Маргарет Олифант
Sir Tom

CHAPTER XXXV.
THE DÉBUT

The door was open. The long drawing-room afforded a sort of processional path for the newcomer. Her dress was not white like that of the ordinary débutante. It had a yellow golden glow of colour, warm yet soft. She walked not with the confused air of a novice perceiving herself observed, but with a slow and serene gait like a young queen. She was not alarmed by the consciousness that everybody was looking at her. Not to have been looked at would have been more likely to embarrass Bice. Her beautiful throat and shoulders were uncovered, her hair dressed more elaborately than that of English girls in general. English girls – the two innocents in blue, who were nice girls enough, and stood with their mouths and eyes open in speechless wonder and admiration – seemed of an entirely different species from this dazzling creature. She made a momentary pause on the threshold, while all the beholders held their breath. Montjoie, for one, was struck dumb. His commonplace countenance changed altogether. He looked at her with his face growing longer, his jaw dropping. It was more than a sensation, it was such a climax of excitement and surprise as does not happen above once or twice in a lifetime. The whole company were moved by similar feelings, all except the Contessa, lying back in her chair, and Lucy, who stood rather troubled, moving from one foot to another, clasping and unclasping her hands. Jock, roused by the murmur, turned round with a start, and eyed her too with looks of wild astonishment. She stood for a moment looking at them all – with a smile which was half mischievous, half appealing – on the threshold, as Bice felt it, not only of Lady Randolph's drawing-room, but of the world.

Sir Tom had started at the sight of her as much as any one. He had not been in the secret. He cried out, "By Jove!" like Montjoie. But he had those instincts which are, perhaps, rather old-fashioned, of protection and service to women. He belonged to the school which thinks a girl should not walk across a room without some man's arm to sustain her, or open a door for herself. He started forward with a little sense of being to blame, and offered her his arm. "Why didn't you send for me to bring you in if you were late?" he cried, with a tone in which there was some tremor and vexation. The effectiveness of her appearance was terrible to Sir Tom. She looked up at him with a look of pleasure and kindness, and said, "I was not late," with a smile. She looked taller, more developed in a single day. But for that little pucker of vexation on Sir Tom's forehead they would have looked like a father and daughter, the father proudly bringing his young princess into the circle of her adorers. Bice swept him towards Lucy, and made a low obeisance to Lady Randolph, and took her hand and kissed it. "I must come to you first," she said.

"Well?" said the Contessa, turning round to her retainers with a quick movement. They were all gazing at the débutante so intently that they had no eyes for her. One of them at length replied, with something like solemnity: "Oh, I understand what you mean, Contessa; anybody but you would have to abdicate." "But not you," said another, who had some kindness in his heart. The Contessa rose up with an air of triumph. "I do not want to be compelled," she said, "I told you. I give up. I will take your arm Mr. St. John, as a private person, having relinquished my claims, and leave milord to the new régime."

This was how it came about, in the slight scuffle caused by the sudden change of programme, that Bice, in all her splendour, found herself going in to the dining-room on Lord Montjoie's arm. Notwithstanding that he had been struck dumb by her beauty, little Montjoie was by no means happy when this wonderful good fortune fell upon him. He would have preferred to gaze at her from the other side of the table: on the whole, he would have been a great deal more at his ease with the Contessa. He would have asked her a hundred questions about this wonderful beauty; but the beauty herself rather frightened the young man. Presently, however, he regained his courage, and as lack of boldness was not his weak point, soon began to lose the sense of awe which had been so strong upon him. She smiled; she was as ready to talk as he was, as the overwhelming impression she had made upon him began to be modified by familiarity. "I suppose," he said, when he had reached this point, "that you arrived to-day?" And then, after a pause, "You speak English?" he added, in a hesitating tone. She received this question with so merry a laugh that he was quite encouraged.

"Always," she said, "since I was a child. Was that why you were afraid of me?"

"Afraid?" he said; and then he looked at her almost with a recurrence of his first fright, till her laugh reassured him. "Yes I was frightened," Lord Montjoie said; "you looked so – so – don't you know? I was struck all of a heap. I suppose you came to-day? We were all on the outlook from something the Contessa said. You must be clever to get in without anybody seeing you."

"I was far more clever than that," said Bice; "you don't know how clever I am."

"I dare say," said Lord Montjoie, admiringly, "because you don't want it. That's always the way."

"I am so clever that I have been here all the time," said Bice, with another laugh so joyous, – "so jolly," Montjoie said, that his terrors died away. But his surprise took another development at this extraordinary information.

"By Jove!" he cried, "you don't mean that, Miss – Mademoiselle – I am so awfully stupid I never heard – that is to say I ain't at all clever at foreign names."

"Oh, never mind," cried Bice; "neither am I. But yours is delightful; it is so easy, Milord. Ought I to say Milord?"

"Oh," cried Montjoie, a little confused. "No; I don't think so – people don't as a rule."

"Lord Montjoie, that is right? I like always to know – "

"So do I," said Montjoie; "it's always best to ask, ain't it, and then there can be no mistakes? But you don't mean to say that? You here yesterday and all the time? I shouldn't think you could have been hid. Not the kind of person, don't you know."

"I can't tell about being the kind of person. It has been fun," said Bice; "sometimes I have seen you all coming, and waited till there was just time to fly. I like leaving it till the last moment, and then there is the excitement, don't you know."

"By Jove, what fun!" said Montjoie. He was not clever enough, few people are, to perceive that she had mimicked himself in tone and expression. "And I might have caught you any day," he cried. "What a muff I have been."

"If I had allowed myself to be caught I should have been a greater – what do you call it? You wear beautiful things to do your smoking in, Lord Montjoie; what is it? Velvet? And why don't you wear them to dinner? – you would look so much more handsome. I am very fond myself of beautiful clothes."

"Oh, by Jove!" cried Montjoie again, with something like a blush. "You've seen me in those things! I only wear them when I think nobody sees. They're something from the East," he added, with a tone of careless complacency; for, as a matter of fact, he piqued himself very much upon this smoking-suit which had not, at the Hall, received the applause it deserved.

"You go and smoke like that among other men? Yes, I perceive," said Bice, "you are just like women, there is no difference. We put on our pretty things for other ladies, because you cannot understand them; and you do the same."

"Oh, come now, Miss – Forno-Populo! you don't mean to tell me that you got yourself up like that for the sake of the ladies?" cried the young man.

"For whom, then?" said Bice, throwing up her head; but afterwards, with the instinct of a young actress, she remembered her rôle, which it was fun to carry out thoroughly. She laughed. "You are the most clever," she said. "I see you are one that women cannot deceive."

Montjoie laughed, too, with gratified vanity and superior knowledge. "You are about right there," he said. "I am not to be taken in, don't you know. It's no good trying it on with me. I see through ladies' little pretences. If there were no men you would not care what guys you were; and no more do we."

Bice made no reply. She turned upon him that dazzling smile of which she had learned the secret from the Contessa, which was unfathomable to the observer but quite simple to the simple-minded; and then she said: "Do you amuse yourself very much in the evening? I used to hear the voices and think how pleasant it would have been to be there."

"Not so pleasant as you think," said the young man. "The only fun was the Contessa's, don't you know. She's a fine woman for her age, but she's – Goodness! I forgot. She's your – "

"She is passée," said the girl calmly. "You make me afraid, Lord Montjoie. How much of a critic you are, and see through women, through and through." At this the noble Marquis laughed with true enjoyment of his own gifts.

"But you ain't offended?" he said. "There was no harm meant. Even a lady can't, don't you know, be always the same age."

"Don't you think so?" said Bice. "Oh, I think you are wrong. The Contessa is of no age. She is the age she pleases – she has all the secrets. I see nobody more beautiful."

"That may be," said Montjoie; "but you can't see everybody, don't you know. She's very handsome and all that – and when the real thing isn't there – but when it is, don't you know – "

"English is very perplexing," said Bice, shaking her head, but with a smile in her eyes which somewhat belied her air of simplicity. "What may that be – the real thing? Shall I find it in the dictionary?" she asked; and then their eyes met and there was another burst of laughter, somewhat boisterous on his part, but on hers with a ring of lightheartedness which quenched the malice. She was so young that she had a pleasure in playing her rôle, and did not feel any immorality involved.

While this conversation was going on, which was much observed and commented on by all the company, Jock from one end of the table and Mr. Derwentwater from the other, looked on with an eager observation and breathless desire to make out what was being said which gave an expression of anxiety to the features of MTutor, and one of almost ferocity to the lowering countenance of Jock. Both of these gentlemen were eagerly questioned by the ladies next them as to who this young lady might be.

"Terribly theatrical, don't you think, to come into a room like that?" said the mother of the girls in blue. "If my Minnie or Edith had been asked to do it they would have died of shame."

"I do not deny," said Mr. Derwentwater, "the advantage of conventional restraints. I like the little airs of seclusion, of retirement, that surround young ladies. But the – " he paused a little for a name, and then with that acquaintance with foreign ways on which Mr. Derwentwater prided himself, added, "the Signorina was at home."

"The Signorina! Is that what you call her – just like a person that is going on the stage. She will be the – niece, I suppose?"

Jock's next neighbour was the lady who was engaged in literature. She said to Jock: "I must get you to tell me her name. She is lovely. She will make a great sensation. I must make a few notes of her dress after dinner – would you call that yellow or white? Whoever dressed her knew what they were about. Mademoiselle, I imagine, one ought to call her. I know that's French, and she's Italian, but still – The new beauty! that's what she will be called. I am so glad to be the first to see her; but I must get you to tell me her name."

Among the gentlemen there was no other subject of conversation, and but one opinion. A little hum of curiosity ran round the table. It was far more exciting than tableaux, which was what some of the guests had expected to be arranged by the Contessa. Tableaux! nothing could have been equal to the effect of that dramatic entry and sudden revelation. "As for Montjoie, all was up with him, but the Contessa knew what she was about. She was not going to throw away her effects," they said. "There could be no doubt for whose benefit it all was." The Contessa graciously baffled with her charming smile all the questions that were poured upon her. She received the compliments addressed to her with gracious bows, but she gave no reply to any one. As she swept out of the room after dinner she tapped Montjoie lightly on the arm with her fan. "I will sing for you to-night," she said.

In the drawing-room the elements were a little heterogeneous without the gentlemen. The two girls in blue gazed at this wonderful new competitor with a curiosity which was almost alarm. They would have liked to make acquaintance, to draw her into their little party of youth outside the phalanx of the elders. But Bice took no more note of them than if they had been cabbages. She was in great excitement, all smiles and glory. "Do I please you like this?" she said, going up to Lucy, spreading out all her finery with the delight of a child. Lucy shrank a little. She had a troubled anxious look, which did not look like pleasure; but Lady Anastasia, who wrote for the newspapers, walked round and round the débutante and took notes frankly. "Of course I shall describe her dress. I never saw anything so lovely," the lady said. Bice, in the glow of her golden yellow, and of her smiles and delight, with the noble correspondent of the newspapers examining her, found the acutest interest in the position. The Contessa from her sofa smiled upon the scene, looking on with the air of a gratified exhibitor whose show had succeeded beyond her hopes. Lady Randolph, with an air of anxiety in her fair and simple countenance, stood behind, looking at Bice with protecting yet disturbed and troubled looks. The mother and daughters at the other side looked on, she all solid and speechless with disapproval, they in a flutter of interest and wonder and gentle envy and offence. More than a tableau; it was like an act out of a play. And when the gentlemen came in what a sudden quickening of the interest! Bice rose to the action like a heroine when the great scene has come, and the others all gathered round with a spectatorship that was almost breathless. The worst feature of the whole to those who were interested in Bice was her own evident enjoyment. She talked, she distributed her smiles right and left, she mimicked yet flattered Montjoie with a dazzling youthful assurance which confounded Mr. Derwentwater, and made Jock furious, and brought looks of pain not only to the face of Lucy but also to that of Sir Tom, who was less easily shocked. She was like a young actress in her first triumph, filling her rôle with a sort of enthusiasm, enjoying it with all her heart. And when the Contessa rose to sing, Bice followed her to the piano with an air as different as possible from the swift, noiseless self-effacement of her performance on previous occasions. She looked round upon the company with a sort of malicious triumph, a laugh on her lips as of some delightful mystification, some surprise of which she was in the secret. "Come and listen," she said to Jock, lightly touching him on the shoulder as she passed him. The Contessa's singing was already known. It was considered by some with a certain contempt, by others with admiration, as almost as good as professional. But when instead of one of her usual performances there arose in splendid fulness the harmony of two voices, that of Bice suddenly breaking forth in all the freshness of youth, unexpected, unprepared for, the climax of wonder and enthusiasm was reached. Lady Anastasia, after the first start and thrill of wonder, rushed to the usual writing-table and dashed off a hurried note, which she fastened to her fan in her excitement. "Everybody must know of this!" she cried. One of the young ladies in the background wept with admiration, crying, "Mamma, she is heavenly," while even the virtuous mother was moved. "They must intend her for the stage," that lady said, wondering, withdrawing from her rôle of disapproval. As for the gentlemen, those of them who were not speechless with enthusiasm were almost noisy in their excitement. Montjoie pressed into the first rank, almost touching Bice's dress, which she drew away between two bars, turning half round with a slight shake of her head and a smile in her eyes, even while the loveliest notes were flowing forth from her melodious throat. The listeners could hear the noble lord's "by Jove," in the midst of the music, and even detect the slight quaver of laughter which followed in Bice's wonderful voice.

The commotion of applause, enthusiasm, and wonder afterwards was indescribable. The gentlemen crowded round the singers – even the parliamentary gentlemen had lost their self-control, while the young lady who had wept forgot her timidity to make an eager approach to the débutante.

"It was heavenly: it was a rapture: oh, sing again!" cried Miss Edith, which was much prettier than Lord Montjoie's broken exclamations, "Oh, by Jove! don't you know," to which Bice was listening with delighted mockery.

Bice had been trained to pay very little attention to the opinions of other girls, but she gave the young lady in blue a friendly look, and launched over her shoulder an appeal to Jock. "Didn't you like it, you?" she cried, with a slight clap together of her hands to call his attention.

Jock glared at her over Miss Edith's shoulder. "I don't understand music," he said, in his most surly voice. These were the distinct utterances which enchanted Bice amid the murmurs of more ordinary applause. She was delighted with them. She clapped her hands once more with a delight which was contagious. "Ah, I know now, this is what it is to have succès," she cried.

"Now," said the Contessa, "it is the turn of Lord Montjoie, who is a dab – that is the word – at singing, and who promised me three for one."

At this there rose a hubbub of laughter, in the midst of which, though with many protestations and remonstrances, "don't you know," that young nobleman was driven to the fulfilment of his promise. In the midst of this commotion, a sign as swift as lightning, but, unlike lightning, imperceptible, a lifting of the eyebrows, a movement of a finger, was given and noted. In such a musical assembly the performance of a young marquis, with nobody knows how many thousands a year and entirely his own master, is rarely without interest. Mr. Derwentwater turned his back with marked indifference, and Jock with a sort of snort went away altogether. But of the others, the majority, though some with laughter and some with sneers, were civil, and listened to the performance. Jock marched off with a disdain beyond expression; but he had scarcely issued forth into the hall before he heard a rustle behind him, and, looking back, to his amazement saw Bice in all the glory of her golden robes.

"Hush!" she cried, smothering a laugh, and with a quick gesture of repression, "don't say anything. It must not be discovered that I have run away!"

"Why have you run away? I thought you thought no end of that little scug," cried savage Jock.

Bice turned upon him that smile that said everything and nothing, and then flew like a bird upstairs.

CHAPTER XXXVI.
THE EVENING AFTER

The outcry that rose when, after Montjoie's comic song, a performance of the broadest and silliest description, was over, it was discovered that Bice had disappeared, and especially the blank look of the performer himself when turning round from the piano he surveyed the company in vain for her, gratified the Contessa beyond measure. She smiled radiantly upon the assembly in answer to all their indignant questions. "It has been for once an indulgence," she said; "but little girls must keep early hours." Montjoie was wounded and disappointed beyond measure that it should have been at the moment of his performance that she was spirited away. His reproaches were vehement, and there was something of the pettishness of a boy in their indignant tones. "I shouldn't have sung a note if I'd thought what was going on," he cried. "Contessa, I would not have believed you could have been so mean – and I singing only to please you."

"But think how you have pleased me – and all these ladies!" cried the Contessa. "Does not that recompense you?" Montjoie guessed that she was laughing at him, but he did not, in fact, see anything to laugh about. It was natural enough that the other ladies should be pleased; still he did not care whether they were pleased or not, and he did care much that the object of his admiration had not waited to hear him. The Contessa found the greatest amusement in his boyish sulk and resentment, and the rest of the evening was passed in baffling the questions with which, now that Bice was gone, her friends overpowered her. She gave the smallest possible dole of reply to their interrogations, but smiled upon the questioners with sunshiny smiles. "You must come and see me in town," she said to Montjoie. It was the only satisfaction she would give him. And she perceived at a much earlier hour than usual that Lucy was waiting for her to go to bed. She gave a little cry of distress when this seemed to flash upon her.

"Sweet Lucy! it is for me you wait!" she cried. "How could I keep you so late, my dear one?"

Montjoie was the foremost of those who attended her to the door, and got her candle for her, that indispensable but unnecessary formula.

"Of course I shall look you up in town; but we'll talk of that to-morrow. I don't go till three – to-morrow," the young fellow said.

The Contessa gave him her hand with a smile, but without a word, in that inimitable way she had, leaving Montjoie a prey to such uncertainty as poisoned his night's rest. He was not humble-minded, and he knew that he was a prize which no lady he had met with as yet had disregarded; but for the first time his bosom was torn by disquietude. Of course he must see her to-morrow. Should he see her to-morrow? The Contessa's smile, so radiant, so inexplainable, tormented him with a thousand doubts.

Lucy had looked on at all this with an uneasiness indescribable. She felt like an accomplice, watching this course of intrigue, of which she indeed disapproved entirely, but could not clear herself from a certain guilty knowledge of. That it should all be going on under her roof was terrible to her, though it was not for Montjoie but for Bice that her anxieties were awakened. She followed the Contessa upstairs, bearing her candle as if they formed part of a procession, with a countenance absolutely opposed in expression to the smiles of Madame di Forno-Populo. When they reached the Contessa's door, Lucy, by a sudden impulse, followed her in. It was not the first time that she had been allowed to cross the threshold of that little enchanted world which had filled her with wonder on her first entrance, but which by this time she regarded with composure, no longer bewildered to find it in her own house. Bice sprang up from a sofa on which she was lying on their entrance. She had taken off her beautiful dress, and her hair was streaming over her shoulders, her countenance radiant with delight. She threw herself upon the Contessa, without perceiving the presence of Lady Randolph.

"But it is enchanting; it is ravishing. I have never been so happy," she cried.

"My child," said the Contessa, "here is our dear lady who is of a different opinion."

"Of what opinion?" Bice cried. She was startled by the sudden appearance, when she had no thought of such an apparition, of Lucy's face so grave and uneasy. It gave a contradiction which was painful to the girl's excitement and delight.

"Indeed, I did not mean to find fault," said Lucy. "I was only sorry – " and here she paused, feeling herself incapable of expressing her real meaning, and convicted of interference and unnecessary severity by the girl's astonished eyes.

"My dear one," said the Contessa, "it is only that we look from two different points of view. You will not object to little Bice that she finds society intoxicating when she first goes into it. The child has made what you call a sensation. She has had her little succès. That is nothing to object to. An English girl is perhaps more reticent. She is brought up to believe that she does not care for succès. But Bice is otherwise. She has been trained for that, and to please makes her happy."

"To please – whom?" cried Lady Randolph. "Oh, don't think I am finding fault. We are brought up to please our parents and people who – care for us – in England."

Here Bice and the Contessa mutually looked at each other, and the girl laughed, putting her hands together. "She is pleased most of all," she cried; "she is all my parents. I please her first of all."

"What you say is sweet," said the Contessa, smiling upon Lucy; "and she is right too. She pleases me most of all. To see her have her little triumph, looking really her very best, and her dress so successful, is to me a delight. I am nearly as much excited as the child herself!"

Lucy looked from one to another, and felt that it was impossible for her to say what she wished to say. The girl's pleasure seemed so innocent, and that of her protectress and guardian so generous, so tender. All that had offended Lucy's instincts, the dramatic effort of the Contessa, the careful preparation of all the effects, the singling out of young Montjoie as the object, all seemed to melt away in the girlish delight of Bice, and the sympathetic triumph of her guardian. She did not know what to say to them. It was she who was the culprit, putting thoughts of harm which had not found any entrance there into the girl's mind. She flushed with shame and an uneasy sense that the tables were thus turned upon her; and yet how could she depart without some warning? It was not only her own troubled uncomfortable feeling; but had she not read the same, still more serious and decided, in her husband's eyes?

"I don't know what to say," said Lucy. "But Sir Tom thinks so too. He will tell you better, he knows better. Lord Montjoie is – I do not know why he was asked. I did not wish it. He is – dear Madame di Forno-Populo, you have seen so much more than I – he is vulgar – a little. And Bice is so young; she may be deceived."

For a moment a cloud, more dark than had ever been seen there before, overshadowed the Contessa's face. But Bice burst forth into a peal of laughter, clapping her hands. "Is that vulgar?" the girl cried. "I am glad. Now I know how he is different. It is what you call fun, don't you know?" she cried with sudden mimicry, at which Lucy herself could not refuse to laugh.

"I waited outside to hear a little of the song. It was so wonderful that I could not laugh; and to utter all that before you, Madama, after he had heard you – oh, what courage! what braveness!" cried Bice. "I did not think any one could be so brave!"

"You mean so simple, dear child," said the Contessa, whose brow had cleared; "that is really what is so wonderful in these English men. They are so simple, they never see how it is different. It is brave if you please, but still more simple-minded. Little Montjoie is so. He knows no better; not to me only, but even to you, Bice, with that voice of yours, so pure, so fresh, he listens, then performs as you heard. It is wonderful, as you say. But you have not told me, Lucy, my sweetest, what you think of the little one's voice."

"I think," said Lucy, with that disapproval which she could not altogether restrain, "that it is very wonderful, when it is so fine, that we never heard it before – "

"Ah, Bice," cried the Contessa, "our dear lady is determined that she will not be pleased to-night. We had prepared a little surprise, and it is a failure. She will not understand that we love to please. She will have us to be superior, as if we were English."

"Indeed, indeed," cried Lucy, full of compunction, "I know you are always kind. And I know your ways are different – but – " with a sort of regretful reflectiveness, shaking her head.

"All England is in that but," said the Contessa. "It is what has always been said to me. In our country we love to arrange these little effects, to have surprises, impromptus, events that are unexpected. Bice, go, my child, go to bed, after this excitement you must rest. You did well, and pleased me at least. My sweet Lucy," she said, when the girl with instant obedience had disappeared into the next room, "I know how you see it all from your point of view. But we are not as you, rich, secure. We must make while we can our coup. To succeed by one coup, that is my desire. And you will not interfere?"

"Oh, Contessa," cried Lucy, "will you not spare the child? It is like selling her. She is too good for such a man. He is scarcely a man; he is a boy. I am ashamed to think that you should care to please – him, or any one like him. Oh, let it come naturally! Do not plan like this, and scheme and take trouble for – "

"For an establishment that will make her at once safe and sure; that will give her so many of the things that people care for – beautiful houses, a good name, money – I have schemed, as you say, for little things much of my life," said the Contessa, shaking her head with a mournful smile; "I have told you my history: for very, very little things – for a box at the opera, for a carriage, things which are nothing, sweetest Lucy. You have plenty; such things are nothing to you. You cannot understand it. But that is me, my dear one. I have not a higher mind like you; and shall I not scheme," cried the Contessa, with sudden energy, "for the child, to make her safe that she may never require scheming? Ah, my Lucy! I have the heart of a mother to her, and you know what a mother will do."

Lucy was silent, partly touched, partly resisting. If it ever could be right to do evil that good might come, perhaps this motive might justify it. And then came the question how much, in the Contessa's code, was evil, of these proceedings? She was silenced, if not satisfied. There is a certain casuistry involved in the most Christian charity: "thinketh no evil," sometimes even implies an effort to think that there is no harm in evil according to the intention in it. Lucy's intellect was confused, though not that unobtrusive faculty of judgment in her which was infallible, yet could be kept dumb.