Генри Джеймс
Embarrassments
VII
My words however were not absolutely the same—I put something instead of “angel”; and in the sequel my epithet seemed the more apt, for when eventually we heard from Corvick it was merely, it was thoroughly to be tantalised. He was magnificent in his triumph, he described his discovery as stupendous; but his ecstasy only obscured it—there were to be no particulars till he should have submitted his conception to the supreme authority. He had thrown up his commission, he had thrown up his book, he had thrown up everything but the instant need to hurry to Rapallo, on the Genoese shore, where Vereker was making a stay. I wrote him a letter which was to await him at Aden—I besought him to relieve my suspense. That he found my letter was indicated by a telegram which, reaching me after weary days and without my having received an answer to my laconic dispatch at Bombay, was evidently intended as a reply to both communications. Those few words were in familiar French, the French of the day, which Corvick often made use of to show he wasn’t a prig. It had for some persons the opposite effect, but his message may fairly be paraphrased. “Have patience; I want to see, as it breaks on you, the face you’ll make!” “Tellement envie de voir ta tête!”—that was what I had to sit down with. I can certainly not be said to have sat down, for I seem to remember myself at this time as rushing constantly between the little house in Chelsea and my own. Our impatience, Gwendolen’s and mine, was equal, but I kept hoping her light would be greater. We all spent during this episode, for people of our means, a great deal of money in telegrams, and I counted on the receipt of news from Rapallo immediately after the junction of the discoverer with the discovered. The interval seemed an age, but late one day I heard a hansom rattle up to my door with a crash engendered by a hint of liberality. I lived with my heart in my mouth and I bounded to the window—a movement which gave me a view of a young lady erect on the footboard of the vehicle and eagerly looking up at my house. At sight of me she flourished a paper with a movement that brought me straight down, the movement with which, in melodramas, handkerchiefs and reprieves are flourished at the foot of the scaffold.
“Just seen Vereker—not a note wrong. Pressed me to bosom—keeps me a month.” So much I read on her paper while the cabby dropped a grin from his perch. In my excitement I paid him profusely and in hers she suffered it; then as he drove away we started to walk about and talk. We had talked, ‘heaven knows, enough before, but this was a wondrous lift. We pictured the whole scene at Rapallo, where he would have written, mentioning my name, for permission to call; that is I pictured it, having more material than my companion, whom I felt hang on my lips as we stopped on purpose before shop-windows we didn’t look into. About one thing we were clear: if he was staying on for fuller communication we should at least have a letter from him that would help us through the dregs of delay. We understood his staying on, and yet each of us saw, I think, that the other hated it. The letter we were clear about arrived; it was for Gwendolen, and I called upon her in time to save her the trouble of bringing it to me. She didn’t read it out, as was natural enough; but she repeated to me what it chiefly embodied. This consisted of the remarkable statement that he would tell her when they were married exactly what she wanted to know.
“Only when we’re married—not before,” she explained. “It’s tantamount to saying—isn’t it?—that I must marry him straight off!” She smiled at me while I flushed with disappointment, a vision of fresh delay that made me at first unconscious of my surprise. It seemed more than a hint that on me as well he would impose some tiresome condition. Suddenly, while she reported several more things from his letter, I remembered what he had told me before going away. He found Mr. Vereker deliriously interesting and his own possession of the secret a kind of intoxication. The buried treasure was all gold and gems. Now that it was there it seemed to grow and grow before him; it was in all time, in all tongues, one of the most wonderful flowers of art. Nothing, above all, when once one was face to face with it, had been more consummately done. When once it came out it came out, was there with a splendour that made you ashamed; and there had not been, save in the bottomless vulgarity of the age, with every one tasteless and tainted, every sense stopped, the smallest reason why it should have been overlooked. It was immense, but it was simple—it was simple, but it was immense, and the final knowledge of it was an experience quite apart. He intimated that the charm of such an experience, the desire to drain it, in its freshness, to the last drop, was what kept him there close to the source. Gwendolen, frankly radiant as she tossed me these fragments, showed the elation of a prospect more assured than my own. That brought me back to the question of her marriage, prompted me to ask her if what she meant by what she had just surprised me with was that she was under an engagement.
“Of course I am!” she answered. “Didn’t you know it?” She appeared astonished; but I was still more so, for Corvick had told me the exact contrary. I didn’t mention this, however; I only reminded her that I had not been to that degree in her confidence, or even in Corvick’s, and that moreover I was not in ignorance of her mother’s interdict. At bottom I was troubled by the disparity of the two assertions; but after a moment I felt that Corvick’s was the one I least doubted. This simply reduced me to asking myself if the girl had on the spot improvised an engagement—vamped up an old one or dashed off a new—in order to arrive at the satisfaction she desired. I reflected that she had resources of which I was destitute; but she made her case slightly more intelligible by rejoining presently: “What the state of things has been is that we felt of course bound to do nothing in mamma’s lifetime.”
“But now you think you’ll just dispense with your mother’s consent?”
“Ah, it may not come to that!” I wondered what it might come to, and she went on: “Poor dear, she may swallow the dose. In fact, you know,” she added with a laugh, “she really must!”—a proposition of which, on behalf of every one concerned, I fully acknowledged the force.
VIII
Nothing more annoying had ever happened to me than to become aware before Corvick’s arrival in England that I should not be there to put him through. I found myself abruptly called to Germany by the alarming illness of my younger brother, who, against my advice, had gone to Munich to study, at the feet indeed of a great master, the art of portraiture in oils. The near relative who made him an allowance had threatened to withdraw it if he should, under specious pretexts, turn for superior truth to Paris—Paris being somehow, for a Cheltenham aunt, the school of evil, the abyss. I deplored this prejudice at the time, and the deep injury of it was now visible—first in the fact that it had not saved the poor boy, who was clever, frail and foolish, from congestion of the lungs, and second in the greater remoteness from London to which the event condemned me. I am afraid that what was uppermost in my mind during several anxious weeks was the sense that if we had only been in Paris I might have run over to see Corvick. This was actually out of the question from every point of view: my brother, whose recovery gave us both plenty to do, was ill for three months, during which I never left him and at the end of which we had to face the absolute prohibition of a return to England. The consideration of climate imposed itself, and he was in no state to meet it alone. I took him to Meran and there spent the summer with him, trying to show him by example how to get back to work and nursing a rage of another sort that I tried not to show him.
The whole business proved the first of a series of phenomena so strangely combined that, taken together (which was how I had to take them) they form as good an illustration as I can recall of the manner in which, for the good of his soul doubtless, fate sometimes deals with a man’s avidity. These incidents certainly had larger bearings than the comparatively meagre consequence we are here concerned with—though I feel that consequence also to be a thing to speak of with some respect. It’s mainly in such a light, I confess, at any rate, that at this hour the ugly fruit of my exile is present to me. Even at first indeed the spirit in which my avidity, as I have called it, made me regard this term owed no element of ease to the fact that before coming back from Rapallo George Corvick addressed me in a way I didn’t like. His letter had none of the sedative action that I must to-day profess myself sure he had wished to give it, and the march of occurrences was not so ordered as to make up for what it lacked. He had begun on the spot, for one of the quarterlies, a great last word on Vereker’s writings, and this exhaustive study, the only one that would have counted, have existed, was to turn on the new light, to utter—oh, so quietly!—the unimagined truth. It was in other words to trace the figure in the carpet through every convolution, to reproduce it in every tint. The result, said Corvick, was to be the greatest literary portrait ever painted, and what he asked of me was just to be so good as not to trouble him with questions till he should hang up his masterpiece before me. He did me the honour to declare that, putting aside the great sitter himself, all aloft in his indifference, I was individually the connoisseur he was most working for. I was therefore to be a good boy and not try to peep under the curtain before the show-was ready: I should enjoy it all the more if I sat very still.
I did my best to sit very still, but I couldn’t help giving a jump on seeing in The Times after I had been a week or two in Munich and before, as I knew, Corvick had reached London, the announcement of the sudden death of poor Mrs. Erme. I instantly wrote to Gwendolen for particulars, and she replied that her mother had succumbed to long-threatened failure of the heart. She didn’t say, but I took the liberty of reading into her words, that from the point of view of her marriage and also of her eagerness, which was quite a match for mine, this was a solution more prompt than could have been expected and more radical than waiting for the old lady to swallow the dose. I candidly admit indeed that at the time—for I heard from her repeatedly—I read some singular things into Gwendolen’s words and some still more extraordinary ones into her silences. Pen in hand, this way, I live the time over, and it brings back the oddest sense of my having been for months and in spite of myself a kind of coerced spectator. All my life had taken refuge in my eyes, which the procession of events appeared to have committed itself to keep astare. There were days when I thought of writing to Hugh Vereker and simply throwing myself on his charity. But I felt more deeply that I hadn’t fallen quite so low, besides which, quite properly, he would send me about my business. Mrs. Erme’s death brought Corvick straight home, and within the month he was united “very quietly”—as quietly I suppose as he meant in his article to bring out his trouvaille—to the young lady he had loved and quitted. I use this last term, I may parenthetically say, because I subsequently grew sure that at the time he went to India, at the time of his great news from Bombay, there was no engagement whatever. There was none at the moment she affirmed the opposite. On the other hand he certainly became engaged the day he returned. The happy pair went down to Torquay for their honeymoon, and there, in a reckless hour, it occurred to poor Corvick to take his young bride a drive. He had no command of that business: this had been brought home to me of old in a little tour we had once made together in a dogcart. In a dogcart he perched his companion for a rattle over Devonshire hills, on one of the likeliest of which he brought his horse, who, it was true, had bolted, down with such violence that the occupants of the cart were hurled forward and that he fell horribly on his head. He was killed on the spot; Gwendolen escaped unhurt.
I pass rapidly over the question of this unmitigated tragedy, of what the loss of my best friend meant for me, and I complete my little history of my patience and my pain by the frank statement of my having, in a postscript to my very first letter to her after the receipt of the hideous news, asked Mrs. Corvick whether her husband had not at least finished the great article on Vereker. Her answer was as prompt as my inquiry: the article, which had been barely begun, was a mere heartbreaking scrap. She explained that Corvick had just settled down to it when he was interrupted by her mother’s death; then, on his return, he had been kept from work by the engrossments into which that calamity plunged them. The opening pages were all that existed; they were striking, they were promising, but they didn’t unveil the idol. That great intellectual feat was obviously to have formed his climax. She said nothing more, nothing to enlighten me as to the state of her own knowledge—the knowledge for the acquisition of which I had conceived her doing prodigious things. This was above all what I wanted to know: had she seen the idol unveiled? Had there been a private ceremony for a palpitating audience of one? For what else but that ceremony had the previous ceremony been enacted? I didn’t like as yet to press her, though when I thought of what had passed between us on the subject in Corvick’s absence her reticence surprised me. It was therefore not till much later, from Meran, that I risked another appeal, risked it in some trepidation, for she continued to tell me nothing. “Did you hear in those few days of your blighted bliss,” I wrote, “what we desired so to hear?” I said “we” as a little hint; and she showed me she could take a little hint. “I heard everything,” she replied, “and I mean to keep it to myself!”
IX
It was impossible not to be moved with the strongest sympathy for her, and on my return to England I showed her every kindness in my power. Her mother’s death had made her means sufficient, and she had gone to live in a more convenient quarter. But her loss had been great and her visitation cruel; it never would have occurred to me moreover to suppose she could come to regard the enjoyment of a technical tip, of a piece of literary experience, as a counterpoise to her grief. Strange to say, none the less, I couldn’t help fancying after I had seen her a few times that I caught a glimpse of some such oddity. I hasten to add that there had been other things I couldn’t help fancying; and as I never felt I was really clear about these, so, as to the point I here touch on, I give her memory the benefit of every doubt. Stricken and solitary, highly accomplished and now, in her deep mourning, her maturer grace, and her uncomplaining sorrow incontestably handsome, she presented herself as leading a life of singular dignity and beauty. I had at first found a way to believe that I should soon get the better of the reserve formulated the week after the catastrophe in her reply to an appeal as to which I was not unconscious that it might strike her as mistimed. Certainly that reserve was something of a shock to me—certainly it puzzled me the more I thought of it, though I tried to explain it, with moments of success, by the supposition of exalted sentiments, of superstitious scruples, of a refinement of loyalty. Certainly it added at the same time hugely to the price of Vereker’s secret, precious as that mystery already appeared. I may as well confess abjectly that Mrs. Corvick’s unexpected attitude was the final tap on the nail that was to fix, as they say, my luckless idea, convert it into the obsession of which I am for ever conscious. But this only helped me the more to be artful, to be adroit, to allow time to elapse before renewing my suit. There were plenty of speculations for the interval, and one of them was deeply absorbing. Corvick had kept his information from his young friend till after the removal of the last barriers to their intimacy; then he had let the cat out of the bag. Was it Gwendolen’s idea, taking a hint from him, to liberate this animal only on the basis of the renewal of such a relation? Was the figure in the carpet traceable or describable only for husbands and wives—for lovers supremely united? It came back to me in a mystifying manner that in Kensington-square, when I told him that Corvick would have told the girl he loved, some word had dropped from Vereker that gave colour to this possibility. There might be little in it, but there was enough to make me wonder if I should have to marry Mrs. Corvick to get what I wanted. Was I prepared to offer her this price for the blessing of her knowledge? Ah! that way madness lay—so I said to myself at least in bewildered hours. I could see meanwhile the torch she refused to pass on flame away in her chamber of memory—pour through her eyes a light that made a glow in her lonely house. At the end of six months I was fully sure of what this warm presence made up to her for. We had talked again and again of the man who had brought us together, of his talent, his character, his personal charm, his certain career, his dreadful doom, and even of his clear purpose in that great study which was to have been a supreme literary portrait, a kind of critical Vandyke or Velasquez. She had conveyed to me in abundance that she was tongue-tied by her perversity, by her piety, that she would never break the silence it had not been given to the “right person,” as she said, to break. The hour however finally arrived. One evening when I had been sitting with her longer than usual I laid my hand firmly on her arm.
“Now, at last, what is it?”
She had been expecting me; she was ready. She gave a long, slow, soundless headshake, merciful only in being inarticulate. This mercy didn’t prevent its hurling at me the largest, finest, coldest “Never!” I had yet, in the course of a life that had known denials, had to take full in the face. I took it and was aware that with the hard blow the tears had come into my eyes. So for a while we sat and looked at each other; after which I slowly rose. I was wondering if some day she would accept me; but this was not what I brought out. I said as I smoothed down my hat: “I know what to think then; it’s nothing!”
A remote, disdainful pity for me shone out of her dim smile; then she exclaimed in a voice that I hear at this moment: “It’s my life!” As I stood at the door she added: “You’ve insulted him!”
“Do you mean Vereker?”
“I mean—the Dead!”
I recognised when I reached the street the justice of her charge. Yes, it was her life—I recognised that too; but her life none the less made room with the lapse of time for another interest. A year and a half after Corvick’s death she published in a single volume her second novel, “Overmastered,” which I pounced on in the hope of finding in it some tell-tale echo or some peeping face. All I found was a much better book than her younger performance, showing I thought the better company she had kept. As a tissue tolerably intricate it was a carpet with a figure of its own; but the figure was not the figure I was looking for. On sending a review of it to The Middle I was surprised to learn from the office that a notice was already in type. When the paper came out I had no hesitation in attributing this article, which I thought rather vulgarly overdone, to Drayton Deane, who in the old days had been something of a friend of Corvick’s, yet had only within a few weeks made the acquaintance of his widow. I had had an early copy of the book, but Deane had evidently had an earlier. He lacked all the same the light hand with which Corvick had gilded the gingerbread—he laid on the tinsel in splotches.
