Генри Джеймс
The American
Newman, on leaving Venice, went through the Tyrol to Vienna, and then returned westward, through Southern Germany. The autumn found him at Baden-Baden, where he spent several weeks. The place was charming, and he was in no hurry to depart; besides, he was looking about him and deciding what to do for the winter. His summer had been very full, and he sat under the great trees beside the miniature river that trickles past the Baden flower-beds, he slowly rummaged it over. He had seen and done a great deal, enjoyed and observed a great deal; he felt older, and yet he felt younger too. He remembered Mr. Babcock and his desire to form conclusions, and he remembered also that he had profited very little by his friend’s exhortation to cultivate the same respectable habit. Could he not scrape together a few conclusions? Baden-Baden was the prettiest place he had seen yet, and orchestral music in the evening, under the stars, was decidedly a great institution. This was one of his conclusions! But he went on to reflect that he had done very wisely to pull up stakes and come abroad; this seeing of the world was a very interesting thing. He had learned a great deal; he couldn’t say just what, but he had it there under his hat-band. He had done what he wanted; he had seen the great things, and he had given his mind a chance to “improve,” if it would. He cheerfully believed that it had improved. Yes, this seeing of the world was very pleasant, and he would willingly do a little more of it. Thirty-six years old as he was, he had a handsome stretch of life before him yet, and he need not begin to count his weeks. Where should he take the world next? I have said he remembered the eyes of the lady whom he had found standing in Mrs. Tristram’s drawing-room; four months had elapsed, and he had not forgotten them yet. He had looked—he had made a point of looking—into a great many other eyes in the interval, but the only ones he thought of now were Madame de Cintré’s. If he wanted to see more of the world, should he find it in Madame de Cintré’s eyes? He would certainly find something there, call it this world or the next. Throughout these rather formless meditations he sometimes thought of his past life and the long array of years (they had begun so early) during which he had had nothing in his head but “enterprise.” They seemed far away now, for his present attitude was more than a holiday, it was almost a rupture. He had told Tristram that the pendulum was swinging back and it appeared that the backward swing had not yet ended. Still “enterprise,” which was over in the other quarter wore to his mind a different aspect at different hours. In its train a thousand forgotten episodes came trooping back into his memory. Some of them he looked complacently enough in the face; from some he averted his head. They were old efforts, old exploits, antiquated examples of “smartness” and sharpness. Some of them, as he looked at them, he felt decidedly proud of; he admired himself as if he had been looking at another man. And, in fact, many of the qualities that make a great deed were there: the decision, the resolution, the courage, the celerity, the clear eye, and the strong hand. Of certain other achievements it would be going too far to say that he was ashamed of them for Newman had never had a stomach for dirty work. He was blessed with a natural impulse to disfigure with a direct, unreasoning blow the comely visage of temptation. And certainly, in no man could a want of integrity have been less excusable. Newman knew the crooked from the straight at a glance, and the former had cost him, first and last, a great many moments of lively disgust. But none the less some of his memories seemed to wear at present a rather graceless and sordid mien, and it struck him that if he had never done anything very ugly, he had never, on the other hand, done anything particularly beautiful. He had spent his years in the unremitting effort to add thousands to thousands, and, now that he stood well outside of it, the business of money-getting appeared tolerably dry and sterile. It is very well to sneer at money-getting after you have filled your pockets, and Newman, it may be said, should have begun somewhat earlier to moralize thus delicately. To this it may be answered that he might have made another fortune, if he chose; and we ought to add that he was not exactly moralizing. It had come back to him simply that what he had been looking at all summer was a very rich and beautiful world, and that it had not all been made by sharp railroad men and stock-brokers.
During his stay at Baden-Baden he received a letter from Mrs. Tristram, scolding him for the scanty tidings he had sent to his friends of the Avenue d’Iéna, and begging to be definitely informed that he had not concocted any horrid scheme for wintering in outlying regions, but was coming back sanely and promptly to the most comfortable city in the world. Newman’s answer ran as follows:—
“I supposed you knew I was a miserable letter-writer, and didn’t expect anything of me. I don’t think I have written twenty letters of pure friendship in my whole life; in America I conducted my correspondence altogether by telegrams. This is a letter of pure friendship; you have got hold of a curiosity, and I hope you will value it. You want to know everything that has happened to me these three months. The best way to tell you, I think, would be to send you my half dozen guide-books, with my pencil-marks in the margin. Wherever you find a scratch or a cross, or a ‘Beautiful!’ or a ‘So true!’ or a ‘Too thin!’ you may know that I have had a sensation of some sort or other. That has been about my history, ever since I left you. Belgium, Holland, Switzerland, Germany, Italy—I have been through the whole list, and I don’t think I am any the worse for it. I know more about Madonnas and church-steeples than I supposed any man could. I have seen some very pretty things, and shall perhaps talk them over this winter, by your fireside. You see, my face is not altogether set against Paris. I have had all kinds of plans and visions, but your letter has blown most of them away. ‘L’appétit vient en mangeant,’ says the French proverb, and I find that the more I see of the world the more I want to see. Now that I am in the shafts, why shouldn’t I trot to the end of the course? Sometimes I think of the far East, and keep rolling the names of Eastern cities under my tongue: Damascus and Bagdad, Medina and Mecca. I spent a week last month in the company of a returned missionary, who told me I ought to be ashamed to be loafing about Europe when there are such big things to be seen out there. I do want to explore, but I think I would rather explore over in the Rue de l’Université. Do you ever hear from that pretty lady? If you can get her to promise she will be at home the next time I call, I will go back to Paris straight. I am more than ever in the state of mind I told you about that evening; I want a first-class wife. I have kept an eye on all the pretty girls I have come across this summer, but none of them came up to my notion, or anywhere near it. I should have enjoyed all this a thousand times more if I had had the lady just mentioned by my side. The nearest approach to her was a Unitarian minister from Boston, who very soon demanded a separation, for incompatibility of temper. He told me I was low-minded, immoral, a devotee of ‘art for art’—whatever that is: all of which greatly afflicted me, for he was really a sweet little fellow. But shortly afterwards I met an Englishman, with whom I struck up an acquaintance which at first seemed to promise well—a very bright man, who writes in the London papers and knows Paris nearly as well as Tristram. We knocked about for a week together, but he very soon gave me up in disgust. I was too virtuous by half; I was too stern a moralist. He told me, in a friendly way, that I was cursed with a conscience; that I judged things like a Methodist and talked about them like an old lady. This was rather bewildering. Which of my two critics was I to believe? I didn’t worry about it and very soon made up my mind they were both idiots. But there is one thing in which no one will ever have the impudence to pretend I am wrong, that is, in being your faithful friend,
“C. N.”
CHAPTER VI
Newman gave up Damascus and Bagdad and returned to Paris before the autumn was over. He established himself in some rooms selected for him by Tom Tristram, in accordance with the latter’s estimate of what he called his social position. When Newman learned that his social position was to be taken into account, he professed himself utterly incompetent, and begged Tristram to relieve him of the care. “I didn’t know I had a social position,” he said, “and if I have, I haven’t the smallest idea what it is. Isn’t a social position knowing some two or three thousand people and inviting them to dinner? I know you and your wife and little old Mr. Nioche, who gave me French lessons last spring. Can I invite you to dinner to meet each other? If I can, you must come to-morrow.”
“That is not very grateful to me,” said Mrs. Tristram, “who introduced you last year to every creature I know.”
“So you did; I had quite forgotten. But I thought you wanted me to forget,” said Newman, with that tone of simple deliberateness which frequently marked his utterance, and which an observer would not have known whether to pronounce a somewhat mysteriously humorous affection of ignorance or a modest aspiration to knowledge; “you told me you disliked them all.”
“Ah, the way you remember what I say is at least very flattering. But in future,” added Mrs. Tristram, “pray forget all the wicked things and remember only the good ones. It will be easily done, and it will not fatigue your memory. But I forewarn you that if you trust my husband to pick out your rooms, you are in for something hideous.”
“Hideous, darling?” cried Tristram.
“To-day I must say nothing wicked; otherwise I should use stronger language.”
“What do you think she would say, Newman?” asked Tristram. “If she really tried, now? She can express displeasure, volubly, in two or three languages; that’s what it is to be intellectual. It gives her the start of me completely, for I can’t swear, for the life of me, except in English. When I get mad I have to fall back on our dear old mother tongue. There’s nothing like it, after all.”
Newman declared that he knew nothing about tables and chairs, and that he would accept, in the way of a lodging, with his eyes shut, anything that Tristram should offer him. This was partly veracity on our hero’s part, but it was also partly charity. He knew that to pry about and look at rooms, and make people open windows, and poke into sofas with his cane, and gossip with landladies, and ask who lived above and who below—he knew that this was of all pastimes the dearest to Tristram’s heart, and he felt the more disposed to put it in his way as he was conscious that, as regards his obliging friend, he had suffered the warmth of ancient good-fellowship somewhat to abate. Besides, he had no taste for upholstery; he had even no very exquisite sense of comfort or convenience. He had a relish for luxury and splendor, but it was satisfied by rather gross contrivances. He scarcely knew a hard chair from a soft one, and he possessed a talent for stretching his legs which quite dispensed with adventitious facilities. His idea of comfort was to inhabit very large rooms, have a great many of them, and be conscious of their possessing a number of patented mechanical devices—half of which he should never have occasion to use. The apartments should be light and brilliant and lofty; he had once said that he liked rooms in which you wanted to keep your hat on. For the rest, he was satisfied with the assurance of any respectable person that everything was “handsome.” Tristram accordingly secured for him an apartment to which this epithet might be lavishly applied. It was situated on the Boulevard Haussmann, on the first floor, and consisted of a series of rooms, gilded from floor to ceiling a foot thick, draped in various light shades of satin, and chiefly furnished with mirrors and clocks. Newman thought them magnificent, thanked Tristram heartily, immediately took possession, and had one of his trunks standing for three months in his drawing-room.
One day Mrs. Tristram told him that her beautiful friend, Madame de Cintré, had returned from the country; that she had met her three days before, coming out of the Church of St. Sulpice; she herself having journeyed to that distant quarter in quest of an obscure lace-mender, of whose skill she had heard high praise.
“And how were those eyes?” Newman asked.
“Those eyes were red with weeping, if you please!” said Mrs. Tristram. “She had been to confession.”
“It doesn’t tally with your account of her,” said Newman, “that she should have sins to confess.”
“They were not sins; they were sufferings.”
“How do you know that?”
“She asked me to come and see her; I went this morning.”
“And what does she suffer from?”
“I didn’t ask her. With her, somehow, one is very discreet. But I guessed, easily enough. She suffers from her wicked old mother and her Grand Turk of a brother. They persecute her. But I can almost forgive them, because, as I told you, she is a saint, and a persecution is all that she needs to bring out her saintliness and make her perfect.”
“That’s a comfortable theory for her. I hope you will never impart it to the old folks. Why does she let them bully her? Is she not her own mistress?”
“Legally, yes, I suppose; but morally, no. In France you must never say nay to your mother, whatever she requires of you. She may be the most abominable old woman in the world, and make your life a purgatory; but, after all, she is ma mère, and you have no right to judge her. You have simply to obey. The thing has a fine side to it. Madame de Cintré bows her head and folds her wings.”
“Can’t she at least make her brother leave off?”
“Her brother is the chef de la famille, as they say; he is the head of the clan. With those people the family is everything; you must act, not for your own pleasure, but for the advantage of the family.”
“I wonder what my family would like me to do!” exclaimed Tristram.
“I wish you had one!” said his wife.
“But what do they want to get out of that poor lady?” Newman asked.
“Another marriage. They are not rich, and they want to bring more money into the family.”
“There’s your chance, my boy!” said Tristram.
“And Madame de Cintré objects,” Newman continued.
“She has been sold once; she naturally objects to being sold again. It appears that the first time they made rather a poor bargain; M. de Cintré left a scanty property.”
“And to whom do they want to marry her now?”
“I thought it best not to ask; but you may be sure it is to some horrid old nabob, or to some dissipated little duke.”
“There’s Mrs. Tristram, as large as life!” cried her husband. “Observe the richness of her imagination. She has not a single question—it’s vulgar to ask questions—and yet she knows everything. She has the history of Madame de Cintré’s marriage at her fingers’ ends. She has seen the lovely Claire on her knees, with loosened tresses and streaming eyes, and the rest of them standing over her with spikes and goads and red-hot irons, ready to come down on her if she refuses the tipsy duke. The simple truth is that they made a fuss about her milliner’s bill or refused her an opera-box.”
Newman looked from Tristram to his wife with a certain mistrust in each direction. “Do you really mean,” he asked of Mrs. Tristram, “that your friend is being forced into an unhappy marriage?”
“I think it extremely probable. Those people are very capable of that sort of thing.”
“It is like something in a play,” said Newman; “that dark old house over there looks as if wicked things had been done in it, and might be done again.”
“They have a still darker old house in the country Madame de Cintré tells me, and there, during the summer this scheme must have been hatched.”
“Must have been; mind that!” said Tristram.
“After all,” suggested Newman, after a silence, “she may be in trouble about something else.”
“If it is something else, then it is something worse,” said Mrs. Tristram, with rich decision.
Newman was silent a while, and seemed lost in meditation. “Is it possible,” he asked at last, “that they do that sort of thing over here? that helpless women are bullied into marrying men they hate?”
“Helpless women, all over the world, have a hard time of it,” said Mrs. Tristram. “There is plenty of bullying everywhere.”
“A great deal of that kind of thing goes on in New York,” said Tristram. “Girls are bullied or coaxed or bribed, or all three together, into marrying nasty fellows. There is no end of that always going on in the Fifth Avenue, and other bad things besides. The Mysteries of the Fifth Avenue! Someone ought to show them up.”
“I don’t believe it!” said Newman, very gravely. “I don’t believe that, in America, girls are ever subjected to compulsion. I don’t believe there have been a dozen cases of it since the country began.”
“Listen to the voice of the spread eagle!” cried Tristram.
“The spread eagle ought to use his wings,” said Mrs. Tristram. “Fly to the rescue of Madame de Cintré!”
“To her rescue?”
“Pounce down, seize her in your talons, and carry her off. Marry her yourself.”
Newman, for some moments, answered nothing; but presently, “I should suppose she had heard enough of marrying,” he said. “The kindest way to treat her would be to admire her, and yet never to speak of it. But that sort of thing is infamous,” he added; “it makes me feel savage to hear of it.”
He heard of it, however, more than once afterward. Mrs. Tristram again saw Madame de Cintré, and again found her looking very sad. But on these occasions there had been no tears; her beautiful eyes were clear and still. “She is cold, calm, and hopeless,” Mrs. Tristram declared, and she added that on her mentioning that her friend Mr. Newman was again in Paris and was faithful in his desire to make Madame de Cintré’s acquaintance, this lovely woman had found a smile in her despair, and declared that she was sorry to have missed his visit in the spring and that she hoped he had not lost courage. “I told her something about you,” said Mrs. Tristram.
“That’s a comfort,” said Newman, placidly. “I like people to know about me.”
A few days after this, one dusky autumn afternoon, he went again to the Rue de l’Université. The early evening had closed in as he applied for admittance at the stoutly guarded Hôtel de Bellegarde. He was told that Madame de Cintré was at home; he crossed the court, entered the farther door, and was conducted through a vestibule, vast, dim, and cold, up a broad stone staircase with an ancient iron balustrade, to an apartment on the second floor. Announced and ushered in, he found himself in a sort of paneled boudoir, at one end of which a lady and gentleman were seated before the fire. The gentleman was smoking a cigarette; there was no light in the room save that of a couple of candles and the glow from the hearth. Both persons rose to welcome Newman, who, in the firelight, recognized Madame de Cintré. She gave him her hand with a smile which seemed in itself an illumination, and, pointing to her companion, said softly, “My brother.” The gentleman offered Newman a frank, friendly greeting, and our hero then perceived him to be the young man who had spoken to him in the court of the hotel on his former visit and who had struck him as a good fellow.
“Mrs. Tristram has spoken to me a great deal of you,” said Madame de Cintré gently, as she resumed her former place.
Newman, after he had seated himself, began to consider what, in truth, was his errand. He had an unusual, unexpected sense of having wandered into a strange corner of the world. He was not given, as a general thing, to anticipating danger, or forecasting disaster, and he had had no social tremors on this particular occasion. He was not timid and he was not impudent. He felt too kindly toward himself to be the one, and too good-naturedly toward the rest of the world to be the other. But his native shrewdness sometimes placed his ease of temper at its mercy; with every disposition to take things simply, it was obliged to perceive that some things were not so simple as others. He felt as one does in missing a step, in an ascent, where one expected to find it. This strange, pretty woman, sitting in fire-side talk with her brother, in the gray depths of her inhospitable-looking house—what had he to say to her? She seemed enveloped in a sort of fantastic privacy; on what grounds had he pulled away the curtain? For a moment he felt as if he had plunged into some medium as deep as the ocean, and as if he must exert himself to keep from sinking. Meanwhile he was looking at Madame de Cintré, and she was settling herself in her chair and drawing in her long dress and turning her face towards him. Their eyes met; a moment afterwards she looked away and motioned to her brother to put a log on the fire. But the moment, and the glance which traversed it, had been sufficient to relieve Newman of the first and the last fit of personal embarrassment he was ever to know. He performed the movement which was so frequent with him, and which was always a sort of symbol of his taking mental possession of a scene—he extended his legs. The impression Madame de Cintré had made upon him on their first meeting came back in an instant; it had been deeper than he knew. She was pleasing, she was interesting; he had opened a book and the first lines held his attention.
She asked him several questions: how lately he had seen Mrs. Tristram, how long he had been in Paris, how long he expected to remain there, how he liked it. She spoke English without an accent, or rather with that distinctively British accent which, on his arrival in Europe, had struck Newman as an altogether foreign tongue, but which, in women, he had come to like extremely. Here and there Madame de Cintré’s utterance had a faint shade of strangeness but at the end of ten minutes Newman found himself waiting for these soft roughnesses. He enjoyed them, and he marveled to see that gross thing, error, brought down to so fine a point.
“You have a beautiful country,” said Madame de Cintré, presently.
“Oh, magnificent!” said Newman. “You ought to see it.”
“I shall never see it,” said Madame de Cintré with a smile.
“Why not?” asked Newman.
“I don’t travel; especially so far.”
“But you go away sometimes; you are not always here?”
“I go away in summer, a little way, to the country.”
Newman wanted to ask her something more, something personal, he hardly knew what. “Don’t you find it rather—rather quiet here?” he said; “so far from the street?” Rather “gloomy,” he was going to say, but he reflected that that would be impolite.
“Yes, it is very quiet,” said Madame de Cintré; “but we like that.”
“Ah, you like that,” repeated Newman, slowly.
“Besides, I have lived here all my life.”
“Lived here all your life,” said Newman, in the same way.
“I was born here, and my father was born here before me, and my grandfather, and my great-grandfathers. Were they not, Valentin?” and she appealed to her brother.
“Yes, it’s a family habit to be born here!” the young man said with a laugh, and rose and threw the remnant of his cigarette into the fire, and then remained leaning against the chimney-piece. An observer would have perceived that he wished to take a better look at Newman, whom he covertly examined, while he stood stroking his moustache.
“Your house is tremendously old, then,” said Newman.
“How old is it, brother?” asked Madame de Cintré.
The young man took the two candles from the mantel-shelf, lifted one high in each hand, and looked up toward the cornice of the room, above the chimney-piece. This latter feature of the apartment was of white marble, and in the familiar rococo style of the last century; but above it was a paneling of an earlier date, quaintly carved, painted white, and gilded here and there. The white had turned to yellow, and the gilding was tarnished. On the top, the figures ranged themselves into a sort of shield, on which an armorial device was cut. Above it, in relief, was a date—1627. “There you have it,” said the young man. “That is old or new, according to your point of view.”
“Well, over here,” said Newman, “one’s point of view gets shifted round considerably.” And he threw back his head and looked about the room. “Your house is of a very curious style of architecture,” he said.
“Are you interested in architecture?” asked the young man at the chimney-piece.
“Well, I took the trouble, this summer,” said Newman, “to examine—as well as I can calculate—some four hundred and seventy churches. Do you call that interested?”
“Perhaps you are interested in theology,” said the young man.
“Not particularly. Are you a Roman Catholic, madam?” And he turned to Madame de Cintré.
“Yes, sir,” she answered, gravely.
Newman was struck with the gravity of her tone; he threw back his head and began to look round the room again. “Had you never noticed that number up there?” he presently asked.
She hesitated a moment, and then, “In former years,” she said.
Her brother had been watching Newman’s movement. “Perhaps you would like to examine the house,” he said.
Newman slowly brought down his eyes and looked at him; he had a vague impression that the young man at the chimney-piece was inclined to irony. He was a handsome fellow, his face wore a smile, his moustaches were curled up at the ends, and there was a little dancing gleam in his eye. “Damn his French impudence!” Newman was on the point of saying to himself. “What the deuce is he grinning at?” He glanced at Madame de Cintré; she was sitting with her eyes fixed on the floor. She raised them, they met his, and she looked at her brother. Newman turned again to this young man and observed that he strikingly resembled his sister. This was in his favor, and our hero’s first impression of the Count Valentin, moreover, had been agreeable. His mistrust expired, and he said he would be very glad to see the house.
The young man gave a frank laugh, and laid his hand on one of the candlesticks. “Good, good!” he exclaimed. “Come, then.”
But Madame de Cintré rose quickly and grasped his arm, “Ah, Valentin!” she said. “What do you mean to do?”
“To show Mr. Newman the house. It will be very amusing.”
She kept her hand on his arm, and turned to Newman with a smile. “Don’t let him take you,” she said; “you will not find it amusing. It is a musty old house, like any other.”
“It is full of curious things,” said the count, resisting. “Besides, I want to do it; it is a rare chance.”
“You are very wicked, brother,” Madame de Cintré answered.
“Nothing venture, nothing have!” cried the young man. “Will you come?”
Madame de Cintré stepped toward Newman, gently clasping her hands and smiling softly. “Would you not prefer my society, here, by my fire, to stumbling about dark passages after my brother?”
“A hundred times!” said Newman. “We will see the house some other day.”
The young man put down his candlestick with mock solemnity, and, shaking his head, “Ah, you have defeated a great scheme, sir!” he said.
“A scheme? I don’t understand,” said Newman.
“You would have played your part in it all the better. Perhaps some day I shall have a chance to explain it.”
“Be quiet, and ring for the tea,” said Madame de Cintré.
The young man obeyed, and presently a servant brought in the tea, placed the tray on a small table, and departed. Madame de Cintré, from her place, busied herself with making it. She had but just begun when the door was thrown open and a lady rushed in, making a loud rustling sound. She stared at Newman, gave a little nod and a “Monsieur!” and then quickly approached Madame de Cintré and presented her forehead to be kissed. Madame de Cintré saluted her, and continued to make tea. The new-comer was young and pretty, it seemed to Newman; she wore her bonnet and cloak, and a train of royal proportions. She began to talk rapidly in French. “Oh, give me some tea, my beautiful one, for the love of God! I’m exhausted, mangled, massacred.” Newman found himself quite unable to follow her; she spoke much less distinctly than M. Nioche.
“That is my sister-in-law,” said the Count Valentin, leaning towards him.
“She is very pretty,” said Newman.
“Exquisite,” answered the young man, and this time, again, Newman suspected him of irony.
His sister-in-law came round to the other side of the fire with her cup of tea in her hand, holding it out at arm’s-length, so that she might not spill it on her dress, and uttering little cries of alarm. She placed the cup on the mantel-shelf and begun to unpin her veil and pull off her gloves, looking meanwhile at Newman.
“Is there anything I can do for you, my dear lady?” the Count Valentin asked, in a sort of mock-caressing tone.
“Present monsieur,” said his sister-in-law.
The young man answered, “Mr. Newman!”
“I can’t courtesy to you, monsieur, or I shall spill my tea,” said the lady. “So Claire receives strangers, like that?” she added, in a low voice, in French, to her brother-in-law.
“Apparently!” he answered with a smile. Newman stood a moment, and then he approached Madame de Cintré. She looked up at him as if she were thinking of something to say. But she seemed to think of nothing; so she simply smiled. He sat down near her and she handed him a cup of tea. For a few moments they talked about that, and meanwhile he looked at her. He remembered what Mrs. Tristram had told him of her “perfection” and of her having, in combination, all the brilliant things that he dreamed of finding. This made him observe her not only without mistrust, but without uneasy conjectures; the presumption, from the first moment he looked at her, had been in her favor. And yet, if she was beautiful, it was not a dazzling beauty. She was tall and moulded in long lines; she had thick fair hair, a wide forehead, and features with a sort of harmonious irregularity. Her clear gray eyes were strikingly expressive; they were both gentle and intelligent, and Newman liked them immensely; but they had not those depths of splendor—those many-colored rays—which illumine the brows of famous beauties. Madame de Cintré was rather thin, and she looked younger than probably she was. In her whole person there was something both youthful and subdued, slender and yet ample, tranquil yet shy; a mixture of immaturity and repose, of innocence and dignity. What had Tristram meant, Newman wondered, by calling her proud? She was certainly not proud now, to him; or if she was, it was of no use, it was lost upon him; she must pile it up higher if she expected him to mind it. She was a beautiful woman, and it was very easy to get on with her. Was she a countess, a marquise, a kind of historical formation? Newman, who had rarely heard these words used, had never been at pains to attach any particular image to them; but they occurred to him now and seemed charged with a sort of melodious meaning. They signified something fair and softly bright, that had easy motions and spoke very agreeably.
