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полная версияEmbarrassments

Генри Джеймс
Embarrassments

Полная версия

But would nobody notice it at all?—that was a question that added a prospective zest to one’s possession of a critical sense. So much depended upon it that I was rather relieved than otherwise not to know the answer too soon. I waited in fact a year—the year for which Limbert had cannily engaged on trial with Mr. Bousefield; the year as to which through the same sharpened shrewdness it had been conveyed in the agreement between them that Mr. Bousefield was not to intermeddle. It had been Limbert’s general prayer that we would during this period let him quite alone. His terror of my direct rays was a droll, dreadful force that always operated: he explained it by the fact that I understood him too well, expressed too much of his intention, saved him too little from himself. The less he was saved the more he didn’t sell: I literally interpreted, and that was simply fatal.

I held my breath accordingly; I did more—I closed my eyes, I guarded my treacherous ears. He induced several of us to do that (of such devotions we were capable) so that not even glancing at the thing from month to month, and having nothing but his shamed, anxious silence to go by, I participated only vaguely in the little hum that surrounded his act of sacrifice. It was blown about the town that the public would be surprised; it was hinted, it was printed that he was making a desperate bid. His new work was spoken of as “more calculated for general acceptance.” These tidings produced in some quarters much reprobation, and nowhere more, I think, than on the part of certain persons who had never read a word of him, or assuredly had never spent a shilling on him, and who hung for hours over the other attractions of the newspaper that announced his abasement. So much asperity cheered me a little—seemed to signify that he might really be doing something. On the other hand I had a distinct alarm; some one sent me for some alien reason an American journal (containing frankly more than that source of affliction) in which was quoted a passage from our friend’s last instalment. The passage—I couldn’t for my life help reading it—was simply superb. Ah, he would have to move to the country if that was the worst he could do! It gave me a pang to see how little after all he had improved since the days of his competition with Pat Moyle. There was nothing in the passage quoted in the American paper that Pat would for a moment have owned. During the last weeks, as the opportunity of reading the complete thing drew near, one’s suspense was barely endurable, and I shall never forget the July evening on which I put it to rout. Coming home to dinner I found the two volumes on my table, and I sat up with them half the night, dazed, bewildered, rubbing my eyes, wondering at the monstrous joke. Was it a monstrous joke, his second manner—was this the new line, the desperate bid, the scheme for more general acceptance and the remedy for material failure? Had he made a fool of all his following, or had he most injuriously made a still bigger fool of himself? Obvious?—where the deuce was it obvious? Popular?—how on earth could it be popular? The thing was charming with all his charm and powerful with all his power: it was an unscrupulous, an unsparing, a shameless, merciless masterpiece. It was, no doubt, like the old letters to the Beacon, the worst he could do; but the perversity of the effort, even though heroic, had been frustrated by the purity of the gift. Under what illusion had he laboured, with what wavering, treacherous compass had he steered? His honour was inviolable, his measurements were all wrong. I was thrilled with the whole impression and with all that came crowding in its train. It was too grand a collapse—it was too hideous a triumph; I exalted almost with tears—I lamented with a strange delight. Indeed as the short night waned and, threshing about in my emotion, I fidgeted to my high-perched window for a glimpse of the summer dawn, I became at last aware that I was staring at it out of eyes that had compassionately and admiringly filled. The eastern sky, over the London housetops, had a wonderful tragic crimson. That was the colour of his magnificent mistake.

IV

If something less had depended on my impression I daresay I should have communicated it as soon as I had swallowed my breakfast; but the case was so embarrassing that I spent the first half of the day in reconsidering it, dipping into the book again, almost feverishly turning its leaves and trying to extract from them, for my friend’s benefit, some symptom of reassurance, some ground for felicitation. This rash challenge had consequences merely dreadful; the wretched volumes, imperturbable and impeccable, with their shyer secrets and their second line of defence, were like a beautiful woman more denuded or a great symphony on a new hearing. There was something quite sinister in the way they stood up to me. I couldn’t however be dumb—that was to give the wrong tinge to my disappointment; so that later in the afternoon, taking my courage in both hands, I approached with a vain tortuosity poor Limbert’s door. A smart victoria waited before it in which from the bottom of the street I saw that a lady who had apparently just issued from the house was settling herself. I recognised Jane Highmore and instantly paused till she should drive down to me. She presently met me half-way and as soon as she saw me stopped her carriage in agitation. This was a relief—it postponed a moment the sight of that pale, fine face of our friend’s fronting me for the right verdict. I gathered from the flushed eagerness with which Mrs. Highmore asked me if I had heard the news that a verdict of some sort had already been rendered.

“What news?—about the book?”

“About that horrid magazine. They’re shockingly upset. He has lost his position—he has had a fearful flare-up with Mr. Bousefield.”

I stood there blank, but not unaware in my blankness of how history repeats itself. There came to me across the years Maud’s announcement of their ejection from the Beacon, and dimly, confusedly the same explanation was in the air. This time however I had been on my guard; I had had my suspicion. “He has made it too flippant?” I found breath after an instant to inquire.

Mrs. Highmore’s vacuity exceeded my own. “Too ‘flippant’? He has made it too oracular. Mr. Bousefield says he has killed it.” Then perceiving my stupefaction: “Don’t you know what has happened?” she pursued; “isn’t it because in his trouble, poor love, he has sent for you that you’ve come? You’ve heard nothing at all? Then you had better know before you see them. Get in here with me—I’ll take you a turn and tell you.” We were close to the Park, the Regent’s, and when with extreme alacrity I had placed myself beside her and the carriage had begun to enter it she went on: “It was what I feared, you know. It reeked with culture. He keyed it up too high.”

I felt myself sinking in the general collapse. “What are you talking about?”

“Why, about that beastly magazine. They’re all on the streets. I shall have to take mamma.”

I pulled myself together. “What on earth then did Bousefield want? He said he wanted intellectual power.”

“Yes, but Ray overdid it.”

“Why, Bousefield said it was a thing he couldn’t overdo.”

“Well, Ray managed: he took Mr. Bousefield too literally. It appears the thing has been doing dreadfully, but the proprietor couldn’t say anything, because he had covenanted to leave the editor quite free. He describes himself as having stood there in a fever and seen his ship go down. A day or two ago the year was up, so he could at last break out. Maud says he did break out quite fearfully; he came to the house and let poor Ray have it. Ray gave it to him back; he reminded him of his own idea of the way the cat was going to jump.”

I gasped with dismay. “Has Bousefield abandoned that idea? Isn’t the cat going to jump?”

Mrs. Highmore hesitated. “It appears that she doesn’t seem in a hurry. Ray at any rate has jumped too far ahead of her. He should have temporised a little, Mr. Bousefield says; but I’m beginning to think, you know,” said my companion, “that Ray can’t temporise.” Fresh from my emotions of the previous twenty-four hours I was scarcely in a position to disagree with her. “He published too much pure thought.”

“Pure thought?” I cried. “Why, it struck me so often—certainly in a due proportion of cases—as pure drivel!”

“Oh, you’re more keyed up than he! Mr. Bousefield says that of course he wanted things that were suggestive and clever, things that he could point to with pride. But he contends that Ray didn’t allow for human weakness. He gave everything in too stiff doses.”

Sensibly, I fear, to my neighbour I winced at her words; I felt a prick that made me meditate. Then I said: “Is that, by chance, the way he gave me?” Mrs. Highmore remained silent so long that I had somehow the sense of a fresh pang; and after a minute, turning in my seat, I laid my hand on her arm, fixed my eyes upon her face and pursued pressingly: “Do you suppose it to be to my ‘Occasional Remarks’ that Mr. Bousefield refers?”

At last she met my look. “Can you bear to hear it?”

“I think I can bear anything now.”

“Well then, it was really what I wanted to give you an inkling of. It’s largely over you that they’ve quarrelled. Mr. Bousefield wants him to chuck you.”

I grabbed her arm again. “And Limbert won’t?

“He seems to cling to you. Mr. Bousefield says no magazine can afford you.”

I gave a laugh that agitated the very coachman. “Why, my dear lady, has he any idea of my price?”

“It isn’t your price—he says you’re dear at any price; you do so much to sink the ship. Your ‘Remarks’ are called ‘Occasional,’ but nothing could be more deadly regular: you’re there month after month and you’re never anywhere else. And you supply no public want.”

 

“I supply the most delicious irony.”

“So Ray appears to have declared. Mr. Bousefield says that’s not in the least a public want. No one can make out what you’re talking about and no one would care if he could. I’m only quoting him, mind.”

“Quote, quote—if Limbert holds out. I think I must leave you now, please: I must rush back to express to him what I feel.”

“I’ll drive you to his door. That isn’t all,” said Mrs. Highmore. And on the way, when the carriage had turned, she communicated the rest. “Mr. Bousefield really arrived with an ultimatum: it had the form of something or other by Minnie Meadows.”

“Minnie Meadows?” I was stupefied.

“The new lady-humourist every one is talking about. It’s the first of a series of screaming sketches for which poor Ray was to find a place.” “Is that Mr. Bousefield’s idea of literature?” “No, but he says it’s the public’s, and you’ve got to take some account of the public. Aux grands maux les grands remèdes. They had a tremendous lot of ground to make up, and no one would make it up like Minnie. She would be the best concession they could make to human weakness; she would strike at least this note of showing that it was not going to be quite all—well, all you. Now Ray draws the line at Minnie; he won’t stoop to Minnie; he declines to touch, to look at Minnie. When Mr. Bousefield—rather imperiously, I believe—made Minnie a sine quâ non of his retention of his post he said something rather violent, told him to go to some unmentionable place and take Minnie with him. That of course put the fat on the fire. They had really a considerable scene.”

“So had he with the Beacon man,” I musingly replied. “Poor dear, he seems born for considerable scenes! It’s on Minnie, then, that they’ve really split?” Mrs. Highmore exhaled her despair in a sound which I took for an assent, and when we had rolled a little further I rather in-consequently and to her visible surprise broke out of my reverie. “It will never do in the world—he must stoop to Minnie!”

“It’s too late—and what I’ve told you still isn’t all. Mr. Bousefield raises another objection.”

“What other, pray?”

“Can’t you guess?”

I wondered. “No more of Ray’s fiction?”

“Not a line. That’s something else no magazine can stand. Now that his novel has run its course Mr. Bousefield is distinctly disappointed.”

I fairly bounded in my place. “Then it may do?”

Mrs. Highmore looked bewildered. “Why so, if he finds it too dull?”

“Dull? Ralph Limbert? He’s as fine as a needle!”

“It comes to the same thing—he won’t penetrate leather. Mr. Bousefield had counted on something that would, on something that would have a wider acceptance. Ray says he wants iron pegs.” I collapsed again; my flicker of elation dropped to a throb of quieter comfort; and after a moment’s silence I asked my neighbour if she had herself read the work our friend had just put forth. “No,” she replied, “I gave him my word at the beginning, on his urgent request, that I wouldn’t.”

“Not even as a book?”

“He begged me never to look at it at all. He said he was trying a low experiment. Of course I knew what he meant and I entreated him to let me just for curiosity take a peep. But he was firm, he declared he couldn’t bear the thought that a woman like me should see him in the depths.”

“He’s only, thank God, in the depths of distress,” I replied. “His experiment’s nothing worse than a failure.”

“Then Bousefield is right—his circulation won’t budge?”

“It won’t move one, as they say in Fleet Street. The book has extraordinary beauty.”

“Poor duck—after trying so hard!” Jane Highmore sighed with real tenderness. “What will then become of them?”

I was silent an instant. “You must take your mother.”

She was silent too. “I must speak of it to Cecil!” she presently said. Cecil is Mr. Highmore, who then entertained, I knew, strong views on the inadjustability of circumstances in general to the idiosyncrasies of Mrs. Stannace. He held it supremely happy that in an important relation she should have met her match. Her match was Ray Limbert—not much of a writer but a practical man. “The dear things still think, you know,” my companion continued, “that the book will be the beginning of their fortune. Their illusion, if you’re right, will be rudely dispelled.”

“That’s what makes me dread to face them. I’ve just spent with his volumes an unforgettable night. His illusion has lasted because so many of us have been pledged till this moment to turn our faces the other way. We haven’t known the truth and have therefore had nothing to say. Now that we do know it indeed we have practically quite as little. I hang back from the threshold. How can I follow up with a burst of enthusiasm such a catastrophe as Mr. Bousefield’s visit?”

As I turned uneasily about my neighbour more comfortably snuggled. “Well, I’m glad then I haven’t read him and have nothing unpleasant to say!” We had come back to Limbert’s door, and I made the coachman stop short of it. “But he’ll try again, with that determination of his: he’ll build his hopes on the next time.”

“On what else has he built them from the very first? It’s never the present for him that bears the fruit; that’s always postponed and for somebody else: there has always to be another try. I admit that his idea of a ‘new line’ has made him try harder than ever. It makes no difference,” I brooded, still timorously lingering; “his achievement of his necessity, his hope of a market will continue to attach themselves to the future. But the next time will disappoint him as each last time has done—and then the next and the next and the next!”

I found myself seeing it all with a clearness almost inspired: it evidently cast a chill on Mrs. Highmore. “Then what on earth will become of him?” she plaintively asked.

“I don’t think I particularly care what may become of him,” I returned with a conscious, reckless increase of my exaltation; “I feel it almost enough to be concerned with what may become of one’s enjoyment of him. I don’t know in short what will become of his circulation; I am only quite at my ease as to what will become of his work. It will simply keep all its quality. He’ll try again for the common with what he’ll believe to be a still more infernal cunning, and again the common will fatally elude him, for his infernal cunning will have been only his genius in an ineffectual disguise.” We sat drawn up by the pavement, facing poor Limbert’s future as I saw it. It relieved me in a manner to know the worst, and I prophesied with an assurance which as I look back upon it strikes me as rather remarkable. “Que voulez-vous?” I went on; “you can’t make a sow’s ear of a silk purse! It’s grievous indeed if you like—there are people who can’t be vulgar for trying. He can’t—it wouldn’t come off, I promise you, even once. It takes more than trying—it comes by grace. It happens not to be given to Limbert to fall. He belongs to the heights—he breathes there, he lives there, and it’s accordingly to the heights I must ascend,” I said as I took leave of my conductress, “to carry him this wretched news from where we move!”

V

A few months were sufficient to show how right I had been about his circulation. It didn’t move one, as I had said; it stopped short in the same place, fell off in a sheer descent, like some precipice gaped up at by tourists. The public in other words drew the line for him as sharply as he had drawn it for Minnie Meadows. Minnie has skipped with a flouncing caper over his line, however; whereas the mark traced by a lustier cudgel has been a barrier insurmountable to Limbert. Those next times I had spoken of to Jane Highmore, I see them simplified by retrocession. Again and again he made his desperate bid—again and again he tried to. His rupture with Mr. Bousefield caused him, I fear, in professional circles to be thought impracticable, and I am perfectly aware, to speak candidly, that no sordid advantage ever accrued to him from such public patronage of my performances as he had occasionally been in a position to offer. I reflect for my comfort that any injury I may have done him by untimely application of a faculty of analysis which could point to no converts gained by honourable exercise was at least equalled by the injury he did himself. More than once, as I have hinted, I held my tongue at his request, but my frequent plea that such favours weren’t politic never found him, when in other connections there was an opportunity to give me a lift, anything but indifferent to the danger of the association. He let them have me in a word whenever he could; sometimes in periodicals in which he had credit, sometimes only at dinner. He talked about me when he couldn’t get me in, but it was always part of the bargain that I shouldn’t make him a topic. “How can I successfully serve you if you do?” he used to ask: he was more afraid than I thought he ought to have been of the charge of tit for tat. I didn’t care, for I never could distinguish tat from tit; but as I have intimated I dropped into silence really more than anything else because there was a certain fascinated observation of his course which was quite testimony enough and to which in this huddled conclusion of it he practically reduced me.

I see it all foreshortened, his wonderful remainder—see it from the end backward, with the direction widening toward me as if on a level with the eye. The migration to the country promised him at first great things—smaller expenses, larger leisure, conditions eminently conducive on each occasion to the possible triumph of the next time. Mrs. Stannace, who altogether disapproved of it, gave as one of her reasons that her son-in-law, living mainly in a village on the edge of a goose-green, would be deprived of that contact with the great world which was indispensable to the painter of manners. She had the showiest arguments for keeping him in touch, as she called it, with good society; wishing to know with some force where, from the moment he ceased to represent it from observation, the novelist could be said to be. In London fortunately a clever man was just a clever man; there were charming houses in which a person of Ray’s undoubted ability, even though without the knack of making the best use of it, could always be sure of a quiet corner for watching decorously the social kaleidoscope. But the kaleidoscope of the goose-green, what in the world was that, and what such delusive thrift as drives about the land (with a fearful account for flys from the inn) to leave cards on the country magnates? This solicitude for Limbert’s subject-matter was the specious colour with which, deeply determined not to affront mere tolerance in a cottage, Mrs. Stannace overlaid her indisposition to place herself under the heel of Cecil Highmore. She knew that he ruled Upstairs as well as down, and she clung to the fable of the association of interests in the north of London. The Highmores had a better address—they lived now in Stanhope Gardens; but Cecil was fearfully artful—he wouldn’t hear of an association of interests nor treat with his mother-in-law save as a visitor. She didn’t like false positions; but on the other hand she didn’t like the sacrifice of everything she was accustomed to. Her universe at all events was a universe full of card-leavings and charming houses, and it was fortunate that she couldn’t Upstairs catch the sound of the doom to which, in his little grey den, describing to me his diplomacy, Limbert consigned alike the country magnates and the opportunities of London. Despoiled of every guarantee she went to Stanhope Gardens like a mere maidservant, with restrictions on her very luggage, while during the year that followed this upheaval Limbert, strolling with me on the goose-green, to which I often ran down, played extravagantly over the theme that with what he was now going in for it was a positive comfort not to have the social kaleidoscope. With a cold-blooded trick in view what had life or manners or the best society or flys from the inn to say to the question? It was as good a place as another to play his new game. He had found a quieter corner than any corner of the great world, and a damp old house at sixpence a year, which, beside leaving him all his margin to educate his children, would allow of the supreme luxury of his frankly presenting himself as a poor man. This was a convenience that ces dames, as he called them, had never yet fully permitted him.

It rankled in me at first to see his reward so meagre, his conquest so mean; but the simplification effected had a charm that I finally felt; it was a forcing-house for the three or four other fine miscarriages to which his scheme was evidently condemned. I limited him to three or four, having had my sharp impression, in spite of the perpetual broad joke of the thing, that a spring had really snapped in him on the occasion of that deeply disconcerting sequel to the episode of his editorship. He never lost his sense of the grotesque want, in the difference made, of adequate relation to the effort that had been the intensest of his life. He had from that moment a charge of shot in him, and it slowly worked its way to a vital part. As he met his embarrassments each year with his punctual false remedy I wondered periodically where he found the energy to return to the attack. He did it every time with a rage more blanched, but it was clear to me that the tension must finally snap the cord. We got again and again the irrepressible work of art, but what did he get, poor man, who wanted something so different? There were likewise odder questions than this in the matter, phenomena more curious and mysteries more puzzling, which often for sympathy if not for illumination I intimately discussed with Mrs. Limbert. She had her burdens, dear lady: after the removal from London and a considerable interval she twice again became a mother. Mrs. Stannace too, in a more restricted sense, exhibited afresh, in relation to the home she had abandoned, the same exemplary character. In her poverty of guarantees at Stanhope Gardens there had been least of all, it appeared, a proviso that she shouldn’t resentfully revert again from Goneril to Regan. She came down to the goose-green like Lear himself, with fewer knights, or at least baronets, and the joint household was at last patched up. It fell to pieces and was put together on various occasions before Ray Limbert died. He was ridden to the end by the superstition that he had broken up Mrs. Stannace’s original home on pretences that had proved hollow and that if he hadn’t given Maud what she might have had he could at least give her back her mother. I was always sure that a sense of the compensations he owed was half the motive of the dogged pride with which he tried to wake up the libraries. I believed Mrs. Stan-nace still had money, though she pretended that, called upon at every turn to retrieve deficits, she had long since poured it into the general fund. This conviction haunted me; I suspected her of secret hoards, and I said to myself that she couldn’t be so infamous as not some day on her deathbed to leave everything to her less opulent daughter. My compassion for the Limberts led me to hover perhaps indiscreetly round that closing scene, to dream of some happy time when such an accession of means would make up a little for their present penury.

 

This however was crude comfort, as in the first place I had nothing definite to go by and in the second I held it for more and more indicated that Ray wouldn’t outlive her. I never ventured to sound him as to what in this particular he hoped or feared, for after the crisis marked by his leaving London I had new scruples about suffering him to be reminded of where he fell short. The poor man was in truth humiliated, and there were things as to which that kept us both silent. In proportion as he tried more fiercely for the market the old plaintiff arithmetic, fertile in jokes, dropped from our conversation. We joked immensely still about the process, but our treatment of the results became sparing and superficial. He talked as much as ever, with monstrous arts and borrowed hints, of the traps he kept setting, but we all agreed to take merely for granted that the animal was caught. This propriety had really dawned upon me the day that after Mr. Bousefield’s visit Mrs. Highmore put me down at his door. Mr. Bousefield in that juncture had been served up to me anew, but after we had disposed of him we came to the book, which I was obliged to confess I had already rushed through. It was from this moment—the moment at which my terrible impression of it had blinked out at his anxious query—that the image of his scared face was to abide with me. I couldn’t attenuate then—the cat was out of the bag; but later, each of the next times, I did, I acknowledge, attenuate. We all did religiously, so far as was possible; we cast ingenious ambiguities over the strong places, the beauties that betrayed him most, and found ourselves in the queer position of admirers banded to mislead a confiding artist. If we stifled our cheers however and dissimulated our joy our fond hypocrisy accomplished little, for Limbert’s finger was on a pulse that told a plainer story. It was a satisfaction to have secured a greater freedom with his wife, who at last, much to her honour, entered into the conspiracy and whose sense of responsibility was flattered by the frequency of our united appeal to her for some answer to the marvellous riddle. We had all turned it over till we were tired of it, threshing out the question why the note he strained every chord to pitch for common ears should invariably insist on addressing itself to the angels. Being, as it were, ourselves the angels we had only a limited quarrel in each case with the event; but its inconsequent character, given the forces set in motion, was peculiarly baffling. It was like an interminable sum that wouldn’t come straight; nobody had the time to handle so many figures. Limbert gathered, to make his pudding, dry bones and dead husks; how then was one to formulate the law that made the dish prove a feast? What was the cerebral treachery that defied his own vigilance? There was some obscure interference of taste, some obsession of the exquisite. All one could say was that genius was a fatal disturber or that the unhappy man had no effectual flair. When he went abroad to gather garlic he came home with heliotrope.

I hasten to add that if Mrs. Limbert was not directly illuminating she was yet rich in anecdote and example, having found a refuge from mystification exactly where the rest of us had found it, in a more devoted embrace and the sense of a finer glory. Her disappointments and eventually her privations had been many, her discipline severe; but she had ended by accepting the long grind of life and was now quite willing to take her turn at the mill. She was essentially one of us—she always understood. Touching and admirable at the last, when through the unmistakable change in Limbert’s health her troubles were thickest, was the spectacle of the particular pride that she wouldn’t have exchanged for prosperity. She had said to me once—only once, in a gloomy hour in London days when things were not going at all—that one really had to think him a very great man because if one didn’t one would be rather ashamed of him. She had distinctly felt it at first—and in a very tender place—that almost every one passed him on the road; but I believe that in these final years she would almost have been ashamed of him if he had suddenly gone into editions. It is certain indeed that her complacency was not subjected to that shock. She would have liked the money immensely, but she would have missed something she had taught herself to regard as rather rare. There is another remark I remember her making, a remark to the effect that of course if she could have chosen she would have liked him to be Shakespeare or Scott, but that failing this she was very glad he wasn’t—well, she named the two gentlemen, but I won’t. I daresay she sometimes laughed out to escape an alternative. She contributed passionately to the capture of the second manner, foraging for him further afield than he could conveniently go, gleaning in the barest stubble, picking up shreds to build the nest and in particular in the study of the great secret of how, as we always said, they all did it laying waste the circulating libraries. If Limbert had a weakness he rather broke down in his reading. It was fortunately not till after the appearance of The Hidden Heart that he broke down in everything else. He had had rheumatic fever in the spring, when the book was but half finished, and this ordeal in addition to interrupting his work had enfeebled his powers of resistance and greatly reduced his vitality. He recovered from the fever and was able to take up the book again, but the organ of life was pronounced ominously weak and it was enjoined upon him with some sharpness that he should lend himself to no worries. It might have struck me as on the cards that his worries would now be surmountable, for when he began to mend he expressed to me a conviction almost contagious that he had never yet made so adroit a bid as in the idea of The Hidden Heart. It is grimly droll to reflect that this superb little composition, the shortest of his novels but perhaps the loveliest, was planned from the first as an “adventure-story” on approved lines. It was the way they all did the adventure-story that he tried most dauntlessly to emulate. I wonder how many readers ever divined to which of their book-shelves The Hidden Heart was so exclusively addressed. High medical advice early in the summer had been quite viciously clear as to the inconvenience that might ensue to him should he neglect to spend the winter in Egypt. He was not a man to neglect anything; but Egypt seemed to us all then as unattainable as a second edition. He finished The Hidden Heart with the energy of apprehension and desire, for if the book should happen to do what “books of that class,” as the publisher said, sometimes did he might well have a fund to draw on. As soon as I read the deep and delicate thing I knew, as I had known in each case before, exactly how well it would do. Poor Limbert in this long business always figured to me an undiscourageable parent to whom only girls kept being born. A bouncing boy, a son and heir was devoutly prayed for and almanacks and old wives consulted; but the spell was inveterate, incurable, and The Hidden Heart proved, so to speak, but another female child. When the winter arrived accordingly Egypt was out of the question. Jane Highmore, to my knowledge, wanted to lend him money, and there were even greater devotees who did their best to induce him to lean on them. There was so marked a “movement” among his friends that a very considerable sum would have been at his disposal; but his stiffness was invincible: it had its root, I think, in his sense, on his own side, of sacrifices already made. He had sacrificed honour and pride, and he had sacrificed them precisely to the question of money. He would evidently, should he be able to go on, have to continue to sacrifice them, but it must be all in the way to which he had now, as he considered, hardened himself. He had spent years in plotting for favour, and since on favour he must live it could only be as a bargain and a price.

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