Шарлотта Бронте
Villette
"Permit me to conduct you to your party," said he, as we crossed the room.
"I have no party."
"You are not alone?"
"Yes, Monsieur."
"Did you come here unaccompanied?"
"No, Monsieur. Dr. Bretton brought me here."
"Dr. Bretton and Madame his mother, of course?"
"No; only Dr. Bretton."
"And he told you to look at that picture?"
"By no means; I found it out for myself."
M. Paul's hair was shorn close as raven down, or I think it would have bristled on his head. Beginning now to perceive his drift, I had a certain pleasure in keeping cool, and working him up.
"Astounding insular audacity!" cried the Professor. "Singulières femmes que ces Anglaises!"
"What is the matter, Monsieur?"
"Matter! How dare you, a young person, sit coolly down, with the self-possession of a garçon, and look at that picture?"
"It is a very ugly picture, but I cannot at all see why I should not look at it."
"Bon! bon! Speak no more of it. But you ought not to be here alone."
"If, however, I have no society – no party, as you say? And then, what does it signify whether I am alone, or accompanied? nobody meddles with me."
"Taisez-vous, et asseyez-vous là – là!" – setting down a chair with emphasis in a particularly dull corner, before a series of most specially dreary "cadres."
"Mais, Monsieur?"
"Mais, Mademoiselle, asseyez-vous, et ne bougez pas – entendez-vous? – jusqu'à ce qu'on vienne vous chercher, ou que je vous donne la permission."
"Quel triste coin!" cried I, "et quelles laids tableaux!"
And "laids," indeed, they were; being a set of four, denominated in the catalogue "La vie d'une femme." They were painted rather in a remarkable style – flat, dead, pale, and formal. The first represented a "Jeune Fille," coming out of a church-door, a missal in her hand, her dress very prim, her eyes cast down, her mouth pursed up – the image of a most villanous little precocious she-hypocrite. The second, a "Mariée," with a long white veil, kneeling at a prie-dieu in her chamber, holding her hands plastered together, finger to finger, and showing the whites of her eyes in a most exasperating manner. The third, a "Jeune Mère," hanging disconsolate over a clayey and puffy baby with a face like an unwholesome full moon. The fourth, a "Veuve," being a black woman, holding by the hand a black little girl, and the twain studiously surveying an elegant French monument, set up in a corner of some Père la Chaise. All these four "Anges" were grim and grey as burglars, and cold and vapid as ghosts. What women to live with! insincere, ill-humoured, bloodless, brainless nonentities! As bad in their way as the indolent gipsy-giantess, the Cleopatra, in hers.
It was impossible to keep one's attention long confined to these master-pieces, and so, by degrees, I veered round, and surveyed the gallery.
A perfect crowd of spectators was by this time gathered round the Lioness, from whose vicinage I had been banished; nearly half this crowd were ladies, but M. Paul afterwards told me, these were "des dames," and it was quite proper for them to contemplate what no "demoiselle" ought to glance at. I assured him plainly I could not agree in this doctrine, and did not see the sense of it; whereupon, with his usual absolutism, he merely requested my silence, and also, in the same breath, denounced my mingled rashness and ignorance. A more despotic little man than M. Paul never filled a professor's chair. I noticed, by the way, that he looked at the picture himself quite at his ease, and for a very long while: he did not, however, neglect to glance from time to time my way, in order, I suppose, to make sure that I was obeying orders, and not breaking bounds. By-and-by, he again accosted me.
"Had I not been ill?" he wished to know: "he understood I had."
"Yes, but I was now quite well."
"Where had I spent the vacation?"
"Chiefly in the Rue Fossette; partly with Madame Bretton."
"He had heard that I was left alone in the Rue Fossette; was that so?"
"Not quite alone: Marie Broc" (the crétin) "was with me."
He shrugged his shoulders; varied and contradictory expressions played rapidly over his countenance. Marie Broc was well known to M. Paul; he never gave a lesson in the third division (containing the least advanced pupils), that she did not occasion in him a sharp conflict between antagonistic impressions. Her personal appearance, her repulsive manners, her often unmanageable disposition, irritated his temper, and inspired him with strong antipathy; a feeling he was too apt to conceive when his taste was offended or his will thwarted. On the other hand, her misfortunes, constituted a strong claim on his forbearance and compassion – such a claim as it was not in his nature to deny; hence resulted almost daily drawn battles between impatience and disgust on the one hand, pity and a sense of justice on the other; in which, to his credit be it said, it was very seldom that the former feelings prevailed: when they did, however, M. Paul showed a phase of character which had its terrors. His passions were strong, his aversions and attachments alike vivid; the force he exerted in holding both in check by no means mitigated an observer's sense of their vehemence. With such tendencies, it may well be supposed he often excited in ordinary minds fear and dislike; yet it was an error to fear him: nothing drove him so nearly frantic as the tremor of an apprehensive and distrustful spirit; nothing soothed him like confidence tempered with gentleness. To evince these sentiments, however, required a thorough comprehension of his nature; and his nature was of an order rarely comprehended.
"How did you get on with Marie Broc?" he asked, after some minutes' silence.
"Monsieur, I did my best; but it was terrible to be alone with her!"
"You have, then, a weak heart! You lack courage; and, perhaps, charity.
Yours are not the qualities which might constitute a Sister of Mercy."
[He was a religious little man, in his way: the self-denying and self-sacrificing part of the Catholic religion commanded the homage of his soul.]
"I don't know, indeed: I took as good care of her as I could; but when her aunt came to fetch her away, it was a great relief."
"Ah! you are an egotist. There are women who have nursed hospitals-full of similar unfortunates. You could not do that?"
"Could Monsieur do it himself?"
"Women who are worthy the name ought infinitely to surpass; our coarse, fallible, self-indulgent sex, in the power to perform such duties."
"I washed her, I kept her clean, I fed her, I tried to amuse her; but she made mouths at me instead of speaking."
"You think you did great things?"
"No; but as great as I could do."
"Then limited are your powers, for in tending one idiot you fell sick."
"Not with that, Monsieur; I had a nervous fever: my mind was ill."
"Vraiment! Vous valez peu de chose. You are not cast in an heroic mould; your courage will not avail to sustain you in solitude; it merely gives you the temerity to gaze with sang-froid at pictures of Cleopatra."
It would have been easy to show anger at the teasing, hostile tone of the little man. I had never been angry with him yet, however, and had no present disposition to begin.
"Cleopatra!" I repeated, quietly. "Monsieur, too, has been looking at Cleopatra; what does he think of her?"
"Cela ne vaut rien," he responded. "Une femme superbe – une taille d'impératrice, des formes de Junon, mais une personne dont je ne voudrais ni pour femme, ni pour fille, ni pour soeur. Aussi vous ne jeterez plus un seul coup d'oeil de sa côté."
"But I have looked at her a great many times while Monsieur has been talking: I can see her quite well from this corner."
"Turn to the wall and study your four pictures of a woman's life."
"Excuse me, M. Paul; they are too hideous: but if you admire them, allow me to vacate my seat and leave you to their contemplation."
"Mademoiselle," he said, grimacing a half-smile, or what he intended for a smile, though it was but a grim and hurried manifestation. "You nurslings of Protestantism astonish me. You unguarded Englishwomen walk calmly amidst red-hot ploughshares and escape burning. I believe, if some of you were thrown into Nebuchadnezzar's hottest furnace you would issue forth untraversed by the smell of fire."
"Will Monsieur have the goodness to move an inch to one side?"
"How! At what are you gazing now? You are not recognising an acquaintance amongst that group of jeunes gens?"
"I think so – Yes, I see there a person I know."
In fact, I had caught a glimpse of a head too pretty to belong to any other than the redoubted Colonel de Hamal. What a very finished, highly polished little pate it was! What a figure, so trim and natty! What womanish feet and hands! How daintily he held a glass to one of his optics! with what admiration he gazed upon the Cleopatra! and then, how engagingly he tittered and whispered a friend at his elbow! Oh, the man of sense! Oh, the refined gentleman of superior taste and tact! I observed him for about ten minutes, and perceived that he was exceedingly taken with this dusk and portly Venus of the Nile. So much was I interested in his bearing, so absorbed in divining his character by his looks and movements, I temporarily forgot M. Paul; in the interim a group came between that gentleman and me; or possibly his scruples might have received another and worse shock from my present abstraction, causing him to withdraw voluntarily: at any rate, when I again looked round, he was gone.
My eye, pursuant of the search, met not him, but another and dissimilar figure, well seen amidst the crowd, for the height as well as the port lent each its distinction. This way came Dr. John, in visage, in shape, in hue, as unlike the dark, acerb, and caustic little professor, as the fruit of the Hesperides might be unlike the sloe in the wild thicket; as the high-couraged but tractable Arabian is unlike the rude and stubborn "sheltie." He was looking for me, but had not yet explored the corner where the schoolmaster had just put me. I remained quiet; yet another minute I would watch.
He approached de Hamal; he paused near him; I thought he had a pleasure in looking over his head; Dr. Bretton, too, gazed on the Cleopatra. I doubt if it were to his taste: he did not simper like the little Count; his mouth looked fastidious, his eye cool; without demonstration he stepped aside, leaving room for others to approach. I saw now that he was waiting, and, rising, I joined him.
We took one turn round the gallery; with Graham it was very pleasant to take such a turn. I always liked dearly to hear what he had to say about either pictures or books; because without pretending to be a connoisseur, he always spoke his thought, and that was sure to be fresh: very often it was also just and pithy. It was pleasant also to tell him some things he did not know – he listened so kindly, so teachably; unformalized by scruples lest so to bend his bright handsome head, to gather a woman's rather obscure and stammering explanation, should imperil the dignity of his manhood. And when he communicated information in return, it was with a lucid intelligence that left all his words clear graven on the memory; no explanation of his giving, no fact of his narrating, did I ever forget.
As we left the gallery, I asked him what he thought of the Cleopatra (after making him laugh by telling him how Professor Emanuel had sent me to the right about, and taking him to see the sweet series of pictures recommended to my attention.)
"Pooh!" said he. "My mother is a better-looking woman. I heard some French fops, yonder, designating her as 'le type du voluptueux;' if so, I can only say, 'le voluptueux' is little to my liking. Compare that mulatto with Ginevra!"
CHAPTER XX.
THE CONCERT
One morning, Mrs. Bretton, coming promptly into my room, desired me to open my drawers and show her my dresses; which I did, without a word.
"That will do," said she, when she had turned them over. "You must have a new one."
She went out. She returned presently with a dressmaker. She had me measured. "I mean," said she, "to follow my own taste, and to have my own way in this little matter."
Two days after came home – a pink dress!
"That is not for me," I said, hurriedly, feeling that I would almost as soon clothe myself in the costume of a Chinese lady of rank.
"We shall see whether it is for you or not," rejoined my godmother, adding with her resistless decision: "Mark my words. You will wear it this very evening."
I thought I should not; I thought no human force should avail to put me into it. A pink dress! I knew it not. It knew not me. I had not proved it.
My godmother went on to decree that I was to go with her and Graham to a concert that same night: which concert, she explained, was a grand affair to be held in the large salle, or hall, of the principal musical society. The most advanced of the pupils of the Conservatoire were to perform: it was to be followed by a lottery "au bénéfice des pauvres;" and to crown all, the King, Queen, and Prince of Labassecour were to be present. Graham, in sending tickets, had enjoined attention to costume as a compliment due to royalty: he also recommended punctual readiness by seven o'clock.
About six, I was ushered upstairs. Without any force at all, I found myself led and influenced by another's will, unconsulted, unpersuaded, quietly overruled. In short, the pink dress went on, softened by some drapery of black lace. I was pronounced to be en grande tenue, and requested to look in the glass. I did so with some fear and trembling; with more fear and trembling, I turned away. Seven o'clock struck; Dr. Bretton was come; my godmother and I went down. She was clad in brown velvet; as I walked in her shadow, how I envied her those folds of grave, dark majesty! Graham stood in the drawing-room doorway.
"I do hope he will not think I have been decking myself out to draw attention," was my uneasy aspiration.
"Here, Lucy, are some flowers," said he, giving me a bouquet. He took no further notice of my dress than was conveyed in a kind smile and satisfied nod, which calmed at once my sense of shame and fear of ridicule. For the rest; the dress was made with extreme simplicity, guiltless of flounce or furbelow; it was but the light fabric and bright tint which scared me, and since Graham found in it nothing absurd, my own eye consented soon to become reconciled.
I suppose people who go every night to places of public amusement, can hardly enter into the fresh gala feeling with which an opera or a concert is enjoyed by those for whom it is a rarity: I am not sure that I expected great pleasure from the concert, having but a very vague notion of its nature, but I liked the drive there well. The snug comfort of the close carriage on a cold though fine night, the pleasure of setting out with companions so cheerful and friendly, the sight of the stars glinting fitfully through the trees as we rolled along the avenue; then the freer burst of the night-sky when we issued forth to the open chaussée, the passage through the city gates, the lights there burning, the guards there posted, the pretence of inspection, to which we there submitted, and which amused us so much – all these small matters had for me, in their novelty, a peculiarly exhilarating charm. How much of it lay in the atmosphere of friendship diffused about me, I know not: Dr. John and his mother were both in their finest mood, contending animatedly with each other the whole way, and as frankly kind to me as if I had been of their kin.
Our way lay through some of the best streets of Villette, streets brightly lit, and far more lively now than at high noon. How brilliant seemed the shops! How glad, gay, and abundant flowed the tide of life along the broad pavement! While I looked, the thought of the Rue Fossette came across me – of the walled-in garden and school-house, and of the dark, vast "classes," where, as at this very hour, it was my wont to wander all solitary, gazing at the stars through the high, blindless windows, and listening to the distant voice of the reader in the refectory, monotonously exercised upon the "lecture pieuse." Thus must I soon again listen and wander; and this shadow of the future stole with timely sobriety across the radiant present.
By this time we had got into a current of carriages all tending in one direction, and soon the front of a great illuminated building blazed before us. Of what I should see within this building, I had, as before intimated, but an imperfect idea; for no place of public entertainment had it ever been my lot to enter yet.
We alighted under a portico where there was a great bustle and a great crowd, but I do not distinctly remember further details, until I found myself mounting a majestic staircase wide and easy of ascent, deeply and softly carpeted with crimson, leading up to great doors closed solemnly, and whose panels were also crimson-clothed.
I hardly noticed by what magic these doors were made to roll back – Dr. John managed these points; roll back they did, however, and within was disclosed a hall – grand, wide, and high, whose sweeping circular walls, and domed hollow ceiling, seemed to me all dead gold (thus with nice art was it stained), relieved by cornicing, fluting, and garlandry, either bright, like gold burnished, or snow-white, like alabaster, or white and gold mingled in wreaths of gilded leaves and spotless lilies: wherever drapery hung, wherever carpets were spread, or cushions placed, the sole colour employed was deep crimson. Pendent from the dome, flamed a mass that dazzled me – a mass, I thought, of rock-crystal, sparkling with facets, streaming with drops, ablaze with stars, and gorgeously tinged with dews of gems dissolved, or fragments of rainbows shivered. It was only the chandelier, reader, but for me it seemed the work of eastern genii: I almost looked to see if a huge, dark, cloudy hand – that of the Slave of the Lamp – were not hovering in the lustrous and perfumed atmosphere of the cupola, guarding its wondrous treasure.
We moved on – I was not at all conscious whither – but at some turn we suddenly encountered another party approaching from the opposite direction. I just now see that group, as it flashed – upon me for one moment. A handsome middle-aged lady in dark velvet; a gentleman who might be her son – the best face, the finest figure, I thought, I had ever seen; a third person in a pink dress and black lace mantle.
I noted them all – the third person as well as the other two – and for the fraction of a moment believed them all strangers, thus receiving an impartial impression of their appearance. But the impression was hardly felt and not fixed, before the consciousness that I faced a great mirror, filling a compartment between two pillars, dispelled it: the party was our own party. Thus for the first, and perhaps only time in my life, I enjoyed the "giftie" of seeing myself as others see me. No need to dwell on the result. It brought a jar of discord, a pang of regret; it was not flattering, yet, after all, I ought to be thankful; it might have been worse.
At last, we were seated in places commanding a good general view of that vast and dazzling, but warm and cheerful hall. Already it was filled, and filled with a splendid assemblage. I do not know that the women were very beautiful, but their dresses were so perfect; and foreigners, even such as are ungraceful in domestic privacy, seem to posses the art of appearing graceful in public: however blunt and boisterous those every-day and home movements connected with peignoir and papillotes, there is a slide, a bend, a carriage of the head and arms, a mien of the mouth and eyes, kept nicely in reserve for gala use – always brought out with the grande toilette, and duly put on with the "parure."
Some fine forms there were here and there, models of a peculiar style of beauty; a style, I think, never seen in England; a solid, firm-set, sculptural style. These shapes have no angles: a caryatid in marble is almost as flexible; a Phidian goddess is not more perfect in a certain still and stately sort. They have such features as the Dutch painters give to their madonnas: low-country classic features, regular but round, straight but stolid; and for their depth of expressionless calm, of passionless peace, a polar snow-field could alone offer a type. Women of this order need no ornament, and they seldom wear any; the smooth hair, closely braided, supplies a sufficient contrast to the smoother cheek and brow; the dress cannot be too simple; the rounded arm and perfect neck require neither bracelet nor chain.
With one of these beauties I once had the honour and rapture to be perfectly acquainted: the inert force of the deep, settled love she bore herself, was wonderful; it could only be surpassed by her proud impotency to care for any other living thing. Of blood, her cool veins conducted no flow; placid lymph filled and almost obstructed her arteries.
Such a Juno as I have described sat full in our view – a sort of mark for all eyes, and quite conscious that so she was, but proof to the magnetic influence of gaze or glance: cold, rounded, blonde, and beauteous as the white column, capitalled with gilding, which rose at her side.
Observing that Dr. John's attention was much drawn towards her, I entreated him in a low voice "for the love of heaven to shield well his heart. You need not fall in love with that lady," I said, "because, I tell you beforehand, you might die at her feet, and she would not love you again."
"Very well," said he, "and how do you know that the spectacle of her grand insensibility might not with me be the strongest stimulus to homage? The sting of desperation is, I think, a wonderful irritant to my emotions: but" (shrugging his shoulders) "you know nothing about these things; I'll address myself to my mother. Mamma, I'm in a dangerous way."
"As if that interested me!" said Mrs. Bretton.
"Alas! the cruelty of my lot!" responded her son. "Never man had a more unsentimental mother than mine: she never seems to think that such a calamity can befall her as a daughter-in-law."
"If I don't, it is not for want of having that same calamity held over my head: you have threatened me with it for the last ten years. 'Mamma, I am going to be married soon!' was the cry before you were well out of jackets."
"But, mother, one of these days it will be realized. All of a sudden, when you think you are most secure, I shall go forth like Jacob or Esau, or any other patriarch, and take me a wife: perhaps of these which are of the daughters of the land."
"At your peril, John Graham! that is all."
"This mother of mine means me to be an old bachelor. What a jealous old lady it is! But now just look at that splendid creature in the pale blue satin dress, and hair of paler brown, with 'reflets satinés' as those of her robe. Would you not feel proud, mamma, if I were to bring that goddess home some day, and introduce her to you as Mrs. Bretton, junior?"
"You will bring no goddess to La Terrasse: that little château will not contain two mistresses; especially if the second be of the height, bulk, and circumference of that mighty doll in wood and wax, and kid and satin."
"Mamma, she would fill your blue chair so admirably!"
"Fill my chair? I defy the foreign usurper! a rueful chair should it be for her: but hush, John Graham! Hold your tongue, and use your eyes."
During the above skirmish, the hall, which, I had thought, seemed full at the entrance, continued to admit party after party, until the semicircle before the stage presented one dense mass of heads, sloping from floor to ceiling. The stage, too, or rather the wide temporary platform, larger than any stage, desert half an hour since, was now overflowing with life; round two grand pianos, placed about the centre, a white flock of young girls, the pupils of the Conservatoire, had noiselessly poured. I had noticed their gathering, while Graham and his mother were engaged in discussing the belle in blue satin, and had watched with interest the process of arraying and marshalling them. Two gentlemen, in each of whom I recognised an acquaintance, officered this virgin troop. One, an artistic-looking man, bearded, and with long hair, was a noted pianiste, and also the first music-teacher in Villette; he attended twice a week at Madame Beck's pensionnat, to give lessons to the few pupils whose parents were rich enough to allow their daughters the privilege of his instructions; his name was M. Josef Emanuel, and he was half-brother to M. Paul: which potent personage was now visible in the person of the second gentleman.
M. Paul amused me; I smiled to myself as I watched him, he seemed so thoroughly in his element – standing conspicuous in presence of a wide and grand assemblage, arranging, restraining, over-aweing about one hundred young ladies. He was, too, so perfectly in earnest – so energetic, so intent, and, above all, so absolute: and yet what business had he there? What had he to do with music or the Conservatoire – he who could hardly distinguish one note from another? I knew that it was his love of display and authority which had brought him there – a love not offensive, only because so naive. It presently became obvious that his brother, M. Josef, was as much under his control as were the girls themselves. Never was such a little hawk of a man as that M. Paul! Ere long, some noted singers and musicians dawned upon the platform: as these stars rose, the comet-like professor set. Insufferable to him were all notorieties and celebrities: where he could not outshine, he fled.
And now all was prepared: but one compartment of the hall waited to be filled – a compartment covered with crimson, like the grand staircase and doors, furnished with stuffed and cushioned benches, ranged on each side of two regal chairs, placed solemnly under a canopy.
A signal was given, the doors rolled back, the assembly stood up, the orchestra burst out, and, to the welcome of a choral burst, enter the King, the Queen, the Court of Labassecour.
Till then, I had never set eyes on living king or queen; it may consequently be conjectured how I strained my powers of vision to take in these specimens of European royalty. By whomsoever majesty is beheld for the first time, there will always be experienced a vague surprise bordering on disappointment, that the same does not appear seated, en permanence, on a throne, bonneted with a crown, and furnished, as to the hand, with a sceptre. Looking out for a king and queen, and seeing only a middle-aged soldier and a rather young lady, I felt half cheated, half pleased.
Well do I recall that King – a man of fifty, a little bowed, a little grey: there was no face in all that assembly which resembled his. I had never read, never been told anything of his nature or his habits; and at first the strong hieroglyphics graven as with iron stylet on his brow, round his eyes, beside his mouth, puzzled and baffled instinct. Ere long, however, if I did not know, at least I felt, the meaning of those characters written without hand. There sat a silent sufferer – a nervous, melancholy man. Those eyes had looked on the visits of a certain ghost – had long waited the comings and goings of that strangest spectre, Hypochondria. Perhaps he saw her now on that stage, over against him, amidst all that brilliant throng. Hypochondria has that wont, to rise in the midst of thousands – dark as Doom, pale as Malady, and well-nigh strong as Death. Her comrade and victim thinks to be happy one moment – "Not so," says she; "I come." And she freezes the blood in his heart, and beclouds the light in his eye.
Some might say it was the foreign crown pressing the King's brows which bent them to that peculiar and painful fold; some might quote the effects of early bereavement. Something there might be of both these; but these are embittered by that darkest foe of humanity – constitutional melancholy. The Queen, his wife, knew this: it seemed to me, the reflection of her husband's grief lay, a subduing shadow, on her own benignant face. A mild, thoughtful, graceful woman that princess seemed; not beautiful, not at all like the women of solid charms and marble feelings described a page or two since. Hers was a somewhat slender shape; her features, though distinguished enough, were too suggestive of reigning dynasties and royal lines to give unqualified pleasure. The expression clothing that profile was agreeable in the present instance; but you could not avoid connecting it with remembered effigies, where similar lines appeared, under phase ignoble; feeble, or sensual, or cunning, as the case might be. The Queen's eye, however, was her own; and pity, goodness, sweet sympathy, blessed it with divinest light. She moved no sovereign, but a lady – kind, loving, elegant. Her little son, the Prince of Labassecour, and young Duc de Dindonneau, accompanied her: he leaned on his mother's knee; and, ever and anon, in the course of that evening, I saw her observant of the monarch at her side, conscious of his beclouded abstraction, and desirous to rouse him from it by drawing his attention to their son. She often bent her head to listen to the boy's remarks, and would then smilingly repeat them to his sire. The moody King started, listened, smiled, but invariably relapsed as soon as his good angel ceased speaking. Full mournful and significant was that spectacle! Not the less so because, both for the aristocracy and the honest bourgeoisie of Labassecour, its peculiarity seemed to be wholly invisible: I could not discover that one soul present was either struck or touched.
With the King and Queen had entered their court, comprising two or three foreign ambassadors; and with them came the elite of the foreigners then resident in Villette. These took possession of the crimson benches; the ladies were seated; most of the men remained standing: their sable rank, lining the background, looked like a dark foil to the splendour displayed in front. Nor was this splendour without varying light and shade and gradation: the middle distance was filled with matrons in velvets and satins, in plumes and gems; the benches in the foreground, to the Queen's right hand, seemed devoted exclusively to young girls, the flower – perhaps, I should rather say, the bud – of Villette aristocracy. Here were no jewels, no head-dresses, no velvet pile or silken sheen purity, simplicity, and aërial grace reigned in that virgin band. Young heads simply braided, and fair forms (I was going to write sylph forms, but that would have been quite untrue: several of these "jeunes filles," who had not numbered more than sixteen or seventeen years, boasted contours as robust and solid as those of a stout Englishwoman of five-and-twenty) – fair forms robed in white, or pale rose, or placid blue, suggested thoughts of heaven and angels. I knew a couple, at least, of these "rose et blanche" specimens of humanity. Here was a pair of Madame Beck's late pupils – Mesdemoiselles Mathilde and Angélique: pupils who, during their last year at school, ought to have been in the first class, but whose brains never got them beyond the second division. In English, they had been under my own charge, and hard work it was to get them to translate rationally a page of The Vicar of Wakefield. Also during three months I had one of them for my vis-à-vis at table, and the quantity of household bread, butter, and stewed fruit, she would habitually consume at "second déjeuner" was a real world's wonder – to be exceeded only by the fact of her actually pocketing slices she could not eat. Here be truths – wholesome truths, too.
