Gautier Théophile
Wanderings in Spain
After a quarter of an hour's walk, you come to the Generalife, which is, so to say, nothing but the casa de campo, the country-house of the Alhambra. The exterior of it, like that of all oriental buildings, is very simple: large walls without windows, and surmounted by a terrace with a gallery divided into arcades, the whole being crowned with a small modern belvedere, constitute its architecture. Of the Generalife nothing now remains but some arcades, and some large panels of arabesques, unfortunately clogged with layers of whitewash, which have been applied again and again with all the obstinacy and despair of cleanliness. Little by little have the delicate sculptures and the wonderful guilloches of these remains become filled up, until they have at last disappeared. What is at present nothing but a faintly-vermiculated wall, was formerly open lace-work, as fine as those ivory leaves which the patience of the Chinese carves for ladies' fans. The brush of the whitewasher has caused more chefs-d'œuvre to disappear than the scythe of Time, if we may be allowed to make use of this mythological expression. In a pretty well preserved hall is a suite of smoky portraits of the kings of Spain, but the only merit they possess is a chronological one.
The real charm of the Generalife consists in its gardens and its waters. A canal, paved with marble, runs through the whole length of the enclosure, and rolls its rapid and abundant waters beneath a series of arcades of foliage, formed by twisting and curiously-cut yews. Orange-trees and cypresses are planted on each side of it. It was at the foot of one of these cypresses, which is of a prodigious bulk, and which dates from the time of the Moors, that the favourite of Boabdil, if we are to believe the legend, often proved that bolts and bars are but slight guarantees for the virtue of sultanas. There is one thing, at least, very certain, and that is, that the yew is very thick, and very old.
The perspective is terminated by a porticoed gallery, ornamented with jets of water and marble columns, like the patio of myrtles of the Alhambra. The canal suddenly makes a turn, and you then enter some other places embellished with pieces of water, and the walls of which still preserve traces of the frescoes of the sixteenth century, representing rustic pieces of architecture, and distant views. In the midst of one of the basins, a gigantic rose-bay, of the most incomparable beauty and splendour, is seen to bloom, like an immense flower-basket. At the time when I saw it, it appeared like an explosion of flowers, or the bouquet of a display of vegetable fireworks; its aspect, too, is so blooming and luxuriant, so glaring, if we may be allowed the expression, that it makes the hue of the most vermilion rose appear insipid. Its lovely flowers, shot with all the ardour of desire high up into the pure blue space of the heavens; and its noble-looking leaves, shaped expressly by nature to form a crown for the glorious deeds of heroism, and sprinkled by the spray of the water-jets, sparkled like emeralds glittering in the sun. Never did anything inspire me with a higher sentiment of the beautiful than this rose-bay of the Generalife.
The water is brought to the gardens along a sort of steep acclivity, bordered with little walls, forming on each side a kind of parapet, that support trenches of large hollow tiles, through which the water runs beneath the open sky with the most gay and lively murmur in the world. On each footpace, well-supplied water-jets burst forth from the middle of little basins, and shoot their crystal aigrettes into the thick foliage of the wood of laurels, the branches of which cross and recross one another above them. The mountain streams with water on every side; at each step a spring starts forth, and you continually hear at your side the murmuring of some rivulet, turned out of its course, going to supply some fountain with water, or to carry bloom and verdure to the foot of a tree. The Arabs have carried the art of irrigation to the highest point; their hydraulic works attest the most advanced state of civilization; these works still exist; and it is to them that Granada owes the reputation it has of being the Paradise of Spain, and the fact of its enjoying eternal spring in an African temperature. An arm of the Darro has been turned out of its course by the Arabs, and carried for more than two leagues along the hill of the Alhambra.
From the Belvedere of the Generalife you can plainly perceive the configuration of the Alhambra, with its line of reddish, half-demolished towers, and its remaining pieces of wall, which rise and descend according to the undulations of the mountain. The palace of Charles the Fifth, which is not seen from the side of the city stamps its square and heavy mass, which the sun gilds with a white reflection, on the damask-like sides of the Sierra Neveda, whose white ridges stand out on the horizon in a singular manner. The steeple of Saint Mary's marks its Christian outline above the Moorish embattlements. A few cypresses thrust their mournful leaves through the cracks of the walls, surrounded by all this light and azure, like a melancholy thought in the midst of a joyful fête. The slopes of the hill running down towards the Darro, and the ravine of Los Molinos, disappear beneath an ocean of verdure. It is one of the finest views that can well be imagined.
On the other side, as if to form a contrast with so much verdancy, rises an uncultivated, scorched up, tawny mountain, tinged with dashes of red and yellow ochre; this mountain is called La Silla del Moro, on account of a few remains of some buildings on its summit. It was there that king Boabdil used to view the Arabian horsemen jousting in the Vega with the Christian knights. The recollection of the Moors is still vivid at Granada. You would think that they had quitted the city but yesterday, and, if we may judge by what remains of them, it is really a pity that they ever quitted it at all. What southern Spain requires is African civilization, and not the civilization of Europe, which is not suited to the heat of the climate or to the passions it inspires. Constitutional mechanism can only agree with the temperate zones; above a heat of eighty degrees charters melt or blow up.
As we have now done with the Alhambra and the Generalife, we will traverse the ravine of the Darro, and take a look as we go along the road leading to Monte Sagrado, at the dens of the gitanos, who are pretty numerous at Granada. This road is made through the hill of the Albaycin, which overhangs on one side. Gigantic Indian fig-trees, and enormous nopals raise their prickly heads, of the colour of verdigris, along its impoverished and white-coloured slopes; under the roots of these large unctuous plants, which seem to supply the place of chevaux-de-frise and spiked fences, are dug in the living rock, the dwellings of the gipsies. The entrance to these caverns is whitewashed; a light cord on which hangs a piece of frayed-out tapestry, serves as a door. It is there that the wild race swarms and multiplies; there, children, whose skins are darker than Havannah cigars, play in a state of nudity before the door, without any distinction as to sex, and roll themselves in the dust while uttering sharp and guttural cries. The gitanos are generally blacksmiths, mule-shearers, veterinary doctors, and, above all, horse-dealers. They have a thousand receipts for putting mettle and strength into the most broken-winded and limping animals in the world: a gitano would have made Rozinante gallop, and Sancho's ass would have caracoled under their hands. Their real trade, however, is that of stealing.
The gitanas sell amulets, tell fortunes, and follow those suspicious callings inherent to the women of their race. I saw very few pretty ones, though their faces were remarkable both by their type and character. Their swarthy complexion contrasts strongly with the limpidness of their oriental eyes, the fire of which is tempered by an indescribable and mysterious melancholy, only to be compared to the look inspired by the recollection of a country that is lost to us for ever, or of former grandeur. Their mouth, which is rather thick and deeply coloured, reminds you of the blooming nature of African mouths; the smallness of their forehead, and the curved form of their nose, pronounce them to be of the same origin with the tzigones of Wallachia and Bohemia, and with all the children of that fantastic people which traversed, under the generic name of Egyptians, the whole of the society of the Middle Ages, and the enigmatical filiation of which century upon century has not been able to interrupt. Nearly all of them possess so much natural majesty and freedom in their deportment, and are so well and firmly set, that in spite of their rags, their dirt, and their misery, they seem to be conscious of the antiquity and purity of their race, and ever to remember that it is free from all alloy, for these gipsies never marry but among themselves, and those children which are the offsprings of temporary unions are unmercifully cast out of the tribe. One of the pretensions of the gitanos is that of being good Castilians and good Catholics, but I think that, at bottom, they are, to some extent, Arabs and Mahometans; they deny this fact to the best of their power, from a remnant of fear for the Inquisition which no longer exists. A few deserted and half-ruined streets of the Albaycin are also inhabited by richer or less wandering gipsies. In one of these streets, we perceived a little girl, about eight years old, and entirely naked, dancing the zorongo on a painted paving stone. Her sister, whose features were wan and emaciated, and in whose citron-looking face sparkled eyes of fire, was crouched beside her on the ground, with a guitar, from the strings of which she drew forth a monotonous tinkle by running her thumb over them, and producing music not unsimilar to the husky squeak of the grasshopper. The mother, who was richly dressed, and whose neck was loaded with glass beads, beat time with the end of a blue velvet slipper, which she gazed on with great complacency. The wild attitude, strange accoutrement, and extraordinary colour of this group, would have made a subject for the pencil of Collot, or of Salvator Rosa.
Monte Sagrado, which contains the grottoes of the martyrs who were so miraculously discovered, offers nothing very interesting. It is a convent with a rather ordinary-looking church, beneath which the crypts are dug. These crypts have nothing about them capable of producing any deep impression. They are composed of a complication of small, straight, whitewashed corridors, from seven to eight feet high. In recesses made for the purpose, altars, dressed with more devotion than taste, have been raised. It is there that the shrines and bones of the holy personages are locked up behind the wire-work. I expected to see a subterraneous church, dark and mysterious, nay, even dreadful-looking, with low pillars, and a surbased roof, lighted by the uncertain reflection of a distant lamp, – something, in fact, similar to the ancient catacombs, and great was my surprise at the clean and tidy appearance of this whitewashed crypt, lighted by ventholes like those of a cellar. We somewhat superficial Catholics require something picturesque, in order to get imbued with religious feeling. The devout man thinks little about the effect of light and shade, or about the more or less learned proportions of architecture; he knows, however, that, beneath that altar of so mediocre a form, lie hidden the bones of the saint who died for the sake of the faith which he professes, and that suffices for him.
The Carthusian Convent, at present bereft of monks, like all other convents in Spain, is an admirable edifice, and we cannot regret too much that it has ever ceased to be used for its original purpose. We have never been able to understand what harm could be done by cenobites voluntarily cloistered in a prison, and passing their lives in austerity and prayer, especially in a country like Spain, where there is certainly no lack of ground.
You ascend by a double flight of steps to the doorway of the church: it is surmounted by a white marble statue of St. Bruno, of a rather handsome effect. The decorations of the church are singular, and consist of plaster arabesques, truly wonderful by the variety and richness of their subjects. It appears as if the architect had been desirous of vying, in quite a different style, with the lightness and complication of the lace-work of the Alhambra. There is not a place as large as your hand, in this immense structure, which is not filled with flowers, damask-work, leaves, and guilloches: it would be enough to turn the head of any one who wanted to take an exact sketch of it. The choir is lined with porphyry and costly marble. A few mediocre pictures are hung up here and there along the walls, and make you regret the space they hide. The cemetery is near the church: according to the custom of the Carthusian friars, no tomb, no cross, indicates the place where the departed brothers sleep; but the cells surround the cemetery, and each one is provided with a little garden. In a piece of ground planted with trees, which, no doubt, formerly served as a promenade for the friars, my attention was called to a kind of fish-pond, with a sloping stone edge, in which were awkwardly crawling three or four dozen tortoises, that basked in the sun and appeared quite happy at being henceforth in no danger of the cook's art. The laws of the Carthusian brethren forbade their ever eating meat, and the tortoise is looked on as a fish by casuists. These tortoises were destined to supply the friars' table. The revolution, however, saved them.
While we are about visiting the convents, we will enter, if you please, the Monastery of San Juan de Dios. The cloister is one of the most curious imaginable, and is constructed with frightfully bad taste; the walls, painted in fresco, represent various fine actions of the life of San Juan de Dios, framed with such grotesque and fantastic ornaments as throw into the shade the most extravagant and deformed productions of Japan and China. You behold sirens playing the violin, she-monkeys at their toilet, chimerical fish in still more chimerical waves, flowers which look like birds, birds which look like flowers, lozenges of looking-glass, squares of earthenware, love-knots – in a word, an endless pell-mell of all that is inextricable. The church, which is luckily of another epoch, is gilt nearly all over. The altar-screen, which is supported by pillars of the Solomonic order, produces a rich and majestic effect. The sacristan, who served as our guide, on seeing that we were French, questioned us about our country, and asked if it were true, as was said at Granada, that Nicholas, the Emperor of Russia, had invaded France and taken possession of Paris: such was the latest news. These gross absurdities were spread among the people by the partisans of Don Carlos, in order to obtain credence for an absolutist reaction on the part of the European powers, and to rally, by the hope of speedy assistance, the drooping courage of the disorganized bands.
I saw in this church a sight that made a deep impression on me; it was an old woman crawling on her knees from the door to the altar: her arms were stretched out as stiff as stakes, in the form of a cross, her head was thrown back, her upturned eyes allowed the whites only of them to be seen, her lips were firmly closed, and her face was shiny and of the colour of lead: this was ecstasy turned to catalepsy. Never did Zurbaban execute anything more ascetic or possessing more feverish ardour. She was accomplishing a penance ordered by her confessor, and had still four more days of it to undergo.
The Convent of San Geronimo, now transformed into barracks, contains a Gothic cloister with two arteries of arcades of rare character and beauty. The capitals of the columns are ornamented with foliage and fantastic animals of the most capricious nature and charming workmanship. The church, at present profaned and deserted, exhibits the peculiarity of having all its ornaments and architectural reliefs painted in imitation on grey grounds, like the roof of the Bourse, instead of being executed in reality: here lies interred Gonzalvo of Cordova, surnamed the great captain. His sword used to be preserved there, but it was lately taken away and sold for a few duras, the value of the silver which ornamented the handle. It is thus that many objects, valuable as works of art or from associations, have disappeared without any other profit to the thieves than the pleasure of doing wrong. It appears to us that our revolution might be imitated in something else but its stupid Vandalism. It is this sentiment we all experience on visiting a tenantless convent, on beholding so many ruins and such devastation, the utter loss of so many chefs d'œuvre of every kind, and the long work of centuries destroyed and swept away in an instant. No one has the power to prejudge the future: I, however, doubt if it will restore what the past had bequeathed us, and which we destroy as if we possessed wherewithal to replace it. In addition to this something might be put on one side, for the globe is not so covered with monuments that it is necessary for us to raise new buildings on the ruins of the old ones. With such reflections was my mind filled, as I wandered, in the Antequerula, through the old convent of San Domingo. The chapel was decorated with a profusion of all sorts of gewgaws, baubles, and gilding. It was one mass of wreathed columns, volutes, scroll-work, encrusted work of various coloured breccia, glass mosaics, checker-work of mother-of-pearl, and burgau, bevilled mirrors, suns surrounded by rays, transparencies, and all the most preposterous, misshapen, ugly, and strange embellishments that the depraved taste of the eighteenth century and the horror of straight lines could invent. The library, which has been preserved, is almost exclusively composed of folios and quartos bound in white vellum, with the titles written on them in black or red ink. They consist, for the most part, of theological treatises, casuistical dissertations, and other scholastic productions, possessing but little attraction for the mere literary man. A collection of pictures has been formed at the convent of San Domingo, composed of works from the various monasteries that were either abolished or suffered to go to ruin, but, with the exception of some few fine heads of ascetics, and a few representations of martyrs which seem to have been painted by the hangman himself, from the proficiency in the art of torturing which they exhibit, there is nothing remarkably good, which proves that the persons who were guilty of these acts of pillage are excellent judges of paintings, for they never fail to keep the best things for themselves. The courtyards and cloisters are admirable, and are adorned with fountains, orange-trees, and flowers.
How excellently are such places adapted for reverie, meditation, and study, and what a pity is it that convents were ever inhabited by monks, and not by poets! The gardens, left to themselves, have assumed a wild, savage aspect; luxuriant vegetation has invaded the walks, and Nature has regained possession of her own, planting a tuft of flowers or grass in the place of every stone that has fallen out. The most remarkable feature in these gardens is an alley of enormous laurels, forming a covered walk which is paved with white marble, and furnished, on each side, with a long seat of the same material, with a slanting back. At certain distances from each other, a number of small fountains maintain a refreshing coolness beneath this thick vault of verdure, at the end of which you have a splendid view of a portion of the Sierra Nevada, through a charming Moorish mirador, which forms part of an old Arabic palace, enclosed in the convent. This pavilion is said to have communicated, by means of long subterranean galleries, with the Alhambra, which is situated at some considerable distance. However, this is an idea deeply rooted in the minds of the inhabitants of Granada, where the least Moorish ruin is always presented with five or six leagues of subterranean passages as well as a treasure, guarded by some spell or other.
We often went to San Domingo to sit beneath the shade of the laurels and bathe in a pool, near which, if the satirical songs are to be believed, the monks used to lead no very reputable sort of life. It is a remarkable fact, that the most Catholic countries are always those in which the priests and monks are treated most cavalierly; the Spanish songs and stories about the clergy rival, in licence, the facetiæ of Rabelais and Beroalde de Verville, and to judge by the manner in which all the ceremonies of the church are parodied in the old pieces, one would hardly think that the Inquisition had ever existed.
Talking of baths, I will here relate a little incident which proves that the thermal art, carried to so high a degree of perfection by the Arabs, has lost much of its former splendour in Granada. Our guide took us to some baths that appeared very well managed, the rooms being situated round a patio shaded by a covering of vine-leaves, while a large reservoir of very limpid water occupied the greater part of the patio. So far all was well; but of what do you think the baths themselves were made? Of copper, zinc, stone, or wood? Not a bit of it, you are wrong; I will tell you at once, for you will never guess. They were enormous clay jars, like those made to hold oil. These novel baths were about two-thirds buried in the ground. Before potting ourselves in them we had the inside covered with a clean cloth, a piece of precaution which struck the attendant as something so extremely strange, and which astonished him so profoundly, that we were obliged to repeat the order several times before he would obey it. He explained this whim of ours to his own satisfaction by shrugging his shoulders and shaking his head in a commiserative manner as he pronounced in a low voice the one word: Ingleses! There we sat, squatted down in our oil jars, with our heads stuck out at the top, something like pheasants en terrine, cutting rather grotesque figures. It was on this occasion that I understood for the first time the story of Ali Baba and the Forty Thieves, which had always struck me as being rather difficult to believe, and had made me for an instant doubt the veracity of the "Thousand-and-One Nights."
There are, also, in the Albaycin, some old Moorish baths, and a pond covered over with a vaulted roof, pierced by a number of little holes in the shape of stars, but they are not in working order, and you can get nothing but cold water.
This is about all that is to be seen at Granada, during a stay of some weeks. Public amusements are scarce. The theatre is closed during the summer; the bull-fights do not take place at any fixed periods; there are no clubs or establishments of this description, and the Lyceum is the only place where it is possible to see the French and other foreign papers. On certain days, there is a meeting of the members, when they read papers on various subjects as well as poetry, besides singing and playing pieces, generally written by some young author of the company.
Every one employs his time, most conscientiously, in doing nothing. Gallantry, cigarettes, the manufacture of quatrains and octaves, and especially card-playing, are found sufficient to fill up a man's existence very agreeably. In Granada you see nothing of that furious restlessness, that necessity for action and change of place which torments the people of the north. The Spanish struck me as being very philosophical. They attach hardly any importance to material life, and are totally indifferent about comfort. The thousand factitious wants created by the civilization of northern countries, appear to them puerile and troublesome refinements. Not having to protect themselves continually against the climate, the advantages of the English home have no attractions in their eyes. What do people, who would cheerfully pay for a breeze or a draught of air, if they could obtain such a thing, care whether or not the windows close properly? Favoured by a beautiful sky, they have reduced human existence to its simplest expression: this sobriety and moderation in everything enables them to enjoy a large amount of liberty, a state of extreme independence; they have time enough to live, which we cannot say that we have. Spaniards cannot understand how a man can labour first in order to rest afterwards. They very much prefer pursuing an opposite course, and I think that by so doing, they show their superior sense. A workman who has gained a few reals leaves his work, throws his fine embroidered jacket over his shoulders, takes his guitar and goes and dances or makes love to the majas of his acquaintance, until he has not a single cuarto left; he then returns to his employment. An Andalusian can live splendidly for three or four sous a day; for this sum he can have the whitest bread, an enormous slice of water-melon, and a small glass of aniseed, while his lodging costs him nothing more than the trouble of spreading his cloak upon the ground under some portico or the arch of some bridge. As a general rule, Spaniards consider work as something humiliating and unworthy of a freeman, which, in my opinion, is a very natural and very reasonable idea, since Heaven wishing to punish man for his disobedience, found no greater infliction than the obliging him to gain his daily bread by the sweat of his brow. Pleasures procured, as ours are, by dint of labour, fatigue, and mental anxiety and perseverance strike Spaniards as being bought much too dearly. Like all people who lead a simple life approaching a state of nature, they possess a correctness of judgment which makes them despise the artificial enjoyments of society. Any one coming from Paris or London, those two whirlpools of devouring activity, of feverish and unnaturally excited energy, is greatly surprised by the mode of life of the people of Granada, – a mode of life that is all leisure, filled up with conversation, siestas, promenades, music, and dancing. The stranger is astonished at the happy calmness, the tranquil dignity of the faces he sees around him. No one has that busy look which is noticeable in the persons hurrying through the streets of Paris. Every one strolls leisurely along, choosing the shady side of the street, stopping to chat with his friends, and betraying no desire to arrive at his destination in the shortest possible time. The certitude of not being able to make money extinguishes all ambition: there is no chance of a young man making a brilliant career. The most adventurous among them go to Manilla or Havannah, or enter the army, but on account of the piteous state of the public finances, they sometimes wait for years without hearing anything about pay. Convinced of the inutility of exertion, Spaniards do not endeavour to make fortunes, for they know that such things are quite out of the question; and they therefore pass their time in a delightful state of idleness, favoured by the beauty of the country and the heat of the climate.
I saw nothing of Spanish pride; nothing is so deceptive as the reputation bestowed on individuals and nations. On the contrary, I found them exceedingly simple-minded and good-natured; Spain is the true country of equality, if not in words at least in deeds. The poorest beggar lights his papelito at the puro of a powerful nobleman, who allows him to do so, without the slightest affectation of condescension; a marchioness will step, with a smile, over the bodies of the ragged vagabonds who are slumbering across her threshold, and, when travelling, will not make a face if compelled to drink out of the same glass as the mayoral, the zagul, and the escopetero of the diligence. Foreigners find great difficulty in accustoming themselves to this familiarity, especially the English, who have their letters brought upon salvers, and take them with tongs. An Englishman travelling from Seville to Jeres, told his calesero to go and get his dinner in the kitchen. The calesero, who, in his own mind, thought he was honouring a heretic very highly by sitting down at the same table with him, did not make the slightest remark, and concealed his rage as carefully as the villain in a melodrama; but about three or four leagues from Jeres, in the midst of a frightful desert, full of quagmires and bushes, he threw the Englishman very neatly out of the vehicle, shouting to him as he whipped on his horse: "My lord, you did not think me worthy of sitting at your table, and I, Don Jose Balbino Bustamente y Orozco, do not think you good enough to sit on the seat in my calesin. Good evening!"
The servants, both male and female, are treated with a gentle familiarity very different from our affected civility, which seems, every moment, to remind them of the inferiority of their condition. A short example will prove the truth of this assertion. We had gone to a party given at the country-house of the Señora – ; in the evening, there was a general desire to have a little dancing, but there were a great many more ladies than gentlemen present. To obviate this difficulty, the Señora – sent for the gardener and another servant, who danced the whole evening without the least awkwardness, false bashfulness, or servile forwardness, but just as if they had been on a perfect equality with the rest of the company. They invited, in turn, the fairest and most noble ladies present, and the latter complied with their request in the most graceful manner possible. Our democrats are very far from having attained this practical equality, and our most determined Republicans would revolt at the idea of figuring in a quadrille, opposite a peasant or a footman.
