Натаниель Готорн
Twice Told Tales
EDWARD FANE'S ROSEBUD
There is hardly a more difficult exercise of fancy than, while gazing at a figure of melancholy age, to recreate its youth, and without entirely obliterating the identity of form and features to restore those graces which Time has snatched away. Some old people – especially women – so age-worn and woeful are they, seem never to have been young and gay. It is easier to conceive that such gloomy phantoms were sent into the world as withered and decrepit as we behold them now, with sympathies only for pain and grief, to watch at death-beds and weep at funerals. Even the sable garments of their widowhood appear essential to their existence; all their attributes combine to render them darksome shadows creeping strangely amid the sunshine of human life. Yet it is no unprofitable task to take one of these doleful creatures and set Fancy resolutely at work to brighten the dim eye, and darken the silvery locks, and paint the ashen cheek with rose-color, and repair the shrunken and crazy form, till a dewy maiden shall be seen in the old matron's elbow-chair. The miracle being wrought, then let the years roll back again, each sadder than the last, and the whole weight of age and sorrow settle down upon the youthful figure. Wrinkles and furrows, the handwriting of Time, may thus be deciphered and found to contain deep lessons of thought and feeling.
Such profit might be derived by a skilful observer from my much-respected friend the Widow Toothaker, a nurse of great repute who has breathed the atmosphere of sick-chambers and dying-breaths these forty years. See! she sits cowering over her lonesome hearth with her gown and upper petticoat drawn upward, gathering thriftily into her person the whole warmth of the fire which now at nightfall begins to dissipate the autumnal chill of her chamber. The blaze quivers capriciously in front, alternately glimmering into the deepest chasms of her wrinkled visage, and then permitting a ghostly dimness to mar the outlines of her venerable figure. And Nurse Toothaker holds a teaspoon in her right hand with which to stir up the contents of a tumbler in her left, whence steams a vapory fragrance abhorred of temperance societies. Now she sips, now stirs, now sips again. Her sad old heart has need to be revived by the rich infusion of Geneva which is mixed half and half with hot water in the tumbler. All day long she has been sitting by a death-pillow, and quitted it for her home only when the spirit of her patient left the clay and went homeward too. But now are her melancholy meditations cheered and her torpid blood warmed and her shoulders lightened of at least twenty ponderous years by a draught from the true fountain of youth in a case-bottle. It is strange that men should deem that fount a fable, when its liquor fills more bottles than the Congress-water. – Sip it again, good nurse, and see whether a second draught will not take off another score of years, and perhaps ten more, and show us in your high-backed chair the blooming damsel who plighted troths with Edward Fane. – Get you gone, Age and Widowhood! – Come back, unwedded Youth! – But, alas! the charm will not work. In spite of Fancy's most potent spell, I can see only an old dame cowering over the fire, a picture of decay and desolation, while the November blast roars at her in the chimney and fitful showers rush suddenly against the window.
Yet there was a time when Rose Grafton – such was the pretty maiden-name of Nurse Toothaker – possessed beauty that would have gladdened this dim and dismal chamber as with sunshine. It won for her the heart of Edward Fane, who has since made so great a figure in the world and is now a grand old gentleman with powdered hair and as gouty as a lord. These early lovers thought to have walked hand in hand through life. They had wept together for Edward's little sister Mary, whom Rose tended in her sickness – partly because she was the sweetest child that ever lived or died, but more for love of him. She was but three years old. Being such an infant, Death could not embody his terrors in her little corpse; nor did Rose fear to touch the dead child's brow, though chill, as she curled the silken hair around it, nor to take her tiny hand and clasp a flower within its fingers. Afterward, when she looked through the pane of glass in the coffin-lid and beheld Mary's face, it seemed not so much like death or life as like a wax-work wrought into the perfect image of a child asleep and dreaming of its mother's smile. Rose thought her too fair a thing to be hidden in the grave, and wondered that an angel did not snatch up little Mary's coffin and bear the slumbering babe to heaven and bid her wake immortal. But when the sods were laid on little Mary, the heart of Rose was troubled. She shuddered at the fantasy that in grasping the child's cold fingers her virgin hand had exchanged a first greeting with mortality and could never lose the earthy taint. How many a greeting since! But as yet she was a fair young girl with the dewdrops of fresh feeling in her bosom, and, instead of "Rose" – which seemed too mature a name for her half-opened beauty – her lover called her "Rosebud."
The rosebud was destined never to bloom for Edward Fane. His mother was a rich and haughty dame with all the aristocratic prejudices of colonial times. She scorned Rose Grafton's humble parentage and caused her son to break his faith, though, had she let him choose, he would have prized his Rosebud above the richest diamond. The lovers parted, and have seldom met again. Both may have visited the same mansions, but not at the same time, for one was bidden to the festal hall and the other to the sick-chamber; he was the guest of Pleasure and Prosperity, and she of Anguish. Rose, after their separation, was long secluded within the dwelling of Mr. Toothaker, whom she married with the revengeful hope of breaking her false lover's heart. She went to her bridegroom's arms with bitterer tears, they say, than young girls ought to shed at the threshold of the bridal-chamber. Yet, though her husband's head was getting gray and his heart had been chilled with an autumnal frost, Rose soon began to love him, and wondered at her own conjugal affection. He was all she had to love; there were no children.
In a year or two poor Mr. Toothaker was visited with a wearisome infirmity which settled in his joints and made him weaker than a child. He crept forth about his business, and came home at dinner-time and eventide, not with the manly tread that gladdens a wife's heart, but slowly, feebly, jotting down each dull footstep with a melancholy dub of his staff. We must pardon his pretty wife if she sometimes blushed to own him. Her visitors, when they heard him coming, looked for the appearance of some old, old man, but he dragged his nerveless limbs into the parlor – and there was Mr. Toothaker! The disease increasing, he never went into the sunshine save with a staff in his right hand and his left on his wife's shoulder, bearing heavily downward like a dead man's hand. Thus, a slender woman still looking maiden-like, she supported his tall, broad-chested frame along the pathway of their little garden, and plucked the roses for her gray-haired husband, and spoke soothingly as to an infant. His mind was palsied with his body; its utmost energy was peevishness. In a few months more she helped him up the staircase with a pause at every step, and a longer one upon the landing-place, and a heavy glance behind as he crossed the threshold of his chamber. He knew, poor man! that the precincts of those four walls would thenceforth be his world – his world, his home, his tomb, at once a dwelling-and a burial-place – till he were borne to a darker and a narrower one. But Rose was with him in the tomb. He leaned upon her in his daily passage from the bed to the chair by the fireside, and back again from the weary chair to the joyless bed – his bed and hers, their marriage-bed – till even this short journey ceased and his head lay all day upon the pillow and hers all night beside it. How long poor Mr. Toothaker was kept in misery! Death seemed to draw near the door, and often to lift the latch, and sometimes to thrust his ugly skull into the chamber, nodding to Rose and pointing at her husband, but still delayed to enter. "This bedridden wretch cannot escape me," quoth Death. "I will go forth and run a race with the swift and fight a battle with the strong, and come back for Toothaker at my leisure." Oh, when the deliverer came so near, in the dull anguish of her worn-out sympathies did she never long to cry, "Death, come in"?
But no; we have no right to ascribe such a wish to our friend Rose. She never failed in a wife's duty to her poor sick husband. She murmured not though a glimpse of the sunny sky was as strange to her as him, nor answered peevishly though his complaining accents roused her from sweetest dream only to share his wretchedness. He knew her faith, yet nourished a cankered jealousy; and when the slow disease had chilled all his heart save one lukewarm spot which Death's frozen fingers were searching for, his last words were, "What would my Rose have done for her first love, if she has been so true and kind to a sick old man like me?" And then his poor soul crept away and left the body lifeless, though hardly more so than for years before, and Rose a widow, though in truth it was the wedding-night that widowed her. She felt glad, it must be owned, when Mr. Toothaker was buried, because his corpse had retained such a likeness to the man half alive that she hearkened for the sad murmur of his voice bidding her shift his pillow. But all through the next winter, though the grave had held him many a month, she fancied him calling from that cold bed, "Rose, Rose! Come put a blanket on my feet!"
So now the Rosebud was the widow Toothaker. Her troubles had come early, and, tedious as they seemed, had passed before all her bloom was fled. She was still fair enough to captivate a bachelor, or with a widow's cheerful gravity she might have won a widower, stealing into his heart in the very guise of his dead wife. But the widow Toothaker had no such projects. By her watchings and continual cares her heart had become knit to her first husband with a constancy which changed its very nature and made her love him for his infirmities, and infirmity for his sake. When the palsied old man was gone, even her early lover could not have supplied his place. She had dwelt in a sick-chamber and been the companion of a half-dead wretch till she could scarcely breathe in a free air and felt ill at ease with the healthy and the happy. She missed the fragrance of the doctor's stuff. She walked the chamber with a noiseless footfall. If visitors came in, she spoke in soft and soothing accents, and was startled and shocked by their loud voices. Often in the lonesome evening she looked timorously from the fireside to the bed, with almost a hope of recognizing a ghastly face upon the pillow. Then went her thoughts sadly to her husband's grave. If one impatient throb had wronged him in his lifetime, if she had secretly repined because her buoyant youth was imprisoned with his torpid age, if ever while slumbering beside him a treacherous dream had admitted another into her heart, – yet the sick man had been preparing a revenge which the dead now claimed. On his painful pillow he had cast a spell around her; his groans and misery had proved more captivating charms than gayety and youthful grace; in his semblance Disease itself had won the Rosebud for a bride, nor could his death dissolve the nuptials. By that indissoluble bond she had gained a home in every sick-chamber, and nowhere else; there were her brethren and sisters; thither her husband summoned her with that voice which had seemed to issue from the grave of Toothaker. At length she recognized her destiny.
We have beheld her as the maid, the wife, the widow; now we see her in a separate and insulated character: she was in all her attributes Nurse Toothaker. And Nurse Toothaker alone, with her own shrivelled lips, could make known her experience in that capacity. What a history might she record of the great sicknesses in which she has gone hand in hand with the exterminating angel! She remembers when the small-pox hoisted a red banner on almost every house along the street. She has witnessed when the typhus fever swept off a whole household, young and old, all but a lonely mother, who vainly shrieked to follow her last loved one. Where would be Death's triumph if none lived to weep? She can speak of strange maladies that have broken out as if spontaneously, but were found to have been imported from foreign lands with rich silks and other merchandise, the costliest portion of the cargo. And once, she recollects, the people died of what was considered a new pestilence, till the doctors traced it to the ancient grave of a young girl who thus caused many deaths a hundred years after her own burial. Strange that such black mischief should lurk in a maiden's grave! She loves to tell how strong men fight with fiery fevers, utterly refusing to give up their breath, and how consumptive virgins fade out of the world, scarcely reluctant, as if their lovers were wooing them to a far country. – Tell us, thou fearful woman; tell us the death-secrets. Fain would I search out the meaning of words faintly gasped with intermingled sobs and broken sentences half-audibly spoken between earth and the judgment-seat.
An awful woman! She is the patron-saint of young physicians and the bosom-friend of old ones. In the mansions where she enters the inmates provide themselves black garments; the coffin-maker follows her, and the bell tolls as she comes away from the threshold. Death himself has met her at so many a bedside that he puts forth his bony hand to greet Nurse Toothaker. She is an awful woman. And oh, is it conceivable that this handmaid of human infirmity and affliction – so darkly stained, so thoroughly imbued with all that is saddest in the doom of mortals – can ever again be bright and gladsome even though bathed in the sunshine of eternity? By her long communion with woe has she not forfeited her inheritance of immortal joy? Does any germ of bliss survive within her?
Hark! an eager knocking st Nurse Toothaker's door. She starts from her drowsy reverie, sets aside the empty tumbler and teaspoon, and lights a lamp at the dim embers of the fire. "Rap, rap, rap!" again, and she hurries adown the staircase, wondering which of her friends can be at death's door now, since there is such an earnest messenger at Nurse Toothaker's. Again the peal resounds just as her hand is on the lock. "Be quick, Nurse Toothaker!" cries a man on the doorstep. "Old General Fane is taken with the gout in his stomach and has sent for you to watch by his death-bed. Make haste, for there is no time to lose." – "Fane! Edward Fane! And has he sent for me at last? I am ready. I will get on my cloak and begone. So," adds the sable-gowned, ashen-visaged, funereal old figure, "Edward Fane remembers his Rosebud."
Our question is answered. There is a germ of bliss within her. Her long-hoarded constancy, her memory of the bliss that was remaining amid the gloom of her after-life like a sweet-smelling flower in a coffin, is a symbol that all may be renewed. In some happier clime the Rosebud may revive again with all the dewdrops in its bosom.
THE THREEFOLD DESTINY
A FAËRY LEGEND
I have sometimes produced a singular and not unpleasing effect, so far as my own mind was concerned, by imagining a train of incidents in which the spirit and mechanism of the faëry legend should be combined with the characters and manners of familiar life. In the little tale which follows a subdued tinge of the wild and wonderful is thrown over a sketch of New England personages and scenery, yet, it is hoped, without entirely obliterating the sober hues of nature. Rather than a story of events claiming to be real, it may be considered as an allegory such as the writers of the last century would have expressed in the shape of an Eastern tale, but to which I have endeavored to give a more lifelike warmth than could be infused into those fanciful productions.
In the twilight of a summer eve a tall dark figure over which long and remote travel had thrown an outlandish aspect was entering a village not in "faëry londe," but within our own familiar boundaries. The staff on which this traveller leaned had been his companion from the spot where it grew in the jungles of Hindostan; the hat that overshadowed his sombre brow, had shielded him from the suns of Spain; but his cheek had been blackened by the red-hot wind of an Arabian desert and had felt the frozen breath of an Arctic region. Long sojourning amid wild and dangerous men, he still wore beneath his vest the ataghan which he had once struck into the throat of a Turkish robber. In every foreign clime he had lost something of his New England characteristics, and perhaps from every people he had unconsciously borrowed a new peculiarity; so that when the world-wanderer again trod the street of his native village it is no wonder that he passed unrecognized, though exciting the gaze and curiosity of all. Yet, as his arm casually touched that of a young woman who was wending her way to an evening lecture, she started and almost uttered a cry.
"Ralph Cranfield!" was the name that she half articulated.
"Can that be my old playmate Faith Egerton?" thought the traveller, looking round at her figure, but without pausing.
Ralph Cranfield from his youth upward had felt himself marked out for a high destiny. He had imbibed the idea – we say not whether it were revealed to him by witchcraft or in a dream of prophecy, or that his brooding fancy had palmed its own dictates upon him as the oracles of a sybil, but he had imbibed the idea, and held it firmest among his articles of faith – that three marvellous events of his life were to be confirmed to him by three signs.
The first of these three fatalities, and perhaps the one on which his youthful imagination had dwelt most fondly, was the discovery of the maid who alone of all the maids on earth could make him happy by her love. He was to roam around the world till he should meet a beautiful woman wearing on her bosom a jewel in the shape of a heart – whether of pearl or ruby or emerald or carbuncle or a changeful opal, or perhaps a priceless diamond, Ralph Cranfield little cared, so long as it were a heart of one peculiar shape. On encountering this lovely stranger he was bound to address her thus: "Maiden, I have brought you a heavy heart. May I rest its weight on you?" And if she were his fated bride – if their kindred souls were destined to form a union here below which all eternity should only bind more closely – she would reply, with her finger on the heart-shaped jewel, "This token which I have worn so long is the assurance that you may."
And, secondly, Ralph Cranfield had a firm belief that there was a mighty treasure hidden somewhere in the earth of which the burial-place would be revealed to none but him. When his feet should press upon the mysterious spot, there would be a hand before him pointing downward – whether carved of marble or hewn in gigantic dimensions on the side of a rocky precipice, or perchance a hand of flame in empty air, he could not tell, but at least he would discern a hand, the forefinger pointing downward, and beneath it the Latin word "Effode" – "Dig!" And, digging thereabouts, the gold in coin or ingots, the precious stones, or of whatever else the treasure might consist, would be certain to reward his toil.
The third and last of the miraculous events in the life of this high-destined man was to be the attainment of extensive influence and sway over his fellow-creatures. Whether he were to be a king and founder of a hereditary throne, or the victorious leader of a people contending for their freedom, or the apostle of a purified and regenerated faith, was left for futurity to show. As messengers of the sign by which Ralph Cranfield might recognize the summons, three venerable men were to claim audience of him. The chief among them – a dignified and majestic person arrayed, it may be supposed, in the flowing garments of an ancient sage – would be the bearer of a wand or prophet's rod. With this wand or rod or staff the venerable sage would trace a certain figure in the air, and then proceed to make known his Heaven-instructed message, which, if obeyed, must lead to glorious results.
With this proud fate before him, in the flush of his imaginative youth Ralph Cranfield had set forth to seek the maid, the treasure, and the venerable sage with his gift of extended empire. And had he found them? Alas! it was not with the aspect of a triumphant man who had achieved a nobler destiny than all his fellows, but rather with the gloom of one struggling against peculiar and continual adversity, that he now passed homeward to his mother's cottage. He had come back, but only for a time, to lay aside the pilgrim's staff, trusting that his weary manhood would regain somewhat of the elasticity of youth in the spot where his threefold fate had been foreshown him. There had been few changes in the village, for it was not one of those thriving places where a year's prosperity makes more than the havoc of a century's decay, but, like a gray hair in a young man's head, an antiquated little town full of old maids and aged elms and moss-grown dwellings. Few seemed to be the changes here. The drooping elms, indeed, had a more majestic spread, the weather-blackened houses were adorned with a denser thatch of verdant moss, and doubtless there were a few more gravestones in the burial-ground inscribed with names that had once been familiar in the village street; yet, summing up all the mischief that ten years had wrought, it seemed scarcely more than if Ralph Cranfield had gone forth that very morning and dreamed a day-dream till the twilight, and then turned back again. But his heart grew cold because the village did not remember him as he remembered the village.
"Here is the change," sighed he, striking his hand upon his breast. "Who is this man of thought and care, weary with world-wandering and heavy with disappointed hopes? The youth returns not who went forth so joyously."
And now Ralph Cranfield was at his mother's gate, in front of the small house where the old lady, with slender but sufficient means, had kept herself comfortable during her son's long absence. Admitting himself within the enclosure, he leaned against a great old tree, trifling with his own impatience as people often do in those intervals when years are summed into a moment. He took a minute survey of the dwelling – its windows brightened with the sky-gleam, its doorway with the half of a millstone for a step, and the faintly-traced path waving thence to the gate. He made friends again with his childhood's friend – the old tree against which he leaned – and, glancing his eye down its trunk, beheld something that excited a melancholy smile. It was a half-obliterated inscription – the Latin word "Effode" – which he remembered to have carved in the bark of the tree with a whole day's toil when he had first begun to muse about his exalted destiny. It might be accounted a rather singular coincidence that the bark just above the inscription had put forth an excrescence shaped not unlike a hand, with the forefinger pointing obliquely at the word of fate. Such, at least, was its appearance in the dusky light.
"Now, a credulous man," said Ralph Cranfield, carelessly, to himself, "might suppose that the treasure which I have sought round the world lies buried, after all, at the very door of my mother's dwelling. That would be a jest indeed."
More he thought not about the matter, for now the door was opened and an elderly woman appeared on the threshold, peering into the dusk to discover who it might be that had intruded on her premises and was standing in the shadow of her tree. It was Ralph Cranfield's mother. Pass we over their greeting, and leave the one to her joy and the other to his rest – if quiet rest he found.
But when morning broke, he arose with a troubled brow, for his sleep and his wakefulness had alike been full of dreams. All the fervor was rekindled with which he had burned of yore to unravel the threefold mystery of his fate. The crowd of his early visions seemed to have awaited him beneath his mother's roof and thronged riotously around to welcome his return. In the well-remembered chamber, on the pillow where his infancy had slumbered, he had passed a wilder night than ever in an Arab tent or when he had reposed his head in the ghastly shades of a haunted forest. A shadowy maid had stolen to his bedside and laid her finger on the scintillating heart; a hand of flame had glowed amid the darkness, pointing downward to a mystery within the earth; a hoary sage had waved his prophetic wand and beckoned the dreamer onward to a chair of state. The same phantoms, though fainter in the daylight, still flitted about the cottage and mingled among the crowd of familiar faces that were drawn thither by the news of Ralph Cranfield's return to bid him welcome for his mother's sake. There they found him, a tall, dark, stately man of foreign aspect, courteous in demeanor and mild of speech, yet with an abstracted eye which seemed often to snatch a glance at the invisible.
Meantime, the widow Cranfield went bustling about the house full of joy that she again had somebody to love and be careful of, and for whom she might vex and tease herself with the petty troubles of daily life. It was nearly noon when she looked forth from the door and descried three personages of note coming along the street through the hot sunshine and the masses of elm-tree shade. At length they reached her gate and undid the latch.
"See, Ralph!" exclaimed she, with maternal pride; "here is Squire Hawkwood and the two other selectmen coming on purpose to see you. Now, do tell them a good long story about what you have seen in foreign parts."
The foremost of the three visitors, Squire Hawkwood, was a very pompous but excellent old gentleman, the head and prime-mover in all the affairs of the village, and universally acknowledged to be one of the sagest men on earth. He wore, according to a fashion even then becoming antiquated, a three-cornered hat, and carried a silver-headed cane the use of which seemed to be rather for flourishing in the air than for assisting the progress of his legs. His two companions were elderly and respectable yeomen who, retaining an ante-Revolutionary reverence for rank and hereditary wealth, kept a little in the squire's rear.
As they approached along the pathway Ralph Cranfield sat in an oaken elbow-chair half unconsciously gazing at the three visitors and enveloping their homely figures in the misty romance that pervaded his mental world. "Here," thought he, smiling at the conceit – "here come three elderly personages, and the first of the three is a venerable sage with a staff. What if this embassy should bring me the message of my fate?"
While Squire Hawkwood and his colleagues entered, Ralph rose from his seat and advanced a few steps to receive them, and his stately figure and dark countenance as he bent courteously toward his guests had a natural dignity contrasting well with the bustling importance of the squire. The old gentleman, according to invariable custom, gave an elaborate preliminary flourish with his cane in the air, then removed his three-cornered hat in order to wipe his brow, and finally proceeded to make known his errand.
"My colleagues and myself," began the squire, "are burdened with momentous duties, being jointly selectmen of this village. Our minds for the space of three days past have been laboriously bent on the selection of a suitable person to fill a most important office and take upon himself a charge and rule which, wisely considered, may be ranked no lower than those of kings and potentates. And whereas you, our native townsman, are of good natural intellect and well cultivated by foreign travel, and that certain vagaries and fantasies of your youth are doubtless long ago corrected, – taking all these matters, I say, into due consideration, we are of opinion that Providence hath sent you hither at this juncture for our very purpose."
During this harangue Cranfield gazed fixedly at the speaker, as if he beheld something mysterious and unearthly in his pompous little figure, and as if the squire had worn the flowing robes of an ancient sage instead of a square-skirted coat, flapped waistcoat, velvet breeches and silk stockings. Nor was his wonder without sufficient cause, for the flourish of the squire's staff, marvellous to relate, had described precisely the signal in the air which was to ratify the message of the prophetic sage whom Cranfield had sought around the world.
"And what," inquired Ralph Cranfield, with a tremor in his voice – "what may this office be which is to equal me with kings and potentates?"
"No less than instructor of our village school," answered Squire Hawkwood, "the office being now vacant by the death of the venerable Master Whitaker after a fifty years' incumbency."
"I will consider of your proposal," replied Ralph Cranfield, hurriedly, "and will make known my decision within three days."
After a few more words the village dignitary and his companions took their leave. But to Cranfield's fancy their images were still present, and became more and more invested with the dim awfulness of figures which had first appeared to him in a dream, and afterward had shown themselves in his waking moments, assuming homely aspects among familiar things. His mind dwelt upon the features of the squire till they grew confused with those of the visionary sage and one appeared but the shadow of the other. The same visage, he now thought, had looked forth upon him from the Pyramid of Cheops; the same form had beckoned to him among the colonnades of the Alhambra; the same figure had mistily revealed itself through the ascending steam of the Great Geyser. At every effort of his memory he recognized some trait of the dreamy messenger of destiny in this pompous, bustling, self-important, little-great man of the village. Amid such musings Ralph Cranfield sat all day in the cottage, scarcely hearing and vaguely answering his mother's thousand questions about his travels and adventures. At sunset he roused himself to take a stroll, and, passing the aged elm tree, his eye was again caught by the semblance of a hand pointing downward at the half-obliterated inscription.
