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полная версияThe Trimmed Lamp, and other Stories of the Four Million

О. Генри
The Trimmed Lamp, and other Stories of the Four Million

A HARLEM TRAGEDY

Harlem.

Mrs. Fink had dropped into Mrs. Cassidy's flat one flight below.

"Ain't it a beaut?" said Mrs. Cassidy.

She turned her face proudly for her friend Mrs. Fink to see. One eye was nearly closed, with a great, greenish-purple bruise around it. Her lip was cut and bleeding a little and there were red finger-marks on each side of her neck.

"My husband wouldn't ever think of doing that to me," said Mrs. Fink, concealing her envy.

"I wouldn't have a man," declared Mrs. Cassidy, "that didn't beat me up at least once a week. Shows he thinks something of you. Say! but that last dose Jack gave me wasn't no homeopathic one. I can see stars yet. But he'll be the sweetest man in town for the rest of the week to make up for it. This eye is good for theater tickets and a silk shirt waist at the very least."

"I should hope," said Mrs. Fink, assuming complacency, "that Mr. Fink is too much of a gentleman ever to raise his hand against me."

"Oh, go on, Maggie!" said Mrs. Cassidy, laughing and applying witch hazel, "you're only jealous. Your old man is too frappéd and slow to ever give you a punch. He just sits down and practises physical culture with a newspaper when he comes home – now ain't that the truth?"

"Mr. Fink certainly peruses of the papers when he comes home," acknowledged Mrs. Fink, with a toss of her head; "but he certainly don't ever make no Steve O'Donnell out of me just to amuse himself – that's a sure thing."

Mrs. Cassidy laughed the contented laugh of the guarded and happy matron. With the air of Cornelia exhibiting her jewels, she drew down the collar of her kimono and revealed another treasured bruise, maroon-colored, edged with olive and orange – a bruise now nearly well, but still to memory dear.

Mrs. Fink capitulated. The formal light in her eye softened to envious admiration. She and Mrs. Cassidy had been chums in the downtown paper-box factory before they had married, one year before. Now she and her man occupied the flat above Mame and her man. Therefore she could not put on airs with Mame.

"Don't it hurt when he soaks you?" asked Mrs. Fink, curiously.

"Hurt!" – Mrs. Cassidy gave a soprano scream of delight. "Well, say – did you ever have a brick house fall on you? – well, that's just the way it feels – just like when they're digging you out of the ruins. Jack's got a left that spells two matinees and a new pair of Oxfords – and his right! – well, it takes a trip to Coney and six pairs of openwork, silk lisle threads to make that good."

"But what does he beat you for?" inquired Mrs. Fink, with wide-open eyes.

"Silly!" said Mrs. Cassidy, indulgently. "Why, because he's full. It's generally on Saturday nights."

"But what cause do you give him?" persisted the seeker after knowledge.

"Why, didn't I marry him? Jack comes in tanked up; and I'm here, ain't I? Who else has he got a right to beat? I'd just like to catch him once beating anybody else! Sometimes it's because supper ain't ready; and sometimes it's because it is. Jack ain't particular about causes. He just lushes till he remembers he's married, and then he makes for home and does me up. Saturday nights I just move the furniture with sharp corners out of the way, so I won't cut my head when he gets his work in. He's got a left swing that jars you! Sometimes I take the count in the first round; but when I feel like having a good time during the week or want some new rags I come up again for more punishment. That's what I done last night. Jack knows I've been wanting a black silk waist for a month, and I didn't think just one black eye would bring it. Tell you what, Mag, I'll bet you the ice cream he brings it to-night."

Mrs. Fink was thinking deeply.

"My Mart," she said, "never hit me a lick in his life. It's just like you said, Mame; he comes in grouchy and ain't got a word to say. He never takes me out anywhere. He's a chair-warmer at home for fair. He buys me things, but he looks so glum about it that I never appreciate 'em."

Mrs. Cassidy slipped an arm around her chum. "You poor thing!" she said. "But everybody can't have a husband like Jack. Marriage wouldn't be no failure if they was all like him. These discontented wives you hear about – what they need is a man to come home and kick their slats in once a week, and then make it up in kisses, and chocolate creams. That'd give 'em some interest in life. What I want is a masterful man that slugs you when he's jagged and hugs you when he ain't jagged. Preserve me from the man that ain't got the sand to do neither!"

Mrs. Fink sighed.

The hallways were suddenly filled with sound. The door flew open at the kick of Mr. Cassidy. His arms were occupied with bundles. Mame flew and hung about his neck. Her sound eye sparkled with the love light that shines in the eye of the Maori maid when she recovers consciousness in the hut of the wooer who has stunned and dragged her there.

"Hello, old girl!" shouted Mr. Cassidy. He shed his bundles and lifted her off her feet in a mighty hug. "I got tickets for Barnum & Bailey's, and if you'll bust the string of one of them bundles I guess you'll find that silk waist – why, good evening, Mrs. Fink – I didn't see you at first. How's old Mart coming along?"

"He's very well, Mr. Cassidy – thanks," said Mrs. Fink. "I must be going along up now. Mart'll be home for supper soon. I'll bring you down that pattern you wanted to-morrow, Mame."

Mrs. Fink went up to her flat and had a little cry. It was a meaningless cry, the kind of cry that only a woman knows about, a cry from no particular cause, altogether an absurd cry; the most transient and the most hopeless cry in the repertory of grief. Why had Martin never thrashed her? He was as big and strong as Jack Cassidy. Did he not care for her at all? He never quarrelled; he came home and lounged about, silent, glum, idle. He was a fairly good provider, but he ignored the spices of life.

Mrs. Fink's ship of dreams was becalmed. Her captain ranged between plum duff and his hammock. If only he would shiver his timbers or stamp his foot on the quarter-deck now and then! And she had thought to sail so merrily, touching at ports in the Delectable Isles! But now, to vary the figure, she was ready to throw up the sponge, tired out, without a scratch to show for all those tame rounds with her sparring partner. For one moment she almost hated Mame – Mame, with her cuts and bruises, her salve of presents and kisses; her stormy voyage with her fighting, brutal, loving mate.

Mr. Fink came home at 7. He was permeated with the curse of domesticity. Beyond the portals of his cozy home he cared not to roam, to roam. He was the man who had caught the street car, the anaconda that had swallowed its prey, the tree that lay as it had fallen.

"Like the supper, Mart?" asked Mrs. Fink, who had striven over it.

"M-m-m-yep," grunted Mr. Fink.

After supper he gathered his newspapers to read. He sat in his stocking feet.

Arise, some new Dante, and sing me the befitting corner of perdition for the man who sitteth in the house in his stockinged feet. Sisters of Patience who by reason of ties or duty have endured it in silk, yarn, cotton, lisle thread or woollen – does not the new canto belong?

The next day was Labor Day. The occupations of Mr. Cassidy and Mr. Fink ceased for one passage of the sun. Labor, triumphant, would parade and otherwise disport itself.

Mrs. Fink took Mrs. Cassidy's pattern down early. Mame had on her new silk waist. Even her damaged eye managed to emit a holiday gleam. Jack was fruitfully penitent, and there was a hilarious scheme for the day afoot, with parks and picnics and Pilsener in it.

A rising, indignant jealousy seized Mrs. Fink as she returned to her flat above. Oh, happy Mame, with her bruises and her quick-following balm! But was Mame to have a monopoly of happiness? Surely Martin Fink was as good a man as Jack Cassidy. Was his wife to go always unbelabored and uncaressed? A sudden, brilliant, breathless idea came to Mrs. Fink. She would show Mame that there were husbands as able to use their fists and perhaps to be as tender afterward as any Jack.

The holiday promised to be a nominal one with the Finks. Mrs. Fink had the stationary washtubs in the kitchen filled with a two weeks' wash that had been soaking overnight. Mr. Fink sat in his stockinged feet reading a newspaper. Thus Labor Day presaged to speed.

Jealousy surged high in Mrs. Fink's heart, and higher still surged an audacious resolve. If her man would not strike her – if he would not so far prove his manhood, his prerogative and his interest in conjugal affairs, he must be prompted to his duty.

Mr. Fink lit his pipe and peacefully rubbed an ankle with a stockinged toe. He reposed in the state of matrimony like a lump of unblended suet in a pudding. This was his level Elysium – to sit at ease vicariously girdling the world in print amid the wifely splashing of suds and the agreeable smells of breakfast dishes departed and dinner ones to come. Many ideas were far from his mind; but the furthest one was the thought of beating his wife.

Mrs. Fink turned on the hot water and set the washboards in the suds. Up from the flat below came the gay laugh of Mrs. Cassidy. It sounded like a taunt, a flaunting of her own happiness in the face of the unslugged bride above. Now was Mrs. Fink's time.

Suddenly she turned like a fury upon the man reading.

"You lazy loafer!" she cried, "must I work my arms off washing and toiling for the ugly likes of you? Are you a man or are you a kitchen hound?"

Mr. Fink dropped his paper, motionless from surprise. She feared that he would not strike – that the provocation had been insufficient. She leaped at him and struck him fiercely in the face with her clenched hand. In that instant she felt a thrill of love for him such as she had not felt for many a day. Rise up, Martin Fink, and come into your kingdom! Oh, she must feel the weight of his hand now – just to show that he cared – just to show that he cared!

 

Mr. Fink sprang to his feet – Maggie caught him again on the jaw with a wide swing of her other hand. She closed her eyes in that fearful, blissful moment before his blow should come – she whispered his name to herself – she leaned to the expected shock, hungry for it.

In the flat below Mr. Cassidy, with a shamed and contrite face was powdering Mame's eye in preparation for their junket. From the flat above came the sound of a woman's voice, high-raised, a bumping, a stumbling and a shuffling, a chair overturned – unmistakable sounds of domestic conflict.

"Mart and Mag scrapping?" postulated Mr. Cassidy. "Didn't know they ever indulged. Shall I trot up and see if they need a sponge holder?"

One of Mrs. Cassidy's eyes sparkled like a diamond. The other twinkled at least like paste.

"Oh, oh," she said, softly and without apparent meaning, in the feminine ejaculatory manner. "I wonder if – wonder if! Wait, Jack, till I go up and see."

Up the stairs she sped. As her foot struck the hallway above out from the kitchen door of her flat wildly flounced Mrs. Fink.

"Oh, Maggie," cried Mrs. Cassidy, in a delighted whisper; "did he? Oh, did he?"

Mrs. Fink ran and laid her face upon her chum's shoulder and sobbed hopelessly.

Mrs. Cassidy took Maggie's face between her hands and lifted it gently. Tear-stained it was, flushing and paling, but its velvety, pink-and-white, becomingly freckled surface was unscratched, unbruised, unmarred by the recreant fist of Mr. Fink.

"Tell me, Maggie," pleaded Mame, "or I'll go in there and find out. What was it? Did he hurt you – what did he do?"

Mrs. Fink's face went down again despairingly on the bosom of her friend.

"For God's sake don't open that door, Mame," she sobbed. "And don't ever tell nobody – keep it under your hat. He – he never touched me, and – he's – oh, Gawd – he's washin' the clothes – he's washin' the clothes!"

"THE GUILTY PARTY"

A Red-haired, unshaven, untidy man sat in a rocking chair by a window. He had just lighted a pipe, and was puffing blue clouds with great satisfaction. He had removed his shoes and donned a pair of blue, faded carpet-slippers. With the morbid thirst of the confirmed daily news drinker, he awkwardly folded back the pages of an evening paper, eagerly gulping down the strong, black headlines, to be followed as a chaser by the milder details of the smaller type.

In an adjoining room a woman was cooking supper. Odors from strong bacon and boiling coffee contended against the cut-plug fumes from the vespertine pipe.

Outside was one of those crowded streets of the east side, in which, as twilight falls, Satan sets up his recruiting office. A mighty host of children danced and ran and played in the street. Some in rags, some in clean white and beribboned, some wild and restless as young hawks, some gentle-faced and shrinking, some shrieking rude and sinful words, some listening, awed, but soon, grown familiar, to embrace – here were the children playing in the corridors of the House of Sin. Above the playground forever hovered a great bird. The bird was known to humorists as the stork. But the people of Chrystie street were better ornithologists. They called it a vulture.

A little girl of twelve came up timidly to the man reading and resting by the window, and said:

"Papa, won't you play a game of checkers with me if you aren't too tired?"

The red-haired, unshaven, untidy man sitting shoeless by the window answered, with a frown.

"Checkers. No, I won't. Can't a man who works hard all day have a little rest when he comes home? Why don't you go out and play with the other kids on the sidewalk?"

The woman who was cooking came to the door.

"John," she said, "I don't like for Lizzie to play in the street. They learn too much there that ain't good for 'em. She's been in the house all day long. It seems that you might give up a little of your time to amuse her when you come home."

"Let her go out and play like the rest of 'em if she wants to be amused," said the red-haired, unshaven, untidy man, "and don't bother me."

* * * * * *

"You're on," said Kid Mullaly. "Fifty dollars to $25 I take Annie to the dance. Put up."

The Kid's black eyes were snapping with the fire of the baited and challenged. He drew out his "roll" and slapped five tens upon the bar. The three or four young fellows who were thus "taken" more slowly produced their stake. The bartender, ex-officio stakeholder, took the money, laboriously wrapped it, recorded the bet with an inch-long pencil and stuffed the whole into a corner of the cash register.

"And, oh, what'll be done to you'll be a plenty," said a bettor, with anticipatory glee.

"That's my lookout," said the "Kid," sternly. "Fill 'em up all around, Mike."

After the round Burke, the "Kid's" sponge, sponge-holder, pal, Mentor and Grand Vizier, drew him out to the bootblack stand at the saloon corner where all the official and important matters of the Small Hours Social Club were settled. As Tony polished the light tan shoes of the club's President and Secretary for the fifth time that day, Burke spake words of wisdom to his chief.

"Cut that blond out, 'Kid,'" was his advice, "or there'll be trouble. What do you want to throw down that girl of yours for? You'll never find one that'll freeze to you like Liz has. She's worth a hallful of Annies."

"I'm no Annie admirer!" said the "Kid," dropping a cigarette ash on his polished toe, and wiping it off on Tony's shoulder. "But I want to teach Liz a lesson. She thinks I belong to her. She's been bragging that I daren't speak to another girl. Liz is all right – in some ways. She's drinking a little too much lately. And she uses language that a lady oughtn't."

"You're engaged, ain't you?" asked Burke.

"Sure. We'll get married next year, maybe."

"I saw you make her drink her first glass of beer," said Burke. "That was two years ago, when she used to came down to the corner of Chrystie bare-headed to meet you after supper. She was a quiet sort of a kid then, and couldn't speak without blushing."

"She's a little spitfire, sometimes, now," said the Kid. "I hate jealousy. That's why I'm going to the dance with Annie. It'll teach her some sense."

"Well, you better look a little out," were Burke's last words. "If Liz was my girl and I was to sneak out to a dance coupled up with an Annie, I'd want a suit of chain armor on under my gladsome rags, all right."

Through the land of the stork-vulture wandered Liz. Her black eyes searched the passing crowds fierily but vaguely. Now and then she hummed bars of foolish little songs. Between times she set her small, white teeth together, and spake crisp words that the east side has added to language.

Liz's skirt was green silk. Her waist was a large brown-and-pink plaid, well-fitting and not without style. She wore a cluster ring of huge imitation rubies, and a locket that banged her knees at the bottom of a silver chain. Her shoes were run down over twisted high heels, and were strangers to polish. Her hat would scarcely have passed into a flour barrel.

The "Family Entrance" of the Blue Jay Café received her. At a table she sat, and punched the button with the air of milady ringing for her carriage. The waiter came with his large-chinned, low-voiced manner of respectful familiarity. Liz smoothed her silken skirt with a satisfied wriggle. She made the most of it. Here she could order and be waited upon. It was all that her world offered her of the prerogative of woman.

"Whiskey, Tommy," she said as her sisters further uptown murmur, "Champagne, James."

"Sure, Miss Lizzie. What'll the chaser be?"

"Seltzer. And say, Tommy, has the Kid been around to-day?"

"Why, no, Miss Lizzie, I haven't saw him to-day."

Fluently came the "Miss Lizzie," for the Kid was known to be one who required rigid upholdment of the dignity of his fiancee.

"I'm lookin' for 'm," said Liz, after the chaser had sputtered under her nose. "It's got to me that he says he'll take Annie Karlson to the dance. Let him. The pink-eyed white rat! I'm lookin' for 'm. You know me, Tommy. Two years me and the Kid's been engaged. Look at that ring. Five hundred, he said it cost. Let him take her to the dance. What'll I do? I'll cut his heart out. Another whiskey, Tommy."

"I wouldn't listen to no such reports, Miss Lizzie," said the waiter smoothly, from the narrow opening above his chin. "Kid Mullaly's not the guy to throw a lady like you down. Seltzer on the side?"

"Two years," repeated Liz, softening a little to sentiment under the magic of the distiller's art. "I always used to play out on the street of evenin's 'cause there was nothin' doin' for me at home. For a long time I just sat on doorsteps and looked at the lights and the people goin' by. And then the Kid came along one evenin' and sized me up, and I was mashed on the spot for fair. The first drink he made me take I cried all night at home, and got a lickin' for makin' a noise. And now – say, Tommy, you ever see this Annie Karlson? If it wasn't for peroxide the chloroform limit would have put her out long ago. Oh, I'm lookin' for 'm. You tell the Kid if he comes in. Me? I'll cut his heart out. Leave it to me. Another whiskey, Tommy."

A little unsteadily, but with watchful and brilliant eyes, Liz walked up the avenue. On the doorstep of a brick tenement a curly-haired child sat, puzzling over the convolutions of a tangled string. Liz flopped down beside her, with a crooked, shifting smile on her flushed face. But her eyes had grown clear and artless of a sudden.

"Let me show you how to make a cat's-cradle, kid," she said, tucking her green silk skirt under her rusty shoes.

And while they sat there the lights were being turned on for the dance in the hall of the Small Hours Social Club. It was the bi-monthly dance, a dress affair in which the members took great pride and bestirred themselves huskily to further and adorn.

At 9 o'clock the President, Kid Mullaly, paced upon the floor with a lady on his arm. As the Loreley's was her hair golden. Her "yes" was softened to a "yah," but its quality of assent was patent to the most Milesian ears. She stepped upon her own train and blushed, and – she smiled into the eyes of Kid Mullaly.

And then, as the two stood in the middle of the waxed floor, the thing happened to prevent which many lamps are burning nightly in many studies and libraries.

Out from the circle of spectators in the hall leaped Fate in a green silk skirt, under the nom de guerre of "Liz." Her eyes were hard and blacker than jet. She did not scream or waver. Most unwomanly, she cried out one oath – the Kid's own favorite oath – and in his own deep voice; and then while the Small Hours Social Club went frantically to pieces, she made good her boast to Tommy, the waiter – made good as far as the length of her knife blade and the strength of her arm permitted.

And next came the primal instinct of self-preservation – or was it self-annihilation, the instinct that society has grafted on the natural branch?

Liz ran out and down the street swift and true as a woodcock flying through a grove of saplings at dusk.

And then followed the big city's biggest shame, its most ancient and rotten surviving canker, its pollution and disgrace, its blight and perversion, its forever infamy and guilt, fostered, unreproved and cherished, handed down from a long-ago century of the basest barbarity – the Hue and Cry. Nowhere but in the big cities does it survive, and here most of all, where the ultimate perfection of culture, citizenship and alleged superiority joins, bawling, in the chase.

They pursued – a shrieking mob of fathers, mothers, lovers and maidens – howling, yelling, calling, whistling, crying for blood. Well may the wolf in the big city stand outside the door. Well may his heart, the gentler, falter at the siege.

Knowing her way, and hungry for her surcease, she darted down the familiar ways until at last her feet struck the dull solidity of the rotting pier. And then it was but a few more panting steps – and good mother East River took Liz to her bosom, soothed her muddily but quickly, and settled in five minutes the problem that keeps lights burning o' nights in thousands of pastorates and colleges.

* * * * * *

It's mighty funny what kind of dreams one has sometimes. Poets call them visions, but a vision is only a dream in blank verse. I dreamed the rest of this story.

 

I thought I was in the next world. I don't know how I got there; I suppose I had been riding on the Ninth avenue elevated or taking patent medicine or trying to pull Jim Jeffries's nose, or doing some such little injudicious stunt. But, anyhow, there I was, and there was a great crowd of us outside the courtroom where the judgments were going on. And every now and then a very beautiful and imposing court-officer angel would come outside the door and call another case.

While I was considering my own worldly sins and wondering whether there would be any use of my trying to prove an alibi by claiming that I lived in New Jersey, the bailiff angel came to the door and sang out:

"Case No. 99,852,743."

Up stepped a plain-clothes man – there were lots of 'em there, dressed exactly like preachers and hustling us spirits around just like cops do on earth – and by the arm he dragged – whom, do you think? Why, Liz!

The court officer took her inside and closed the door. I went up to Mr. Fly-Cop and inquired about the case.

"A very sad one," says he, laying the points of his manicured fingers together. "An utterly incorrigible girl. I am Special Terrestrial Officer the Reverend Jones. The case was assigned to me. The girl murdered her fiance and committed suicide. She had no defense. My report to the court relates the facts in detail, all of which are substantiated by reliable witnesses. The wages of sin is death. Praise the Lord."

The court officer opened the door and stepped out.

"Poor girl," said Special Terrestrial Officer the Reverend Jones, with a tear in his eye. "It was one of the saddest cases that I ever met with. Of course she was" —

"Discharged," said the court officer. "Come here, Jonesy. First thing you know you'll be switched to the pot-pie squad. How would you like to be on the missionary force in the South Sea Islands – hey? Now, you quit making these false arrests, or you'll be transferred – see? The guilty party you've got to look for in this case is a red-haired, unshaven, untidy man, sitting by the window reading, in his stocking feet, while his children play in the streets. Get a move on you."

Now, wasn't that a silly dream?

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