Эмиль Золя
The Three Cities Trilogy: Paris, Complete
“Ah!” she replied with equanimity. “You consider me a bourgeoise, I see. Your opinion is that a simple little dinner and a modest gown would have shown better taste. But ah! my dear fellow, you don’t know the way to get round men!”
Duvillard signified his approval, for he was delighted to be able to show her in all her glory, adorned like an idol. Fonsegue, for his part, talked of diamonds, saying that they were now doubtful investments, as the day when they would become articles of current manufacture was fast approaching, thanks to the electrical furnace and other inventions. Meantime Duthil, with an air of ecstasy and the dainty gestures of a lady’s maid, hovered around the young woman, either smoothing a rebellious bow or arranging some fold of her lace.
“But I say,” resumed Silviane, “your critic seems to be an ill-bred man, for he’s keeping us waiting.”
Indeed, the critic arrived a quarter of an hour late, and while apologising, he expressed his regret that he should be obliged to leave at half-past nine, for he was absolutely compelled to put in an appearance at a little theatre in the Rue Pigalle. He was a big fellow of fifty with broad shoulders and a full, bearded face. His most disagreeable characteristic was the narrow dogmatic pedantry which he had acquired at the Ecole Normale, and had never since been able to shake off. All his herculean efforts to be sceptical and frivolous, and the twenty years he had spent in Paris mingling with every section of society, had failed to rid him of it. Magister he was, and magister he remained, even in his most strenuous flights of imagination and audacity. From the moment of his arrival he tried to show himself enraptured with Silviane. Naturally enough, he already knew her by sight, and had even criticised her on one occasion in five or six contemptuous lines. However, the sight of her there, in full beauty, clad like a queen, and presented by four influential protectors, filled him with emotion; and he was struck with the idea that nothing would be more Parisian and less pedantic than to assert she had some talent and give her his support.
They had seated themselves at table, and the repast proved a magnificent one, the service ever prompt and assiduous, an attendant being allotted to each diner. While the flowers scattered their perfumes through the room, and the plate and crystal glittered on the snowy cloth, an abundance of delicious and unexpected dishes were handed round – a sturgeon from Russia, prohibited game, truffles as big as eggs, and hothouse vegetables and fruit as full of flavour as if they had been naturally matured. It was money flung out of window, simply for the pleasure of wasting more than other people, and eating what they could not procure. The influential critic, though he displayed the ease of a man accustomed to every sort of festivity, really felt astonished at it all, and became servile, promising his support, and pledging himself far more than he really wished to. Moreover, he showed himself very gay, found some witty remarks to repeat, and even some rather ribald jests. But when the champagne appeared after the roast and the grand burgundies, his over-excitement brought him back perforce to his real nature. The conversation had now turned on Corneille’s “Polyeucte” and the part of “Pauline,” in which Silviane wished to make her debut at the Comedie Francaise. This extraordinary caprice, which had quite revolted the influential critic a week previously, now seemed to him simply a bold enterprise in which the young woman might even prove victorious if she consented to listen to his advice. And, once started, he delivered quite a lecture on the past, asserting that no actress had ever yet understood it properly, for at the outset Pauline was simply a well-meaning little creature of the middle classes, and the beauty of her conversion at the finish arose from the working of a miracle, a stroke of heavenly grace which endowed her with something divine. This was not the opinion of Silviane, who from the first lines regarded Pauline as the ideal heroine of some symbolical legend. However, as the critic talked on and on, she had to feign approval; and he was delighted at finding her so beautiful and docile beneath his ferule. At last, as ten o’clock was striking, he rose and tore out of the hot and reeking room in order to do his work.
“Ah! my dears,” cried Silviane, “he’s a nice bore is that critic of yours! What a fool he is with his idea of Pauline being a little bourgeoise! I would have given him a fine dressing if it weren’t for the fact that I have some need of him. Ah! no, it’s too idiotic! Pour me out a glass of champagne. I want something to set me right after all that!”
The fete then took quite an intimate turn between the four men who remained and that bare-armed, bare-breasted girl, covered with diamonds; while from the neighbouring passages and rooms came bursts of laughter and sounds of kissing, all the stir and mirth of the debauchery now filling the house. And beneath the windows torrents of vehicles and pedestrians streamed along the Boulevards where reigned the wild fever of pleasure and harlotry.
“No, don’t open it, or I shall catch cold!” resumed Silviane, addressing Fonsegue as he stepped towards the window. “Are you so very warm, then? I’m just comfortable… But, Duvillard, my good fellow, please order some more champagne. It’s wonderful what a thirst your critic has given me!”
Amidst the blinding glare of the lamps and the perfume of the flowers and wines, one almost stifled in the room. And Silviane was seized with an irresistible desire for a spree, a desire to tipple and amuse herself in some vulgar fashion, as in her bygone days. A few glasses of champagne brought her to full pitch, and she showed the boldest and giddiest gaiety. The others, who had never before seen her so lively, began on their own side to feel amused. As Fonsegue was obliged to go to his office she embraced him “like a daughter,” as she expressed it. However, on remaining alone with the others she indulged in great freedom of speech, which became more and more marked as her intoxication increased. And to the class of men with whom she consorted her great attraction, as she was well aware, lay in the circumstance that with her virginal countenance and her air of ideal purity was coupled the most monstrous perversity ever displayed by any shameless woman. Despite her innocent blue eyes and lily-like candour, she would give rein, particularly when she was drunk, to the most diabolical of fancies.
Duvillard let her drink on, but she guessed his thoughts, like she guessed those of the others, and simply smiled while concocting impossible stories and descanting fantastically in the language of the gutter. And seeing her there in her dazzling gown fit for a queenly virgin, and hearing her pour forth the vilest words, they thought her most wonderfully droll. However, when she had drunk as much champagne as she cared for and was half crazy, a novel idea suddenly occurred to her.
“I say, my children,” she exclaimed, “we are surely not going to stop here. It’s so precious slow! You shall take me to the Chamber of Horrors – eh? just to finish the evening. I want to hear Legras sing ‘La Chemise,’ that song which all Paris is running to hear him sing.”
But Duvillard indignantly rebelled: “Oh! no,” said he; “most certainly not. It’s a vile song and I’ll never take you to such an abominable place.”
But she did not appear to hear him. She had already staggered to her feet and was arranging her hair before a looking-glass. “I used to live at Montmartre,” she said, “and it’ll amuse me to go back there. And, besides, I want to know if this Legras is a Legras that I knew, oh! ever so long ago! Come, up you get, and let us be off!”
“But, my dear girl,” pleaded Duvillard, “we can’t take you into that den dressed as you are! Just fancy your entering that place in a low-necked gown and covered with diamonds! Why everyone would jeer at us! Come, Gerard, just tell her to be a little reasonable.”
Gerard, equally offended by the idea of such a freak, was quite willing to intervene. But she closed his mouth with her gloved hand and repeated with the gay obstinacy of intoxication: “Pooh, it will be all the more amusing if they do jeer at us! Come, let us be off, let us be off, quick!”
Thereupon Duthil, who had been listening with a smile and the air of a man of pleasure whom nothing astonishes or displeases, gallantly took her part. “But, my dear Baron, everybody goes to the Chamber of Horrors,” said he. “Why, I myself have taken the noblest ladies there, and precisely to hear that song of Legras, which is no worse than anything else.”
“Ah! you hear what Duthil says!” cried Silviane. “He’s a deputy, he is, and he wouldn’t go there if he thought it would compromise his honorability!”
Then, as Duvillard still struggled on in despair at the idea of exhibiting himself with her in such a scandalous place, she became all the merrier: “Well, my dear fellow, please yourself. I don’t need you. You and Gerard can go home if you like. But I’m going to Montmartre with Duthil. You’ll take charge of me, won’t you, Duthil, eh?”
Still, the Baron was in no wise disposed to let the evening finish in that fashion. The mere idea of it gave him a shock, and he had to resign himself to the girl’s stubborn caprice. The only consolation he could think of was to secure Gerard’s presence, for the young man, with some lingering sense of decorum, still obstinately refused to make one of the party. So the Baron took his hands and detained him, repeating in urgent tones that he begged him to come as an essential mark of friendship. And at last the wife’s lover and daughter’s suitor had to give way to the man who was the former’s husband and the latter’s father.
Silviane was immensely amused by it all, and, indiscreetly thee-ing and thou-ing Gerard, suggested that he at least owed the Baron some little compliance with his wishes.
Duvillard pretended not to hear her. He was listening to Duthil, who told him that there was a sort of box in a corner of the Chamber of Horrors, in which one could in some measure conceal oneself. And then, as Silviane’s carriage – a large closed landau, whose coachman, a sturdy, handsome fellow, sat waiting impassively on his box – was down below, they started off.
The Chamber of Horrors was installed in premises on the Boulevard de Rochechouart, formerly occupied by a cafe whose proprietor had become bankrupt.11 It was a suffocating place, narrow, irregular, with all sorts of twists, turns, and secluded nooks, and a low and smoky ceiling. And nothing could have been more rudimentary than its decorations. The walls had simply been placarded with posters of violent hues, some of the crudest character, showing the barest of female figures. Behind a piano at one end there was a little platform reached by a curtained doorway. For the rest, one simply found a number of bare wooden forms set alongside the veriest pot-house tables, on which the glasses containing various beverages left round and sticky marks. There was no luxury, no artistic feature, no cleanliness even. Globeless gas burners flared freely, heating a dense mist compounded of tobacco smoke and human breath. Perspiring, apoplectical faces could be perceived through this veil, and an acrid odour increased the intoxication of the assembly, which excited itself with louder and louder shouts at each fresh song. It had been sufficient for an enterprising fellow to set up these boards, bring out Legras, accompanied by two or three girls, make him sing his frantic and abominable songs, and in two or three evenings overwhelming success had come, all Paris being enticed and flocking to the place, which for ten years or so had failed to pay as a mere cafe, where by way of amusement petty cits had been simply allowed their daily games at dominoes.
And the change had been caused by the passion for filth, the irresistible attraction exercised by all that brought opprobrium and disgust. The Paris of enjoyment, the bourgeoisie which held all wealth and power, which would relinquish naught of either, though it was surfeited and gradually wearying of both, simply hastened to the place in order that obscenity and insult might be flung in its face. Hypnotised, as it were, while staggering to its fall, it felt a need of being spat upon. And what a frightful symptom there lay in it all: those condemned ones rushing upon dirt of their own accord, voluntarily hastening their own decomposition by that unquenchable thirst for the vile, which attracted men, reputed to be grave and upright, and lovely women of the most perfect grace and luxury, to all the beastliness of that low den!
At one of the tables nearest the stage sat little Princess Rosemonde de Harn, with wild eyes and quivering nostrils, delighted as she felt at now being able to satisfy her curiosity regarding the depths of Paris life. Young Hyacinthe had resigned himself to the task of bringing her, and, correctly buttoned up in his long frock-coat, he was indulgent enough to refrain from any marked expression of boredom. At a neighbouring table they had found a shadowy Spaniard of their acquaintance, a so-called Bourse jobber, Bergaz, who had been introduced to the Princess by Janzen, and usually attended her entertainments. They virtually knew nothing about him, not even if he really earned at the Bourse all the money which he sometimes spent so lavishly, and which enabled him to dress with affected elegance. His slim, lofty figure was not without a certain air of distinction, but his red lips spoke of strong passions and his bright eyes were those of a beast of prey. That evening he had two young fellows with him, one Rossi, a short, swarthy Italian, who had come to Paris as a painter’s model, and had soon glided into the lazy life of certain disreputable callings, and the other, Sanfaute, a born Parisian blackguard, a pale, beardless, vicious and impudent stripling of La Chapelle, whose long curly hair fell down upon either side of his bony cheeks.
“Oh! pray now!” feverishly said Rosemonde to Bergaz; “as you seem to know all these horrid people, just show me some of the celebrities. Aren’t there some thieves and murderers among them?”
He laughed shrilly, and in a bantering way replied: “But you know these people well enough, madame. That pretty, pink, delicate-looking woman over yonder is an American lady, the wife of a consul, whom, I believe, you receive at your house. That other on the right, that tall brunette who shows such queenly dignity, is a Countess, whose carriage passes yours every day in the Bois. And the thin one yonder, whose eyes glitter like those of a she-wolf, is the particular friend of a high official, who is well known for his reputation of austerity.”
But she stopped him, in vexation: “I know, I know. But the others, those of the lower classes, those whom one comes to see.”
Then she went on asking questions, and seeking for terrifying and mysterious countenances. At last, two men seated in a corner ended by attracting her attention; one of them a very young fellow with a pale, pinched face, and the other an ageless individual who, besides being buttoned up to his neck in an old coat, had pulled his cap so low over his eyes, that one saw little of his face beyond the beard which fringed it. Before these two stood a couple of mugs of beer, which they drank slowly and in silence.
“You are making a great mistake, my dear,” said Hyacinthe with a frank laugh, “if you are looking for brigands in disguise. That poor fellow with the pale face, who surely doesn’t have food to eat every day, was my schoolfellow at Condorcet!”
Bergaz expressed his amazement. “What! you knew Mathis at Condorcet! After all, though, you’re right, he received a college education. Ah! and so you knew him. A very remarkable young man he is, though want is throttling him. But, I say, the other one, his companion, you don’t know him?”
Hyacinthe, after looking at the man with the cap-hidden face, was already shaking his head, when Bergaz suddenly gave him a nudge as a signal to keep quiet, and by way of explanation he muttered: “Hush! Here’s Raphanel. I’ve been distrusting him for some time past. Whenever he appears anywhere, the police is not far off.”
Raphanel was another of the vague, mysterious Anarchists whom Janzen had presented to the Princess by way of satisfying her momentary passion for revolutionism. This one, though he was a fat, gay, little man, with a doll-like face and childish nose, which almost disappeared between his puffy cheeks, had the reputation of being a thorough desperado; and at public meetings he certainly shouted for fire and murder with all his lungs. Still, although he had already been compromised in various affairs, he had invariably managed to save his own bacon, whilst his companions were kept under lock and key; and this they were now beginning to think somewhat singular.
He at once shook hands with the Princess in a jovial way, took a seat near her without being invited, and forthwith denounced the dirty bourgeoisie which came to wallow in places of ill fame. Rosemonde was delighted, and encouraged him, but others near by began to get angry, and Bergaz examined him with his piercing eyes, like a man of energy who acts, and lets others talk. Now and then, too, he exchanged quick glances of intelligence with his silent lieutenants, Sanfaute and Rossi, who plainly belonged to him, both body and soul. They were the ones who found their profit in Anarchy, practising it to its logical conclusions, whether in crime or in vice.
Meantime, pending the arrival of Legras with his “Flowers of the Pavement,” two female vocalists had followed one another on the stage, the first fat and the second thin, one chirruping some silly love songs with an under-current of dirt, and the other shouting the coarsest of refrains, in a most violent, fighting voice. She had just finished amidst a storm of bravos, when the assembly, stirred to merriment and eager for a laugh, suddenly exploded once more. Silviane was entering the little box at one end of the hall. When she appeared erect in the full light, with bare arms and shoulders, looking like a planet in her gown of yellow satin and her blazing diamonds, there arose a formidable uproar, shouts, jeers, hisses, laughing and growling, mingled with ferocious applause. And the scandal increased, and the vilest expressions flew about as soon as Duvillard, Gerard and Duthil also showed themselves, looking very serious and dignified with their white ties and spreading shirt fronts.
“We told you so!” muttered Duvillard, who was much annoyed with the affair, while Gerard tried to conceal himself in a dim corner.
She, however, smiling and enchanted, faced the public, accepting the storm with the candid bearing of a foolish virgin, much as one inhales the vivifying air of the open when it bears down upon one in a squall. And, indeed, she herself had sprung from the sphere before her, its atmosphere was her native air.
“Well, what of it?” she said replying to the Baron who wanted her to sit down. “They are merry. It’s very nice. Oh! I’m really amusing myself!”
“Why, yes, it’s very nice,” declared Duthil, who in like fashion set himself at his ease. “Silviane is right, people naturally like a laugh now and then!”
Amidst the uproar, which did not cease, little Princess Rosemonde rose enthusiastically to get a better view. “Why, it’s your father who’s with that woman Silviane,” she said to Hyacinthe. “Just look at them! Well, he certainly has plenty of bounce to show himself here with her!”
Hyacinthe, however, refused to look. It didn’t interest him, his father was an idiot, only a child would lose his head over a girl in that fashion. And with his contempt for woman the young man became positively insulting.
“You try my nerves, my dear fellow,” said Rosemonde as she sat down. “You are the child with your silly ideas about us. And as for your father, he does quite right to love that girl. I find her very pretty indeed, quite adorable!”
Then all at once the uproar ceased, those who had risen resumed their seats, and the only sound was that of the feverish throb which coursed through the assembly. Legras had just appeared on the platform. He was a pale sturdy fellow with a round and carefully shaven face, stern eyes, and the powerful jaws of a man who compels the adoration of women by terrorising them. He was not deficient in talent, he sang true, and his ringing voice was one of extraordinary penetration and pathetic power. And his repertoire, his “Flowers of the Pavement,” completed the explanation of his success; for all the foulness and suffering of the lower spheres, the whole abominable sore of the social hell created by the rich, shrieked aloud in these songs in words of filth and fire and blood.
A prelude was played on the piano, and Legras standing there in his velvet jacket sang “La Chemise,” the horrible song which brought all Paris to hear him. All the lust and vice that crowd the streets of the great city appeared with their filth and their poison; and amid the picture of Woman stripped, degraded, ill-treated, dragged through the mire and cast into a cesspool, there rang out the crime of the bourgeoisie. But the scorching insult of it all was less in the words themselves than in the manner in which Legras cast them in the faces of the rich, the happy, the beautiful ladies who came to listen to him. Under the low ceiling, amidst the smoke from the pipes, in the blinding glare of the gas, he sent his lines flying through the assembly like expectorations, projected by a whirlwind of furious contempt. And when he had finished there came delirium; the beautiful ladies did not even think of wiping away the many affronts they had received, but applauded frantically. The whole assembly stamped and shouted, and wallowed, distracted, in its ignominy.
“Bravo! bravo!” the little Princess repeated in her shrill voice. “It’s astonishing, astonishing, prodigious!”
And Silviane, whose intoxication seemed to have increased since she had been there, in the depths of that fiery furnace, made herself particularly conspicuous by the manner in which she clapped her hands and shouted: “It’s he, it’s my Legras! I really must kiss him, he’s pleased me so much!”
Duvillard, now fairly exasperated, wished to take her off by force. But she clung to the hand-rest of the box, and shouted yet more loudly, though without any show of temper. It became necessary to parley with her. Yes, she was willing to go off and let them drive her home; but, first of all, she must embrace Legras, who was an old friend of hers. “Go and wait for me in the carriage!” she said, “I will be with you in a moment.”
Just as the assembly was at last becoming calmer, Rosemonde perceived that the box was emptying; and her own curiosity being satisfied, she thought of prevailing on Hyacinthe to see her home. He, who had listened to Legras in a languid way without even applauding, was now talking of Norway with Bergaz, who pretended that he had travelled in the North. Oh! the fiords! oh! the ice-bound lakes! oh! the pure lily-white, chaste coldness of the eternal winter! It was only amid such surroundings, said Hyacinthe, that he could understand woman and love, like a kiss of the very snow itself.
“Shall we go off there to-morrow?” exclaimed the Princess with her vivacious effrontery. “I’ll shut up my house and slip the key under the door.”
Then she added that she was jesting, of course. But Bergaz knew her to be quite capable of such a freak; and at the idea that she might shut up her little mansion and perhaps leave it unprotected he exchanged a quick glance with Sanfaute and Rossi, who still smiled in silence. Ah! what an opportunity for a fine stroke! What an opportunity to get back some of the wealth of the community appropriated by the blackguard bourgeoisie!
Meantime Raphanel, after applauding Legras, was looking all round the place with his little grey, sharp eyes. And at last young Mathis and his companion, the ill-clad individual, of whose face only a scrap of beard could be seen, attracted his attention. They had neither laughed nor applauded; they seemed to be simply a couple of tired fellows who were resting, and in whose opinion one is best hidden in the midst of a crowd.
All at once, though, Raphanel turned towards Bergaz: “That’s surely little Mathis over yonder. But who’s that with him?”
Bergaz made an evasive gesture; he did not know. Still, he no longer took his eyes from Raphanel. And he saw the other feign indifference at what followed, and finish his beer and take his leave, with the jesting remark that he had an appointment with a lady at a neighbouring omnibus office. No sooner had he gone than Bergaz rose, sprang over some of the forms and jostled people in order to reach little Mathis, into whose ear he whispered a few words. And the young man at once left his table, taking his companion and pushing him outside through an occasional exit. It was all so rapidly accomplished that none of the general public paid attention to the flight.
“What is it?” said the Princess to Bergaz, when he had quietly resumed his seat between Rossi and Sanfaute.
“Oh! nothing, I merely wished to shake hands with Mathis as he was going off.”
Thereupon Rosemonde announced that she meant to do the same. Nevertheless, she lingered a moment longer and again spoke of Norway on perceiving that nothing could impassion Hyacinthe except the idea of the eternal snow, the intense, purifying cold of the polar regions. In his poem on the “End of Woman,” a composition of some thirty lines, which he hoped he should never finish, he thought of introducing a forest of frozen pines by way of final scene. Now the Princess had risen and was gaily reverting to her jest, declaring that she meant to take him home to drink a cup of tea and arrange their trip to the Pole, when an involuntary exclamation fell from Bergaz, who, while listening, had kept his eyes on the doorway.
“Mondesir! I was sure of it!”
There had appeared at the entrance a short, sinewy, broad-backed little man, about whose round face, bumpy forehead, and snub nose there was considerable military roughness. One might have thought him a non-commissioned officer in civilian attire. He gazed over the whole room, and seemed at once dismayed and disappointed.
Bergaz, however, wishing to account for his exclamation, resumed in an easy way: “Ah! I said there was a smell of the police about the place! You see that fellow – he’s a detective, a very clever one, named Mondesir, who had some trouble when he was in the army. Just look at him, sniffing like a dog that has lost scent! Well, well, my brave fellow, if you’ve been told of any game you may look and look for it, the bird’s flown already!”
Once outside, when Rosemonde had prevailed on Hyacinthe to see her home, they hastened to get into the brougham, which was waiting for them, for near at hand they perceived Silviane’s landau, with the majestic coachman motionless on his box, while Duvillard, Gerard, and Duthil still stood waiting on the curbstone. They had been there for nearly twenty minutes already, in the semi-darkness of that outer boulevard, where all the vices of the poor districts of Paris were on the prowl. They had been jostled by drunkards; and shadowy women brushed against them as they went by whispering beneath the oaths and blows of bullies. And there were couples seeking the darkness under the trees, and lingering on the benches there; while all around were low taverns and dirty lodging-houses and places of ill-fame. All the human degradation which till break of day swarms in the black mud of this part of Paris, enveloped the three men, giving them the horrors, and yet neither the Baron nor Gerard nor Duthil was willing to go off. Each hoped that he would tire out the others, and take Silviane home when she should at last appear.
But after a time the Baron grew impatient, and said to the coachman: “Jules, go and see why madame doesn’t come.”
“But the horses, Monsieur le Baron?”
“Oh! they will be all right, we are here.”
A fine drizzle had begun to fall; and the wait went on again as if it would never finish. But an unexpected meeting gave them momentary occupation. A shadowy form, something which seemed to be a thin, black-skirted woman, brushed against them. And all of a sudden they were surprised to find it was a priest.
“What, is it you, Monsieur l’Abbe Froment?” exclaimed Gerard. “At this time of night? And in this part of Paris?”
Thereupon Pierre, without venturing either to express his own astonishment at finding them there themselves, or to ask them what they were doing, explained that he had been belated through accompanying Abbe Rose on a visit to a night refuge. Ah! to think of all the frightful want which at last drifted to those pestilential dormitories where the stench had almost made him faint! To think of all the weariness and despair which there sank into the slumber of utter prostration, like that of beasts falling to the ground to sleep off the abominations of life! No name could be given to the promiscuity; poverty and suffering were there in heaps, children and men, young and old, beggars in sordid rags, beside the shameful poor in threadbare frock-coats, all the waifs and strays of the daily shipwrecks of Paris life, all the laziness and vice, and ill-luck and injustice which the torrent rolls on, and throws off like scum. Some slept on, quite annihilated, with the faces of corpses. Others, lying on their backs with mouths agape, snored loudly as if still venting the plaint of their sorry life. And others tossed restlessly, still struggling in their slumber against fatigue and cold and hunger, which pursued them like nightmares of monstrous shape. And from all those human beings, stretched there like wounded after a battle, from all that ambulance of life reeking with a stench of rottenness and death, there ascended a nausea born of revolt, the vengeance-prompting thought of all the happy chambers where, at that same hour, the wealthy loved or rested in fine linen and costly lace.12
