Маргарет Олифант
The Last of the Mortimers
Chapter XIV
NOBODY will be surprised when I say, that, after this, things got into their usual way very soon, and that when the event was over, everything subsided round it, and soon Aunt Milly began to forget that I was the invalid (in spirit) whom she had taken such tender care of, and brought back all her budget of perplexities and troubles to pour them into my ear; and after a day or two’s retirement in my own room, which was an ease to me, I went downstairs and about, and took a share in everything. Miss Mortimer had got better of her illness, if illness it was. She sat within the screen as usual, doing her knitting, and not taking much notice of anybody. I don’t know whether she had really suffered in her health, but it seemed to me that she got thinner, and that sometimes there was a gleam of fiery restrained excitement in her eyes, which were rather cold eyes by nature. We were told that she still had very bad nights; and I am sure, two or three times when I met poor Carson by accident, it took all my self-control to keep me from speaking to her, and begging her to deliver herself, somehow, from this dreadful yoke. I never saw exhaustion and a kind of weak despair so written upon anybody’s face. These bad nights, whatever they might be to the mistress, must have been murderous work to the poor maid.
“My dear,” said Aunt Milly, “I shall never forget that young man’s look as he put me into the carriage, and kissed my hand.” Aunt Milly held out her plump soft hand as she spoke, and looked at it. “They have a habit of doing so, these Italians. But if you will believe me, Milly, it was actually an affectionate look the poor young fellow gave me; and I have never asked you what he meant; he was your brother, he said. My dear, what did he mean? Ah, I remember how disappointed I was to find that he was not your brother, and Richard Mortimer’s son. That would have been such a happy solution of everything! but tell me why he called himself your brother? Was it only sympathy, Milly?”
“He said we were of the same blood; he said we were relations,” said I, with some hesitation.
The book she had been reading fell out of Aunt Milly’s hand. “Relations!” she cried, faltering and growing pale; “then, Milly, there can be no doubt at all about it. Milly, I tell you he must be my father’s son; how could you be relations? And indeed, indeed,” cried Aunt Milly, growing more and more agitated, “I can’t bear this any longer. Now you are with me to support me, I must take it into my own hands. I will go and write to him this moment, and ask him down here to clear it all up. Don’t say anything—I must do it; it is impossible to go on living in this way.”
“But Miss Mortimer?” said I.
“Miss Mortimer?” cried Aunt Milly, with a little scream, that was almost hysterical, “what can my sister Sarah have to do with it? It is no harder upon her than it is upon me. If he is my father’s son, how can she be mixed up in it? And how can you and he be relations unless he is my father’s son? Don’t speak to me, Milly. He shall come here and tell it all, and at least we shall know what there is to fear.”
“But if she were too much excited it might make her ill,” said I, dreading that visit, without knowing anything to say against it.
“I can’t help it!” cried Aunt Milly, “I am desperate. Think of living and enjoying what doesn’t belong to you! Oh, Milly, Milly! what do you think I must do? I never was in secrets and mysteries before; it’s dreadful to me; and Sarah would not yield to tell what she’s kept hidden so long, not for her life. We’ll see how she looks to-night. I did not think she looked any worse than usual. I would not hurt her, you may be sure, not for any relief to myself; but we can’t go on with this hanging over us, Milly,” she said, with faltering lips. “I’ll write to-morrow; I certainly will write to-morrow. Relations! My dear, dear child, it will be a dreadful disappointment to you; but that is as good as proof.”
Poor Aunt Milly! she was desperate, as she said; and what good it would do writing, or asking, or even demanding anything, that one of the people who knew it would guard at the cost of her life, and the other would disclose only at his own time, I could not see. Luigi had refused to tell her already; he would not tell Sara Cresswell. He was waiting a permission that never, never in this world would be given. And he, too, must be deluded. What could he think our laws or our principles were if he could have any rights, but those of shame? It was all a mystery; I could see that Aunt Milly’s idea was quite a false one. But I dared not tell her that idea of my own, which, perhaps, for anything I knew, might prove as false as hers.
That morning I went out with Lizzie and my boy. He could walk now along the sunny road holding my finger, and trot after his own little shadow, and try to catch the motes in the sunshine, as I suppose all babies do—but, to be sure, it is just as original and strange in every child that does it, for all that. I was walking by him, very tranquil and even contented in my mind. There had been very quiet weather; and little Harry was so well and so beautiful; and I felt so much more as if I could trust my Harry himself in God’s hands without trembling for him every moment, that my heart opened out a little to the beautiful day. I don’t know that I should have borne to see Domenico, much less to speak to him, but for that–
For there was Domenico, unmistakably, on the edge of the common. He was dressed in a white linen suit, all white, as if he wanted to make his enormous bulk and his black beard as remarkable as possible in this beardless and sober-minded country. It was warm weather now, and I daresay he thought the hot summer was coming as in his own home. Baby, with whom he had always been a favourite, gave a little shout at sight of him, and tottered forward a step or two. Of course Domenico’s hat had been in his hand from the first moment he saw me. He threw it down on the grass now, and seized little Harry, and tossed him up in his arms. I was afraid of this play, but my brave boy was not; he actually boxed at Lizzie with his little fists when I begged Domenico to set him down.
“Pardon,” said Domenico; “I—me—make demand of the signora, pardon—it pleases to the piccolo signorino beebee. I—Domenico—here—this,” said the great fellow, punching his breast, that I might be quite sure of the person he meant, “take joy in heart for see the signora another time.”
“Thank you, Domenico,” said I. “I shall never forget how kind you have been. What is it that brings you here?”
Domenico pointed round to various points of the compass, not seeming sure which to fix upon, and then burst into a great laugh at himself. “It pleases to the signora to pardon,” said Domenico; “when not to have the book not clevare to make the speak. Here is the master of me.”
“Your master, Domenico?—where?” cried I.
Once more Domenico looked round to all the points of the compass. “He here—he here—puff—Ecco!—he move far away—to make the time go. Here my master come to make the visit—the signora not to know the other signora? Yes, yes; in that large big palazzo of not any colour. Behold! The my master there go.”
“Who is he going to see there?” asked I, with some anxiety.
Domenico held up his hand with many elaborate gestures of caution and silence. Then he bent his enormous person forward and stooped to my ear. When he spoke it was in a whisper. “It is need to speak silent—silent! The signora contessa,” said Domenico, with half-important, half-guilty air of one who communicates a secret. I drew back from him in utter bewilderment—what could he mean?
“There is no contessa there, Domenico,” said I, in my ordinary tone; “your master is deceived.”
Domenico held up his hand with an evident entreaty that I would be cautious. Then he looked back upon Lizzie, the only person in sight. “I not fear for the Lizzie,” said Domenico; and then launched forth into a half-whispered description of the contessa, whoever that might be. But I confess that Domenico’s description, being Italian whenever he warmed, and only when he slackened and recollected himself falling into such English as he was capable of, was difficult to make out. I fully entered into Lizzie’s feeling, that it was “awfu’ fickle to ken what he meant when it was a long story.” I remained profoundly bewildered, and unable to make out one word in ten.
As for learning anything about the contessa—poor fellow!—or, rather, it was his master that was to be pitied—evidently here was some new mistake, some additional impediment to the finding out of this mystery. I left Lizzie with little Harry on the common, and went rather sadly home. This little bit of apparent foolishness naturally set me all astray as to the mysterious business which had cost us so much thought. Was it a mistake of Domenico’s perhaps? for Luigi and Miss Mortimer had actually met, and there could be no mistake there.
When I looked back that great white apparition was keeping Lizzie company on the common. They were a strange couple; but I cannot say I had any such doubts or fears concerning Domenico’s attendance, as a proper mistress ought to have had. I flattered myself Lizzie was a great deal too young to take any harm. She stood with her red-brown hair a little blown about her eyes: her clear, sanguine complexion, her angular and still awkward figure, looking up at the man-monster beside her, and holding up her hand to shade her eyes from the sun, which was shining in her face. While Domenico, with all his great proportions expanded by his white dress, impended over her, his smiling mouth opening in the midst of his black beard, an outre extraordinary foreign figure, enough to drive any staid English village out of its propriety. I remember the picture they made as distinctly as possible, with the green common surrounding them, and the gorse bushes all bursting into flower; and my own beautiful baby tottering about the fragrant grass. I was quite secure in Lizzie’s love and Domenico’s kindness. I went away with a smile at the curious group upon that soft English common—both figures alien to the soil—and with a tenderness in my breast to them both. Domenico had made himself well understood in another language, if not in that of ordinary spoken communications. I shall always have a kindness to his whole nation for that good fellow’s sake.
As I paused at the gate of the Park, I saw another figure advancing by an opposite road. I recognised Luigi in a moment. He was coming hurriedly down between the green hedges, no doubt coming to pay that visit of which Domenico had warned me. I rushed in, with all the eagerness of a child, to get my bonnet off and be in the drawing-room before he came.
Chapter XV
WHEN I reached the drawing-room, after throwing off my bonnet and arranging my hair in the most breathless haste, terrified to hear the summons at the door before I was downstairs, I was thunderstruck to find Sara Cresswell there. The sight of her made an end of my awkward feeling of shame for my own haste and curiosity. Surely this was nothing less than a crisis that was coming. Sara had just arrived, and was explaining the reasons for her visit in such a very fluent and demonstrative way, that I could see at once they were all made up, and some motive entirely different from those she mentioned had brought her. She was still in her hat and velvet jacket, seated rather on the edge of her chair, talking very volubly, but looking breathless and anxious, while Aunt Milly, who was sitting in her own place, opposite her sister, and near the fireplace, looked at her, perplexed and uncertain, evidently rather suspicious of the many motives which had procured us this visit; which, if Sara had only said nothing about it, would have been received as a delightful surprise, and wanted no accounting for. It was evidently a great relief to Sara when I came in; she came to kiss me, turning her face away from Aunt Milly, and caught hold of me so tight, and gave me such a troubled, emphatic look, that even if I had not heard before, I should have known something was coming. I stood by her breathless for a moment, wondering why the door-bell did not ring,—Luigi had certainly had abundant time to have got to the door,—and then went up to the other end of the room on pretence of finding my work; while Sara, instead of following me, dropped into her chair again, evidently too nervous, too anxious, too eager to see the first of it and lose nothing, to do anything but sit still. We were both traitors and plotters. She had come to watch something that was about to happen, but which the principal person concerned did not know. While I, more cruel still, took my trembling way up to the other end of the apartment, and stationed myself behind Aunt Milly, that I might not lose a look or word from Miss Mortimer. I felt ashamed of myself, but I could not help it. I felt a kind of conviction that this was to be the decisive day.
But still there was no sound at the door; there was time to look round all the peaceable vast room, and be struck by the quietness, the repose of the scene in which some act of this mysterious drama was about to be enacted. It was always very light here, but the bright day and the sunshine out of doors, made it now even lighter than usual, and refused to any of us the slightest shade for our faces, whatever undue expression might come to them. Sara had adopted the only expedient possible, by turning her back upon the light, and had, besides, a little shelter in her hat. But dear Aunt Milly, looking at her favourite with a troubled inquiring expression, and laying down the work she had in hand in order to examine Sara’s countenance the better, was so fully set forth in all her looks, movements, and almost feelings, by that broad clear day-light, that I shrank back from it in spite of myself, fearing that it would betray me too. The only shadow in the room was that afforded by Miss Mortimer’s screen. She sat there just as usual, in her violet-coloured dress, her light muslin embroidered scarf, worn without any lining, now that the weather was warm, and her pretty cap, with ribbons corresponding to her dress; her head moving so slightly that it was difficult to perceive the motion; her pattern-book open on her knee, her head bent over it. At this moment, when the thunders of Providence were just about to break over her, she sat there, with her head over her knitting-book, counting her stitches, and trying a new pattern. When I saw how she was occupied, my own trembling pretence at work fell from my hands. I gazed at her openly with a wonder which was almost awe. My heart cried out against her in her dread composure. The Avenger was coming, and there she sat, all conscious, aware, in every nerve, of her guilt, and yet able to maintain that hideous calm. Yes! it would have been sublime had she been a good woman, threatened by some undeserved doom. I declare it was ghastly, devilish, dreadful to me!
All this time nobody came to the door. I daresay, perhaps, it was not very many minutes after all; but in the excitement and suspense it seemed a very long time to me. And either the house was specially quiet, or there was something in my agitated condition which made me think so. Miss Mortimer never lifted her head; if she had not been so engaged with her pattern, surely she would have noticed the perplexed looks of Aunt Milly, and my excited face. But she did not, she kept working on at her new stitch. We all relapsed into perfect silence; Sara’s voluble excuses for herself died all at once off her lips. Aunt Milly dropped into a strange anxious silence, looking at her. As for myself, I could not have spoken a word whatever had been the consequences. Sara’s nervous motion of her foot on the carpet startled me so much that I had nearly committed myself by some cry of agitation. It was a dread, inexplainable pause, which nobody dared either break or account for. Dead silence and expectation. And Miss Mortimer bending her head over her pattern-book counting the loops for her new stitch.
The bell did not ring. If it had rung it must have startled us all so much as to diminish the sense of what was coming; there was no such premonition;—a little sound of steps and subdued voices in the hall made my heart beat so loud that I felt sure my Aunt Milly must have heard it. Sara looked up at me suddenly when that sound became audible. Her face was perfectly colourless, and her hands firmly clasped together.
“Children, what is it?” said Aunt Milly, with a sharp frightened cry, breaking off suddenly in a troubled manner as the steps drew nearer. Miss Mortimer lifted her head from her book. She looked up, she looked full at me; she smiled. She was listening, but she was not afraid.
When suddenly the door was thrown open; Ellis called out, with his fullest voice: “The Count Sormonata,” and somebody came in. I cannot tell who it was that came in. I heard Sara cry out with a kind of shriek and repeat the name, “The Count Sermoneta!” The work and the book and all the trifling matters about her fell off from Miss Mortimer. She rose up, clenching her hand, ghastly, like a dead woman. She cried out in a voice I shall never forget: “he is dead, dead!” she cried, with the wildest scream and outcry. “I tell you, he is dead, dead! My God, he is dead! Will nobody believe me?” shrieked out the miserable woman. Her sister ran to her, and was thrust away with those terrible clenched hands. But she never turned to look, nor cast aside her screen that hid the new comer from her. She stood still like some frightful statue, rigid, with her wild eyes fixed upon the air before her—heaven knows what she might see there!—listening in some frightful agony to the steps that came slowly up the room. When that scream burst from her the footsteps faltered and stopped. Then Miss Mortimer looked at me, the only creature she saw before her, and laughed a dreadful laugh of madness and misery. “He knows it!” she cried out, triumphantly, “if you did not, he does. He is dead, dead!” and then came to another dreadful pause, leaning her clenched hands upon the table and fixing her wild eyes upon something straight before her. While I followed the mad stare of her eyes with a shudder I could not refrain, another person came with noiseless rapidity into the spot she was gazing on. It was not a spectre—it was simply Luigi, from whose face agitation had banished all the colour, and who stood trembling and speechless, wringing his hands, and gazing at her with an unspeakable appeal and entreaty. She did not say anything more; she stood with her eyes full opened and staring wide, leaning her hands on that table. I believe, if anybody had touched her, she would have fallen. I almost believed, while I looked at her, that she had died standing, and that it was a lifeless form that stood fixed in that horrible erect attitude, fronting us all, fronting a thousand times more than us, all the guilt and sins of her life. I gave a cry myself in the extremity of my terror and trouble. I went to her, I cannot tell how, stumbling over Aunt Milly, who had either fallen or fainted, or I cannot tell what. I went and put my arm round that dreadful ghastly figure. It was not her I was approaching, but it, the terrible mask and image of her. I had not a thought but that she was dead.
When I touched her, she fell, as I had thought she would. But so strong an impression did her dreadful appearance have upon me, that, when her figure sank into the chair and showed some elasticity, instead of going down on the floor, crumbling down, dropping to pieces, as somehow I had expected, I was struck with a horrible fear and surprise. She was not dead. I called out to them all, what were we to do? and she seemed to hear me. I saw, with a terror I cannot explain, her terrible eyes turn from Luigi—they looked at me, at Aunt Milly, they cast a glance over the room. Was it that the spirit was living and the body dead?
I cannot tell what we did for a dreadful interval after that. Carson came into the confused crowd. Luigi disappeared to find a doctor, and we tried to get her lifted and laid upon the sofa. But though she neither moved nor spoke, and scarcely seemed to breathe, she resisted, in some dreadful way, and would not be removed. I shall never forget that dreadful face; when I am ill it comes back to me, a recollection never to be banished;—dead—yet never consenting to die, keeping alive, determined, resolute, unshaken. I can see the discoloured lips begin to move, the words formed on the inarticulate tongue, the eyes lightening out of that fixed stare. Half the house had stolen into the room in this dreadful emergency without anybody observing them. But the dead woman observed them. And I, who was standing nearest, recoiled from her side, and the whole circle round her broke up and fell back in speechless horror, when a sound broke from that dreadful convulsed mouth. Old Carson, trembling but faithful, stood by her mistress. The poor creature said she understood that sound. It was to send everybody away, said the woman, whose limbs would scarcely support her, and whose very teeth chattered. They all went away, terrified but curious; the boldest lingered behind the screen. Nobody remained within sight of those dreadful eyes but Aunt Milly and me. We two stood huddled on each other, not daring to say a word, or even to exchange looks. Carson stood by her mistress’s side. Carson knew all and everything, more than we knew. She held some cordial to the dead lips, she chafed the ghastly hand, she gazed with pitiful eyes and tears and entreaties at the terrible face. This woman was not deserted in her terrible necessity. The voice of that humble love reached somehow to the springs of existence, and she came back slowly, in a solemn, fearful waking, out of death into life. We stood looking on, with an awe and terror impossible to describe. It was a miracle slowly enacting before us. She was dead and was alive again. Ghastly and dreadful, like a woman out of the grave, Miss Mortimer woke up to all her misery again.
