Bear Island

Alistair MacLean

Copyright

HarperCollinsPublishers 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk

Published by HarperCollinsPublishers 2009

First published in Great Britain by

William Collins Sons & Co. Ltd 1971

then in paperback by Fontana 1973

Copyright © HarperCollinsPublishers 1971

Cover design © HarperCollinsPublishers Ltd 2020 Cover photograph © Stephen Mulcahey

Alistair MacLean asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

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Source ISBN: 9780006164340

Ebook Edition © JANUARY 2009 ISBN: 9780007289219

Version: 2020-07-23

Contents

Cover Title Page Copyright Map Chapter One Chapter Two Chapter Three Chapter Four Chapter Five Chapter Six Chapter Seven Chapter Eight Chapter Nine Chapter Ten Chapter Eleven Chapter Twelve Chapter Thirteen About the Author By Alistair MacLean About the Publisher

Map

CHAPTER ONE

To even the least sensitive and perceptive beholder the Morning Rose, at this stage of her long and highly chequered career, must have seemed ill-named, for if ever a vessel could fairly have been said to be approaching, if not actually arrived at, the sunset of her days it was this one. Officially designated an Arctic Steam Trawler, the Morning Rose, 560 gross tons, 173 feet in length, 30 in beam and with a draught, unladen but fully provisioned with fuel and water, of 14.3 feet, had, in fact, been launched from the Jarrow slipways as far back as 1926, the year of the General Strike.

The Morning Rose, then, was far gone beyond the superannuation watershed, she was slow, creaking, unstable and coming apart at the seams. So were Captain Imrie and Mr Stokes. The Morning Rose consumed a great deal of fuel in relation to the foot-pounds of energy produced. So did Captain Imrie and Mr Stokes, malt whisky for Captain Imrie, Jamaican rum for Mr Stokes. And that was what they were doing now, stoking up on their respective fuels with the steadfast dedication of those who haven’t attained septuagenarian status through sheer happenstance.

As far as I could see, none of the sparse number of diners at the two long fore-and-aft tables was stoking up very much on anything. There was a reason for this, of course, the same reason that accounted for the poor attendance at dinner that night. It was not because of the food which, while it wouldn’t cause any sleepless nights in the kitchens of the Savoy, was adequate enough, nor was it because of any aesthetic objections our cargo of creative artists might have entertained towards the dining saloon’s decor, which was, by any standards, quite superb: it was a symphony in teak furniture and wine-coloured carpets and curtains, not, admittedly, what one would look to find on the average trawler, but then, the average trawler, when its fishing days are over—as the Morning Rose’s were deemed to be in 1956—doesn’t have the good fortune to be re-engined and converted to a luxury yacht by, of all people, a shipping millionaire whose enthusiasm for the sea was matched only by his massive ignorance of all things nautical.

The trouble tonight lay elsewhere, not within the ship but without. Three hundred miles north of the Arctic Circle, where we at the present moment had the debatable fortune to be, the weather conditions can be as beautifully peaceful as any on earth, with mirror-smooth, milky-white seas stretching from horizon to horizon under a canopy of either washed-out blue or stars that are less stars than little chips of frozen fire in a black, black sky. But those days are rare and, usually, to be found only in that brief period that passes for summer in those high latitudes. And whatever summer there had been was long gone. We were deep into late October now, the period of the classical equinoctial gales, and there was a real classical equinoctial beauty blowing up right then. Moxen and Scott, the two stewards, had prudently drawn the dining saloon curtains so that we couldn’t see quite how classical it was.

We didn’t have to see it. We could hear it and we could feel it. We could hear the wild threnody of the gale in the rigging, a high-pitched, ululating, atonic sound, as lonely, lost and eerie as a witch’s lament. We could hear, at monotonously regular intervals, the flat explosive clap of sound as the bluff bows of the trawler crashed into the troughs of the steep-sided waves marching steadily eastwards under the goad of that bitter wind born on the immensity of the Greenland icecap, all of seven hundred miles away. We could hear the constantly altering variation in the depth of the engine note as the propeller surged upwards, almost clearing water level, then plunged deep down into the sea again.

And we could feel the storm, a fact that most of those present clearly found a great deal more distressing than just listening to it. One moment, depending upon which side of the fore-and-aft tables we were sitting, we would be leaning sharply to our left or right as the bows lurched and staggered up the side of a wave: the next, we would be leaning as sharply in the other direction as the stern, in turn, rode high on the crest of the same wave. To compound the steadily increasing level of misery and discomfort the serried ranks of waves beyond the damask drapes were slowly but ominously beginning to break down into confused seas which violently accentuated the Morning Rose’s typical fishing-boat propensity for rolling continuously in anything short of mill-pond conditions. The two different motions, lateral and transverse, were now combining to produce an extremely unpleasant corkscrewing effect indeed.

Because I’d spent most of the past eight years at sea, I wasn’t experiencing any distressing symptoms myself, but I didn’t have to be a doctor—which my paper qualifications declared me to be—to diagnose the symptoms of mal de mer. The wan smile, the gaze studiously averted from anything that resembled food, the air of rapt communication with the inner self, all the signs were there in plenty. A very mirth-provoking subject, sea-sickness, until one suffers from it oneself: then it ceases to be funny any more. I’d dispensed enough sea-sickness pills to turn them all buttercup-yellow, but these are about as effective against an Arctic gale as aspirin is against cholera.

I looked round and wondered who would be the first to go. Antonio, I thought, that tall, willowy, exquisite, rather precious but oddly likeable Roman with the shock of ludicrously blond and curling hair. It is a fact that when a person reaches that nadir of nausea which is the inevitable prelude to violent sickness the complexion does assume a hue which can only be described as greenish: in Antonio’s case it was more a tinge of apple-green chartreuse, an odd coloration that I’d never seen before, but I put it down to his naturally sallow complexion. Anyway, no question but that it was the genuine symptom of the genuine illness: another particularly wild lurch and Antonio was on his feet and out of the saloon at a dead run—or as near a dead run as his land-lubber legs could achieve on that swaying deck—without either farewell or apology.

Such is the power of suggestion that within a very few seconds and on the very next lurch three other passengers, two men and a girl, hurriedly rose and left. And such is the power of suggestion compounded that within two minutes more there were, apart from Captain Imrie, Mr Stokes and myself, only two others left: Mr Gerran and Mr Heissman.

Captain Imrie and Mr Stokes, seated at the heads of their respective and now virtually deserted tables, observed the hurried departure of the last of the sufferers, looked at each other in mild astonishment, shook their heads and got on with the business of replenishing their fuel reserves. Captain Imrie, a large and splendidly patriarchal figure with piercing blue eyes that weren’t much good for seeing with, had a mane of thick white hair that was brushed straight back to his shoulders, and, totally obscuring the dinner tie he affected for dinner wear, an even more impressively flowing beard that would have been the envy of many a biblical prophet: as always, he wore a gold-buttoned, double-breasted jacket with the thick white ring of a commodore of the Royal Navy, to which he wasn’t entitled, and, partly concealed by the grandeur of his beard, four rows of medal ribbons, to which he was. Now, still shaking his head, he lifted his bottle of malt scotch from its container—not until that evening had I understood the purpose of that two-foot-high wrought-iron contraption bolted to the saloon deck by the side of his chair—filled his glass almost to the top and added the negligible amount of water required to make it brimming full. It was at this precise moment that the Morning Rose reared unusually high on the crest of a wave, hovered for what appeared to be an unconscionably long time, then fell both forwards and sideways to plunge with a resounding, shuddering crash into the shoulder of the next sea. Captain Imrie didn’t spill a drop: for any indication he gave to the contrary he might have been in the tap-room of the Mainbrace in Hull, which was where I’d first met him. He quaffed half the contents of his glass in one gulp and reached for his pipe. Captain Imrie had long mastered the art of dining gracefully at sea.

Mr Gerran, clearly, hadn’t. He gazed down at his lamb chops, brussels sprouts, potatoes, and glass of hock which weren’t where they ought to have been—they were on his napkin and his napkin was on his lap—with a vexed frown on his face. This was, in its small way, a crisis, and Otto Gerran could hardly be said to be at his ineffectual best when faced with crisis of any kind. But for young Moxen, the steward, this was routine: his own napkin at the ready and bearing a small plastic bucket he’d apparently conjured from nowhere, he set about effecting running repairs while Gerran gazed downwards with an expression of perplexed distaste.

Seated, Otto Gerran, apart from his curiously narrow, pointed cranium that widened out to broad, fleshy jowls, looked as if he might have been cast in one of the standard moulds which produce the vast majority of human shapes and forms: it was not until he stood up, a feat he performed with great difficulty and as infrequently as possible, that one appreciated how preposterous this misconception was. Gerran stood five feet two inches in his elevator shoes, weighed two hundred and forty-five pounds and, were it not for his extremely ill-fitting clothes—one would assume that the tailor just gave up—was the nearest thing to a perfect human sphere I’d ever clapped eyes on. He had no neck, long slender sensitive hands and the smallest feet I’ve ever seen for a man of his size. The salvage operation over, Gerran looked up and at Imrie. His complexion was puce in colour, with the purple much more in evidence than the brown. This did not mean that he was angry, for Gerran never showed anger and was widely believed to be incapable of it: puce was as standard for him as the peaches and cream of the mythical English rose. His coronary was at least fifteen years overdue.

‘Really, Captain Imrie, this is preposterous.’ For a man of his vast bulk, Gerran had a surprisingly high-pitched voice: surprisingly, that is, if you weren’t a medical practitioner. ‘Must we keep heading into this dreadful storm?’

‘Storm?’ Captain Imrie lowered his glass and looked at Gerran in genuine disbelief. ‘Did you say “storm”? A little blow like this?’ He looked across to the table where I was sitting with Mr Stokes. ‘Force Seven, you would say, Mr Stokes? A touch of Eight, perhaps?’

Mr Stokes helped himself to some more rum, leaned back and deliberated. He was as bereft of cranial and facial hair as Captain Imrie was over-endowed with it. With his gleaming pate, tightly- drawn brown face seamed and wrinkled into a thousand fissures, and a long, thin, scrawny neck, he looked as aged and as ageless as a Galapagos turtle. He also moved at about the same speed. Both he and Captain Imrie had gone to sea together—in mine-sweepers, as incredibly far back as World War I—and had remained together until they had officially retired ten years previously. Nobody, the legend went, had ever heard them refer to each other except as Captain Imrie and Mr Stokes. Some said that, in private, they used the terms Skipper and Chief (Mr Stokes was the Chief Engineer) but this was discounted as an unsubstantiated and unworthy rumour which did justice to neither man.

Moments passed, then Mr Stokes, having arrived at a measured opinion, delivered himself of it. ‘Seven,’ he said.

‘Seven.’ Captain Imrie accepted the judgement as unhesitatingly as if an oracle had spoken and poured himself another drink: I thanked whatever gods there be for the infinitely reassuring presence of Smithy, the mate, on the bridge. ‘You see, Mr Gerran? Nothing.’ As Gerran was at that moment clinging frantically to a table that was inclined at an angle of 30 degrees, he made no reply. ‘A storm? Dearie me, dearie me. Why, I remember the very first time that Mr Stokes and I took the Morning Rose up to the Bear Island fishing grounds, the very first trawler ever to fish those waters and come back with full holds, 1928, I think it was—’

‘1929,’ Mr Stokes said.

‘1929.’ Captain Imrie fixed his bright blue eyes on Gerran and Johann Heissman, a small, lean, pale man with a permanently apprehensive expression: Heissman’s hands were never still. ‘Now, that was a storm! We were with a trawler out of Aberdeen, I forget its name—’

‘The Silver Harvest,’ Mr Stokes said.

‘The Silver Harvest. Engine failure in a Force Ten. Two hours she was broadside to the seas, two hours before we could get a line aboard. Her skipper— her skipper—’

‘MacAndrew. John MacAndrew.’

‘Thank you, Mr Stokes. Broke his neck. Towed his boat—and him with his broken neck in splints— for thirty hours in a Force Ten, four of them in a Force Eleven. Man, you should have seen yon seas. I tell you, they were mountains, just mountains. The bows thirty feet up and down, up and down, rolling over on our beam ends, hour after hour, every man except Mr Stokes and myself coughing his insides up—’ He broke off as Heissman rose hurriedly to his feet and ran from the saloon. ‘Is your friend upset, Mr Gerran?’

‘Couldn’t we heave to or whatever it is you do?’ Gerran pleaded. ‘Or run for shelter?’

‘Shelter? Shelter from what? Why, I remember—’

‘Mr Gerran and his company haven’t spent their lives at sea, Captain,’ I said.

‘True, true. Heave to? Heaving to won’t stop the waves. And the nearest shelter is Jan Mayen— and that’s three hundred miles to the west—into the weather.’

‘We could run before the weather. Surely that would help?’

‘Aye, we could do that. She’d steady up then, no doubt about it. If that’s what you want, Mr Gerran. You know what the contract says—captain to obey all orders other than those that will endanger the vessel.’

‘Good, good. Right away, then.’

‘You appreciate, of course, Mr Gerran, that this blow might last another day or so?’

With amelioration of the present sufferings practically at hand Gerran permitted himself a slight smile. ‘We cannot control the caprices of Mother Nature, Captain.’

‘And that we’ll have to turn almost ninety east?’

‘In your safe hands, Captain.’

‘I don’t think you are quite understanding. It will cost us two, perhaps three days. And if we run east, the weather north of North Cape is usually worse than it is here. Might have to put into Hammerfest for shelter. Might lose a week, maybe more. I don’t know how many hundred pounds a day it costs you to hire the ship and crew and pay your own camera crew and all those actors and actresses—I hear tell that some of those people you call stars can earn a fortune in just no time at all—’ Captain Imrie broke off and pushed back his chair. ‘What am I talking about? Money will mean nothing to a man like you. You will excuse me while I call the bridge.’

‘Wait.’ Gerran looked stricken. His parsimony was legendary throughout the film world and Captain Imrie had touched, not inadvertently, I thought, upon his tenderest nerve. ‘A week! Lose a whole week?’

‘If we’re lucky.’ Captain Imrie pulled his chair back up to the table and reached for the malt.

‘But I’ve already lost three days. The Orkney cliffs, the sea, the Morning Rose—not a foot of background yet.’ Gerran’s hands were out of sight but I wouldn’t have been surprised if he’d been wringing them.

‘And your director and camera crew on their backs for the past four days,’ Captain Imrie said sympathetically. It was impossible to say whether a smile lay behind the obfuscatory luxuriance of moustache and beard. ‘The caprices of nature, Mr Gerran.’

‘Three days,’ Gerran said again. ‘Maybe another week. A thirty-three day location budget, Kirkwall to Kirkwall.’ Otto Gerran looked ill, clearly both the state of his stomach and his film finances were making very heavy demands upon him. ‘How far to Bear Island, Captain Imrie?’

‘Three hundred miles, give or take the usual. Twenty-eight hours, if we can keep up our best speed.’

‘You can keep it up?’

‘I wasn’t thinking about the Morning Rose. It can stand anything. It’s your people, Mr Gerran. Nothing against them, of course, but I’m thinking they’d be more at home with those pedal boats in the paddling ponds.’

‘Yes, of course, of course.’ You could see that this aspect of the business had just occurred to him. ‘Dr Marlowe, you must have treated a great deal of sea-sickness during your years in the Navy.’ He paused, but as I didn’t deny it, he went on: ‘How long do people take to recover from sickness of this kind?’

‘Depends how sick they are.’ I’d never given the matter any thought, but it seemed a logical enough answer. ‘How long they’ve been ill and how badly. Ninety rough minutes on a cross-Channel trip and you’re as right as rain in ten minutes. Four days in an Atlantic gale and you’ll be as long again before you’re back on even keel.’

‘But people don’t actually die of sea-sickness, do they?’

‘I’ve never known of a case.’ For all his usual indecisiveness and more than occasional bumbling ineptitude which tended to make people laugh at him—discreetly and behind his back, of course—Otto, I realized for the first time and with some vague feeling of surprise, was capable of determination that might verge on the ruthless. Something to do with money, I suppose. ‘Not by itself, that is. But with a person already suffering from a heart condition, severe asthma, bronchitis, ulcerated stomach—well, yes, it could see him off.’

He was silent for a few moments, probably carrying out a rapid mental survey of the physical condition of cast and crew, then he said: ‘I must admit that I’m a bit worried about our people. I wonder if you’d mind having a look over them, just a quick check? Health’s a damn sight more important than any profit—hah! profit, in these days!—that we might make from the wretched film. As a doctor I’m sure you whole-heartedly agree.’

‘Of course,’ I said. ‘Right away.’ Otto had to have something that had made him the household name that he had become in the past twenty years and one had to admire this massive and wholly inadmirable hypocrisy that was clearly part of it. He had me all ways. I had said that sea-sickness alone did not kill so that if I were to state categorically that some member or members of his cast or crew were in no condition to withstand any further punishment from the sea he would insist on proof of the existence of some disease which, in conjunction with sea-sickness, might be potentially lethal, a proof that, in the first place, would have been very difficult for me to adduce in light of the limited examination facilities available to me aboard ship and, in the second place, would have been impossible anyhow, for every single member of cast and crew had been subjected to a rigorous insurance medical before leaving Britain: if I gave a clean bill of health to all, then Otto would press on with all speed for Bear Island, regardless of the sufferings of ‘our people’ about whom he professed to be so worried, thereby effecting a considerable saving in time and money: and, in the remote event of any of them inconsiderately dying upon our hands, why, then, as the man who had given the green light, I was the one in the dock.

I drained my glass of inferior brandy that Otto had laid on in such meagre quantities and rose. ‘You’ll be here?’

‘Yes. Most co-operative of you, Doctor, most.’

‘We never close,’ I said.

I was beginning to like Smithy though I hardly knew him or anything about him: I was never to get to know him, not well. That I should ever get to know him in my professional capacity was unthinkable: six feet two in his carpet slippers and certainly nothing short of two hundred pounds, Smithy was as unlikely a candidate for a doctor’s surgery as had ever come my way.

‘In the first-aid cabinet there.’ Smithy nodded towards a cupboard in a corner of the dimly-lit wheel-house. ‘Captain Imrie’s own private elixir. For emergency use only.’

I extracted one of half a dozen bottles held in place by felt-lined spring clamps and examined it under the chart-table lamp. My regard for Smithy went up another notch. In latitude 70° something north and aboard a superannuated trawler, however converted, one does not look to find Otard-Dupuy VSOP.

‘What constitutes an emergency?’ I asked.

‘Thirst.’

I poured some of the Otard-Dupuy into a small glass and offered it to Smithy, who shook his head and watched me as I sampled the brandy, then lowered the glass with suitable reverence.

‘To waste this on a thirst,’ I said, ‘is a crime against nature. Captain Imrie isn’t going to be too happy when he comes up here and finds me knocking back his special reserve.’

‘Captain Imrie is a man who lives by fixed rules. The most fixed of the lot is that he never appears on the bridge between 8 p.m. and 8 a.m. Oakley—he’s the bo’sun—and I take turns during the night. Believe me, that way it’s safer for everyone all round. What brings you to the bridge, Doctor—apart from this sure instinct for locating VSOP?’

‘Duty. I’m checking on the weather prior to checking on the health of Mr Gerran’s paid slaves. He fears they may start dying off like flies if we continue on this course in these conditions.’ The conditions, I’d noted, appeared to be deteriorating, for the behaviour of the Morning Rose, especially its degree of roll, was now distinctly more uncomfortable than it had been: perhaps it was just a function of the height of the bridge but I didn’t think so.

‘Mr Gerran should have left you at home and brought along his palm-reader or fortune-teller.’ A very contained man, educated and clearly intelligent, Smithy always seemed to be slightly amused. ‘As for the weather, the 6 p.m. forecast was as it usually is for these parts, vague and not very encouraging. They haven’t,’ he added superfluously, ‘a great number of weather stations in those parts.’

‘What do you think?’

‘It’s not going to improve.’ He dismissed the weather and smiled. ‘I’m not a great man for the small-talk, but with the Otard-Dupuy who needs it? Take the weight off your feet for an hour, then go tell Mr Gerran that all his paid slaves, as you call them, are holding a square dance on the poop.’

‘I suspect Mr Gerran of having a suspicious checking mind. However, if I may—?’

‘My guest.’

I helped myself again and replaced the bottle in the cabinet. Smithy, as he’d warned, wasn’t very talkative, but the silence was companionable enough. Presently he said: ‘Navy, aren’t you, Doc?’

‘Past tense.’

‘And now this?’

‘A shameful come-down. Don’t you find it so?’

‘Touché.’ I could dimly see the white teeth as he smiled in the half-dark. ‘Medical malpractice, flogging penicillin to the wogs or just drunk in charge of a surgery?’

‘Nothing so glamorous. “Insubordination” is the word they used.’

‘Snap. Me too.’ A pause. ‘This Mr Gerran of yours. Is he all right?’

‘So the insurance doctors say.’

‘I didn’t mean that.’

‘You can’t expect me to speak ill of my employer.’ Again there was that dimly-seen glimpse of white teeth.

‘Well, that’s one way of answering my question. But, well, look, the bloke must be loony—or is that an offensive term?’

‘Only to psychiatrists. I don’t speak to them. Loony’s fine by me. But I’d remind you that Mr Gerran has a very distinguished record.’

‘As a loony?’

‘That, too. But also as a film-maker, a producer.’

‘What kind of producer would take a film unit up to Bear Island with winter coming on?’

‘Mr Gerran wants realism.’

‘Mr Gerran wants his head examined. Has he any idea what it’s like up there at this time of year?’

‘He’s also a man with a dream.’

‘No place for dreamers in the Barents Sea. How the Americans ever managed to put a man on the moon—’

‘Our friend Otto isn’t an American. He’s a central European. If you want the makers of dreams or the peddlers of dreams, there’s the place to find them—among the headwaters of the Danube.’

‘And the biggest rogues and confidence men in Europe?’

‘You can’t have everything.’

‘He’s a long way from the Danube.’

‘Otto had to leave in a great hurry at a time when a large number of people had to leave in a great hurry. Year before the war, that was. Found his way to America—where else?—then to Hollywood—again, where else? Say what you like about Otto—and I’m afraid a lot of people do just that—you have to admire his recuperative powers. He’d left a thriving film business behind him in Vienna and arrived in California with what he stood up in.’

‘That’s not so little.’

‘It was then. I’ve seen pictures. No greyhound, but still about a hundred pounds short of what he is today. Anyway, inside just a few years— chiefly, I’m told, by switching at the psychologically correct moment from anti-Nazism to antiCommunism— Otto prospered mightily in the American film industry on the strength of a handful of nauseatingly super-patriotic pictures, which had the critics in despair and the audiences in raptures. In the mid-fifties, sensing that the cinematic sun was setting over Hollywood—you can’t see it but he carries his own built-in radar system with him—Otto’s devotion to his adopted country evaporated along with his bank balance and he transferred himself to London, where he made a number of avant-garde films that had the critics in rapture, the audiences in despair and Otto in the red.’

‘You seem to know your Otto,’ Smithy said.

‘Anybody who has read the first five pages of the prospectus for his last film would know his Otto. I’ll let you have a copy. Never mentions the film, just Otto. Misses out words like “nauseating” and “despair” of course and you have to read between the lines a bit. But it’s all there.’

‘I’d like a copy.’ Smithy thought some, then said: ‘If he’s in the red where’s the money coming from? To make this film, I mean.’

‘Your sheltered life. A producer is always at his most affluent when the bailiffs are camped outside the studio gates—rented studio, of course. Who, when the banks are foreclosing on him and the insurance companies drafting their ultimatums, is throwing the party of the year at the Savoy? Our friend the big-time producer. It’s kind of like the law of nature. You’d better stick to ships, Mr Smith,’ I added kindly.

‘Smithy,’ he said absently. ‘So who’s bankrolling your friend?’

‘My employer. I’ve no idea. Very secretive about money matters is Otto.’

‘But someone is. Backing him, I mean.’

‘Must be.’ I put down my glass and stood up. ‘Thanks for the hospitality.’

‘Even after he’s produced a string of losers? Seems barmy to me. Fishy, at least.’

‘The film world, Smithy, is full of barmy and fishy people.’ I didn’t, in fact, know whether it was or not but if this shipload was in any way representative of the cinema industry it seemed a pretty fair extrapolation.

‘Or perhaps he’s just got hold of the story to end all stories.’

‘The screenplay. There, now, you may have a point—but it’s one you would have to raise with Mr Gerran personally. Apart from Heissman, who wrote it, Gerran is the only one who’s seen it.’

It hadn’t been a factor of the height of the bridge. As I stepped out on to the starboard ladder on the lee side—there were no internal communications between bridge and deck level on those elderly steam trawlers—I was left in no doubt that the weather had indeed deteriorated and deteriorated sharply, a fact that should have probably been readily apparent to anyone whose concern for the prevailing meteorological conditions hadn’t been confronted with the unfair challenge of Otard-Dupuy. Even on this, what should have been the sheltered side of the ship, the power of the wind, bitter cold, was such that I had to cling with both hands to the handrails: and with the Morning Rose now rolling, erratically and violently, through almost fifty degrees of arc—which was wicked enough but I’d once been on a cruiser that had gone through a hundred degrees of arc and still survived—I could have used another pair of arms.

Even on the blackest night, and this was incontestably one of the blackest, it is never wholly dark at sea: it may never be possible precisely to delineate the horizon line where sea and sky meet, but one can usually look several vertical degrees above or below the horizon line and say with certainty that here is sky or here is sea: for the sea is always darker than the sky. Tonight, it was impossible to say any such thing and this was not because the violently rolling Morning Rose made for a very unstable observation platform nor because the big uneven seas bearing down from the east made for a tumbling amorphous horizon: because tonight, for the first time, not yet dense but enough to obscure vision beyond two miles, smoke frost lay on the surface of the sea, that peculiar phenomenon which one finds in Norway where the glacial land winds pass over the warm fjord waters or, as here, where the warm Atlantic air passed over the Arctic waters. All I could see, and it was enough to see, was that the tops were now being torn off the waves, white-veined on their leeward sides, and that the seas were breaking clear across the foredeck of the Morning Rose, the white and icy spume hissing into the sea on the starboard. A night for carpet slippers and the fireside.

I turned for’ard towards the accommodation door and bumped into someone who was standing behind the ladder and holding on to it for support. I couldn’t see the person’s face for it was totally obscured by wind-blown hair but I didn’t have to, there was only one person aboard with those long straw-coloured tresses and that was Mary dear: given my choice of people to bump into on the Morning Rose I’d have picked Mary dear any time. ‘Mary dear’, not ‘Mary Dear’: I’d given her that name to distinguish her from Gerran’s continuity girl whose given name was Mary Darling. Mary dear was really Mary Stuart but that wasn’t her true name either: Ilona Wisniowecki she’d been christened but had prudently decided that it wasn’t the biggest possible asset she had for making her way in the film world. Why she’d chosen a Scots name I didn’t know: maybe she just liked the sound of it.

‘Mary dear,’ I said. ‘Aboard at this late hour and on such a night.’ I reached up and touched her cheek, we doctors can get away with murder. The skin was icily cold. ‘You can carry this fresh air fanatic bit too far. Come on, inside.’ I took her arm—I was hardly surprised to find she was shivering quite violently—and she came along docilely enough.

The accommodation door led straight into the passenger lounge which, though fairly narrow, ran the full width of the ship. At the far end was a built-in bar with the liquor kept behind two glassed-in iron-grilled doors: the doors were kept permanently locked and the key was in Otto Gerran’s pocket.

‘No need to frog-march me, Doctor.’ She habitually spoke in a low-pitched quiet voice. ‘Enough is enough and I was coming in anyway.’

‘Why were you out there in the first place?’

‘Can’t doctors always tell?’ She touched the middle button of her black leather coat and from this I understood that her internal economy wasn’t taking too kindly to the roller-coaster antics of the Morning Rose. But I also understood that even had the sea been mirror-smooth she’d still have been out on that freezing upper deck: she didn’t talk much to the others nor the others to her.

She pushed the tangled hair back from her face and I could see she was very pale and the skin beneath the brown eyes tinged with the beginnings of exhaustion. In her high-cheekboned Slavonic way—she was a Latvian but, I supposed, no less a Slav for that—she was very lovely, a fact that was freely admitted and slightingly commented upon as being her only asset: her last two pictures—her only two pictures—were said to have been disasters of the first magnitude. She was a silent girl, cool and aloofly remote and I liked her, which made me a lonely minority of one.

‘Doctors aren’t infallible,’ I said. ‘At least, not this one.’ I peered at her in my best clinical fashion. ‘What’s a girl like you doing in these parts on this floating museum?’

She hesitated. ‘That’s a personal question.’

‘The medical profession are a very personal lot. How’s your headache? Your ulcer? Your bursitis? We don’t know where to stop.’

‘I need the money.’

‘You and me both.’ I smiled at her and she didn’t smile back so I left her and went down the companionway to the main deck.

Here was located the Morning Rose’s main passenger accommodation, two rows of cabins lining the fore-and-aft central passageway. This had been the area of the former fish-holds and although the place had been steam-washed, fumigated and disinfected at the time of conversion it still stank most powerfully and evilly of cod liver oil that has lain too long in the sun. In ordinary circumstances, the atmosphere was nauseating enough: in those extraordinary ones it was hardly calculated to assist sufferers in a rapid recovery from the effects of sea-sickness. I knocked on the first door on the starboard side and went in.

Johann Heissman, horizontally immobile on his bunk, looked like a cross between a warrior taking his rest and a medieval bishop modelling for the stone effigy which in the fullness of time would adorn the top of his sarcophagus. Indeed, with his thin waxy fingers steepled on his narrow chest, his thin waxy nose pointing to the ceiling and his curiously transparent eyelids closed, the image of the tomb seemed particularly opposite in this case: but it was a deceptive image for a man does not survive twenty years in a Soviet hard-labour camp in Eastern Siberia just to turn in his cards from mal de mer.

‘How do you feel, Mr Heissman?’

‘Oh, God!’ He opened his eyes without looking at me, moaned and closed them again. ‘How do I feel?’

‘I’m sorry. But Mr Gerran is concerned—’

‘Otto Gerran is a raving madman.’ I didn’t take it as any indication of some sudden upsurge in his physical condition but, no question, this time his voice was a great deal stronger. ‘A crackpot! A lunatic!’

While privately conceding that Heissman’s diagnosis lay somewhere along the right lines, I refrained from comment and not out of some suitably due deference to my employer. Otto Gerran and Johann Heissman had been friends much too long for me to risk treading upon the delicate ground that well might lie between them. They had known each other, as far as I had been able to discover, since they had been students together at some obscure Danubian gymnasium close on forty years ago and had, at the time of the Anschluss in 1938, been the joint owners of a relatively prosperous film studio in Vienna. It was at this point in space and time that they had parted company suddenly, drastically and, it seemed at the time, permanently, for while Gerran’s sure instinct had guided his fleeing footsteps to Hollywood, Heissman had unfortunately taken off in the wrong direction altogether and, only three years previously, to the total disbelief of all who had known him and believed him dead for a quarter of a century, had incredibly surfaced from the bitter depths of his long Siberian winter. He had sought out Gerran and now it appeared that their friendship was as close as ever it had been. It was assumed that Gerran knew about the hows and whys of Heissman’s lost years and if this were indeed the case then he was the only man who did so for Heissman, understandably enough, never discussed his past. Only two things about the men were known for certain—that it was Heissman, who had a dozen pre-war screenplays to his credit, who was the moving spirit behind this venture to the Arctic, and that Gerran had taken him into full partnership in his company, Olympus Productions. In light of this, it behooved me to step warily and keep my comments on Heissman’s comments strictly to myself.

‘If there’s anything you require, Mr Heissman—’

‘I require nothing.’ He opened his transparent eyelids again and this time looked—or glared—at me, eyes of washed-out grey streaked with blood. ‘Save your treatment for that cretin Gerran.’

‘Treatment?’

‘Brain surgery.’ He lowered his eyelids wearily and went back to being a medieval bishop again, so I left him and went next door.

There were two men in this cabin, one clearly suffering quite badly, the other equally clearly not suffering in the slightest. Neal Divine, the unit director, had adopted a death’s door resignation attitude that was strikingly similar to that favoured by Heissman and although he wasn’t even within hailing distance of death’s door he was plainly very sea-sick indeed. He looked at me, forced a pale smile that was half apology, half recognition, then looked away again. I felt sorry for him as he lay there, but then I’d felt sorry for him ever since he’d stepped aboard the Morning Rose. A man dedicated to his craft, lean, hollow-cheeked, nervous and perpetually balanced on what seemed to be the knife-edge of agonizing decisions, he walked softly and talked softly as if he were perpetually afraid that the gods might hear him. It could have been a meaningless mannerism but I didn’t think so: no question, he walked in perpetual fear of Gerran, who was at no pains to conceal the fact that he despised him as a man just as much as he admired him as an artist. Why Gerran, a man of indisputably high intelligence, should behave in this way, I didn’t know. Perhaps he was one of that far from small group of people who harbour such an inexhaustible fund of ill-will towards mankind in general that they lose no opportunity to vent some of it on the weak, the pliant or those who are in no position to retaliate. Perhaps it was a personal matter. I didn’t know either man or their respective backgrounds well enough to form a valid judgement.

‘Ah,’ tis the good healer,’ a gravelly voice said behind me. I turned round without haste and looked at the pyjama-clad figure sitting up in his bunk, holding fast with his left hand to a bulkhead strap while with the other he clung equally firmly to the neck of a scotch bottle, three parts empty. ‘Up the ship comes and down the ship goes but naught will come between the kindly shepherd and his mission of mercy to his queasy flock. You will join me in a post-prandial snifter, my good man?’

‘Later, Lonnie, later.’ Lonnie Gilbert knew and I knew and we both knew that the other knew that later would be too late, three inches of scotch in Lonnie’s hands had as much hope as the last meringue at the vicar’s tea-party, but the conventions had been observed, honour satisfied. ‘You weren’t at dinner, so I thought—’

‘Dinner!’ He paused, examined the word he’d just said for inflexion and intonation, decided his delivery had been lacking in a proper contempt and repeated himself. ‘Dinner! Not the hogswash itself, which I suppose is palatable enough for those who lack my esoteric tastes. It’s the hour at which it’s served. Barbaric. Even Attila the Hun—’

‘You mean you no sooner pour your apéritif than the bell goes?’

‘Exactly. What does a man do?’

Coming from our elderly production manager, the question was purely rhetorical. Despite the baby-clear blue eyes and faultless enunciation, Lonnie hadn’t been sober since he’d stepped aboard the Morning Rose: it was widely questioned whether he’d been sober for years. Nobody—least of all Lonnie—seemed to care about this, but this was not because nobody cared about Lonnie. Nearly all people did, in greater or lesser degrees, dependent on their own natures. Lonnie, growing old now, with all his life in films, was possessed of a rare talent that had never bloomed and never would now, for he was cursed—or blessed—with insufficient drive and ruthlessness to take him to the top, and mankind, for a not always laudable diversity of reasons, tends to cherish its failures: and Lonnie, it was said, never spoke ill of others and this, too, deepened the affection in which he was held except by the minority who habitually spoke ill of everyone.

‘It’s not a problem I’d care to be faced with myself,’ I said. ‘How are you feeling?’

‘Me?’ He inclined his bald pate 45 degrees backwards, tilted the bottle, lowered it and wiped a few drops of the elixir from his grey beard. ‘Never been ill in my life. Who ever heard of a pickled onion going sour?’ He cocked his head sideways. ‘Ah!’

‘Ah, what?’ He was listening, that I could see, but I couldn’t hear a damned thing except the crash of bows against seas and the metallic drumming vibration of the ancient steel hull which accompanied each downwards plunge.

‘“The horns of Elfland faintly blowing,”’ Lonnie said. ‘“Hark! The Herald Angels.”’

I harked and this time I heard. I’d heard it many times, and with steadily increasing horror, since boarding the Morning Rose, a screechingly cacophonous racket that was fit for heralding nothing short of Armageddon. The three perpetrators of this boiler-house bedlam of sound, Josh Hendriks’s young sound crew assistants, might not have been tone stone deaf but their classical musical education could hardly be regarded as complete, as not one of them could read a note of music. John, Luke and Mark were all cast in the same contemporary mould, with flowing shoulder-length hair and wearing clothes that gave rise to the suspicion that they must have broken into a gurus’ laundry. All their spare time was spent with recording equipment, guitar, drums and xylophone in the for’ard recreation room where they rehearsed, apparently night and day, against the moment of their big break-through into the pop-record world where they intended, appropriately enough, to bill themselves as ‘The Three Apostles’.

‘They might have spared the passengers on a night like this,’ I said.

‘You underestimate our immortal trio, my dear boy. The fact that you may be one of the most excruciating musicians in existence does not prevent you from having a heart of gold. They have invited the passengers along to hear them perform in the hope that this might alleviate their sufferings.’ He closed his eyes as a raucous bellow overlaid with a high-pitched scream as of some animal in pain echoed down the passageway outside. ‘The concert seems to have begun.’

‘You can’t fault their psychology,’ I said. ‘After that, an Arctic gale is going to seem like a summer afternoon on the Thames.’

‘You do them an injustice.’ Lonnie lowered the level in the bottle by another inch then slid down into his bunk to show that the audience was over. ‘Go and see for yourself.’

So I went and saw for myself and I had been doing them an injustice. The Three Apostles, surrounded by that plethora of microphones, amplifiers, speakers and arcane electronic equipment without which the latter-day troubadours will not—and, more importantly, cannot—operate, were performing on a low platform in one corner of the recreation room and maintaining their balance with remarkable ease largely, it seemed, because their bodily gyrations and contortions, as inseparable a part of their art as the electronic aids, seemed to synchronize rather well with the pitching and rolling of the Morning Rose. Rather conservatively, if oddly, clad in blue jeans and psychedelic caftans, and bent over their microphones in an attitude of almost acolytic fervour, the three young sound assistants were giving of their uninhibited best and from what little could be seen of the ecstatic expressions on faces eighty per cent concealed at any given moment by wildly swinging manes of hair, it was plain that they thought that their best approximated very closely to the sublime. I wondered, briefly, how angels would look with ear-plugs, then turned my attention to the audience.

There were fifteen in all, ten members of the production crew and five of the cast. A round dozen of them were very clearly the worse for wear, but their sufferings were being temporarily held in abeyance by the fascination, which stopped a long way short of rapture, induced by the Three Apostles who had now reached a musical crescendo accompanied by what seemed to be some advanced form of St Vitus’ Dance. A hand touched me on the shoulder and I looked sideways at Charles Conrad.

Conrad was thirty years old and was to be the male lead in the film, not yet a big-name star but building up an impressive international reputation. He was cheerful, ruggedly handsome, with a thatch of thick brown hair that kept falling over his eyes: he had eyes of the bluest blue and most gleamingly white perfect teeth—like his name, his own—that would have transported a dentist into ecstasies or the depths of despair, depending upon whether he was primarily interested in the aesthetic or economic aspects of his profession. He was invariably friendly, courteous and considerate, whether by instinct or calculated design it was impossible to say. He cupped his hand to my ear, nodded towards the performers.

‘Your contract specifies hairshirts?’

‘No. Why? Does yours?’

‘Solidarity of the working classes.’ He smiled, looking at me with an oddly speculative glint in his eyes. ‘Letting the opera buffs down, aren’t you?’

‘They’ll recover. Anyway, I always tell my patients that a change is as good as a rest.’ The music ceased abruptly and I lowered my voice about fifty decibels. ‘Mind you, this is carrying it too far. Fact is, I’m on duty. Mr Gerran is a bit concerned about you all.’

‘He wants his herd delivered to the cattle market in prime condition?’

‘Well, I suppose you all represent a pretty considerable investment to him.’

‘Investment? Ha! Do you know that that twisted old skinflint of a beer-barrel has not only got us at fire-sale prices but also won’t pay us a penny until shooting’s over?’

‘No, I didn’t.’ I paused. ‘We live in a democracy, Mr Conrad, the land of the free. You don’t have to sell yourselves in the slave market.’

‘Don’t we just! What do you know about the film industry?’

‘Nothing.’

‘Obviously. It’s in the most depressed state in its history. Eighty per cent of the technicians and actors unemployed. I’d rather work for pennies than starve.’ He scowled, then his natural good humour reasserted itself. ‘Tell him that his prop and stay, that indomitable leading man Charles Conrad, is fit and well. Not happy, mind you, just fit and well. To be happy I’d have to see him fall over the side.’

‘I’ll tell him all of that.’ I looked around the room. The Three Apostles, mercifully, were refreshing themselves, though clearly in need of something stronger than ginger ale. I said to Conrad: ‘This little lot will get to market.’

‘Instant mass diagnosis?’

‘It takes practice. It also saves time. Who’s missing?’

‘Well.’ He glanced around. ‘There’s Heissman—’

‘I’ve seen him. And Neal Divine. And Lonnie. And Mary Stuart—not that I’d expect her to be here anyway.’

‘Our beautiful but snooty young Slav, eh?’

‘I’ll go half-way with that. You don’t have to be snooty to avoid people.’

‘I like her too.’ I looked at him. I’d only spoken to him twice, briefly. I could see he meant what he said. He sighed. ‘I wish she were my leading lady instead of our resident Mata Hari.’

‘You can’t be referring to the delectable Miss Haynes?’

‘I can and I am,’ he said moodily. ‘Femmes fatales wear me out. You’ll observe she’s not among those present. I’ll bet she’s in bed with those two damned floppy-eared hounds of hers, all of them having the vapours and high on smelling salts.’

‘Who else is missing?’

‘Antonio.’ He was smiling again. ‘According to the Count—he’s his cabin-mate—Antonio is in extremis and unlikely to see the night out.’

‘He did leave the dining-room in rather a hurry.’ I left Conrad and joined the Count at his table. The Count, with a lean aquiline face, black pencil moustache, bar-straight black eyebrows and greying hair brushed straight back from his forehead, appeared to be in more than tolerable health. He held a very large measure of brandy in his hand and I did not have to ask to know that it would be the very best cognac obtainable, for the Count was a renowned connoisseur of everything from blondes to caviare, as precisely demanding a perfectionist in the pursuit of the luxuries of life as he was in the performance of his duties, which may have helped to make him what he was, the best lighting cameraman in the country and probably in Europe. Nor did I have to wonder where he had obtained the cognac from: rumour had it that he had known Otto Gerran a very long time indeed, or at least long enough to bring his own private supplies along with him whenever Otto went on safari. Count Tadeusz Leszczynski— which nobody ever called him because they couldn’t pronounce it—had learned a great deal about life since he had parted with his huge Polish estates, precipitately and for ever, in mid-September, 1939.

‘Evening, Count,’ I said. ‘At least, you look fit enough.’

‘Tadeusz to my peers. In robust health, I’m glad to say. I take the properly prophylactic precautions.’ He touched the barely perceptible bulge in his jacket. ‘You will join me in some prophylaxis? Your penicillins and aureomycins are but witches’ brews for the credulous.’

I shook my head. ‘Duty rounds, I’m afraid. Mr Gerran wants to know just how ill this weather is making people.’

‘Ah! Our Otto himself is fit?’

‘Reasonably.’

‘One can’t have everything.’

‘Conrad tells me that your room-mate Antonio may require a visit.’

‘What Antonio requires is a gag, a straightjacket and a nursemaid, in that order. Rolling around, sick all over the floor, groaning like some miscreant stretched out on the rack.’ The Count wrinkled a fastidious nose. ‘Most upsetting, most.’

‘I can well imagine it.’

‘For a man of delicate sensibilities, you understand.’

‘Of course.’

‘I simply had to leave.’

‘Yes. I’ll have a look at him.’ I’d just pushed my chair back to the limit of its securing chain when Michael Stryker sat down in a chair beside me. Stryker, a full partner in Olympus Productions, combined the two jobs, normally separate, of production designer and construction manager— Gerran never lost the opportunity to economize. He was a tall, dark and undeniably handsome man with a clipped moustache and could readily have been mistaken for a matinee idol of the mid-thirties were it not for the fashionably long and untidy hair that obscured about ninety per cent of the polo-necked silk sweater which he habitually affected. He looked tough, was unquestionably cynical and, from what little I had heard of him, totally amoral. He was also possessed of the dubious distinction of being Gerran’s son-in-law.

‘Seldom we see you abroad at this late hour, Doctor,’ he said. He screwed a long black Russian cigarette into an onyx holder with all the care of a precision engineer fitting the tappets on a Rolls- Royce engine, then held it up to the light to inspect the results. ‘Kind of you to join the masses, esprit de corps and what have you.’ He lit his cigarette, blew a cloud of noxious smoke across the table and looked at me consideringly. ‘On second thoughts, no. You’re not the esprit de corps type. We more or less have to be. You don’t. I don’t think you could. Too cool, too detached, too clinical, too observant—and a loner. Right?’

‘It’s a pretty fair description of a doctor.’

‘Here in an official capacity, eh?’

‘I suppose so.’

‘I’ll wager that old goat sent you.’

‘Mr Gerran sent me.’ It was becoming increasingly apparent to me that Otto Gerran’s senior associates were unlikely ever to clamour for the privilege of voting him into the Hall of Fame.

‘That’s the old goat I mean.’ Stryker looked thoughtfully at the Count. ‘A strange and unwonted solicitude on the part of our Otto, wouldn’t they say, Tadeusz? I wonder what lies behind it?’

The Count produced a chased silver flask, poured himself another generous measure of cognac, smiled and said nothing. I said nothing either because I’d already decided that I knew the answer to that one: even later on, in retrospect, I could not and did not blame myself, for I had arrived at a conclusion on the basis of the only facts then available to me. I said to Stryker: ‘Miss Haynes is not here. Is she all right?’

‘No, I’m afraid she’s no sailor. She’s pretty much under the weather but what’s a man to do? She’s pleading for sedatives or sleeping drugs and asking that I send for you, but of course I had to say no.’

‘Why?’

‘My dear chap, she’s been living on drugs ever since we came aboard this damned hell-ship.’ It was as well for his health, I thought, that Captain Imrie and Mr Stokes weren’t sitting at the same table. ‘Her own sea-sick tablets one moment, the ones you doled out the next, pep pills in between and barbiturates for dessert. Well, you know what would happen if she took sedatives or more drugs on top of that lot.’

‘No, I don’t. Tell me.’

‘Eh?’

‘Does she drink? Heavily, I mean?’

‘Drink? No. I mean, she never touches the stuff.’

I sighed. ‘Why don’t cobblers stick to their own lasts? I’ll leave films to you, you leave medicine to me. Any first-year medical student could tell you— well, never mind. Does she know what kind of tablets she’s taken today and how many—not that it could have been all that many or she’d have been unconscious by now?’

‘I should imagine so.’

I pushed back my chair. ‘Shell be asleep in fifteen minutes.’

‘Are you sure? I mean—’

‘Which is her room?’

‘First on the right in the passageway.’

‘And yours?’ I asked the Count.

‘First left.’

I nodded, rose, left, knocked on the first door on the right and went inside in response to a barely-heard murmur. Judith Haynes was sitting propped up in her bed with, as Conrad had predicted, a dog on either side of her—two rather beautiful and beautifully groomed cocker spaniels: I could not, however, catch any trace of smelling salts. She blinked at me with her rather splendid eyes and gave me a wan smile, at once tremulous and brave. My heart stayed where it was.

‘It was kind of you to come, Doctor.’ She had one of those dark molasses voices, as effective at close personal quarters as it was in a darkened cinema. She was wearing a pink quilted bed-jacket which clashed violently with the colour of her hair and, high round her neck, a green chiffon scarf, which didn’t. Her face was alabaster white. ‘Michael said you couldn’t help.’

‘Mr Stryker was being over-cautious.’ I sat down on the edge of the mattress and took her wrist. The cocker spaniel next me growled deep in its throat and bared its teeth. ‘If that dog bites me, I’ll clobber it.’

‘Rufus wouldn’t harm a fly, would you, Rufus darling?’

It wasn’t flies I was worried about but I kept silence and she went on with a sad smile: ‘Are you allergic to dogs, Doctor Marlowe?’

‘I’m allergic to dog bites.’

The smile faded until her face was just sad. I knew nothing about Judith Haynes except what I’d heard at second hand, and as all I’d heard had been from her colleagues in the industry I heavily discounted about ninety per cent of what had been told me: the only thing I had so far learned with any certainty about the film world was that back-biting, hypocrisy, double-dealing, innuendo and character assassination formed so integral a part of its conversational fabric that it was quite impossible to know where the truth ended and falsehood began. The only safe guide, I’d discovered, was to assume that the truth ended almost immediately.

Miss Haynes, it was said, claimed to be twenty-four and had been, on the best authority, for the past fourteen years. This, it was said darkly, explained her predilection for chiffon scarves, for it was there that the missing years showed: equally, she may just have liked chiffon scarves. With equal authority it was stated that she was a complete bitch, her only redeeming quality being her total devotion to her two cocker spaniels and even this back-handed compliment was qualified by the observation that as a human being she had to have something or somebody to love, something or somebody to return her affection. She had tried cats, it was said, but that hadn’t worked: the cats, apparently, didn’t love her back. But one thing was indisputable. Tall, slender, with wonderful titian hair and classically beautiful in the sculptured Greek fashion, Miss Haynes, it was universally conceded, couldn’t act for toffee. Nonetheless, she was a very hot box office attraction indeed: the combination of the wistfully regal expression, which was her trade-mark, and the startling contrast of her lurid private life saw to that. Nor was her career in any way noticeably hindered by the facts that she was the daughter of Otto Gerran, whom she was said to despise, the wife of Michael Stryker, whom she was said to hate, and a full partner in the Olympus Productions company.

There was nothing much wrong with her physical condition that I could see. I asked her how many tablets of various kinds she had consumed in the course of the day and after dithering about helplessly for a bit and totting up the score with the shapely and tapering forefinger of her right hand on the shapely and tapering fingers of her left—she was alleged to be able to add up pounds and dollars with the speed and accuracy of an IBM computer—she gave me some approximate figures and in return I gave her some tablets with instructions as to how many and when to take them, then left. I didn’t prescribe any sedatives for the dogs—they looked OK to me.

The cabin occupied by the Count and Antonio was directly opposite across the passageway. I knocked twice, without reply, went inside and saw why there had been no reply: Antonio was there all right, but I could have knocked until doomsday and Antonio would not have heard me, for Antonio would never hear anything again. From the Via Veneto via Mayfair to die so squalidly in the Barents Sea: for the gay and laughing Antonio there could never have been a right or proper or suitable place to die, for if ever I’d met a man in love with life it had been Antonio: and for this cosseted creature of the sybaritic salons of the capitals of Europe to die in those bleak and indescribably bitter surroundings was so incongruous as to be shocking, so unreal as to momentarily suspend both belief and comprehension. But there he was, just there, lying there at my feet, very real, very dead.

The cabin was full of the sour-sweet smell of sickness and there was physical evidence of that sickness everywhere. Antonio lay not on his bunk but on the carpeted deck beside it, his head arched impossibly far back until it was at right angles to his body. There was blood, a great deal of blood, not yet congealed, on his mouth and on the floor by his mouth. The body was contorted into an almost impossible position, arms and legs outflung at grotesque angles, the knuckles showing ivory. Rolling around, the Count had said, sick, a man on the rack, and he hadn’t been so far out at that, for Antonio had died as a man on the rack dies, in agony. Surely to God he must have cried out, even although his throat would have been blocked most of the time, he must have screamed, he must have, he would have been unable to prevent himself: but with the Three Apostles in full cry, his cries would have gone unheeded. And then I remembered the scream I had heard when I’d been talking to Lonnie Gilbert in his cabin and I could feel the hairs prickling on the back of my neck: I should have known the difference between the high-pitched yowling of a rock singer and the scream of a man dying in torment.

I knelt, made a cursory examination, finding out no more in the process than any layman would have done, closed the staring eyes and then, with the advent of rigor mortis in mind, straightened out the contorted limbs with an ease that I found vaguely surprising. Then I left the cabin, locked the door and hesitated for only a moment before dropping the key in my pocket: if the Count were possessed of the delicate sensibilities he claimed, he’d be glad I’d taken the key with me.

CHAPTER TWO

‘Dead?’ Otto Gerran’s puce complexion had deepened to a shade where I could have sworn it was overlaid with indigo. ‘Dead, did you say?’

‘That’s what I said.’ Otto and I were alone in the dining saloon: it was ten o’clock now and at nine-thirty sharp Captain Imrie and Mr Stokes invariably left for their cabins, where they would remain incommunicado for the next ten hours. I lifted from Otto’s table a bottle of raw fire-water on which someone had unblushingly stuck a label claiming that the contents were brandy, took it to the stewards’ pantry, returned with a bottle of Hine and sat down. It said much for Otto’s unquestioned state of shock that not only had he not appeared to note my brief absence, he even stared directly at me, unblinkingly and I’m sure unseeingly, as I poured out two fingers for myself: he registered no reaction whatsoever. Only something pretty close to a state of total shock could have held Otto’s parsimonious nature in check and I wondered what the source of this shock might be. True, the news of the death of anyone you knew can come as a shock, but it comes as a numbing shock only when the nearest and dearest are involved, and if Otto had even a measurable amount of affection for anyone, far less for the unfortunate Antonio, he concealed it with great skill. Perhaps he was, as many are, superstitious about death at sea, perhaps he was concerned with the adverse effect it might have on cast and crew, maybe he was bleakly wondering where, in the immensity of the Barents Sea, he could lay hands on a make-up artist, hairdresser and wardrobe man, for Otto, in the sacred name of economy, had combined all three normally separate jobs in the person of one man, the late Antonio. With a visibly conscious effort of will-power he looked away from the Hine bottle and focused his eyes on me.

‘How can he be dead?’

‘His heart’s stopped. His breathing’s stopped. That’s how he can be dead. That’s how anyone can be dead.’

Otto reached out for the bottle of Hine and splashed some brandy into a glass. He didn’t pour it, he literally splashed it, the spreading stain on the white tablecloth as big as my hand: his own hand was shaking as badly as that. He poured out three fingers as compared to my two, which may not sound so very much more but then Otto was using a balloon glass whereas mine was a tulip. Tremblingly, he lifted the glass to his mouth and half of its contents disappeared in one gulp, most of it down his throat but a fair proportion on his shirt-front. It occurred to me, not for the first time, that if ever I found myself in a situation where all seemed lost, and the only faint hope of life depended on having one good man and true standing by my right shoulder, the name of Otto Gerran was not one that would leap automatically to my mind.

‘How did he die?’ The brandy had done some good. Otto’s voice was low just above a whisper, but it was steady.

‘In agony, I would say. If you mean why did he die, I don’t know.’

‘You don’t know? You—you’re supposed to be a doctor.’ Otto was having the greatest difficulty in remaining in his seat: with one hand clutching the brandy glass, the other was barely sufficient to anchor his massive weight against the wild plunging of the Morning Rose. I said nothing so he went on: ‘Was it sea-sickness? Could that have done it?’

‘He was sea-sick, all right.’

‘But you said a man doesn’t die just from that.’

‘He didn’t die just from that.’

‘An ulcerated stomach, you said. Or heart. Or asthma—’

‘He was poisoned.’

Otto stared at me for a moment, his face registering no comprehension, then he set his glass on the table and pushed himself abruptly to his feet, no mean accomplishment for a man of his bulk. The trawler rolled wickedly. I leaned quickly forward, snatched up Otto’s glass just as it began to topple and at the same moment Otto lurched to one side and staggered across to the starboard— the lee—door of the saloon leading to the upper deck. He flung this open and even above the shrieking of the wind and the crash of the seas I could hear him being violently sick. Presently he re-entered, closed the door, staggered across the deck and collapsed into his chair. His face was ashen, I handed him his glass and he drained the contents, reached out for the bottle and re-filled his glass. He drank some more and stared at me.

‘Poison?’

‘Looked like strychnine. Had all—’

‘Strychnine? Strychnine! Great God! Strychnine! You—you’ll have to carry out a post-mortem, an—an autopsy.’

‘Don’t talk rubbish. I’ll carry out no such thing, and for a number of excellent reasons. For one thing, have you any idea what an autopsy is like? It’s a very messy business indeed, I can assure you. I haven’t the facilities. I’m not a specialist in pathology—and you require one for an autopsy. You require the consent of the next of kin—and how are you going to get that in the middle of the Barents Sea? You require a coroner’s order—no coroner. Besides, a coroner only issues an order where there’s a suspicion of foul play. No such suspicion exists here.’

‘No—no foul play? But you said—’

‘I said it looked like strychnine. I didn’t say it was strychnine. I’m sure it’s not. He seemed to show the classical symptoms of having had tetanic spasms and opisthotonos—that’s when the back arches so violently that the body rests on the head and the heels only—and his face showed pure terror: there’s nearly always this conviction of impending death at the onset of strychnine poisoning. But when I straightened him out there were no signs of tetanic contractions. Besides, the timing is all wrong. Strychnine usually shows its first effects within ten minutes and half an hour after taking the stuff you’re gone. Antonio was at least twenty minutes here with us at dinner and there was nothing wrong with him then—well, sea-sickness, that’s all. And he died only minutes ago—far too long. Besides, who on earth would want to do away with a harmless boy like Antonio? Do you have in your employ a raving psycho who kills just for the kicks of it? Does it make any kind of sense to you?’

‘No. No, it doesn’t. But—but poison. You said—’

‘Food poisoning.’

‘Food poisoning! But people don’t die of food poisoning. You mean ptomaine poisoning?’

‘I mean no such thing for there is no such thing. You can eat ptomaines to your heart’s content and you’ll come to no harm. But you can get all sorts of food poisoning—chemically contaminated— mercury in fish, for instance—edible mushrooms that aren’t edible mushrooms, edible mussels that aren’t edible mussels—but the nasty one is salmonella. And that can kill, believe me. Just at the end of the war one variety of it, salmonella enteritidis, laid low about thirty people in Stoke-on-Trent. Six of them died. And there’s an even nastier one called clostridium botulinum—a kind of half-cousin of botulinus, a charming substance that is guaranteed to wipe out a city in a night—the Ministry of Health makes it. This clostidium secretes an exotoxin—a poison—which is probably the most powerful occurring in nature. Between the wars a party of tourists at Loch Maree in Scotland had a picnic lunch—sandwiches filled with potted duck paste. Eight of them had this. All eight died. There was no cure then, there is no cure now. Must have been this or something like this that Antonio ate.’

‘I see, I see.’ He had some more brandy, then looked up at me, his eyes round. ‘Good God! Don’t you see what this means, man! We’re all at risk, all of us. This dostridium or whatever you call it could spread like wildfire—’

‘Rest easy. It’s neither infectious nor contagious.’

‘But the galley—’

‘You think that hadn’t occurred to me? The source of infection can’t be there. If it were, we’d all be gone—I assume that Antonio—before his appetite deserted him, that was—had the same as all of us. I didn’t pay any particular attention but I can find out probably from the people on either side of him—I’m sure they were the Count and Cecil.’

‘Cecil?’

‘Cecil Golightly—your camera focus assistant or something like that.’

‘Ah! The Duke.’ For some odd reason Cecil, a diminutive, shrewd and chirpy little Cockney sparrow was invariably known as the Duke, probably because it was so wildly unsuitable. ‘That little pig see anything! He never lifts his eyes from the table. But Tadeusz—well, now, he doesn’t miss much.’

‘I’ll ask. I’ll also check the galley, the food store and the cold room. Not a chance in ten thousand— I think we’ll find that Antonio had his own little supply of tinned delicacies—but I’ll check anyway. Do you want me to see Captain Imrie for you?’

‘Captain Imrie?’

I was patient. ‘The master must be notified. The death must be logged. A death certificate must be issued—normally, he’d do it himself but not with a doctor aboard—but I’ll have to be authorized. And he’ll have to make preparations for the funeral. Burial at sea. Tomorrow morning, I should imagine.’

He shuddered. ‘Yes, please. Please do that. Of course, of course, burial at sea. I must go and see John at once and tell him about this awful thing.’ By ‘John’ I assumed he meant John Cummings Goin, production accountant, company accountant, senior partner in Olympus Productions and widely recognized as being the financial controller— and so in many ways the virtual controller—of the company. ‘And then I’m going to bed. Yes, yes, to bed. Sounds terrible, I know, poor Antonio lying down there, but I’m dreadfully upset, really dreadfully upset.’ I couldn’t fault him on that one, I’d rarely seen a man look so unhappy.

‘I can bring a sedative to your cabin.’

‘No, no, I’ll be all right.’ Unthinkingly, almost, he picked up the bottle of Hine, thrust it into one of the capacious pockets of his tent-like jacket and staggered from the saloon. As far as insomnia was concerned, Otto clearly preferred homemade remedies to even the most modern pharmaceutical products.

I went to the starboard door, opened it and looked out. When Smithy had said that the weather wasn’t going to improve, he’d clearly been hedging his bets: conditions were deteriorating and, if I were any judge, deteriorating quite rapidly. The air temperature was now well below freezing and the first thin flakes of snow were driving by overhead, almost parallel to the surface of the sea. The waves were now no longer waves, just moving masses of water, capriciously tending, it seemed, in any and all directions, but in the main still bearing mainly easterly. The Morning Rose was no longer just cork-screwing, she was beginning to stagger, falling into a bridge-high trough with an explosive impact more than vaguely reminiscent of the flat, whip-like crack of a not so distant naval gun, then struggling and straining to right herself only to be struck by a following wall of water that smashed her over on her beam ends again. I leaned farther outwards, looking upwards and was vaguely puzzled by the dimly seen outline of the madly flapping flag on the foremast: puzzled, because it wasn’t streaming out over the starboard side, as it should have been, but towards the starboard quarter. This meant that the wind was moving round to the north-east and what this could portend I could not even guess: I vaguely suspected that it wasn’t anything good. I went inside, yanked the door closed with some effort, made a silent prayer for the infinitely reassuring and competent presence of Smithy on the bridge, made my way to the stewards’ pantry again and helped myself to a bottle of Black Label, Otto having made off with the last of the brandy—the drinkable brandy, that is. I took it across to the captain’s table, sat in the captain’s chair, poured myself a small measure and stuck the bottle in Captain Imrie’s convenient wrought-iron stand.

I wondered why I hadn’t told Otto the truth. I was a convincing liar, I thought, but not a compulsive one: probably because Otto struck me as being far from a stable character and with several more pegs of brandy inside him, in addition to what he had already consumed, he seemed less than the ideal confidant.

Antonio hadn’t died because he’d taken or been given strychnine. Of that I was quite certain. I was equally certain that he hadn’t died from clostridium botulinum either. The exotoxin from this particular anaerobe was quite as deadly as I had said but, fortunately, Otto had been unaware that the incubation period was seldom less than four hours and, in extreme cases, had been known to be as long as forty-eight—not that the period of incubation delay made the final results any less fatal. It was faintly possible that Antonio might have scoffed, say, a tin of infected truffles or suchlike from his homeland in the course of the afternoon, but in that case the symptoms would have been showing at the dinner table, and apart from the odd chartreuse hue I’d observed nothing untoward. It had to be some form of systematic poison, but there were so many of them and I was a long way from being an expert on the subject. Nor was there any necessary question of foul play: more people die from accidental poisoning than from the machinations of the ill-disposed.

The lee door opened and two people came staggering into the room, both young, both bespectacled, both with faces all but obscured by windblown hair. They saw me, hesitated, looked at each other and made to leave, but I waved them in and they came, closing the door behind them. They staggered across to my table, sat down, pushed the hair from their faces and I identified them as Mary Darling, our continuity girl, and Allen—nobody knew whether he had another name or whether that was his first or second one—the clapper/loader. He was a very earnest youth who had recently been asked to leave his university. He was an intelligent lad but easily bored. Intelligent but a bit short on wisdom—he regarded film-making as the most glamorous job on earth.

‘Sorry to break in on you like this, Dr Marlowe.’ Allen was very apologetic, very respectful. ‘We had no idea—to tell you the truth we were both looking for a place to sit down.’

‘And now you’ve found a place. I’m just leaving. Try some of Mr Gerran’s excellent scotch— you both look as if you could do with a little.’ They did, indeed, look very pale indeed.

‘No, thank you, Dr Marlowe. We don’t drink.’ Mary Darling—everyone called her Mary darling— was cast in an even more earnest mould than Allen and had a very prim voice to go with it. She had very long, straight, almost platinum hair that fell any old how down her back and that clearly hadn’t been submitted to the attentions of a hairdresser for years: she must have broken Antonio’s heart. She wore a habitually severe expression, enormous horn-rimmed glasses, no make-up—not even lipstick—and had about her a businesslike, competent, no-nonsense, I can-take-care-of-myself-thank-you attitude that was so transparently false that no one had the heart to call her bluff.

‘No room at the inn?’ I asked.

‘Well,’ Mary darling said, ‘it’s not very private down in the recreation room, is it? As for those three young—young—’

‘The Three Apostles do their best,’ I said mildly. ‘Surely the lounge was empty?’

‘It was not.’ Allen tried to look disapproving but I thought his eyes crinkled. ‘There was a man there. In his pyjamas. Mr Gilbert.’

‘He had a big bunch of keys in his hands.’ Mary darling paused, pressed her lips together, and went on: ‘He was trying to open the doors where Mr Gerran keeps all his bottles.’

‘That sounds like Lonnie,’ I agreed. It was none of my business. If Lonnie found the world so sad and so wanting there was nothing much I or anybody could do about it: I just hoped that Otto didn’t catch him at it. I said to Mary: ‘You could always try your cabin.’

‘Oh, no! We couldn’t do that.’

‘No, I suppose not.’ I tried to think why not, but I was too old. I took my leave and passed through the stewards’ pantry into the galley. It was small, compact, immaculately clean, a minor culinary symphony in stainless steel and white tile. At this late hour I had expected it to be deserted, but it wasn’t: Haggerty, the chief cook, with his regulation chef’s hat four-square on his greying clipped hair, was bent over some pots on a stove. He turned round, looked at me in mild surprise.

‘Evening, Dr Marlowe.’ He smiled. ‘Carrying out a medical inspection of my kitchen?’

‘With your permission, yes.’

He stopped smiling. ‘I’m afraid I do not understand, sir.’ He could be very stiff, could Haggerty, twenty-odd years in the Royal Navy had left their mark.

‘I’m sorry. Just a formality. We seem to have a case of food poisoning aboard. I’m just looking around.’

‘Food poisoning! Not from this galley, I can assure you. Never had a case in my life.’ Haggerty’s injured professional pride quite overcame any humanitarian concern he might have had about the identity of the victim or how severe his case was. ‘Twenty-seven years as a cook in the Andrew, Dr Marlowe, last six as Chief on a carrier, and if I’m to be told I don’t run a hygienic galley—’

‘Nobody’s telling you anything of the sort.’ I used to him the tone he used to me. ‘Anyone can see the place is spotless. If the contamination came from this galley, it won’t be your fault.’

‘It didn’t come from this galley.’ Haggerty had a square ruddy face and periwinkle blue eyes: the complexion, suffused with anger, was now two shades deeper and the eyes hostile. ‘Excuse me, I’m busy.’ He turned his back and started rattling his pots about. I do not like people turning their backs on me when I am talking to them and my instinctive reaction was to make him face me again, but I reflected that his pride had been wounded, justifiably so from his point of view, so I contented myself with the use of words.

‘Working very late, Mr Haggerty?’

‘Dinner for the bridge,’ he said stiffly. ‘Mr Smith and the bo’sun. They change watches at eleven and eat together then.’

‘Let’s hope they’re both fit and well by twelve.’

He turned very slowly. ‘What’s that supposed to mean?’

‘I mean that what’s happened once can happen again. You know you haven’t expressed the slightest interest in the identity of the person who’s been poisoned or how ill that person is?’

‘I don’t know what you mean, sir.’

‘I find it very peculiar. Especially as the person became violently ill just after eating food prepared in this galley.’

‘I take orders from Captain Imrie,’ he said obliquely. ‘Not from passengers.’

‘You know where the captain is at this time of night. In bed and very, very sound. It’s no secret. Wouldn’t you like to come with me and see what you’ve done? To look at this poisoned person.’ It wasn’t very nice of me but I didn’t see what else I could do.

‘To see what I’ve done!’ He turned away again, deliberately placed his pots to one side and removed his chef’s hat. ‘This had better be good, Doctor.’

I led the way below to Antonio’s cabin and unlocked the door. The smell was revolting. Antonio lay as I had left him, except that he looked a great deal more dead now than he had done before: the blood had drained from face and hands leaving them a transparent white. I turned to Haggerty.

‘Good enough?’

Haggerty’s face didn’t turn white because ruddy faces with a mass of broken red veins don’t turn that way, but it did become a peculiar muddy brick colour. He stared down at the dead man for perhaps ten seconds, then turned away and walked quickly up the passage. I locked the door and followed, staggering from side to side of the passage as the Morning Rose rolled wickedly in the great troughs. I made my erratic way through the dining saloon, picked up the Black Label from Captain Imrie’s wrought-iron stand, smiled pleasantly at Mary darling and Allen—God knows what thoughts were in their minds as I passed through—and returned to the galley. Haggerty joined me after thirty seconds. He was looking ill and I knew he had been ill. I had no doubt that he had seen a great deal during his lifetime at sea but there is something peculiarly horrifying about the sight of a man who has died violently from poisoning. I poured him three fingers of scotch and he downed it at a gulp. He coughed, and either the coughing or the scotch brought some colour back to his face.

‘What was it?’ His voice was husky. ‘What— what kind of poison could kill a man like that? God, I’ve never seen anything so awful.’

‘I don’t know. That’s what I want to find out. May I look round now?’

‘Christ, yes. Don’t rub it in, Doctor—well, I didn’t know, did I? What do you want to see first?’

‘It’s ten past eleven,’ I said.

‘Ten past—my God, I’d forgotten all about the bridge.’ He prepared the bridge dinner with remarkable speed and efficiency—two cans of orange juice, a tin opener, a flask of soup, and then the main course in snap-lidded metal canteens. Those he dumped in a wicker basket along with cutlery and two bottles of beer and the whole preparation took just over a minute.

While he was away—which wasn’t for more than two minutes—I examined what little open food supplies Haggerty carried in his galley, both on shelves and in a large refrigerator. Even had I been capable of it, which I wasn’t, I’d no facilities aboard for analysing food, so I had to rely on sight, taste and smell. There was nothing amiss that I could see. As Haggerty had said, he ran a hygienic galley, immaculate food in immaculate containers.

Haggerty returned. I said, Tonight’s menu, again.’

‘Orange juice or pineapple juice, oxtail—’

‘All tinned?’ He nodded. ‘Let’s see some.’ I opened two tins of each, six in all, and sampled them under Haggerty’s now very apprehensive eye. They tasted the way those tinned products usually taste, which is to say that they didn’t taste of anything very much at all, but all perfectly innocuous in their pallid fashion.

‘Main course?’ I said. ‘Lamb chops, brussels, horseradish, boiled potatoes?’

‘Right. But these things aren’t kept here.’ He took me to the adjacent cool room, where the fruits and vegetables were stored, thence below to the cold room, where sides of beef and pork and mutton swung eerily from steel hooks in the harsh light of naked bulbs. I found precisely what I had expected to find, nothing, told Haggerty that whatever had happened was clearly no fault of his, then made my way to the upper deck and along an interior passage till I came to Captain Imrie’s cabin. I tried the handle, but it was locked. I knocked several times, without result. I hammered it until my knuckles rebelled, then kicked it, all with the same result: Captain Imrie had still about nine hours’ sleep coming up and the relatively feeble noises I was producing had no hope of penetrating to the profound depths of unconsciousness he had now reached. I desisted. Smithy would know what to do.

I went to the galley, now deserted by Haggerty, and passed through the pantry into the dining saloon. Mary darling and Allen were sitting on a bulkhead settee, all four hands clasped together, pale—very pale—faces about three inches apart, gazing into each other’s eyes in a kind of mystically miserable enchantment. It was axiomatic, I knew, that shipboard romances flourished more swiftly than those on land, but I had thought those phenomena were confined to the Bahamas and suchlike balmy climes: aboard a trawler in a full gale in the Arctic I should have thought that some of the romantically essential prerequisites were wholly absent or at least present in only minimal quantities. I took Captain Imrie’s chair, poured myself a small drink and said ‘Cheers!’

They straightened and jumped apart as if they’d been connected to electrodes and I’d just made the switch. Mary darling said reproachfully: ‘You did give us a fright, Dr Marlowe.’

‘I’m sorry.’

‘Anyway, we were just leaving.’

‘Now I’m really sorry.’ I looked at Allen. ‘Quite a change from university, isn’t it?’

He smiled wanly. ‘There is a difference.’

‘What were you studying there?’

‘Chemistry.’

‘Long?’

‘Three years. Well, almost three years.’ Again the wan smile. ‘It took me all that time to find out I wasn’t much good at it.’

‘And you’re now?’

‘Twenty-one.’

‘All the time in the world to find out what you are good at. I was thirty-three before I qualified as a doctor.’

‘Thirty-three.’ He didn’t say it but his face said it for him: if he was that old when he qualified what unimaginable burden of years is he carrying now? ‘What did you do before then?’

‘Nothing I’d care to talk about. Tell me, you two were at the captain’s table for dinner tonight, weren’t you?’ They nodded. ‘Seated more or less opposite Antonio, weren’t you?’

‘I think so,’ Allen said. That was a good start. He just thought so.

‘He’s not well. I’m trying to find out if he ate something that disagreed with him, something he may have been allergic to. Either of you see what he had to eat?’

They looked at each other uncertainly.

‘Chicken?’ I said encouragingly. ‘Perhaps some French fries?’

‘I’m sorry, Dr Marlowe,’ Mary darling said. ‘I’m afraid—well, we’re not very observant.’ No help from this quarter, obviously they were so lost in each other that they couldn’t even remember what they had eaten. Or perhaps they just hadn’t eaten anything. I hadn’t noticed. I hadn’t been very observant myself. But then, I hadn’t been expecting a murder to happen along.

They were on their feet now, clinging to each other for support as the deck tried to vanish from beneath their feet. I said: ‘If you’re going below I wonder if you’d ask Tadeusz if he’d be kind enough to come up and see me here. He’ll be in the recreation room.’

‘He might be in bed,’ Allen said. ‘Asleep.’

‘Wherever he is,’ I said with certainty, ‘he’s not in bed.’

Tadeusz appeared within a minute, reeking powerfully of brandy, a vexed expression on his aristocratic features. He said without preamble: ‘Damned annoying. Most damned annoying. Do you know where I can find a master key? That idiot Antonio has gone and locked our cabin door from the inside and he must be hopped to the eyebrows with sedatives. Simply can’t waken him. Cretin!’

I produced his cabin key. ‘He didn’t lock the door from the inside. I did from the outside.’ The Count looked at me for an uncomprehending moment, then mechanically reached for his flask as shocked understanding showed in his face. Not too much shock, just a little, but I was sure that what little there was was genuine. He tilted the flask and two or three drops trickled into his glass. He reached for the Black Label, helped himself with a steady but generous hand and drank deeply.

‘He couldn’t hear me? He—he is beyond hearing?’

‘I’m sorry. Something he ate, I can’t think what else, some killer toxin, some powerful, quick-acting and deadly poison.’

‘Quite dead?’ I nodded. ‘Quite dead,’ he repeated. ‘And I told him to stop making such a grand opera Latin fuss and walked away and left a dying man.’ He drank some more scotch and grimaced, an expression that was no reflection on Johnnie Walker. ‘There are advantages in being a lapsed Catholic, Dr Marlowe.’

‘Rubbish. Sackcloth and ashes not only don’t help, they’re simply just not called for here. All right, so you didn’t suspect there was anything wrong with him. I saw him at table and I wasn’t any cleverer and I’m supposed to be a doctor. And when you left him in the cabin it was too late anyway: he was dying then.’ I helped him to some more scotch but left my own glass untouched: even one relatively sober mind around might prove to be of some help, although just how I couldn’t quite see at that moment. ‘You sat beside him at dinner. Can you remember what you ate?’

‘The usual.’ The Count, it was clear, was more shaken than his aristocratic nature would allow him to admit ‘Rather, he didn’t eat the usual.’

‘I’m not in the right frame of mind for riddles, Tadeusz.’

‘Grapefruit and sunflower seeds. That was about what he lived on. One of those vegetarian nuts.’

‘Walk softly, Tadeusz. Those nuts may yet be your pallbearers.’

The Count grimaced again. ‘A singularly ill-chosen remark. Antonio never ate meat. And he’d a thing against potatoes. So all he had were the sprouts and horseradish. I remember particularly well because Cecil and I gave him our horseradish, to which, it seems, he was particularly partial.’ The Count shuddered. ‘A barbarian food, fit only for ignorant Anglo-Saxon palates. Even young Cecil has the grace to detest meat offal.’ It was noteworthy that the Count was the only person in the film unit who did not refer to Cecil Golightly as the Duke: perhaps he thought he was being upstaged in the title stakes but, more probably, as a dyed-in-the-wool aristocrat himself, he objected to people taking frivolous liberties with titles.

‘He had fruit juice?’

‘Antonio had his own homemade barley water.’ The Count smiled faintly. ‘It was his contention that everything that came out of a can had been adulterated before it went into that can. Very strict on those matters, was Antonio.’

‘Soup? Any of that?’

‘Ox-tail?’

‘Of course. Anything else? That he ate, I mean?’

‘He didn’t even finish his main course—well, his sprouts and radish. You may recall that he left very hurriedly.’

‘I recall. Was he liable to sea-sickness?’

‘I don’t know. Don’t forget, I’ve known him no longer than yourself. He’s been a bit off-colour for the past two days. But then, who hasn’t?’

I was trying to think up another penetrating question when John Cummings Goin entered. His unusual surname he’d inherited from a French grandfather in the High Savoy, where, apparently, this was not an altogether uncommon name. The film crew, inevitably, referred to him as Comin’ and Goin’, but Goin was probably wholly unaware of this: he was not the sort of man with whom one took liberties.

Any other person entering the dining saloon from the main deck on a night like that would have presented an appearance that would have varied from the wind-blown to the dishevelled. Not one hair of Goin’s black, smooth, centre-parted, brushed-back hair was out of place: had I been told that he eschewed the standard proprietary hairdressing creams in favour of cow-hide glue, I would have seen no reason to doubt it. And the hairstyle was typical of the man—everything smooth, calm, unruffled and totally under control. In one area only did the comparison fall down. The hairstyle was slick, but Goin wasn’t: he was just plain clever. He was of medium height, plump without being fat, with a smooth, unlined face. He was the only man I’d ever seen wearing pince-nez, and that only for the finest of fine print which, in Goin’s line of business, came his way quite often: the pince-nez looked so inevitable that it was unthinkable that he should ever wear any other type of reading aid. He was, above all, a civilized man and urbane in the best sense of the word.

He picked up a glass from a rack, timed the wild staggering of the Morning Rose to walk quickly and surely to the seat on my right, picked up the Black Label and said: ‘May I?’

‘Easy come, easy go,’ I said. ‘I’ve just stolen it from Mr Gerran’s private supply.’

‘Confession noted.’ He helped himself. ‘This makes me an accessory. Cheers.’

‘I assume you’ve just come from Mr Gerran,’ I said.

‘Yes. He’s most upset. Sad, sad, about that poor young boy. An unfortunate business.’ That was something else about Goin, he always got his priorities right: the average company accountant, confronted with the news of the death of a member of a team, would immediately have wondered how the death would affect the project as a whole: Goin saw the human side of it first Or, I thought, he spoke of it first: I knew I was being unfair to him. He went on: ‘I understand you’ve so far been unable to establish the cause of death.’ Diplomacy, inevitably, was second nature to Goin: he could so easily and truthfully have said that I just hadn’t a clue.

So I said it for him. ‘I haven’t a clue.’

‘You’ll never get to Harley Street talking that way.’

‘Poison, that’s certain. But that’s all that’s certain. I carry the usual sea-going medical library around with me, but that isn’t much help. To identify a poison you must be able either to carry out a chemical analysis or observe the poison at work on the victim—most of the major poisons have symptoms peculiar to themselves and follow their own highly idiosyncratic courses. But Antonio was dead before I got to him and I lack the facilities to do any pathological work, assuming I could do it in the first place.’

‘You’re destroying all my faith in the medical profession. Cyanide?’

‘Impossible. Antonio took time to die. A couple of drops of hydrocyanic—prussic acid—or even a tiny quantity of pharmacopoeial acid, and that’s only two per cent of anhydrous prussic acid—and you’re dead before your glass hits the floor. And cyanide makes it murder, it always makes it murder. There’s no way I know of it can be administered by accident. Antonio’s death, I’m certain, was an accident.’

Goin helped himself to some more scotch. ‘What makes you so certain it was an accident?’

‘What makes me so certain?’ That was a difficult one to answer off the cuff owing to the fact that I was convinced it was no accident at all. ‘First, there was no opportunity for the administering of poison. We know that Antonio was alone in his cabin all afternoon right until dinner-time.’ I looked at the Count. ‘Did Antonio have any private food supplies with him in his cabin?’

‘How did you guess?’ the Count looked surprised.

‘I’m not guessing. I’m eliminating. He had?’

‘Two hampers. Full of glass jars—I think I mentioned that Antonio would never eat anything out of a tin—with all sorts of weird vegetable products inside, including dozens of baby food jars with all sorts of purees in them. A very finicky eater, was poor Antonio.’

‘So I’m beginning to gather. I think our answer will lie there. I’ll have Captain Imrie impound his supplies and have them analysed on our return. To get back to the opportunity factor. Antonio came up to the dining saloon here, had the same as the rest of us—’

‘No fruit juices, no soup, no lamb chops, no potatoes,’ the Count said.

‘None of those. But what he did have we all had. Then straight back to his cabin. In the second place, who would want to kill a harmless person like that—especially as Antonio was a total stranger to all of us and only joined us at Wick for the first time? And who but a madman would administer a deadly poison in a closed community like this, knowing that he couldn’t escape and that Scotland Yard would be leaning over the quay walls in Wick, just waiting for our return?’

‘Maybe that’s the way a madman would figure a sane person would figure,’ Goin said.

‘What English king was it who died of a surfeit of lampreys?’ the Count said. ‘If you ask me, our unfortunate Antonio may well have perished from a surfeit of horseradish.’

‘Like enough.’ I pushed back my chair and made to rise. But I didn’t get up immediately. Way back in the dim and lost recesses of my mind the Count had triggered off a tiny bell, an infinitesimal tinkle so distant and remote that if I hadn’t been listening with all my ears I’d have missed it completely: but I had been listening, the way people always listen when they know, without knowing why, that the old man with the scythe is standing there in the wings, winding up for the back stroke. I knew both men were watching me. I sighed. ‘Decisions, decisions. Antonio has to be attended to—’

‘With canvas?’ Goin said.

‘With canvas. Count’s cabin cleaned up. Death has to be logged. Death certificate. And Mr Smith will have to make the funeral arrangements.’

‘Mr Smith?’ The Count was vaguely surprised. ‘Not our worthy commanding officer.’

‘Captain Imrie is in the arms of Morpheus,’ I said. ‘I’ve tried.’

‘You have your deities mixed up,’ Goin said. ‘Bacchus is the one you’re after.’

‘I suppose it is. Excuse me, gentlemen.’

I went directly to my cabin but not to write out any death certificate. As I’d told Goin, I did carry a medical library of sorts around with me and it was of a fair size. I selected several books, including Glaister’s Medical Jurisprudence and Toxicology, 9th edition (Edinburgh 1950), Dewar’s Textbook of Forensic Pharmacy (London 1946) and Gonzales, Vance and Helpern’s Legal Medicine and Toxicology, which seemed to be a pre-war book. I started consulting indices and within five minutes I had it.

The entry was listed under ‘Systematic Poisons’ and was headed ‘Aconite. Bot A poisonous plant of the order Ranunculaceae. Particular reference Monkshood and Wolfsbane. Phar. Aconitum napellus. This, and aconitine, an alkaloid extract of the former, is commonly regarded as the most lethal of all poisons yet identified: a dose of not more than 0.004 gm is deadly to man. Aconite and its alkaloid produce a burning and peculiar tingling and numbing effect where applied. Later, especially with larger doses, violent vomiting results, followed by paralysis of motion, paralysis of sensation and great depression of the heart, followed by death from syncope.

‘Treatment. To be successful must be immediate as possible. Gastric lavage, 12 gm of tannic acid in two gallons of warm water, followed by 1.2 gm Unnic acid in 180 ml tepid water: this should be followed by animal charcoal suspended in water. Cardiac and respiratory stimulants, artificial respiration and oxygen will be necessary as indicated.

‘N.B. The root of aconite has frequently been eaten in mistake for that of horseradish.’

CHAPTER THREE

I was still looking at, but no longer reading the article on Aconite when it was gradually borne in upon my preoccupation that there was something very far amiss with the Morning Rose. She was still under way, her elderly oil-fired steam engines throbbing along as dependably as ever, but her motion had changed. Her rolling factor had increased till she was swinging wickedly and dismayingly through an angle of close on 70 degrees: the pitching factor had correspondingly decreased and the thudding jarring vibration of the bluff bows smashing into the quartering seas had fallen away to a fraction of what it had previously been.

I marked the article, closed the book, then lurched and stumbled—I could not be said to have run for it was physically impossible—along the passageway, up the companionway, through the lounge and out on to the upper deck. It was dark but not so dark as to prevent me from gauging direction by the feel of the gale wind, by the spume blowing off the top of the confused seas. I shrank back and tightened my grip on a convenient handrail as a great wall of water, black and veined and evil, reared up on the port side, just for’ard of the beam: it was at least ten feet higher than my head. I was certain that the wave, with the hundreds of tons of water it contained, was going to crash down square on the fore-deck of the trawler, I couldn’t see how it could fail to, but fail it did: as the wave bore down on us, the trough to starboard deepened and the Morning Rose, rolling over to almost forty degrees, simply fell into it, pressed down by the great weight of water on its exposed port side. There came the familiar flat explosive thunderclap of sound, the Morning Rose vibrated and groaned as over-stressed plates and rivets adjusted to cope with the sudden shearing strain, white, icily-cold water foamed over the starboard side and swirled around my ankles, and then it was gone, gurgling through the scuppers as the Morning Rose righted itself and rolled far over on its other side. There was no worry about any of this, no threat to safety and life, this was what Arctic trawlers had been built for and the Morning Rose could continue to absorb this punishment indefinitely. But there was cause for worry, if such a word can be used to express a desperately acute anxiety: that massive wave which had caught the trawler on her port bow, had knocked her almost 20 degrees off course. She was still 20 degrees off course, and 20 degrees off course she remained: nobody was making any attempt to bring her round. Another, and a smaller sea, and then she was lying five more degrees over to the east and here, too, she remained. I ran for the bridge ladder.

I bumped into and almost knocked down a person at the precise spot where I’d bumped into Mary dear an hour ago. Contact this time was much more solid and the person said ‘Oof!’ or something of that sort. The kind of gasp a winded lady makes is quite different from a man’s and instinct and a kind of instantaneous reasoning told me that I had bumped into the same person again: Judith Haynes would be in bed with her spaniels and Mary darling was either with Allen or in bed dreaming about him: neither, anyway, was the outdoor type.

I said something that might have been misconstrued as a brusque apology, side-stepped and had my foot on the first rung when she caught my arm with both hands.

‘Something’s wrong. I know it is. What?’ Her voice was calm, just loud enough to make itself heard over the high-pitched obbligato of the wind in the rigging. Sure she knew something was wrong, the sight of Dr Marlowe moving at anything above his customary saunter was as good as a police or air raid siren any day. I was about to say something to this effect when she added: ‘That’s why I came on deck,’ which effectively rendered stillborn any cutting remarks I’d been about to make, because she’d been aware of trouble before I’d been: but, then, she hadn’t had her thoughts taken up with Aconitum napellus.

‘The ship’s not under command. There’s nobody in charge on the bridge, nobody trying to keep a course.’

‘Can I do anything?’

She was wonderful. ‘Yes. There’s a hot-water electric geyser on the galley bulkhead by the stove. Bring up a jug of hot water, not too hot to drink, a mug and salt. Lots of salt.’

I sensed as much as saw her nod and then she was gone. Four seconds later I was inside the wheel-house. I could dimly see one figure crumpled against the chart-table, another apparently sitting straight by the wheel, but that was all I could see. The two overhead lights were dull yellow glows. It took me almost fifteen frantic seconds to locate the instrument panel just for’ard of the wheel, but only a couple of seconds thereafter to locate the rheostat and twist it to its clockwise maximum. I blinked in the hurtfully sudden wash of white light.

Smithy was by the chart-table, Oakley by the wheel, the former on his side, the latter upright, but that, I could see, didn’t mean that Oakley was in any better state of health than the first mate, it was just that neither appeared capable of moving from the positions they had adopted. Both had their heads arched towards their knees, both had their hands clasped tightly to their midriffs. Neither of them was making any sound. Possibly neither was suffering pain and the contracted positions they had assumed resulted from some wholly involuntary motor mechanism: it was equally possible that their vocal cords were paralysed.

I looked at Smithy first. One life is as important as the next, or so any one of a group of sufferers will think, but in this case I was concerned with the greatest good of all concerned and the fact that the ‘all’ here just coincidentally included me had no bearing on my choice: if the Morning Rose was running into trouble, and I had a strange fey conviction that it was, Smithy was the man I wanted around.

Smithy’s eyes were open and the look in them intelligent. Among other things the aconite article had stated that full intelligence is maintained to the very end. Could this be the end? Paralysis of motion, the article had said and paralysis of motion we undoubtedly had here. Then paralysis of sensation—maybe that’s why they weren’t crying out in agony, it could have been that they had been screaming their heads off up on the bridge here with no one around to hear them, but now they weren’t feeling anything any more. I saw and vaguely recorded the fact that there were two metal canteens lying close together on the floor, both of them very nearly emptied of food. Both of them, I would have thought, were in extremis but for one very odd factor: there was no sign of the violent vomiting of which the article had spoken. I wished to God that somewhere, sometime, I had taken the trouble to learn something about poisons, their causes, their effects, their symptoms and aberrant symptoms—which we seemed to have here—if any.

Mary Stuart came in. Her clothes were soaking and her hair was in a terrible mess, but she’d been very quick and she’d got what I’d asked her to— including a spoon, which I’d forgotten. I said: ‘A mug of hot water, six spoons of salt. Quick. Stir it well.’ Gastric lavage, the book had said, but as far as the availability of tannic acid and animal charcoal was concerned I might as well have been on the moon. The best and indeed the only hope lay in a powerful and quick-acting emetic. Alum and zinc sulphate was what the old boy in my medical school had preferred but I’d never come across anything better than sodium chloride—common salt. I hoped desperately that aconitine absorption into the bloodstream hadn’t progressed too far— and that it was aconitine I didn’t for a moment doubt. Coincidence is coincidence but to introduce some such fancy concoction as curare at this stage would be stretching things a bit. I levered Smithy into a sitting position and was just getting my hands under his armpits when a dark-haired young seaman, clad—in that bitter weather—in only jersey and jeans came hurrying into the wheel-house. It was Allison, the senior of the two quartermasters. He looked—not stared—at the two men on the deck: he was very much a seaman cast in Smithy’s mould.

‘What’s wrong, Doctor?’

‘Food poisoning.’

‘Had to be something like that. I was asleep. Something woke me. I knew something was wrong, that we weren’t under command.’ I believed him, all experienced seamen have this in-built capacity to sense trouble. Even in their sleep. I’d come across it before. He moved quickly to the chart-table then glanced at the compass. ‘Fifty degrees off course, to the east.’

‘We’ve got all the Barents Sea to rattle about in,’ I said. ‘Give me a hand with Mr Smith, will you?’

We took an arm each and dragged him towards the port door. Mary dear stopped stirring the contents of the metal mug she held in her hand and looked at us in some perplexity.

‘Where are you going with Mr Smith?’

‘Taking him out on the wing.’ What did she think we were going to do with him, throw him over the side? ‘All that fresh air. It’s very therapeutic.’

‘But it’s snowing out there! And bitterly cold.’

‘He’s also—I hope—going to be very, very sick. Better outside than in. How does that concoction taste?’

She sipped a little salt and water from her spoon and screwed up her face. ‘It’s awful!’

‘Can you swallow it?’

She tried and shuddered. ‘Just.’

‘Another three spoons.’ We dragged Smithy outside and propped him in a sitting position. The canvas wind-dodger gave him some protection but not much. His eyes were open and following our actions and he seemed aware of what was going on. I put the emetic to his lips and tilted the mug but the fluid just trickled down his chin. I forced his head back and poured some of the emetic into his mouth. Clearly, all sensation wasn’t lost, for his face contorted into an involuntary grimace of distaste: more importantly, his Adam’s apple bobbed up and down and I knew he’d swallowed some of it. Encouraged, I poured in twice as much, and this time he swallowed it all. Not ten seconds later he was as violently ill as ever I’ve seen a man be. Over Mary’s protests and in spite of Allison’s very evident apprehension, I forced some more of the salt and water on him: when he started coughing blood I turned my attention to Oakley.

Within fifteen minutes we had two still very ill men on our hands, clearly suffering violent abdominal pains and weak to the point of exhaustion, but, more importantly, we had two men who weren’t going to go the same way as the unfortunate Antonio had gone. Allison was at the wheel, with the Morning Rose back on course: Mary dear, her straw-coloured hair now matted with snow, crouched beside a very groggy Oakley: Smithy was now sufficiently recovered to sit on the storm-sill of the wheel-house, though he still required my arm to brace him against the staggering of the Morning Rose. He was beginning to recover the use of his voice although only to a minimal extent.

‘Brandy,’ he croaked.

I shook my head. ‘Contra-indicated. That’s what the textbooks say.’

‘Otard-Dupuy,’ he insisted. At least his mind was clear enough. I rose and got him a bottle from Captain Imrie’s private reserve. After what his stomach had just been through, nothing short of carbolic acid was going to damage it any more. He put the bottle to his head, swallowed and was immediately sick again.

‘Maybe I should have given you cognac in the first place,’ I said. ‘Salt water comes cheaper, though.’

He tried to smile, a brief and painful effort, and tilted the bottle again. This time the cognac stayed down, he must have had a stomach lined with steel or asbestos. I took the bottle from him and offered it to Oakley, who winced and shook his head.

‘Who’s got the wheel?’ Smithy’s voice was a hoarse and strained whisper as if it hurt him to speak, which it almost certainly did.

‘Allison.’

He nodded, satisfied. ‘Damn boat,’ he said. ‘Damn sea. I’m sea-sick. Me. Sea-sick.’

‘You’re sick, all right. Nothing to do with the sea. This damn boat wallowing about in this damn sea was all that saved you: a flat calm and Smithy was among the immortals.’ I tried to think why anyone who was not completely unhinged should want Smithy and Oakley among the immortals but the idea was so preposterous that I abandoned it almost the moment it occurred to me. ‘Food poisoning and I was lucky. I got here in time.’

He nodded but kept quiet. It probably hurt him too much to talk. Mary dear said: ‘Mr Oakley’s hands and face are freezing and he’s shaking with the cold. So am I, for that matter.’

And so, I realized, was I. I helped Smithy to a bolted chair beyond the wheel, then went to assist Mary dear who was trying to get a jelly-kneed Oakley to his feet. We’d just got Oakley approximately upright, no easy task, for he was practically a dead weight and we required one hand for him and one for ourselves, when Goin and the Count appeared at the top of the ladder.

‘Thank God, at last!’ Goin was slightly out of breath but not one hair was out of place. ‘We’ve been looking for you every—what on earth! Is that man drunk?’

‘He’s sick. The same sickness as Antonio had, only he’s been lucky. What’s the panic?’

‘The same sickness—you must come at once, Marlowe. My God, this is turning into a regular epidemic.’

‘A moment.’ I helped Oakley inside and lowered him into as comfortable a position as possible atop some kapok life-jackets. ‘Another casualty, I take it?’

‘Yes, Otto Gerran.’ Maybe I lifted an eyebrow, I forget, I do know I felt no particular surprise, it seemed to me that anyone who had been within sniffing distance of that damned aconite was liable to keel over at any moment. ‘I called at his cabin ten minutes ago, there was no reply and I went in and there he was, rolling about the carpet—’

The irreverent thought came to me that, with his almost perfectly spherical shape, no one had ever been better equipped for rolling about a carpet than Otto was: it seemed unlikely that Otto was seeing the humorous side of it at that moment. I said to Allison: ‘Can you get anyone up here to help you?’

‘No trouble.’ The quartermaster nodded at the small exchange in the corner. ‘I’ve only to phone the mess-deck.’

‘No need.’ It was the Count. ‘I’ll stay.’

‘That’s very kind.’ I nodded at Smithy and Oakley in turn. ‘They’re not fit to go below yet. If they try to, they’ll like as not end up over the side. Could you get them some blankets?’

‘Of course.’ He hesitated. ‘My cabin—’

‘Is locked. Mine’s not. There are blankets on the bed and extra ones at the foot of the hanging locker.’ The Count left and I turned to Allison. ‘Short of dynamiting his door open, how do I attract the captain’s attention? He seems to be a sound sleeper.’

Allison smiled and again indicated the corner exchange. ‘The bridge phone hangs just above his head. There’s a resistance in the circuit. I can make the call-up sound like the QE2’s fog-horn.’

‘Tell him to come along to Mr Gerran’s room and tell him it’s urgent.’

‘Well.’ Allison was uncertain. ‘Captain Imrie doesn’t much like being woken up in the middle of the night. Not without an awfully good reason, that is, and now that the mate and bo’sun are all right again, like—’

‘Tell him Antonio is dead.’

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