It was in the sewer of Paris that Jean Valjean found himself. This is a further resemblance of Paris with the sea, as in the ocean the diver can disappear there. It was an extraordinary transition, in the very heart of the city. Jean Valjean had left the city, and in a twinkling, the time required to lift a trap and let it fall again, he had passed from broad daylight to complete darkness, from midday to midnight, from noise to silence, from the uproar of thunder to the stagnation of the tomb, and, by an incident far more prodigious even than that of the Rue Polonceau, from the extremest peril to the most absolute security. A sudden fall into a cellar, disappearance in the oubliette of Paris, leaving this street where death was all around for this species of sepulchre in which was life, – it was a strange moment. He stood for some minutes as if stunned, listening and amazed. The trap-door of safety had suddenly opened beneath him, and the Celestial Goodness had to some extent taken him by treachery. Admirable ambuscades of Providence! Still, the wounded man did not stir, and Jean Valjean did not know whether what he was carrying in this pit were alive or dead.
His first sensation was blindness, for he all at once could see nothing. He felt too that in a moment he had become deaf, for he could hear nothing more. The frenzied storm of murder maintained a few yards above him only reached him confusedly and indistinctly, and like a noise from a depth. He felt that he had something solid under his feet, but that was all; still, it was sufficient. He stretched out one arm, then the other; he touched the wall on both sides and understood that the passage was narrow; his foot slipped, and he understood that the pavement was damp. He advanced one foot cautiously, fearing a hole, a cesspool, or some gulf, and satisfied himself that the pavement went onwards. A fetid gust warned him of the spot where he was. At the expiration of a few minutes he was no longer blind, a little light fell through the trap by which he descended, and his eye grew used to this vault He began to distinguish something. The passage in which he had run to earth – no other word expresses the situation better – was walled up behind him; it was one of those blind alleys called in the professional language branches. Before him he had another wall, – a wall of night. The light of the trap expired ten or twelve feet from the spot where Jean Valjean was, and scarce produced a livid whiteness on a few yards of the damp wall of the sewer. Beyond that the opaqueness was massive; to pierce it appeared horrible, and to enter it seemed like being swallowed up. Yet it was possible to bury one's self in this wall of fog, and it must be done; and must even be done quickly. Jean Valjean thought that the grating which he had noticed in the street might also be noticed by the troops, and that all depended on chance. They might also come down into the well and search, so he had not a minute to lose. He had laid Marius on the ground and now picked him up, – that is again the right expression, – took him on his shoulders, and set out. He resolutely entered the darkness.
The truth is, that they were less saved than Jean Valjean believed; perils of another nature, but equally great, awaited them. After the flashing whirlwind of the combat came the cavern of miasmas and snares; after the chaos, the cloaca. Jean Valjean had passed from one circle of the Inferno into another. When he had gone fifty yards he was obliged to stop, for a question occurred to him; the passage ran into another, which it intersected, and two roads offered themselves. Which should he take? Ought he to turn to the left, or right? How was he to find his way in this black labyrinth? This labyrinth, we have said, has a clew in its slope, and following the slope leads to the river. Jean Valjean understood this immediately; he said to himself that he was probably in the sewer of the markets; that if he turned to the left and followed the incline he would arrive in a quarter of an hour at some opening on the Seine between the Pont au Change and the Pont Neuf, that is to say, appear in broad daylight in the busiest part of Paris. Perhaps he might come out at some street opening, and passers-by would be stupefied at seeing two blood-stained men emerge from the ground at their feet. The police would come up and they would be carried off to the nearest guard-room; they would be prisoners before they had come out. It would be better, therefore, to bury himself in the labyrinth, confide in the darkness, and leave the issue to Providence.
He went up the incline and turned to the right; when he had gone round the corner of the gallery the distant light from the trap disappeared, the curtain of darkness fell on him again, and he became blind once more. For all that he advanced as rapidly as he could; Marius's arms were passed round life neck, and his feet hung down behind. He held the two arms with one hand and felt the wall with the other. Marius's cheek touched his and was glued to it, as it was bloody, and he felt a warm stream which came from Marius drip on him and penetrate his clothing. Still, a warm breath in his ear, which touched the wounded man's mouth, indicated respiration, and consequently life. The passage in which Jean Valjean was now walking was not so narrow as the former, and he advanced with some difficulty. The rain of the previous night had not yet passed off, and formed a small torrent in the centre, and he was forced to hug the wall in order not to lave his feet in the water. He went on thus darkly, like a creature of the night groping in the invisible, and subterraneously lost in the veins of gloom. Still, by degrees, either that a distant grating sent a little floating light into this opaque mist, or that his eyes grew accustomed to the obscurity, he regained some vague vision, and began to notice confusedly, at one moment the wall he was touching, at another the vault under which he was passing. The pupil is dilated at night and eventually finds daylight in it, in the same way as the soul is dilated in misfortune and eventually finds God in it.
To direct himself was difficult, for the sewers represent, so to speak, the outline of the streets standing over them. There were in the Paris of that day two thousand two hundred streets, and imagine beneath them that forest of dark branches called the sewer. The system of sewers existing at that day, if placed end on end, would have given a length of eleven leagues. We have already said that the present network, owing to the special activity of the last thirty years, is no less than sixty leagues. Jean Valjean began by deceiving himself; he fancied that he was under the Rue St. Denis, and it was unlucky that he was not so. There is under that street an old stone drain, dating from Louis XIII., which runs straight to the collecting sewer, called the Great Sewer, with only one turn on the right, by the old Cour des Miracles, and a single branch, the St. Martin sewer, whose four arms cut each other at right angles. But the passage of the Little Truanderie, whose entrance was near the Corinth wine-shop, never communicated with the sewer of the Rue St. Denis; it falls into the Montmartre sewer, and that is where Jean Valjean now was. There opportunities for losing himself were abundant, for the Montmartre drain is one of the most labyrinthian of the old network. Luckily Jean Valjean had left behind him the sewer of the markets, whose geometrical plan represents a number of entangled top-gallant-masts; but he had before him more than one embarrassing encounter, and more than one street corner – for they are streets – offering itself in the obscurity as a note of interrogation. In the first place on his left, the vast Plâtrière sewer, a sort of Chinese puzzle, thrusting forth and intermingling its chaos of T and Z under the Post Office, and the rotunda of the grain-markets, as far as the Seine, where it terminates in Y; secondly, on his right the curved passage of the Rue du Cadran, with its three teeth, which are so many blind alleys; thirdly, on his left the Mail branch, complicated almost at the entrance by a species of fork, and running with repeated zigzags to the great cesspool of the Louvre, which ramifies in every direction; and lastly, on his right the blind alley of the Rue des Jeûneurs, without counting other pitfalls, ere he reached the engirdling sewer, which alone could lead him to some issue sufficiently distant to be safe.
Had Jean Valjean had any notion of all we have just stated he would have quickly perceived, merely by feeling the wall, that he was not in the subterranean gallery of the Rue St. Denis. Instead of the old freestone, instead of the old architecture, haughty and royal even in the sewer, with its arches and continuous courses of granite, which cost eight hundred livres the fathom, he would feel under his hand modern cheapness, the economic expedient, brick-work supported on a layer of béton, which costs two hundred francs the metre, – that bourgeois masonry known as à petits matériaux; but he knew nothing of all this. He advanced anxiously but calmly, seeing nothing, hearing nothing, plunged into chance, that is to say, swallowed up in Providence. By degrees, however, we are bound to state that a certain amount of horror beset him, and the shadow which enveloped him entered his mind. He was walking in an enigma. This aqueduct of the cloaca is formidable, for it intersects itself in a vertiginous manner, and it is a mournful thing to be caught in this Paris of darkness. Jean Valjean was obliged to find, and almost invent, his road without seeing it. In this unknown region each step that he ventured might be his last. How was he to get out of it? Would he find an issue? Would he find it in time? Could he pierce and penetrate this colossal subterranean sponge with its passages of stone? Would he meet there some unexpected knot of darkness? Would he arrive at something inextricable and impassable? Would Marius die of hemorrhage, and himself of hunger? Would they both end by being lost there, and form two skeletons in a corner of this night? He did not know; he asked himself all this and could not find an answer. The intestines of Paris are a precipice, and like the prophet he was in the monster's belly.
He suddenly had a surprise; at the most unexpected moment, and without ceasing to walk in a straight line, he perceived that he was no longer ascending; the water of the gutter plashed against his heels instead of coming to his toes. The sewer was now descending; why? Was he about to reach the Seine suddenly? That danger was great, but the peril of turning back was greater still, and he continued to advance. He was not proceeding toward the Seine; the shelving ridge which the soil of Paris makes on the right bank empties one of its water-sheds into the Seine and the other into the Great Sewer. The crest of this ridge, which determines the division of the waters, designs a most capricious line; the highest point is in the Sainte Avoye sewer, beyond the Rue Michel-le-comte, in the Louvre sewer, near the boulevards, and in the Montmartre drain, near the markets. This highest point Jean Valjean had reached, and he was proceeding toward the engirdling sewer, or in the right direction, but he knew it not. Each time that he reached a branch he felt the corners, and if he found the opening narrower than the passage in which he was he did not enter, but continued his march, correctly judging that any narrower way must end in a blind alley, and could only take him from his object, that is to say, an outlet. He thus avoided the fourfold snare laid for him in the darkness by the four labyrinths which we have enumerated. At a certain moment he recognized that he was getting from under that part of Paris petrified by the riot, where the barricades had suppressed circulation, and returning under living and normal Paris. He suddenly heard above his head a sound like thunder, distant but continuous; it was the rolling of vehicles.
He had been walking about half an hour, at least that was the calculation he made, and had not thought of resting; he had merely changed the hand which held Marius up. The darkness was more profound than ever, but this darkness reassured him. All at once he saw his shadow before him; it stood out upon a faint and almost indistinct redness, which vaguely impurpled the roadway at his feet and the vault above his head, and glided along the greasy walls of the passage. Stupefied, he turned around.
Behind him, in the part of the passage he had come from, at a distance which appeared immense, shone a sort of horrible star, obliterating the dark density, which seemed to be looking at him. It was the gloomy police star rising in the sewer. Behind this star there moved confusedly nine or ten black, upright, indistinct, and terrible forms.
On the day of June 6 a battue of the sewers was ordered, for it was feared lest the conquered should fly to them as a refuge, and Prefect Gisquet ordered occult Paris to be searched, while General Bugeaud swept public Paris, – a double connected operation, which required a double strategy of the public force, represented above by the army and beneath by the police. Three squads of agents and sewer-men explored the subway of Paris, – the first the right bank, the second the left bank, and the third the Cité. The agents were armed with carbines, bludgeons, swords, and daggers, and what was at this moment pointed at Jean Valjean was the lantern of the round of the right bank. This round had just inspected the winding gallery and three blind alleys which are under the Rue du Cadran. While the lantern was moved about at the bottom of these blind alleys, Jean Valjean in his progress came to the entrance of the gallery, found it narrower than the main gallery, and had not entered it. The police, on coming out of the Cadran gallery, fancied that they could hear the sound of footsteps in the direction of the engirdling sewer, and they were really Jean Valjean's footsteps. The head sergeant of the round raised his lantern, and the squad began peering into the mist in the direction whence the noise had come.
It was an indescribable moment for Jean Valjean; luckily, if he saw the lantern well the lantern saw him badly, for it was the light and he was the darkness. He was too far off, and blended with the blackness of the spot, so he drew himself up against the wall and stopped. However, he did not explain to himself what was moving behind him, want of sleep and food and emotion having made him pass into a visionary state. He saw a flash, and round this flash, spectres. What was it? He did not understand. When Jean Valjean stopped the noise ceased; the police listened and heard nothing, they looked and saw nothing, and hence consulted together. There was at that period at that point in the Montmartre sewer a sort of square called de service, which has since been done away with, owing to the small internal lake which the torrents of rain formed there, and the squad assembled on this square. Jean Valjean saw them make a sort of circle, and then bull-dog heads came together and whispered. The result of this council held by the watch-dogs was that they were mistaken, that there had been no noise, that there was nobody there, that it was useless to enter the surrounding sewer, that it would be time wasted, but that they must hasten to the St. Merry drain; for if there were anything to be done and any "boussingot" to track, it would be there. From time to time parties new-sole their old insults. In 1832 the word "boussingot" formed the transition between the word "jacobin," no longer current, and the word "demagogue," at that time almost unused, and which has since done such excellent service. The sergeant gave orders to left-wheel toward the watershed of the Seine. Had they thought of dividing into two squads and going in both directions, Jean Valjean would have been caught. It is probable that the instructions of the Préfecture, fearing the chance of a fight with a large body of insurgents, forbade the round from dividing. The squad set out again, leaving Jean Valjean behind; and in all this movement he perceived nothing except the eclipse of the lantern, which was suddenly turned away.
Before starting, the sergeant, to satisfy his police conscience, discharged his carbine in the direction where Jean Valjean was. The detonation rolled echoing along the crypt, like the rumbling of these Titanic bowels. A piece of plaster which fell into the gutter and plashed up the water a few yards from Jean Valjean warned him that the bullet had struck the vault above his head. Measured and slow steps echoed for some time along the wooden causeway, growing more and more deadened by the growing distance; the group of black forms disappeared; a light oscillated and floated, forming on the vault a ruddy circle, which decreased and disappeared; the silence again became profound, the obscurity again became complete, and blindness and deafness again took possession of the gloom; Jean Valjean, not daring yet to stir, remained leaning for a long time against the wall, with outstretched ear and dilated eyeballs, watching the vanishing of this patrol of phantoms.
We must do the police of that day the justice of saying that even in the gravest public conjunctures they imperturbably accomplished their duties of watching the highways and of inspectorship. A riot was not in their eyes a pretext to leave the bridle to malefactors, and to neglect society for the reason that the Government was in danger. The ordinary duties were performed correctly in addition to the extraordinary duties, and were in no way disturbed. In the midst of an incalculable political event, under the pressure of a possible revolution, an agent, not allowing himself to be affected by the insurrection and the barricade, would track a robber. Something very like this occurred on the afternoon of June 6, on the right bank of the Seine, a little beyond the Pont des Invalides. There is no bank there at the present day, and the appearance of the spot has been altered. On this slope two men, a certain distance apart, were observing each other; the one in front seemed to be trying to get away, while the one behind wanted to catch him up. It was like a game of chess played at a distance and silently; neither of them seemed to be in a hurry, and both walked slowly, as if they were afraid that increased speed on the part of one would be imitated by the other. It might have been called an appetite following a prey, without appearing to do so purposely; the prey was crafty, and kept on guard.
The proportions required between the tracked marten and the tracking dog were observed. The one trying to escape was thin and mean looking; the one trying to capture was a tall determined fellow, of rugged aspect, and a rough one to meet. The first, feeling himself the weaker, avoided the second, but did so in a deeply furious way; any one who could have observed him would have seen in his eyes the gloomy hostility of flight, and all the threat which there is in fear; the slope was deserted, there were no passers-by, not even a boatman or raftsman in the boats moored here and there. They could only be noticed easily from the opposite quay, and any one who had watched them at that distance would have seen that the man in front appeared a bristling, ragged, and shambling fellow, anxious and shivering under a torn blouse, while the other was a classic and official personage, wearing the frock-coat of authority buttoned up to the chin. The reader would probably recognize these two men, were he to see them more closely. What was the object of the last one? Probably he wished to clothe the other man more warmly. When a man dressed by the State pursues a man in rags, it is in order to make him also a man dressed by the State. The difference of color is the sole question; to be dressed in blue is glorious, to be dressed in red is disagreeable, for there is a purple of the lower classes. It was probably some disagreeable thing, and some purple of this sort, which the first man desired to avoid.
If the other allowed him to go on ahead, and did not yet arrest him, it was, in all appearance, in the hope of seeing him arrive at some significative rendezvous and some group worth capturing. This delicate operation is called tracking. What renders this conjecture highly probable, is the fact that the buttoned-up man, perceiving from the slope an empty fiacre passing, made a sign to the driver; the driver understood, evidently perceived with whom he had to deal, turned round, and began following the two men along the quay. This was not perceived by the ragged, shambling fellow in front. The hackney coach rolled along under the trees of the Champs Élysées, and over the parapet could be seen the bust of the driver, whip in hand. One of the secret instructions of the police to the agents is, "Always have a hackney coach at hand in case of need." While each of these men manœuvred with irreproachable strategy, they approached an incline in the quay, which allowed drivers coming from Passy to water their horses in the river. This incline has since been suppressed for the sake of symmetry, – horses die of thirst, but the eye is gratified. It was probable that the man in the blouse would ascend by this incline in order to try to escape in the Champs Élysées, a place adorned with trees, but, in return, much frequented by police agents, where the other could easily procure assistance. This point of the quay is a very little distance from the house brought from Moret to Paris in 1824 by Colonel Brack, and called the house of Francis I. A guard is at hand there. To the great surprise of his watcher, the tracked man did not turn up the road to the watering-place, but continued to advance along the bank parallel with the quay. His position was evidently becoming critical, for unless he threw himself into the Seine, what could he do?
There were no means now left him of returning to the quay, no incline and no steps, and they were close to the spot marked by the turn in the Seine, near the Pont de Jéna, where the bank, gradually contracting, ended in a narrow strip, and was lost in the water. There he must inevitably find himself blockaded between the tall wall on his right, the river on his left and facing him, and authority at his heels. It is true that this termination of the bank was masked from sight by a pile of rubbish seven feet high, the result of some demolition. But did this man hope to conceal himself profitably behind this heap? The expedient would have been puerile. He evidently did not dream of that, for the innocence of robbers does not go so far. The pile of rubbish formed on the water-side a sort of eminence extending in a promontory to the quay wall; the pursued man reached this small mound and went round it, so that he was no longer seen by the other. The latter, not seeing, was not seen, and he took advantage of this to give up all dissimulation and walk very fast. In a few minutes he reached the heap and turned it, but there stood stupefied. The man he was pursuing was not there; it was a total eclipse of the man in the blouse. The bank did not run more than thirty yards beyond the heap, and then plunged under the water which washed the quay wall. The fugitive could not have thrown himself into the Seine, or have climbed up the quay wall, without being seen by his pursuer. What had become of him?
The man in the buttoned-up coat walked to the end of the bank and stood there for a moment, thoughtfully, with clenched fists and scowling eye. All at once he smote his forehead; he had just perceived, at the point where the ground ended and the water began, a wide, low, arched iron grating, provided with a heavy lock and three massive hinges. This grating, a sort of gate pierced at the bottom of the quay, opened on the river as much as on the bank, and a black stream poured from under it into the Seine. Beyond the heavy rusty bars could be distinguished a sort of arched and dark passage. The man folded his arms and looked at the grating reproachfully, and this look not being sufficient, he tried to push it open, he shook it, but it offered a sturdy resistance. It was probable that it had just been opened, although no sound had been heard, – a singular thing with so rusty a gate, – but it was certain that it had been closed again. This indicated that the man who had opened the gate had not a pick-lock but a key. This evidence at once burst on the mind of the man who was trying to open the grating, and drew from him this indignant apostrophe, —
"That is strong! A government key!"
Then calming himself immediately, he expressed a whole internal world of ideas by this outburst of monosyllables, marked by an almost ironical accent, —
"Well! Well! Well! Well!"
This said, hoping we know not what, either to see the man come out or others enter, he posted himself on the watch behind the heap of rubbish, with the patient rage of a yard-mastiff. On its side, the hackney coach, which regulated itself by all his movements, stopped above him near the parapet. The driver, foreseeing a long halt, put on his horses the nose-bag full of damp oats so well known to the Parisians, upon whom the Government, we may remark parenthetically, sometimes puts it. The few passers over the Pont de Jéna, before going on, turned their heads to look for a moment at these motionless objects, – the man on the bank and the hackney coach on the quay.