Маргарет Олифант
The Makers of Modern Rome, in Four Books

CHAPTER II.
THE PALACE ON THE AVENTINE

The strong recoil of human nature from those fatal elements which time after time have threatened the destruction of all society is one of the noblest things in history, as it is one of the most divine in life. There are evidences that it exists even in the most wicked individuals, and it very evidently comes uppermost in every commonwealth from century to century to save again and again from utter debasement a community or a nation. When depravity becomes the rule instead of the exception, and sober principle appears on the point of yielding altogether to the whirl of folly or the thirst of self-indulgence, then it may always be expected that some ember of divine indignation, some thrill of high disgust with the miserable satisfactions of the world will kindle in one quarter or another and set light to a thousand smouldering tires over all the face of the earth. It is one of the highest evidences of that charter of our being which is our most precious possession, the reflection of that image of God which amid all degradations still holds its place in human nature, and will not be destroyed. We may mourn indeed that so short a span of centuries had so effaced the recollection of the brightest light that ever shone among men, as to make the extravagance of a human revulsion and revolution necessary in order to preserve and restore the better life of Christendom. At the same time it is our salvation as a race that such revolutions, however imperfect they may be in themselves, are sure to come.

This revulsion from vice, degradation, and evil of every kind, public and personal, had already come with the utmost excess of self-punishment and austerity in the East, where already the deserts were mined with caverns and holes in the sand, to which hermits and cœ;nobites, the one class scarcely less exalted in religious passion and suffering than the other, had escaped from the current of evil which they did not feel themselves capable of facing, and lived and starved and agonised for the salvation of their own souls and for a world lying in wickedness. The fame of the Thebaid and its saints and martyrs, slowly making itself known through the great distances and silences, had already breathed over the world, when Athanasius, driven by persecution from his see and his country, came to Rome, accompanied by two of the monks whose character was scarcely understood as yet in the West, and bringing with him his own book, the life of St. Antony of the desert, a work which had as great an effect in that time as the most popular of publications, spread over the world in thousands of copies, could have now. It puzzles the modern reader to think how a book should thus have moved the world and revolutionised hundreds of lives, while it existed only in manuscript and every example had to be carefully and tediously copied before it could touch even those who were wealthy enough to secure themselves such a luxury. What readings in common, what earnest circles of auditors, what rapt intense hanging upon the lips of the reader, there must have been before any work, even the most sacred, penetrated to the crowd! – but to us no doubt the process seems more slow and difficult than it really was when scribes were to be found everywhere, and manuscripts were treated with reverence and respect. When Athanasius found refuge in Rome, which was during the pontificate, or rather – for the full papal authority had as yet been claimed by no one – the primacy – of Liberius, and about the year 341, he was received by all that was best in Rome with great hospitality and sympathy. Rome so far as it was Christian was entirely orthodox, the Arian heresy having gained no part of the Christian society there – and a man of genius and imposing character, who brought into that stagnant atmosphere the breath of a larger world, who had shared the councils of the emperor and lived in the cells of Egypt – an orator, a traveller, an exile, with every kind of interest attaching to him, was such a visitor as seldom appeared in the city deserted by empire. Something like the man who nine centuries later went about the Italian streets with the signs upon him of one who had been through heaven and hell, the Eastern bishop must have appeared to the languid citizens, with the brown of the desert still on his cheeks, yet something of the air of a courtly prelate, a friend of princes; while his attendants, one with all the wildness of a hermit from the desert in his eyes and aspect, in the unfamiliar robe and cowl – and the other mild and young like the ideal youth, shy and simple as a girl – were wonderful apparitions in the fatigued and blasé society, which longed above everything for something new, something real, among all the mocks and shows of their impotent life.

One of the houses in which Athanasius and his monks were most welcome was the palace of a noble widow, Albina, who lived the large and luxurious life of her class in the perfect freedom of a Roman matron, Christian, yet with no idea in her mind of retirement from the world, or renunciation of its pleasures. A woman of a more or less instructive mind and lively intelligence, she received with the greatest interest and pleasure these strangers who had so much to tell, the great bishop flying from his enemies, the monks from the desert. That she and her circle gathered round him with that rapt and flattering attention which not the most abstracted saint any more than the sternest general can resist, is evident from the story, and it throws a gleam of softer light upon the impassioned theologian who stood fast, "I, Athanasius, against the world" for that mysterious splendour of the Trinity, against which the heretical East had risen. In the Roman lady's withdrawingroom, in his dark and flowing Eastern robes, we find him amid the eager questionings of the women, describing to them the strange life of the desert which it was such a wonder to hear of – the evensong that rose as from every crevice of the earth, while the Egyptian after-glow burned in one great circle of colour round the vast globe of sky, diffusing an illumination weird and mystic over the fantastic rocks and dark openings where the singers lived unseen. What a picture to be set before that soft, eager circle, half rising from silken couches, clothed with tissues of gold, blazing with jewels, their delicate cheeks glowing in artificial red and white, their crisped and curled tresses surmounted by the fantastic towering headdress which weighed them down!

Among the ladies was the child of the house, the little girl who was her mother's excuse for retaining the freedom of her widowhood, Marcella: a thoughtful and pensive child, devouring all these wonderful tales, listening to everything and laying up a store of silent resolutions and fancies in her heart. Her elder sister Asella would seem to have already secluded herself in precocious devotion from the family, or at least is not referred to. The story which touched the general mind of the time with so strange and strong an enthusiasm, fell into the virgin soil of this young spirit like the seed of a new life. But the little Roman maiden was no ascetic. She had evidently no impulse, as some young devotees have had, to set out barefoot in search of suffering. When Athanasius left Rome, he left in the house which had received him so kindly his life of St. Antony, the first copy which had been seen in the Western world. This manuscript, written perhaps by the hand of one of those wonderful monks, the strangest figures in her luxurious world whom Marcella knew, became the treasure of her youth. Such a present, at such a time, was enough to occupy the visionary silence of a girl's life, often so full of dreams unknown and unsearchable even to her nearest surroundings. She went through however the usual routine of a young lady's life in Rome. Madame Albina the mother, though full of interest and curiosity in respect to all things intellectual and Christian, held still more dearly a mother's natural desire to see her only remaining child nobly married and established in the splendour and eminence to which she was born. We are told that Marcella grew up to be one of the beauties of Rome, but as this is an inalienable qualification of all these beautiful souls, it is not necessary to believe that the "insignem decorem corporis" meant any extraordinary distinction. She carried out at all events her natural fate and married a rich and noble husband, of whom however we know no details, except that he died some months after, leaving her without child or tie to the ordinary life of the world, in all the freedom of widowhood, at a very early age.

Thus placed in full command of her fate, she never seems to have hesitated as to what she should do with herself. She was, as a matter of course, assailed by many new suitors, among whom her historian, who is no other than St. Jerome himself, makes special mention of the exceptionally wealthy Cerealis ("whose name is great among the consuls"), and who was so splendid a suitor that the fact that he was old scarcely seems to have told against him. Marcella's refusal of this great match and of all the others offered to her, offended and alienated her friends and even her mother, and there followed a moment of pain and perplexity in her life. She is said to have made a sacrifice of a part of her possessions to relatives to whom, failing herself, it fell to keep up the continuance of the family name, hoping thus to secure their tolerance. And she acquired the reputation of an eccentric, and probably of a poseuse, so general in all times when a young woman forsakes the beaten way, as she had done by giving up the ridiculous fashions and toilettes of the time, putting aside the rouge and antimony, the disabling splendour of cloth of gold, and assuming a simple dress of a dark colour, a thing which shocked her generation profoundly. The gossip rose and flew from mouth to mouth among the marble salons where the Roman ladies languished for a new subject, or in the ante-rooms, where young priests and deacons awaited or forestalled the awakening of their patronesses. It might be the Hôtel Rambouillet of which we are reading, and a fine lady taking refuge at Port Royal who was being discussed and torn to pieces in those antique palaces. What was the meaning that lay beneath that brown gown? Was it some unavowed disappointment, or, more exciting still, some secret intrigue, some low-placed love which she dared not acknowledge? Withdrawn into a villa had she, into the solitude of a suburban garden, hid from every eye? and who then was the companion of Marcella's solitude? The ladies who discussed her had small faith in austerities, nor in the desire of a young and attractive woman to live altogether alone.

It is very likely that Marcella herself, as well as her critics, soon began to feel that the mock desert into which she had made the gardens of her villa was indeed a fictitious way of living the holy life, and the calumny was more ready and likely to take hold of this artificial retirement, than of a course of existence led within sight of the world. She finally took a wiser and more reasonable way. Her natural home was a palace upon the Aventine to which she returned, consecrating a portion of it to pious uses, a chapel for common worship and much accommodation for the friends of similar views and purposes who immediately began to gather about her. It is evident that there were already many of these women in the best society of Rome. A lively sentiment of feminine society, of the multiplied and endless talks, consultations, speculations, of a community of women, open to every pleasant curiosity and quick to every new interest, rises immediately before us in that first settlement of monasticism – or, as the ecclesiastical historians call it, the first convent of Rome, before our eyes. It was not a convent after all so much as a large and hospitable feminine house, possessing the great luxury of beautiful rooms and furniture, and the liberal ways of a large and wealthy family, with everything that was most elegant, most cultured, most elevated, as well as most devout and pious. The "Souls," to use our own jargon of the moment, would seem indeed to have been more truly represented there than the Sisters of our modern understanding, though we may acknowledge that there are few communities of Sisters in which this element does not more or less flourish. Christian ladies who were touched like herself with the desire of a truer and purer life, gathered about her, as did the French ladies about Port Royal, and women of the same class everywhere, wherever a woman of influential character leads the way.

The character and position of these ladies was not perhaps so much different as we might suppose from those of the court of Louis XIV. or any other historical period in which great luxuries and much dissipation had sickened the heart of all that was good and noble. Yet there were very special characteristics in their lot. Some of them were the wives of pagan officials of the empire, holding a sometimes devious and always agitated course through the troubles of a divided household: and there were many young widows perplexed with projects of remarriage, of whom some would be tempted by the prospects of a triumphant re-entry into the full enjoyments of life, although a larger number were probably resistant and alarmed, anxious to retain their freedom, or to devote themselves as Marcella had done to a higher life. Women of fashion not unwilling to add a devotion à la mode to their other distractions, women of intellectual aspirations, lovers of the higher education, seekers after a society altogether brilliant and new, without any special emotions of religious feeling, no doubt filled up the ranks. "A society," says Thierry, in his Life of Jerome, "of rich and influential women, belonging for the great part to patrician families, thus organised itself, and the oratory on the Aventine became a seat of lay influence and power which the clergy themselves were soon compelled to reckon with."

The heads of the community bore the noblest names in Rome, which however at that period of universal deterioration was not always a guarantee of noble birth, since the greatest names were sometimes assumed with the slenderest of claims to their honours. Marcella's sister, Asella, older than the rest, and a sort of mother among them, had for a long time before "lived the life" in obscurity and humbleness, and several others not remarkable in the record, were prominent associates. The actual members of the community, however, are not so much remarked or dwelt upon as the visitors who came and went, not all of them of consistent religious character, ladies of the great world. One of these, Fabiola, affords an amusing episode in the graver tale, the contrast of a butterfly of society, a grande dame of fascinating manners, airs, and graces, unfortunate in her husbands, of whom she had two, one of them divorced – and not quite unwilling to divorce the second and try her luck again. Another, one of the most important of all in family and pretensions, and by far the most important in history of these constant visitors, was Paula, a descendant (collateral, the link being of the lightest and easiest kind, as was characteristic of the time) of the great Æmilius Paulus, the daughter of a distinguished Greek who claimed to be descended from Agamemnon, and widow of another who claimed Æneas as his ancestor. These large claims apart, she was certainly a great lady in every sense of the word, delicate, luxurious, following all the fashions of the time. She too was a widow, with a family of young daughters, in that enviable state of freedom which the Roman ladies give every sign of having used and enjoyed to the utmost, the only condition in which they were quite at liberty to regulate their own fate. Paula is the most interesting of the community, as she is the one of whom we know the most. No fine lady more exquisite, more fastidious, more splendid than she. Not even her Christianity had beguiled her from the superlative finery of her Roman habits. She was one of the fine ladies who could not walk abroad without the support of her servants, nor scarcely cross the marble floor from one silken couch to another without tottering, as well she might, under the weight of the heavy tissues interwoven with gold, of which her robes were made. A widow at thirty-five, she was still in full possession of the charms of womanhood, and the sunshine of life (though we are told that her grief for her husband was profound and sincere) – with her young daughters growing up round her, more like her sisters than her children, and sharing every thought. Blæsilla, the eldest, a widow at twenty, was, like her mother, a Roman exquisite, loving everything that was beautiful and soft and luxurious. In the affectionate gibes of the family she is described as spending entire days before her mirror, giving herself up to all the extravagances of dress and personal decoration, the tower of curls upon her head, the touch of rouge on her cheeks. A second daughter, Paulina, was on the eve of marriage with a young patrician, as noble, as rich, and, as was afterwards proved, as devoutly Christian as the family into which he married. The third member of the family, Eustochium, a girl of sixteen, of a character contrasting strongly with those of her beautiful mother and sister, a saint from her birth, was the favourite, and almost the child, of Marcella, instructed by her from her earliest years, and had already fixed her choice upon a monastic life, and would seem to have been a resident in the Aventine palace to which the others were such frequent visitors. Of all this delightful and brilliant party she is the one born recluse, severe in youthful virtue, untouched by any of the fascinations of the world. The following very pretty and graphic story is told of her, in which we have a curious glimpse into the strangely mixed society of the time.

The family of Paula though Christian, and full of religious fervour, or at least imbued with the new spirit of revolt against the corruption of the time, was closely connected with the still existing pagan society of Rome. Her sister-in-law, sister of her husband and aunt of her children, was a certain lady named Prætextata, the wife of Hymettius, a high official under the Emperor Julian the Apostate, both of them belonging, with something of the fictitious enthusiasm of their master, to the faith of the old gods. No doubt one of the severest critics of that society on the Aventine, Prætextata saw with impatience and wrath, what no doubt she considered the artificial gravity, inspired by her surroundings, of the young niece who had already announced her intention never to marry, and to withdraw altogether from the world. Such resolutions on the part of girls who know nothing of the world they abandon have exasperated the most devout of parents, and it was not wonderful if this pagan lady thought it preposterous. The little plot which she formed against the serious girl was, however, of the most good-natured and innocent kind. Finding that words had no effect upon her, the elder lady invited Eustochium to her house on a visit. The young vestal came all unsuspicious in her little brown gown, the costume of humility, but had scarcely entered her aunt's house when she was seized by the caressing and flattering hands of the attendants, interested in the plot as the favourite maids of such an establishment would be, who unloosed her long hair and twisted it into curls and plaits, took away her humble dress, clothed her in silk and cloth of gold, covered her with ornaments and led her before the mirror which reflected all these charms, to dazzle her eyes with the apparition of herself, so different from the schoolroom figure with which she was acquainted. The little plot was clever as well as innocent, and might, no doubt, have made a heart of sixteen beat high. But Eustochium with her Greek name, and her virgin heart, was the grave girl we all know, the one here and there among the garden of girls, born to a natural seriousness which is beyond such temptations. She let them turn her round and round, received sweetly in her gentle calm the applauses of the collected household, looked at her image in the mirror as at a picture – and went home again in her little brown gown with her story to tell, which, no doubt, was an endless amusement and triumph to the ladies on the Aventine, repeated to every new-comer with many a laugh at the foolishness of the clever aunt who had hoped by such means to seduce Eustochium – Eustochium, the most serious of them all!

Such was the first religious community in Rome. It was the natural home of Marcella to which her friends gathered, without in most cases deserting their own palaces, or forsaking their own place in the world – a centre and home of the heart, where they met constantly, the residents ever ready to receive, not only their closer associates, but all the society of Roman ladies, who might be attracted by the higher aspirations of intellect and piety. Not a stone exists of that noble mansion now, but it is supposed to have stood close to the existing church of Sta. Sabina, an unrivalled mount of vision. From that mount now covered with so many ruins the ladies looked out upon the yet unbroken splendour of the city, Tiber far below sweeping round under the walls. Palatinus, with the "white roofs" of that home to which Horatius looked before he plunged into the yellow river, still stood intact at their right hand: and, older far, and longer surviving, the wealth of nature, the glory of the Roman sky and air, the white-blossomed daphne and the starry myrtle, and those roses which are as ancient inhabitants of the world as any we know flinging their glories about the marble balustrades and making the terraces sweet. There would they walk and talk, the recluses at ease and simple in their brown gowns, the great ladies uneasy under the weight of their toilettes, but all eager to hear, to tell, to read the last letter from the East, from the desert or the cloister, to exchange their experiences and plan their charities. There is nothing ascetic in the picture, which is a very different one from that of those austere solitudes of the desert, which had suggested and inspired it – the lady Paula tottering in, with a servant on either side to conduct her to the nearest couch, and young Blæsilla making a brilliant irruption in all her bravery, with her jewels sparkling and her transparent veil floating, and her golden heels tapping upon the marble floor. This is not how we understand the atmosphere of a convent; yet, if fact were taken into due consideration, the greatest convents have been very like it, in all ages – the finest ladies having always loved that intercourse and contrast, half envious of the peace of their cloistered sisters, half pleased to dazzle them with a splendour which never could be theirs.

"No fixed rule," says Thierry, in his Life of St. Jerome, "existed in this assembly, where there was so much individuality, and where monastic life was not even attempted. They read the Holy Scriptures together, sang psalms, organised good works, discussed the condition of the Church, the progress of spiritual life in Italy and in the provinces, and kept up a correspondence with the brothers and sisters outside of a more strictly monastic character. Those of the associates who carried on the ordinary life of the world came from time to time to refresh their spirits in these holy meetings, then returned to their families. Those who were free gave themselves up to devotional exercises, according to their taste and inclination, and Marcella retired into her desert. In a short time these exercises were varied by the pursuit of knowledge. All Roman ladies of rank knew a little Greek, if only to be able to say to their favourites, according to the mot of Juvenal, repeated by a father of the Church, Ζωὴ καὶ ψυχὴ, my life and my soul: the Christian ladies studied it better and with a higher motive. Several later versions of the Old and New Testament were in general circulation in Italy, differing considerably from each other, and this very difference interested anxious minds in referring to the original Greek for the Gospels, and for the Hebrew books to the Greek of the Septuagint, the favourite guide of Western translators. The Christian ladies accordingly set themselves to perfect their knowledge of Greek, and many, among whom were Marcella and Paula, added the Hebrew language, in order that they might sing the psalms in the very words of the prophet-king. Marcella even became, by intelligent comparison of the texts, so strong in exegetical knowledge that she was often consulted by the priests themselves."

It was about the year 380 that this establishment was formed. "The desert of Marcella" above referred to was, as the reader will remember, a great garden in a suburb of Rome, which she had pleased herself by allowing to run wild, and where occasionally this great Roman lady played at a hermit's life in solitude and abstinence. Paula's desert, perhaps not so easy a one, was in her own house, where, besides the three daughters already mentioned, she had a younger girl Rufina, not yet of an age to show any marked tendencies, and a small boy Toxotius, her only son, who was jealously looked after by his pagan relatives, to keep him from being swept away by this tide of Christianity.

Such was the condition of the circle on the Aventine, when a great event happened in Rome. Following many struggles and disasters in the East, chiefly the continually recurring misfortune of a breach of unity, a diocese here and there exhibiting its freedom by choosing two bishops representing different parties at the same time, and thus calling for the exercise of some central authority – Pope Damasus had called a council in Rome. He was so well qualified to be a judge in such cases that he had himself won his see at the point of the sword, after a stoutly contested fight in which much blood was shed, and the church of S. Lorenzo, the scene of the struggle, was besieged and taken like a castle. If he had hoped by this means to establish the universal authority of his see, a pretension as yet undeveloped, it was immediately forestalled by the Bishop of Constantinople, who at once called together a rival council in that place. The Council of Rome, however, is of so much more importance to us that it called into full light in the Western world the great and remarkable figure of Jerome: and still more to our record of the Roman ladies of the Aventine, since it suddenly introduced to them the man whose name is for ever connected with theirs, who is supposed erroneously, as the reader will see, to have been the founder of their community, but who henceforward became its most trusted leader and guide in the spiritual life.