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полная версияSketches New and Old

Марк Твен
Sketches New and Old

Полная версия

A Ghost Story

I took a large room, far up Broadway, in a huge old building whose upper stories had been wholly unoccupied for years until I came. The place had long been given up to dust and cobwebs, to solitude and silence. I seemed groping among the tombs and invading the privacy of the dead, that first night I climbed up to my quarters. For the first time in my life a superstitious dread came over me; and as I turned a dark angle of the stairway and an invisible cobweb swung its slazy woof in my face and clung there, I shuddered as one who had encountered a phantom.

I was glad enough when I reached my room and locked out the mold and the darkness. A cheery fire was burning in the grate, and I sat down before it with a comforting sense of relief. For two hours I sat there, thinking of bygone times; recalling old scenes, and summoning half-forgotten faces out of the mists of the past; listening, in fancy, to voices that long ago grew silent for all time, and to once familiar songs that nobody sings now. And as my reverie softened down to a sadder and sadder pathos, the shrieking of the winds outside softened to a wail, the angry beating of the rain against the panes diminished to a tranquil patter, and one by one the noises in the street subsided, until the hurrying footsteps of the last belated straggler died away in the distance and left no sound behind.

The fire had burned low. A sense of loneliness crept over me. I arose and undressed, moving on tiptoe about the room, doing stealthily what I had to do, as if I were environed by sleeping enemies whose slumbers it would be fatal to break. I covered up in bed, and lay listening to the rain and wind and the faint creaking of distant shutters, till they lulled me to sleep.

I slept profoundly, but how long I do not know. All at once I found myself awake, and filled with a shuddering expectancy. All was still. All but my own heart – I could hear it beat. Presently the bedclothes began to slip away slowly toward the foot of the bed, as if some one were pulling them! I could not stir; I could not speak. Still the blankets slipped deliberately away, till my breast was uncovered. Then with a great effort I seized them and drew them over my head. I waited, listened, waited. Once more that steady pull began, and once more I lay torpid a century of dragging seconds till my breast was naked again. At last I roused my energies and snatched the covers back to their place and held them with a strong grip. I waited. By and by I felt a faint tug, and took a fresh grip. The tug strengthened to a steady strain – it grew stronger and stronger. My hold parted, and for the third time the blankets slid away. I groaned. An answering groan came from the foot of the bed! Beaded drops of sweat stood upon my forehead. I was more dead than alive. Presently I heard a heavy footstep in my room – the step of an elephant, it seemed to me – it was not like anything human. But it was moving from me – there was relief in that. I heard it approach the door – pass out without moving bolt or lock – and wander away among the dismal corridors, straining the floors and joists till they creaked again as it passed – and then silence reigned once more.

When my excitement had calmed, I said to myself, “This is a dream – simply a hideous dream.” And so I lay thinking it over until I convinced myself that it was a dream, and then a comforting laugh relaxed my lips and I was happy again. I got up and struck a light; and when I found that the locks and bolts were just as I had left them, another soothing laugh welled in my heart and rippled from my lips. I took my pipe and lit it, and was just sitting down before the fire, when – down went the pipe out of my nerveless fingers, the blood forsook my cheeks, and my placid breathing was cut short with a gasp! In the ashes on the hearth, side by side with my own bare footprint, was another, so vast that in comparison mine was but an infant’s! Then I had had a visitor, and the elephant tread was explained.

I put out the light and returned to bed, palsied with fear. I lay a long time, peering into the darkness, and listening. Then I heard a grating noise overhead, like the dragging of a heavy body across the floor; then the throwing down of the body, and the shaking of my windows in response to the concussion. In distant parts of the building I heard the muffled slamming of doors. I heard, at intervals, stealthy footsteps creeping in and out among the corridors, and up and down the stairs. Sometimes these noises approached my door, hesitated, and went away again. I heard the clanking of chains faintly, in remote passages, and listened while the clanking grew nearer – while it wearily climbed the stairways, marking each move by the loose surplus of chain that fell with an accented rattle upon each succeeding step as the goblin that bore it advanced. I heard muttered sentences; half-uttered screams that seemed smothered violently; and the swish of invisible garments, the rush of invisible wings. Then I became conscious that my chamber was invaded – that I was not alone. I heard sighs and breathings about my bed, and mysterious whisperings. Three little spheres of soft phosphorescent light appeared on the ceiling directly over my head, clung and glowed there a moment, and then dropped – two of them upon my face and one upon the pillow. They spattered, liquidly, and felt warm. Intuition told me they had turned to goûts of blood as they fell – I needed no light to satisfy myself of that. Then I saw pallid faces, dimly luminous, and white uplifted hands, floating bodiless in the air – floating a moment and then disappearing. The whispering ceased, and the voices and the sounds, and a solemn stillness followed. I waited and listened. I felt that I must have light or die. I was weak with fear. I slowly raised myself toward a sitting posture, and my face came in contact with a clammy hand! All strength went from me apparently, and I fell back like a stricken invalid. Then I heard the rustle of a garment – it seemed to pass to the door and go out.

When everything was still once more, I crept out of bed, sick and feeble, and lit the gas with a hand that trembled as if it were aged with a hundred years. The light brought some little cheer to my spirits. I sat down and fell into a dreamy contemplation of that great footprint in the ashes. By and by its outlines began to waver and grow dim. I glanced up and the broad gas-flame was slowly wilting away. In the same moment I heard that elephantine tread again. I noted its approach, nearer and nearer, along the musty halls, and dimmer and dimmer the light waned. The tread reached my very door and paused – the light had dwindled to a sickly blue, and all things about me lay in a spectral twilight. The door did not open, and yet I felt a faint gust of air fan my cheek, and presently was conscious of a huge, cloudy presence before me. I watched it with fascinated eyes. A pale glow stole over the Thing; gradually its cloudy folds took shape – an arm appeared, then legs, then a body, and last a great sad face looked out of the vapor. Stripped of its filmy housings, naked, muscular and comely, the majestic Cardiff Giant loomed above me!

All my misery vanished – for a child might know that no harm could come with that benignant countenance. My cheerful spirits returned at once, and in sympathy with them the gas flamed up brightly again. Never a lonely outcast was so glad to welcome company as I was to greet the friendly giant. I said:

“Why, is it nobody but you? Do you know, I have been scared to death for the last two or three hours? I am most honestly glad to see you. I wish I had a chair – Here, here, don’t try to sit down in that thing—”

But it was too late. He was in it before I could stop him and down he went – I never saw a chair shivered so in my life.

“Stop, stop, you’ll ruin ev—”

Too late again. There was another crash, and another chair was resolved into its original elements.

“Confound it, haven’t you got any judgment at all? Do you want to ruin all the furniture on the place? Here, here, you petrified fool—”

But it was no use. Before I could arrest him he had sat down on the bed, and it was a melancholy ruin.

“Now what sort of a way is that to do? First you come lumbering about the place bringing a legion of vagabond goblins along with you to worry me to death, and then when I overlook an indelicacy of costume which would not be tolerated anywhere by cultivated people except in a respectable theater, and not even there if the nudity were of your sex, you repay me by wrecking all the furniture you can find to sit down on. And why will you? You damage yourself as much as you do me. You have broken off the end of your spinal column, and littered up the floor with chips of your hams till the place looks like a marble yard. You ought to be ashamed of yourself – you are big enough to know better.”

“Well, I will not break any more furniture. But what am I to do? I have not had a chance to sit down for a century.” And the tears came into his eyes.

“Poor devil,” I said, “I should not have been so harsh with you. And you are an orphan, too, no doubt. But sit down on the floor here – nothing else can stand your weight – and besides, we cannot be sociable with you away up there above me; I want you down where I can perch on this high counting-house stool and gossip with you face to face.” So he sat down on the floor, and lit a pipe which I gave him, threw one of my red blankets over his shoulders, inverted my sitz-bath on his head, helmet fashion, and made himself picturesque and comfortable. Then he crossed his ankles, while I renewed the fire, and exposed the flat, honeycombed bottoms of his prodigious feet to the grateful warmth.

“What is the matter with the bottom of your feet and the back of your legs, that they are gouged up so?”

 

“Infernal chilblains – I caught them clear up to the back of my head, roosting out there under Newell’s farm. But I love the place; I love it as one loves his old home. There is no peace for me like the peace I feel when I am there.”

We talked along for half an hour, and then I noticed that he looked tired, and spoke of it.

“Tired?” he said. “Well, I should think so. And now I will tell you all about it, since you have treated me so well. I am the spirit of the Petrified Man that lies across the street there in the museum. I am the ghost of the Cardiff Giant. I can have no rest, no peace, till they have given that poor body burial again. Now what was the most natural thing for me to do, to make men satisfy this wish? Terrify them into it! – haunt the place where the body lay! So I haunted the museum night after night. I even got other spirits to help me. But it did no good, for nobody ever came to the museum at midnight. Then it occurred to me to come over the way and haunt this place a little. I felt that if I ever got a hearing I must succeed, for I had the most efficient company that perdition could furnish. Night after night we have shivered around through these mildewed halls, dragging chains, groaning, whispering, tramping up and down stairs, till, to tell you the truth, I am almost worn out. But when I saw a light in your room to-night I roused my energies again and went at it with a deal of the old freshness. But I am tired out – entirely fagged out. Give me, I beseech you, give me some hope!”

I lit off my perch in a burst of excitement, and exclaimed:

“This transcends everything! everything that ever did occur! Why you poor blundering old fossil, you have had all your trouble for nothing – you have been haunting a plaster cast of yourself – the real Cardiff Giant is in Albany![26] Confound it, don’t you know your own remains?”

I never saw such an eloquent look of shame, of pitiable humiliation, overspread a countenance before.

The Petrified Man rose slowly to his feet, and said:

“Honestly, is that true?”

“As true as I am sitting here.”

He took the pipe from his mouth and laid it on the mantel, then stood irresolute a moment (unconsciously, from old habit, thrusting his hands where his pantaloons pockets should have been, and meditatively dropping his chin on his breast), and finally said:

“Well-I never felt so absurd before. The Petrified Man has sold everybody else, and now the mean fraud has ended by selling its own ghost! My son, if there is any charity left in your heart for a poor friendless phantom like me, don’t let this get out. Think how you would feel if you had made such an ass of yourself.”

I heard his stately tramp die away, step by step down the stairs and out into the deserted street, and felt sorry that he was gone, poor fellow – and sorrier still that he had carried off my red blanket and my bath-tub.

The Capitoline Venus

Chapter I

[Scene―An Artist’s Studio in Rome.]

“Oh, George, I do love you!”

“Bless your dear heart, Mary, I know that – why is your father so obdurate?”

“George, he means well, but art is folly to him – he only understands groceries. He thinks you would starve me.”

“Confound his wisdom – it savors of inspiration. Why am I not a money-making bowelless grocer, instead of a divinely gifted sculptor with nothing to eat?”

“Do not despond, Georgy, dear – all his prejudices will fade away as soon as you shall have acquired fifty thousand dol—”

“Fifty thousand demons! Child, I am in arrears for my board!”

Chapter II

[Scene―A Dwelling in Rome.]

“My dear sir, it is useless to talk. I haven’t anything against you, but I can’t let my daughter marry a hash of love, art, and starvation – I believe you have nothing else to offer.”

“Sir, I am poor, I grant you. But is fame nothing? The Hon. Bellamy Foodle of Arkansas says that my new statue of America, is a clever piece of sculpture, and he is satisfied that my name will one day be famous.”

“Bosh! What does that Arkansas ass know about it? Fame’s nothing – the market price of your marble scarecrow is the thing to look at. It took you six months to chisel it, and you can’t sell it for a hundred dollars. No, sir! Show me fifty thousand dollars and you can have my daughter – otherwise she marries young Simper. You have just six months to raise the money in. Good morning, sir.”

“Alas! Woe is me!”

Chapter III

[Scene―The Studio.]

“Oh, John, friend of my boyhood, I am the unhappiest of men.”

“You’re a simpleton!”

“I have nothing left to love but my poor statue of America – and see, even she has no sympathy for me in her cold marble countenance – so beautiful and so heartless!”

“You’re a dummy!”

“Oh, John!”

“Oh, fudge! Didn’t you say you had six months to raise the money in?”

“Don’t deride my agony, John. If I had six centuries what good would it do? How could it help a poor wretch without name, capital, or friends?”

“Idiot! Coward! Baby! Six months to raise the money in – and five will do!”

“Are you insane?”

“Six months – an abundance. Leave it to me. I’ll raise it.”

“What do you mean, John? How on earth can you raise such a monstrous sum for me?”

“Will you let that be my business, and not meddle? Will you leave the thing in my hands? Will you swear to submit to whatever I do? Will you pledge me to find no fault with my actions?”

“I am dizzy – bewildered – but I swear.”

John took up a hammer and deliberately smashed the nose of America! He made another pass and two of her fingers fell to the floor – another, and part of an ear came away – another, and a row of toes was mangled and dismembered – another, and the left leg, from the knee down, lay a fragmentary ruin!

John put on his hat and departed.

George gazed speechless upon the battered and grotesque nightmare before him for the space of thirty seconds, and then wilted to the floor and went into convulsions.

John returned presently with a carriage, got the broken-hearted artist and the broken-legged statue aboard, and drove off, whistling low and tranquilly.

He left the artist at his lodgings, and drove off and disappeared down the Via Quirinalis with the statue.

Chapter IV

[Scene – The Studio.]

“The six months will be up at two o’clock to-day! Oh, agony! My life is blighted. I would that I were dead. I had no supper yesterday. I have had no breakfast to-day. I dare not enter an eating-house. And hungry? – don’t mention it! My bootmaker duns me to death – my tailor duns me – my landlord haunts me. I am miserable. I haven’t seen John since that awful day. She smiles on me tenderly when we meet in the great thoroughfares, but her old flint of a father makes her look in the other direction in short order. Now who is knocking at that door? Who is come to persecute me? That malignant villain the bootmaker, I’ll warrant. Come in!”

“Ah, happiness attend your highness – Heaven be propitious to your grace! I have brought my lord’s new boots – ah, say nothing about the pay, there is no hurry, none in the world. Shall be proud if my noble lord will continue to honor me with his custom – ah, adieu!”

“Brought the boots himself! Don’t want his pay! Takes his leave with a bow and a scrape fit to honor majesty withal! Desires a continuance of my custom! Is the world coming to an end? Of all the – come in!”

“Pardon, signore, but I have brought your new suit of clothes for—”

“Come in!!”

“A thousand pardons for this intrusion, your worship. But I have prepared the beautiful suite of rooms below for you – this wretched den is but ill suited to—” “Come in!!!”

“I have called to say that your credit at our bank, some time since unfortunately interrupted, is entirely and most satisfactorily restored, and we shall be most happy if you will draw upon us for any—”

Come in!!!!”

“My noble boy, she is yours! She’ll be here in a moment! Take her – marry her – love her – be happy! – God bless you both! Hip, hip, hur—”

Come in!!!!!”

“Oh, George, my own darling, we are saved!”

“Oh, Mary, my own darling, we are saved – but I’ll swear I don’t know why nor how!”

Chapter V

[Scene―A Roman Cafe.]

One of a group of American gentlemen reads and translates from the weekly edition of ‘Il Slangwhanger di Roma’ as follows:

Wonderful discovery—Some six months ago Signor John Smitthe, an American gentleman now some years a resident of Rome, purchased for a trifle a small piece of ground in the Campagna, just beyond the tomb of the Scipio family, from the owner, a bankrupt relative of the Princess Borghese. Mr. Smitthe afterward went to the Minister of the Public Records and had the piece of ground transferred to a poor American artist named George Arnold, explaining that he did it as payment and satisfaction for pecuniary damage accidentally done by him long since upon property belonging to Signor Arnold, and further observed that he would make additional satisfaction by improving the ground for Signor A., at his own charge and cost. Four weeks ago, while making some necessary excavations upon the property, Signor Smitthe unearthed the most remarkable ancient statue that has ever been added to the opulent art treasures of Rome. It was an exquisite figure of a woman, and though sadly stained by the soil and the mold of ages, no eye can look unmoved upon its ravishing beauty. The nose, the left leg from the knee down, an ear, and also the toes of the right foot and two fingers of one of the hands were gone, but otherwise the noble figure was in a remarkable state of preservation. The government at once took military possession of the statue, and appointed a commission of art-critics, antiquaries, and cardinal princes of the church to assess its value and determine the remuneration that must go to the owner of the ground in which it was found. The whole affair was kept a profound secret until last night. In the mean time the commission sat with closed doors and deliberated. Last night they decided unanimously that the statue is a Venus, and the work of some unknown but sublimely gifted artist of the third century before Christ. They consider it the most faultless work of art the world has any knowledge of.

At midnight they held a final conference and decided that the Venus was worth the enormous sum of ten million francs! In accordance with Roman law and Roman usage, the government being half-owner in all works of art found in the Campagna, the State has naught to do but pay five million francs to Mr. Arnold and take permanent possession of the beautiful statue. This morning the Venus will be removed to the Capitol, there to remain, and at noon the commission will wait upon Signor Arnold with His Holiness the Pope’s order upon the Treasury for the princely sum of five million francs in gold!

Chorus of Voices. – “Luck! It’s no name for it!”

Another Voice. – “Gentlemen, I propose that we immediately form an American joint-stock company for the purchase of lands and excavations of statues here, with proper connections in Wall Street to bull and bear the stock.”

All. – “Agreed.”

26A fact. The original fraud was ingeniously and fraudfully duplicated, and exhibited in New York as the “only genuine” Cardiff Giant (to the unspeakable disgust of the owners of the real colossus) at the very same time that the latter was drawing crowds at a museum in Albany.
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