Drake Samuel Adams
The Heart of the White Mountains, Their Legend and Scenery
The vista of mountains on the east side of the valley becomes every moment more and more extended, and more and more interesting. A long array of summits trending away to the north, with detached mountains heaved above the lower clusters, like great whales sporting in a frozen sea, is gradually uncovered. Green as a carpet, level as a floor, the valley, adorned with clumps of elms, groves of maples, and strips of tilled land of a rich chocolate brown, makes altogether a picture which sets the eye fairly dancing. Even the daisies, the clover, and the buttercups which so plentifully spangle the meadows seem far brighter and sweeter in this atmosphere, nodding a playful welcome as you pass them by. We are in the country of flowers.
Since passing Blair’s and the bridge over the river to Campton Hollow I was on the alert for that first and most engaging view of the Franconia Mountains which has been so highly extolled. Perhaps I should say that one poetic nature has revealed it to a thousand others. Without doubt this landscape is the more striking because it is the first, and consequently deepest, impression of grand mountain scenery obtained by those upon whom at a turn of the road, and without premonition, it flashes like the realization of some ecstatic vision.
Half a mile below the little hamlet of West Campton the road crosses the point of a hill pushed well out into the valley. It is here that the circlet of mountains is seen enclosing the valley on all sides like a gigantic palisade. In one place, far away in the north, this wall is shattered to its centre, like the famous Breach of Roland; and through this enormous loop-hole we see golden mists rising above the undiscovered country beyond. We are looking through the far-famed Franconia Notch. On one side the clustered peaks of Lafayette lift themselves serenely into the sky. On the left a silvery light is playing on the ledges of Mount Cannon, softening all the asperities of this stern-visaged mountain. The two great groups now stand fully and finely exposed; though the lower and nearer summits are blended with the higher by distance. Remark the difference of outline. A series of humps marks the crest-line of the group, which culminates in the oblique wall of Mount Cannon. On the contrary, that on the right, culminating in Lafayette, presents two beautiful and regular pyramids, older than Cheops, which sometimes in early morning exactly resemble two stately monuments, springing alert and vigorous as the day which gilds them. At a distance of twenty miles it demands good eyes and a clear atmosphere to detect the supporting lines of these pyramidal structures, which in reality are two separate mountains, Liberty and Flume. This exquisite landscape seldom fails of producing a rapturous outburst from those who are making the journey for the first time.
There are many points of resemblance between this view and that of the White Mountains from Conway Corner. Both unfold at once, and in a single glance, the principal systems about which all the subordinate chains seem manœuvring under the commanding gaze of Washington or Lafayette.
Soon after starting it was evident that my driver’s loquaciousness was due to his having “crooked his elbow” too often while loitering about Plymouth. The frequent plunge of the wheels into the ditches by the roadside, accompanied with a shower of mud, was little conducive to the calm and free enjoyment of the beauties of the landscape. The driver alone was unconcerned, and as often as good fortune enabled him to steer clear of upsetting his passengers would articulate, thickly, “Don’t be alarmed, Cap’: no one was ever hurt on this road.”
Silently committing myself to that Providence which is said to watch over the destinies of tipplers, I breathed freely only when we drew up at the hospitable door of the village inn, bespattered with mud, but with no broken bones.
Sanborn’s, at West Campton, is the old road-side inn that long ago swung the stag-and-hounds as its distinctive emblem. A row of superb maples shades the road. Here we have fairly entered the renowned intervales, that gleam among the darker forests or groves like patches of blue in a storm-clouded sky. Looking southward, across the level meadows, the hills of Rumney flinging up smooth, firm curves, and the more distant, downward-plunging outline of Mount Prospect, in Holderness, close the valley. Upon the left, where the clearings extend quite to the summits of the near hills, the maple groves interspersed among them resemble soldiers advancing up the green slopes in columns of attack. Following this line a little, the valley of Mad River is distinguished by the deep trough through which it descends from the mountains of Waterville. And here, peering over the nearer elevations, the huge blue-black mass of Black Mountain flings two splendid peaks aloft.
For a more intimate acquaintance with these surroundings the hillside pasture above the school-house gives a perspective of greater breadth; while that from the Ellsworth road is in some respects finer still. About two miles up this road the valley of the East Branch, showing the massive Mount Hancock, cicatriced with one long, narrow scar, is lifted into view. The other features of the landscape remain the same, except that Mount Cannon is now cut off by the hill rising to the north of us. As often as one of these hidden valleys is thus revealed we are seized with a longing to explore it.
One need not push inquiry into the antecedents of Campton or the neighboring villages very far. The township was originally granted to General Jabez Spencer, of East Haddam, Connecticut, in 1761. In 1768 a few families had come into Campton, Plymouth, Hebron, Sandwich, Rumney, Holderness, and Bridgewater. No opening had been made for civilized men on this side of Canada except for three families, who had gone fifty miles into the wilderness to begin a settlement where Lancaster now is. The name is derived simply from the circumstance that the first proprietors built a camp when they visited their grant. The different villages are much frequented by artists, who have spread the fame of Campton from one end of the Union to the other. But a serpent has entered even this Eden – the villagers are sighing for the advent of the railway.
Having dedicated one day to an exploration of the Mad River Valley, I can pronounce it well worth any tourist’s while to tarry long enough in the vicinity for the purpose. It is certainly one of the finest exhibitions of mountain scenery far or near. Here is a valley twelve miles long, at the bottom of which a rapid river bruises itself on a bed of broken rock, while above it are heaped mountains to be picked out of a thousand for peculiarity of form or structure. The Pemigewasset is passed by a ford just deep enough at times to invest the journey with a little healthy excitement at the very beginning. The ford has, however, been carefully marked by large stones placed at the edge of the submerged road.
Fording the river and climbing the hill which lies across the entrance to this land-locked valley, I was at once ushered upon a scene of great and varied charm. Right before me, sunning his three peaks four thousand feet above, was the prodigious mass of Black Mountain. Far up the valley it stretched, forming an unbroken wall nearly ten miles long, and apparently sealing all access from the Sandwich side. A nipple, a pyramid, and a flattened mound protruding from the summit ridge constitute these eminences, easily recognized from the Franconia highway among a host of lesser peaks. At the southern end of this mountain the range is broken through, giving passage to a rough and straggling road – fourteen hundred feet above the sea-level – to Sandwich Centre, and to the lake towns south of it. This pass is known as Sandwich Notch.
Campton Village lies along the hill-slope opposite to Black Mountain. Completely does it fill the artistic sense. Its situation leaves nothing to be desired in an ideal mountain village. So completely is it secluded from the rest of the world by its environment of mountains, that you might pass and repass the Pemigewasset Valley a hundred times without once surprising the secret of its existence. All those houses, half hid beneath groves of maples, bespeak luxurious repose. Opposite to Black Mountain, whose dark forest drapery hides the mass of the mountain, is the immense whitish-yellow rock called Welch Mountain. Only a scanty vegetation is suffered to creep among the crevices. It is really nothing but a big excrescent rock, having a principal summit shaped somewhat like a Martello tower; and, indeed, resembling one in ruins. The bright ledges brilliantly reflect the sun, causing the eye to turn gratefully to the sombre gloom of the evergreens crowding the sides of the neighboring mountains. Welch Mountain reminded me, I hardly know why, of Chocorua; but the resemblance can scarcely extend farther than to the meagreness, mutually characteristic, and to the blistered, almost calcined ledges, which in each case catch the earliest and latest beams of day. In fact, I could think only of a leper sunning his scars, and in rags.
At the head of the vale, alternately coming into and retreating from view – for we are still progressing – is the mysterious triple-crowned mountain known on the maps as Tripyramid. When first seen it seems standing solitary and alone, and to have wrapped itself in a veil of thinnest gauze. As we advance it displays the white streak of an immense slide, which occurred in 1869. This mountain is visible from the shore of the lake at Laconia. It is one of the first to greet us from the elevated summits, though from no point is its singularly admirable and well-proportioned architecture so advantageously exhibited as when approaching by this valley. Its northern peak stands farthest from the others, yet not so far as to mar the general grace and harmony of form. Hail to thee, mountain of the high, heroic crest, for thy fortunate name and the gracious, kingly mien with which thou wearest thy triple crown! Prince thou art and potentate. None approach thy forest courts but do thee homage.
The end of the valley was reached in two hours of very leisurely driving. The road abruptly terminated among a handful of houses scattered about the bottom of a deep and narrow vale. This is, beyond question, the most remarkable mountain glen into which civilization has thus far penetrated. On looking up at the big mountains one experiences a half-stifled feeling; and, on looking around the scattered hamlet, its dozen houses seem undergoing perpetual banishment.
This diminutive settlement, in which signs of progress and decay stand side by side – progress evidenced by new and showy cottages; decay by abandoned and dilapidated ones – is at the edge of a region as shaggy and wild as any in the famed Adirondack wilderness. It fairly jostles the wilderness. It braves it. It is really insolent. Yet are its natural resources so slender that the struggle to keep the breath in it must have been long and obstinate. A wheezy saw-mill indicates at once its origin and its means of livelihood; but it is evident that it might have remained obscure and unknown until doomsday, had not a few anglers stumbled upon it while in pursuit of brooks and waters new.
The glen is surrounded by peaks that for boldness, savage freedom, and power challenge any that we can remember. They threaten while maintaining an attitude of lofty scorn for the saucy intruder. The curious Noon Peak – we have at length got to the end of the almost endless Black Mountain – nods familiarly from the south. It long stood for a sun-dial for the settlement; hence its name. Tecumseh, a noble mountain, and Osceola, its worthy companion, rise to the north. A short walk in this direction brings Kancamagus31 and the gap between this mountain and Osceola into view. All these mountains stand in the magnificent order in which they were first placed by Nature; but never does the idea of inertia, of helpless immobility, cross the mind of the beholder for a single moment.
The unvisited region between Greeley’s, in Waterville, and the Saco is destined to be one of the favorite haunts of the sportsman, the angler, and the lover of the grand old woods. It is crossed and recrossed by swift streams, sown with lakes, glades, and glens, and thickly set with mountains, among which the timid deer browses, and the bear and wildcat roam unmolested. Fish and game, untamed and untrodden mountains and woods, welcome the sportsman here. With Greeley’s for a base, encampments may be pitched in the forest, and exploration carried into the most out-of-the-way corners. The full zest of such a life can only be understood by those to whom its freedom and unrestraint, its healthful and vigorous existence, have already proved their charm. The time may come when the mountains shall be covered with a thousand tents, and the summer-dwellers will resemble the tribes of Israel encamped by the sweet waters of Sion.
Waterville maintains unfrequent communication with Livermore and the Saco by a path twelve miles long – constructed by the Appalachian Mountain Club – over which a few pedestrians pass every year. I have explored this path for several miles beyond Beckytown while visiting the great slide which sloughed off from the side of Tripyramid, and the cascades on the way to it. Osceola, Hancock, and Carrigain, three remarkably fine mountains, offer inviting excursions to expert climbers. I was reluctantly compelled to renounce the intention of passing over the whole route, which should occupy, at least, two days or parts of days, one night being spent in camp.
The Mad River drive is a delightful episode. In the way of mountain valley there is nothing like it. Bold crag, furious torrent, lonely cabin, blue peak, deep hollow, choked up with the densest foliage, constitute its varied and ever-changing features. The overhanging woods looked as if it had been raining sunshine; the road like an endless grotto of illuminated leaves, musical with birds, and exhaling a thousand perfumes.
The remainder of the route up the Pemigewasset is more and more a revelation of the august summits that have so constantly met us since entering this lovely valley. Boldly emerging from the mass of mountains, they present themselves at every mile in new combinations. Through Thornton and Woodstock the spectacle continues almost without intermission. Gradually, the finely-pointed peaks of the Lafayette group deploy and advance toward us. Now they pitch sharply down into the valley of the East Branch. Now the great shafts of stone are crusted with silvery light, or sprayed with the cataract. Now the sun gilds the slides that furrow, but do not deface them. Stay a moment at this rapid brook that comes hastening from the west! It is an envoy from yonder great, billowy mountain that lords it so proudly over
“many a nameless slide-scarred crest
And pine-dark gorge between.”
That is Moosehillock. Facing again the north, the road is soon swallowed up by the forest, and the forest by the mountains. A few poor cottages skirt the route. Still ascending, the miles grow longer and less interesting, until the white house, first seen from far below, suddenly stands uncovered at the left. We are at the Flume House, and before the gates of the Franconia Notch.
II.
THE FRANCONIA PASS
Beyond them, like a sun-rimmed cloud,
The great Notch Mountains shone,
Watched over by the solemn-browed
And awful face of stone! – Whittier.
WHEN Boswell exclaimed in ecstasy, “An immense mountain!” Dr. Johnson sneered, “An immense protuberance!” but he, the sublime cynic, became respectful before leaving the Hebrides. Charles Lamb, too, at one time pretended something approaching contempt for mountains; but, after a visit to Coleridge, he made the amende honorable in these terms:
“I feel I shall remember your mountains to the last day of my life. They haunt me perpetually. I am like a man who has been falling in love unknown to himself; which he finds out when he leaves the lady.”
Notwithstanding their prepossessions against nature, and their undisguised preference for the smoke and dirt of London, the mountains awoke something in these two men which was apparently a revelation of themselves unto themselves. I have felt a higher respect for both since I knew that they loved mountains, as I pity those who have only seen heaven through the smoke of the city. It is not easy to explain two ideas so essentially opposite as are presented in the earlier and later declarations of these widely famous authors, unless we agree, keeping “Elia’s” odd simile in mind, that in the first case they should, like woman, be taken, not at what she says, but what she means.
The Flume House is the proper tarrying-place for an investigation of the mountain gorge from which it derives both its custom and its name. It is also placed opposite to the Pool, another of those natural wonders with which the pass is crowded, and which tempt us at every step to turn aside from the travelled road.
Fronting the hotel is a belt of woods, with two massive mountains rising behind. In the concealment of these woods the Pemigewasset, contracted to a modest stream, runs along the foot of the mountains. A rough, zigzag path leads through the woods to the river and to the Pool. Now raise the eyes to the summit-ridge of yonder mountain. The peak finely reproduces the features of a gigantic human face, while the undulations of the ridge fairly suggest a recumbent human figure wrapped in a shroud. The outlines of the forehead and nose are curiously like the profile of Washington; hence the colossal figure is called Washington Lying in State. This immortal sculpture gave rise to the idea that the tomb of Washington, like that of Desaix, on the St. Bernard, should be on the great summit that bears his name.
From the Flume House I looked up through the deep cleft of the Notch – an impressive vista. To the left is Cannon, or Profile Mountain; to the right the beetling crags of Eagle Cliff; then the pointed, shapely peaks of Lafayette; and so the range continues breaking off and off, bending away into lesser mountains that finally melt into pale-blue shadows. Now a stray cloud atop a peak gives it a volcanic character. Now a puff scatters it like thistle-down. It is a sultry summer’s morning, and banks of film hang like huge spider’s-webs in the tree-tops. Soon they detach themselves, and, floating lazily upward, are seized by a truant breeze, spun mischievously round, and then settle quietly down on the highest peaks like young eaglets on their nest.
Let us first walk down to the Pool. This Pool is a caprice of the river. Imagine a cistern, deeply sunk in granite, receiving at one end a weary cascade, which seems to crave a moment’s rest before hurrying on down the rocky pass. In the mystery and seclusion of ages, and with only the rude implements picked up by the way, the river has hollowed a basin a hundred feet wide and forty deep out of the stubborn rock. Without doubt Nature thus first taught us to cut the hardest marble with sand and water. Cliffs traversed by cracks rise a hundred feet higher. The water is a glossy and lustrous sea-green, and of such marvellous transparency that you see the brilliant pebbles sparkling at the bottom, shifting with the waves of light like bits of glass in a kaleidoscope. Overtopping trees lean timidly over and peer down into the Pool, which coldly repulses their shadows. Only the colorless hue of the rocks is reflected; and the stranger, seeing an old man with a gray beard standing erect in a boat, has no other idea than that he has arrived on the borders and is to be accosted by the ferryman of Hades.
The Flume is reached by going down the road a short distance, and then diverging to the left and crossing the river to the Flume Brook. A carriage-way conducts almost to the entrance of the gorge. Then begins an easy and interesting promenade up the bed of the brook.
This is a remarkable rock-gallery, driven several hundred feet into the heart of the mountain, through which an ice-cold brook rushes. The miracle of Moses seems repeated here sublimely. Some unknown power smote the rock, and the prisoned stream gushed forth free and lightsome as air. You approach it over broad ledges of freckled granite, polished by the constant flow of a thin, pellucid sheet of water to slippery smoothness. Proceeding a short distance up this natural esplanade, you enter a damp and gloomy fissure between perpendicular walls, rising seventy feet above the stream, and, on lifting your eyes suddenly, espy an enormous bowlder tightly wedged between the cliffs. Now try to imagine a force capable of grasping the solid rock and dividing it in halves as easily as you would an apple with your two hands.
At sight of the suspended bowlder, which seems, like Paul Pry, to have “just dropped in,” I believe every visitor has his moment of hesitation, which he usually ends by passing underneath, paying as he goes with a tremor of the nerves, more or less, for his temerity. But there is no danger. It is seen that the deep crevice, into which the rock seems jammed with the especial purpose of holding it asunder, also hugs the intruder like a vise; so closely, indeed, that, according to every appearance, it must stay where it is until doomsday, unless released by some passing earthquake from its imprisonment. Sentimental tourists do not omit to find a moral in this curiosity, which really looks to be on the eve of dropping, with a loud splash, into the torrent beneath. On top of the cliffs I picked up a visiting-card, on which some one with a poetic turn had written, “Does not this bowlder remind you of the sword of Damocles?” To a civil question, civil reply: No; to me it looks like a nut in a cracker.
Over the gorge bends an arcade of interlaced foliage shot through and through with sunshine; and wherever cleft or cranny can be found young birches, sword-ferns, trailing vines, insinuating their long roots in the damp mould, garland the cold granite with tenderest green. The exquisite white anemone blooms in the mossy wall wet with tiny streams that do not run but glide unperceived down. What could be more cunning than the persistency with which these hardy waifs, clinging or drooping along the craggy way, draw their sustenance from the rock, which seems to nourish them in spite of itself? Underneath your feet the swollen torrent storms along the gorge, dashing itself recklessly against intruding bowlders, or else passing them with a curl of disdain. How gallantly it surmounts every obstacle in its way! How crystal-clear are its waters! On it speeds, scattering pearls and diamonds right and left, like the prodigal it is; unpolluted, as yet, by the filth of cities, or turned into a languid, broken-spirited drudge by dams or mill-wheels. “Stop me?” it seems exclaiming. “Why, I am offspring of the clouds, their messenger to the parched earth, the mountain maid-of-all-work! Stay; step aside here in the sun and I will show you my rainbow-signet! When I rest, do you not behold the mother imaged in the features of the child? Stop me! Put your hand in my bosom and see how strong and full of life are my pulse-beats. To-morrow I shall be vapor. Thought is not freer. I do not belong to earth any more than the eagle sailing above yonder mountain-top.”
Overhead a fallen tree-trunk makes a crazy bridge from cliff to cliff. The sight of the gorge, with the flood foaming far below, the glitter of falling waters through the trees, the splendid light in the midst of deepest gloom, the solemn pines – the odorous forest, the wildness and the coolness – impart an indescribable charm to the spot that makes us reluctant to leave it. Many ladies ascend to the head of the gorge and, crossing on the rude bridge, leave their visiting-cards on the other side; one had left her pocket-handkerchief, with the scent fresh upon it. I picked it up, and out hopped a toad.
After the Pool and the Flume, an ascent of the mountain behind the hotel will be found conducive to enjoyment of another kind. This mountain commands delicious views of the valley of the Pemigewasset. A short hour is usually sufficient for the climb. It was a very raw, windy morning on which I climbed it, but the uncommon purity of the air and the exceeding beauty of the landscape were most rarely combined with cloud effects seen only in conjunction with a brisk north-west wind. I had taken a station similar to that occupied by Mount Willard with respect to the Saco Valley, now opening a vista essentially different from that most memorable one in my mountain experience. The valley is not the same. You see the undulating course of the river for many leagues, and but for an intercepting hill, which hides them, might distinguish the houses of Plymouth. The vales of Woodstock, Thornton, and Campton, spotted with white houses, lie outspread in the sun, between enclosing mountains; and the windings of the Pemigewasset are now seen dark and glossy, now white with foam, appearing, disappearing, and finally lost to view in the blended distance. The sky was packed with clouds. Over the vivid green of the intervales their black shadows drifted swiftly and noiselessly, first turning the light on, then off again, with magical effect. To look up and see these clouds all in motion, and then, looking down, see those weird draperies darkly trailing over the land, was a reminiscence of
“The dim and shadowy armies of our unquiet dreams —
Their footsteps brush the dewy fern and paint the shaded streams.”
The mountain ridges flowed southward with marvellous smoothness to the vanishing-point, on one side of the valley bright green, on the other indigo blue. This picture was not startling, like that from the Crawford Notch, but, in its own way, was incomparable. The sunsets are said to be beautiful beyond description.
One looks up the Notch upon the great central peaks composing the water-shed – Cannon, Lafayette, Lincoln, and the rest – to see crags, ridges, black forests, rising before him in all their gloomy magnificence.
On one side all is beauty, harmony, and grace; on the other, a packed mass of bristling, steep-sided mountains seem storming the sky with their gray turrets. Could we but look over the brawny shoulders of the mountains opposite to us, the eye would take in the vast, untrodden solitudes of the Pemigewasset forests cut by the East Branch and presided over by Mount Carrigain – a region as yet reserved for those restless and adventurous spirits whom the beaten paths of travel have ceased to charm or attract. But an excursion into this “forest primeval” is to be no holiday promenade. It is an arduous and difficult march over slippery rocks, through tangled thickets, or up the beds of mountain torrents. Hard fare and a harder bed of boughs finish the day, every hour of which has been a continued combat with fresh obstacles. At this price one may venture to encounter the virgin wilderness or, as the cant phrase is, “try roughing it.” It is a curious feeling to turn your back upon the last cart-path, then upon the last foot-path; to hear the distant baying of a hound grow fainter and fainter – in a word, to exchange at a single step the sights and sounds of civilized life, the movement, the bustle, for a silence broken only by the hum of bees and the murmur of invisible waters.
I left the Flume House in company with a young-old man, whom I met there, and in whom I hoped to find another and a surer pair of eyes, for, were he to have as many as Argus, the sight-seer would find employment for them all.
While gayly threading the green-wood, we came upon a miniature edition of the Pool, situated close to the highway, called the Basin. A basin in fact it is, and a bath fit for the gods. It is plain to see that the stream once poured over the smooth ledges here, instead of making its exit by the present channel. A cascade falls into it with hollow roar. This cistern has been worn by the rotary motion of large pebbles which the little cascade, pouring down into it from above, set and kept actively whirling and grinding at its own mad caprice. But this was not the work of a day. Long and constant attrition only could have scooped this cavity out of the granite, which is here so clean, smooth, and white, and filled to the brim with a grayish-emerald water, light, limpid, and incessantly replenished by the effervescent cascade. In the beginning this was doubtless an insignificant crevice, into which a few pebbles and a handful of sand were dropped by the stream, but which, having no way of escape, were kept in a perpetual tread-mill, until what was at first a mere hole became as we now see it. The really curious feature of the stone basin is a strip of granite projecting into it which closely resembles a human leg and foot, luxuriously cooling itself in the stream. Such queer freaks of nature are not merely curious, but they while away the hours so agreeably that time and distance are forgotten.
As we walked on, the hills were constantly hemming us in closer and closer. Suddenly we entered a sort of crater, with high mountains all around. One impulse caused us to halt and look about us. In full view at our left the inaccessible precipices of Mount Cannon rose above a mountain of shattered stones, which ages upon ages of battering have torn piecemeal from it. Its base was heaped high with these ruins. Seldom has it fallen to my lot to see anything so grandly typical of the indomitable as this sorely battered and disfigured mountain citadel, which nevertheless lifts and will still lift its unconquerable battlements so long as one stone remains upon another. Hewed and hacked, riven and torn, gashed and defaced in countless battles, one can hardly repress an emotion of pity as well as of admiration. I do not recollect, in all these mountains, another such striking example of the denuding forces with which they are perpetually at war. When we see mountains crumbling before our very eyes, may we not begin to doubt the stability of things that we are pleased to call eternal? Still, although it seems erected solely for the pastime of all the powers of destruction, this one, so glorious in its unconquerable resolve to die at its post – this one, exposing its naked breast to the fury of its deadliest foes – so stern and terrific of aspect, so high and haughty, so dauntlessly throwing down the gauntlet to Fate itself – assures us that the combat will be long and obstinate, and that the mountain will fall at last, if fall it must, with the grace and heroism of a gladiator in the Roman arena. The gale flies at it with a shriek of impotent rage. Winter strips off its broidered tunic and flings white dust in its aged face. Rust corrodes, rains drench, fires scorch it; lightning and frost are forever searching out the weak spots in its harness; but, still uplifting its adamantine crest, it receives unshaken the stroke or the blast, spurns the lightning, mocks the thunder, and stands fast. Underneath is a little lake, which at sunset resembles a pool of blood that has trickled drop by drop from the deep wounds in the side of the mountain.
