Генри Джеймс
Roderick Hudson
They went a great deal to Saint Peter’s, for which Rowland had an exceeding affection, a large measure of which he succeeded in infusing into his companion. She confessed very speedily that to climb the long, low, yellow steps, beneath the huge florid facade, and then to push the ponderous leathern apron of the door, to find one’s self confronted with that builded, luminous sublimity, was a sensation of which the keenness renewed itself with surprising generosity. In those days the hospitality of the Vatican had not been curtailed, and it was an easy and delightful matter to pass from the gorgeous church to the solemn company of the antique marbles. Here Rowland had with his companion a great deal of talk, and found himself expounding aesthetics a perte de vue. He discovered that she made notes of her likes and dislikes in a new-looking little memorandum book, and he wondered to what extent she reported his own discourse. These were charming hours. The galleries had been so cold all winter that Rowland had been an exile from them; but now that the sun was already scorching in the great square between the colonnades, where the twin fountains flashed almost fiercely, the marble coolness of the long, image-bordered vistas made them a delightful refuge. The great herd of tourists had almost departed, and our two friends often found themselves, for half an hour at a time, in sole and tranquil possession of the beautiful Braccio Nuovo. Here and there was an open window, where they lingered and leaned, looking out into the warm, dead air, over the towers of the city, at the soft-hued, historic hills, at the stately shabby gardens of the palace, or at some sunny, empty, grass-grown court, lost in the heart of the labyrinthine pile. They went sometimes into the chambers painted by Raphael, and of course paid their respects to the Sistine Chapel; but Mary’s evident preference was to linger among the statues. Once, when they were standing before that noblest of sculptured portraits, the so-called Demosthenes, in the Braccio Nuovo, she made the only spontaneous allusion to her projected marriage, direct or indirect, that had yet fallen from her lips. “I am so glad,” she said, “that Roderick is a sculptor and not a painter.”
The allusion resided chiefly in the extreme earnestness with which the words were uttered. Rowland immediately asked her the reason of her gladness.
“It ‘s not that painting is not fine,” she said, “but that sculpture is finer. It is more manly.”
Rowland tried at times to make her talk about herself, but in this she had little skill. She seemed to him so much older, so much more pliant to social uses than when he had seen her at home, that he had a desire to draw from her some categorical account of her occupation and thoughts. He told her his desire and what suggested it. “It appears, then,” she said, “that, after all, one can grow at home!”
“Unquestionably, if one has a motive. Your growth, then, was unconscious? You did not watch yourself and water your roots?”
She paid no heed to his question. “I am willing to grant,” she said, “that Europe is more delightful than I supposed; and I don’t think that, mentally, I had been stingy. But you must admit that America is better than you have supposed.”
“I have not a fault to find with the country which produced you!” Rowland thought he might risk this, smiling.
“And yet you want me to change—to assimilate Europe, I suppose you would call it.”
“I have felt that desire only on general principles. Shall I tell you what I feel now? America has made you thus far; let America finish you! I should like to ship you back without delay and see what becomes of you. That sounds unkind, and I admit there is a cold intellectual curiosity in it.”
She shook her head. “The charm is broken; the thread is snapped! I prefer to remain here.”
Invariably, when he was inclined to make of something they were talking of a direct application to herself, she wholly failed to assist him; she made no response. Whereupon, once, with a spark of ardent irritation, he told her she was very “secretive.” At this she colored a little, and he said that in default of any larger confidence it would at least be a satisfaction to make her confess to that charge. But even this satisfaction she denied him, and his only revenge was in making, two or three times afterward, a softly ironical allusion to her slyness. He told her that she was what is called in French a sournoise. “Very good,” she answered, almost indifferently, “and now please tell me again—I have forgotten it—what you said an ‘architrave’ was.”
It was on the occasion of her asking him a question of this kind that he charged her, with a humorous emphasis in which, also, if she had been curious in the matter, she might have detected a spark of restless ardor, with having an insatiable avidity for facts. “You are always snatching at information,” he said; “you will never consent to have any disinterested conversation.”
She frowned a little, as she always did when he arrested their talk upon something personal. But this time she assented, and said that she knew she was eager for facts. “One must make hay while the sun shines,” she added. “I must lay up a store of learning against dark days. Somehow, my imagination refuses to compass the idea that I may be in Rome indefinitely.”
He knew he had divined her real motives; but he felt that if he might have said to her—what it seemed impossible to say—that fortune possibly had in store for her a bitter disappointment, she would have been capable of answering, immediately after the first sense of pain, “Say then that I am laying up resources for solitude!”
But all the accusations were not his. He had been watching, once, during some brief argument, to see whether she would take her forefinger out of her Murray, into which she had inserted it to keep a certain page. It would have been hard to say why this point interested him, for he had not the slightest real apprehension that she was dry or pedantic. The simple human truth was, the poor fellow was jealous of science. In preaching science to her, he had over-estimated his powers of self-effacement. Suddenly, sinking science for the moment, she looked at him very frankly and began to frown. At the same time she let the Murray slide down to the ground, and he was so charmed with this circumstance that he made no movement to pick it up.
“You are singularly inconsistent, Mr. Mallet,” she said.
“How?”
“That first day that we were in Saint Peter’s you said things that inspired me. You bade me plunge into all this. I was all ready; I only wanted a little push; yours was a great one; here I am in mid-ocean! And now, as a reward for my bravery, you have repeatedly snubbed me.”
“Distinctly, then,” said Rowland, “I strike you as inconsistent?”
“That is the word.”
“Then I have played my part very ill.”
“Your part? What is your part supposed to have been?”
He hesitated a moment. “That of usefulness, pure and simple.”
“I don’t understand you!” she said; and picking up her Murray, she fairly buried herself in it.
That evening he said something to her which necessarily increased her perplexity, though it was not uttered with such an intention. “Do you remember,” he asked, “my begging you, the other day, to do occasionally as I told you? It seemed to me you tacitly consented.”
“Very tacitly.”
“I have never yet really presumed on your consent. But now I would like you to do this: whenever you catch me in the act of what you call inconsistency, ask me the meaning of some architectural term. I will know what you mean; a word to the wise!”
One morning they spent among the ruins of the Palatine, that sunny desolation of crumbling, over-tangled fragments, half excavated and half identified, known as the Palace of the Caesars. Nothing in Rome is more interesting, and no locality has such a confusion of picturesque charms. It is a vast, rambling garden, where you stumble at every step on the disinterred bones of the past; where damp, frescoed corridors, relics, possibly, of Nero’s Golden House, serve as gigantic bowers, and where, in the springtime, you may sit on a Latin inscription, in the shade of a flowering almond-tree, and admire the composition of the Campagna. The day left a deep impression on Rowland’s mind, partly owing to its intrinsic sweetness, and partly because his companion, on this occasion, let her Murray lie unopened for an hour, and asked several questions irrelevant to the Consuls and the Caesars. She had begun by saying that it was coming over her, after all, that Rome was a ponderously sad place. The sirocco was gently blowing, the air was heavy, she was tired, she looked a little pale.
“Everything,” she said, “seems to say that all things are vanity. If one is doing something, I suppose one feels a certain strength within one to contradict it. But if one is idle, surely it is depressing to live, year after year, among the ashes of things that once were mighty. If I were to remain here I should either become permanently ‘low,’ as they say, or I would take refuge in some dogged daily work.”
“What work?”
“I would open a school for those beautiful little beggars; though I am sadly afraid I should never bring myself to scold them.”
“I am idle,” said Rowland, “and yet I have kept up a certain spirit.”
“I don’t call you idle,” she answered with emphasis.
“It is very good of you. Do you remember our talking about that in Northampton?”
“During that picnic? Perfectly. Has your coming abroad succeeded, for yourself, as well as you hoped?”
“I think I may say that it has turned out as well as I expected.”
“Are you happy?”
“Don’t I look so?”
“So it seems to me. But”—and she hesitated a moment—“I imagine you look happy whether you are so or not.”
“I ‘m like that ancient comic mask that we saw just now in yonder excavated fresco: I am made to grin.”
“Shall you come back here next winter?”
“Very probably.”
“Are you settled here forever?”
“‘Forever’ is a long time. I live only from year to year.”
“Shall you never marry?”
Rowland gave a laugh. “‘Forever’—‘never!’ You handle large ideas. I have not taken a vow of celibacy.”
“Would n’t you like to marry?”
“I should like it immensely.”
To this she made no rejoinder: but presently she asked, “Why don’t you write a book?”
Rowland laughed, this time more freely. “A book! What book should I write?”
“A history; something about art or antiquities.”
“I have neither the learning nor the talent.”
She made no attempt to contradict him; she simply said she had supposed otherwise. “You ought, at any rate,” she continued in a moment, “to do something for yourself.”
“For myself? I should have supposed that if ever a man seemed to live for himself”—
“I don’t know how it seems,” she interrupted, “to careless observers. But we know—we know that you have lived—a great deal—for us.”
Her voice trembled slightly, and she brought out the last words with a little jerk.
“She has had that speech on her conscience,” thought Rowland; “she has been thinking she owed it to me, and it seemed to her that now was her time to make it and have done with it.”
She went on in a way which confirmed these reflections, speaking with due solemnity. “You ought to be made to know very well what we all feel. Mrs. Hudson tells me that she has told you what she feels. Of course Roderick has expressed himself. I have been wanting to thank you too; I do, from my heart.”
Rowland made no answer; his face at this moment resembled the tragic mask much more than the comic. But Miss Garland was not looking at him; she had taken up her Murray again.
In the afternoon she usually drove with Mrs. Hudson, but Rowland frequently saw her again in the evening. He was apt to spend half an hour in the little sitting-room at the hotel-pension on the slope of the Pincian, and Roderick, who dined regularly with his mother, was present on these occasions. Rowland saw him little at other times, and for three weeks no observations passed between them on the subject of Mrs. Hudson’s advent. To Rowland’s vision, as the weeks elapsed, the benefits to proceed from the presence of the two ladies remained shrouded in mystery. Roderick was peculiarly inscrutable. He was preoccupied with his work on his mother’s portrait, which was taking a very happy turn; and often, when he sat silent, with his hands in his pockets, his legs outstretched, his head thrown back, and his eyes on vacancy, it was to be supposed that his fancy was hovering about the half-shaped image in his studio, exquisite even in its immaturity. He said little, but his silence did not of necessity imply disaffection, for he evidently found it a deep personal luxury to lounge away the hours in an atmosphere so charged with feminine tenderness. He was not alert, he suggested nothing in the way of excursions (Rowland was the prime mover in such as were attempted), but he conformed passively at least to the tranquil temper of the two women, and made no harsh comments nor sombre allusions. Rowland wondered whether he had, after all, done his friend injustice in denying him the sentiment of duty. He refused invitations, to Rowland’s knowledge, in order to dine at the jejune little table-d’hote; wherever his spirit might be, he was present in the flesh with religious constancy. Mrs. Hudson’s felicity betrayed itself in a remarkable tendency to finish her sentences and wear her best black silk gown. Her tremors had trembled away; she was like a child who discovers that the shaggy monster it has so long been afraid to touch is an inanimate terror, compounded of straw and saw-dust, and that it is even a safe audacity to tickle its nose. As to whether the love-knot of which Mary Garland had the keeping still held firm, who should pronounce? The young girl, as we know, did not wear it on her sleeve. She always sat at the table, near the candles, with a piece of needle-work. This was the attitude in which Rowland had first seen her, and he thought, now that he had seen her in several others, it was not the least becoming.
CHAPTER X. The Cavaliere
There befell at last a couple of days during which Rowland was unable to go to the hotel. Late in the evening of the second one Roderick came into his room. In a few moments he announced that he had finished the bust of his mother.
“And it ‘s magnificent!” he declared. “It ‘s one of the best things I have done.”
“I believe it,” said Rowland. “Never again talk to me about your inspiration being dead.”
“Why not? This may be its last kick! I feel very tired. But it ‘s a masterpiece, though I do say it. They tell us we owe so much to our parents. Well, I ‘ve paid the filial debt handsomely!” He walked up and down the room a few moments, with the purpose of his visit evidently still undischarged. “There ‘s one thing more I want to say,” he presently resumed. “I feel as if I ought to tell you!” He stopped before Rowland with his head high and his brilliant glance unclouded. “Your invention is a failure!”
“My invention?” Rowland repeated.
“Bringing out my mother and Mary.”
“A failure?”
“It ‘s no use! They don’t help me.”
Rowland had fancied that Roderick had no more surprises for him; but he was now staring at him, wide-eyed.
“They bore me!” Roderick went on.
“Oh, oh!” cried Rowland.
“Listen, listen!” said Roderick with perfect gentleness. “I am not complaining of them; I am simply stating a fact. I am very sorry for them; I am greatly disappointed.”
“Have you given them a fair trial?”
“Should n’t you say so? It seems to me I have behaved beautifully.”
“You have done very well; I have been building great hopes on it.”
“I have done too well, then. After the first forty-eight hours my own hopes collapsed. But I determined to fight it out; to stand within the temple; to let the spirit of the Lord descend! Do you want to know the result? Another week of it, and I shall begin to hate them. I shall want to poison them.”
“Miserable boy!” cried Rowland. “They are the loveliest of women!”
“Very likely! But they mean no more to me than a Bible text to an atheist!”
“I utterly fail,” said Rowland, in a moment, “to understand your relation to Miss Garland.”
Roderick shrugged his shoulders and let his hands drop at his sides. “She adores me! That ‘s my relation.” And he smiled strangely.
“Have you broken your engagement?”
“Broken it? You can’t break a ray of moonshine.”
“Have you absolutely no affection for her?”
Roderick placed his hand on his heart and held it there a moment. “Dead—dead—dead!” he said at last.
“I wonder,” Rowland asked presently, “if you begin to comprehend the beauty of Miss Garland’s character. She is a person of the highest merit.”
“Evidently—or I would not have cared for her!”
“Has that no charm for you now?”
“Oh, don’t force a fellow to say rude things!”
“Well, I can only say that you don’t know what you are giving up.”
Roderick gave a quickened glance. “Do you know, so well?”
“I admire her immeasurably.”
Roderick smiled, we may almost say sympathetically. “You have not wasted time.”
Rowland’s thoughts were crowding upon him fast. If Roderick was resolute, why oppose him? If Mary was to be sacrificed, why, in that way, try to save her? There was another way; it only needed a little presumption to make it possible. Rowland tried, mentally, to summon presumption to his aid; but whether it came or not, it found conscience there before it. Conscience had only three words, but they were cogent. “For her sake—for her sake,” it dumbly murmured, and Rowland resumed his argument. “I don’t know what I would n’t do,” he said, “rather than that Miss Garland should suffer.”
“There is one thing to be said,” Roderick answered reflectively. “She is very strong.”
“Well, then, if she ‘s strong, believe that with a longer chance, a better chance, she will still regain your affection.”
“Do you know what you ask?” cried Roderick. “Make love to a girl I hate?”
“You hate?”
“As her lover, I should hate her!”
“Listen to me!” said Rowland with vehemence.
“No, listen you to me! Do you really urge my marrying a woman who would bore me to death? I would let her know it in very good season, and then where would she be?”
Rowland walked the length of the room a couple of times and then stopped suddenly. “Go your way, then! Say all this to her, not to me!”
“To her? I am afraid of her; I want you to help me.”
“My dear Roderick,” said Rowland with an eloquent smile, “I can help you no more!”
Roderick frowned, hesitated a moment, and then took his hat. “Oh, well,” he said, “I am not so afraid of her as all that!” And he turned, as if to depart.
“Stop!” cried Rowland, as he laid his hand on the door.
Roderick paused and stood waiting, with his irritated brow.
“Come back; sit down there and listen to me. Of anything you were to say in your present state of mind you would live most bitterly to repent. You don’t know what you really think; you don’t know what you really feel. You don’t know your own mind; you don’t do justice to Miss Garland. All this is impossible here, under these circumstances. You ‘re blind, you ‘re deaf, you ‘re under a spell. To break it, you must leave Rome.”
“Leave Rome! Rome was never so dear to me.”
“That ‘s not of the smallest consequence. Leave it instantly.”
“And where shall I go?”
“Go to some place where you may be alone with your mother and Miss Garland.”
“Alone? You will not come?”
“Oh, if you desire it, I will come.”
Roderick inclining his head a little, looked at his friend askance. “I don’t understand you,” he said; “I wish you liked Miss Garland either a little less, or a little more.”
Rowland felt himself coloring, but he paid no heed to Roderick’s speech. “You ask me to help you,” he went on. “On these present conditions I can do nothing. But if you will postpone all decision as to the continuance of your engagement a couple of months longer, and meanwhile leave Rome, leave Italy, I will do what I can to ‘help you,’ as you say, in the event of your still wishing to break it.”
“I must do without your help then! Your conditions are impossible. I will leave Rome at the time I have always intended—at the end of June. My rooms and my mother’s are taken till then; all my arrangements are made accordingly. Then, I will depart; not before.”
“You are not frank,” said Rowland. “Your real reason for staying has nothing to do with your rooms.”
Roderick’s face betrayed neither embarrassment nor resentment. “If I ‘m not frank, it ‘s for the first time in my life. Since you know so much about my real reason, let me hear it! No, stop!” he suddenly added, “I won’t trouble you. You are right, I have a motive. On the twenty-fourth of June Miss Light is to be married. I take an immense interest in all that concerns her, and I wish to be present at her wedding.”
“But you said the other day at Saint Peter’s that it was by no means certain her marriage would take place.”
“Apparently I was wrong: the invitations, I am told, are going out.”
Rowland felt that it would be utterly vain to remonstrate, and that the only thing for him was to make the best terms possible. “If I offer no further opposition to your waiting for Miss Light’s marriage,” he said, “will you promise, meanwhile and afterwards, for a certain period, to defer to my judgment—to say nothing that may be a cause of suffering to Miss Garland?”
“For a certain period? What period?” Roderick demanded.
“Ah, don’t drive so close a bargain! Don’t you understand that I have taken you away from her, that I suffer in every nerve in consequence, and that I must do what I can to restore you?”
“Do what you can, then,” said Roderick gravely, putting out his hand. “Do what you can!” His tone and his hand-shake seemed to constitute a promise, and upon this they parted.
Roderick’s bust of his mother, whether or no it was a discharge of what he called the filial debt, was at least a most admirable production. Rowland, at the time it was finished, met Gloriani one evening, and this unscrupulous genius immediately began to ask questions about it. “I am told our high-flying friend has come down,” he said. “He has been doing a queer little old woman.”
“A queer little old woman!” Rowland exclaimed. “My dear sir, she is Hudson’s mother.”
“All the more reason for her being queer! It is a bust for terra-cotta, eh?”
“By no means; it is for marble.”
“That ‘s a pity. It was described to me as a charming piece of quaintness: a little demure, thin-lipped old lady, with her head on one side, and the prettiest wrinkles in the world—a sort of fairy godmother.”
“Go and see it, and judge for yourself,” said Rowland.
“No, I see I shall be disappointed. It ‘s quite the other thing, the sort of thing they put into the campo-santos. I wish that boy would listen to me an hour!”
But a day or two later Rowland met him again in the street, and, as they were near, proposed they should adjourn to Roderick’s studio. He consented, and on entering they found the young master. Roderick’s demeanor to Gloriani was never conciliatory, and on this occasion supreme indifference was apparently all he had to offer. But Gloriani, like a genuine connoisseur, cared nothing for his manners; he cared only for his skill. In the bust of Mrs. Hudson there was something almost touching; it was an exquisite example of a ruling sense of beauty. The poor lady’s small, neat, timorous face had certainly no great character, but Roderick had reproduced its sweetness, its mildness, its minuteness, its still maternal passion, with the most unerring art. It was perfectly unflattered, and yet admirably tender; it was the poetry of fidelity. Gloriani stood looking at it a long time most intently. Roderick wandered away into the neighboring room.
“I give it up!” said the sculptor at last. “I don’t understand it.”
“But you like it?” said Rowland.
“Like it? It ‘s a pearl of pearls. Tell me this,” he added: “is he very fond of his mother; is he a very good son?” And he gave Rowland a sharp look.
“Why, she adores him,” said Rowland, smiling.
“That ‘s not an answer! But it ‘s none of my business. Only if I, in his place, being suspected of having—what shall I call it?—a cold heart, managed to do that piece of work, oh, oh! I should be called a pretty lot of names. Charlatan, poseur, arrangeur! But he can do as he chooses! My dear young man, I know you don’t like me,” he went on, as Roderick came back. “It ‘s a pity; you are strong enough not to care about me at all. You are very strong.”
“Not at all,” said Roderick curtly. “I am very weak!”
“I told you last year that you would n’t keep it up. I was a great ass. You will!”
“I beg your pardon—I won’t!” retorted Roderick.
“Though I ‘m a great ass, all the same, eh? Well, call me what you will, so long as you turn out this sort of thing! I don’t suppose it makes any particular difference, but I should like to say now I believe in you.”
Roderick stood looking at him for a moment with a strange hardness in his face. It flushed slowly, and two glittering, angry tears filled his eyes. It was the first time Rowland had ever seen them there; he saw them but once again. Poor Gloriani, he was sure, had never in his life spoken with less of irony; but to Roderick there was evidently a sense of mockery in his profession of faith. He turned away with a muttered, passionate imprecation. Gloriani was accustomed to deal with complex problems, but this time he was hopelessly puzzled. “What ‘s the matter with him?” he asked, simply.
Rowland gave a sad smile, and touched his forehead. “Genius, I suppose.”
Gloriani sent another parting, lingering look at the bust of Mrs. Hudson. “Well, it ‘s deuced perfect, it ‘s deuced simple; I do believe in him!” he said. “But I ‘m glad I ‘m not a genius. It makes,” he added with a laugh, as he looked for Roderick to wave him good-by, and saw his back still turned, “it makes a more sociable studio.”
Rowland had purchased, as he supposed, temporary tranquillity for Mary Garland; but his own humor in these days was not especially peaceful. He was attempting, in a certain sense, to lead the ideal life, and he found it, at the least, not easy. The days passed, but brought with them no official invitation to Miss Light’s wedding. He occasionally met her, and he occasionally met Prince Casamassima; but always separately, never together. They were apparently taking their happiness in the inexpressive manner proper to people of social eminence. Rowland continued to see Madame Grandoni, for whom he felt a confirmed affection. He had always talked to her with frankness, but now he made her a confidant of all his hidden dejection. Roderick and Roderick’s concerns had been a common theme with him, and it was in the natural course to talk of Mrs. Hudson’s arrival and Miss Garland’s fine smile. Madame Grandoni was an intelligent listener, and she lost no time in putting his case for him in a nutshell. “At one moment you tell me the girl is plain,” she said; “the next you tell me she ‘s pretty. I will invite them, and I shall see for myself. But one thing is very clear: you are in love with her.”
Rowland, for all answer, glanced round to see that no one heard her.
“More than that,” she added, “you have been in love with her these two years. There was that certain something about you!… I knew you were a mild, sweet fellow, but you had a touch of it more than was natural. Why did n’t you tell me at once? You would have saved me a great deal of trouble. And poor Augusta Blanchard too!” And herewith Madame Grandoni communicated a pertinent fact: Augusta Blanchard and Mr. Leavenworth were going to make a match. The young lady had been staying for a month at Albano, and Mr. Leavenworth had been dancing attendance. The event was a matter of course. Rowland, who had been lately reproaching himself with a failure of attention to Miss Blanchard’s doings, made some such observation.
“But you did not find it so!” cried his hostess. “It was a matter of course, perhaps, that Mr. Leavenworth, who seems to be going about Europe with the sole view of picking up furniture for his ‘home,’ as he calls it, should think Miss Blanchard a very handsome piece; but it was not a matter of course—or it need n’t have been—that she should be willing to become a sort of superior table-ornament. She would have accepted you if you had tried.”
“You are supposing the insupposable,” said Rowland. “She never gave me a particle of encouragement.”
“What would you have had her do? The poor girl did her best, and I am sure that when she accepted Mr. Leavenworth she thought of you.”
“She thought of the pleasure her marriage would give me.”
“Ay, pleasure indeed! She is a thoroughly good girl, but she has her little grain of feminine spite, like the rest. Well, he ‘s richer than you, and she will have what she wants; but before I forgive you I must wait and see this new arrival—what do you call her?—Miss Garland. If I like her, I will forgive you; if I don’t, I shall always bear you a grudge.”
Rowland answered that he was sorry to forfeit any advantage she might offer him, but that his exculpatory passion for Miss Garland was a figment of her fancy. Miss Garland was engaged to another man, and he himself had no claims.
“Well, then,” said Madame Grandoni, “if I like her, we ‘ll have it that you ought to be in love with her. If you fail in this, it will be a double misdemeanor. The man she ‘s engaged to does n’t care a straw for her. Leave me alone and I ‘ll tell her what I think of you.”
As to Christina Light’s marriage, Madame Grandoni could make no definite statement. The young girl, of late, had made her several flying visits, in the intervals of the usual pre-matrimonial shopping and dress-fitting; she had spoken of the event with a toss of her head, as a matter which, with a wise old friend who viewed things in their essence, she need not pretend to treat as a solemnity. It was for Prince Casamassima to do that. “It is what they call a marriage of reason,” she once said. “That means, you know, a marriage of madness!”
“What have you said in the way of advice?” Rowland asked.
