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The Ambassadors
"I haven't been so"—he spoke with all assurance. "I've been the very opposite. I've been, from the first moment, preoccupied with the impression everything might be making on her—quite oppressed, haunted, tormented by it. I've been interested ONLY in her seeing what I've seen. And I've been as disappointed in her refusal to see it as she has been in what has appeared to her the perversity of my insistence."
"Do you mean that she has shocked you as you've shocked her?"
Strether weighed it. "I'm probably not so shockable. But on the other hand I've gone much further to meet her. She, on her side, hasn't budged an inch."
"So that you're now at last"—Maria pointed the moral—"in the sad stage of recriminations."
"No—it's only to you I speak. I've been like a lamb to Sarah. I've only put my back to the wall. It's to THAT one naturally staggers when one has been violently pushed there."
She watched him a moment. "Thrown over?"
"Well, as I feel I've landed somewhere I think I must have been thrown."
She turned it over, but as hoping to clarify much rather than to harmonise. "The thing is that I suppose you've been disappointing—"
"Quite from the very first of my arrival? I dare say. I admit I was surprising even to myself."
"And then of course," Maria went on, "I had much to do with it."
"With my being surprising—?"
"That will do," she laughed, "if you're too delicate to call it MY being! Naturally," she added, "you came over more or less for surprises."
"Naturally!"—he valued the reminder.
"But they were to have been all for you"—she continued to piece it out—"and none of them for HER."
Once more he stopped before her as if she had touched the point. "That's just her difficulty—that she doesn't admit surprises. It's a fact that, I think, describes and represents her; and it falls in with what I tell you—that she's all, as I've called it, fine cold thought. She had, to her own mind, worked the whole thing out in advance, and worked it out for me as well as for herself. Whenever she has done that, you see, there's no room left; no margin, as it were, for any alteration. She's filled as full, packed as tight, as she'll hold and if you wish to get anything more or different either out or in—"
"You've got to make over altogether the woman herself?"
"What it comes to," said Strether, "is that you've got morally and intellectually to get rid of her."
"Which would appear," Maria returned, "to be practically what you've done."
But her friend threw back his head. "I haven't touched her. She won't BE touched. I see it now as I've never done; and she hangs together with a perfection of her own," he went on, "that does suggest a kind of wrong in ANY change of her composition. It was at any rate," he wound up, "the woman herself, as you call her the whole moral and intellectual being or block, that Sarah brought me over to take or to leave."
It turned Miss Gostrey to deeper thought. "Fancy having to take at the point of the bayonet a whole moral and intellectual being or block!"
"It was in fact," said Strether, "what, at home, I HAD done. But somehow over there I didn't quite know it."
"One never does, I suppose," Miss Gostrey concurred, "realise in advance, in such a case, the size, as you may say, of the block. Little by little it looms up. It has been looming for you more and more till at last you see it all."
"I see it all," he absently echoed, while his eyes might have been fixing some particularly large iceberg in a cool blue northern sea. "It's magnificent!" he then rather oddly exclaimed.
But his friend, who was used to this kind of inconsequence in him, kept the thread. "There's nothing so magnificent—for making others feel you—as to have no imagination."
It brought him straight round. "Ah there you are! It's what I said last night to Chad. That he himself, I mean, has none."
"Then it would appear," Maria suggested, "that he has, after all, something in common with his mother."
"He has in common that he makes one, as you say, 'feel' him. And yet," he added, as if the question were interesting, "one feels others too, even when they have plenty."
Miss Gostrey continued suggestive. "Madame de Vionnet?"
"SHE has plenty."
"Certainly—she had quantities of old. But there are different ways of making one's self felt."
"Yes, it comes, no doubt, to that. You now—"
He was benevolently going on, but she wouldn't have it. "Oh I DON'T make myself felt; so my quantity needn't be settled. Yours, you know," she said, "is monstrous. No one has ever had so much."
It struck him for a moment. "That's what Chad also thinks."
"There YOU are then—though it isn't for him to complain of it!"
"Oh he doesn't complain of it," said Strether.
"That's all that would be wanting! But apropos of what," Maria went on, "did the question come up?"
"Well, of his asking me what it is I gain."
She had a pause. "Then as I've asked you too it settles my case. Oh you HAVE," she repeated, "treasures of imagination."
But he had been for an instant thinking away from this, and he came up in another place. "And yet Mrs. Newsome—it's a thing to remember—HAS imagined, did, that is, imagine, and apparently still does, horrors about what I should have found. I was booked, by her vision—extraordinarily intense, after all—to find them; and that I didn't, that I couldn't, that, as she evidently felt, I wouldn't—this evidently didn't at all, as they say, 'suit' her book. It was more than she could bear. That was her disappointment."
"You mean you were to have found Chad himself horrible?"
"I was to have found the woman."
"Horrible?"
"Found her as she imagined her." And Strether paused as if for his own expression of it he could add no touch to that picture.
His companion had meanwhile thought. "She imagined stupidly—so it comes to the same thing."
"Stupidly? Oh!" said Strether.
But she insisted. "She imagined meanly."
He had it, however, better. "It couldn't but be ignorantly."
"Well, intensity with ignorance—what do you want worse?"
This question might have held him, but he let it pass. "Sarah isn't ignorant—now; she keeps up the theory of the horrible."
"Ah but she's intense—and that by itself will do sometimes as well. If it doesn't do, in this case, at any rate, to deny that Marie's charming, it will do at least to deny that she's good."
"What I claim is that she's good for Chad."
"You don't claim"—she seemed to like it clear—"that she's good for YOU."
But he continued without heeding. "That's what I wanted them to come out for—to see for themselves if she's bad for him."
"And now that they've done so they won't admit that she's good even for anything?"
"They do think," Strether presently admitted, "that she's on the whole about as bad for me. But they're consistent of course, inasmuch as they've their clear view of what's good for both of us."
"For you, to begin with"—Maria, all responsive, confined the question for the moment—"to eliminate from your existence and if possible even from your memory the dreadful creature that I must gruesomely shadow forth for them, even more than to eliminate the distincter evil—thereby a little less portentous—of the person whose confederate you've suffered yourself to become. However, that's comparatively simple. You can easily, at the worst, after all, give me up."
"I can easily at the worst, after all, give you up." The irony was so obvious that it needed no care. "I can easily at the worst, after all, even forget you."
"Call that then workable. But Mr. Newsome has much more to forget. How can HE do it?"
"Ah there again we are! That's just what I was to have made him do; just where I was to have worked with him and helped."
She took it in silence and without attenuation—as if perhaps from very familiarity with the facts; and her thought made a connexion without showing the links. "Do you remember how we used to talk at Chester and in London about my seeing you through?" She spoke as of far-off things and as if they had spent weeks at the places she named.
"It's just what you ARE doing."
"Ah but the worst—since you've left such a margin—may be still to come. You may yet break down."
"Yes, I may yet break down. But will you take me—?"
He had hesitated, and she waited. "Take you?"
"For as long as I can bear it."
She also debated "Mr. Newsome and Madame de Vionnet may, as we were saying, leave town. How long do you think you can bear it without them?"
Strether's reply to this was at first another question. "Do you mean in order to get away from me?"
Her answer had an abruptness. "Don't find me rude if I say I should think they'd want to!"
He looked at her hard again—seemed even for an instant to have an intensity of thought under which his colour changed. But he smiled. "You mean after what they've done to me?"
"After what SHE has."
At this, however, with a laugh, he was all right again. "Ah but she hasn't done it yet!"
III
He had taken the train a few days after this from a station—as well as to a station—selected almost at random; such days, whatever should happen, were numbered, and he had gone forth under the impulse—artless enough, no doubt—to give the whole of one of them to that French ruralism, with its cool special green, into which he had hitherto looked only through the little oblong window of the picture-frame. It had been as yet for the most part but a land of fancy for him—the background of fiction, the medium of art, the nursery of letters; practically as distant as Greece, but practically also well-nigh as consecrated. Romance could weave itself, for Strether's sense, out of elements mild enough; and even after what he had, as he felt, lately "been through," he could thrill a little at the chance of seeing something somewhere that would remind him of a certain small Lambinet that had charmed him, long years before, at a Boston dealer's and that he had quite absurdly never forgotten. It had been offered, he remembered, at a price he had been instructed to believe the lowest ever named for a Lambinet, a price he had never felt so poor as on having to recognise, all the same, as beyond a dream of possibility. He had dreamed—had turned and twisted possibilities for an hour: it had been the only adventure of his life in connexion with the purchase of a work of art. The adventure, it will be perceived, was modest; but the memory, beyond all reason and by some accident of association, was sweet. The little Lambinet abode with him as the picture he WOULD have bought—the particular production that had made him for the moment overstep the modesty of nature. He was quite aware that if he were to see it again he should perhaps have a drop or a shock, and he never found himself wishing that the wheel of time would turn it up again, just as he had seen it in the maroon-coloured, sky-lighted inner shrine of Tremont Street. It would be a different thing, however, to see the remembered mixture resolved back into its elements—to assist at the restoration to nature of the whole far-away hour: the dusty day in Boston, the background of the Fitchburg Depot, of the maroon-coloured sanctum, the special-green vision, the ridiculous price, the poplars, the willows, the rushes, the river, the sunny silvery sky, the shady woody horizon.
He observed in respect to his train almost no condition save that it should stop a few times after getting out of the banlieue; he threw himself on the general amiability of the day for the hint of where to alight. His theory of his excursion was that he could alight anywhere—not nearer Paris than an hour's run—on catching a suggestion of the particular note required. It made its sign, the suggestion—weather, air, light, colour and his mood all favouring—at the end of some eighty minutes; the train pulled up just at the right spot, and he found himself getting out as securely as if to keep an appointment. It will be felt of him that he could amuse himself, at his age, with very small things if it be again noted that his appointment was only with a superseded Boston fashion. He hadn't gone far without the quick confidence that it would be quite sufficiently kept. The oblong gilt frame disposed its enclosing lines; the poplars and willows, the reeds and river—a river of which he didn't know, and didn't want to know, the name—fell into a composition, full of felicity, within them; the sky was silver and turquoise and varnish; the village on the left was white and the church on the right was grey; it was all there, in short—it was what he wanted: it was Tremont Street, it was France, it was Lambinet. Moreover he was freely walking about in it. He did this last, for an hour, to his heart's content, making for the shady woody horizon and boring so deep into his impression and his idleness that he might fairly have got through them again and reached the maroon-coloured wall. It was a wonder, no doubt, that the taste of idleness for him shouldn't need more time to sweeten; but it had in fact taken the few previous days; it had been sweetening in truth ever since the retreat of the Pococks. He walked and walked as if to show himself how little he had now to do; he had nothing to do but turn off to some hillside where he might stretch himself and hear the poplars rustle, and whence—in the course of an afternoon so spent, an afternoon richly suffused too with the sense of a book in his pocket—he should sufficiently command the scene to be able to pick out just the right little rustic inn for an experiment in respect to dinner. There was a train back to Paris at 9.20, and he saw himself partaking, at the close of the day, with the enhancements of a coarse white cloth and a sanded door, of something fried and felicitous, washed down with authentic wine; after which he might, as he liked, either stroll back to his station in the gloaming or propose for the local carriole and converse with his driver, a driver who naturally wouldn't fail of a stiff clean blouse, of a knitted nightcap and of the genius of response—who, in fine, would sit on the shafts, tell him what the French people were thinking, and remind him, as indeed the whole episode would incidentally do, of Maupassant. Strether heard his lips, for the first time in French air, as this vision assumed consistency, emit sounds of expressive intention without fear of his company. He had been afraid of Chad and of Maria and of Madame de Vionnet; he had been most of all afraid of Waymarsh, in whose presence, so far as they had mixed together in the light of the town, he had never without somehow paying for it aired either his vocabulary or his accent. He usually paid for it by meeting immediately afterwards Waymarsh's eye.
Such were the liberties with which his fancy played after he had turned off to the hillside that did really and truly, as well as most amiably, await him beneath the poplars, the hillside that made him feel, for a murmurous couple of hours, how happy had been his thought. He had the sense of success, of a finer harmony in things; nothing but what had turned out as yet according to his plan. It most of all came home to him, as he lay on his back on the grass, that Sarah had really gone, that his tension was really relaxed; the peace diffused in these ideas might be delusive, but it hung about him none the less for the time. It fairly, for half an hour, sent him to sleep; he pulled his straw hat over his eyes—he had bought it the day before with a reminiscence of Waymarsh's—and lost himself anew in Lambinet. It was as if he had found out he was tired—tired not from his walk, but from that inward exercise which had known, on the whole, for three months, so little intermission. That was it—when once they were off he had dropped; this moreover was what he had dropped to, and now he was touching bottom. He was kept luxuriously quiet, soothed and amused by the consciousness of what he had found at the end of his descent. It was very much what he had told Maria Gostrey he should like to stay on for, the hugely-distributed Paris of summer, alternately dazzling and dusky, with a weight lifted for him off its columns and cornices and with shade and air in the flutter of awnings as wide as avenues. It was present to him without attenuation that, reaching out, the day after making the remark, for some proof of his freedom, he had gone that very afternoon to see Madame de Vionnet. He had gone again the next day but one, and the effect of the two visits, the after-sense of the couple of hours spent with her, was almost that of fulness and frequency. The brave intention of frequency, so great with him from the moment of his finding himself unjustly suspected at Woollett, had remained rather theoretic, and one of the things he could muse about under his poplars was the source of the special shyness that had still made him careful. He had surely got rid of it now, this special shyness; what had become of it if it hadn't precisely, within the week, rubbed off?
It struck him now in fact as sufficiently plain that if he had still been careful he had been so for a reason. He had really feared, in his behaviour, a lapse from good faith; if there was a danger of one's liking such a woman too much one's best safety was in waiting at least till one had the right to do so. In the light of the last few days the danger was fairly vivid; so that it was proportionately fortunate that the right was likewise established. It seemed to our friend that he had on each occasion profited to the utmost by the latter: how could he have done so more, he at all events asked himself, than in having immediately let her know that, if it was all the same to her, he preferred not to talk about anything tiresome? He had never in his life so sacrificed an armful of high interests as in that remark; he had never so prepared the way for the comparatively frivolous as in addressing it to Madame de Vionnet's intelligence. It hadn't been till later that he quite recalled how in conjuring away everything but the pleasant he had conjured away almost all they had hitherto talked about; it was not till later even that he remembered how, with their new tone, they hadn't so much as mentioned the name of Chad himself. One of the things that most lingered with him on his hillside was this delightful facility, with such a woman, of arriving at a new tone; he thought, as he lay on his back, of all the tones she might make possible if one were to try her, and at any rate of the probability that one could trust her to fit them to occasions. He had wanted her to feel that, as he was disinterested now, so she herself should be, and she had showed she felt it, and he had showed he was grateful, and it had been for all the world as if he were calling for the first time. They had had other, but irrelevant, meetings; it was quite as if, had they sooner known how much they REALLY had in common, there were quantities of comparatively dull matters they might have skipped. Well, they were skipping them now, even to graceful gratitude, even to handsome "Don't mention it!"—and it was amazing what could still come up without reference to what had been going on between them. It might have been, on analysis, nothing more than Shakespeare and the musical glasses; but it had served all the purpose of his appearing to have said to her: "Don't like me, if it's a question of liking me, for anything obvious and clumsy that I've, as they call it, 'done' for you: like me—well, like me, hang it, for anything else you choose. So, by the same propriety, don't be for me simply the person I've come to know through my awkward connexion with Chad—was ever anything, by the way, MORE awkward? Be for me, please, with all your admirable tact and trust, just whatever I may show you it's a present pleasure to me to think you." It had been a large indication to meet; but if she hadn't met it what HAD she done, and how had their time together slipped along so smoothly, mild but not slow, and melting, liquefying, into his happy illusion of idleness? He could recognise on the other hand that he had probably not been without reason, in his prior, his restricted state, for keeping an eye on his liability to lapse from good faith.
He really continued in the picture—that being for himself his situation—all the rest of this rambling day; so that the charm was still, was indeed more than ever upon him when, toward six o'clock he found himself amicably engaged with a stout white-capped deep-voiced woman at the door of the auberge of the biggest village, a village that affected him as a thing of whiteness, blueness and crookedness, set in coppery green, and that had the river flowing behind or before it—one couldn't say which; at the bottom, in particular, of the inn-garden. He had had other adventures before this; had kept along the height, after shaking off slumber; had admired, had almost coveted, another small old church, all steep roof and dim slate-colour without and all whitewash and paper flowers within; had lost his way and had found it again; had conversed with rustics who struck him perhaps a little more as men of the world than he had expected; had acquired at a bound a fearless facility in French; had had, as the afternoon waned, a watery bock, all pale and Parisian, in the cafe of the furthest village, which was not the biggest; and had meanwhile not once overstepped the oblong gilt frame. The frame had drawn itself out for him, as much as you please; but that was just his luck. He had finally come down again to the valley, to keep within touch of stations and trains, turning his face to the quarter from which he had started; and thus it was that he had at last pulled up before the hostess of the Cheval Blanc, who met him, with a rough readiness that was like the clatter of sabots over stones, on their common ground of a cotelette de veau a l'oseille and a subsequent lift. He had walked many miles and didn't know he was tired; but he still knew he was amused, and even that, though he had been alone all day, he had never yet so struck himself as engaged with others and in midstream of his drama. It might have passed for finished his drama, with its catastrophe all but reached: it had, however, none the less been vivid again for him as he thus gave it its fuller chance. He had only had to be at last well out of it to feel it, oddly enough, still going on.
For this had been all day at bottom the spell of the picture—that it was essentially more than anything else a scene and a stage, that the very air of the play was in the rustle of the willows and the tone of the sky. The play and the characters had, without his knowing it till now, peopled all his space for him, and it seemed somehow quite happy that they should offer themselves, in the conditions so supplied, with a kind of inevitability. It was as if the conditions made them not only inevitable, but so much more nearly natural and right as that they were at least easier, pleasanter, to put up with. The conditions had nowhere so asserted their difference from those of Woollett as they appeared to him to assert it in the little court of the Cheval Blanc while he arranged with his hostess for a comfortable climax. They were few and simple, scant and humble, but they were THE THING, as he would have called it, even to a greater degree than Madame de Vionnet's old high salon where the ghost of the Empire walked. "The" thing was the thing that implied the greatest number of other things of the sort he had had to tackle; and it was queer of course, but so it was—the implication here was complete. Not a single one of his observations but somehow fell into a place in it; not a breath of the cooler evening that wasn't somehow a syllable of the text. The text was simply, when condensed, that in THESE places such things were, and that if it was in them one elected to move about one had to make one's account with what one lighted on. Meanwhile at all events it was enough that they did affect one—so far as the village aspect was concerned—as whiteness, crookedness and blueness set in coppery green; there being positively, for that matter, an outer wall of the White Horse that was painted the most improbable shade. That was part of the amusement—as if to show that the fun was harmless; just as it was enough, further, that the picture and the play seemed supremely to melt together in the good woman's broad sketch of what she could do for her visitor's appetite. He felt in short a confidence, and it was general, and it was all he wanted to feel. It suffered no shock even on her mentioning that she had in fact just laid the cloth for two persons who, unlike Monsieur, had arrived by the river—in a boat of their own; who had asked her, half an hour before, what she could do for them, and had then paddled away to look at something a little further up—from which promenade they would presently return. Monsieur might meanwhile, if he liked, pass into the garden, such as it was, where she would serve him, should he wish it—for there were tables and benches in plenty—a "bitter" before his repast. Here she would also report to him on the possibility of a conveyance to his station, and here at any rate he would have the agrement of the river.
It may be mentioned without delay that Monsieur had the agrement of everything, and in particular, for the next twenty minutes, of a small and primitive pavilion that, at the garden's edge, almost overhung the water, testifying, in its somewhat battered state, to much fond frequentation. It consisted of little more than a platform, slightly raised, with a couple of benches and a table, a protecting rail and a projecting roof; but it raked the full grey-blue stream, which, taking a turn a short distance above, passed out of sight to reappear much higher up; and it was clearly in esteemed requisition for Sundays and other feasts. Strether sat there and, though hungry, felt at peace; the confidence that had so gathered for him deepened with the lap of the water, the ripple of the surface, the rustle of the reeds on the opposite bank, the faint diffused coolness and the slight rock of a couple of small boats attached to a rough landing-place hard by. The valley on the further side was all copper-green level and glazed pearly sky, a sky hatched across with screens of trimmed trees, which looked flat, like espaliers; and though the rest of the village straggled away in the near quarter the view had an emptiness that made one of the boats suggestive. Such a river set one afloat almost before one could take up the oars—the idle play of which would be moreover the aid to the full impression. This perception went so far as to bring him to his feet; but that movement, in turn, made him feel afresh that he was tired, and while he leaned against a post and continued to look out he saw something that gave him a sharper arrest.
