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полная версияLes Misérables, v. 5

Виктор Мари Гюго
Les Misérables, v. 5

Полная версия

CHAPTER XVII
MORTUUS PATER FILIUM MORITURUM EXPECTAT

Marius rushed out of the barricade, and Combeferre followed him; but it was too late, and Gavroche was dead. Combeferre brought in the hamper of cartridges, and Marius the boy. Alas! he thought he was requiting the son for what the father had done for his father; but Thénardier had brought in his father alive, while he brought in the lad dead. When Marius re-entered the barricade with Gavroche in his arms, his face was deluged with blood, like the boy's; for at the very instant when he stooped to pick up Gavroche, a bullet had grazed his skull, but he had not noticed it. Courfeyrac took off his neckcloth and bound Marius's forehead; Gavroche was deposited on the same table with Mabœuf, and the black shawl was spread over both bodies; it was large enough for the old man and the child. Combeferre distributed the cartridges which he had brought in, and they gave each man fifteen rounds to fire. Jean Valjean was still at the same spot, motionless on his bench. When Combeferre offered him his fifteen cartridges he shook his head.

"That is a strange eccentric," Combeferre said in a whisper to Enjolras. "He manages not to fight inside this barricade."

"Which does not prevent him from defending it," Enjolras answered.

"Heroism has its original characters," Combeferre resumed.

And Courfeyrac, who overheard him, said, —

"He is a different sort from Father Mabœuf."

It is a thing worth mentioning, that the fire which struck the barricade scarce disturbed the interior. Those who have never passed the tornado of a warfare of this nature cannot form any idea of the singular moments of calmness mingled with these convulsions. Men come and go, they talk, they jest, they idle. A friend of ours heard a combatant say to him, in the midst of the grape-shot, "It is like being at a bachelor's breakfast here." The redoubt in the Rue de la Chanvrerie, we repeat, appeared internally most calm; and all the incidents and phases were, or would shortly be, exhausted. The position had become from critical menacing, and from menacing was probably about to become desperate. In proportion as the situation grew darker an heroic gleam more and more purpled the barricade. Enjolras commanded it in the attitude of a young Spartan, devoting his bare sword to the gloomy genius, Epidotas. Combeferre, with an apron tied round him, was dressing the wounded. Bossuet and Feuilly were making cartridges with the powder-flask found by Gavroche on the dead corporal, and Bossuet was saying to Feuilly, "We are soon going to take the diligence for another planet." Courfeyrac, seated on the few paving-stones which he had set aside near Enjolras, was preparing and arranging an entire arsenal – his sword-cane, his gun, two hostler-pistols, and a club – with the ease of a girl setting a small what-not in order. Jean Valjean was silently looking at the wall facing him, and a workman was fastening on his head, with a piece of string, a broad-brimmed straw bonnet of Mother Hucheloup's, "for fear of sun-strokes," as he said. The young men of the Aix Cougourde were gayly chatting together, as if desirous to talk patois for the last time: Joly, who had taken down Widow Hucbeloup's mirror, was examining his tongue in it; while a few combatants, who had discovered some nearly mouldering crusts of bread in a drawer, were eating them greedily. Marius was anxious about what his father would say to him.

CHAPTER XVIII
THE VULTURE BECOMES PREY

We must lay a stress upon a psychological fact peculiar to barricades, for nothing which characterizes this surprising war of streets ought to be omitted. Whatever the internal tranquillity to which we have just referred may be, the barricade does not the less remain a vision for those who are inside it There is an apocalypse in a civil war, all the darkness of the unknown world is mingled with these stern flashes, revolutions are sphinxes, and any one who has stood behind a barricade believes that he has gone through a dream. What is felt at these spots, as we have shown in the matter of Marius, and whose consequences we shall see, is more and less than life. On leaving a barricade, a man no longer knows what he has seen; he may have been terrible, but he is ignorant of the fact. He has been surrounded there by combating ideas which possessed human faces, and had his head in the light of futurity. There were corpses laid low and phantoms standing upright; and the hours were colossal, and seemed hours of eternity. A man has lived in death, and shadows have passed. What was it? He has seen hands on which was blood; it was a deafening din, but at the same time a startling silence: there were open mouths that cried, and other open mouths which were silent, and men were in smoke, perhaps in night. A man fancies he has touched the sinister dripping of unknown depths, and he looks at something red which he has in his nails, but he no longer recollects anything.

Let us return to the Rue de la Chanvrerie. Suddenly, between two discharges, the distant sound of a clock striking was heard.

"It is midday," said Combeferre.

The twelve strokes had not died out ere Enjolras drew himself up to his full height and hurled the loud cry from the top of the barricade, —

"Take up the paving-stones into the house, and line the windows with them. One half of you to the stones, the other half to the muskets. There is not a moment to lose."

A party of sappers, with their axes on their shoulders, had just appeared in battle-array at the end of the street. This could only be the head of a column; and of what column? Evidently the column of attack; for the sappers ordered to demolish the barricade always precede the troops appointed to escalade it. It was plain that the moment was at hand which M. Clermont Tonnerre called in 1822 "a strong pull."

Enjolras's order was carried out with that correct speed peculiar to ships and barricades, the only two battle-fields whence escape is impossible. In less than a minute two thirds of the paving-stones which Enjolras had ordered to be piled up against the door of Corinth were carried to the first-floor and attic, and before a second minute had passed these paving-stones, artistically laid on one another, walled up one half of the window. A few spaces carefully arranged by Feuilly, the chief constructor, allowed the gun-barrels to pass through. This armament of the windows was the more easily effected because the grape-shot had ceased. The two cannon were now firing solid shot at the centre of the barricade, in order to make a hole, and if possible a breach, for the assault. When the stones intended for the final assault were in their places, Enjolras carried to the first-floor the bottles he had placed under the table on which Mabœuf lay.

"Who will drink that?" Bossuet asked him.

"They will," Enjolras answered.

Then the ground-floor window was also barricaded, and the iron bars which closed the door at night were held in readiness. The fortress was complete; the barricade was the rampart, and the wine-shop the keep. With the paving-stones left over the gap was stopped up. As the defenders of a barricade are always obliged to save their ammunition, and the besiegers are aware of the fact, the latter combine their arrangements with a sort of irritating leisure, expose themselves before the time to the fire, though more apparently than in reality, and take their ease. The preparations for the attack are always made with a certain methodical slowness, and after that comes the thunder. This slowness enabled Enjolras to revise and render everything perfect. He felt that since such men were about to die, their death must be a masterpiece. He said to Marius, —

"We are the two chiefs. I am going to give the final orders inside, while you remain outside and watch."

Marius posted himself in observation on the crest of the barricade, while Enjolras had the door of the kitchen, which it will be remembered served as ambulance, nailed up.

"No splashing on the wounded," he said.

He gave his final instructions in the ground-floor room in a sharp but wonderfully calm voice, and Feuilly listened and answered in the name of all.

"At the first-floor hold axes ready to cut down the stairs. Have you them?"

"Yes," Feuilly answered.

"How many?"

"Two axes and a crowbar."

"Very good. In all, twenty-six fighting men left. How many guns are there?"

"Thirty-four."

"Eight too many. Keep those guns loaded like the others, and within reach. Place your sabres and pistols in your belts. Twenty men to the barricade. Six will ambush themselves in the garret and at the first-floor window, to fire on the assailants through the loop-holes in the paving-stones. There must not be an idle workman here. Presently, when the drummer sounds the charge, the twenty men below will rush to the barricade, and the first to arrive will be the best placed."

These arrangements made, he turned to Javert, and said to him, —

"I have not forgotten you."

And laying a pistol on the table he added, —

"The last man to leave here will blow out this spy's brains."

"Here?" a voice answered.

"No, let us not have this corpse near ours. It is easy to stride over the small barricade in Mondétour Lane, as it is only four feet high. This man is securely bound, so lead him there and execute him."

Some one was at this moment even more stoical than Enjolras; it was Javert. Here Jean Valjean appeared; he was mixed up with the group of insurgents, but stepped forward and said to Enjolras, —

"Are you the commander?"

"Yes."

"You thanked me just now."

"In the name of the Republic. The barricade has two saviors, – Marius Pontmercy and yourself."

 

"Do you think that I deserve a reward?"

"Certainly."

"Well, then, I ask one."

"What is it?"

"To let me blow out that man's brains myself."

Javert raised his head, saw Jean Valjean, gave an imperceptible start, and said, "It is fair."

As for Enjolras, he was reloading his gun. He looked around him.

"Is there no objection?"

And he turned to Jean Valjean.

"Take the spy."

Jean Valjean took possession of Javert by seating himself on the end of the table. He seized the pistol, and a faint clink showed that he had cocked it. Almost at the same moment the bugle-call was heard.

"Mind yourselves!" Marius shouted from the top of the barricade.

Javert began laughing that noiseless laugh peculiar to him, and, looking intently at the insurgents, said to them, —

"You are no healthier than I am."

"All outside," Enjolras cried.

The insurgents rushed tumultuously forth, and as they passed, Javert smote them on the back, so to speak, with the expression, "We shall meet again soon."

CHAPTER XIX
JEAN VALJEAN REVENGES HIMSELF

So soon as Jean Valjean was alone with Javert he undid the rope which fastened the prisoner round the waist, the knot of which was under the table. After this, he made him a signal to rise. Javert obeyed with that indefinable smile in which the supremacy of enchained authority is condensed. Jean Valjean seized Javert by the martingale, as he would have taken an ox by its halter, and dragging him after him, quitted the wine-shop slowly, for Javert, having his feet hobbled, could only take very short steps. Jean Valjean held the pistol in his hand, and they thus crossed the inner trapeze of the barricade; the insurgents, prepared for the imminent attack, turned their backs.

Marius alone, placed at the left extremity of the barricade, saw them pass. This group of the victim and the executioner was illumined by the sepulchral gleams which he had in his soul. Jean Valjean forced Javert to climb over the barricade with some difficulty, but did not loosen the cord. When they had crossed the bar, they found themselves alone in the lane, and no one could now see them, for the elbow formed by the houses hid them from the insurgents. The corpses removed from the barricade formed a horrible pile a few paces from them. Among the dead could be distinguished a livid face, dishevelled hair, a pierced hand, and a half-naked female bosom; it was Éponine. Javert looked askance at this dead girl, and said with profound calmness, —

"It seems to me I know that girl."

Then he turned to Jean Valjean, who placed the pistol under his arm, and fixed on Javert a glance which had no need of words to say, "Javert, it is I."

Javert answered, "Take your revenge."

Jean Valjean took a knife from his pocket and opened it.

"A clasp-knife," Javert exclaimed. "You are right, that suits you better."

Jean Valjean cut the martingale which Javert had round his neck, then he cut the ropes on his wrists, and stooping down, those on his feet; then rising again, he said, "You are free."

It was not easy to astonish Javert, still, master though he was of himself, he could not suppress his emotion; he stood gaping and motionless, while Jean Valjean continued, —

"I do not believe that I shall leave this place. Still, if by accident I do, I live under the name of Fauchelevent, at No. 7, Rue de l'Homme Armé."

Javert gave a tigerish frown, which opened a corner of his mouth, and muttered between his teeth, —

"Take care!"

"Begone!" said Jean Valjean.

Javert added, —

"You said Fauchelevent, Rue de l'Homme Armé?"

"No. 7."

Javert repeated in a low voice, – "No. 7."

He rebuttoned his frock-coat, restored his military stiffness between his shoulders, made a half turn, crossed his arms while supporting his chin with one of his hands, and walked off in the direction of the markets. Jean Valjean looked after him. After going a few yards Javert turned and said, —

"You annoy me. I would sooner be killed by you."

Javert did not even notice that he no longer addressed Jean Valjean with familiarity.

"Begone!" said Jean Valjean.

Javert retired slowly, and a moment after turned the corner of the Rue des Prêcheurs. When Javert had disappeared, Jean Valjean discharged the pistol in the air, and then returned to the barricade, saying, —

"It is all over."

This is what had taken place in the mean while. Marius, more occupied with the outside than the inside, had not hitherto attentively regarded the spy fastened up at the darkened end of the ground-floor room. When he saw him in the open daylight bestriding the barricade, he recognized him, and a sudden hope entered his mind. He remembered the inspector of the Rue de Pontoise, and the two pistols he had given him, which he, Marius, had employed at this very barricade, and he not only remembered his face but his name.

This recollection, however, was foggy and disturbed, like all his ideas. It was not an affirmation he made so much as a question which he asked himself. "Is that not the Police Inspector, who told me that his name was Javert?" Marius shouted to Enjolras, who had just stationed himself at the other end of the barricade, —

"Enjolras?"

"Well?"

"What is that man's name?"

"Which man?"

"The police agent. Do you know his name?"

"Of course I do, for he told it to us."

"What is it?"

"Javert."

Marius started, but at this moment a pistol-shot was heard, and Jean Valjean reappeared, saying, "It is all over." A dark chill crossed Marius's heart.

CHAPTER XX
THE DEAD ARE RIGHT AND THE LIVING ARE NOT WRONG

The death-struggles of the barricade were about to begin, and everything added to the tragical majesty of this supreme moment, – a thousand mysterious sounds in the air, the breathing of armed masses set in motion in streets which could not be seen, the intermittent gallop of cavalry, the heavy rumor of artillery, the platoon firing and the cannonade crossing each other in the labyrinth of Paris, the smoke of the battle rising all golden above the roofs, distant and vaguely terrible cries, flashes of menace everywhere, the tocsin of St. Merry, which now had the sound of a sob, the mildness of the season, the splendor of the sky full of sunshine and clouds, the beauty of the day, and the fearful silence of the houses. For since the previous evening the two rows of houses in the Rue de la Chanvrerie had become two walls, – ferocious walls with closed doors, closed windows, and closed shutters.

At that day, so different from the present time, when the hour arrived in which the people wished to be done with a situation which had lasted too long, with a conceded charter or a restricted suffrage, when the universal wrath was diffused in the atmosphere, when the city consented to an upheaving of paving-stones, when the insurrection made the bourgeoisie smile by whispering its watchword in their ear, then the inhabitant, impregnated with riot, so to speak, was the auxiliary of the combatant, and the house fraternized with the improvised fortress which it supported. When the situation was not ripe, when the insurrection was not decidedly accepted, when the masses disavowed the movement, it was all over with the combatants, the town was changed into a desert round the revolt, minds were chilled, the asylums were walled up, and the street became converted into a defile to help the army in taking the barricade. A people cannot be forced to move faster than it wishes by a surprise, and woe to the man who tries to compel it; a people will not put up with it, and then it abandons the insurrection to itself. The insurgents become lepers; a house is an escarpment, a door is a refusal, and a façade is a wall. This wall sees, hears, and will not; it might open and save you, but no, the wall is a judge, and it looks at you and condemns you. What gloomy things are these closed houses! They seem dead though they are alive, and life, which is, as it were, suspended, clings to them. No one has come out for the last four-and-twenty hours, but no one is absent. In the interior of this rock people come and go, retire to bed and rise again; they are in the bosom of their family, they eat and drink, and are afraid, terrible to say. Fear excuses this formidable inhospitality, and the alarm offers extenuating circumstanced. At times even, and this has been witnessed, the fear becomes a passion, and terror may be changed into fury, and prudence into rage; hence the profound remark, "The enraged moderates." There are flashes of supreme terror, from which passion issues like a mournful smoke. "What do these people want? They are never satisfied; they compromise peaceable men. As if we had not had revolutions of that nature! What have they come to do here? Let them get out of it as they can. All the worse for them, it is their fault, and they have only what they deserve. That does not concern us. Look at our poor street torn to pieces by cannon: they are a heap of scamps; above all do not open the door." And the house assumes the aspect of a tomb: the insurgent dies a lingering death before their door; he sees the grape-shot and naked sabres arrive; if he cries out, he knows there are people who hear him but will not help him; there are walls which might protect him, and men who might save him, and these walls have ears of flesh, and these men have entrails of stone.

Whom should we accuse? Nobody and everybody, – the imperfect times in which we live. It is always at its own risk and peril that the Utopia converts itself into an insurrection, and becomes an armed protest instead of a philosophic protest, – a Pallas and no longer a Minerva. The Utopia which grows impatient and becomes a riot knows what awaits it, and it nearly always arrives too soon. In that case it resigns itself, and stoically accepts the catastrophe in lieu of a triumph. It serves, without complaining, and almost exculpating them, those who deny it, and its magnanimity is to consent to abandonment. It is indomitable against obstacles, and gentle toward ingratitude. Is it ingratitude after all? Yes, from the human point of view; no, from the individual point of view. Progress is the fashion of man; the general life of the human race is called progress; and the collective step of the human race is also called progress. Progress marches; it makes the great human and earthly journey toward the celestial and divine; it has its halts where it rallies the straying flock; it has its stations where it meditates, in the presence of some splendid Canaan suddenly unveiling its horizon; it has its nights when it sleeps; and it is one of the poignant anxieties of the thinker to see the shadow on the human soul, and to feel in the darkness sleeping progress, without being able to awaken it.

"God is perhaps dead," Gérard de Nerval said one day to the writer of these lines, confounding progress with God, and taking the interruption of the movement for the death of the Being. The man who despairs is wrong: progress infallibly reawakens, and we might say that it moves even when sleeping, for it has grown. When we see it upright again we find that it is taller. To be ever peaceful depends no more on progress than on the river; do not raise a bar, or throw in a rock, for the obstacle makes the water foam, and humanity boil. Hence come troubles; but after these troubles we notice that way has been made. Until order, which is nought else than universal peace, is established, until harmony and unity reign, progress will have revolutions for its halting-places. What, then, is progress? We have just said, the permanent life of the peoples. Now, it happens at times that the momentary life of individuals offers a resistance to the eternal life of the human race.

Let us avow without bitterness that the individual has his distinct interest, and can without felony stipulate for that interest and defend it; the present has its excusable amount of egotism, momentary right has its claims, and cannot be expected to sacrifice itself incessantly to the future. The generation which at the present moment is passing over the earth is not forced to abridge it for the generations, its equals, after all, whose turn will come at a later date. "I exist," murmurs that some one, who is everybody. "I am young and in love, I am old and wish to rest, I am father of a family, I work, I prosper, I do a good business, I have houses to let, I have money in the funds, I am happy, I have wife and children, I like all that, I wish to live, and so leave us at peace." Hence at certain hours a profound coldness falls on the magnanimous vanguard of the human race. Utopia, moreover, we confess it, emerges from its radiant sphere in waging war. It, the truth of to-morrow, borrows its process, battle, from the falsehood of yesterday. It, the future, acts like the past; it, the pure idea, becomes an assault. It complicates its heroism with a violence for which it is but fair that it should answer, – a violence of opportunity and expediency, contrary to principles, and for which it is fatally punished. The Utopia, when in a state of insurrection, combats with the old military code in its hand; it shoots spies, executes traitors, suppresses living beings and hurls them into unknown darkness. It makes use of death, a serious thing. It seems that the Utopia no longer pats faith in the radiance, which is its irresistible and incorruptible strength. It strikes with the sword, but no sword is simple; every sword has two edges, and the man who wounds with one wounds himself with the other.

 

This reservation made, and made with all severity, it is impossible for us not to admire, whether they succeed or no, the glorious combatants of the future, the confessors of the Utopia. Even when they fail they are venerable, and it is perhaps in ill-success that they possess most majesty. Victory, when in accordance with progress, deserves the applause of the peoples, but an heroic defeat merits their tenderness. The one is magnificent, the other sublime. With us who prefer martyrdom to success, John Brown is greater than Washington, and Pisacane greater than Garibaldi. There should be somebody to take the part of the conquered, and people are unjust to these great assayers of the future when they foil. Revolutionists are accused of sowing terror, and every barricade appears an attack. Their theory is incriminated, their object is suspected, their after-thought is apprehended, and their conscience is denounced. They are reproached with elevating and erecting against the reigning social fact a pile of miseries, griefs, iniquities, and despair, and with pulling down in order to barricade themselves behind the ruins and combat. People shout to them, "You are unpaving hell!" And they might answer, "That is the reason why our barricade is made of good intentions." The best thing is certainly the pacific solution; after all, let us allow, when people see the pavement, they think of the bear, and it is a good will by which society is alarmed. But it depends on society to save itself, and we appeal to its own good-will. No violent remedy is necessary: study the evil amicably, and then cure it, – that is all we desire.

However this may be, those men, even when they have fallen, and especially then, are august, who at all points of the universe, with their eyes fixed on France, are struggling for the great work with the inflexible logic of the ideal; they give their life as a pure gift for progress, they accomplish the will of Providence, and perform a religious act. At the appointed hour, with as much disinterestedness as an actor who takes up his cue, they enter the tomb in obedience to the divine scenario, and they accept this hopeless combat and this stoical disappearance in order to lead to its splendid and superior universal consequences. The magnificent human movement irresistibly began on July 14. These soldiers are priests, and the French revolution is a gesture of God. Moreover, there are – and it is proper to add this distinction to the distinctions already indicated in another chapter, – there are accepted insurrections which are called revolutions; and there are rejected revolutions which are called riots. An insurrection which breaks out is an idea which passes its examination in the presence of the people. If the people drops its blackball, the idea is dry fruit, and the insurrection is a street-riot. Waging war at every appeal and each time that the Utopia desires it is not the fact of the peoples; for nations have not always, and at all hours, the temperament of heroes and martyrs. They are positive; a priori insurrection is repulsive to them, in the first place, because it frequently has a catastrophe for result, and, secondly, because it always has an abstraction as its starting-point.

For, and this is a grand fact, those who devote themselves do so for the ideal, and the ideal alone. An insurrection is an enthusiasm, and enthusiasm may become a fury, whence comes an upraising of muskets. But every insurrection which aims at a government or a regime aims higher. Hence, for instance, we will dwell on the fact that what the chiefs of the insurrection of 1832, and especially the young enthusiasts of the Rue de la Chanvrerie, combated was not precisely Louis Philippe. The majority, speaking candidly, did justice to the qualities of this king who stood between monarchy and revolution, and not one of them hated him. But they attacked the younger branch of the right divine in Louis Philippe, as they had attacked the elder branch in Charles X., and what they wished to overthrow in overthrowing the Monarchy in France was, as we have explained, the usurpation of man over man, and the privilege opposing right throughout the universe. Paris without a king has as its counterstroke the world without despots. They reasoned in this way. Their object was far off without doubt, vague perhaps, and retreating before the effort, but grand.

So it is. And men sacrifice themselves for these visions, which are for the sacrificed nearly always illusions, but illusions with which the whole of human certainty is mingled. The insurgent poetizes and gilds the insurrection, and men hurl themselves into these tragical things, intoxicating themselves upon what they are about to do. Who knows? Perhaps they will succeed; they are the minority; they have against them an entire army; but they are defending the right, natural law, the sovereignty of each over himself, which allows of no possible abdication, justice, and truth, and, if necessary, they die like the three hundred Spartans. They do not think of Don Quixote, but of Leonidas, and they go onward, and once the battle has begun they do not recoil, but dash forward head down-wards, having for hope an extraordinary victory, the revolution completed, progress restored to liberty, the aggrandizement of the human race, universal deliverance, and at the worst a Thermopylæ. These combats for progress frequently fail, and we have explained the cause. The mob is restive against the impulse of the Paladins; the heavy masses, the multitudes, fragile on account of their very heaviness, fear adventures, and there is adventure in the ideal. Moreover, it must not be forgotten that these are interests which are no great friends of the ideal and the sentimental. Sometimes the stomach paralyzes the heart. The greatness and beauty of France are, that she does not grow so stout as other nations, and knots the rope round her hips with greater facility. She is the first to wake and the last to fall asleep; she goes onward. She is seeking.

The reason of this is because she is artistic. The ideal is nought else than the culminating point of logic, in the same way as the beautiful is only the summit of the true. Artistic peoples are also consistent peoples; loving beauty is to see light. The result of this is, that the torch of Europe, that is to say of civilization, was first borne by Greece, who passed it to Italy, who passed it to France. Divine enlightening nations! Vita lampada tradunt. It is an admirable thing that the poetry of a people is the element of its progress, and the amount of civilization is measured by the amount of imagination. Still, a civilizing people must remain masculine; Corinth yes, but Sybaris no, for the man who grows effeminate is bastardized. A man must be neither dilettante nor virtuoso, but he should be artistic. In the matter of civilization, there must not be refinement, but sublimation, and on that condition the pattern of the ideal is given to the human race. The modern ideal has its type in art and its means in science. It is by science that the august vision of the poet, the social beauty, will be realized, and Eden will be remade by A + B. At the point which civilization has reached exactitude is a necessary element of the splendid, and the artistic feeling is not only served but completed by the scientific organ; the dream must calculate. Art, which is the conqueror, ought to have science, which is the mover, as its base. The strength of the steed is an imported factor, and the modern mind is the genius of Greece, having for vehicle the genius of India, – Alexander mounted on an elephant. Races petrified in dogma or demoralized by time are unsuited to act as guides to civilization. Genuflection before the idol or the crown-piece ruins the muscle which moves and the will that goes. Hieratic or mercantile absorption reduces the radiance of a people, lowers its horizon by lowering its level, and withdraws from it that both human and divine intelligence of the universal object which renders nations missionaries. Babylon has no ideal, nor has Carthage while Athens and Rome have, and retain, even through all the nocturnal density of ages, a halo of civilization.

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