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Sir Tom

Маргарет Олифант
Sir Tom

CHAPTER XXXVIII.
DISCOVERIES

This interview had an agitating and painful effect upon Lucy, though she could not tell why. It was not what she expected or feared – neither in one sense nor the other. He had neither distressed her by opposing her proceedings, nor accepted her beneficence towards the Contessa with levity and satisfaction, both of which dangers she had been prepared for. Instead, however, of agitating her by the reception he gave to her proposal, it was he who was agitated by something which in entire unconsciousness she had said. But what that could be Lucy could not divine. She had said nothing that could affect him personally so far as she knew. She went over every word of the conversation without being able to discover what could have had this effect. But she could find nothing, there was no clue anywhere that her unconscious mind could discover. She concluded finally with much compunction that it was the implied reproach that he had taken away all pleasure in what she did by opposing her, that had so disturbed her husband. He was so kind. He had not been able to bear even the possibility that his opposition had been a source of pain. "I think I will never oppose you any more." In an answering burst of generosity Lucy said to herself that she did not desire this; that she preferred that he should find fault and object when he disapproved, not consent to everything. But the reflection of the disturbance she had seen in her husband's countenance was in her mind all day; she could not shake it off; and he was so grave that every look she cast at him strengthened the impression. He did not approach the circle in which the Contessa sat all the evening, but stood apart, silent, taking little notice of anybody until Mr. Derwentwater secured his ear, when Sir Tom, instead of his usual genial laugh at MTutor's solemnities, discharged little caustic criticisms which astonished his companion. Mr. Derwentwater was going away next day, and he, too, was preoccupied. After that conversation with Sir Tom, he betook himself to Lucy, who was very silent too, and doing little for the entertainment of her guests. He made her sundry pretty speeches, such as are appropriate from a departing guest.

"Jock has made up his mind to stay behind," he said. "I am sorry, but I am not surprised. I shall lose a most agreeable travelling companion; but, perhaps, home influences are best for the young."

"I don't know why Jock has changed his mind, Mr. Derwentwater. He wanted very much to go."

"He would say that here's metal more attractive," said the tutor with an offended smile; and then he paused, and, clearing his throat, asked in a still more evident tone of offence – "Does not your young friend the Signorina appear again? I thought from her appearance last night that she was making her début."

"Yes, it was like it," said Lucy. "The Contessa is not like one of us," she added after a moment. "She has her own ways – and, perhaps, I don't know – that may be the Italian fashion."

"Not at all," Mr. Derwentwater said promptly. He was an authority upon national usages. "But I am afraid it was very transparent what the Contessa meant," he said, after a pause.

To this Lucy made no reply, and the tutor, who was sensitive, especially as to bad taste, reddened at his inappropriate observation. He went on hastily; "The Signorina – or should I say Mademoiselle di Forno-Populo? – has a great deal of charm. I do not know if she is so beautiful as her mother – "

"Oh, not her mother," cried Lucy quickly, with a smile at the mistake.

"Is she not her mother? The young lady's face indeed is different. It is of a higher order – it is full of thought. It is noble in repose. She does not seem made for these scenes of festivity, if you will pardon me, Lady Randolph, but for the higher retirements – "

"Oh, she is very fond of seeing people," said Lucy. "You must not suppose she is too serious for her age. She enjoyed herself last night."

"There is no age," said Mr. Derwentwater, "at which one can be too serious – and especially in youth, when all the world is before one, when one cannot tell what effect a careless step may have one way or another. It is just that sweet gravity that charms me. I think she was quite out of her element, excuse me for saying so, Lady Randolph, last night."

"Do you think so? Oh, I am afraid not. I am afraid she liked it," said Lucy. "Jock, don't you think Bice liked it. I should much rather think not, but I am afraid – I am afraid – "

"She couldn't like that little cad," said Jock, who had drawn near with an instinctive sense that something was going on which concerned him. "But she's never solemn either," added the boy.

"Is that for me, Jock?" said MTutor, with a pensive gentleness of reproach. "Well, never mind. We must all put up with little misunderstandings from the younger generation. Some time or other you will judge differently. I should like to have had an opportunity again of such music as we heard last night; but I suppose I must not hope for it."

"Oh, do you mean Lord Montjoie's song?" cried one of the young ladies in blue, who had drawn near. "Wasn't it fun? Of course I know it wasn't to be compared to the Contessa; but I've no musical taste. I always confess it – that's Edith's line. But Lord Montjoie was fun. Don't you think so, dear Lady Randolph," Miss Minnie said.

Mr. Derwentwater gave her one glance, and retired, Jock following. "Perhaps that's your opinion too," he said, "that Lord Montjoie's was fun?"

"He's a scug," said Jock, laconically, "that's all I think about him."

Mr. Derwentwater took the lad's arm. "And yet," he said, "Jock, though you and I consider ourselves his superiors, that is the fellow that will carry off the prize. Beauty and genius are for him. He must have the best that humanity can produce. You ought to be too young to have any feeling on the subject; but it is a humiliating thought."

"Bice will have nothing to say to him," said Jock, with straightforward application of the abstract description; but MTutor shook his head.

"How can we tell the persecutions to which Woman is subject?" he said. "You and I, Jock, are in a very different position. But we should try to realise, though it is difficult, those dangers to which she is subject. Kept indoors," said MTutor, with pathos in his voice, "debarred from all knowledge of the world, with all the authorities about her leading one way. How can we tell what is said to her? with a host of petty maxims preaching down a daughter's heart – strange!" cried Mr. Derwentwater, with a closer pressure of the boy's arm, "that the most lovely existence should thus continually be led to link itself with the basest. We must not blame Woman; we must keep her idea sacred, whatever happens in our own experience."

"It always sets one right to talk to you," cried Jock, full of emotion. "I was a beast to say that."

"My boy, don't you think I understand the disturbance in your mind?" with a sigh, MTutor said.

They had left the drawing-room during the course of this conversation, and were crossing the hall on the way to the library, when some one suddenly drew back with a startled movement from the passage which led to Sir Tom's den. Then there followed a laugh, and "Oh, is it only you!" after which there came forth a slim shadow, as unlike as possible to the siren of the previous night. "We have met before, and I don't mind. Is there any one else coming?" Bice said.

"Why do you hide and skulk in corners?" cried Jock. "Why shouldn't you meet any one? Have you done something wrong?"

This made Bice laugh still more. "You don't understand," she said.

"Signorina," said Mr. Derwentwater (who was somewhat proud of having remembered this good abstract title to give to the mysterious girl), "I am going away to-morrow, and perhaps I shall never hear you again. Your voice seemed to open the heavenly gates. Why, since you are so good as to consider us different from the others, won't you sing to us once more?"

"Sing?" said Bice, with a little surprise; "but by myself my voice is not much – "

"It is like a voice out of heaven," Mr. Derwentwater said fervently.

"Do you really, really think so?" she said with a wondering look. She was surprised, but pleased too. "I don't think you would care for it without the Contessa's; but, perhaps – " Then she looked round her with a reflective look. "What can I do? There is no piano, and then these people would hear." After this a sudden idea struck her. She laughed aloud like a child with sudden glee. "I don't suppose it would be any harm! You belong to the house – and then there is Marietta. Yes! Come!" she cried suddenly, rushing up the great staircase and waving her hand impatiently, beckoning them to follow. "Come quick, quick," she cried; "I hear some one coming," and flew upstairs. They followed her, Mr. Derwentwater passing Jock, who hung back a little, and did not know what to think of this adventure. "Come quick," she cried, darting along the dimly-lighted corridor with a laugh that rang lightly along like the music to which her steps were set. "Oh, come in, come in. They will hear, but they will not know where it comes from." The young men stupefied, hesitating, followed her. They found themselves among all the curiosities and luxuries of the Contessa's boudoir. And in a moment Bice had placed herself at the little piano which was placed across one of the corners, its back covered with a wonderful piece of Eastern embroidery which would have invited Derwentwater's attention had he been able to fix that upon anything but Bice. As it was, he gave a half regard to these treasures. He would have examined them all with the devotion of a connoisseur but for her presence, which exercised a spell still more subtle than that of art.

 

The sound of the singing penetrated vaguely even into the drawing-room, where the Contessa, startled, rose from her seat much earlier than usual. Lucy, who attended her dutifully upstairs according to her usual custom, was dismayed beyond measure by seeing Jock and his tutor issue from that door. Bice came with them, with an air of excitement and triumphant satisfaction. She had been singing, and the inspiration and applause had gone to her head. She met the ladies not with the air of a culprit, but in all the boldness of innocence. "They like to hear me, even by myself," she cried; "they have listened, as if I had been an angel." And she clapped her hands with almost childish pleasure.

"Perhaps they think you are," said the Contessa, who shook her head, yet smiled with sympathy. "You must not say to these messieurs below that you have been in my room. Oh, I know the confidences of a smoking-room! You must not brag, mes amis. For Bice does not understand the convenances, nor remember that this is England, where people meet only in the drawing-room."

"Divine forgetfulness!" murmured Derwentwater. Jock, for his part, turned his back with a certain sense of shame. He had liked it, but he had not thought it right. The room altogether, with its draperies and mysteries, had conveyed to him a certain intoxication as of wrong-doing. Something that was dangerous was in the air of it. It was seductive, it was fascinating; he had felt like a man banished when Bice had started from the piano and bidden them "Go away; go away!" in the same laughing tone in which she had bidden them come. But the moment he was outside the threshold his impulse was to escape – to rush out of sight – and obliterate even from his own mind the sense that he had been there. To meet the Contessa, and still more his sister, full in the face, was a shock to all his susceptibilities. He turned his back upon them, and but that his fellow-culprit made a momentary stand, would have fled away. Lucy partook of Jock's feeling. It wounded her to see him at that door. She gave him a glance of mingled reproach and pity; a vague sense that these were siren-women dangerous to all mankind stole into her heart.

But Lucy was destined to a still greater shock. The party from the smoking-room was late in breaking up. The sound of their steps and voices as they came upstairs roused Lady Randolph, not from sleep – for she had been unable to sleep – but from the confused maze of recollections and efforts to think which distracted her placid soul. She was not made for these agitations. The constitution of her mind was overset altogether. The moment that suspicion and distrust came in there was no further strength in her. She was lying not thinking so much as remembering stray words and looks which drifted across her memory as across a dim mirror, with a meaning in them which she did not grasp. She was not clever. She could not put this and that together with the dolorous skill which some women possess. It is a skill which does not promote the happiness of the possessor, but perhaps it is scarcely more happy to stand in the midst of a vague mass of suggestions without being able to make out what they mean, which was Lucy's case. She did not understand her husband's sudden excitement; what it had to do with Bice, with the Contessa, with her own resolution and plans she could not tell, but felt vaguely that many things deeply concerning her were in the air, and was unhappy in the confusion of her thoughts. For a long time after the sounds of various persons coming upstairs had died away, Lucy lay silent waiting for her husband's appearance – but at last unable to bear the vague wretchedness of her thoughts any longer, got up and put on a dressing-gown and stole out into the dark gallery to go to the nursery to look at her boy asleep, which was her best anodyne. The lights were all extinguished except the faint ray that came from the nursery door, and Lucy went softly towards that, anxious to disturb little Tom by no sound. As she did so a door suddenly opened, sending a glare of light into the dark corridor. It was the door of the Contessa's room, and with the light came Sir Tom, the Contessa herself appearing after him on the threshold. She was still in her dinner dress, and her appearance remained long impressed upon Lucy's imagination like a photograph without colour, in shadow and light. She gave Sir Tom a little packet apparently of letters, and then she held out both hands to him, which he took in his. Something seemed to flash through Lucy's heart like a knife, quivering like the "pale death" of the poet, in sight and sense. The sudden surprise and pang of it was such for a moment that she seemed turned into stone, and stood gazing like a spectre in her white flowing dress, her face more white, her eyes and mouth open in the misery and trouble of the moment. Then she stole back softly into her room – her head throbbing, her heart beating – and buried her face in her pillow and closed her eyes. Even baby could not soothe her in this unlooked-for pang. And then she heard his step come slowly along the gallery. How was she to look at him? how listen to him in the shock of such an extraordinary discovery? She took refuge in a semblance of sleep.

CHAPTER XXXIX.
LUCY'S DISCOVERY

When it happens to an innocent and simple soul to find out suddenly at a stroke the falsehood of some one upon whose truth the whole universe depends, the effect is such as perhaps has never been put forth by any attempt at psychological investigation. When it happens to a great mind, we have Hamlet with all the world in ruins round him – all other thoughts as of revenge or ambition are but secondary and spasmodic, since neither revenge nor advancement can put together again the works of life or make man delight him, or woman either. But Lady Randolph was not a Hamlet. She had no genius, nor even a great intellect to be unhinged – scarcely mind enough to understand how it was that the glory had paled out of earth and sky, and all the world seemed different when she rose from her uneasy bed next morning, pale, after a night without sleep, in which she had not been able to have even the relief of restlessness, but had lain motionless, without even a sigh or tear, so crushed by the unexpected blow that she could neither fathom nor understand what had happened to her. She was too pure herself to jump at any thought of gross infidelity. She felt she knew not what – that the world had gone to pieces – that she did not know how to shape it again into anything – that she could not look into her husband's face, or command her voice to speak to him, for shame of the thought that he had failed in truth. Lucy felt somehow as if she were the culprit. She was ashamed to look him in the face. She made an early visit to the nursery, and stayed there pretending various little occupations until she heard Sir Tom go down stairs. He had returned so much to the old ways, and now that the house was full, and there were other people to occupy the Contessa, had shown so clearly (as Lucy had thought) that he was pleased to be liberated from his attendance upon her, that the cloud that had risen between them had melted away; and indeed, for some time back, it had been Lucy who was the Contessa's stay and support, a change at which Sir Tom had sometimes laughed. All had been well between the husband and wife during the early part of the season parliamentary, the beginning of their life in London. Sir Tom had been much engrossed with the cares of public life, but he had been delightful to Lucy, whose faith in him and his new occupations was great. And it was exhilarating to think that the Contessa had secured that little house in Mayfair for her own campaign, and that something like a new honeymoon was about to begin for the pair, whose happiness had seemed for a moment to tremble in the balance. Lucy had been looking forward to the return to London with a more bright and conscious anticipation of well-being than she had ever experienced. In the first outset of life happiness seems a necessary of existence. It is calculated upon without misgiving; it is simple nature, beyond question. But when the natural "of course" has once been broken, it is with a warmer glow of content that we see the prospect once more stretching before us bright as at first and more assured. This is how Lucy had been regarding her life. It was not so simple, so easy as it once had been, but the happiness to which she was looking forward, and which she had already partially entered into possession of, was all the more sweet and dear, that she had known, or fancied herself about to know, the loss and absence of it. Now, in a moment, all that fair prospect, that blessed certainty, was gone. The earth was cut away from under her feet; she felt everything to be tottering, falling round her, and nothing in all the universe to lay hold of to prop herself up; for when the pillars of the world are thus unrooted the heaving of the earthquake and the falling of the ruins impart a certain vertigo and giddy instability even to heaven.

Fletcher, Lucy's maid, who was usually discreet enough, waited upon her mistress that morning with a certain air of importance, and of knowing something which she was bursting with eagerness to tell, such as must have attracted Lady Randolph's attention in any other circumstances. But Lucy was far too much occupied with what was in her own mind to observe the perturbation of the maid, who consequently had no resource, since her mistress would not question her, than to introduce herself the subject on which she was so anxious to utter her mind. She began by inquiring if her ladyship had heard the music last night. "The music?" Lucy said.

"Oh, my lady, haven't you heard what a singer Miss Beachy has turned out?" Fletcher cried.

Lucy, to whom all this seemed dim and far away as if it had happened years ago, answered with a faint smile – "Yes, she has a lovely voice."

"It is not my place," said Fletcher, "being only a servant, to make remarks; but, my lady, if I might make so bold, it do seem to the like of us an 'orrible thing to take advantage of a young lady like your ladyship that thinks no harm."

"You should not make such remarks," said Lucy, roused a little.

"No, my lady; but still a woman is a woman, even though but a servant. I said to Mrs. Freshwater I was sure your ladyship would never sanction it. I never thought that of Miss Beachy, I will allow. I always said she was a nice young lady; but evil communications, my lady – we all know what the Bible says. Gentlemen upstairs in her room and her singing to them, and laughing and talking like as no housemaid in the house as valued her character would do – "

"Fletcher," said Lucy, "you must say no more about this. It was Mr. Jock and Mr. Derwentwater only who were with Miss Bice – and with my permission," she added after a moment, "as he is going away to-morrow." Such deceits are so easy to learn.

"Oh-oh!" Miss Fletcher cried, with a quaver in her voice. "I beg your pardon, my lady; I'm sure – I thought – there must be something underneath, and that Miss Beachy would never – And when she was down with Sir Thomas in the study it would be the same, my lady?" the woman said.

"With Sir Thomas in the study!" The words went vaguely into Lucy's mind. It had not seemed possible to increase the confusion and misery in her brain, but this produced a heightening of it, a sort of wave of bewilderment and pain greater than before, a sense of additional giddiness and failing. She gave a wave of her hand and said something, she scarcely knew what, which silenced Fletcher; and then she went down stairs to the new world. She did not go to the nursery even, as was her wont; her heart turned from little Tom. She felt that to look at him would be more than she could bear. There was no deceit in him, no falsehood – as yet; but perhaps when he grew up he would cheat her too. He would pretend to love her and betray her trust; he would kiss her, and then go away and scoff at her; he would smile, and smile, and be a villain. Such words were not in Lucy's mind, and it was altogether out of nature that she should even receive the thought: which made it all the more terrible when it was poured into her soul. And it cannot be told what discoveries she seemed to make even in the course of that morning in this strange condition of her mind. There was a haze over everything, but yet there was an enlightenment even in the haze. She saw in her little way, as Hamlet saw the falsehood of his courtiers, his gallant young companions, and the schemes of Polonius, and even Ophelia in the plot to trap him. She saw how false all these people were in their civilities, in their extravagant thanks and compliments to her as they went away; for the Easter recess was just over, and everybody was going. The mother and her daughters said to her, "Such a delightful visit, dear Lady Randolph!" with kisses of farewell and wreathed smiles; and she perceived, somehow by a sort of second sight, that they added to each other, "Oh, what a bore it has been; nobody worth meeting," and "how thankful I am it's over!" which was indeed what Miss Minnie and Miss Edith said. If Lucy had seen a little deeper she would have known that this too was a sort of conventional falsity which the young ladies said to each other, according to the fashion of the day, without any meaning to speak of; but one must have learned a great many lessons before one comes to that.

 

Then Jock, who had been woke up in quite a different way, took leave of MTutor, that god of his old idolatry, without being able to refrain from some semblance of the old absorbing affection.

"I am so sorry you are not coming with me, old fellow," Mr. Derwentwater said.

Jock replied, "So am I," with an effort, as if firing a parting volley in honour of his friend: but then turned gloomily with an expression of relief. "I'm glad he's gone, Lucy."

"Then you did not want to go with him, Jock?"

"I wouldn't have gone for anything. I've just got to that – that I can't bear him," cried Jock.

And Lucy, in the midst of the ruins, felt her head go round: though here too it was the falsehood that was fictitious, had she but known. It is not, however, in the nature of such a shock that any of those alleviating circumstances which modify the character of human sentiment can be taken into account. Lucy had taken everything for gospel in the first chapter of existence; she had believed what everybody said; and like every other human soul, after such a discovery as she had made, she went to the opposite extremity now – not wittingly, not voluntarily – but the pillars of the earth were shaken, and nothing stood fast.

They went up to town next day. In the meantime she had little or no intercourse with the Contessa, who was preparing for the journey and absorbed in letter-writing, making known to everybody whom she could think of, the existence of the little house in Mayfair. It is doubtful whether she so much as observed any difference in the demeanour of her hostess, having in fact the most unbounded confidence in Lucy, whom she did not believe capable of any such revulsion of feeling. Bice was more clear-sighted, but she thought Milady was displeased with her own proceedings, and sought no further for a cause. And the only thing the girl could do was to endeavour by all the little devices she could think of to show the warm affection she really felt for Lucy – a method which made the heart of Lucy more and more sick with that sense of falsehood which sometimes rose in her, almost to the height of passion. A woman who had ever learned to use harsh words, or to whose mind it had ever been possible to do or say anything to hurt another, would no doubt have burst forth upon the girl with some reproach or intimation of doubt which might have cleared the matter so far as Bice went. But Lucy had no such words at her command. She could not say anything unkind. It was not in her. She could be silent, indeed, but not even that, so far as to "hurt the feelings" of her companion. The effect, therefore, was only that Lucy laboured to maintain a little artificial conversation, which in its turn reacted upon her mind, showing that even in herself there was the same disposition to insincerity which she had begun to discover in the world. She could say nothing to Bice about the matters which a little while before, when all was well, she had grieved over and objected to. Now she had nothing to say on such subjects. That the girl should be set up to auction, that she should put forth all those arts in which she had been trained, to attract and secure young Montjoie, or any like him, were things which had passed beyond her sphere. To think of them rendered her heart more sick, her head more giddy. But if Bice married some one whom she did not love, that was not so bad as to think that perhaps she herself all this time had been living with, and loving, in sacred trust and faith, a man who even by her side was full of thoughts unknown to her, given to another. Sometimes Lucy closed her eyes in a sort of sick despair, feeling everything about her go round and round. But she said nothing to throw any light upon the state of her being. Sir Tom felt a little gravity – a little distance in his wife; but he himself was much occupied with a new and painful subject of thought. And Jock observed nothing at all, being at a stage when man (or boy) is wholly possessed with affairs of his own. He had his troubles, too. He was not easy about that breach with his master now that they were separated. When Bice was kind to him a gleam of triumph, mingled with pity, made him remorseful towards that earlier friend; and when she was unkind a bitter sense of fellowship turned Jock's thoughts towards that sublime ideal of masculine friendship which is above the lighter loves of women. How can a boy think of his sister when absorbed in such a mystery of his own? – even if he considered his sister at all as a person whom it was needful to think about – which he did not, Lucy being herself one of the pillars of the earth to his unopened eyes.

All this, however, made no difference in Lucy's determination. She wrote to Mr. Rushton that very morning, after this revolution in her soul, to instruct him as to her intentions in respect to Bice, and to her other trustee in London to request him to see her immediately on her arrival in Park Lane. Nothing should be changed in that matter, for why, she said to herself, should Bice suffer because Sir Tom was untrue? It seemed to her that there was more reason than ever why she should rouse herself and throw off her inaction. No doubt there were many people whom she could make, if not happy, yet comfortable. It was comfortable (everybody said) to have enough of money – to be well off. Lucy had no experience of what it was to be without it. She thought to herself she would like to try, to have only what she actually wanted, to cook the food for her little family, to nurse little Tom all by herself, to live as the cottagers lived. There was in her mind no repugnance to any of the details of poverty. Her wealth was an accident; it was the habit of her race to be poor, and it seemed to Lucy that she would be happier could she shake off now all those external circumstances which had grown, like everything else, into falsehoods, giving an appearance of well-being which did not exist. But other people thought it well to have money, and it was her duty to give it. A kind of contempt rose within her for all that withheld her previously. To avoid her duty because it would displease Sir Tom – what was that but falsehood too? All was falsehood, only she had never seen it before.

They reached town in the afternoon of a sweet April day, the sky aglow with a golden sunset, against which the trees in the park stood out with their half-developed buds: and all the freshness of the spring was in the long stretches of green, and the softened jubilee of sound to which somehow, as the air warms towards summer, the voices of the world outside tune themselves. The Contessa and Bice in great spirits and happiness, like two children home from school, had left the Randolph party at the railway, to take possession of the little house in Mayfair. They had both waved their hands from the carriage window and called out, "Be sure you come and see us," as they drove away. "You will come to-night," they had stipulated with Sir Tom and Jock. It was like a new toy which filled them with glee. Could it be possible that those two adventurers going off to their little temporary home with smiles so genuine, with so simple a delight in their new beginning, were not, in their strange way, innocent, full of guile and shifts as one was, and the other so apt a scholar? Lucy would have joined in all this pleasure two days ago, but she could not now. She went home to her luxurious house, where all was ready, as if she had not been absent an hour. How wonderfully wealth smooths away the inconveniences of change! and how little it has to do, Lucy thought, with the comfort of the soul! No need for any exertion on her part, any scuffling for the first arrival, any trouble of novelty. She came from the Hall to London without any sense of change. Had she been compelled to superintend the arrangement of her house, to make it habitable, to make it pretty, that would have done her good. But the only thing for her to do was to see Mr. Chervil, her trustee, who waited upon her according to her request, and who, after the usual remonstrances, took her instructions about the gift to Bice very unwillingly, but still with a forced submission. "If I cannot make you see the folly of it, Lady Randolph, and if Sir Thomas does not object, I don't know what more is to be said." "There is nothing more to be said," Lucy said, with a smile; but there was this difficulty in the proceeding which she had not thought of, that Bice's name all this time was unknown to her – Beatrice di Forno-Populo, she supposed, but the Contessa had never called her so, and it was necessary to be exact, Mr. Chervil said. He hailed this as an occasion of delay. He was not so violent as he had been on previous occasions when Lucy was young; and he did not, like Mr. Rushton, assume the necessity of speaking to Sir Tom. Mr. Chervil was a London solicitor, and knew very little about Sir Tom. But he was glad to seize upon anything that was good for a little delay.

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