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Форд Мэдокс Форд
The Good Soldier

And my story was concerning itself with Florence – with Florence, who heard those words from behind the tree. That of course is only conjecture, but I think the conjecture is pretty well justified. You have the fact that those two went out, that she followed them almost immediately afterwards through the darkness and, a little later, she came running back to the hotel with that pallid face and the hand clutching her dress over her heart. It can't have been only Bagshawe. Her face was contorted with agony before ever her eyes fell upon me or upon him beside me. But I dare say Bagshawe may have been the determining influence in her suicide. Leonora says that she had that flask, apparently of nitrate of amyl, but actually of prussic acid, for many years and that she was determined to use it if ever I discovered the nature of her relationship with that fellow Jimmy. You see, the mainspring of her nature must have been vanity. There is no reason why it shouldn't have been; I guess it is vanity that makes most of us keep straight, if we do keep straight, in this world.

If it had been merely a matter of Edward's relations with the girl I dare say Florence would have faced it out. She would no doubt have made him scenes, have threatened him, have appealed to his sense of humour, to his promises. But Mr Bagshawe and the fact that the date was the 4th of August must have been too much for her superstitious mind. You see, she had two things that she wanted. She wanted to be a great lady, installed in Branshaw Teleragh. She wanted also to retain my respect.

She wanted, that is to say, to retain my respect for as long as she lived with me. I suppose, if she had persuaded Edward Ashburnham to bolt with her she would have let the whole thing go with a run. Or perhaps she would have tried to exact from me a new respect for the greatness of her passion on the lines of all for love and the world well lost. That would be just like Florence.

In all matrimonial associations there is, I believe, one constant factor – a desire to deceive the person with whom one lives as to some weak spot in one's character or in one's career. For it is intolerable to live constantly with one human being who perceives one's small meannesses. It is really death to do so – that is why so many marriages turn out unhappily.

I, for instance, am a rather greedy man; I have a taste for good cookery and a watering tooth at the mere sound of the names of certain comestibles. If Florence had discovered this secret of mine I should have found her knowledge of it so unbearable that I never could have supported all the other privations of the régime that she extracted from me. I am bound to say that Florence never discovered this secret.

Certainly she never alluded to it; I dare say she never took sufficient interest in me.

And the secret weakness of Florence – the weakness that she could not bear to have me discover, was just that early escapade with the fellow called Jimmy. Let me, as this is in all probability the last time I shall mention Florence's name, dwell a little upon the change that had taken place in her psychology. She would not, I mean, have minded if I had discovered that she was the mistress of Edward Ashburnham. She would rather have liked it. Indeed, the chief trouble of poor Leonora in those days was to keep Florence from making, before me, theatrical displays, on one line or another, of that very fact. She wanted, in one mood, to come rushing to me, to cast herself on her knees at my feet and to declaim a carefully arranged, frightfully emotional, outpouring as to her passion. That was to show that she was like one of the great erotic women of whom history tells us. In another mood she would desire to come to me disdainfully and to tell me that I was considerably less than a man and that what had happened was what must happen when a real male came along. She wanted to say that in cool, balanced and sarcastic sentences. That was when she wished to appear like the heroine of a French comedy. Because of course she was always play acting.

But what she didn't want me to know was the fact of her first escapade with the fellow called Jimmy. She had arrived at figuring out the sort of low-down Bowery tough that that fellow was. Do you know what it is to shudder, in later life, for some small, stupid action – usually for some small, quite genuine piece of emotionalism – of your early life? Well, it was that sort of shuddering that came over Florence at the thought that she had surrendered to such a low fellow. I don't know that she need have shuddered. It was her footling old uncle's work; he ought never to have taken those two round the world together and shut himself up in his cabin for the greater part of the time. Anyhow, I am convinced that the sight of Mr Bagshawe and the thought that Mr Bagshawe – for she knew that unpleasant and toadlike personality – the thought that Mr Bagshawe would almost certainly reveal to me that he had caught her coming out of Jimmy's bedroom at five o'clock in the morning on the 4th of August, 1900 – that was the determining influence in her suicide. And no doubt the effect of the date was too much for her superstitious personality. She had been born on the 4th of August; she had started to go round the world on the 4th of August; she had become a low fellow's mistress on the 4th of August. On the same day of the year she had married me; on that 4th she had lost Edward's love, and Bagshawe had appeared like a sinister omen – like a grin on the face of Fate. It was the last straw. She ran upstairs, arranged herself decoratively upon her bed – she was a sweetly pretty woman with smooth pink and white cheeks, long hair, the eyelashes falling like a tiny curtain on her cheeks. She drank the little phial of prussic acid and there she lay. – Oh, extremely charming and clear-cut – looking with a puzzled expression at the electric-light bulb that hung from the ceiling, or perhaps through it, to the stars above. Who knows? Anyhow, there was an end of Florence.

You have no idea how quite extraordinarily for me that was the end of Florence. From that day to this I have never given her another thought; I have not bestowed upon her so much as a sigh. Of course, when it has been necessary to talk about her to Leonora, or when for the purpose of these writings I have tried to figure her out, I have thought about her as I might do about a problem in algebra. But it has always been as a matter for study, not for remembrance. She just went completely out of existence, like yesterday's paper.

I was so deadly tired. And I dare say that my week or ten days of affaissement – of what was practically catalepsy – was just the repose that my exhausted nature claimed after twelve years of the repression of my instincts, after twelve years of playing the trained poodle. For that was all that I had been. I suppose that it was the shock that did it – the several shocks. But I am unwilling to attribute my feelings at that time to anything so concrete as a shock. It was a feeling so tranquil. It was as if an immensely heavy – an unbearably heavy knapsack, supported upon my shoulders by straps, had fallen off and left my shoulders themselves that the straps had cut into, numb and without sensation of life. I tell you, I had no regret. What had I to regret? I suppose that my inner soul – my dual personality – had realized long before that Florence was a personality of paper – that she represented a real human being with a heart, with feelings, with sympathies and with emotions only as a bank-note represents a certain quantity of gold. I know that sort of feeling came to the surface in me the moment the man Bagshawe told me that he had seen her coming out of that fellow's bedroom. I thought suddenly that she wasn't real; she was just a mass of talk out of guidebooks, of drawings out of fashion-plates. It is even possible that, if that feeling had not possessed me, I should have run up sooner to her room and might have prevented her drinking the prussic acid. But I just couldn't do it; it would have been like chasing a scrap of paper – an occupation ignoble for a grown man.

And, as it began, so that matter has remained. I didn't care whether she had come out of that bedroom or whether she hadn't. It simply didn't interest me. Florence didn't matter.

I suppose you will retort that I was in love with Nancy Rufford and that my indifference was therefore discreditable. Well, I am not seeking to avoid discredit. I was in love with Nancy Rufford as I am in love with the poor child's memory, quietly and quite tenderly in my American sort of way. I had never thought about it until I heard Leonora state that I might now marry her. But, from that moment until her worse than death, I do not suppose that I much thought about anything else. I don't mean to say that I sighed about her or groaned; I just wanted to marry her as some people want to go to Carcassonne.

Do you understand the feeling – the sort of feeling that you must get certain matters out of the way, smooth out certain fairly negligible complications before you can go to a place that has, during all your life, been a sort of dream city? I didn't attach much importance to my superior years. I was forty-five, and she, poor thing, was only just rising twenty-two. But she was older than her years and quieter. She seemed to have an odd quality of sainthood, as if she must inevitably end in a convent with a white coif framing her face. But she had frequently told me that she had no vocation; it just simply wasn't there – the desire to become a nun. Well, I guess that I was a sort of convent myself; it seemed fairly proper that she should make her vows to me. No, I didn't see any impediment on the score of age. I dare say no man does and I was pretty confident that with a little preparation, I could make a young girl happy. I could spoil her as few young girls have ever been spoiled; and I couldn't regard myself as personally repulsive. No man can, or if he ever comes to do so, that is the end of him. But, as soon as I came out of my catalepsy, I seemed to perceive that my problem – that what I had to do to prepare myself for getting into contact with her, was just to get back into contact with life. I had been kept for twelve years in a rarefied atmosphere; what I then had to do was a little fighting with real life, some wrestling with men of business, some travelling amongst larger cities, something harsh, something masculine. I didn't want to present myself to Nancy Rufford as a sort of an old maid. That was why, just a fortnight after Florence's suicide, I set off for the United States.

II

IMMEDIATELY after Florence's death Leonora began to put the leash upon Nancy Rufford and Edward. She had guessed what had happened under the trees near the Casino. They stayed at Nauheim some weeks after I went, and Leonora has told me that that was the most deadly time of her existence. It seemed like a long, silent duel with invisible weapons, so she said. And it was rendered all the more difficult by the girl's entire innocence. For Nancy was always trying to go off alone with Edward – as she had been doing all her life, whenever she was home for holidays. She just wanted him to say nice things to her again.

You see, the position was extremely complicated. It was as complicated as it well could be, along delicate lines. There was the complication caused by the fact that Edward and Leonora never spoke to each other except when other people were present. Then, as I have said, their demeanours were quite perfect. There was the complication caused by the girl's entire innocence; there was the further complication that both Edward and Leonora really regarded the girl as their daughter. Or it might be more precise to say that they regarded her as being Leonora's daughter. And Nancy was a queer girl; it is very difficult to describe her to you.

She was tall and strikingly thin; she had a tortured mouth, agonized eyes, and a quite extraordinary sense of fun. You, might put it that at times she was exceedingly grotesque and at times extraordinarily beautiful. Why, she had the heaviest head of black hair that I have ever come across; I used to wonder how she could bear the weight of it. She was just over twenty-one and at times she seemed as old as the hills, at times not much more than sixteen. At one moment she would be talking of the lives of the saints and at the next she would be tumbling all over the lawn with the St Bernard puppy. She could ride to hounds like a Maenad and she could sit for hours perfectly still, steeping handkerchief after handkerchief in vinegar when Leonora had one of her headaches. She was, in short, a miracle of patience who could be almost miraculously impatient. It was, no doubt, the convent training that effected that. I remember that one of her letters to me, when she was about sixteen, ran something like:

"On Corpus Christi" – or it may have been some other saint's day, I cannot keep these things in my head – "our school played Roehampton at Hockey. And, seeing that our side was losing, being three goals to one against us at halftime, we retired into the chapel and prayed for victory. We won by five goals to three." And I remember that she seemed to describe afterwards a sort of saturnalia. Apparently, when the victorious fifteen or eleven came into the refectory for supper, the whole school jumped upon the tables and cheered and broke the chairs on the floor and smashed the crockery – for a given time, until the Reverend Mother rang a hand-bell. That is of course the Catholic tradition – saturnalia that can end in a moment, like the crack of a whip. I don't, of course, like the tradition, but I am bound to say that it gave Nancy – or at any rate Nancy had – a sense of rectitude that I have never seen surpassed. It was a thing like a knife that looked out of her eyes and that spoke with her voice, just now and then. It positively frightened me. I suppose that I was almost afraid to be in a world where there could be so fine a standard. I remember when she was about fifteen or sixteen on going back to the convent I once gave her a couple of English sovereigns as a tip. She thanked me in a peculiarly heartfelt way, saying that it would come in extremely handy. I asked her why and she explained. There was a rule at the school that the pupils were not to speak when they walked through the garden from the chapel to the refectory. And, since this rule appeared to be idiotic and arbitrary, she broke it on purpose day after day. In the evening the children were all asked if they had committed any faults during the day, and every evening Nancy confessed that she had broken this particular rule. It cost her sixpence a time, that being the fine attached to the offence. Just for the information I asked her why she always confessed, and she answered in these exact words:

"Oh, well, the girls of the Holy Child have always been noted for their truthfulness. It's a beastly bore, but I've got to do it."

I dare say that the miserable nature of her childhood, coming before the mixture of saturnalia and discipline that was her convent life, added something to her queernesses. Her father was a violent madman of a fellow, a major of one of what I believe are called the Highland regiments. He didn't drink, but he had an ungovernable temper, and the first thing that Nancy could remember was seeing her father strike her mother with his clenched fist so that her mother fell over sideways from the breakfast-table and lay motionless. The mother was no doubt an irritating woman and the privates of that regiment appeared to have been irritating, too, so that the house was a place of outcries and perpetual disturbances. Mrs Rufford was Leonora's dearest friend and Leonora could be cutting enough at times. But I fancy she was as nothing to Mrs Rufford. The Major would come in to lunch harassed and already spitting out oaths after an unsatisfactory morning's drilling of his stubborn men beneath a hot sun. And then Mrs Rufford would make some cutting remark and pandemonium would break loose. Once, when she had been about twelve, Nancy had tried to intervene between the pair of them. Her father had struck her full upon the forehead a blow so terrible that she had lain unconscious for three days. Nevertheless, Nancy seemed to prefer her father to her mother. She remembered rough kindnesses from him. Once or twice when she had been quite small he had dressed her in a clumsy, impatient, but very tender way. It was nearly always impossible to get a servant to stay in the family and, for days at a time, apparently, Mrs Rufford would be incapable. I fancy she drank. At any rate, she had so cutting a tongue that even Nancy was afraid of her – she so made fun of any tenderness, she so sneered at all emotional displays. Nancy must have been a very emotional child.

Then one day, quite suddenly, on her return from a ride at Fort William, Nancy had been sent, with her governess, who had a white face, right down South to that convent school. She had been expecting to go there in two months' time. Her mother disappeared from her life at that time. A fortnight later Leonora came to the convent and told her that her mother was dead. Perhaps she was. At any rate, I never heard until the very end what became of Mrs Rufford. Leonora never spoke of her.

And then Major Rufford went to India, from which he returned very seldom and only for very short visits; and Nancy lived herself gradually into the life at Branshaw Teleragh. I think that, from that time onwards, she led a very happy life, till the end. There were dogs and horses and old servants and the Forest. And there were Edward and Leonora, who loved her.

I had known her all the time – I mean, that she always came to the Ashburnhams' at Nauheim for the last fortnight of their stay – and I watched her gradually growing. She was very cheerful with me. She always even kissed me, night and morning, until she was about eighteen. And she would skip about and fetch me things and laugh at my tales of life in Philadelphia. But, beneath her gaiety, I fancy that there lurked some terrors. I remember one day, when she was just eighteen, during one of her father's rare visits to Europe, we were sitting in the gardens, near the iron-stained fountain. Leonora had one of her headaches and we were waiting for Florence and Edward to come from their baths. You have no idea how beautiful Nancy looked that morning.

We were talking about the desirability of taking tickets in lotteries – of the moral side of it, I mean. She was all in white, and so tall and fragile; and she had only just put her hair up, so that the carriage of her neck had that charming touch of youth and of unfamiliarity. Over her throat there played the reflection from a little pool of water, left by a thunderstorm of the night before, and all the rest of her features were in the diffused and luminous shade of her white parasol. Her dark hair just showed beneath her broad, white hat of pierced, chip straw; her throat was very long and leaned forward, and her eyebrows, arching a little as she laughed at some old-fashionedness in my phraseology, had abandoned their tense line. And there was a little colour in her cheeks and light in her deep blue eyes. And to think that that vivid white thing, that saintly and swanlike being – to think that… Why, she was like the sail of a ship, so white and so definite in her movements. And to think that she will never… Why, she will never do anything again. I can't believe it…

Anyhow, we were chattering away about the morality of lotteries. And then, suddenly, there came from the arcades behind us the overtones of her father's unmistakable voice; it was as if a modified foghorn had boomed with a reed inside it. I looked round to catch sight of him. A tall, fair, stiffly upright man of fifty, he was walking away with an Italian baron who had had much to do with the Belgian Congo. They must have been talking about the proper treatment of natives, for I heard him say:

"Oh, hang humanity!"

When I looked again at Nancy her eyes were closed and her face was more pallid than her dress, which had at least some pinkish reflections from the gravel. It was dreadful to see her with her eyes closed like that.

"Oh!" she exclaimed, and her hand that had appeared to be groping, settled for a moment on my arm. "Never speak of it. Promise never to tell my father of it. It brings back those dreadful dreams…" And, when she opened her eyes she looked straight into mine. "The blessed saints," she said, "you would think they would spare you such things. I don't believe all the sinning in the world could make one deserve them."

They say the poor thing was always allowed a light at night, even in her bedroom… And yet, no young girl could more archly and lovingly have played with an adored father. She was always holding him by both coat lapels; cross-questioning him as to how he spent his time; kissing the top of his head. Ah, she was well-bred, if ever anyone was.

The poor, wretched man cringed before her – but she could not have done more to put him at his ease. Perhaps she had had lessons in it at her convent. It was only that peculiar note of his voice, used when he was overbearing or dogmatic, that could unman her – and that was only visible when it came unexpectedly. That was because the bad dreams that the blessed saints allowed her to have for her sins always seemed to her to herald themselves by the booming sound of her father's voice. It was that sound that had always preceded his entrance for the terrible lunches of her childhood… .

I have reported, earlier in this chapter, that Leonora said, during that remainder of their stay at Nauheim, after I had left, it had seemed to her that she was fighting a long duel with unseen weapons against silent adversaries. Nancy, as I have also said, was always trying to go off with Edward alone. That had been her habit for years. And Leonora found it to be her duty to stop that. It was very difficult. Nancy was used to having her own way, and for years she had been used to going off with Edward, ratting, rabbiting, catching salmon down at Fordingbridge, district-visiting of the sort that Edward indulged in, or calling on the tenants. And at Nauheim she and Edward had always gone up to the Casino alone in the evenings – at any rate, whenever Florence did not call for his attendance. It shows the obviously innocent nature of the regard of those two that even Florence had never had any idea of jealousy. Leonora had cultivated the habit of going to bed at ten o'clock.

I don't know how she managed it, but, for all the time they were at Nauheim, she contrived never to let those two be alone together, except in broad daylight, in very crowded places. If a Protestant had done that it would no doubt have awakened a self-consciousness in the girl. But Catholics, who have always reservations and queer spots of secrecy, can manage these things better. And I dare say that two things made this easier – the death of Florence and the fact that Edward was obviously sickening. He appeared, indeed, to be very ill; his shoulders began to be bowed; there were pockets under his eyes; he had extraordinary moments of inattention.

And Leonora describes herself as watching him as a fierce cat watches an unconscious pigeon in a roadway. In that silent watching, again, I think she was a Catholic – of a people that can think thoughts alien to ours and keep them to themselves. And the thoughts passed through her mind; some of them even got through to Edward with never a word spoken. At first she thought that it might be remorse, or grief, for the death of Florence that was oppressing him. But she watched and watched, and uttered apparently random sentences about Florence before the girl, and she perceived that he had no grief and no remorse. He had not any idea that Florence could have committed suicide without writing at least a tirade to him. The absence of that made him certain that it had been heart disease. For Florence had never undeceived him on that point. She thought it made her seem more romantic.

No, Edward had no remorse. He was able to say to himself that he had treated Florence with gallant attentiveness of the kind that she desired until two hours before her death. Leonora gathered that from the look in his eyes, and from the way he straightened his shoulders over her as she lay in her coffin – from that and a thousand other little things. She would speak suddenly about Florence to the girl and he would not start in the least; he would not even pay attention, but would sit with bloodshot eyes gazing at the tablecloth. He drank a good deal, at that time – a steady soaking of drink every evening till long after they had gone to bed.

For Leonora made the girl go to bed at ten, unreasonable though that seemed to Nancy. She would understand that, whilst they were in a sort of half mourning for Florence, she ought not to be seen at public places, like the Casino; but she could not see why she should not accompany her uncle upon his evening strolls though the park. I don't know what Leonora put up as an excuse – something, I fancy, in the nature of a nightly orison that she made the girl and herself perform for the soul of Florence. And then, one evening, about a fortnight later, when the girl, growing restive at even devotional exercises, clamoured once more to be allowed to go for a walk with Edward, and when Leonora was really at her wits' end, Edward gave himself into her hands. He was just standing up from dinner and had his face averted.

But he turned his heavy head and his bloodshot eyes upon his wife and looked full at her.

"Doctor von Hauptmann," he said, "has ordered me to go to bed immediately after dinner. My heart's much worse."

He continued to look at Leonora for a long minute – with a sort of heavy contempt. And Leonora understood that, with his speech, he was giving her the excuse that she needed for separating him from the girl, and with his eyes he was reproaching her for thinking that he would try to corrupt Nancy.

He went silently up to his room and sat there for a long time – until the girl was well in bed – reading in the Anglican prayer-book. And about half-past ten she heard his footsteps pass her door, going outwards. Two and a half hours later they came back, stumbling heavily.

She remained, reflecting upon this position until the last night of their stay at Nauheim. Then she suddenly acted. For, just in the same way, suddenly after dinner, she looked at him and said:

"Teddy, don't you think you could take a night off from your doctor's orders and go with Nancy to the Casino. The poor child has had her visit so spoiled."

He looked at her in turn for a long, balancing minute.

"Why, yes," he said at last.

Nancy jumped out of her chair and kissed him. Those two words, Leonora said, gave her the greatest relief of any two syllables she had ever heard in her life. For she realized that Edward was breaking up, not under the desire for possession, but from the dogged determination to hold his hand. She could relax some of her vigilance.

Nevertheless, she sat in the darkness behind her half-closed jalousies, looking over the street and the night and the trees until, very late, she could hear Nancy's clear voice coming closer and saying:

"You did look an old guy with that false nose." There had been some sort of celebration of a local holiday up in the Kursaal. And Edward replied with his sort of sulky good nature:

"As for you, you looked like old Mother Sideacher."

The girl came swinging along, a silhouette beneath a gas-lamp; Edward, another, slouched at her side. They were talking just as they had talked any time since the girl had been seventeen; with the same tones, the same joke about an old beggar woman who always amused them at Branshaw. The girl, a little later, opened Leonora's door whilst she was still kissing Edward on the forehead as she had done every night.

"We've had a most glorious time," she said. "He's ever so much better. He raced me for twenty yards home. Why are you all in the dark?"

Leonora could hear Edward going about in his room, but, owing to the girl's chatter, she could not tell whether he went out again or not. And then, very much later, because she thought that if he were drinking again something must be done to stop it, she opened for the first time, and very softly, the never-opened door between their rooms. She wanted to see if he had gone out again. Edward was kneeling beside his bed with his head hidden in the counterpane. His arms, outstretched, held out before him a little image of the Blessed Virgin – a tawdry, scarlet and Prussian blue affair that the girl had given him on her first return from the convent. His shoulders heaved convulsively three times, and heavy sobs came from him before she could close the door. He was not a Catholic; but that was the way it took him.

Leonora slept for the first time that night with a sleep from which she never once started.