Three Act Tragedy

Copyright

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

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First published in Great Britain by Collins 1935

Agatha Christie® Poirot® Three Act Tragedy™

Copyright © 1935 Agatha Christie Limited (a Chorion company). All rights reserved.

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Agatha Christie asserts the moral right to be identified as the author of this work

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Source ISBN: 9780007120901

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Dedication

Dedicated to

My Friends, Geoffrey and Violet Shipston

Contents

Cover

Title Page

Copyright

Dedication

First Act: Suspicion

1. Crow’s Nest

2. Incident Before Dinner

3. Sir Charles Wonders

4. A Modern Elaine

5. Flight From a Lady

Second Act: Certainty

1. Sir Charles Receives a Letter

2. The Missing Butler

3. Which of Them?

4. The Evidence of the Servants

5. In the Butler’s Room

6. Concerning an Ink-Stain

7. Plan of Campaign

Third Act: Discovery

1. Mrs Babbington

2. Lady Mary

3. Re-enter Hercule Poirot

4. A Watching Brief

5. Division of Labour

6. Cynthia Dacres

7. Captain Dacres

8. Angela Sutcliffe

9. Muriel Wills

10. Oliver Manders

11. Poirot Gives a Sherry Party

12. Day at Gilling

13. Mrs de Rushbridger

14. Miss Milray

15. Curtain

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About the Publisher

Directed by

Sir Charles Cartwright

Assistant Directors

Mr Satterthwaite

Miss Hermione Lytton Gore

Clothes by

Ambrosine Ltd

Illumination by

Hercule Poirot

FIRST ACT

CHAPTER 1
Crow’s Nest

Mr Satterthwaite sat on the terrace of ‘Crow’s Nest’ and watched his host, Sir Charles Cartwright, climbing up the path from the sea.

Crow’s Nest was a modern bungalow of the better type. It had no half timbering, no gables, no excrescences dear to a third-class builder’s heart. It was a plain white solid building—deceptive as to size, since it was a good deal bigger than it looked. It owed its name to its position, high up, overlooking the harbour of Loomouth. Indeed from one corner of the terrace, protected by a strong balustrade, there was a sheer drop to the sea below. By road Crow’s Nest was a mile from the town. The road ran inland and then zigzagged high up above the sea. On foot it was accessible in seven minutes by the steep fisherman’s path that Sir Charles Cartwright was ascending at this minute.

Sir Charles was a well-built, sunburnt man of middle age. He wore old grey flannel trousers and a white sweater. He had a slight rolling gait, and carried his hands half closed as he walked. Nine people out of ten would say, ‘Retired Naval man—can’t mistake the type.’ The tenth, and more discerning, would have hesitated, puzzled by something indefinable that did not ring true. And then perhaps a picture would rise, unsought: the deck of a ship—but not a real ship—a ship curtailed by hanging curtains of thick rich material—a man, Charles Cartwright, standing on that deck, light that was not sunlight streaming down on him, the hands half clenched, the easy gait and a voice—the easy pleasant voice of an English sailor and gentleman, a great deal magnified in tone.

‘No, sir,’ Charles Cartwright was saying, ‘I’m afraid I can’t give you any answer to that question.’

And swish fell the heavy curtains, up sprang the lights, an orchestra plunged into the latest syncopated measure, girls with exaggerated bows in their hair said, ‘Chocolates? Lemonade?’ The first act of The Call of the Sea, with Charles Cartwright as Commander Vanstone, was over.

From his post of vantage, looking down, Mr Satterthwaite smiled.

A dried-up little pipkin of a man, Mr Satterthwaite, a patron of art and the drama, a determined but pleasant snob, always included in the more important house-parties and social functions (the words ‘and Mr Satterthwaite’ appeared invariably at the tail of a list of guests). Withal a man of considerable intelligence and a very shrewd observer of people and things.

He murmured now, shaking his head, ‘I wouldn’t have thought it. No, really, I wouldn’t have thought it.’

A step sounded on the terrace and he turned his head. The big grey-haired man who drew a chair forward and sat down had his profession clearly stamped on his keen, kindly, middle-aged face. ‘Doctor’ and ‘Harley Street’. Sir Bartholomew Strange had succeeded in his profession. He was a well-known specialist in nervous disorders, and had recently received a knighthood in the Birthday Honours list.

He drew his chair forward beside that of Mr Satterthwaite and said:

‘What wouldn’t you have thought? Eh? Let’s have it.’

With a smile Mr Satterthwaite drew attention to the figure below rapidly ascending the path.

‘I shouldn’t have thought Sir Charles would have remained contented so long in—er—exile.’

‘By Jove, no more should I!’ The other laughed, throwing back his head. ‘I’ve known Charles since he was a boy. We were at Oxford together. He’s always been the same—a better actor in private life than on the stage! Charles is always acting. He can’t help it—it’s second nature to him. Charles doesn’t go out of a room—he “makes an exit”—and he usually has to have a good line to make it on. All the same, he likes a change of part—none better. Two years ago he retired from the stage—said he wanted to live a simple country life, out of the world, and indulge his old fancy for the sea. He comes down here and builds this place. His idea of a simple country cottage. Three bathrooms and all the latest gadgets! I was like you, Satterthwaite, I didn’t think it would last. After all, Charles is human—he needs his audience. Two or three retired captains, a bunch of old women and a parson—that’s not much of a house to play to. I thought the “simple fellow, with his love of the sea,” would run for six months. Then, frankly, I thought he’d tire of the part. I thought the next thing to fill the bill would be the weary man of the world at Monte Carlo, or possibly a laird in the Highlands—he’s versatile, Charles is.’

The doctor stopped. It had been a long speech. His eyes were full of affection and amusement as he watched the unconscious man below. In a couple of minutes he would be with them.

‘However,’ Sir Bartholomew went on, ‘it seems we were wrong. The attraction of the simple life holds.’

‘A man who dramatises himself is sometimes misjudged,’ pointed out Mr Satterthwaite. ‘One does not take his sincerities seriously.’

The doctor nodded.

‘Yes,’ he said thoughtfully. ‘That’s true.’

With a cheerful halloo Charles Cartwright ran up the steps on to the terrace.

‘Mirabelle surpassed herself,’ he said. ‘You ought to have come, Satterthwaite.’

Mr Satterthwaite shook his head. He had suffered too often crossing the Channel to have any illusions about the strength of his stomach afloat. He had observed the Mirabelle from his bedroom window that morning. There had been a stiff sailing breeze and Mr Satterthwaite had thanked heaven devoutly for dry land.

Sir Charles went to the drawing-room window and called for drinks.

‘You ought to have come, Tollie,’ he said to his friend. ‘Don’t you spend half your life sitting in Harley Street telling your patients how good life on the ocean wave would be for them?’

‘The great merit of being a doctor,’ said Sir Bartholomew, ‘is that you are not obliged to follow your own advice.’

Sir Charles laughed. He was still unconsciously playing his part—the bluff breezy Naval man. He was an extraordinarily good-looking man, beautifully-proportioned, with a lean humorous face, and the touch of grey at his temples gave him a kind of added distinction. He looked what he was—a gentleman first and an actor second.

‘Did you go alone?’ asked the doctor.

‘No,’ Sir Charles turned to take his drink from a smart parlourmaid who was holding a tray. ‘I had a “hand”. The girl Egg, to be exact.’

There was something, some faint trace of self-consciousness in his voice which made Mr Satterthwaite look up sharply.

‘Miss Lytton Gore? She knows something about sailing, doesn’t she?’

Sir Charles laughed rather ruefully.

‘She succeeds in making me feel a complete land-lubber; but I’m coming on—thanks to her.’

Thoughts slipped quickly in and out of Mr Satterthwaite’s mind.

‘I wonder—Egg Lytton Gore—perhaps that’s why he hasn’t tired—the age—a dangerous age—it’s always a young girl at that time of life …’

Sir Charles went on: ‘The sea—there’s nothing like it—sun and wind and sea—and a simple shanty to come home to.’

And he looked with pleasure at the white building behind him, equipped with three bathrooms, hot and cold water in all the bedrooms, the latest system of central heating, the newest electrical fittings and a staff of parlourmaid, housemaid, chef, and kitchen-maid. Sir Charles’s interpretation of simple living was, perhaps, a trifle exaggerated.

A tall and exceedingly ugly woman issued from the house and bore down upon them.

‘Good morning, Miss Milray.’

‘Good morning, Sir Charles. Good morning.’ (A slight inclination of the head towards the other two). ‘This is the menu for dinner. I don’t know whether you would like it altered in any way?’

Sir Charles took it and murmured:

‘Let’s see. Melon Cantaloupe, Bortsch Soup, Fresh Mackerel, Grouse, Soufflé Surprise, Canapé Diane … No, I think that will do excellently, Miss Milray. Everyone is coming by the four-thirty train.’

‘I have already given Holgate his orders. By the way, Sir Charles, if you will excuse me, it would be better if I dined with you tonight.’

Sir Charles looked startled, but said courteously:

‘Delighted, I am sure, Miss Milray—but—er—’

Miss Milray proceeded calmly to explain.

‘Otherwise, Sir Charles, it would make thirteen at table; and so many people are superstitious.’

From her tone it could be gathered that Miss Milray would have sat down thirteen to dinner every night of her life without the slightest qualm. She went on:

‘I think everything is arranged. I have told Holgate the car is to fetch Lady Mary and the Babbingtons. Is that right?’

‘Absolutely. Just what I was going to ask you to do.’

With a slightly superior smile on her rugged countenance, Miss Milray withdrew.

‘That,’ said Sir Charles reverently, ‘is a very remarkable woman. I’m always afraid she’ll come and brush my teeth for me.’

‘Efficiency personified,’ said Strange.

‘She’s been with me for six years,’ said Sir Charles. ‘First as my secretary in London, and here, I suppose, she’s a kind of glorified housekeeper. Runs this place like clockwork. And now, if you please, she’s going to leave.’

‘Why?’

‘She says’—Sir Charles rubbed his nose dubiously—‘she says she’s got an invalid mother. Personally I don’t believe it. That kind of woman never had a mother at all. Spontaneously generated from a dynamo. No, there’s something else.’

‘Quite probably,’ said Sir Bartholomew, ‘people have been talking.’

‘Talking?’ The actor stared. ‘Talking—what about?’

‘My dear Charles. You know what talking means.’

‘You mean talking about her—and me? With that face? And at her age?’

‘She’s probably under fifty.’

‘I suppose she is.’ Sir Charles considered the matter. ‘But seriously, Tollie, have you noticed her face? It’s got two eyes, a nose and a mouth, but it’s not what you would call a face—not a female face. The most scandal-loving old cat in the neighbourhood couldn’t seriously connect sexual passion with a face like that.’

‘You underrate the imagination of the British spinster.’

Sir Charles shook his head.

‘I don’t believe it. There’s a kind of hideous respectability about Miss Milray that even a British spinster must recognize. She is virtue and respectability personified—and a damned useful woman. I always choose my secretaries plain as sin.’

‘Wise man.’

Sir Charles remained deep in thought for some minutes. To distract him, Sir Bartholomew asked: ‘Who’s coming this afternoon?’

‘Angie, for one.’

‘Angela Sutcliffe? That’s good.’

Mr Satterthwaite leaned forward interestedly, keen to know the composition of the house-party. Angela Sutcliffe was a well-known actress, no longer young, but with a strong hold on the public and celebrated for her wit and charm. She was sometimes spoken of as Ellen Terry’s successor.

‘Then there are the Dacres.’

Again Mr Satterthwaite nodded to himself. Mrs Dacres was Ambrosine, Ltd, that successful dressmaking establishment. You saw it on programmes—‘Miss Blank’s dresses in the first act by Ambrosine Ltd, Brook Street.’ Her husband, Captain Dacres, was a dark horse in his own racing parlance. He spent a lot of time on race courses—had ridden himself in the Grand National in years gone by. There had been some trouble—nobody knew exactly—though rumours had been spread about. There had been no inquiry—nothing overt, but somehow at mention of Freddie Dacres people’s eyebrows went up a little.

‘Then there’s Anthony Astor, the playwright.’

‘Of course,’ said Mr Satterthwaite. ‘She wrote One-Way Traffic. I saw it twice. It made a great hit.’

He rather enjoyed showing that he knew that Anthony Astor was a woman.

‘That’s right,’ said Sir Charles. ‘I forget what her real name is—Wills, I think. I’ve only met her once. I asked her to please Angela. That’s the lot—of the house-party, I mean.’

‘And the locals?’ asked the doctor.

‘Oh, the locals! Well, there are the Babbingtons—he’s the parson, quite a good fellow, not too parsonical, and his wife’s a really nice woman. Lectures me on gardening. They’re coming—and Lady Mary and Egg. That’s all. Oh, yes, there’s a young fellow called Manders, he’s a journalist, or something. Good-looking young fellow. That completes the party.’

Mr Satterthwaite was a man of methodical nature. He counted heads.

‘Miss Sutcliffe, one, the Dacres, three, Anthony Astor, four, Lady Mary and her daughter, six, the parson and his wife, eight, the young fellow nine, ourselves twelve. Either you or Miss Milray must have counted wrong, Sir Charles.’

‘It couldn’t be Miss Milray,’ said Sir Charles with assurance. ‘That woman’s never wrong. Let me see: Yes, by Jove, you’re right. I have missed out one guest. He’d slipped my memory.’

He chuckled. ‘Wouldn’t be best pleased at that, either. The fellow is the most conceited little devil I ever met.’

Mr Satterthwaite’s eyes twinkled. He had always been of the opinion that the vainest men in creation were actors. He did not exempt Sir Charles Cartwright. This instance of the pot calling the kettle black amused him.

‘Who is the egoist?’ he asked.

‘Rum little beggar,’ said Sir Charles. ‘Rather a celebrated little beggar, though. You may have heard of him. Hercule Poirot. He’s a Belgian.’

‘The detective,’ said Mr Satterthwaite. ‘I have met him. Rather a remarkable personage.’

‘He’s a character,’ said Sir Charles.

‘I’ve never met him,’ said Sir Bartholomew, ‘but I’ve heard a good deal about him. He retired some time ago, though, didn’t he? Probably most of what I’ve heard is legend. Well, Charles, I hope we shan’t have a crime this weekend.’

‘Why? Because we’ve got a detective in the house? Rather putting the cart before the horse, aren’t you, Tollie?’

‘Well, it’s by way of being a theory of mine.’

‘What is your theory, doctor?’ asked Mr Satterthwaite.

‘That events come to people—not people to events. Why do some people have exciting lives and other people dull ones? Because of their surroundings? Not at all. One man may travel to the ends of the earth and nothing will happen to him. There will be a massacre a week before he arrives, and an earthquake the day after he leaves, and the boat that he nearly took will be shipwrecked. And another man may live at Balham and travel to the City every day, and things will happen to him. He will be mixed up with blackmailing gangs and beautiful girls and motor bandits. There are people with a tendency to shipwrecks—even if they go on a boat on an ornamental lake something will happen to it. In the same way men like your Hercule Poirot don’t have to look for crime—it comes to them.’

‘In that case,’ said Mr Satterthwaite, ‘perhaps it is as well that Miss Milray is joining us, and that we are not sitting down thirteen to dinner.’

‘Well,’ said Sir Charles handsomely, ‘you can have your murder, Tollie, if you’re so keen on it. I make only one stipulation—that I shan’t be the corpse.’

And, laughing, the three men went into the house.

CHAPTER 2
Incident Before Dinner

The principal interest of Mr Satterthwaite’s life was people.

He was on the whole more interested in women than men. For a manly man, Mr Satterthwaite knew far too much about women. There was a womanish strain in his character which lent him insight into the feminine mind. Women all his life had confided in him, but they had never taken him seriously. Sometimes he felt a little bitter about this. He was, he felt, always in the stalls watching the play, never on the stage taking part in the drama. But in truth the role of onlooker suited him very well.

This evening, sitting in the large room giving on to the terrace, cleverly decorated by a modern firm to resemble a ship’s cabin de luxe, he was principally interested in the exact shade of hair dye attained by Cynthia Dacres. It was an entirely new tone—straight from Paris, he suspected—a curious and rather pleasing effect of greenish bronze. What Mrs Dacres really looked like it was impossible to tell. She was a tall woman with a figure perfectly disciplined to the demands of the moment. Her neck and arms were her usual shade of summer tan for the country—whether naturally or artificially produced it was impossible to tell. The greenish bronze hair was set in a clever and novel style that only London’s best hairdresser could achieve. Her plucked eyebrows, darkened lashes, exquisitively made-up face, and mouth lipsticked to a curve that its naturally straight line did not possess, seemed all adjuncts to the perfection of her evening gown of a deep and unusual blue, cut very simply it seemed (though this was ludicrously far from the case) and of an unusual material—dull, but with hidden lights in it.

‘That’s a clever woman,’ said Mr Satterthwaite, eyeing her with approval. ‘I wonder what she’s really like.’

But this time he meant in mind, not in body.

Her words came drawlingly, in the mode of the moment.

‘My dear, it wasn’t possible. I mean, things either are possible or they’re not. This wasn’t. It was simply penetrating.’

That was the new word just now—everything was ‘penetrating’.

Sir Charles was vigorously shaking cocktails and talking to Angela Sutcliffe, a tall, grey-haired woman with a mischievous mouth and fine eyes.

Dacres was talking to Bartholomew Strange.

‘Everyone knows what’s wrong with old Ladisbourne. The whole stable knows.’

He spoke in a high clipped voice—a little red, foxy man with a short moustache and slightly shifty eyes.

Beside Mr Satterthwaite sat Miss Wills, whose play, One-Way Traffic, had been acclaimed as one of the most witty and daring seen in London for some years. Miss Wills was tall and thin, with a receding chin and very badly waved fair hair. She wore pince-nez, and was dressed in exceedingly limp green chiffon. Her voice was high and undistinguished.

‘I went to the South of France,’ she said. ‘But, really, I didn’t enjoy it very much. Not friendly at all. But of course it’s useful to me in my work—to see all the goings-on, you know.’

Mr Satterthwaite thought: ‘Poor soul. Cut off by success from her spiritual home—a boarding-house in Bournemouth. That’s where she’d like to be.’ He marvelled at the difference between written works and their authors. That cultivated ‘man-of-the-world’ tone that Anthony Astor imparted to his plays—what faintest spark of it could be perceived in Miss Wills? Then he noticed that the pale-blue eyes behind the pince-nez were singularly intelligent. They were turned on him now with an appraising look that slightly disconcerted him. It was as though Miss Wills were painstakingly learning him by heart.

Sir Charles was just pouring out the cocktails.

‘Let me get you a cocktail,’ said Mr Satterthwaite, springing up.

Miss Wills giggled.

‘I don’t mind if I do,’ she said.

The door opened and Temple announced Lady Mary Lytton Gore and Mr and Mrs Babbington and Miss Lytton Gore.

Mr Satterthwaite supplied Miss Wills with her cocktail and then sidled into the neighbourhood of Lady Mary Lytton Gore. As has been stated before, he had a weakness for titles.

Also, apart from snobbishness, he liked a gentlewoman, and that Lady Mary most undeniably was.

Left as a widow very badly off with a child of three, she had come to Loomouth and taken a small cottage where she had lived with one devoted maid ever since. She was a tall thin woman, looking older than her fifty-five years. Her expression was sweet and rather timid. She adored her daughter, but was a little alarmed by her.

Hermione Lytton Gore, usually known for some obscure reason as Egg, bore little resemblance to her mother. She was of a more energetic type. She was not, Mr Satterthwaite decided, beautiful, but she was undeniably attractive. And the cause of that attraction, he thought, lay in her abounding vitality. She seemed twice as alive as anyone in that room. She had dark hair, and grey eyes and was of medium height. It was something in the way the hair curled crisply in her neck, in the straight glance of the grey eyes, in the curve of the cheek, in the infectious laugh that gave one that impression of riotous youth and vitality.

She stood talking to Oliver Manders, who had just arrived.

‘I can’t think why sailing bores you so much. You used to like it.’

‘Egg—my dear. One grows up.’

He drawled the words, raising his eyebrows.

A handsome young fellow, twenty-five at a guess. Something, perhaps, a little sleek about his good looks. Something else—something—was it foreign? Something unEnglish about him.

Somebody else was watching Oliver Manders. A little man with an egg-shaped head and very foreign-looking moustaches. Mr Satterthwaite had recalled himself to M. Hercule Poirot’s memory. The little man had been very affable. Mr Satterthwaite suspected him of deliberately exaggerating his foreign mannerisms. His small twinkly eyes seemed to say, ‘You expect me to be the buffoon? To play the comedy for you? Bien—it shall be as you wish!’

But there was no twinkle now in Hercule Poirot’s eyes. He looked grave and a little sad.

The Rev. Stephen Babbington, rector of Loomouth, came and joined Lady Mary and Mr Satterthwaite. He was a man of sixty odd, with kind faded eyes and a disarming diffident manner. He said to Mr Satterthwaite:

‘We are very lucky to have Sir Charles living among us. He has been most kind—most generous. A very pleasant neighbour to have. Lady Mary agrees, I am sure.’

Lady Mary smiled.

‘I like him very much. His success hasn’t spoilt him. In many ways he is,’ her smile deepened, ‘a child still.’

The parlourmaid approached with the tray of cocktails as Mr Satterthwaite reflected how unendingly maternal women were. Being of the Victorian generation, he approved that trait.

‘You can have a cocktail, Mums,’ said Egg, flashing up to them, glass in hand. ‘Just one.’

‘Thank you, dear,’ said Lady Mary meekly.

‘I think,’ said Mr Babbington, ‘that my wife would allow me to have one.’

And he laughed a little gentle clerical laugh.

Mr Satterthwaite glanced over at Mrs Babbington, who was talking earnestly to Sir Charles on the subject of manure.

‘She’s got fine eyes,’ he thought.

Mrs Babbington was a big untidy woman. She looked full of energy and likely to be free from petty mindedness. As Charles Cartwright had said—a nice woman.

‘Tell me,’ Lady Mary leaned forward. ‘Who is the young woman you were talking to when we came in—the one in green?’

‘That’s the playwright—Anthony Astor.’

‘What? That—that anaemic-looking young woman? Oh!’ She caught herself up. ‘How dreadful of me. But it was a surprise. She doesn’t look—I mean she looks exactly like an inefficient nursery governess.’

It was such an apt description of Miss Wills’ appearance that Mr Satterthwaite laughed. Mr Babbington was peering across the room with amiable short-sighted eyes. He took a sip of his cocktail and choked a little. He was unused to cocktails, thought Mr Satterthwaite amusedly—probably they represented modernity to his mind—but he didn’t like them. Mr Babbington took another determined mouthful with a slightly wry face and said:

‘Is it the lady over there? Oh dear—’

His hand went to his throat.

Egg Lytton Gore’s voice rang out:

‘Oliver—you slippery Shylock—’

‘Of course,’ thought Mr Satterthwaite, ‘that’s it—not foreign—Jew!’

What a handsome pair they made. Both so young and good-looking … and quarrelling, too—always a healthy sign …

He was distracted by a sound at his side. Mr Babbington had risen to his feet and was swaying to and fro. His face was convulsed.

It was Egg’s clear voice that drew the attention of the room, though Lady Mary had risen and stretched out an anxious hand.

‘Look,’ said Egg’s voice. ‘Mr Babbington is ill.’

Sir Bartholomew Strange came forward hurriedly, supporting the stricken man and half lifting him to a couch at one side of the room. The others crowded round, anxious to help, but impotent …

Two minutes later Strange straightened himself and shook his head. He spoke bluntly, aware that it was no use to beat about the bush.

‘I’m sorry,’ he said. ‘He’s dead …’

CHAPTER 3
Sir Charles Wonders

‘Come in here a minute, Satterthwaite, will you?’

Sir Charles poked his head out of the door.

An hour and a half had passed. To confusion had succeeded peace. Lady Mary had led the weeping Mrs Babbington out of the room and had finally gone home with her to the vicarage. Miss Milray had been efficient with the telephone. The local doctor had arrived and taken charge. A simplified dinner had been served, and by mutual consent the house-party had retired to their rooms after it. Mr Satterthwaite had been making his own retreat when Sir Charles had called to him from the door of the Ship-room where the death had taken place.

Mr Satterthwaite passed in, repressing a slight shiver as he did so. He was old enough not to like the sight of death … For soon, perhaps, he himself … But why think of that?

‘I’m good for another twenty years,’ said Mr Satterthwaite robustly to himself.

The only other occupant of the Ship-room was Bartholomew Strange. He nodded approval at the sight of Mr Satterthwaite.

‘Good man,’ he said. ‘We can do with Satterthwaite. He knows life.’

A little surprised, Mr Satterthwaite sat down in an armchair near the doctor. Sir Charles was pacing up and down. He had forgotten the semi-clenching of his hands and looked definitely less naval.

‘Charles doesn’t like it,’ said Sir Bartholomew. ‘Poor old Babbington’s death, I mean.’

Mr Satterthwaite thought the sentiment ill expressed. Surely nobody could be expected to ‘like’ what had occurred. He realized that Strange had quite another meaning from the bald one the words conveyed.

‘It was very distressing,’ said Mr Satterthwaite, cautiously feeling his way. ‘Very distressing indeed,’ he added with a reminiscent shiver.

‘H’m, yes, it was rather painful,’ said the physician, the professional accent creeping for a moment into his voice.

Cartwright paused in his pacing.

‘Ever see anyone die quite like that before, Tollie?’

‘No,’ said Sir Bartholomew thoughtfully. ‘I can’t say that I have.

‘But,’ he added in a moment or two, ‘I haven’t really seen as many deaths as you might suppose. A nerve specialist doesn’t kill off many of his patients. He keeps ’em alive and makes his income out of them. MacDougal has seen far more deceases than I have, I don’t doubt.’

Dr MacDougal was the principal doctor in Loomouth, whom Miss Milray had summoned.

‘MacDougal didn’t see this man die. He was dead when he arrived. There was only what we could tell him, what you could tell him. He said it was some kind of seizure, said Babbington was elderly, and his health was none too good. That doesn’t satisfy me.’

‘Probably didn’t satisfy him,’ grunted the other. ‘But a doctor has to say something. Seizure is a good word—means nothing at all, but satisfies the lay mind. And, after all, Babbington was elderly, and his health had been giving him trouble lately; his wife told us so. There may have been some unsuspected weakness somewhere.’

‘Was that a typical fit or seizure, or whatever you call it?’

‘Typical of what?’

‘Of any known disease?’

‘If you’d ever studied medicine,’ said Sir Bartholomew, ‘you’d know that there is hardly any such thing as a typical case.’

‘What, precisely, are you suggesting, Sir Charles?’ asked Mr Satterthwaite.

Cartwright did not answer. He made a vague gesture with his hand. Strange gave a slight chuckle.

‘Charles doesn’t know himself,’ he said. ‘It’s just his mind turning naturally to the dramatic possibilities.’

Sir Charles made a reproachful gesture. His face was absorbed—thoughtful. He shook his head slightly in an abstracted manner.

An elusive resemblance teased Mr Satterthwaite—then he got it. Aristide Duval, the head of the Secret Service, unravelling the tangled plot of Underground Wires. In another minute he was sure. Sir Charles was limping unconsciously as he walked. Aristide Duval had been known as The Man With a Limp.

Sir Bartholomew continued to apply ruthless common sense to Sir Charles’s unformulated suspicions.

‘Yes, what do you suspect, Charles? Suicide? Murder? Who wants to murder a harmless old clergyman? It’s fantastic. Suicide? Well, I suppose that is a point. One might perhaps imagine a reason for Babbington wanting to make away with himself—’

‘What reason?’

Sir Bartholomew shook his head gently.

‘How can we tell the secrets of the human mind? Just one suggestion—suppose that Babbington had been told he suffered from an incurable disease—such as cancer. Something of that kind might supply a motive. He might wish to spare his wife the pain of watching his own long-drawn-out suffering. That’s only a suggestion, of course. There’s nothing on earth to make us think that Babbington did want to put an end to himself.’

‘I wasn’t thinking so much of suicide,’ began Sir Charles.

Bartholomew Strange again gave his low chuckle.

‘Exactly. You’re not out for probability. You want sensation—new and untraceable poison in the cocktails.’

Sir Charles made an expressive grimace.

‘I’m not so sure I do want that. Damn it all, Tollie, remember I mixed those cocktails.’

‘Sudden attack of homicidal mania, eh? I suppose the symptoms are delayed in our case, but we’ll all be dead before morning.’

‘Damn it all, you joke, but—’ Sir Charles broke off irritably.

‘I’m not really joking,’ said the physician.

His voice had altered. It was grave, and not unsympathetic.

‘I’m not joking about poor old Babbington’s death. I’m casting fun at your suggestions, Charles, because—well—because I don’t want you, thoughtlessly, to do harm.’

‘Harm?’ demanded Sir Charles.

‘Perhaps you understand what I’m driving at, Mr Satterthwaite?’

‘I think, perhaps, I can guess,’ said Mr Satterthwaite.

‘Don’t you see, Charles,’ went on Sir Bartholomew, ‘that those idle suspicions of yours might be definitely harmful? These things get about. A vague suggestion of foul play, totally unfounded, might cause serious trouble and pain to Mrs Babbington. I’ve known things of that kind happen once or twice. A sudden death—a few idle tongues wagging—rumours flying all round the place—rumours that go on growing—and that no one can stop. Damn it all, Charles, don’t you see how cruel and unnecessary it would be? You’re merely indulging your vivid imagination in a gallop over a wholly speculative course.’

A look of irresolution appeared on the actor’s face.

‘I hadn’t thought of it like that,’ he admitted.

‘You’re a thundering good chap, Charles, but you do let your imagination run away with you. Come now: do you seriously believe anyone, anyone at all, would want to murder that perfectly harmless old man?’

‘I suppose not,’ said Sir Charles. ‘No, as you say, it’s ridiculous. Sorry, Tollie, but it wasn’t really a mere “stunt” on my part. I did genuinely have a “hunch” that something was wrong.’

Mr Satterthwaite gave a little cough.

‘May I make a suggestion? Mr Babbington was taken ill a very few moments after entering the room and just after drinking his cocktail. Now, I did happen to notice he made a wry face when drinking. I imagined because he was unused to the taste. But supposing that Sir Bartholomew’s tentative suggestion is correct—that Mr Babbington may for some reason have wished to commit suicide. That does strike me as just possible, whereas the suggestion of murder seems quite ridiculous.

‘I feel that it is possible, though not probable, that Mr Babbington introduced something into that glass unseen by us.

‘Now I see that nothing has yet been touched in this room. The cocktail glasses are exactly where they were. This is Mr Babbington’s. I know, because I was sitting here talking to him. I suggest that Sir Bartholomew should get the glass analysed—that can be done quite quietly and without causing any “talk”.’

Sir Bartholomew rose and picked up the glass.

‘Right,’ he said. ‘I’ll humour you so far, Charles, and I’ll bet you ten pounds to one that there’s nothing in it but honest-to-God gin and vermouth.’

‘Done,’ said Sir Charles.

Then he added with a rueful smile:

‘You know, Tollie, you are partly responsible for my flights of fancy.’

‘I?’

‘Yes, with your talk of crime this morning. You said this man, Hercule Poirot, was a kind of stormy petrel, that where he went crimes followed. No sooner does he arrive than we have a suspiciously sudden death. Of course my thoughts fly to murder at once.’

‘I wonder,’ said Mr Satterthwaite, and stopped.

‘Yes,’ said Charles Cartwright. ‘I’d thought of that. What do you think, Tollie? Could we ask him what he thinks of it all? Is it etiquette, I mean?’

‘A nice point,’ murmured Mr Satterthwaite.

‘I know medical etiquette, but I’m hanged if I know anything about the etiquette of detection.’

‘You can’t ask a professional singer to sing,’ murmured Mr Satterthwaite. ‘Can one ask a professional detective to detect? Yes, a very nice point.’

‘Just an opinion,’ said Sir Charles.

There was a gentle tap on the door, and Hercule Poirot’s face appeared, peering in with an apologetic expression.

‘Come in, man,’ cried Sir Charles, springing up. ‘We were just talking of you.’

‘I thought perhaps I might be intruding.’

‘Not at all. Have a drink.’

‘I thank you, no. I seldom drink the whisky. A glass of sirop, now—’

But sirop was not included in Sir Charles’s conception of drinkable fluids. Having settled his guest in a chair, the actor went straight to the point.

‘I’m not going to beat about the bush,’ he said. ‘We were just talking of you, M. Poirot, and—and—of what happened tonight. Look here, do you think there’s anything wrong about it?’

Poirot’s eyebrows rose. He said:

‘Wrong? How do you mean that—wrong?’

Bartholomew Strange said, ‘My friend has got an idea into his head that old Babbington was murdered.’

‘And you do not think so—eh?’

‘We’d like to know what you think.’

Poirot said thoughtfully:

‘He was taken ill, of course, very suddenly—very suddenly indeed.’

‘Just so.’

Mr Satterthwaite explained the theory of suicide and his own suggestion of having a cocktail glass analysed.

Poirot nodded approval.

‘That, at any rate, can do no harm. As a judge of human nature, it seems to me unlikely in the extreme that anyone could wish to do away with a charming and harmless old gentleman. Still less does the solution of suicide appeal to me. However, the cocktail glass will tell us one way or another.’

‘And the result of the analysis, you think, will be—what?’

Poirot shrugged his shoulders.

‘Me? I can only guess. You ask me to guess what will be the result of the analysis?’

‘Yes—?’

‘Then I guess that they will find only the remains of a very excellent dry Martini.’ (He bowed to Sir Charles.) ‘To poison a man in a cocktail, one of many handed round on a tray—well, it would be a technique very—very—difficult. And if that charming old clergyman wanted to commit suicide, I do not think he would do it at a party. That would show a very decided lack of consideration for others, and Mr Babbington struck me as a very considerate person.’ He paused. ‘That, since you ask me, is my opinion.’

There was a moment’s silence. Then Sir Charles gave a deep sigh. He opened one of the windows and looked out.

‘Wind’s gone round a point,’ he said.

The sailor had come back and the Secret Service detective had disappeared.

But to the observant Mr Satterthwaite it seemed as though Sir Charles hankered slightly after the part he was not, after all, to play.

CHAPTER 4
A Modern Elaine

‘Yes, but what do you think, Mr Satterthwaite? Really think?’

Mr Satterthwaite looked this way and that. There was no escape. Egg Lytton Gore had got him securely cornered on the fishing quay. Merciless, these modern young women—and terrifyingly alive.

‘Sir Charles has put this idea into your head,’ he said.

‘No, he hasn’t. It was there already. It’s been there from the beginning. It was so frightfully sudden.’

‘He was an old man, and his health wasn’t very good—’

Egg cut the recital short.

‘That’s all tripe. He had neuritis and a touch of rheumatoid arthritis. That doesn’t make you fall down in a fit. He never had fits. He was the sort of gentle creaking gate that would have lived to be ninety. What did you think of the inquest?’

‘It all seemed quite—er—normal.’

‘What did you think of Dr MacDougal’s evidence? Frightfully technical, and all that—close description of the organs—but didn’t it strike you that behind all that bombardment of words he was hedging? What he said amounted to this: that there was nothing to show death had not arisen from natural causes. He didn’t say it was the result of natural causes.’

‘Aren’t you splitting hairs a little, my dear?’

‘The point is that he did—he was puzzled, but he had nothing to go upon, so he had to take refuge in medical caution. What did Sir Bartholomew Strange think?’

Mr Satterthwaite repeated some of the physician’s dictums.

‘Pooh-poohed it, did he?’ said Egg thoughtfully. ‘Of course, he’s a cautious man—I suppose a Harley Street big bug has to be.’

‘There was nothing in the cocktail glass but gin and vermouth,’ Mr Satterthwaite reminded her.

‘That seems to settle it. All the same, something that happened after the inquest made me wonder—’

‘Something Sir Bartholomew said to you?’

Mr Satterthwaite began to feel a pleasant curiosity.

‘Not to me—to Oliver. Oliver Manders—he was at dinner that night, but perhaps you don’t remember him.’

‘Yes, I remember him very well. Is he a great friend of yours?’

‘Used to be. Now we scrap most of the time. He’s gone into his uncle’s office in the city, and he’s getting—well, a bit oily, if you know what I mean. Always talks of chucking it and being a journalist—he writes rather well. But I don’t think it’s any more than talk now. He wants to get rich. I think everybody is rather disgusting about money, don’t you, Mr Satterthwaite?’

Her youth came home to him then—the crude, arrogant childishness of her.

‘My dear,’ he said, ‘so many people are disgusting about so many things.’

‘Most people are swine, of course,’ agreed Egg cheerfully. ‘That’s why I’m really cut up about old Mr Babbington. Because you see, he really was rather a pet. He prepared me for confirmation and all that, and though of course a lot of that business is all bunkum, he really was rather sweet about it. You see, Mr Satterthwaite, I really believe in Christianity—not like Mother does, with little books and early service, and things—but intelligently and as a matter of history. The Church is all clotted up with the Pauline tradition—in fact the Church is a mess—but Christianity itself is all right. That’s why I can’t be a communist like Oliver. In practice our beliefs would work out much the same, things in common and ownership by all, but the difference—well, I needn’t go into that. But the Babbingtons really were Christians; they didn’t poke and pry and condemn, and they were never unkind about people or things. They were pets—and there was Robin …’

‘Robin?’

‘Their son … He was out in India and got killed … I—I had rather a pash on Robin …’

Egg blinked. Her gaze went out to sea …

Then her attention returned to Mr Satterthwaite and the present.

‘So, you see, I feel rather strongly about this. Supposing it wasn’t a natural death …’

‘My dear child!’

‘Well, it’s damned odd! You must admit it’s damned odd.’

‘But surely you yourself have just practically admitted that the Babbingtons hadn’t an enemy in the world.’

‘That’s what’s so queer about it. I can’t think of any conceivable motive …’

‘Fantastic! There was nothing in the cocktail.’

‘Perhaps someone jabbed him with a hypodermic.’

‘Containing the arrow poison of the South American Indians,’ suggested Mr Satterthwaite, gently ridiculing.

Egg grinned.

‘That’s it. The good old untraceable stuff. Oh, well, you’re all very superior about it. Some day, perhaps, you’ll find out we are right.’

‘We?’

‘Sir Charles and I.’ She flushed slightly.

Mr Satterthwaite thought in the words and metre of his generation when Quotations for All Occasions was to be found in every bookcase.

‘Of more than twice her years,

Seam’d with an ancient swordcut on the cheek,

And bruised and bronzed, she lifted up her eyes

And loved him, with that love which was her doom.’

He felt a little ashamed of himself for thinking in quotations—Tennyson, too, was very little thought of nowadays. Besides, though Sir Charles was bronzed, he was not scarred, and Egg Lytton Gore, though doubtless capable of a healthy passion, did not look at all likely to perish of love and drift about rivers on a barge. There was nothing of the lily maid of Astolat about her.

‘Except,’ thought Mr Satterthwaite, ‘her youth …’

Girls were always attracted to middle-aged men with interesting pasts. Egg seemed to be no exception to this rule.

‘Why hasn’t he ever married?’ she asked abruptly.

‘Well …’ Mr Satterthwaite paused. His own answer, put bluntly, would have been, ‘Caution,’ but he realized that such a word would be unacceptable to Egg Lytton Gore.

Sir Charles Cartwright had had plenty of affairs with women, actresses and others, but he had always managed to steer clear of matrimony. Egg was clearly seeking for a more romantic explanation.

‘That girl who died of consumption—some actress, name began with an M—wasn’t he supposed to be very fond of her?’

Mr Satterthwaite remembered the lady in question. Rumour had coupled Charles Cartwright’s name with hers, but only very slightly, and Mr Satterthwaite did not for a moment believe that Sir Charles had remained unmarried in order to be faithful to her memory. He conveyed as much tactfully.

‘I suppose he’s had lots of affairs,’ said Egg.

‘Er—h’m—probably,’ said Mr Satterthwaite, feeling Victorian.

‘I like men to have affairs,’ said Egg. ‘It shows they’re not queer or anything.’

Mr Satterthwaite’s Victorianism suffered a further pang. He was at a loss for a reply. Egg did not notice his discomfiture. She went on musingly.

‘You know, Sir Charles is really cleverer than you’d think. He poses a lot, of course, dramatises himself; but behind all that he’s got brains. He’s far better sailing a boat than you’d ever think, to hear him talk. You’d think, to listen to him, that it was all pose, but it isn’t. It’s the same about this business. You think it’s all done for effect—that he wants to play the part of the great detective. All I say is: I think he’d play it rather well.’

‘Possibly,’ agreed Mr Satterthwaite.

The inflection of his voice showed his feelings clearly enough. Egg pounced on them and expressed them in words.

‘But your view is that “Death of a Clergyman” isn’t a thriller. It’s merely “Regrettable Incident at a Dinner Party”. Purely a social catastrophe. What did M. Poirot think? He ought to know.’

‘M. Poirot advised us to wait for the analysis of the cocktail; but in his opinion everything was quite all right.’

‘Oh, well,’ said Egg, ‘he’s getting old. He’s a back number.’ Mr Satterthwaite winced. Egg went on, unconscious of brutality: ‘Come home and have tea with Mother. She likes you. She said so.’

Delicately flattered, Mr Satterthwaite accepted the invitation.

On arrival Egg volunteered to ring up Sir Charles and explain the non-appearance of his guest.

Mr Satterthwaite sat down in the tiny sitting-room with its faded chintzes and its well-polished pieces of old furniture. It was a Victorian room, what Mr Satterthwaite called in his own mind a lady’s room, and he approved of it.

His conversation with Lady Mary was agreeable, nothing brilliant, but pleasantly chatty. They spoke of Sir Charles. Did Mr Satterthwaite know him well? Not intimately, Mr Satterthwaite said. He had a financial interest in one of Sir Charles’s plays some years ago. They had been friends ever since.

‘He has great charm,’ said Lady Mary, smiling. ‘I feel it as well as Egg. I suppose you’ve discovered that Egg is suffering badly from hero worship?’

Mr Satterthwaite wondered if, as a mother, Lady Mary was not made slightly uneasy by that hero worship. But it did not seem so.

‘Egg sees so little of the world,’ she said, sighing. ‘We are so badly off. One of my cousins presented her and took her to a few things in town, but since then she has hardly been away from here, except for an occasional visit. Young people, I feel, should see plenty of people and places—especially people. Otherwise—well, propinquity is sometimes a dangerous thing.’

Mr Satterthwaite agreed, thinking of Sir Charles and the sailing, but that this was not what was in Lady Mary’s mind, she showed a moment or two later.

‘Sir Charles’s coming has done a lot for Egg. It has widened her horizon. You see, there are very few young people down here—especially men. I’ve always been afraid that Egg might marry someone simply from being thrown with one person only and seeing no one else.’

Mr Satterthwaite had a quick intuition.

‘Are you thinking of young Oliver Manders?’

Lady Mary blushed in ingenuous surprise.

‘Oh, Mr Satterthwaite, I don’t know how you knew! I was thinking of him. He and Egg were together a lot at one time, and I know I’m old-fashioned, but I don’t like some of his ideas.’

‘Youth must have its fling,’ said Mr Satterthwaite.

Lady Mary shook her head.

‘I’ve been so afraid—it’s quite suitable, of course, I know all about him, and his uncle, who has recently taken him into his firm, is a very rich man; it’s not that—it’s silly of me—but—’

She shook her head, unable to express herself further.

Mr Satterthwaite felt curiously intimate. He said quietly and plainly:

‘All the same, Lady Mary, you wouldn’t like your girl to marry a man twice her own age.’

Her answer surprised him.

‘It might be safer so. If you do that, at least you know where you are. At that age a man’s follies and sins are definitely behind him; they are not—still to come …’

Before Mr Satterthwaite could say any more, Egg rejoined them.

‘You’ve been a long time, darling,’ said her mother.

‘I was talking to Sir Charles, my sweet. He’s all alone in his glory.’ She turned reproachfully to Mr Satterthwaite. ‘You didn’t tell me the house-party had flitted.’

‘They went back yesterday—all but Sir Bartholomew Strange. He was staying till tomorrow, but he was recalled to London by an urgent telegram this morning. One of his patients was in a critical condition.’

‘It’s a pity,’ said Egg. ‘Because I meant to study the house-party. I might have got a clue.’

‘A clue to what, darling?’

‘Mr Satterthwaite knows. Oh, well, it doesn’t matter. Oliver’s still here. We’ll rope him in. He’s got brains when he likes.’

When Mr Satterthwaite arrived back at Crow’s Nest he found his host sitting on the terrace overlooking the sea.

‘Hullo, Satterthwaite. Been having tea with the Lytton Gores?’

‘Yes. You don’t mind?’

‘Of course not. Egg telephoned … Odd sort of girl, Egg …’

‘Attractive,’ said Mr Satterthwaite.

‘H’m, yes, I suppose she is.’

He got up and walked a few aimless steps.

‘I wish to God,’ he said suddenly and bitterly, ‘that I’d never come to this cursed place.’

CHAPTER 5
Flight From a Lady

Mr Satterthwaite thought to himself: ‘He’s got it badly.’

He felt a sudden pity for his host. At the age of fifty-two, Charles Cartwright, the gay debonair breaker of hearts, had fallen in love. And, as he himself realized, his case was doomed to disappointment. Youth turns to youth.

‘Girls don’t wear their hearts on their sleeves,’ thought Mr Satterthwaite. ‘Egg makes a great parade of her feeling for Sir Charles. She wouldn’t if it really meant anything. Young Manders is the one.’

Mr Satterthwaite was usually fairly shrewd in his assumptions.

Still, there was probably one factor that he did not take into account, because he was unaware of it himself. That was the enhanced value placed by age on youth. To Mr Satterthwaite, an elderly man, the fact that Egg might prefer a middle-aged man to a young one was frankly incredible. Youth was to him so much the most magical of all gifts.

He felt strengthened in his beliefs when Egg rang up after dinner and demanded permission to bring Oliver along and ‘have a consultation’.

Certainly a handsome lad, with his dark, heavy-lidded eyes and easy grace of movement. He had, it seemed, permitted himself to be brought—a tribute to Egg’s energy; but his general attitude was lazily sceptical.

‘Can’t you talk her out of it, sir?’ he said to Sir Charles. ‘It’s this appallingly healthy bucolic life she leads that makes her so energetic. You know, Egg, you really are detestably hearty. And your tastes are childish—crime—sensation—and all that bunk.’

‘You’re a sceptic, Manders?’

‘Well, sir, really. That dear old bleating fellow. It’s fantastic to think of anything else but natural causes.’

‘I expect you’re right,’ said Sir Charles.

Mr Satterthwaite glanced at him. What part was Charles Cartwright playing tonight. Not the ex-Naval man—not the international detective. No, some new and unfamiliar role.

It came as a shock to Mr Satterthwaite when he realized what that role was. Sir Charles was playing second fiddle. Second fiddle to Oliver Manders.

He sat back with his head in shadow watching those two, Egg and Oliver, as they disputed—Egg hotly, Oliver languidly.

Sir Charles looked older than usual—old and tired.

More than once Egg appealed to him—hotly and confidently—but his response was lacking.

It was eleven o’clock when they left. Sir Charles went out on the terrace with them and offered the loan of an electric torch to help them down the stony path.

But there was no need of a torch. It was a beautiful moonlit night. They set off together, their voices growing fainter as they descended.

Moonlight or no moonlight, Mr Sattherthwaite was not going to risk a chill. He returned to the Ship-room. Sir Charles stayed out on the terrace a little while longer.

When he came in he latched the window behind him, and striding to a side table poured himself out a whisky and soda.

‘Satterthwaite,’ he said, ‘I’m leaving here tomorrow for good.’

‘What?’ cried Mr Satterthwaite, astonished.

A kind of melancholy pleasure at the effect he had produced showed for a minute on Charles Cartwright’s face.

‘It’s the Only Thing To Do,’ he said, obviously speaking in capital letters. ‘I shall sell this place. What it has meant to me no one will ever know.’ His voice dropped, lingeringly … effectively.

After an evening of second fiddle, Sir Charles’s egoism was taking its revenge. This was the great Renunciation Scene, so often played by him in sundry and divers dramas. Giving Up the Other Man’s Wife, Renouncing the Girl he Loved.

There was a brave flippancy in his voice as he went on.

‘Cut your losses—it’s the only way … Youth to youth … They’re made for each other, those two … I shall clear out …’

‘Where to?’ asked Mr Satterthwaite.

The actor made a careless gesture.

‘Anywhere. What does it matter?’ He added with a slight change of voice, ‘Probably Monte Carlo.’ And then, retrieving what his sensitive taste could not but feel to be a slight anticlimax, ‘In the heart of the desert or the heart of the crowd—what does it matter? The inmost core of man is solitary—alone. I have always been—a lonely soul …’

It was clearly an exit line.

He nodded to Mr Satterthwaite and left the room.

Mr Satterthwaite got up and prepared to follow his host to bed.

‘But it won’t be the heart of a desert,’ he thought to himself with a slight chuckle.

On the following morning Sir Charles begged Mr Satterthwaite to forgive him if he went up to town that day.

‘Don’t cut your visit short, my dear fellow. You were staying till tomorrow, and I know you’re going on to the Harbertons at Tavistock. The car will take you there. What I feel is that, having come to my decision, I mustn’t look back. No, I mustn’t look back.’

Sir Charles squared his shoulders with manly resolution, wrung Mr Satterthwaite’s hand with fervour and delivered him over to the capable Miss Milray.

Miss Milray seemed prepared to deal with the situation as she had dealt with any other. She expressed no surprise or emotion at Sir Charles’s overnight decision. Nor could Mr Satterthwaite draw her out on the point. Neither sudden deaths nor sudden changes of plan could excite Miss Milray. She accepted whatever happened as a fact and proceeded to cope with it in an efficient way. She telephoned to the house agents, despatched wires abroad, and wrote busily on her typewriter. Mr Satterthwaite escaped from the depressing spectacle of so much efficiency by strolling down to the quay. He was walking aimlessly along when he was seized by the arm from behind, and turned to confront a white-faced girl.

‘What’s all this?’ demanded Egg fiercely.

‘All what?’ parried Mr Satterthwaite.

‘It’s all over the place that Sir Charles is going away—that he’s going to sell Crow’s Nest.’

‘Quite true.’

‘He is going away?’

‘He’s gone.’

‘Oh!’ Egg relinquished his arm. She looked suddenly like a very small child who has been cruelly hurt.

Mr Satterthwaite did not know what to say.

‘Where has he gone?’

‘Abroad. To the South of France.’

‘Oh!’

Still he did not know what to say. For clearly there was more than hero worship here …

Pitying her, he was turning over various consolatory words in his mind when she spoke again—and startled him.

‘Which of those damned bitches is it?’ asked Egg fiercely.

Mr Satterthwaite stared at her, his mouth fallen open in surprise. Egg took him by the arm again and shook him violently.

‘You must know,’ she cried. ‘Which of them? The grey-haired one or the other?’

‘My dear, I don’t know what you’re talking about.’

‘You do. You must. Of course it’s some woman. He liked me—I know he liked me. One of those women the other night must have seen it, too, and determined to get him away from me. I hate women. Lousy cats. Did you see her clothes—that one with the green hair? They made me gnash my teeth with envy. A woman who has clothes like that has a pull—you can’t deny it. She’s quite old and ugly as sin, really, but what does it matter. She makes everyone else look like a dowdy curate’s wife. Is it her? Or is it the other one with the grey hair? She’s amusing—you can see that. She’s got masses of S.A. And he called her Angie. It can’t be the one like a wilted cabbage. Is it the smart one or is it Angie?’

‘My dear, you’ve got the most extraordinary ideas into your head. He—er—Charles Cartwright isn’t the least interested in either of those women.’

‘I don’t believe you. They’re interested in him, anyway …’

‘No, no, no, you’re making a mistake. This is all imagination.’

‘Bitches,’ said Egg. ‘That’s what they are!’

‘You mustn’t use that word, my dear.’

‘I can think of a lot worse things to say than that.’

‘Possibly, possibly, but pray don’t do so. I can assure you that you are labouring under a misapprehension.’

‘Then why has he gone away—like this?’

Mr Satterthwaite cleared his throat.

‘I fancy he—er—thought it best.’

Egg stared at him piercingly.

‘Do you mean—because of me?’

‘Well—something of the kind, perhaps.’

‘And so he’s legged it. I suppose I did show my hand a bit plainly … Men do hate being chased, don’t they? Mums is right, after all … You’ve no idea how sweet she is when she talks about men. Always in the third person—so Victorian and polite. “A man hates being run after; a girl should always let the man make the running.” Don’t you think it’s a sweet expression—make the running? Sounds the opposite of what it means. Actually that’s just what Charles has done—made the running. He’s running away from me. He’s afraid. And the devil of it is, I can’t go after him. If I did I suppose he’d take a boat to the wilds of Africa or somewhere.’

‘Hermione,’ said Mr Satterthwaite, ‘are you serious about Sir Charles?’

The girl flung him an impatient glance.

‘Of course I am.’

‘What about Oliver Manders?’

Egg dismissed Oliver Manders with an impatient whisk of the head. She was following out a train of thought of her own.

‘Do you think I might write to him? Nothing alarming. Just chatty girlish stuff … you know, put him at his ease, so that he’d get over his scare?’

She frowned.

‘What a fool I’ve been. Mums would have managed it much better. They knew how to do the trick, those Victorians. All blushing retreat. I’ve been all wrong about it. I actually thought he needed encouraging. He seemed—well, he seemed to need a bit of help. Tell me,’ she turned abruptly on Mr Satterthwaite, ‘did he see me do my kissing act with Oliver last night?’

‘Not that I know of. When—?’

‘All in the moonlight. As we were going down the path. I thought he was still looking from the terrace. I thought perhaps if he saw me and Oliver—well, I thought it might wake him up a bit. Because he did like me. I could swear he liked me.’

‘Wasn’t that a little hard on Oliver?’

Egg shook her head decisively.

‘Not in the least. Oliver thinks it’s an honour for any girl to be kissed by him. It was damned bad for his conceit, of course; but one can’t think of everything. I wanted to ginger up Charles. He’s been different lately—more standoffish.’

‘My dear child,’ said Mr Satterthwaite, ‘I don’t think you realize quite why Sir Charles went away so suddenly. He thought that you cared for Oliver. He went away to save himself further pain.’

Egg whisked round. She caught hold of Mr Satterthwaite by the shoulders and peered into his face.

‘Is that true? Is that really true? The mutt! The boob! Oh—!’

She released Mr Satterthwaite suddenly and moved along beside him with a skipping motion.

‘Then he’ll come back,’ she said. ‘He’ll come back. If he doesn’t—’

‘Well, if he doesn’t?’

Egg laughed.

‘I’ll get him back somehow. You see if I don’t.’

It seemed as though allowing for difference of language Egg and the lily maid of Astolat had much in common, but Mr Satterthwaite felt that Egg’s methods would be more practical than those of Elaine, and that dying of a broken heart would form no part of them.

SECOND ACT

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