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The Resources of Quinola: A Comedy in a Prologue and Five Acts
SCENE SEVENTEENTH
Monipodio, Fontanares and Quinola.
Quinola (to Fontanares)
Are you making a good beginning here?
Monipodio
Don Fregose is jealous of you.
Quinola
Sarpi is bent on defeating your enterprise.
Monipodio You are posing as a giant before dwarfs who are in power! Before you put on these airs of pride, succeed! People who succeed make themselves small, slip into small openings and glide inward to the treasure.
Quinola
Glory? But my dear sir, it can only be obtained by theft.
Fontanares
Do you wish me to abase myself?
Monipodio
Yes, in order that you may gain your point.
Fontanares Pretty good for a Sarpi! I shall make an open struggle for it. But what obstacle do you see between success and me? Am I not on my way to the harbor to choose a fine galleon?
Quinola
Ah! I am superstitious on that point. Sir, do not choose the galley!
Fontanares
I see no reason why I shouldn't.
Quinola You have had no experience! You have had something else to make discoveries about. Ah, sir, we are moneyless, without credit at any inn, and if I had not met this old friend who loves me, for there are friends who hate you, we should have been without clothes —
Fontanares But she loves me! (Marie waves her handkerchief at the window.) See, see, my star is shining!
Quinola Why, sir, it is a handkerchief! Are you sufficiently in your right mind to take a bit of advice? This is not the sort of madonna for you; you need a Marchioness of Mondejar – one of those slim creatures, clad in steel, who through love are capable of all the expedients which distress makes necessary. Now the Brancadori —
Fontanares If you want me to throw the whole thing up you will go on talking like that! Bear that in mind; love gives the only strength I have. It is the celestial light that leads me on.
Quinola
There, there, do not excite yourself.
Monipodio This man makes me anxious! He seems to me rather to be possessed by the machinery of love than by the love of machinery.
SCENE EIGHTEENTH
The same persons and Paquita.
Paquita (to Fontanares)
My mistress bids me tell you, senor, that you must be on your guard.
You are the object of implacable hatred to certain persons.
Monipodio That is my business. You may go without fear through all the streets of Barcelona; if any one seeks your life, I shall be the first to know it.
Fontanares
Danger! Already?
Paquita
You have given me no answer for her.
Quinola No, my pet, people don't think about two machines at the same time; tell your divine mistress that my master kisses her feet. I am a bachelor, sweet angel, and wish to make a happy end.
(He kisses her.)
Paquita (slapping him in the face)
You fool!
Quinola
Oh, charming!
(Exit Paquita.)
SCENE NINETEENTH
Fontanares, Quinola and Monipodio.
Monipodio
Come to the Golden Sun. I know the host; you will get credit there.
Quinola
The battle is beginning even earlier than I had expected.
Fontanares
Where shall I obtain money?
Quinola
We can't borrow it, but we can buy it. How much do you need?
Fontanares
Two thousand doubloons in gold.
Quinola I have been trying to make an estimate of the treasury I intended to draw upon; it is not plump enough for that.
Monipodio
Well, now, I have found a purse.
Quinola Forget nothing in your estimate; you will require, sir, iron, copper, steel, wood, all of which the merchants can supply. I have an idea! I will found the house of Quinola and Company; if they don't prosper you shall.
Fontanares
Ah! what would have become of me without you?
Monipodio
You would have been the prey of Avaloros.
Fontanares
To work, then! The inventor must prove the salvation of the lover.
(Exeunt.)
Curtain to the First Act
ACT II
SCENE FIRST
(A room in the palace of Senora Brancadori.)
Avaloros, Sarpi and Paquita.
Avaloros
Is the queen of our lives really ill?
Paquita
She is melancholy.
Avaloros
Is thought, then, a malady?
Paquita
Yes, and you therefore can be sure of good health.
Sarpi Say to my dear cousin that Senor Avaloros and I are awaiting her good pleasure.
Avaloros Stay; here are two ducats if you will say that I am sometimes pensive —
Paquita I will say that your tastes are expensive. But I must go and induce the senora to dress herself. (Exit.)
SCENE SECOND
Avaloros and Sarpi.
Sarpi
Poor viceroy! He is the youngster.
Avaloros While your little cousin is making a fool of him, you are displaying all the activity of a statesman and clearing the way for the king's conquest of French Navarre. If I had a daughter I would give her to you. Old Lothundiaz is no fool.
Sarpi How fine it would be to be founder of a mighty house; to win a name in the history of the country; to be a second Cardinal Granville or Duke of Alva!
Avaloros Yes! It would be a very fine thing. I also think of making a name. The emperor made the Fuggers princes of Babenhausen; the title cost them a million ducats in gold. For my part, I would like to be a nobleman at a cheaper rate.
Sarpi
You! How could you accomplish it?
Avaloros
This fellow Fontanares holds the future of commerce in his own hands.
Sarpi And is it possible that you who cling so persistently to the actual have any faith in him?
Avaloros Since the invention of gunpowder, of printing and the discovery of the new world I have become credulous. If any one were to tell me that a man had discovered the means to receive the news from Paris in ten minutes, or that water contained fire, or that there are still new Indies to discover, or that it is possible to travel through the air, I would not contradict it, and I would give —
Sarpi
Your money?
Avaloros
No; my attention to the enterprise.
Sarpi
If the vessel is made to move in the manner proposed, you would like then to be to Fontanares what Amerigo Vespucci was to Christopher
Columbus.
Avaloros
Have I not here in my pocket enough to pay for six men of genius?
Sarpi
But how would you manage the matter?
Avaloros By means of money; money is the great secret. With money to lose, time is gained; and with time to spend, everything is possible; by this means a good business may be made a bad one, and while those who control it are in despair the whole profit may be carried off by you. Money, – that is the true method. Money furnishes the satisfaction of desire, as well as of need. In a man of genius, there is always a child full of unpractical fancies; you deal with the man and you come sooner or later on the child; the child will become your debtor, and the man of genius will go to prison.
Sarpi
And how do you stand with him now?
Avaloros He does not trust my offers; that is, his servant does not. I shall negotiate with the servant.
Sarpi I understand you; I am ordered to send all the ships of Barcelona to the coasts of France; and, through the prudence of the enemies which Fontanares made at Valladolid, this order is absolute and subsequent to the king's letter.
Avaloros
What do you want to get out of the deal?
Sarpi The functions of the Grand Master of Naval Construction – these I wish to be mine.
Avaloros
But what is your ultimate object?
Sarpi
Glory.
Avaloros
You rascally trickster!
Sarpi
Your greedy extortioner!
Avaloros Let us hunt together; it will be time enough to quarrel when we come to the division of the prey. Give me your hand. (Aside) I am the stronger, and I control the viceroy through the Brancadori.
Sarpi (aside) We have fattened him sufficiently, let us kill him; I know how to destroy him.
Avaloros We must gain over this Quinola to our interests, and I have sent for him to hold a conference with the Brancadori.
SCENE THIRD
The same persons and Quinola.
Quinola I hang between two thieves. But these thieves are powdered over with virtue and tricked out with fine manners. And they would like to hang the rest of us!
Sarpi You rogue, while you are waiting for your master to propel the galleys by new methods, you ought to be rowing in them yourself.
Quinola The king, who justly appreciates my merits, well understands that he would lose too much by such an arrangement.
Sarpi
You shall be watched!
Quinola
That I can well believe, for I keep watch on myself.
Avaloros (to Sarpi)
You are rousing his suspicions, for he is an honest lad. (To Quinola)
Come my good fellow, have you any idea of what is meant by wealth?
Quinola
No, for I have seen it from too great a distance.
Avaloros
Say, such a sum as two thousand golden doubloons?
Quinola What? I do not know what you mean! You dazzle me. Is there such a sum? Two thousand doubloons! That means to be a land-holder, to own a house, a servant, a horse, a wife, an income; to be protected instead of being chased by the Holy Brotherhood! – What must I do to gain it?
Avaloros You must assist me in obtaining a contract for the mutual advantage of your master and myself.
Quinola I understand! To tangle him up. O my conscience, that is very fine! But, dear conscience, be silent for a while; let me forget you for a few days, and we will live comfortably together for the rest of my life.
Avaloros (to Sarpi)
We have him.
Sarpi (to Avaloros)
He is fooling us! If he were in earnest he would not talk thus.
Quinola I suppose you won't give me the two thousand doubloons in gold until after the treaty has been signed.
Sarpi (with eagerness)
You can have it before.
Quinola
You don't mean it! (Holding out his hand) Give it me then.
Avaloros As soon as you sign notes of hand for the amounts which have already matured.
Quinola The Grand Turk himself never offered the bowstring with greater delicacy.
Sarpi
Has your master got his ship?
Quinola Valladolid is at some distance from this, I admit; but we control in that city a pen which has the power of decreeing your disgrace.
Sarpi
I will grind you to powder.
Quinola
I will make myself so small that you can't do it.
Avaloros
Ah! you scoundrel, what do you propose to do?
Quinola
To talk to you about the gold.
SCENE FOURTH
The same persons, Faustine and Paquita.
Paquita
Gentlemen, here is the senora. (Exit.)
SCENE FIFTH
The same persons, with the exception of Paquita.
Quinola (approaching the Brancadori) Senora, my master talks of killing himself unless he can obtain the ship which Count Sarpi has refused for thirty days to give him; Senor Avaloros asks for his life while offering him his purse; do you understand? (Aside) A woman was our salvation at Valladolid; the women shall be our salvation at Barcelona. (Aloud) He is very despondent.
Avaloros
The wretched man seems daring enough.
Quinola
Daring without money is naturally amazing to you.
Sarpi (to Quinola)
Will you enter my service?
Quinola
I am too set in my ways to take a master.
Faustine (aside)
He is despondent! (Aloud) Why is it that men like you, Sarpi and
Avaloros, for whom I have done so much, should persecute, instead of protecting, the poor man of genius who has so lately arrived among us?
(Avaloros and Sarpi are confused.) I cry shame upon you! (To Quinola)
You must explain to me exactly their schemes against your master.
Sarpi (to Faustine)
My dear cousin, it does to need much penetration to divine what malady it is under which you have labored since the arrival of this
Fontanares.
Avaloros (to Faustine) You owe me, senora, two thousand doubloons, and you will need to draw still further on my purse.
Faustine
I? What have I ever asked of you?
Avaloros Nothing, but you never refuse anything which I am generous enough to offer you.
Faustine
Your monopoly of the wheat trade is a monstrous abuse.
Avaloros
Senora, I owe you a thousand doubloons.
Faustine Write me at once a receipt for the two thousand doubloons, and a check for the like sum which I do not intend to pay you. (To Sarpi) After having put you in the position in which you now flourish, I warn you that your best policy is to keep my secret.
Sarpi
My obligations to you are too great to admit of my being ungrateful.
Faustine (aside) He means just the contrary, and he will make the viceroy furious with me.
(Exit Sarpi.)
SCENE SIXTH
The same persons, with the exception of Sarpi.
Avaloros
Here they are, senora. (Handing her the receipt and the check.)
Faustine
Very good.
Avaloros
We shall be friends?
Faustine
Your monopoly of the wheat trade is perfectly legal.
Avaloros
Ah! senora.
Quinola (aside)
That is what is called doing business.
Avaloros
Senora, you are a noble creature, and I am —
Quinola (aside)
A regular swindler.
Faustine (offering the check to Quinola)
Here, Quinola, this is for the expenses of your master's machine.
Avaloros (to Faustine) Don't give it to him, senora, he may keep it for himself, and for other reasons you should be prudent; you should wait —
Quinola (aside)
I pass from the torrid to the arctic zone; what a gamble is life!
Faustine You are right. (Aside) Better that I should hold in a balance the fortune of Fontanares. (To Avaloros) If you wish to keep your monopoly hold your tongue.
Avaloros There is nothing keeps a secret better than capital. (Aside) These women are disinterested until the day they fall in love. I must try to defeat her; she is beginning to cost me too much. (Exit.)
SCENE SEVENTH
Faustine and Quinola.
Faustine
Did you not tell me he was despondent?
Quinola
Everything is against him.
Faustine
But he knows how to wrestle with difficulties.
Quinola We have been for two years half drowned in difficulties; sometimes we have gone to the bottom and the gravel was pretty hard.
Faustine
But what force of character, what genius he has!
Quinola
You see, there, senora, the effects of love.
Faustine
And with whom is he in love now?
Quinola
Still the same – Marie Lothundiaz.
Faustine
A doll!
Quinola
Yes, nothing but a doll.
Faustine
Men of talent are all like that.
Quinola
Colossal creatures with feet of clay!
Faustine They clothe with their own illusions the creature that entangles them; they love their own creation; they are egotists!
Quinola (aside) Just like the women! (Aloud) Listen, senora, I wish that by some honest means we could bury this doll in the depths of the – that is – of a convent.
Faustine
You seem to me to be a fine fellow.
Quinola
I love my master.
Faustine
Do you think that he has noticed me?
Quinola
Not yet.
Faustine
Speak to him of me.
Quinola But then, he would speak to me by breaking a stick across my back. You see, senora, that girl —
Faustine
That girl ought to be forever lost to him.
Quinola
But he would die, senora.
Faustine
He must be very much in love with her.
Quinola Ah! that is not my fault! All the way here from Valladolid I have a thousand times argued the point, that a man like he ought to adore women, but never to love an individual woman! Never —
Faustine You are a pretty worthless rascal! Go and tell Lothundiaz to come and speak with me and to bring his daughter with him. (Aside) She shall be put in a convent.
Quinola (aside) She is the enemy. She loves me so much that she can't help doing us a great deal of harm. (Exit.)
SCENE EIGHTH
Faustine and Fregose.
Fregose While you expect the master, you spend your time in corrupting the servant.
Faustine
Can a woman ever lose her habit of seduction?
Fregose
Senora, you are ungenerous; I should think that a patrician lady of
Venice would know how to spare the feelings of an old soldier.
Faustine Come, my lord, you presume more upon your white hair than a young man would presume upon his fairest locks, and you find in them a stronger argument than in – (She laughs). Let me have no more of this petulance.
Fregose How can I be otherwise than vexed when you compromise yourself thus, you, whom I wish to be my wife? Is it nothing to have a chance of bearing one of the noblest of names?
Faustine
Do you think it is too noble for a Brancadori?
Fregose
Yet, you would prefer stooping to a Fontanares!
Faustine But what if he could raise himself as high as to a Brancadori? That would be a proof of love indeed! Besides, as you know from your own experience, love never reasons.
Fregose
Ah! You acknowledge that!
Faustine Your friendship to me is so great that you have been the first to learn my secret.
Fregose Senora! Yes, love is madness! I have surrendered to you more than myself! Alas, I wish I had the world to offer you. You evidently are not aware that your picture gallery alone cost me almost all my fortune.
Faustine
Paquita!
Fregose
And that I would surrender to you even my honor.
SCENE NINTH
The same persons and Paquita.
Faustine (to Paquita) Tell my steward that the pictures of my gallery must immediately be carried to the house of Don Fregose.
Fregose
Paquita, do not deliver that order.
Faustine The other day, they tell me, the Queen Catherine de Medici sent an order to Diana of Poitiers to deliver up what jewels she had received from Henry II.; Diana sent them back melted into an ingot. Paquita, fetch the jeweler.
Fregose
You will do nothing of the kind, but leave the room.
(Exit Paquita.)
SCENE TENTH
The same persons, with the exception of Paquita.
Faustine As I am not yet the Marchioness of Fregose, how dare you give your orders in my house?
Fregose
I am quite aware of the fact that here it is my duty to receive them.
But is my whole fortune worth one word from you? Forgive an impulse of despair.
Faustine One ought to be a gentleman, even in despair; and in your despair you treat Faustine as a courtesan. Ah! you wish to be adored, but the vilest Venetian woman would tell you that this costs dear.
Fregose
I have deserved this terrible outburst.
Faustine You say you love me. Love me? Love is self-devotion without the hope of recompense. Love is the wish to live in the light of a sun which the lover trembles to approach. Do not deck out your egotism in the lustre of genuine love. A married woman, Laura de Nova, said to Petrarch, "You are mine, without hope – live on without love." But when Italy crowned the poet she crowned also his sublime love, and centuries to come shall echo with admiration to the names of Laura and Petrarch.
Fregose There are very many poets whom I dislike, but the man you mention is the object of my abomination. To the end of the world women will throw him in the face of those lovers whom they wish to keep without taking.
Faustine
You are called general, but you are nothing but a soldier.
Fregose
Indeed, and how then shall I imitate this cursed Petrarch?
Faustine If you say you love me, you will ward off from a man of genius – (Don Fregose starts) – yes, there are such – the martyrdom which his inferiors are preparing for him. Show yourself great, assist him! I know it will give you pain, but assist him; then I shall believe you love me, and you will become more illustrious, in my sight at least, by this act of generosity than by your capture of Mantua.
Fregose Here, in your presence, I feel capable of anything, but you cannot dream of the tempest which will fall upon my head, if I obey your word.
Faustine
Ah! you shrink from obeying me!
Fregose
Protect him, admire him, if you like; but do not love him!
Faustine The ship given him by the king has been held back; you can restore it to him, in a moment.
Fregose
And I will send him to give you the thanks.
Faustine
Do it! And learn how much I love you.
(Exit Don Fregose.)
SCENE ELEVENTH
Faustine (alone)
And yet so many women wish that they were men.
SCENE TWELFTH
Faustine, Paquita, Lothundiaz and Marie.
Paquita
Senora, here are Senor Lothundiaz and his daughter. (Exit.)
SCENE THIRTEENTH
The same persons, excepting Paquita.
Lothundiaz
Ah! senora, you have turned my palace into a kingdom!
Faustine (to Marie)
My child, seat yourself by me. (To Lothundiaz) Be seated.
Lothundiaz You are very kind, senora; but permit me to go and see that famous gallery, which is spoken of throughout Catalonia.
(Faustine bows assent and Lothundiaz leaves the room.)
SCENE FOURTEENTH
Faustine and Marie.
Faustine My child, I love you and have learned of the position in which you stand. Your father wishes you to marry my cousin Sarpi, while you are in love with Fontanares.
Marie
And have been for five years, senora.
Faustine
At sixteen one knows not what it is to love.
Marie
What does that matter, if I love him?
Faustine
With us, sweet girl, love is but self-devotion.
Marie
I will devote myself to him, senora.
Faustine
What! Would you give him up if that were for his interest?
Marie
That would be to die, but yet my life is wholly his.
Faustine (aside as she rises from her seat) What strength in weakness and innocence! (Aloud) You have never left your father's house, you know nothing of the world nor of its hardships, which are terrible! A man often dies from having met with a woman who loves him too much, or one who loves him not at all; Fontanares may find himself in this situation. He has powerful enemies; his glory, which is all he lives for, is in their hands; you may disarm them.
Marie
What must I do?
Faustine By marrying Sarpi, you will assure the triumph of your dear Fontanares; but no woman would counsel such a sacrifice; it must come, it will come from you. At first you must dissemble. Leave Barcelona for a time. Retire to a convent.
Marie And never see him again? Ah! If you knew – he passes every day at a certain hour under my windows, and that hour is all the day to me.
Faustine (aside)
She stabs me to the heart! Oh! She shall be Countess Sarpi.