Mr Cobden's first speech at this meeting – for the lack of orators was such, that he was compelled to indulge his audience with two – was a very dull and dreary affair indeed. He began first with loans in general, and went on in his usual style of asseveration. "I say that, as I have gone through the length and breadth of this country with Adam Smith in my hand to advocate the principles of free trade, I can stand here with Adam Smith also in my hand, to denounce, not merely for its inherent waste of national wealth, not only because it anticipates income and consumes capital, but also on the ground of injustice to posterity, in saddling upon our heirs a debt we have no right to call upon them to pay – the loans we have this day met to consider." It is very hard that unfortunate Adam Smith should be made answerable for all the eccentricities of Mr Cobden. Little did the poor man think, whilst hammering his brains at Kirkcaldy, that their product was to be explained at a future time, according to the sweet will of so accomplished a commentator! Adam Smith had a great deal too much sense to expect that wars would cease to arise, and government loans to be contracted. His remark is not directed against loans, but against the funding or accumulation of them, which most of us, in the present generation, are quite ready to admit to be all evil. The remedy to which he pointed, was the establishment of a sinking-fund to prevent debt from accumulating; but so long as Mr Cobden's economical views are acted on, and the currency maintained on its present basis, the idea of a sinking-fund is altogether visionary. The evil which Adam Smith complains of is permanent funding, not loan. There is nothing imprudent in a man borrowing a thousand pounds from his banker, if he regularly sets apart an annual sum out of his income for its repayment: but it is a very different thing when he hands over the debt undiminished for his successor to discharge.
Having preluded with this little piece of hocus, Mr Cobden came to the point, and attempted to show that Austria was in such a state of insolvency that it was not safe for any one to lend money to her. We by no means object to this sort of exposition. If it be true that the finances of the borrowing party are in a dismal state, we are none the worse for the information; if the statement is false, it is sure to be speedily disproved. We have no objection to concede to Mr Cobden the possession of that almost preternatural amount of knowledge, which is his daily and perpetual boast. When he tells us that he knows all about the produce of the mines of Siberia, because "I have been there, and I know what is the value of those mines" – when he speaks positively as to the amount of specie in the vaults of the fortress of St Petersburg, and states that he knows it – "because I have been on the spot, and made it my business to understand these things" – and when, with regard to the general question of Russian finance, he observes that "few men, probably not six men in England, have had my opportunities of investigating and ascertaining upon the best and safest authority on the spot, where alone you can properly understand the matter, what actually is the state of the resources of Russia," – we listen with a kind of awe to the words of this egotistical Exile of Siberia. But though not six men in England are qualified to compete with him in his knowledge of Russian affairs, we suspect that it would be no difficult matter to find six clerks in a single banking establishment a great deal better acquainted with the state of Austrian finance than Mr Cobden. His object, it would appear, is less to warn the great capitalists – who indeed may be supposed to be perfectly capable of taking care of themselves – against the danger of handing over their money to Austria, than to secure the poor labouring man with ten pounds to spare, against defraudment. We were not previously aware that people with ten pounds to spare were in the habit of investing them in the foreign funds. We hope to heaven such is not the case, for we happen to be acquainted with several very estimable porters and Celtic chairmen, who have saved a little money; and, should the mania for foreign investment have reached them, we should tremble to approach any corner of a street where those excellent creatures are wont to linger, lest we should be assailed with the question, "Hoo's the Peroovian four per cents?" or, "Div ye ken if they're gaun to pay the interest on the New Bonos Areas bonds?" We have hitherto been labouring under the delusion that the accumulations of the working classes were safe in the British Savings Banks, or Funds; but we are now sorry to learn from Mr Cobden that such is not the case. "I knew myself," said Mr Cobden, "many years ago, when resident in the city, a man who worked as a porter on weekly wages – his family and himself being reduced to that state that they had no other earthly dependence – and yet that man had Spanish bonds to the nominal amount of £2000 in his pocket. They were not worth more than waste paper, and came into the hands of poor men like this porter, who had no experience and knowledge in such matters; and it is to guard such poor men that I now utter the voice of warning." We have not read anything more affecting since we perused The Dairyman's Daughter. Mr Cobden does not tell us that he immediately organised a subscription for the behoof of the wronged individual; but we think it probable that he did so, and, if it be not too late, we shall be glad to contribute our mite – on one condition. The next time Mr Cobden tells this story, will he be good enough to specify the precise sum which the porter paid for those bonds? Our reason for requiring particular information as to this point, is founded on a fact which lately came to our knowledge, viz. that the name of a promising chimney-sweep stands recorded in the books of a certain railway company, which shall be nameless, as the proprietor of stock in new shares, to an amount of nearly double that possessed by Mr Cobden's acquaintance. The railway has not paid a single farthing of dividend, several calls are still due, and the market price of those shares is considerably below zero. The chimney-sweep is a steady young man, whose only failing is an inveterate attachment to whisky: he never was in possession of five pounds in his life, except on the day when he became the nominal proprietor of that stock. We make Mr Cobden a present of this anecdote, in case he should have occasion, in the course of some future crusade, to warn labouring people against indulging in railway speculation. It is quite as genuine and forcible an illustration as his own; and we suspect that for one person in the position of the porter, there are at this moment some hundreds in possession of transferred certificates, like the chimney-sweep.
In sober sadness, it is pitiable to see a man reduced, for sheer lack of argument, to such wretched clap-trap as this. The wildest kind of rant about freedom and tyranny would have been more to the purpose, and infinitely more grateful to the popular ear. Mr Cobden's estimate of his own position and European importance is delicious. "I have no hesitation in saying that there is not a government in Europe that is not frowning upon this meeting!" What a mercy it is that Nicholas had no suspicion of the tremendous influence of the man who was once rash enough to trust himself in his dominions! We positively tremble at the thought of what might have ensued had Mr Cobden been detected on his visit to the Siberian mines! The governments of Europe frowning on Mr Cobden's meeting – what a subject for the classical painter!
We need hardly trouble our readers with any remarks upon the speech of Lord Dudley Stuart. His monomania on Continental subjects is well known, and he carries it so far as to hazard the most extravagant statements. For example, he set out with insinuating that this Austrian loan was neither more nor less than a deliberate attempt at swindling, seeing that it had not received the sanction of the Diet; "and, consequently," said Lord Dudley, "nothing could be easier than for the Austrian government, whenever they found it inconvenient to pay the interest of the loan, to turn round and call those who had advanced the money very simple people, and tell them that they ought to have made due inquiry before parting with it. It might be said that this would be a most extraordinary and outrageous course for any government to adopt; but they lived in times when monarchs performed acts of the most unusual and the most outrageous description; and it seemed almost as if the dark ages had returned, such scenes of barbarity and cruelty were being enacted throughout Europe, by order, and in the name of established governments." Lord Dudley Stuart is one of those who think that no crowned head can sit down comfortably to supper, unless he has previously immolated a victim. His idea of the dark ages is derived from the popular legend of Raw-head and Bloody-bones. Confiding, and it would appear with justice, in the singular ignorance of his audience, he went on to say: – "Certain writers and speakers were never tired of uttering warnings against the danger of an infuriated mob. But had any of those popular outbreaks, as they were called, ever been attended with an amount of cruelty, rapine, and spoliation, to be named in comparison with the deeds of the despots of Europe? At Paris, Vienna, and Rome, for a time, power was in the hands of the people – the wild democracy, as it was called. Where were their deeds of blood and spoliation?" Lord Dudley Stuart might just as well have asked, where were the victims of the guillotine during the supremacy of Robespierre. We have known metaphysicians who could not be brought to an acknowledgment that the continent of America has an actual existence, or that the battle of Waterloo was ever fought, owing to what they were pleased to style a want of sufficient evidence. Lord Dudley Stuart is precisely in the same situation. He has patronised foreign patriots to such an extent, that he believes every one of them to be a saint; and if he saw with his own eyes a democrat piking a proprietor, he would probably consider it a mere deceptio visus. Not that he is in the slightest degree short-sighted, or incredulous, whenever he can get hold of a story reflecting on the other side. On the contrary, he favoured his audience with a minute description of several floggings and executions, which he had, no doubt, received from his foreign correspondents; and actually threw the blame of the apostacy of some of his Polish protegees from the Christian faith upon the Czar! This is a topic upon which we would rather not touch. Men have been known to deny their Saviour for the sake of escaping from the most hideous personal agony, but we never heard before of apostacy committed for such motives as Lord Dudley has assigned. "Some, but very few men, whose lives had been devoted to fighting against Russia, and whose religion seemed to consist in that alone, lured, no doubt, by the hope of entering the Turkish army, and again waging war against their implacable enemies, Russia and Austria, had been induced to accept the offers of the Porte, and to embrace Islamism." We hope it may be long before we shall be again asked to express our sympathy for those wretched renegades from their faith.
Mr Cobden having gathered wind, again started up; and this time he did not confine himself to mere economical prose. We rather think that he felt slightly jealous of the cheering which Lord Dudley Stuart's more animated speech had elicited; for it is a well-known fact that the majority of people would rather listen to the details of an atrocious murder, than to a dissertation upon Adam Smith. Accordingly he came out hot, furious, pugnacious, and withal remarkably irrelevant. Throwing aside all consideration of the Austrian loan, he fell foul of the Czar, whom he facetiously compared to Nebuchadnezzar. Listen to the Apostle of peace! "The man was incapable of appreciating anything but a physical-force argument, and he (Mr Cobden) did not think he was departing from his peace principles, in resorting to a mode of admonition which the nature of the animal was capable of understanding. He surely might be excused from admonishing, if it were possible, a wild bull, that, if he did not take care, he might run his head against something harder even than his own skull. He therefore said, that if the Emperor of Russia attacked us, we might hermetically seal the ports of Russia, and there would be an end of the matter. There could be no fighting between England and Russia. If the question were put to a jury of twelve competent men, belonging to any maritime power, who were perfectly indifferent to the quarrel, they would at once say that as England and Russia could not come to collision by land, the only question was, what naval force would be required by England to blockade Petersburg, Archangel, Odessa and Riga for six months of the year, and that the frost would keep up the blockade for the other six months." But the best is yet to come. Mr Cobden is perfectly aware that the sentiments of such an eminent European personage as himself must have terrible weight on the Continent. When the Czar reads the report of the speeches delivered at the London Tavern, he will burst into a paroxysm of fury, order some hundred serfs to be instantly knouted to death, and send for the minister of marine. When it is known at Vienna that Cobden has declared against the Austrian loan, Francis Joseph will gnash his teeth, and desire Jellachich, Radetsky, and Haynan to concert measures with his brother emperor for taking vengeance for this unparalleled affront. What, then, are we to do? Is there no danger to Great Britain from such a combination? None – for we have a guarantee. A greater than Nicholas has promised to stand between us and peril. People of Great Britain! read the following paragraph, and then lie down in security under the charge of your protecting angel.
"If he (Mr Cobden) were told that he ran the risk of provoking these brutal tyrants to come here and attack this country, HE WOULD REPLY THAT HE WAS PREPARED TO TAKE THE RISK UPON HIMSELF OF ALL THAT THEY COULD DO!"
After this, we have not another word to say. Yes – one. Before Mr Cobden's meeting broke up, the Austrian loan had been subscribed for to more than the required amount.
During the twelve months that have elapsed since we devoted a sheet of Maga to a flying glance at French novels and novelists, there has been a formidable accumulation upon our shelves of the produce of Paris and Brussels presses. Were their merit as considerable as their number, the regiment of pink, blue, and yellow octavos and duodecimos would need a whole magazine to do them justice. As it is, however, a line a volume would be too much to devote to some of them. The lull in literature which ensued in France, on the shock of the February revolution, has been succeeded by a revival of activity. Most of the old stagers have resumed the quill, and a few "green hands" have come forward. As yet, however, the efforts of the former have in few instances been particularly happy; whilst amongst the latter, there is no appearance worthy of note. Upon the whole, we think that the ladies have been at least as successful as the men. Here is a trio of tales from feminine pens, as good as anything that now lies before us. Hélène, although it may not greatly augment the well-established reputation of that accomplished authoress, Madame Charles Reybaud, is yet a very pleasing novel, approaching in character rather to a graceful English moral tale, than to the commonly received idea of a French romance. It is a story of the first Revolution; the scene is in Provence, and subsequently at Rochefort, on board ship, and in French Guiana. The chief characters are Helen, and her father, the Count do Blanquefort, a steadfast royalist, who traces back his ancestry to the crusades; her lover, a plebeian and Montagnard; her godmother, Madame do Rocabert, and Dom Massiot, a fanatic priest. Lovers of mysterious intrigues, and complicated plots, need not seek them in Madame Reybaud's novels, whose charm resides for the most part in elegance of style, graceful description, and delicate and truthful delineation of character. In one of her recent tales – a very attractive, if not a very probable one —Le Cadet de Colobrières, she admirably sketches the interior of a poor nobleman's dwelling, where all was pride, penury, and privation, for appearance sake. The companion and contrast to that painful picture, is her description of the domestic arrangements of Castle Rocabert, where ease, placidity, and comfort reign; where the ancient furniture is solid and handsome, the apartments commodious, the cheer abundant; where the antiquated waiting women, and venerable serving men, are clad after the most approved fashion of Louis the Fifteenth's day, and disciplined in accordance with the most precious traditions of aristocratic houses. Madame de Rocabert herself is a fine portrait, from the old French régime. Forty years long has she dwelt in her lonely chateau, isolated from the world, on the summit of a cloud-capped rock. Widowed at the age of twenty of an adored husband, she shut herself up to weep, and, as she hoped, to die. Contrary to her expectation, little by little she was comforted; she lived, she grew old. Time and religion had appeased her sorrow, and dried her tears. There is a tenderness and grace in Madame Reybaud's account of the widow's mourning and consolation, which reminds us of the exquisite pathos and natural touches of Madame d'Arbouville. That such a comparison should occur to us, is of itself a high compliment to Madame Reybaud, who, however, is unquestionably a very talented writer, and to the examination of whose collective works it is not impossible we may hereafter devote an article. At present, we pass on to a lady of a different stamp, who does not very often obtain commendation at our hands; and yet, in this instance, we know not why we should withhold approval from George Sand's last novel, La Petite Fadette, one of those seductive trifles which only Madame Dudevant can produce, and is free from the pernicious tendencies that disfigure too many of her works. In this place we can say little about it. A sketch of the plot would be of small interest, for it is as slight and inartificial as well may be; and an attempt to analyse the book's peculiar charm would lead us a length incompatible with the omnium-gatherum design of this article. La Petite Fadette is a story of peasant habits and superstitions, and these are treated with that consummate artistical skill for which George Sand is celebrated – every coarser tint of the picture mellowed and softened, but never wholly suppressed. Fadette, a precocious and clever child, and her brother, a poor deformed cripple, dwelt with their grandmother, a beldame cunning in herbs and simples, and who practises as a sort of quack doctress. The three are of no good repute in the country-side; Fadette, especially, with her large black eyes and Moorish complexion, her elf-like bearing and old-fashioned attire, is alternately feared and persecuted by the village children, who have nicknamed her the Cricket. But although her tongue is sharp, and often malicious, and her humour wilful and strange, the gipsy has both heart and head; and, above all, she has the true woman's skill to make herself beloved by him on whom she has secretly fixed her affections. This is the hero of the story – Landry, the handsome son of a farmer. Love works miracles with the spiteful slovenly Cricket, who hitherto has dressed like her grandmother, and squabbled with all comers. Although the style of George Sand's books is little favourable to extract, and that in this one the difficulty is increased by the introduction of provincialisms and peasant phrases, we will nevertheless translate the account of Fadette's transformation, and of its effect upon Landry, upon whom, as the reader will perceive, the charm has already begun to work.
"Sunday came at last, and Landry was one of the first at mass. He entered the church before the bells began to ring, knowing that la petite Fadette was accustomed to come early, because she always made long prayers, for which many laughed at her. He saw a little girl kneeling in the chapel of the Holy Virgin, but her back was turned to him, and her face was hidden in her hands, that she might pray without disturbance. It was Fadette's attitude, but it was neither her head-dress nor her figure, and Landry went out again to see if he could not meet her in the porch, which, in our country, we call the guenillière, because the ragged beggars stand there during service. But Fadette's rags were the only ones he could not see there. He heard mass without perceiving her, until, chancing to look again at the girl who was praying so devoutly in the chapel, he saw her raise her head, and recognised his Cricket, although her dress and appearance were quite new to him. The clothes were still the same – her petticoat of drugget, her red apron, and her linen coif without lace; but during the week she had washed and re-cut and re-sewn all that. Her gown was longer, and fell decently over her stockings, which were very white, as was also her coif, which had assumed the new shape, and was neatly set upon her well-combed black hair; her neckerchief was new, and of a pretty pale yellow, which set off her brown skin to advantage. Her boddice, too, she had lengthened, and, instead of looking like a piece of wood dressed up, her figure was as slender and supple as the body of a fine honey-bee. Besides all this, I know not with what extract of flowers or herbs she had washed her hands and face during the week, but her pale face and tiny hands looked as clear and as delicate as the white hawthorn in spring.
"Landry, seeing her so changed, let his prayer-book fall, and at the noise little Fadette turned herself about, and her eyes met his. Her cheek turned a little red – not redder than the wild rose of the hedges; but that made her appear quite pretty – the more so that her black eyes, against which none had ever been able to say anything, sparkled so brightly, that, for the moment, she seemed transfigured. And once more Landry thought to himself:
"'She is a witch; she wished to become pretty, from ugly that she was, and behold the miracle has been wrought!'
"A chill of terror came over him, but his fear did not prevent his having so strong a desire to approach and speak to her, that his heart throbbed with impatience till the mass was at an end.
"But she did not look at him again, and instead of going to run and sport with the children after her prayers, she departed so discreetly, that there was hardly time to notice how changed and improved she was. Landry dared not follow her, the less so that Sylvinet would not leave him a moment; but in about an hour he succeeded in escaping; and this time, his heart urging and directing him, he found little Fadette gravely tending her flock in the hollow road which they call the Traine-au-Gendarme, because one of the king's gendarmes was killed there by the people of La Cosse, in the old times, when they wished to force poor people to pay taillage, and to work without wage, contrary to the terms of the law, which already was hard enough, such as they had made it."
But it is not sufficient to win Landry's heart: Fadette has much more to overcome. Public prejudice, the dislike of her lover's family, her own poverty, are stumbling-blocks, seemingly insurmountable, in her path to happiness. She yields not to discouragement; and finally, by her energy and discretion, she conquers antipathies, converts foes into friends, and attains her ends – all of which are legitimate, and some highly praiseworthy. The narrative of her tribulations, constancy, and ultimate triumph, is couched in a style of studied simplicity, but remarkable fascination. Slight as it is, a mere bluette, La Petite Fadette is a graceful and very engaging story; and it would be ungrateful to investigate too closely the amount of varnish applied by Madame Dudevant to her pictures of the manners, language, and morals of French peasantry.
La Famille Récour is the last book, by a lady novelist, to which we shall now refer. It is the best of a series of six, intended as pictures of French society, in successive centuries, closing with the nineteenth. The five previous novels, which were published at pretty long intervals, being of no very striking merit, we were agreeably surprised by the lively and well-sustained interest of this romance, the last, Madame de Bawr informs us, which she intends to offer to the public. Paul Récour, the penniless nephew of a rich capitalist, is defrauded by a forged will of his uncle's inheritance, which goes to a worthless cousin, who also obtains the hand of a girl between whom and Paul an ardent attachment exists. The chief interest of the tale hinges on Paul's struggles, after an interval of deep despondency, against poverty and the world – struggles in which he is warmly encouraged by his friend Alfred, a successful feuilletoniste and dramatic author; and by a warmhearted but improvident physician, M. Duvernoy, whose daughter Paul ultimately marries, out of gratitude, and to save her from the destitution to which her father's extravagance and approaching death are about to consign her. Paul is a charming character – a model of amiability, generosity, and self-devotion, and yet not too perfect to be probable. There is a strong interest in the account of his combat with adversity, and of the tribulations arising from the folly and thoughtlessness of his wife, and the implacable hostility of his treacherous cousin. How the story ends need not here be told. The first four-fifths of the book entitle it to a high place amongst the French light literature of the year 1849; but then it begins to flag, and the termination is lame and tame – a falling off which strikes the more from its contrast with the preceding portion. The authoress appears, in some degree, conscious of this defect, and prepares her readers for it in her preface. "The second volume," she says, "was written amidst the anguish and alarm which revolutions occasion to a poor old woman. Although but ill-satisfied with my work, I have not courage to recommence it. I appeal, then, to the reader's indulgence for my last romance, happy in the consciousness that my pen has never traced a single word which was not dictated by my lively desire to lead men to virtue." So humble and amiable an apology disarms criticism.
Having given precedence to the ladies, we look around for some of their male colleagues who may deserve a word. Amongst the new candidates for the favour of romance-readers is a writer, signing himself Marquis de Foudras, and whose debut, if we err not, was made in conjunction with a M. de Montepin, in a romance entitled Les Chévaliers du Lansquenet– a long-winded imitation of the Sue school, extremely feeble, and in execrable taste, but which, nevertheless, obtained a sort of circulating library success. Encouraged by this, Messrs Foudras and Montepin achieved a second novel, upon the whole a shade better than the first; and then, dissolving their association, set off scribbling, each "on his own hook;" and threaten to become as prolific, although not as popular, as the great Dumas himself. The last production of M. de Foudras bears the not unattractive title of Les Gentilhommes Chasseurs. It is a series of sporting sketches and anecdotes, of various merit, in most of which the author – who would evidently convince us that he is a genuine marquis, and not a plebeian under a pseudonyme – himself has cut a more or less distinguished figure. To the curious in the science of venery, as practised in various parts of France, these two volumes may have some interest; and the closing and longest sketch of the series, a tale of shooting and smuggling adventures in the Alps, is, we suspect, the best thing the author has written. Unless, indeed, we except his account of a stag-hunt in Burgundy in 1785, in which he gives a most animated and graphic account of the mishaps of a dull-dog of an Englishman, who arrives from the further extremity of Italy to join the party of French sportsmen. Of course Lord Henry is formal, peevish, and unpolished; the very model, in short, of an English nobleman. Disdaining to mount French horses, which, he politely informs his entertainer, have no speed, and cannot leap, he has had four hunters brought from England, upon one of which, "a lineal descendant of Arabian Godolphin, and whose dam was a mare unconquered at Newmarket," he follows the first day's hunt, by the side of a beautiful countess, by whose charms he is violently smitten, and who rides a little old Limousin mare, of piteous exterior, but great merit. The pace is severe, the country heavy, the Arabian's grandson receives the go-by from the Limousin cob, and shows signs of distress. The following passage exhibits the author's extraordinary acquaintance with the customs and usages of the English hunting-field, – "We were still a-head, and had leaped I know not how many hedges, ditches, and ravines, when I observed that Lord Henry, who had refused to take either a whip or spurs, struck repeated blows on the flank of his horse, which, still galloping, writhed under the pressure of its master's fist. Looking with more attention, I presently discovered in milord's hand a sharp and glittering object, in which I recognised one of the elegant chased gold toothpicks which men carried in those days. I saw at once that poor Cœur-de-Lion was done up." In spite of the toothpick, Cœur-de-Lion refuses a leap, whereupon his master hurls away the singular spur, leaps from his saddle, draws his hunting-knife, and plunges it to the hilt in the horse's breast! – with which taste of his quality, we bid a long farewell to the Marquis de Foudras.