George Meredith
The Adventures of Harry Richmond. Complete
We now, with the name Sarkeld, craved of their father a direction to that place. At the door of his but he waved his hand carelessly South for Sarkeld, and vigorously West where the tower stood, then swept both hands up to the tower, bellowed a fire of cannon, waved his hat, and stamped and cheered. Temple, glancing the way of the tower, performed on a trumpet of his joined fists to show we understood that prodigious attractions were presented by the tower; we said ja and ja, and nevertheless turned into the Sarkeld path.
Some minutes later the sound of hoofs led us to imagine he had despatched a messenger after us. A little lady on a pony, attended by a tawny-faced great square-shouldered groom on a tall horse, rode past, drew up on one side, and awaited our coming. She was dressed in a grey riding-habit and a warm winter-jacket of gleaming grey fur, a soft white boa loose round her neck, crossed at her waist, white gauntlets, and a pretty black felt hat with flowing rim and plume. There she passed as under review. It was a curious scene: the iron-faced great-sized groom on his bony black charger dead still: his mistress, a girl of about eleven or twelve or thirteen, with an arm bowed at her side, whip and reins in one hand, and slips of golden brown hair straying on her flushed cheek; rocks and trees, high silver firs rising behind her, and a slender water that fell from the rocks running at her pony’s feet. Half-a-dozen yards were between the charger’s head and the pony’s flanks. She waited for us to march by, without attempting to conceal that we were the objects of her inspection, and we in good easy swing of the feet gave her a look as we lifted our hats. That look was to me like a net thrown into moonlighted water: it brought nothing back but broken lights of a miraculous beauty.
Burning to catch an excuse for another look over my shoulder, I heard her voice:
‘Young English gentlemen!’
We turned sharp round.
It was she without a doubt who had addressed us: she spurred her pony to meet us, stopped him, and said with the sweetest painful attempt at accuracy in pronouncing a foreign tongue:
‘I sthink you go a wrong way?’
Our hats flew off again, and bareheaded, I seized the reply before Temple could speak.
‘Is not this, may I ask you, the way to Sarkeld?’
She gathered up her knowledge of English deliberately.
‘Yes, one goes to Sarkeld by sthis way here, but to-day goes everybody up to our Bella Vista, and I entreat you do not miss it, for it is some-s-thing to write to your home of.’
‘Up at the tower, then? Oh, we were there last night, and saw the bronze horse, mademoiselle.’
‘Yes, I know. I called on my poor sick woman in a but where you fell asleep, sirs. Her little ones are my lambs; she has been of our household; she is good; and they said, two young, strange, small gentlemen have gone for Sarkeld; and I supposed, sthey cannot know all go to our Bella Vista to-day.’
‘You knew at once we were English, mademoiselle?’
‘Yes, I could read it off your backs, and truly too your English eyes are quite open at a glance. It is of you both I speak. If I but make my words plain! My “th” I cannot always. And to understand, your English is indeed heavy speech! not so in books. I have my English governess. We read English tales, English poetry—and sthat is your excellence. And so, will you not come, sirs, up when a way is to be shown to you? It is my question.’
Temple thanked her for the kindness of the offer.
I was hesitating, half conscious of surprise that I should ever be hesitating in doubt of taking the direction toward my father. Hearing Temple’s boldness I thanked her also, and accepted. Then she said, bowing:
‘I beg you will cover your heads.’
We passed the huge groom bolt upright on his towering horse; he raised two fingers to the level of his eyebrows in the form of a salute.
Temple murmured: ‘I shouldn’t mind entering the German Army,’ just as after our interview with Captain Bulsted he had wished to enter the British Navy.
This was no more than a sign that he was highly pleased. For my part delight fluttered the words in my mouth, so that I had to repeat half I uttered to the attentive ears of our gracious new friend and guide:
‘Ah,’ she said, ‘one does sthink one knows almost all before experiment. I am ashamed, yet I will talk, for is it not so? experiment is a school. And you, if you please, will speak slow. For I say of you English gentlemen, silk you spin from your lips; it is not as a language of an alphabet; it is pleasant to hear when one would lull, but Italian can do that, and do it more—am I right? soft?
‘Bella Vista, lovely view,’ said I.
‘Lovely view,’ she repeated.
She ran on in the most musical tongue, to my thinking, ever heard:
‘And see my little pensioners’ poor cottage, who are out up to Lovely View. Miles round go the people to it. Good, and I will tell you strangers: sthe Prince von Eppenwelzen had his great ancestor, and his sister Markgrafin von Rippau said, “Erect a statue of him, for he was a great warrior.” He could not, or he would not, we know not. So she said, “I will,” she said, “I will do it in seven days.” She does constantly amuse him, everybody at de Court. Immense excitement! For suppose it!—a statue of a warrior on horseback, in perfect likeness, chapeau tricorne, perruque, all of bronze, and his marshal’s baton. Eh bien, well, a bronze horse is come at a gallop from Berlin; sthat we know. By fortune a most exalted sculptor in Berlin has him ready,—and many horses pulled him to here, to Lovely View, by post-haste; sthat we know. But we are in extremity of puzzlement. For where is the statue to ride him? where—am I plain to you, sirs?—is sthe Marshal Furst von Eppenwelzen, our great ancestor? Yet the Markgrafin says, “It is right, wait!” She nods, she smiles. Our Court is all at de lake-palace odder side sthe tower, and it is bets of gems, of feathers, of lace, not to be numbered! The Markgrafin says—sthere to-day you see him, Albrecht Wohlgemuth Furst von Eppenwelzen! But no sculptor can have cast him in bronze—not copied him and cast him in a time of seven days! And we say sthis:—Has she given a secret order to a sculptor—you understand me, sirs, commission—where, how, has he sthe likeness copied? Or did he come to our speisesaal of our lake-palace disguised? Oh! but to see, to copy, to model, to cast in bronze, to travel betwixt Berlin and Sarkeld in a time of seven days? No! so-oh! we guess, we guess, we are in exhaustion. And to-day is like an eagle we have sent an arrow to shoot and know not if he will come down. For shall we see our ancestor on horseback? It will be a not-scribable joy! Or not? So we guess, we are worried. At near eleven o’clock a cannon fires, sthe tent is lifted, and we see; but I am impatient wid my breaths for de gun to go.’
I said it would be a fine sight.
‘For strangers, yes; you should be of de palace to know what a fine sight! sthe finest! And you are for Sarkeld? You have friends in Sarkeld?’
‘My father is in Sarkeld, mademoiselle. I am told he is at the palace.’
‘Indeed; and he is English, your fater?’
‘Yes. I have not seen him for years; I have come to find him.’
‘Indeed; it is for love of him, your fater, sir, you come, and not speak German?’
I signified that it was so.
‘She stroked her pony’s neck musing.
‘Because, of love is not much in de family in England, it is said,’ she remarked very shyly, and in recovering her self-possession asked the name of my father.
‘His name, mademoiselle, is Mr. Richmond.’
‘Mr. Richmond?’
‘Mr. Richmond Roy.’
She sprang in her saddle.
‘You are son to Mr. Richmond Roy? Oh! it is wonderful.’
‘Mademoiselle, then you have seen him lately?’
‘Yes, yes! I have seen him. I have heard of his beautiful child, his son; and you it is?’
She studied my countenance a moment.
‘Tell me, is he well?’ mademoiselle, is he quite well?’
‘Oh, yes,’ she answered, and broke into smiles of merriment, and then seemed to bite her underlip. ‘He is our fun-maker. He must always be well. I owe to him some of my English. You are his son? you were for Sarkeld? You will see him up at our Bella Vista. Quick, let us run.’
She put her pony to a canter up the brown path between the fir-trees, crying that she should take our breath; but we were tight runners, and I, though my heart beat wildly, was full of fire to reach the tower on the height; so when she slackened her pace, finding us close on her pony’s hoofs, she laughed and called us brave boys. Temple’s being no more than my friend, who had made the expedition with me out of friendship, surprised her. Not that she would not have expected it to be done by Germans; further she was unable to explain her astonishment.
At a turning of the ascent she pointed her whip at the dark knots and lines of the multitude mounting by various paths to behold the ceremony of unveiling the monument.
I besought her to waste no time.
‘You must, if you please, attend my pleasure, if I guide you,’ she said, tossing her chin.
‘I thank you, I can’t tell you how much, mademoiselle,’ said I.
She answered: ‘You were kind to my two pet lambs, sir.’
So we moved forward.
CHAPTER XVI. THE STATUE ON THE PROMONTORY
The little lady was soon bowing to respectful salutations from crowds of rustics and others on a broad carriage-way circling level with the height. I could not help thinking how doubly foreign I was to all the world here—I who was about to set eyes on my lost living father, while these people were tip-toe to gaze on a statue. But as my father might also be taking an interest in the statue, I got myself round to a moderate sentiment of curiosity and a partial share of the general excitement. Temple and mademoiselle did most of the conversation, which related to glimpses of scenery, pine, oak, beech-wood, and lake-water, until we gained the plateau where the tower stood, when the giant groom trotted to the front, and worked a clear way for us through a mass of travelling sight-seers, and she leaned to me, talking quite inaudibly amid the laughter and chatting. A band of wind instruments burst out. ‘This is glorious!’ I conceived Temple to cry like an open-mouthed mute. I found it inspiriting.
The rush of pride and pleasure produced by the music was irresistible. We marched past the tower, all of us, I am sure, with splendid feelings. A stone’s throw beyond it was the lofty tent; over it drooped a flag, and flags were on poles round a wide ring of rope guarded by foresters and gendarmes, mounted and afoot. The band, dressed in green, with black plumes to their hats, played in the middle of the ring. Outside were carriages, and ladies and gentlemen on horseback, full of animation; rustics, foresters, town and village people, men, women, and children, pressed against the ropes. It was a day of rays of sunshine, now from off one edge, now from another of large slow clouds, so that at times we and the tower were in a blaze; next the lake-palace was illuminated, or the long grey lake and the woods of pine and of bare brown twigs making bays in it.
Several hands beckoned on our coming in sight of the carriages. ‘There he is, then!’ I thought; and it was like swallowing my heart in one solid lump. Mademoiselle had free space to trot ahead of us. We saw a tall-sitting lady, attired in sables, raise a finger to her, and nip her chin. Away the little lady flew to a second carriage, and on again, as one may when alive with an inquiry. I observed to Temple, ‘I wonder whether she says in her German, “It is my question”; do you remember?’ There was no weight whatever in what I said or thought.
She rode back, exclaiming, ‘Nowhere. He is nowhere, and nobody knows. He will arrive. But he is not yet. Now,’ she bent coaxingly down to me, ‘can you not a few words of German? Only a smallest sum! It is the Markgrafin, my good aunt, would speak wid you, and she can no English-only she is eager to behold you, and come! You will know, for my sake, some scrap of German—ja? You will—nicht wahr? Or French? Make your glom-pudding of it, will you?’
I made a shocking plum-pudding of it. Temple was no happier.
The margravine, a fine vigorous lady with a lively mouth and livelier eyes of a restless grey that rarely dwelt on you when she spoke, and constantly started off on a new idea, did me the honour to examine me, much as if I had offered myself for service in her corps of grenadiers, and might do in time, but was decreed to be temporarily wanting in manly proportions.
She smiled a form of excuse of my bungling half-English horrid French, talked over me and at me, forgot me, and recollected me, all within a minute, and fished poor Temple for intelligible replies to incomprehensible language in the same manner, then threw her head back to gather the pair of us in her sight, then eyed me alone.
‘C’est peut-etre le fils de son petit papa, et c’est tout dire.’
Such was her summary comment.
But not satisfied with that, she leaned out of the carriage, and, making an extraordinary grimace appear the mother in labour of the difficult words, said, ‘Doos yo’ laff?’
There was no helping it: I laughed like a madman, giving one outburst and a dead stop.
Far from looking displeased, she nodded. I was again put to the dreadful test.
‘Can yo’ mak’ laff?’
It spurred my wits. I had no speech to ‘mak’ laff’ with. At the very instant of my dilemma I chanced to see a soberly-clad old townsman hustled between two helpless women of the crowd, his pipe in his mouth, and his hat, wig, and handkerchief sliding over his face, showing his bald crown, and he not daring to cry out, for fear his pipe should be trodden under foot.
‘He can, your Highness.’
Her quick eyes caught the absurd scene. She turned to one of her ladies and touched her forehead. Her hand was reached out to me; Temple she patted on the shoulder.
‘He can—ja: du auch.’
A grand gentleman rode up. They whispered, gazed at the tent, and appeared to speak vehemently. All the men’s faces were foreign: none of them had the slightest resemblance to my father’s. I fancied I might detect him disguised. I stared vainly. Temple, to judge by the expression of his features, was thinking. Yes, thought I, we might as well be at home at old Riversley, that distant spot! We ‘re as out of place here as frogs in the desert!
Riding to and fro, and chattering, and commotion, of which the margravine was the centre, went on, and the band played beautiful waltzes. The workmen in and out of the tent were full of their business, like seamen under a storm.
‘Fraulein Sibley,’ the margravine called.
I hoped it might be an English name. So it proved to be; and the delight of hearing English spoken, and, what was more, having English ears to speak to, was blissful as the leap to daylight out of a nightmare.
‘I have the honour to be your countrywoman,’ said a lady, English all over to our struggling senses.
We became immediately attached to her as a pair of shipwrecked boats lacking provender of every sort are taken in tow by a well-stored vessel. She knew my father, knew him intimately. I related all I had to tell, and we learnt that we had made acquaintance with her pupil, the Princess Ottilia Wilhelmina Frederika Hedwig, only child of the Prince of Eppenwelzen.
‘Your father will certainly be here; he is generally the margravine’s right hand, and it’s wonderful the margravine can do without him so long,’ said Miss Sibley, and conversed with the margravine; after which she informed me that she had been graciously directed to assure me my father would be on the field when the cannon sounded.
‘Perhaps you know nothing of Court life?’ she resumed. ‘We have very curious performances in Sarkeld, and we owe it to the margravine that we are frequently enlivened. You see the tall gentleman who is riding away from her. I mean the one with the black hussar jacket and thick brown moustache. That is the prince. Do you not think him handsome? He is very kind—rather capricious; but that is a way with princes. Indeed, I have no reason to complain. He has lost his wife, the Princess Frederika, and depends upon his sister the margravine for amusement. He has had it since she discovered your papa.’
‘Is the gun never going off?’ I groaned.
‘If they would only conduct their ceremonies without their guns!’ exclaimed Miss Sibley. ‘The origin of the present ceremony is this: the margravine wished to have a statue erected to an ancestor, a renowned soldier—and I would infinitely prefer talking of England. But never mind. Oh, you won’t understand what you gaze at. Well, the prince did not care to expend the money. Instead of urging that as the ground of his refusal, he declared there were no sculptors to do justice to Prince Albrecht Wohlgemuth, and one could not rely on their effecting a likeness. We have him in the dining-hall; he was strikingly handsome. Afterward he pretended—I’m speaking now of the existing Prince Ernest—that it would be ages before the statue was completed. One day the margravine induced him to agree to pay the sum stipulated for by the sculptor, on condition of the statue being completed for public inspection within eight days of the hour of their agreement. The whole Court was witness to it. They arranged for the statue, horse and man, to be exhibited for a quarter of an hour. Of course, the margravine did not signify it would be a perfectly finished work. We are kept at a great distance, that we may not scrutinize it too closely. They unveil it to show she has been as good as her word, and then cover it up to fix the rider to the horse,—a screw is employed, I imagine. For one thing we know about it, we know that the horse and the horseman travelled hither separately. In all probability, the margravine gave the order for the statue last autumn in Berlin. Now look at the prince. He has his eye on you. Look down. Now he has forgotten you. He is impatient to behold the statue. Our chief fear is that the statue will not maintain its balance. Fortunately, we have plenty of guards to keep the people from pushing against it. If all turns out well, I shall really say the margravine has done wonders. She does not look anxious; but then she is not one ever to show it. The prince does. Every other minute he is glancing at the tent and at his watch. Can you guess my idea? Your father’s absence leads me to think-oh! only a passing glimmer of an idea—the statue has not arrived, and he is bringing it on. Otherwise, he would be sure to be here. The margravine beckons me.’
‘Don’t go!’ we cried simultaneously.
The Princess Ottilia supplied her place.
‘I have sent to our stables for two little pretty Hungarian horses for you two to ride,’ she said. ‘No, I have not yet seen him. He is asked for, and de Markgrafin knows not at all. He bades in our lake; he has been seen since. The man is exciteable; but he is so sensible. Oh, no. And he is full of laughter. We shall soon see him. Would he not ever be cautious of himself for a son like you?’
Her compliment raised a blush on me.
The patience of the people was creditable to their phlegm. The smoke of pipes curling over the numberless heads was the most stirring thing about them.
Temple observed to me,
‘We’ll give the old statue a British cheer, won’t we, Richie?’
‘After coming all the way from England!’ said I, in dejection.
‘No, no, Richie; you’re sure of him now. He ‘s somewhere directing affairs, I suspect. I say, do let us show them we can ring out the right tune upon occasion. By jingo! there goes a fellow with a match.’
We saw the cannonier march up to the margravine’s carriage for orders. She summoned the prince to her side. Ladies in a dozen carriages were standing up, handkerchief in hand, and the gentlemen got their horses’ heads on a line. Temple counted nearly sixty persons of quality stationed there. The workmen were trooping out of the tent.
Miss Sibley ran to us, saying,—
‘The gun-horror has been commanded. Now then: the prince can scarcely contain himself. The gunner is ready near his gun; he has his frightful match lifted. See, the manager-superintendent is receiving the margravine’s last injunctions. How firm women’s nerves are! Now the margravine insists on the prince’s reading the exact time by her watch. Everybody is doing it. Let us see. By my watch it is all but fifteen minutes to eleven, A.M. Dearest,’ she addressed the little princess; ‘would you not like to hold my hand until the gun is fired?’
‘Dearest,’ replied the princess, whether in childish earnest or irony I could not divine, ‘if I would hold a hand it would be a gentleman’s.’
All eyes were on the Prince of Eppenwelzen, as he gazed toward the covered statue. With imposing deliberation his hand rose to his hat. We saw the hat raised. The cannon was fired and roared; the band struck up a pompous slow march: and the tent-veil broke apart and rolled off. It was like the dawn flying and sunrise mounting.
I confess I forgot all thought of my father for awhile; the shouts of the people, the braying of the brass instruments, the ladies cheering sweetly, the gentlemen giving short, hearty expressions of applause, intoxicated me. And the statue was superb-horse and rider in new bronze polished by sunlight.
‘It is life-like! it is really noble! it is a true Prince!’ exclaimed Miss Sibley. She translated several exclamations of the ladies and gentlemen in German: they were entirely to the same effect. The horse gave us a gleam of his neck as he pawed a forefoot, just reined in. We knew him; he was a gallant horse; but it was the figure of the Prince Albrecht that was so fine. I had always laughed at sculptured figures on horseback. This one overawed me. The Marshal was acknowledging the salute of his army after a famous victory over the infidel Turks. He sat upright, almost imperceptibly but effectively bending his head in harmony with the curve of his horse’s neck, and his baton swept the air low in proud submission to the honours cast on him by his acclaiming soldiery. His three-cornered lace hat, curled wig, heavy-trimmed surcoat, and high boots, reminded me of Prince Eugene. No Prince Eugene—nay, nor Marlborough, had such a martial figure, such an animated high old warrior’s visage. The bronze features reeked of battle.
Temple and I felt humiliated (without cause, I granted) at the success of a work of Art that struck us as a new military triumph of these Germans, and it was impossible not to admire it. The little Princess Ottilia clapped hands by fits. What words she addressed to me I know not. I dealt out my stock of German—‘Ja, ja—to her English. We were drawn by her to congratulate the margravine, whose hand was then being kissed by the prince: he did it most courteously and affectionately. Other gentlemen, counts and barons, bowed over her hand. Ladies, according to their rank and privileges, saluted her on the cheek or in some graceful fashion. When our turn arrived, Miss Sibley translated for us, and as we were at concert pitch we did not acquit ourselves badly. Temple’s remark was, that he wished she and all her family had been English. Nothing was left for me to say but that the margravine almost made us wish we had been German.
Smiling cordially, the margravine spoke, Miss Sibley translated:
‘Her Royal Highness asks you if you have seen your father?’
I shook my head.
The Princess Ottilia translated, ‘Her Highness, my good aunt, would know, would you know him, did you see him?’
‘Yes, anywhere,’ I cried.
The margravine pushed me back with a gesture.
‘Yes, your Highness, on my honour; anywhere on earth!’
She declined to hear the translation.
Her insulting disbelief in my ability to recognize the father I had come so far to embrace would have vexed me but for the wretched thought that I was losing him again. We threaded the carriages; gazed at the horsemen in a way to pierce the hair on their faces. The little princess came on us hurriedly.
‘Here, see, are the horses. I will you to mount. Are they not pretty animals?’ She whispered, ‘I believe your fater have been hurt in his mind by something. It is only perhaps. Now mount, for de Markgrafin says you are our good guests.’
We mounted simply to show that we could mount, for we would rather have been on foot, and drew up close to the right of the margravine’s carriage.
‘Hush! a poet is reading his ode,’ said the princess. ‘It is Count Fretzel von Wolfenstein.’
This ode was dreadful to us, and all the Court people pretended they liked it. When he waved his right hand toward the statue there was a shout from the rustic set; when he bowed to the margravine, the ladies and gentlemen murmured agreeably and smiled. We were convinced of its being downright hypocrisy, rustic stupidity, Court flattery. We would have argued our case, too. I proposed a gallop; Temple said,
‘No, we’ll give the old statue our cheer as soon as this awful fellow has done. I don’t care much for poetry, but don’t let me ever have to stand and hear German poetry again for the remainder of my life.’
We could not imagine why they should have poetry read out to them instead of their fine band playing, but supposed it was for the satisfaction of the margravine, with whom I grew particularly annoyed on hearing Miss Sibley say she conceived her Highness to mean that my father was actually on the ground, and that we neither of us, father and son, knew one another. I swore on my honour, on my life, he was not present; and the melancholy in my heart taking the form of extreme irritation, I spoke passionately. I rose in my stirrups, ready to shout, ‘Father! here’s Harry Richmond come to see you. Where are you!’ I did utter something—a syllable or two: ‘Make haste!’ I think the words were. They sprang from my inmost bosom, addressed without forethought to that drawling mouthing poet. The margravine’s face met mine like a challenge. She had her lips tight in a mere lip-smile, and her eyes gleamed with provocation.
‘Her Highness,’ Miss Sibley translated, ‘asks whether you are prepared to bet that your father is not on the ground?’
‘Beg her to wait two minutes, and I’ll be prepared to bet any sum,’ said I.
Temple took one half the circle, I the other, riding through the attentive horsemen and carriage-lines, and making sure the face we sought was absent, more or less discomposing everybody. The poet finished his ode; he was cheered, of course. Mightily relieved, I beheld the band resuming their instruments, for the cheering resembled a senseless beating on brass shields. I felt that we English could do it better. Temple from across the sector of the circle, running about two feet in front of the statue, called aloud,
‘Richie! he’s not here!’
‘Not here!’ cried I.
The people gazed up at us, wondering at the tongue we talked.
‘Richie! now let ‘s lead these fellows off with a tiptop cheer!’
Little Temple crowed lustily.
The head of the statue turned from Temple to me.
I found the people falling back with amazed exclamations. I—so prepossessed was I—simply stared at the sudden-flashing white of the statue’s eyes. The eyes, from being an instant ago dull carved balls, were animated. They were fixed on me. I was unable to give out a breath. Its chest heaved; both bronze hands struck against the bosom.
‘Richmond! my son! Richie! Harry Richmond! Richmond Roy!’
That was what the statue gave forth.
My head was like a ringing pan. I knew it was my father, but my father with death and strangeness, earth, metal, about him; and his voice was like a human cry contending with earth and metal-mine was stifled. I saw him descend. I dismounted. We met at the ropes and embraced. All his figure was stiff, smooth, cold. My arms slid on him. Each time he spoke I thought it an unnatural thing: I myself had not spoken once.
After glancing by hazard at the empty saddle of the bronze horse, I called to mind more clearly the appalling circumstance which had stupefied the whole crowd. They had heard a statue speak—had seen a figure of bronze walk. For them it was the ancestor of their prince; it was the famous dead old warrior of a hundred and seventy years ago set thus in motion. Imagine the behaviour of people round a slain tiger that does not compel them to fly, and may yet stretch out a dreadful paw! Much so they pressed for a nearer sight of its walnut visage, and shrank in the act. Perhaps I shared some of their sensations. I cannot tell: my sensations were tranced. There was no warmth to revive me in the gauntlet I clasped. I looked up at the sky, thinking that it had fallen dark.
