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полная версияRhoda Fleming. Complete

George Meredith
Rhoda Fleming. Complete

CHAPTER IV

Mr. Fleming kept his forehead from his daughter’s good-night kiss until the room was cleared, after supper, and then embracing her very heartily, he informed her that her uncle had offered to pay her expenses on a visit to London, by which he contrived to hint that a golden path had opened to his girl, and at the same time entreated her to think nothing of it; to dismiss all expectations and dreams of impossible sums from her mind, and simply to endeavour to please her uncle, who had a right to his own, and a right to do what he liked with his own, though it were forty, fifty times as much as he possessed—and what that might amount to no one knew. In fact, as is the way with many experienced persons, in his attempt to give advice to another, he was very impressive in lecturing himself, and warned that other not to succumb to a temptation principally by indicating the natural basis of the allurement. Happily for young and for old, the intense insight of the young has much to distract or soften it. Rhoda thanked her father, and chose to think that she had listened to good and wise things.

“Your sister,” he said—“but we won’t speak of her. If I could part with you, my lass, I’d rather she was the one to come back.”

“Dahlia would be killed by our quiet life now,” said Rhoda.

“Ay,” the farmer mused. “If she’d got to pay six men every Saturday night, she wouldn’t complain o’ the quiet. But, there—you neither of you ever took to farming or to housekeeping; but any gentleman might be proud to have one of you for a wife. I said so when you was girls. And if, you’ve been dull, my dear, what’s the good o’ society? Tea-cakes mayn’t seem to cost money, nor a glass o’ grog to neighbours; but once open the door to that sort o’ thing and your reckoning goes. And what I said to your poor mother’s true. I said: Our girls, they’re mayhap not equals of the Hollands, the Nashaws, the Perrets, and the others about here—no; they’re not equals, because the others are not equals o’ them, maybe.”

The yeoman’s pride struggled out in this obscure way to vindicate his unneighbourliness and the seclusion of his daughters from the society of girls of their age and condition; nor was it hard for Rhoda to assure him, as she earnestly did, that he had acted rightly.

Rhoda, assisted by Mrs. Sumfit, was late in the night looking up what poor decorations she possessed wherewith to enter London, and be worthy of her sister’s embrace, so that she might not shock the lady Dahlia had become.

“Depend you on it, my dear,” said Mrs. Sumfit, “my Dahly’s grown above him. That’s nettles to your uncle, my dear. He can’t abide it. Don’t you see he can’t? Some men’s like that. Others ‘d see you dressed like a princess, and not be satisfied. They vary so, the teasin’ creatures! But one and all, whether they likes it or not, owns a woman’s the better for bein’ dressed in the fashion. What do grieve me to my insidest heart, it is your bonnet. What a bonnet that was lying beside her dear round arm in the po’trait, and her finger up making a dimple in her cheek, as if she was thinking of us in a sorrowful way. That’s the arts o’ being lady-like—look sad-like. How could we get a bonnet for you?”

“My own must do,” said Rhoda.

“Yes, and you to look like lady and servant-gal a-goin’ out for an airin’; and she to feel it! Pretty, that’d be!”

“She won’t be ashamed of me,” Rhoda faltered; and then hummed a little tune, and said firmly—“It’s no use my trying to look like what I’m not.”

“No, truly;” Mrs. Sumfit assented. “But it’s your bein’ behind the fashions what hurt me. As well you might be an old thing like me, for any pleasant looks you’ll git. Now, the country—you’re like in a coalhole for the matter o’ that. While London, my dear, its pavement and gutter, and omnibus traffic; and if you’re not in the fashion, the little wicked boys of the streets themselves ‘ll let you know it; they’ve got such eyes for fashions, they have. And I don’t want my Dahly’s sister to be laughed at, and called ‘coal-scuttle,’ as happened to me, my dear, believe it or not—and shoved aside, and said to—‘Who are you?’ For she reely is nice-looking. Your uncle Anthony and Mr. Robert agreed upon that.”

Rhoda coloured, and said, after a time, “It would please me if people didn’t speak about my looks.”

The looking-glass probably told her no more than that she was nice to the eye, but a young man who sees anything should not see like a mirror, and a girl’s instinct whispers to her, that her image has not been taken to heart when she is accurately and impartially described by him.

The key to Rhoda at this period was a desire to be made warm with praise of her person. She beheld her face at times, and shivered. The face was so strange with its dark thick eyebrows, and peculiarly straight-gazing brown eyes; the level long red under-lip and curved upper; and the chin and nose, so unlike Dahlia’s, whose nose was, after a little dip from the forehead, one soft line to its extremity, and whose chin seemed shaped to a cup. Rhoda’s outlines were harder. There was a suspicion of a heavenward turn to her nose, and of squareness to her chin. Her face, when studied, inspired in its owner’s mind a doubt of her being even nice to the eye, though she knew that in exercise, and when smitten by a blush, brightness and colour aided her claims. She knew also that her head was easily poised on her neck; and that her figure was reasonably good; but all this was unconfirmed knowledge, quickly shadowed by the doubt. As the sun is wanted to glorify the right features of a landscape, this girl thirsted for a dose of golden flattery. She felt, without envy of her sister, that Dahlia eclipsed her: and all she prayed for was that she might not be quite so much in the background and obscure.

But great, powerful London—the new universe to her spirit—was opening its arms to her. In her half sleep that night she heard the mighty thunder of the city, crashing, tumults of disordered harmonies, and the splendour of the lamp-lighted city appeared to hang up under a dark-blue heaven, removed from earth, like a fresh planet to which she was being beckoned.

At breakfast on the Sunday morning, her departure was necessarily spoken of in public. Robert talked to her exactly as he had talked to Dahlia, on the like occasion. He mentioned, as she remembered in one or two instances, the names of the same streets, and professed a similar anxiety as regarded driving her to the station and catching the train. “That’s a thing which makes a man feel his strength’s nothing,” he said. “You can’t stop it. I fancy I could stop a four-in-hand at full gallop. Mind, I only fancy I could; but when you come to do with iron and steam, I feel like a baby. You can’t stop trains.”

“You can trip ‘em,” said Anthony, a remark that called forth general laughter, and increased the impression that he was a man of resources.

Rhoda was vexed by Robert’s devotion to his strength. She was going, and wished to go, but she wished to be regretted as well; and she looked at him more. He, on the contrary, scarcely looked at her at all. He threw verbal turnips, oats, oxen, poultry, and every possible melancholy matter-of-fact thing, about the table, described the farm and his fondness for it and the neighbourhood; said a farmer’s life was best, and gave Rhoda a week in which to be tired of London.

She sneered in her soul, thinking “how little he knows of the constancy in the nature of women!” adding, “when they form attachments.”

Anthony was shown at church, in spite of a feeble intimation he expressed, that it would be agreeable to him to walk about in the March sunshine, and see the grounds and the wild flowers, which never gave trouble, nor cost a penny, and were always pretty, and worth twenty of your artificial contrivances.

“Same as I say to Miss Dahly,” he took occasion to remark; “but no!—no good. I don’t believe women hear ye, when you talk sense of that kind. ‘Look,’ says I, ‘at a violet.’ ‘Look,’ says she, ‘at a rose.’ Well, what can ye say after that? She swears the rose looks best. You swear the violet costs least. Then there you have a battle between what it costs and how it looks.”

Robert pronounced a conventional affirmative, when called on for it by a look from Anthony. Whereupon Rhoda cried out,—

“Dahlia was right—she was right, uncle.”

“She was right, my dear, if she was a ten-thousander. She wasn’t right as a farmer’s daughter with poor expectations.—I’d say humble, if humble she were. As a farmer’s daughter, she should choose the violet side. That’s clear as day. One thing’s good, I admit; she tells me she makes her own bonnets, and they’re as good as milliners’, and that’s a proud matter to say of your own niece. And to buy dresses for herself, I suppose, she’s sat down and she made dresses for fine ladies. I’ve found her at it. Save the money for the work, says I. What does she reply—she always has a reply: ‘Uncle, I know the value of money better. ‘You mean, you spend it,’ I says to her. ‘I buy more than it’s worth,’ says she. And I’ll tell you what, Mr. Robert Armstrong, as I find your name to be, sir; if you beat women at talking, my lord! you’re a clever chap.”

Robert laughed. “I give in at the first mile.”

“Don’t think much of women—is that it, sir?”

“I’m glad to say I don’t think of them at all.”

“Do you think of one woman, now, Mr. Robert Armstrong?”

“I’d much rather think of two.”

“And why, may I ask?”

“It’s safer.”

“Now, I don’t exactly see that,” said Anthony.

“You set one to tear the other,” Robert explained.

“You’re a Grand Turk Mogul in your reasonings of women, Mr. Robert Armstrong. I hope as your morals are sound, sir?”

They were on the road to church, but Robert could not restrain a swinging outburst.

 

He observed that he hoped likewise that his morals were sound.

“Because,” said Anthony, “do you see, sir, two wives—”

“No, no; one wife,” interposed Robert. “You said ‘think about;’ I’d ‘think about’ any number of women, if I was idle. But the woman you mean to make your wife, you go to at once, and don’t ‘think about’ her or the question either.”

“You make sure of her, do you, sir?”

“No: I try my luck; that is all.”

“Suppose she won’t have ye?”

“Then I wait for her.”

“Suppose she gets married to somebody else?”

“Well, you know, I shouldn’t cast eye on a woman who was a fool.”

“Well, upon my—” Anthony checked his exclamation, returning to the charge with, “Just suppose, for the sake of supposing—supposing she was a fool, and gone and got married, and you thrown back’ard on one leg, starin’ at the other, stupified-like?”

“I don’t mind supposing it,” said Robert. “Say, she’s a fool. Her being a fool argues that I was one in making a fool’s choice. So, she jilts me, and I get a pistol, or I get a neat bit of rope, or I take a clean header with a cannon-ball at my heels, or I go to the chemist’s and ask for stuff to poison rats,—anything a fool’d do under the circumstances, it don’t matter what.”

Old Anthony waited for Rhoda to jump over a stile, and said to her,—

“He laughs at the whole lot of ye.”

“Who?” she asked, with betraying cheeks.

“This Mr. Robert Armstrong of yours.”

“Of mine, uncle!”

“He don’t seem to care a snap o’ the finger for any of ye.”

“Then, none of us must care for him, uncle.”

“Now, just the contrary. That always shows a young fellow who’s attending to his business. If he’d seen you boil potatoes, make dumplings, beds, tea, all that, you’d have had a chance. He’d have marched up to ye before you was off to London.”

“Saying, ‘You are the woman.’” Rhoda was too desperately tickled by the idea to refrain from uttering it, though she was angry, and suffering internal discontent. “Or else, ‘You are the cook,’” she muttered, and shut, with the word, steel bars across her heart, calling him, mentally, names not justified by anything he had said or done—such as mercenary, tyrannical, and such like.

Robert was attentive to her in church. Once she caught him with his eyes on her face; but he betrayed no confusion, and looked away at the clergyman. When the text was given out, he found the place in his Bible, and handed it to her pointedly—“There shall be snares and traps unto you;” a line from Joshua. She received the act as a polite pawing civility; but when she was coming out of church, Robert saw that a blush swept over her face, and wondered what thoughts could be rising within her, unaware that girls catch certain meanings late, and suffer a fiery torture when these meanings are clear to them. Rhoda called up the pride of her womanhood that she might despise the man who had dared to distrust her. She kept her poppy colour throughout the day, so sensitive was this pride. But most she was angered, after reflection, by the doubts which Robert appeared to cast on Dahlia, in setting his finger upon that burning line of Scripture. It opened a whole black kingdom to her imagination, and first touched her visionary life with shade. She was sincere in her ignorance that the doubts were her own, but they lay deep in unawakened recesses of the soul; it was by a natural action of her reason that she transferred and forced them upon him who had chanced to make them visible.

CHAPTER V

When young minds are set upon a distant object, they scarcely live for anything about them. The drive to the station and the parting with Robert, the journey to London, which had latterly seemed to her secretly-distressed anticipation like a sunken city—a place of wonder with the waters over it—all passed by smoothly; and then it became necessary to call a cabman, for whom, as he did her the service to lift her box, Rhoda felt a gracious respect, until a quarrel ensued between him and her uncle concerning sixpence;—a poor sum, as she thought; but representing, as Anthony impressed upon her understanding during the conflict of hard words, a principle. Those who can persuade themselves that they are fighting for a principle, fight strenuously, and maybe reckoned upon to overmatch combatants on behalf of a miserable small coin; so the cabman went away discomfited. He used such bad language that Rhoda had no pity for him, and hearing her uncle style it “the London tongue,” she thought dispiritedly of Dahlia’s having had to listen to it through so long a season. Dahlia was not at home; but Mrs. Wicklow, Anthony’s landlady, undertook to make Rhoda comfortable, which operation she began by praising dark young ladies over fair ones, at the same time shaking Rhoda’s arm that she might not fail to see a compliment was intended. “This is our London way,” she said. But Rhoda was most disconcerted when she heard Mrs. Wicklow relate that her daughter and Dahlia were out together, and say, that she had no doubt they had found some pleasant and attentive gentleman for a companion, if they had not gone purposely to meet one. Her thoughts of her sister were perplexed, and London seemed a gigantic net around them both.

“Yes, that’s the habit with the girls up here,” said Anthony; “that’s what fine bonnets mean.”

Rhoda dropped into a bitter depth of brooding. The savage nature of her virgin pride was such that it gave her great suffering even to suppose that a strange gentleman would dare to address her sister. She half-fashioned the words on her lips that she had dreamed of a false Zion, and was being righteously punished. By-and-by the landlady’s daughter returned home alone, saying, with a dreadful laugh, that Dahlia had sent her for her Bible; but she would give no explanation of the singular mission which had been entrusted to her, and she showed no willingness to attempt to fulfil it, merely repeating, “Her Bible!” with a vulgar exhibition of simulated scorn that caused Rhoda to shrink from her, though she would gladly have poured out a multitude of questions in the ear of one who had last been with her beloved. After a while, Mrs. Wicklow looked at the clock, and instantly became overclouded with an extreme gravity.

“Eleven! and she sent Mary Ann home for her Bible. This looks bad. I call it hypocritical, the idea of mentioning the Bible. Now, if she had said to Mary Ann, go and fetch any other book but a Bible!”

“It was mother’s Bible,” interposed Rhoda.

Mrs. Wicklow replied: “And I wish all young women to be as innocent as you, my dear. You’ll get you to bed. You’re a dear, mild, sweet, good young woman. I’m never deceived in character.”

Vaunting her penetration, she accompanied Rhoda to Dahlia’s chamber, bidding her sleep speedily, or that when her sister came they would be talking till the cock crowed hoarse.

“There’s a poultry-yard close to us?” said Rhoda; feeling less at home when she heard that there was not.

The night was quiet and clear. She leaned her head out of the window, and heard the mellow Sunday evening roar of the city as of a sea at ebb. And Dahlia was out on the sea. Rhoda thought of it as she looked at the row of lamps, and listened to the noise remote, until the sight of stars was pleasant as the faces of friends. “People are kind here,” she reflected, for her short experience of the landlady was good, and a young gentleman who had hailed a cab for her at the station, had a nice voice. He was fair. “I am dark,” came a spontaneous reflection. She undressed, and half dozing over her beating heart in bed, heard the street door open, and leaped to think that her sister approached, jumping up in her bed to give ear to the door and the stairs, that were conducting her joy to her: but she quickly recomposed herself, and feigned sleep, for the delight of revelling in her sister’s first wonderment. The door was flung wide, and Rhoda heard her name called by Dahlia’s voice, and then there was a delicious silence, and she felt that Dahlia was coming up to her on tiptoe, and waited for her head to be stooped near, that she might fling out her arms, and draw the dear head to her bosom. But Dahlia came only to the bedside, without leaning over, and spoke of her looks, which held the girl quiet.

“How she sleeps! It’s a country sleep!” Dahlia murmured. “She’s changed, but it’s all for the better. She’s quite a woman; she’s a perfect brunette; and the nose I used to laugh at suits her face and those black, thick eyebrows of hers; my pet! Oh, why is she here? What’s meant by it? I knew nothing of her coming. Is she sent on purpose?”

Rhoda did not stir. The tone of Dahlia’s speaking, low and almost awful to her, laid a flat hand on her, and kept her still.

“I came for my Bible,” she heard Dahlia say. “I promised mother—oh, my poor darling mother! And Dody lying in my bed! Who would have thought of such things? Perhaps heaven does look after us and interfere. What will become of me? Oh, you pretty innocent in your sleep! I lie for hours, and can’t sleep. She binds her hair in a knot on the pillow, just as she used to in the old farm days!”

Rhoda knew that her sister was bending over her now, but she was almost frigid, and could not move.

Dahlia went to the looking-glass. “How flushed I am!” she murmured. “No; I’m pale, quite white. I’ve lost my strength. What can I do? How could I take mother’s Bible, and run from my pretty one, who expects me, and dreams she’ll wake with me beside her in the morning! I can’t—I can’t If you love me, Edward, you won’t wish it.”

She fell into a chair, crying wildly, and muffling her sobs. Rhoda’s eyelids grew moist, but wonder and the cold anguish of senseless sympathy held her still frost-bound. All at once she heard the window open. Some one spoke in the street below; some one uttered Dahlia’s name. A deep bell swung a note of midnight.

“Go!” cried Dahlia.

The window was instantly shut.

The vibration of Dahlia’s voice went through Rhoda like the heavy shaking of the bell after it had struck, and the room seemed to spin and hum. It was to her but another minute before her sister slid softly into the bed, and they were locked together.

CHAPTER VI

Boyne’s bank was of the order of those old and firmly fixed establishments which have taken root with the fortunes of the country—are honourable as England’s name, solid as her prosperity, and even as the flourishing green tree to shareholders: a granite house. Boyne himself had been disembodied for more than a century: Burt and Hamble were still of the flesh; but a greater than Burt or Hamble was Blancove—the Sir William Blancove, Baronet, of city feasts and charities, who, besides being a wealthy merchant, possessed of a very acute head for banking, was a scholarly gentleman, worthy of riches. His brother was Squire Blancove, of Wrexby; but between these two close relatives there existed no stronger feeling than what was expressed by open contempt of a mind dedicated to business on the one side, and quiet contempt of a life devoted to indolence on the other. Nevertheless, Squire Blancove, though everybody knew how deeply he despised his junior for his city-gained title and commercial occupation, sent him his son Algernon, to get the youth into sound discipline, if possible. This was after the elastic Algernon had, on the paternal intimation of his colonel, relinquished his cornetcy and military service. Sir William received the hopeful young fellow much in the spirit with which he listened to the tales of his brother’s comments on his own line of conduct; that is to say, as homage to his intellectual superiority. Mr. Algernon was installed in the Bank, and sat down for a long career of groaning at the desk, with more complacency than was expected from him. Sir William forwarded excellent accounts to his brother of the behaviour of the heir to his estates. It was his way of rebuking the squire, and in return for it the squire, though somewhat comforted, despised his clerkly son, and lived to learn how very unjustly he did so. Adolescents, who have the taste for running into excesses, enjoy the breath of change as another form of excitement: change is a sort of debauch to them. They will delight infinitely in a simple country round of existence, in propriety and church-going, in the sensation of feeling innocent. There is little that does not enrapture them, if you tie them down to nothing, and let them try all. Sir William was deceived by his nephew. He would have taken him into his town-house; but his own son, Edward, who was studying for the Law, had chambers in the Temple, and Algernon, receiving an invitation from Edward, declared a gentle preference for the abode of his cousin. His allowance from his father was properly contracted to keep him from excesses, as the genius of his senior devised, and Sir William saw no objection to the scheme, and made none. The two dined with him about twice in the month.

 

Edward Blancove was three-and-twenty years old, a student by fits, and a young man given to be moody. He had powers of gaiety far eclipsing Algernon’s, but he was not the same easy tripping sinner and flippant soul. He was in that yeasty condition of his years when action and reflection alternately usurp the mind; remorse succeeded dissipation, and indulgences offered the soporific to remorse. The friends of the two imagined that Algernon was, or would become, his evil genius. In reality, Edward was the perilous companion. He was composed of better stuff. Algernon was but an airy animal nature, the soul within him being an effervescence lightly let loose. Edward had a fatally serious spirit, and one of some strength. What he gave himself up to, he could believe to be correct, in the teeth of an opposing world, until he tired of it, when he sided as heartily with the world against his quondam self. Algernon might mislead, or point his cousin’s passions for a time; yet if they continued their courses together, there was danger that Algernon would degenerate into a reckless subordinate—a minister, a valet, and be tempted unknowingly to do things in earnest, which is nothing less than perdition to this sort of creature.

But the key to young men is the ambition, or, in the place of it, the romantic sentiment nourished by them. Edward aspired to become Attorney-General of these realms, not a judge, you observe; for a judge is to the imagination of youthful minds a stationary being, venerable, but not active; whereas, your Attorney-General is always in the fray, and fights commonly on the winning side,—a point that renders his position attractive to sagacious youth. Algernon had other views. Civilization had tried him, and found him wanting; so he condemned it. Moreover, sitting now all day at a desk, he was civilization’s drudge. No wonder, then, that his dream was of prairies, and primeval forests, and Australian wilds. He believed in his heart that he would be a man new made over there, and always looked forward to savage life as to a bath that would cleanse him, so that it did not much matter his being unclean for the present.

The young men had a fair cousin by marriage, a Mrs. Margaret Lovell, a widow. At seventeen she had gone with her husband to India, where Harry Lovell encountered the sword of a Sikh Sirdar, and tried the last of his much-vaunted swordsmanship, which, with his skill at the pistols, had served him better in two antecedent duels, for the vindication of his lovely and terrible young wife. He perished on the field, critically admiring the stroke to which he owed his death. A week after Harry’s burial his widow was asked in marriage by his colonel. Captains, and a giddy subaltern likewise, disputed claims to possess her. She, however, decided to arrest further bloodshed by quitting the regiment. She always said that she left India to save her complexion; “and people don’t know how very candid I am,” she added, for the colonel above-mentioned was wealthy,—a man expectant of a title, and a good match, and she was laughed at when she thus assigned trivial reasons for momentous resolutions. It is a luxury to be candid; and perfect candour can do more for us than a dark disguise.

Mrs. Lovell’s complexion was worth saving from the ravages of an Indian climate, and the persecution of claimants to her hand. She was golden and white, like an autumnal birch-tree—yellow hair, with warm-toned streaks in it, shading a fabulously fair skin. Then, too, she was tall, of a nervous build, supple and proud in motion, a brilliant horsewoman, and a most distinguished sitter in an easy drawing-room chair, which is, let me impress upon you, no mean quality. After riding out for hours with a sweet comrade, who has thrown the mantle of dignity half-way off her shoulders, it is perplexing, and mixed strangely of humiliation and ecstasy, to come upon her clouded majesty where she reclines as upon rose-hued clouds, in a mystic circle of restriction (she who laughed at your jokes, and capped them, two hours ago) a queen.

Between Margaret Lovell and Edward there was a misunderstanding, of which no one knew the nature, for they spoke in public very respectfully one of the other. It had been supposed that they were lovers once; but when lovers quarrel, they snarl, they bite, they worry; their eyes are indeed unveiled, and their mouths unmuzzled. Now Margaret said of Edward: “He is sure to rise; he has such good principles.” Edward said of Margaret: “She only wants a husband who will keep her well in hand.” These sentences scarcely carried actual compliments when you knew the speakers; but outraged lovers cannot talk in that style after they have broken apart. It is possible that Margaret and Edward conveyed to one another as sharp a sting as envenomed lovers attempt. Gossip had once betrothed them, but was now at fault. The lady had a small jointure, and lived partly with her uncle, Lord Elling, partly with Squire Blancove, her aunt’s husband, and a little by herself, which was when she counted money in her purse, and chose to assert her independence. She had a name in the world. There is a fate attached to some women, from Helen of Troy downward, that blood is to be shed for them. One duel on behalf of a woman is a reputation to her for life; two are notoriety. If she is very young, can they be attributable to her? We charge them naturally to her overpowering beauty. It happened that Mrs. Lovell was beautiful. Under the light of the two duels her beauty shone as from an illumination of black flame. Boys adored Mrs. Lovell. These are moths. But more, the birds of air, nay, grave owls (who stand in this metaphor for whiskered experience) thronged, dashing at the apparition of terrible splendour. Was it her fault that she had a name in the world?

Mrs. Margaret Lovell’s portrait hung in Edward’s room. It was a photograph exquisitely coloured, and was on the left of a dark Judith, dark with a serenity of sternness. On the right hung another coloured photograph of a young lady, also fair; and it was a point of taste to choose between them. Do you like the hollowed lily’s cheeks, or the plump rose’s? Do you like a thinnish fall of golden hair, or an abundant cluster of nut-brown? Do you like your blonde with limpid blue eyes, or prefer an endowment of sunny hazel? Finally, are you taken by an air of artistic innocence winding serpentine about your heart’s fibres; or is blushing simplicity sweeter to you? Mrs. Lovell’s eyebrows were the faintly-marked trace of a perfect arch. The other young person’s were thickish, more level; a full brown colour. She looked as if she had not yet attained to any sense of her being a professed beauty: but the fair widow was clearly bent upon winning you, and had a shy, playful intentness of aspect. Her pure white skin was flat on the bone; the lips came forward in a soft curve, and, if they were not artistically stained, were triumphantly fresh. Here, in any case, she beat her rival, whose mouth had the plebeian beauty’s fault of being too straight in a line, and was not trained, apparently, to tricks of dainty pouting.

It was morning, and the cousins having sponged in pleasant cold water, arranged themselves for exercise, and came out simultaneously into the sitting-room, slippered, and in flannels. They nodded and went through certain curt greetings, and then Algernon stepped to a cupboard and tossed out the leather gloves. The room was large and they had a tolerable space for the work, when the breakfast-table had been drawn a little on one side. You saw at a glance which was the likelier man of the two, when they stood opposed. Algernon’s rounded features, full lips and falling chin, were not a match, though he was quick on his feet, for the wary, prompt eyes, set mouth, and hardness of Edward. Both had stout muscle, but in Edward there was vigour of brain as well, which seemed to knit and inform his shape without which, in fact, a man is as a ship under no command. Both looked their best; as, when sparring, men always do look.

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