passing was built above these cloisters, and their hollow arches seemed to reverberate every footfall. Everything thus far had a solemn monastic air; but, on arriving at an angle of the corridor, the eye, glancing along a shadowy gallery, caught a sight of two dark figures in plate armor, with closed visors, bucklers braced, and swords drawn, standing motionless against the wall. They seemed two phantoms of the chivalrous era of the Abbey.
Here the chamberlain, throwing open a folding door, ushered us at once into a spacious and lofty saloon, which offered a brilliant contrast to the quaint and sombre apartments we had traversed. It was elegantly furnished, and the walls hung with paintings, yet something of its original architecture had been preserved and blended with modern embellishments. There were the stone-shafted casements and the deep bow-window of former times. The carved and panelled wood-work of the lofty ceiling had likewise been carefully restored, and its Gothic and grotesque devices painted and gilded in their ancient style.
Here, too, were emblems of the former and latter days of the Abbey, in the effigies of the first and last of the Byron line that held sway over its destinies. At the upper end of the saloon, above the door, the dark Gothic portrait of "Sir John Byron the Little with the great Beard," looked grimly down from his canvas, while, at the opposite end, a white marble bust of the genius loci, the noble poet, shone conspicuously from its pedestal.
The whole air and style of the apartment partook more of the palace than the monastery, and its windows looked forth on a suitable prospect, composed of beautiful groves, smooth verdant lawns, and silver sheets of water. Below the windows was a small flower-garden, inclosed by stone balustrades, on which were stately peacocks, sunning themselves and displaying their plumage. About the grass-plots in front, were gay cock pheasants, and plump partridges, and nimble-footed water hens, feeding almost in perfect security.
Such was the medley of objects presented to the eye on first visiting the Abbey, and I found the interior fully to answer the description of the poet —
"The mansion's self was vast and venerable,
With more of the monastic than has been
Elsewhere preserved; the cloisters still were stable,
The cells, too, and refectory, I ween;
An exquisite small chapel had been able,
Still unimpair'd, to decorate the scene;
The rest had been reformed, replaced, or sunk,
And spoke more of the friar than the monk.
"Huge halls, long galleries, spacious chambers, joined
By no quite lawful marriage of the arts,
Might shock a connoisseur; but when combined
Formed a whole, which, irregular in parts,
Yet left a grand impression on the mind,
At least of those whose eyes were in their hearts."
It is not my intention to lay open the scenes of domestic life at the Abbey, nor to describe the festivities of which I was a partaker during my sojourn within its hospitable walls. I wish merely to present a picture of the edifice itself, and of those personages and circumstances about it, connected with the memory of Byron.
I forbear, therefore, to dwell on my reception by my excellent and amiable host and hostess, or to make my reader acquainted with the elegant inmates of the mansion that I met in the saloon; and I shall pass on at once with him to the chamber allotted me, and to which I was most respectfully conducted by the chamberlain.
It was one of a magnificent suite of rooms, extending between the court of the cloisters and the Abbey garden, the windows looking into the latter. The whole suite formed the ancient state apartment, and had fallen into decay during the neglected days of the Abbey, so as to be in a ruinous condition in the time of Lord Byron. It had since been restored to its ancient splendor, of which my chamber may be cited as a specimen. It was lofty and well proportioned; the lower part of the walls was panelled with ancient oak, the upper part hung with gobelin tapestry, representing oriental hunting scenes, wherein the figures were of the size of life, and of great vivacity of attitude and color.
The furniture was antique, dignified, and cumbrous. High-backed chairs curiously carved, and wrought in needlework; a massive clothes-press of dark oak, well polished, and inlaid with landscapes of various tinted woods; a bed of state, ample and lofty, so as only to be ascended by a movable flight of steps, the huge posts supporting a high tester with a tuft of crimson plumes at each corner, and rich curtains of crimson damask hanging in broad and heavy folds.
A venerable mirror of plate glass stood on the toilet, in which belles of former centuries may have contemplated and decorated their charms. The floor of the chamber was of tesselated oak, shining with wax, and partly covered by a Turkey carpet. In the centre stood a massy oaken table, waxed and polished as smooth as glass, and furnished with a writing-desk of perfumed rosewood.
A sober light was admitted into the room through Gothic stone-shafted casements, partly shaded by crimson curtains, and partly overshadowed by the trees of the garden. This solemnly tempered light added to the effect of the stately and antiquated interior.
Two portraits, suspended over the doors, were in keeping with the scene. They were in ancient Vandyke dresses; one was a cavalier, who may have occupied this apartment in days of yore, the other was a lady with a black velvet mask in her hand, who may once have arrayed herself for conquest at the very mirror I have described.
The most curious relic of old times, however, in this quaint but richly dight apartment, was a great chimney-piece of panel-work, carved in high relief, with niches or compartments, each containing a human bust, that protruded almost entirely from the wall. Some of the figures were in ancient Gothic garb; the most striking among them was a female, who was earnestly regarded by a fierce Saracen from an adjoining niche.
This panel-work is among the mysteries of the Abbey, and causes as much wide speculation as the Egyptian hieroglyphics. Some suppose it to illustrate an adventure in the Holy Land, and that the lady in effigy had been rescued by some Crusader of the family from the turbaned Turk who watches her so earnestly. What tends to give weight to these suppositions is, that similar pieces of panel-work exist in other parts of the Abbey, in all of which are to be seen the Christian lady and her Saracen guardian or lover. At the bottom of these sculptures are emblazoned the armorial bearings of the Byrons.
I shall not detain the reader, however, with any further description of my apartment, or of the mysteries connected with it. As he is to pass some days with me at the Abbey, we shall have time to examine the old edifice at our leisure, and to make ourselves acquainted, not merely with its interior, but likewise with its environs.
