ACCEPTANCE
JEFF VANDERMEER

Copyright

Fourth Estate

An imprint of HarperCollinsPublishers Ltd

1 London Bridge Street,

London, SE1 9GF, UK

www.4thestate.co.uk

First published in Great Britain by Fourth Estate in 2014

First published in the United States by Farrar, Straus and Giroux in 2014

Copyright © VanderMeer Creative, Inc. 2014

Jeff VanderMeer asserts the moral right to be identified as the author of this work.

A catalogue record for this book is available from the British Library.

This novel is a work of fiction. Names, characters, places and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events or locales is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780007553532

Ebook edition © September 2014 ISBN: 9780007553549

Version: 2017-11-28

Praise for the Southern Reach Trilogy

‘A tense and chilling psychological thriller about an unravelling expedition and the strangeness within us. A little Kubrick, a lot of Lovecraft, [Annihilation] builds with an unbearable tension and claustrophobic dread that lingers long afterwards’

Lauren Beukes, author of The Shining Girls

‘A lasting monument to the uncanny … you find yourself afraid to turn the page’

Simon Ings, Guardian

‘VanderMeer’s novel is a psycho-geographical tour de force, channelling Ballard and Lovecraft to instil the reader with a deep, delicious unease’

James Lovegrove, Financial Times

‘Immersive, insightful and often deeply bloody creepy, this is a startlingly good novel … the Southern Reach series will be a major work’

Will Salmon, SFX Magazine

‘A clear triumph for VanderMeer … a compelling, elegant and existential story of far broader appeal … A novel whose world is built seamlessly and whose symbols are rich and dark’

Lydia Millet, LA Times

‘A teeming science fiction that draws on Conrad and Lovecraft alike … The writing itself has a clarity that makes the abundancy of the setting more powerful’

Paul Kincaid, Sunday Telegraph

‘What a haunting book this is, lodging deep in the memory … So disquietingly strange as to defy summarisation. Read it’

Ned Denny, Daily Mail

‘The incidents pile up, building in tension and terror … More than just a horror novel; there’s something Poe-like in this tightening, increasingly paranoid focus … Cruel and exquisite’

N. K. Jemisin, New York Times

Dedication

For Ann

Table of Contents

Cover

Title Page

Copyright

Praise for the Southern Reach Trilogy

Dedication

000X: The Director, Twelfth Expedition

Part I: Range Light

0001: The Lighthouse Keeper

0002: Ghost Bird

0003: The Director

0004: The Lighthouse Keeper

0005: Control

0006: The Director

0007: The Lighthouse Keeper

0008: Ghost Bird

0009: The Director

0010: Control

Part II: Fixed Light

01: The Brightness

02: The Moaning Creature

03: The Island

04: The Owl

05: The Seeker & Surveillance Bandits

06: The Passage of Time, and Pain

Part III: Occulting Light

0011: Ghost Bird

0012: The Lighthouse Keeper

0013: Control

0014: The Director

0015: The Lighthouse Keeper

0016: Ghost Bird

0017: The Director

0018: The Lighthouse Keeper

0019: Control

0020: The Director

0021: The Lighthouse Keeper

0022: Ghost Bird

0023: The Director

0024: The Lighthouse Keeper

0025: Control

0026: The Director

0027: The Lighthouse Keeper

0028: Ghost Bird

000X: The Director

Acknowledgments

About the Author

Also by Jeff VanderMeer

About the Publisher

000X: THE DIRECTOR, TWELFTH EXPEDITION

Just out of reach, just beyond you: the rush and froth of the surf, the sharp smell of the sea, the crisscrossing shape of the gulls, their sudden, jarring cries. An ordinary day in Area X, an extraordinary day—the day of your death—and there you are, propped up against a mound of sand, half sheltered by a crumbling wall. The warm sun against your face, and the dizzying view above of the lighthouse looming down through its own shadow. The sky has an intensity that admits to nothing beyond its blue prison. There’s sticky sand glittering across a gash in your forehead; there’s a tangy glottal something in your mouth, dripping out.

You feel numb and you feel broken, but there’s a strange relief mixed in with the regret: to come such a long way, to come to a halt here, without knowing how it will turn out, and yet … to rest. To come to rest. Finally. All of your plans back at the Southern Reach, the agonizing and constant fear of failure or worse, the price of that … all of it leaking out into the sand beside you in gritty red pearls.

The landscape surges toward you, curling over from behind to peer at you; it flares in places, or swirls or reduces itself to a pinprick, before coming back into focus. Your hearing isn’t what it once was, either—has weakened along with your balance. And yet there comes this impossible thing: a magician’s trick of a voice rising out of the landscape and the suggestion of eyes upon you. The whisper is familiar: Is your house in order? But you think whoever is asking might be a stranger, and you ignore it, don’t like what might be knocking at the door.

The throbbing of your shoulder from the encounter in the tower is much worse. The wound betrayed you, made you leap out into that blazing blue expanse even though you hadn’t wanted to. Some communication, some trigger between the wound and the flame that came dancing across the reeds betrayed your sovereignty. Your house has rarely been in such disarray, and yet you know that no matter what leaves you in a few minutes something else will remain behind. Disappearing into the sky, the earth, the water, is no guarantee of death here.

A shadow joins the shadow of the lighthouse.

Soon after, there comes the crunch of boots, and, disoriented, you shout, “Annihilation! Annihilation!” and flail about until you realize the apparition kneeling before you is the one person impervious to the suggestion.

“It’s just me, the biologist.”

Just you. Just the biologist. Just your defiant weapon, hurled against the walls of Area X.

She props you up, presses water to your mouth, clearing some of the blood as you cough.

“Where is the surveyor?” you ask.

“Back at the base camp,” she tells you.

“Wouldn’t come with you?” Afraid of the biologist, afraid of the burgeoning flame, just like you. “A slow-burning flame, a will-o’-the-wisp, floating across the marsh and the dunes, floating and floating, like nothing human but something free and floating.” A hypnotic suggestion meant to calm her, even if it will have no more effect than a comforting nursery rhyme.

As the conversation unspools, you keep faltering and losing track of it. You say things you don’t mean, trying to stay in character—the person the biologist knows you as, the construct you created for her. Maybe you shouldn’t care about roles now, but there’s still a role to play.

She’s blaming you, but you can’t blame her. “If it was a disaster, you helped create it. You just panicked, and you gave up.” Not true—you never gave up—but you nod anyway, thinking of so many mistakes. “I did. I did. I should have recognized earlier that you had changed.” True. “I should have sent you back to the border.” Not true. “I shouldn’t have gone down there with the anthropologist.” Not true, not really. You had no choice, once she slipped away from base camp, intent on proving herself.

You’re coughing up more blood, but it hardly matters now.

“What does the border look like?” A child’s question. A question whose answer means nothing. There is nothing but border. There is no border.

I’ll tell you when I get there.

“What really happens when we cross over?”

Not what you might expect.

“What did you hide from us about Area X?”

Nothing that would have helped you. Not really.

The sun is a weak halo with no center and the biologist’s voice threads in and out, the sand both cold and hot in your clenched right hand. The pain that keeps returning in bursts is attacking every couple of microseconds, so present that it isn’t even there anymore.

Eventually, you recognize that you have lost the ability to speak. But you are still there, muffled and distant, as if you’re a kid lying on a blanket on this very beach, with a hat over your eyes. Lulled into drowsiness by the constant surging sound of the water and the sea breezes, balancing the heat that ripples over you, spreads through your limbs. The wind against your hair is a sensation as remote as the ruffling of weeds sprouting from a head-shaped rock.

“I’m sorry, but I have to do this,” the biologist tells you, almost as if she knows you can still hear her. “I have no choice.”

You feel the tug and pull on your skin, the brief incisive line, as the biologist takes a sample from your infected shoulder. From a great and insurmountable distance, searching hands descend as the biologist goes through your jacket pockets. She finds your journal. She finds your hidden gun. She finds your pathetic letter. What will she make of them? Maybe nothing at all. Maybe she’ll just throw the letter into the sea, and the gun with it. Maybe she’ll waste the rest of her life studying your journal.

She’s still talking.

“I don’t know what to say to you. I’m angry. I’m frightened. You put us here and you had a chance to tell me what you knew, and you didn’t. You wouldn’t. I’d say rest in peace, but I don’t think you will.”

Then she’s gone, and you miss her, that weight of a human being beside you, the perverse blessing of those words, but you don’t miss her for long because you are fading further still, fading into the landscape like a reluctant wraith, and you can hear a faint and delicate music in the distance, and something that whispered to you before is whispering again, and then you’re dissolving into the wind. A kind of alien regard has twinned itself to you, easily mistaken for the atoms of the air if it did not seem somehow concentrated, purposeful. Joyful?

Taken up over the still lakes, rising up across the marsh, flickering up in green-glinting reflections against the sea and the shore in the late-afternoon sun … only to wheel and bank toward the interior and its cypress trees, its black water. Then sharply up into the sky again, taking aim for the sun, the lurch and spin of it, before free fall, twisting to stare down at the onrushing earth, stretched taut above the quick flash and slow wave of reeds. You half expect to see Lowry there, wounded survivor of the long-ago first expedition, crawling toward the safety of the border. But instead there is just the biologist trudging back down the darkening path … and waiting beyond her, mewling and in distress, the altered psychologist from the expedition before the twelfth. Your fault as much as anyone’s, your fault, and irrevocable. Unforgivable.

As you curve back around, the lighthouse fast approaches. The air trembles as it pushes out from both sides of the lighthouse and then re-forms, ever questing, forever sampling, rising high only to come low yet again, and finally circling like a question mark so you can bear witness to your own immolation: a shape huddled there, leaking light. What a sad figure, sleeping there, dissolving there. A green flame, a distress signal, an opportunity. Are you still soaring? Are you still dying or dead? You can’t tell anymore.

But the whisper isn’t done with you yet.

You’re not down there.

You’re up here.

And there’s still an interrogation going on.

One that will repeat until you have given up every answer.

PART I

0001: THE LIGHTHOUSE KEEPER

Overhauled the lens machinery and cleaned the lens. Fixed the water pipe in the garden. Small repair to the gate. Organized the tools and shovels etc. in the shed. S&SB visit. Need to requisition paint for daymark—black eroded on seaward side. Also need nails and to check the western siren again. Sighted: pelicans, moorhens, some kind of warbler, blackbirds beyond number, sanderlings, a royal tern, an osprey, flickers, cormorants, bluebirds, pigmy rattlesnake (at the fence—remember), rabbit or two, white-tailed deer, and near dawn, on the trail, many an armadillo.

That winter morning, the wind was cold against the collar of Saul Evans’s coat as he trudged down the trail toward the lighthouse. There had been a storm the night before, and down and to his left, the ocean lay gray and roiling against the dull blue of the sky, seen through the rustle and sway of the sea oats. Driftwood and bottles and faded white buoys and a dead hammerhead shark had washed up in the aftermath, tangled among snarls of seaweed, but no real damage either here or in the village.

At his feet lay bramble and the thick gray of thistles that would bloom purple in the spring and summer. To his right, the ponds were dark with the muttering complaints of grebes and buffleheads. Blackbirds plunged the thin branches of trees down, exploded upward in panic at his passage, settled back into garrulous communities. The brisk, fresh salt smell to the air had an edge of flame: a burning smell from some nearby house or still-smoldering bonfire.

Saul had lived in the lighthouse for four years before he’d met Charlie, and he lived there still, but last night he’d stayed in the village a half mile away, in Charlie’s cottage. A new thing this, not agreed to with words, but with Charlie pulling him back to bed when he’d been about to put on his clothes and leave. A welcome thing that put an awkward half smile on Saul’s face.

Charlie’d barely stirred as Saul had gotten up, dressed, made eggs for breakfast. He’d served Charlie a generous portion with a slice of orange, kept hot under a bowl, and left a little note beside the toaster, bread at the ready. As he’d left, he’d turned to look at the man sprawled on his back half in and half out of the sheets. Even into his late thirties, Charlie had the lean, muscular torso, strong shoulders, and stout legs of a man who had spent much of his adult life on boats, hauling in nets, and the flat belly of someone who didn’t spend too many nights out drinking.

A quiet click of the door, then whistling into the wind like an idiot as soon as he’d taken a few steps—thanking the God who’d made him, in the end, so lucky, even if in such a delayed and unexpected way. Some things came to you late, but late was better than never.

Soon the lighthouse rose solid and tall above him. It served as a daymark so boats could navigate the shallows, but also was lit at night half the week, corresponding to the schedules of commercial traffic farther out to sea. He knew every step of its stairs, every room inside its stone-and-brick walls, every crack and bit of spackle. The spectacular four-ton lens, or beacon, at the top had its own unique signature, and he had hundreds of ways to adjust its light. A first-order lens, over a century old.

As a preacher he thought he had known a kind of peace, a kind of calling, but only after his self-exile, giving all of that up, had Saul truly found what he was looking for. It had taken more than a year for him to understand why: Preaching had been projecting out, imposing himself on the world, with the world then projecting onto him. But tending to the lighthouse—that was a way of looking inward and it felt less arrogant. Here, he knew nothing but the practical, learned from his predecessor: how to maintain the lens, the precise workings of the ventilator and the lens-access panel, how to maintain the grounds, how to fix all the things that broke—scores of daily tasks. He welcomed each part of the routine, relished how it gave him no time to think about the past, and didn’t mind sometimes working long hours—especially now, in the afterglow of Charlie’s embrace.

But that afterglow faded when he saw what awaited him in the gravel parking lot, inside the crisp white fence that surrounded the lighthouse and the grounds. A familiar beat-up station wagon stood there, and beside it the usual two Séance & Science Brigade recruits. They’d snuck up on him again, crept in to ruin his good mood, and even piled their equipment beside the car already—no doubt in a hurry to start. He waved to them from afar in a halfhearted way.

They were always present now, taking measurements and photographs, dictating statements into their bulky tape recorders, making their amateur movies. Intent on finding … what? He knew the history of the coast here, the way that distance and silence magnified the mundane. How into those spaces and the fog and the empty line of the beach thoughts could turn to the uncanny and begin to create a story out of nothing.

Saul took his time because he found them tiresome and increasingly predictable. They traveled in pairs, so they could have their séance and their science both, and he sometimes wondered about their conversations—how full of contradictions they must be, like the arguments going on inside his head toward the end of his ministry. Lately the same two had come by: a man and a woman, both in their twenties, although sometimes they seemed more like teenagers, a boy and girl who’d run away from home dragging a store-bought chemistry set and a Ouija board behind them.

Henry and Suzanne. Although Saul had assumed the woman was the superstitious one, it turned out she was the scientist—of what?—and the man was the investigator of the uncanny. Henry spoke with a slight accent, one Saul couldn’t place, that put an emphatic stamp of authority on everything he said. He was plump, as clean-shaven as Saul was bearded, with shadows under his pale blue eyes, black hair in a modified bowl cut with bangs that obscured a pale, unusually long forehead. Henry didn’t seem to care about worldly things, like the winter weather, because he always wore some variation on a delicate blue button-down silk shirt with dress slacks. The shiny black boots with zippers down the side weren’t for trails but for city streets.

Suzanne seemed more like what people today called a hippie but would’ve called a communist or bohemian when Saul was growing up. She had blond hair and wore a white embroidered peasant blouse and a brown suede skirt down below the knee, to meet the calf-high tan boots that completed her uniform. A few like her had wandered into his ministry from time to time—lost, living in their own heads, waiting for something to ignite them. The frailty of her form made her somehow more Henry’s twin, not less.

The two had never given him their last names, although one or the other had said something that sounded like “Serum-list” once, which made no sense. Saul didn’t really want to know them better, if he was honest, had taken to calling them “the Light Brigade” behind their backs, as in “lightweights.”

When he finally stood in front of them, Saul greeted them with a nod and a gruff hello, and they acted, as they often did, like he was a clerk in the village grocery store and the lighthouse a business that offered some service to the public. Without the twins’ permit from the parks service, he would have shut the door in their faces.

“Saul, you don’t look very happy even though it is a beautiful day,” Henry said.

“Saul, it’s a beautiful day,” Suzanne added.

He managed a nod and a sour smile, which set them both off into paroxysms of laughter. He ignored that.

But they continued to talk as Saul unlocked the door. They always wanted to talk, even though he’d have preferred that they just got on with their business. This time it was about something called “necromantic doubling,” which had to do with building a room of mirrors and darkness as far as he could tell. It was a strange term and he ignored their explanations, saw no way in which it had any relationship to the beacon or his life at the lighthouse.

People weren’t ignorant here, but they were superstitious, and given that the sea could claim lives, who could blame them. What was the harm of a good-luck charm worn on a necklace, or saying a few words in prayer to keep a loved one safe? Interlopers trying to make sense of things, trying to “analyze and survey” as Suzanne had put it, turned people off because it trivialized the tragedies to come. But like those annoying rats of the sky, the seagulls, you got used to the Light Brigade after a while. On dreary days he had almost learned not to begrudge the company. Why do you see the speck in your neighbor’s eye but not notice the log in your own eye?

“Henry thinks the beacon could operate much like such a room,” Suzanne said, as if this was some major and astounding discovery. Her enthusiasm struck him as serious and authentic and yet also frivolous and amateurish. Sometimes they reminded him of the traveling preachers who set up tents at the edges of small towns and had the fervor of their convictions but not much else. Sometimes he even believed they were charlatans. The first time he’d met them, Saul thought Henry had said they were studying the refraction of light in a prison.

“Are you familiar with these theories?” Suzanne asked as they started to climb; she was lightly adorned with a camera strapped around her neck and a suitcase in one hand. Henry was trying not to seem winded, and said nothing. He was wrestling with heavy equipment, some of it in a box: mics, headphones, UV light readers, 8mm film, and a couple of machines featuring dials, knobs, and other indicators.

“No,” Saul said, mostly to be contrary, because Suzanne often treated him like someone without culture, mistook his brusqueness for ignorance, his casual clothes as belonging to a simple man. Besides, the less he said, the more relaxed they were around him. It’d been the same with potential donors as a preacher. And the truth was, he didn’t know what she was talking about, just as he hadn’t known what Henry meant when he’d said they were studying the “taywah” or “terror” of the region, even when he’d spelled it out as t-e-r-r-o-i-r.

“Prebiotic particles,” Henry managed in a jovial if wheezy tone. “Ghost energy.”

As Suzanne backed that up with a longish lecture about mirrors and things that could peer out of mirrors and how you might look at something sideways and know more about its true nature than head-on, he wondered if Henry and Suzanne were lovers; her sudden enthusiasm for the séance part of the brigade might have a fairly prosaic origin. That would also explain their hysterical laughter down below. An ungenerous thought, but he’d wanted to bask in the afterglow of the night with Charlie.

“Meet you up there,” he said finally, having had enough, and leaped up the stairs, taking them two at a time while Henry and Suzanne labored below, soon out of sight. He wanted as much time at the top without them as possible. The government would retire him at fifty, mandatory, but he planned to be as in shape then as now. Despite the twinge in his joints.

At the top, hardly even breathing heavy, Saul was happy to find the lantern room as he’d left it, with the lens bag placed over the beacon, to avoid both scratching and discoloration from the sun. All he had to do was open the lens curtains around the parapet to let in light. His concession to Henry, for just a few hours a day.

Once, from this vantage, he’d seen something vast rippling through the water beyond the sandbars, a kind of shadow, the grayness so dark and deep it had formed a thick, smooth shape against the blue. Even with his binoculars he could not tell what creature it was, or what it might become if he stared at it long enough. Didn’t know if eventually it had scattered into a thousand shapes, revealed as a school of fish, or if the color of the water, the sharpness of the light, changed and made it disappear, revealed as an illusion. In that tension between what he could and couldn’t know about even the mundane world, he felt at home in a way he would not have five years ago. He needed no greater mysteries now than those moments when the world seemed as miraculous as in his old sermons. And it was a good story for down at the village bar, the kind of story they expected from the lighthouse keeper, if anyone expected anything from him at all.

“So that’s why it’s of interest to us, what with the way the lens wound up here, and how that relates to the whole history of both lighthouses,” Suzanne said from behind him. She had been having a conversation with Saul in his absence, apparently, and seemed to believe he had been responding. Behind her, Henry was about ready to collapse, although the trek had become a regular routine.

When he’d dropped the equipment and regained his breath, Henry said, “You have a marvelous view from up here.” He always said this, and Saul had stopped giving a polite response, or any response.

“How long are you here for this time?” Saul asked. This particular stint had already lasted two weeks, and he’d put off asking, fearing the answer.

Henry’s shadow-circled gaze narrowed. “This time our permit allows us access through the end of the year.” Some old injury or accident of birth meant his head was bent to the right, especially when he spoke, right ear almost touching the upward slope of his shoulder. It gave him a mechanical aspect.

“Just a reminder: You can touch the beacon, but you can’t in any way interfere with its function.” Saul had repeated this warning every day since they’d come back. Sometimes in the past they’d had strange ideas about what they could and could not do.

“Relax, Saul,” Suzanne said, and he gritted his teeth at her use of his first name. At the beginning, they’d called him Mr. Evans, which he preferred.

He took more than the usual juvenile pleasure in positioning them on the rug, beneath which lay a trapdoor and a converted watch room that had once held the supplies needed to maintain the light before the advent of automation. Keeping the room from them felt like keeping a compartment of his mind hidden from their experiments. Besides, if these two were as observant as they seemed to think they were, they would have realized what the sudden cramping of the stairs near the top meant.

When he was satisfied they had settled in and were unlikely to disturb anything, he gave them a nod and left. Halfway down, he thought he heard a breaking sound from above. It did not repeat. He hesitated, then shrugged it off, continued to the bottom of the spiral stairs.

Below, Saul busied himself with the grounds and organizing the toolshed, which had become a mess. More than one hiker wandering through had seemed surprised to find a lighthouse keeper walking the grounds around the tower as if he were a hermit crab without its shell, but in fact there was a lot of maintenance required due to the way storms and the salt air could wear down everything if he wasn’t vigilant. In the summer, it was harder, with the heat and the biting flies.

The girl, Gloria, snuck up on him while he was inspecting the boat he kept behind the shed. The shed abutted a ridge of soil and coquina parallel to the beach and a line of rocks stretching out to sea. At high tide, the sea flowed up to reinvigorate tidal pools full of sea anemones, starfish, blue crabs, snails, and sea cucumbers.

She was a solid, tall presence for her age, big for nine—“Nine and a half!”—and although Gloria sometimes wobbled on those rocks there was rarely any wobble in her young mind, which Saul admired. His own middle-aged brain sometimes slipped a gear or two.

So there she was again, a sturdy figure on the rocks, in her winter-weather gear—jeans, hooded jacket and sweater underneath, thick boots for wide feet—as he finished with the boat and brought compost around back in the wheelbarrow. She was talking to him. She was always talking to him, ever since she’d started coming by about a year ago.

“You know my ancestors lived here,” she said. “Mama says they lived right here, where the lighthouse is.” She had a deep and level voice for one so young, which sometimes startled him.

“So did mine, child,” Saul told her, upturning the wheelbarrow load into the compost pile. Although truth was, the other side of his family had been an odd combination of rumrunners and fanatics who he liked to say, down at the bar, “had come to this land fleeing religious freedom.”

After considering Saul’s assertion for a moment, Gloria said, “Not before mine.”

“Does it matter?” He noticed he’d missed some caulking on the boat.

The child frowned; he could feel her frown at his back, it was that powerful. “I don’t know.” He looked over at her, saw she’d stopped hopping between rocks, had decided that teetering on a dangerously sharp one made more sense. The sight made his stomach lurch, but he knew she never slipped, even though she seemed in danger of it many times, and as many times as he’d talked to her about it, she’d always ignored him.

“I think so,” she said, picking up the conversation. “I think it does.”

“I’m one-eighth Indian,” he said. “I was here, too. Part of me.” For what that was worth. A distant relative had told him about the lighthouse keeper’s job, it was true, but no one else had wanted it.

“So what,” she said, jumping to another sharp rock, balancing atop it, arms for a moment flailing and Saul taking a couple of steps closer to her out of fear.

She annoyed him much of the time, but he hadn’t yet been able to shake her loose. Her father lived in the middle of the country somewhere, and her mother worked two jobs from a bungalow up the coast. The mother had to drive to far-off Bleakersville at least once a week, and probably figured her kid could manage on her own every now and again. Especially if the lighthouse keeper was looking after her. And the lighthouse held a kind of fascination for Gloria that he hadn’t been able to break with his boring shed maintenance and wheelbarrow runs to the compost pile.

In the winter, too, she would be by herself a lot anyway—out on the mudflats just to the west, poking at fiddler crab holes with a stick or chasing after a half-domesticated doe, or peering at coyote or bear scat as if it held some secret. Whatever was on offer.

“Who’re those strange people, coming around here?” she asked.

That almost made him laugh. There were a lot of strange people hidden away on the forgotten coast, himself included. Some were hiding from the government, some from themselves, some from spouses. A few believed that they were creating their own sovereign states. A couple probably weren’t in the country legally. People asked questions out here, but they didn’t expect an honest answer. Just an inventive one.

“Who exactly do you mean?”

“The ones with the pipes?”

It took Saul a moment, during which he imagined Henry and Suzanne skipping along the beach, pipes in their mouths, smoking away furiously.

“Pipes. Oh, they weren’t pipes. They were something else.” More like huge translucent mosquito coils. He’d let the Light Brigade leave the coils in the back room on the ground floor for a few months last summer. How in the heck had she seen that, anyway?

“Who are they?” she persisted, as she balanced now on two rocks, which at least meant Saul could breathe again.

“They’re from the island up the coast.” Which was true—their base was still out on Failure Island, home to dozens of them, a regular warren. “Doing tests,” as the rumors went down at the village bar, where they did indeed like a good story. Private researchers with government approval to take readings. But the rumors also insinuated that the S&SB had some more sinister agenda. Was it the orderliness, the precision, of some of them or the disorganization of the others that led to this rumor? Or just a couple of bored, drunk retirees emerging from their mobile homes to spin stories?

The truth was he didn’t know what they were doing out on the island, or what they had planned to do with the equipment on the ground floor, or even what Henry and Suzanne were doing at the top of the lighthouse right now.

“They don’t like me,” she said. “And I don’t like them.”

That did make him chuckle, especially the brazen, arms-folded way she said it, like she’d decided they were her eternal enemy.

“Are you laughing at me?”

“No,” he said. “No, I’m not. You’re a curious person. You ask questions. That’s why they don’t like you. That’s all.” People who asked questions didn’t necessarily like being asked questions.

“What’s wrong with asking questions?”

“Nothing.” Everything. Once the questions snuck in, whatever had been certain became uncertain. Questions opened the way for doubt. His father had told him that. “Don’t let them ask questions. You’re already giving them the answers, even if they don’t know it.”

“But you’re curious, too,” she said.

“Why do you say that?”

“You guard the light. And light sees everything.”

The light might see everything, but he’d forgotten a few last tasks, a few last things that would keep him out of the lighthouse for longer than he liked. He moved the wheelbarrow onto the gravel next to the station wagon. He felt a vague urgency, as if he should check on Henry and Suzanne. What if they had found the trapdoor and done something stupid, like fallen in and broken their strange little necks? Staring up just then, he saw Henry staring down from the railing far above, and that made him feel foolish. Like he was being paranoid. Henry waved, or was it some other gesture? Dizzy, Saul looked away as he made a kind of wheeling turn, disoriented by the sun’s glare.

Only to see something glittering from the lawn—half hidden by a plant rising from a tuft of weeds near where he’d found a dead squirrel a couple of days ago. Glass? A key? The dark green leaves formed a rough circle, obscuring whatever lay at its base. He knelt, shielded his gaze, but the glinting thing was still hidden by the leaves of the plant, or was it part of a leaf? Whatever it was, it was delicate beyond measure, yet perversely reminded him of the four-ton lens far above his head.

The sun was a whispering corona at his back. The heat had risen, but there was a breeze that lifted the leaves of the palmettos in a rattling stir. The girl was somewhere behind him singing a nonsense song, having come back off the rocks earlier than he’d expected.

Nothing existed in that moment except for the plant and the gleam he could not identify.

He had gloves on still, so he knelt beside the plant and reached for the glittering thing, brushing up against the leaves. Was it a tiny shifting spiral of light? It reminded him of what you might see staring into a kaleidoscope, except an intense white. But whatever it was swirled and glinted and eluded his rough grasp, and he began to feel faint.

Alarmed, he started to pull back.

But it was too late. He felt a sliver enter his thumb. There was no pain, only a pressure and then numbness, but he still jumped up in surprise, yowling and waving his hand back and forth. He frantically tore off the glove, examined his thumb. Aware that Gloria was watching him, not sure what to make of him.

Nothing now glittered on the ground in front of him. No light at the base of the plant. No pain in his thumb.

Slowly, Saul relaxed. Nothing throbbed in his thumb. There was no entry point, no puncture. He picked up the glove, checked it, couldn’t find a tear.

“What’s wrong?” Gloria asked. “Did you get stung?”

“I don’t know,” he said.

He felt other eyes upon him then, turned, and there stood Henry. How had he gotten down the stairs so fast? Had more time passed than he’d imagined?

“Yes—is something wrong, Saul?” Henry asked, but Saul could find no way to reconcile the concern expressed with any concern in the tone of his voice. Because there was none. Only a peculiar eagerness.

“Nothing is wrong,” he said, uneasy but not knowing why he should be. “Just pricked my thumb.”

“Through your gloves? That must have been quite the thorn.” Henry was scanning the ground like someone who had lost a favorite watch or a wallet full of money.

“I’m fine, Henry. Don’t worry about me.” Angry more at looking silly over nothing, but also wanting Henry to believe him. “Maybe it was an electric shock.”

“Maybe …” The gleam of the man’s eyes was the light of a cold beacon coming to Saul from far off, as if Henry were broadcasting some other message entirely.

“Nothing is wrong,” Saul said again.

Nothing was wrong.

Was it?

0002: GHOST BIRD

On the third day in Area X, with Control as her sullen companion, Ghost Bird found a skeleton in the reeds. It was winter in Area X now, and this had become more apparent once the trail meandered away from the sea that had been their entry point. The wind was cold and pushed against their faces, their jackets, the sky a watchful gray-blue that held back some essential secret. The alligators and the otters and the muskrats had retreated into the mud, ghosts somewhere beneath the dull slap and gurgle of water.

Far above, where the sky became a deeper blue, she caught a hint of some reflective surface, identified it as a wheeling cone of storks, the sun glinting silver from their white-and-gray feathers as they spun up into the sky at a great distance and with a stern authority, headed … where? She could not tell if they were testing the confines of their prison, able to recognize that invisible border before they crossed it, or like every other trapped thing here, simply operating on half-remembered instinct.

She stopped walking, and Control stopped with her. A man with prominent cheekbones, large eyes, an unobtrusive nose, and light brown skin. He was dressed in jeans and a red flannel shirt, along with a black jacket and a brand of boots that wouldn’t have been her first choice for walking through the wilderness. The director of the Southern Reach. The man who had been her interrogator. An athlete’s build, perhaps, but as long as they’d been in Area X, he’d been stooped over, muttering, as he examined forever and always a few water-stained, wrinkled pages he’d saved from some useless Southern Reach report. Flotsam from the old world.

He barely noticed the interruption.

“What is it?” he asked.

“Birds.”

“Birds?” As if the word was foreign to him, or held no meaning. Or significance. But who knew what held significance here.

“Yes. Birds.” Further specificity might be lost on him.

She took up her binoculars, watched the way the storks turned this way and then that way but never lost their form: a kind of living, gliding vortex in the sky. The pattern reminded her of the circling school of fish into which they’d emerged in shock, their surprising entrance into Area X from the bottom of the ocean.

Staring down at her, did the storks recognize what they saw? Were they reporting back to someone or something? Two nights running, she had sensed animals gathering at the edge of their campfire, dull and remote sensors for Area X. Control wanted more urgency, as if a destination meant something, while she wanted more data.

There had already been some misunderstandings about their relationship since reaching the beach—especially about who was in charge—and in the aftermath he’d taken back his name, asked that she call him Control again rather than John, which she respected. Some animals’ shells were vital to their survival. Some animals couldn’t live for long without them.

His disorientation wasn’t helped by a fever and a sense, from her own accounts of “a brightness,” that he too was being assimilated and might soon be something not himself. So perhaps she understood why he buried himself in what he called “my terroir pages,” why he had lied about wanting to find solutions when it was so clear to her that he just needed something familiar to hold on to.

At one point on the first day, she had asked him, “What would I be to you back in the world—you at one of your old jobs, me at my old job?” He had not had an answer, but she thought she knew: She would be a suspect, an enemy of the right and the true. So what were they to each other here? Sometime soon she would have to force a real conversation, provoke conflict.

But for now, she was more interested in something off in the reeds to their left. A flash of orange? Like a flag?

She must have stiffened, or something in her demeanor gave her away, because Control asked, “What’s wrong? Is something wrong?”

“Nothing, probably,” she said.

After a moment, she found the orange again—a scrap, a tattered rag tied to a reed, bending back and forth in the wind. About three hundred feet out in the reed-ocean, that treacherous marsh of sucking mud. There seemed to be a shadow or depression just beyond it, the reeds giving way to something that couldn’t be seen from their vantage.

She loaned him the binoculars. “See it?”

“Yes. It’s a … a surveyor’s mark,” he said, unimpressed.

“Because that’s likely,” she said, then regretted it.

“Okay. Then it’s ‘like’ a surveyor’s mark.” He handed back the binoculars. “We should stay on the trail, get to the island.” A sincere utterance of island for once, proportional to his dislike of the unspoken idea that they investigate the rag.

“You can stay here,” she said, knowing he wouldn’t. Knowing she would have preferred he remain behind so she could be alone in Area X for a few moments.

Except: Was anyone ever truly alone out here?

For a long time after she had woken in the empty lot, then been taken to the Southern Reach for processing, Ghost Bird had thought she was dead, that she was in purgatory, even though she didn’t believe in an afterlife. This feeling hadn’t abated even when she’d figured out that she had come back across the border into the real world by unknown means … that she wasn’t even the original biologist from the twelfth expedition but a copy.

She had admitted as much to Control during the interrogation sessions: “It was quiet and so empty … I waited there, afraid to leave, afraid there might be some reason I was meant to be there.”

But this didn’t encompass the full arc of her thoughts, of her analysis. There was not just the question of whether she was really alive but, if so, who she was, made oblique by her seclusion in her quarters at the Southern Reach. Then, examining the sense that her memories were not her own, that they came to her secondhand and that she could not be sure whether this was because of some experiment by the Southern Reach or an effect caused by Area X. Even through the intricacies of her escape on the way to Central, there was a sense of projection, of it happening to someone else, that she was only the interim solution, and perhaps that distance had aided her in avoiding capture, added a layer of absolute calm to her actions. When she’d reached the remote Rock Bay, so familiar to the biologist who had been there before her, she’d had peace for a while, let the landscape subsume her in a different way—let it break her down so she could be built up again.

But only when they had burst through into Area X had she truly gained the upper hand on her unease, her purposelessness. She had panicked for a second as the water pressed in on her, surrounded her, evoked her own drowning. But then something had turned on, or had come back, and raging against her own death, she had exulted in the sensation of the sea, welcomed having to fight her way to the surface—bursting through such a joyful hysteria of biomass—as a sort of proof that she was not the biologist, that she was some new thing that could, wanting to survive, cast out her fear of drowning as belonging to another.

In the aftermath, even resuscitating Control on the beach had seemed undeniable proof of her own sovereignty. As had her insistence on heading for the island, not the lighthouse. “Wherever the biologist would have gone, that is where I will go.” The truth, the rightness, in that had given her hope, despite the sense that everything she remembered she had observed through a window opening onto another person’s life. Not truly experienced. Or not experienced yet. “You want a lived-in life because you don’t have one,” Control had said to her, but that was a crude way to put it.

There had been little new to experience since. Nothing monstrous or unusual had yet erupted from the horizon in almost three full days of walking. Nothing unnatural, except for this hyperreal aspect to the landscape, these processes working beneath the surface. At dusk, sometimes, too, an image of the biologist’s starfish came to her, dimly shining, like a compass in her head that drew her on, and she realized again that Control couldn’t feel what she felt here. He couldn’t navigate the dangers, recognize the opportunities. The brightness had left her, but something else had stepped in to replace it.

“Counter-shading,” she’d said when he’d confessed his confusion that Area X looked so normal. “You can know a thing and not know a thing. A grebe’s markings from above are obvious. You cannot miss a grebe from above. Seen from below, though, as it floats in the water, it is practically invisible.”

“Grebe?”

“A bird.” Another bird.

“All of this is a disguise?” He said it with a kind of disbelief, as if the reality were strange enough.

Ghost Bird had relented, because it wasn’t his fault. “You’ve never walked through an ecosystem that wasn’t compromised or dysfunctional, have you? You may think you have, but you haven’t. So you might mistake what’s right for what’s wrong anyway.”

That might not be true, but she wanted to hold on to the idea of authority—didn’t want another argument about their destination. Insisting on heading for the island was protecting not just her life but his, too, she believed. She had no interest in last chances, last desperate charges into the guns of the enemy, and something in Control’s affect made her believe he might be working toward that kind of solution. Whereas she was not yet committed to anything other than wanting to know—herself and Area X.

The light in that place was inescapable, so bright yet distant. It brought a rare clarity to the reeds and the mud and the water that mirrored and followed them in the canals. It was the light that made her feel as if she glided because it tricked her into losing track of her own steps. It was the light that kept replenishing the calm within her. The light explored and questioned everything in a way she wasn’t sure Control would understand, then retreated to allow what it touched to exist apart from it.

Perhaps it was the light that got in the way, too, for theirs was a kind of backtracking, stuttering progress, using a stick to prod the ground in front of them for treachery, the thick reeds forming clumps that at times were impenetrable. Once, a limpkin, grainy brown and almost invisible against the reeds, rose so near and so silent it startled her almost more than it did Control.

But eventually they reached the rag tied to the reeds, saw the yellowing cathedral beyond, stuck in the mud and sunk halfway.

“What the hell is that?” Control asked.

“It’s dead,” she said. “It can’t harm us.” Because Control continued to overreact to what she considered insufficient stimuli. Skittish, or damaged from some other experience entirely.

But she knew all too well what it was. Sunken into the middle were the remains of a hideous skull and a bleached and hardened mask of a face that stared sightless up at them, fringed with mold and lichen.

“The moaning creature,” she said. “The moaning creature we always heard at dusk.” That had chased the biologist across the reeds.

The flesh had sloughed off, runneled down the sides of the bones, vanished into the soil. What remained was a skeleton that looked uncannily like the confluence of a giant hog and a human being, a set of smaller ribs suspended from the larger like a macabre internal chandelier, and tibias that ended in peculiar nub-like bits of gristle scavenged by birds and coyotes and rats.

“It’s been here awhile,” Control said.

“Yes, it has.” Too long. Prickles of alarm made her scan the horizon for some intruder, as if the skeleton were a trap. Alive just eighteen months ago, and yet now in a state of advanced decay, the face plate all that saved it from being unidentifiable. Even if this creature, this transformation of the psychologist from what Control called “the last eleventh expedition,” had died right after the biologist had encountered it alive … the rate of decomposition was unnatural.

Control hadn’t caught on, though, so she decided not to share. He just kept pacing around the skeleton, staring at it.

“So this was a person, once,” he said, and then said it again when she didn’t respond.

“Possibly. It might also have been a failed double.” She didn’t think she was a failed double like this creature. She had purpose, free will.

Perhaps a copy could also be superior to the original, create a new reality by avoiding old mistakes.

“I have your past in my head,” he’d told her as soon as they’d left the beach, intent on trading information. “I can give it back to you.” An ancient refrain by now, unworthy of him or of her.

Her silence had forced him to go first, and although she thought he still might be holding things back, his words, infused with urgency and a kind of passion, had a sincerity to them. Sometimes, too, a forlorn subtext crept in, one that she understood quite well and chose to ignore. She had identified it easily from the time he had visited her in her quarters back at the Southern Reach.

The news that the psychologist from the twelfth expedition had been the former director of the Southern Reach and that she had thought the biologist was her special project, her special hope, made Ghost Bird laugh. She felt a sudden affection for the psychologist, remembering their skirmishes during the induction interviews. The devious psychologist/director, trying to combat something as wide and deep as Area X with something as narrow and blunt as the biologist. As her. A sudden wren, quick-darting through brambles to flit out of sight, seemed to share her opinion.

When it was her turn, she conceded that she now remembered everything up to the point at which she had been scanned or atomized or replicated by the Crawler that lived in the tunnel/tower—the moment of her creation, which might have been the moment of the biologist’s death. The Crawler and the lighthouse keeper’s face, burning through the layered myths of its construction, made disbelief shine through Control as if he were a translucent deep-sea fish. Among all the impossible things he had already witnessed, what were a few more?

He asked no questions that had not been asked in some form by the biologist, the surveyor, the anthropologist, or the psychologist during the twelfth expedition.

Somehow that created an uncomfortable doubling effect, too, one that she argued about in her own head. Because she did not agree with her own decisions at times—the biologist’s decisions. Why had her other self been so careless with the words on the wall? For example. Why hadn’t she confronted the psychologist/director as soon as she knew about the hypnosis? What had been gained by going down to find the Crawler? Some things Ghost Bird could forgive, but others grated and drove her into spirals of might-have-beens that infuriated her.

The biologist’s husband she rejected entirely, without ambivalence, for there came with the husband the desolation of living in the city. The biologist had been married but Ghost Bird wasn’t, released from responsibility for any of that. She didn’t really understand why her double had put up with it. Among the misunderstandings between her and Control: having to make clear that her need for lived-in experience to supplant memories not her own did not extend to their relationship, whatever image of her he carried in his head. She could not just plunge into something physical with him and overlay the unreal with the ordinary, the mechanical, not when her memories were of a husband who had come home stripped of memories. Any compromise would just hurt them both, was somehow beside the point.

Standing there in front of the skeleton of the moaning creature, Control said: “Then I might end up like this? Some version of me?”

“We all end up like this, Control. Eventually.”

But not quite like this, because from those eye sockets, from the moldering bones, came a sense of a brightness still, a kind of life—a questing toward her that she rebuffed and that Control could not sense. Area X was looking at her through dead eyes. Area X was analyzing her from all sides. It made her feel like an outline created by the regard bearing down on her, one that moved only because the regard moved with her, held her constituent atoms together in a coherent shape. And yet, the eyes upon her felt familiar.

“The director might have been wrong about the biologist, but perhaps you’re the answer.” Said only half sarcastically, as if he almost knew what she was receiving.

“I’m not an answer,” she said. “I’m a question.” She might also be a message incarnate, a signal in the flesh, even if she hadn’t yet figured out what story she was supposed to tell.

She was thinking, too, about what she had seen on the journey into Area X, how it had seemed as if to both sides there lay nothing around them but the terrible blackened ruins of vast cities and enormous beached ships, lit by the roaring red and orange of fires that did nothing but cast shadow and obscure the distant view of mewling things that crawled and hopped through the ash. How she had tried to block out Control’s rambling confessions, the shocking things he said without knowing, so that she did not think he had a secret she did not now know. Pick up the gun … Tell me a joke … I killed her, it was my fault … Had whispered hypnotic incantations in his ear to shut out not only his words but also the horror show around them.

The skeleton before them had been picked clean. The discolored bones were rotting, the tips of the ribs already turned soft with moisture, most of them broken off, lost in the mud.

Above, the storks still banked and wheeled this way and that in an intricate, synchronized aerial dance more beautiful than anything ever created by human minds.

0003: THE DIRECTOR

On the weekends, your refuge is Chipper’s Star Lanes, where you’re not the director of the Southern Reach but just another customer at the bar. Chipper’s lies off the highway well out of Bleakersville, one step up from being at the end of a dirt road. Jim Lowry’s people back at Central might know the place, might be watching and listening, but you’ve never met anyone from the Southern Reach there. Even Grace Stevenson, your second-in-command, doesn’t know about it. For a disguise, you wear a T-shirt for a local construction company or a charity event like a chili cook-off and an old pair of jeans from the last time you were fat, sometimes topped off with a baseball cap advertising your favorite barbecue joint.

You go bowling there, like you used to with your dad as a kid, but you usually start out front, solo, on Chipper’s rotting but still functional Safari Adventure miniature golf course. The lions at the ninth hole are a sleeping huddle of dreamy plastic melted and blackened at the edges from some long-ago disaster. The huge hippo bestride the course-ending eighteenth has dainty ankles, and flaked-off splotches reveal blood-red paint beneath, as if its makers had been too obsessed with making it real.

Afterward you’ll go inside and bowl a few pickup games with anyone who needs a fourth, under the fading universe painted on the ceiling—there’s Earth, there’s Jupiter, there’s a purpling nebula with a red center, all of it lit up at night with a cheesy laser show. You’re good for four or five games, rarely top two hundred. When done, you sit at the dark, comfortable bar. It’s been shoved into a back corner as far from the room of stinking shoes as possible, and somehow the acoustics muffle the squeak, bump, and rumble of the bowling. Everything here is still too close to Area X, but as long as no one knows, that information can keep on killing the customers as slowly as it has over the past decades.

The Chipper’s bar attracts mostly stalwart regulars, because it’s really a dive, with dark felt stapled to the ceiling that’s meant to be sprinkled with stars. But whatever the metal that’s nailed up there, looking more like an endless series of sheriff’s badges from old Westerns, it’s been rusting for a long time, so now it’s become a dull black punctuated by tiny reddish-brown starfish. A sign in the corner advertises the Star Lanes Lounge. The lounge part consists of half a dozen round wooden tables and chairs with black fake-leather upholstery that look like they were stolen long ago from a family-restaurant chain.

Most of your comrades at the bar are heavily invested in the sports leaking out of the silent, closed-caption TV; the old green carpet, which climbs the side walls, soaks up the murmur of conversations. The regulars are harmless and rarely raucous, including a Realtor who thinks she is the knower of all things but makes up for it by being able to tell a good story. Then there’s the silver-bearded seventy-year-old man who’s almost always standing at the end of the bar drinking a light beer. He’s a veteran of some war, veers between laconic and neighborly.

Your psychologist cover story feels wrong here, and you don’t like using it. Instead, you tell anyone who asks that you’re a long-haul trucker between jobs and take a drag on your bottle of beer to end that part of the conversation. People find the idea of that line of work plausible; maybe something about your height and broad frame sells them on it. But most nights you can almost believe you are a trucker, and that these people are your sort-of friends.

The Realtor says the man’s not a veteran, just “an alcoholic looking for sympathy,” but you can tell she’s not without sympathy for that. “I’m just going to opt out” is a favorite phrase of the veteran. So is “the hell there isn’t.” The rest are a cross-section of ER nurses, a couple of mechanics, a hairdresser, a few receptionists and office managers. What your dad would’ve called “people who’re never allowed to see behind the curtain.” You don’t bother investigating them, or the oft-revolving bartenders, because it doesn’t matter. You never say anything seditious or confidential at Chipper’s.

But some nights, when you stay late and the bar crowd thins, you write down on a napkin or coaster a point or two you can’t leave alone—some of the continual puzzle-questions thrown at you by Whitby Allen, a holistic environments expert who reports to Mike Cheney, the overly jovial head of the science division. You never asked for these questions, but that doesn’t stop Whitby, who seems like his head’s on fire and the only way to put the fire out is to douse it with his ideas. “What’s outside the border when you’re inside it?” “What’s the border when you’re inside it?” “What’s the border when someone is outside it?” “Why can’t the person inside see the person outside?”

“My statements aren’t any better than my questions,” Whitby admitted to you once, “but if you want easy, you should check out what they serve up over at Cheney’s Science Shack.”

An impressive document backs up Whitby’s ideas, shining out from underneath the glossy invisible membrane of a piece of clear plastic. In a brand-new three-ring black binder, exquisitely hole-punched, not a typo in the entire twelve-page printout, with its immaculate title page: a masterpiece entitled “Combined Theories: A Complete Approach.”

The report is as shiny, clever, and quick as Whitby. The questions it raises, the recommendations made, insinuate with little subtlety that Whitby thinks the Southern Reach can do better, that he can do better if he is only given the chance. It’s a lot to digest, especially with the science department ambushing it and taking potshots in memos sent to you alone: “Suppositions in search of evidence, head on backward or sideways.” Or, maybe even sprouting from his ass.

But to you it’s deadly serious, especially a list of “conditions required for Area X to exist” that include

 an isolated place

 an inert but volatile trigger

 a catalyst to pull the trigger

 an element of luck or chance in how the trigger was deployed

 a context we do not understand

 an attitude toward energy that we do not understand

 an approach to language that we do not understand

“What’s next?” Cheney says at one status meeting. “A careful study of the miracles of the saints, unexplained occurrences writ large, two-headed calves predicting the apocalypse, to see if anything rings a bell?”

Whitby at the time is a feisty debater, one who likes hot water, who leaps in with a rejoinder that he knows will not just get Cheney’s goat but pen it up, butcher it, and roast it: “It acts a bit like an organism, like skin with a million greedy mouths instead of cells or pores. And the question isn’t what it is but is the motive. Think of Area X as a murderer we’re trying to catch.”

“Oh great, that’s just great, now we’ve got a detective on staff, too.” Cheney muttering while you give him the hush-hand and Grace helps out with her best pained smile. Because the truth is, you told Whitby to act like a detective, in an attempt to “think outside the Southern Reach.”

For a while, too, with Whitby’s help, you are arrows shot straight at a target. Because it’s not as if you don’t have successes at first. Under your watch, there are breakthroughs in expedition equipment, like enhanced field microscopes and weaponry that doesn’t trigger Area X’s defenses. More expeditions begin to come back intact, and the refinements in making people into their functions—the tricks you’ve learned from living in your own disguise—seem to help.

You chart the progress of Area X’s reclamation of the environment, begin to get some small sense of its parameters, and even create expedition cycles with shared metrics. You may not always control those criteria, but, for a while, the consensus is that the situation has stabilized, that the news is improving. The gleaming silver egg you imagine when you think of Central—those seamless, high-level thoughts so imperfectly expressed through your superiors there—hums and purrs and pulses out approval over all of you … even if it also emanates the sense that the Southern Reach is some kind of meat-brain corruption of a beautiful elegant algorithm Central has hidden deep inside itself.

But as the years pass, with Lowry’s influence more and more corrosive, there’s no solution forthcoming. Data pulled out of Area X duplicates itself and declines, or “declines to be interpreted,” as Whitby puts it, and theories proliferate but nothing can be proven. “We lack the analogies,” the linguists keep saying.

Grace starts to call them the “languists” as they falter, can’t keep up, and as the grim joke goes, “fell by the side of a road that was like a mixed metaphor of a tongue that curled up and took them with it,” Area X muddying the waters. Except it wasn’t muddying waters or a tongue by the side of the road or anything else, muddled or not, that they could understand. “We lack the analogies” was itself somehow deficient as a diagnosis, linguists burning up during reentry into the Earth’s atmosphere after encountering Area X. Making you think of all the dead and dying satellites sent hurtling down into the coordinates that comprised Area X, because it was easy, because space debris winking out of existence made a perverse kind of sense, even as turning Area X into a garbage can seemed like the kind of disrespect that might piss off an insecure deity. Except Area X never responded, even to that indignity.

The linguists aren’t really the problem, nor even Central. Lowry’s the problem because Lowry keeps your secret—that you grew up in what became Area X—and in return you have to try to give him what he wants, within reason. Lowry has invested other people’s blood and sweat in the idea of the expeditions, and implied by that the idea of the border as an impenetrable barrier, which means he’s safe on the right side of the divide. While Whitby keeps pushing against the traditional: “Whatever we think of the border, it’s important to recognize it as a limitation of Area X.” Was that important?

What seemed more important to you: The truth to rumors about Lowry’s ruthlessness once he reached Central, that he’s carved out his own soundproof shop. The whispers that came back to you distant but clear over the years, like hiking in a dark, still forest and hearing the faint sound of wind chimes. Something that beckons, promising all the comforts of civilization, but once the seeker reaches the end of that particular path, all she finds is a slaughterhouse piled high with corpses. The proof of it in the way he so easily overrules Pitman, your nominal boss at Central, and presses you harder for results.

By the time you’re on the eleventh cycle of expeditions, you’re more and more drained, and Central’s plan has begun to change. The flow of new personnel, money, and equipment has been reduced to a trickle as Central spends most of its time crushing domestic terrorism and suppressing evidence of impending ecological destruction.

You return after long days to the house in Bleakersville, which is no refuge. The ghosts follow, sit on the couch or peer in through the windows. Thoughts you don’t want creep in at odd moments—in the middle of status meetings, sitting down for lunch with Grace in the cafeteria, searching idly for Central’s latest bugs in your office—that maybe none of this is worth it, that you’re not getting anywhere. The weight of each expedition leaning in on you.

“I could’ve been director,” Lowry boasted once, “but a warning light came on in the cockpit and I took the hint.” The warning light is a fear that you know lives inside of him, but Lowry will never admit to it. The cruel jocularity to his goading, as if he knows he keeps asking you for the impossible.

Always worried, in a continual low-grade-fever sort of way, that someone at the Southern Reach or Central will discover your secret, that Lowry won’t be able to bury the information forever—or he’ll divulge it himself, having decided you’re disposable. Security risk. A liar. Too emotionally invested. And yet compassion is what you most distrust, what you thrust away from you, preferring to project with everyone but Grace that you’re cold, distant, even harsh, so that you can be clearheaded and objective … even if acting the part has made you a little cold, distant, and harsh.

In some unquantifiable way, too, you believe Lowry’s approach is pushing the Southern Reach farther away from the answers. Like an astronaut headed into the oblivion of vast and empty space who, in flailing about, only speeds up the moment when he is beyond rescue. And worse, to your way of thinking, reliving without nostalgia the thrust of your days as a psychologist, Lowry has doomed himself to finding countless ways to relive his own horrifying experience in Area X, so he can never be entirely free, the seeming attempt to cast it away turned into an endless embrace.

Your other sanctuary is the roof of the Southern Reach building—protected from view from below by the weird baffling, the wandering ridge, that circles the roof. Beyond Reach, BR for short, “Brr” in the winter and “Burr” or sometimes “Bee-arr!” or “Bear!” in the summer. Always “Bar” when you sneak up for drinks after work.

You share this sacred space with only one person: Grace. You bat around the ideas that pop up at Star Lanes, “shoot the shit,” protected by the fact that only you, Grace, and the janitor have the key. Many times people will try to track you down, only to find you have evaporated, reappearing, unbeknownst to them, in Beyond Reach.

It’s there, staring out at the prehistoric swamp, the miles of dark pine forest, that you and Grace come up with all the nicknames. The border you call “the moat” and the way in is “the front door,” although both of you are always hoping you’ll find a “side door” or a “trapdoor.” The tunnel or topographical anomaly in Area X you refer to as “El Topoff,” riffing on a strange film Grace once saw with her girlfriend.

A lot of it is stupid, but funny in the moment, especially if you’ve got a bottle of brandy, or if she brings cherry-flavored cigarettes, and you pull up a couple of lawn chairs and brainstorm or talk about the weekend to come. Grace knows about Chipper’s, like you know about her canoe trips with her friends, “your addiction to paddles.” You don’t need to tell her not to show up at Chipper’s, and you never invite yourself downriver. The circumference of your friendship is the length and breadth of the Southern Reach.

It’s on the roof that you first mention to Grace your idea of sneaking across the border into Area X. Over time it has become more than a thought tingling at the edge of things—metastasizing as code, as “a road trip with Whitby,” since the expeditions during the tenth and eleventh cycles have fared much better, even if there aren’t any answers, either.

You can’t take Grace, although you need her counsel. Because that would be like cutting off two heads at once if anything went wrong, and you’ve never thought Grace had the temperament for it; too many connections to the world. Children. Sisters. An ex-husband. A girlfriend. It’s Grace who you joke is your “external moral compass” and knows better than you where the boundaries are. “Too normal,” you wrote on a napkin once.

“Why do you let Lowry tell you what to do?” Grace says to you one afternoon, after you’ve directed the conversation that way. You deflect/refract. Lowry isn’t your direct boss, is more like slant rhyme, not there at the end of things but still in control. Grace would have to know how Lowry’s gotten his hooks in at Central, and how he got his hooks into you, and you’ve managed to shield her from that.

You remind Grace that there is a part of the kingdom you do control, that Lowry doesn’t get to influence: what comes out of Area X from the expeditions. It’s all processed through the Southern Reach, and so when the latest eleventh expedition came back with nothing to show for it except some blurry photographs left behind at base camp by the prior expedition, or perhaps one even earlier, you took them away and stared at them for hours. A collection of shadows against a black background. But was that a wall? Was that a texture that reminded you of another photograph from another expedition? So you pulled all of the photographs taken inside El Topoff. All thirteen of them, and, yes, these new ones could have been taken in the tunnel, too. That shadow, that faint outline of a face … is that familiar? Would it be wrong of you to believe it means something?

Confessing your simple plan to Grace, showing her some of the evidence, you’re betting that she won’t betray you to Central, but you know she might, out of a respect for the rules. Because behind all of your reasons, your data, you worry that it just boils down to being tired of the feeling in the pit of your stomach every time another expedition doesn’t come back, or only half comes back, or comes back with nothing. Needing to somehow change the paradigm.

“It’s just a quick jaunt over to El Topoff and back. No one will ever find out.” Although Lowry might. What will he do if he finds out you crossed the border without his approval? Would his anger be directed just at you?

After a pause, Grace says, “What do you need from me?” Because she can see it is important, and that you’ll do it whether she helps you or not.

The next thing she says is, “Do you think you can convince Whitby?”

“Yes, I do,” you say, and Grace looks skeptical.

But Whitby’s not a problem. Whitby’s eager, like a yipping terrier wanting to go for a long, long walk. Whitby wants out of the science department for a while. Whitby’s the one reassuring you by citing the survival rate of the last few expeditions. Whitby’s so invigorated by the opportunity that you can almost forget the whole idea is dangerous.

It’s a relief, because you realize that weekend, as you exchange small talk with the Realtor, that you were terrified of going alone. Realize, watching a football game on the bar TV, below that canopy of transfixed and rusting heavens, that if Whitby hadn’t said yes, you might’ve called the whole thing off.

Through the door, on your way to Area X, you feel a kind of pressure that bends you low, see a black horizon full of shooting stars, their trails bleeding so rich and deep across the non-sky that you squint against the brilliance of that celestial welder’s torch. A sense of teetering, of vertigo, but each time you lurch too far to one side or the other, something nudges you back toward the center, as if the edges, closer than they seem, curl up at a more severe angle. Your thoughts dart quick then slow, something stitching between them you cannot identify. The impulse comes to stop walking, to just stand there, in the corridor between the real world and Area X, for an eternity.

While hypnotized Whitby shuffles along, eyes closed, his face a twitching mass of tics as if he’s having an intense dream. Whatever haunts him inside his own head, you’ve made sure he won’t get lost, won’t just come to a halt somewhere in transit. He’s tied to you by the wrists with a nylon rope, and he stumbles along behind.

The molasses feeling Whitby told you to expect comes next, the sense of wading through thigh-high water, the resistance that means you are close to the end, a hint of the deep, spiraling door of light far ahead, and just in time, because stoic as you could be, Whitby’s dream-walking has begun to get to you, makes you think things look in at you. You lose the sense of where you are in relation to anything, even your own body … Are you really walking, or are you standing still and your brain just thinks that your feet are lifting up, falling down, lifting up again?

Until the resistance falls away like a breath held too long and then released, and you both stumble through the door and out into Area X. With Whitby on all fours, hugging the ground, shaking convulsively, and you pulling him free and past, so he won’t accidentally stagger in the wrong direction and disappear forever. He’s gasping like you both are gasping, from the freshness of the air, acclimating to it.

Such a blue, cloudless sky. A trail that should be so familiar, but it has been decades since you saw the forgotten coast. It will take more than a moment to think of it as home. You recognize the trail more from photographs and the accounts of expedition members, know it was here before the first invaders, was used by some of your long-ago ancestors, and has even now survived, overgrown, as part of Area X.

“Can you walk?” you ask Whitby, once you’ve brought him back to his senses.

“Of course I can walk.” Enthusiastic, but a kind of brittle sheen behind it, as if something has already been stripped away underneath.

You don’t ask him what he dreamed, what he saw. You don’t want to know until you’re back across.

You had reviewed those toxic Area X video clips from the doomed first expedition not to seek answers but, with some measure of guilt, to seek a connection with the wilderness you’d known as a child. To reinforce your memories, to recall what you could not recall—pushing past the screams, the disorientation, and the lack of comprehension, past Lowry’s weeping, past the darkness.

There you can see the line of rocks near the lighthouse, the shore already a little different then, as if Whitby’s terroir could be traced through the patterns left by the surf. As if down there, amid the sand-crab holes and the tiny clams digging in every time the water reveals them, some sample might hold all the answers.

The trails, too: a dark stillness of the pine trees and thick underbrush mottled by a strangled light. The memory of being disoriented and lost in a thunderstorm at the age of six, of emerging from that forest not knowing where you were—brought out of you by the cautious quiet way the expedition leader noted looming clouds, as if they presaged something more than a need to find shelter.

After the storm, in the startling revelation of open space and sunlight, you’d encountered a huge alligator blocking the narrow path, with water on both sides. You’d taken a running start and jumped over it. Never told your mother about the exhilaration, the way you had in mid-leap dared a glance down to see that yellow eye, that dark vertical pupil, appraise you, take you in like Area X had taken in the first expedition, and then you were over and past, running for a long time out of sheer joy, sheer adrenaline, like you’d conquered the world.

The running on the screen toward the end is away from something, not toward something, and the screams later not of triumph but of defeat—tired screams, as of weariness at fighting against something that would not properly show itself. In your more cynical moments you thought of them as perfunctory screams: an organism that knows there is no point in fighting back, the body capitulating and the mind letting it. They were not lost as you were lost that day; they had no cottage by the sea to return to, no mother pacing on the deck, worried out of her mind, grateful for your sudden grimy, soaked appearance.

Something on your face must have retained the memory of your joy because she didn’t punish you, just got you in dry clothes and fed you, and asked no questions.

Bypassing the route to base camp, you head for the topographical anomaly with the urgency of a ticking clock driving you. The knowledge—never discussed with Whitby—that the longer you stay, the longer you seem to linger, the greater the opportunity for disaster. That alligator eye staring up at you, with more awareness behind its piercing gaze than you remember. Someone off-camera on the second day of the first expedition saying, “I want to go home,” and Lowry, goofing around, so confident, saying, “What do ya mean? This is our home now. We’ve got everything here. Everything we need. Right?”

Nowhere is this sense of urgency more intense than while passing through the swampy forest that lies a mile or two from the border, where the woods meet a dank black-water gutter. The place where you most often saw evidence of bears and heard things rustling in the darkness of the tree cover.

Whitby’s often silent, and when he speaks his questions and concerns do nothing to alleviate the pressure of that gloom, the sense of intent eternal and everlasting that occupies this stretch of land, that predates Area X. The still, standing water, the oppressive blackness of a sky in which the blue peers down through the trees at startling intervals, only to be taken away again, and only ever seeming to come to you from a thousand miles off anyway. Is this the clearing where three men died during the fifth expedition? Does that pond hold the bodies of men and women from the first eighth? Sometimes, immersed in these overlays, Whitby’s pale whispering form is a jolting shock to you, inseparable from these echoes of prior last days.

Eventually, though, you cross into a more optimistic landscape, one in which you can adapt, reconcile past and present into one vision. Here, a wider path separates the continuing dank swamp forest from open ground, allows you a horizon of a few tall pines scattered among the wild grass and palmetto circles. The lean of that forest means that the darkness ends at an angle casting half the trail in a slanted shade.

There are other borders within Area X, other gauntlets, and you have passed through one to get to the topographical anomaly.

Once there, you know immediately the tower isn’t made of stone—and so does Whitby. Does he wish now, his expression unreadable, that you had put him through conditioning, that he’d been given all the training Central could bestow, not your half measures, your shoddy hypnotism?

The tower is breathing. There is no ambiguity about it: The flesh of the circular top of the anomaly rises and falls with the regular rhythm of a person deep in sleep. No one mentioned this aspect in the reports; you aren’t prepared for it, but how easily you acclimate, give yourself up to it, can already imagine descending even as a part of you is floating, ascending to look down on the foolishness of this decision.

Will it wake up while you’re inside it?

The opening leading into darkness resembles a maw more than a passageway, the underbrush around it pushed back, squashed in a rough framing circle, as if some now-absent serpent had once curled around it in a protective mode. The stairs form a curling snarl of crooked teeth, the air expelled smelling of thick rot.

“I can’t go down there,” Whitby says, in such a final way that he must be thinking that in the descent he would no longer be Whitby. The hollows of his face, even in that vibrant, late-summer light, make him look haunted by a memory he hasn’t had yet.

“Then I’ll go,” you offer—down into the gullet of the beast. Others have, if rarely, and come back, so why not you? Wearing a breathing mask, just to be safe.

There is a dazed panic and coiled restraint behind your every movement that will come out later through the flesh, the bone. Months from now you will wake sore and bruised, as if your body cannot forget what happened, and this is the only way it can express the trauma.

Inside, it’s different than in the fragmentary reports brought back by other expeditions. The living tissue curling down the wall is almost inert, the feeble wanderings of the tendrils that form the words so slow you think for a moment it’s all necrotic tissue. Nor are the words a vibrant green as reported but a searing blue, almost the color of a flame on a stove top. The word dormant comes to mind, and with it a wild hope: that everything beneath you will be inert, normal, even if at the outer boundary of what that word means.

You keep to the middle, do not touch either wall, try to ignore the shuddering breath of the tower. You don’t read the words because you have long seen that as a kind of trap, a way to become distracted … and still the sense that whatever will disorient and destabilize lies below you, deciding whether to be seen or remain unseen—around a corner, beyond the horizon, and with each new empty reveal, each curve of the steps lit by the blue flames of dead words, toward an unknown become shy, you are wound ever tighter, even though there is nothing to be seen. The hell of that, the hell of nothing at all, which feels as if you are reliving every moment of your life at the Southern Reach—descending for no reason, for nothing, to find nothing. No answers, no solution, no end in sight, the words on the wall not getting fresher but darker, seeming to wink out as you come upon them … until, finally, you glimpse a light far, far below—so far below it’s like a glowing flower in a hole at the bottom of the sea, a glimmering, elusive light that through some magician’s trick also hovers right in front of your face, giving you the illusion that you can reach out and touch it if you only can find the courage to extend your hand.

But that’s not what makes your legs ropy, a rush of blood surging through your brain.

A figure sits hunched along the side of the left-hand wall, staring down the steps.

A figure with head bowed, turned away from you.

A prickling engulfs your head under your mask, a kind of smooth, seamless insertion of a million cold, painless needles, ever so subtle, ever so invisible, so that you can pretend it is just a spreading heat against your skin, a taut feeling across the sides of your nose, around your eyes, the quiet soft entry of needles into a pincushion, the return of something always meant to be there.

You tell yourself this is no less or more real than bowling at Chipper’s, than the hippo with the red paint under the skin, than living in Bleakersville, working at the Southern Reach. That this moment is the same as every other moment, that it makes no difference to the atoms, to the air, to the creature whose walls breathe all around you. That you gave up the right to call anything impossible when you decided to enter Area X.

You come closer, drawn by this impossible thing, sit on the step next to him.

His eyes are shut. His face is illuminated by a dark blue glow that emanates from within, as if his skin has been taken over, and he is as porous as volcanic rock. He’s fused to the wall, or jutting out from it, like an extension of the wall, something that protrudes but might be retracted at any moment.

“Are you real?” you ask, but he says nothing in reply.

Reaching out to him, extending a trembling hand, awestruck by this apparition, wanting to know what that skin feels like, even as you’re afraid your touch will turn him to powder. Your fingers graze his forehead, a rough, moist feel, like touching sandpaper under a thick layer of water.

“Do you remember me?”

“You shouldn’t be here,” Saul Evans says under his breath. His eyes are closed; he cannot see you, and yet you know he sees you. “You need to get off the rocks. The tide’s coming in.”

You don’t know what to say. You won’t know what to say for a long time. Your reply was so many years ago.

Now you can hear the vast, all-consuming hum of some mighty engine from below, the swift revolving of strange orbits, and the light below, that impossible flowering light, is fluctuating, shifting, turning into something else.

His eyes snap open, white against the darkness. He’s no different than when you last saw him, has not aged, and you’re nine again and the light below is coming up toward you, coursing up the steps toward you, fast, and from above you can hear the distant echo of Whitby screaming, from the top of the tower, as if he’s screaming for both of you.

0004: THE LIGHTHOUSE KEEPER

Armadillos ruining the garden, but don’t really want to put out poison. Sea grape bushes must be pruned back. Will make a list of maintenance issues by tomorrow. Fire on Failure Island, but already reported and not major. Sighted: albatross, unidentified terns, bobcat (peering out of the palmetto grove to the east, staring at a hiker who didn’t see him), flycatcher of some kind, pod of dolphins headed east in a frenzy as they chased a school of mullet through the sea grass in the shallows.

Bodies could be beacons, too, Saul knew. A lighthouse was a fixed beacon for a fixed purpose; a person was a moving one. But people still emanated light in their way, still shone across the miles as a warning, an invitation, or even just a static signal. People opened up so they became a brightness, or they went dark. They turned their light inward sometimes, so you couldn’t see it, because they had no other choice.

“That’s bullshit,” Charlie said during the night, when Saul expressed something similar to him, after they’d had sex. “Don’t ever become a poet.” For once, Saul had convinced Charlie to come to the lighthouse, a rare event because Charlie still had a skittish, flighty quality to him. Beaten by his father and kicked out by his family, and in the twenty years since he’d not entirely come out of his shell. So this was a halting step forward—something that made Saul happy, that he could provide a small sense of security.

“An idea in one of my father’s sermons. The best he ever gave.” Flexing his hand, trying to sense any residual discomfort from the incident with the plant. None to be found.

“Ever miss it? Being a preacher?” Charlie asked.

“No, I’m just working out something about the Light Brigade,” he said. They still elicited in him a distant but sharp alarm. What were they projecting that he couldn’t see?

“Oh, them, huh?” Charlie said with a simulated yawn as he turned over on his back. “You can’t leave those Brigaders alone, can you? Bunch of crackpots. You, too.” But said with affection.

Later, when he was drifting off, Charlie murmured, “It’s not stupid. The beacon thing. It’s kind of a nice thought. Maybe.”

Maybe. Saul found it hard to tell when Charlie was sincere about such things. Sometimes their life between the sheets seemed mysterious, to have no relationship to life out in the world.

Sometimes, too, other people gave you their light, and could seem to flicker, to be hardly visible at all, if no one took care of them. Because they’d given you too much and had nothing left for themselves.

At the end, with his church, he’d felt like a beacon that had been drained of light, except for some guttering glimmer in the heart of him—the way the words shone out from his mouth, and it almost didn’t matter what light they created, not to his congregation, because they were looking at him, not listening. At best, anyway, his ministry had been an odd assortment, attracting hippies and the straitlaced alike, because he’d pulled from the Old Testament and from deism, and the esoteric books available to him in his father’s house. Something his father hadn’t planned on: the bookshelves leading Saul to places the old man would rather he’d never gone. His father’s library had been more liberal than the man himself.

The shock of going from being the center of attention to being out of it entirely—that still pulled at Saul at unexpected times. But there had been no drama to his collapsed ministry in the north, no shocking revelation, beyond the way he would be preaching one thing and thinking another, mistaking that conflict, for the longest time, as a manifestation of his guilt for sins both real and imagined. And one awful day he’d realized, betrayed by his passion, that he was becoming the message.

By the time Saul woke up, Charlie was gone, without even a note. But, then, a note might have seemed sentimental, and Charlie was the kind of beacon that wouldn’t allow that kind of light.

In the afternoon, he saw Gloria walking up the beach, waved to her, wasn’t sure she’d seen him until she corrected her course to slowly tack closer. It wouldn’t do to seem too interested in talking to him, he knew. Might violate some girl code.

He was filling in holes from armadillos that had been rooting around in the garden. The holes, which roughly matched the shape of their snouts, amused him. He couldn’t say why. But the work made him happy in a formless, motiveless way. Even better, the twins, Henry and Suzanne, were very late.

It had become a stunning day after a cloudy start. The sea had an aquamarine sheen to it, vibrant against the dull shadows of submerged seaweed. At the very edge of a seamless, ever-deepening blue sky, the contrail of an airplane, showing its disdain for denizens of the forgotten coast. Much closer to home, he tried to ignore rocks slick with the white shit of cormorants.

“Why don’t you do something about those armadillos?” Gloria asked when she’d finally reached the lighthouse grounds. She must have meandered, distracted by the treasures to be found in the seaweed washed up on the beach.

“I like armadillos,” he told her.

“Old Jim says they’re pests.”

Old Jim. Sometimes he thought she made up a reference to Old Jim every time she wanted to get her way. Old Jim lived down one of the dozens of dirt roads, at the end of a maze of them, in a glorified shack near an illegal drop site for barrels of chemical waste. No one knew what he’d done before he’d washed up on the forgotten coast, but now he served as the ad hoc proprietor of the on-again, off-again village bar.

“Is that what Jim says, huh?” Making sure to pack the soil tight, even though he was already feeling strangely tired. Another storm and he’d have eroded divots all over instead.

“They are armored rats.”

“Like seagulls are winged rats?”

“What? You know, you could set traps.”

“They’re much too smart for traps.”

Slowly, staring at him sideways: “I don’t think that’s true, Saul.”

When she called him Saul, he knew he might be in trouble. So why not get in a lot of trouble. Besides, he needed a break, was sweating too much.

“One day,” he said, leaning on the shovel, “they got in through the kitchen window by standing on top of each other and jiggling the latch.”

“Armadillo pyramid!” Then, recovering her youthful caution: “I don’t think that’s true, either.”

Truth was, he did like the armadillos. He found them funny—bumbling yet sincere. He’d read in a nature guide that armadillos “swam” by walking across the bottoms of rivers and holding their breath, a detail that had captivated him.

“They can be a nuisance,” he admitted. “So you’re probably right.” He knew if he didn’t make some small concession, she’d drive the point into the ground.

“Old Jim said you were crazy because you saw a kangaroo around here.”

“Maybe you need to stop hanging out with Old Jim.”

“I wasn’t. He lives in a dump. He came to see my mother.”

Ah—gone to see the doctor. A sense of relief came over him, or maybe it was just the cold sweat of his exertion. Not that there was anything wrong with Jim, but the thought of her roving so widely and boldly bothered him. Even though Charlie had told Saul more than once that Gloria knew the area better than he did.

“So did you see a kangaroo?”

My God, is this what it would’ve been like having kids?

“Not exactly. I saw something that looked like a kangaroo.” The locals still joked about it, but he swore he’d seen it, just a glimpse that first year, exhilarated from the rush of exploring so many new and unfamiliar hiking trails.

“Oh, but I forgot. I came over here for a reason,” she said.

“Yes?”

“Old Jim said he heard on his radio that the island’s on fire, and I wanted to see it better from the top of the lighthouse. The telescope?”

“What?” Dropping his shovel. “What do you mean the island’s on fire?” No one was over there now except members of the Light Brigade, as far as he knew, but part of his job was reporting incidents like fires.

“Not the whole thing,” she said, “just part of it. Let me take a look. There’s smoke and everything.”

So up they went, Saul insisting she take his hand, her grip strong and clammy, telling her to be careful on the steps, while wondering if he should have called someone about the fire before he confirmed it.

At the top, after pulling back the lens curtain and peering through the telescope, mostly meant for stargazing, Saul discovered that she was right: The island was on fire. Or, rather, the top of the ruined lighthouse was in flames—several miles away, but clear through the telescope’s eye. A hint of red, but mostly dark smoke. Like a funeral pyre.

“Do you think anyone died?”

“No one’s over there.” Except the “strange people,” as Gloria had put it.

“Then who set the fire?”

“No one had to set it. It might have just happened.” But he didn’t believe that. He could see what looked like bonfires, too, black smoke rising from them. Was that part of a controlled burn?

“Can I look some more?”

“Sure.”

Even after he had let Gloria take his position at the telescope, Saul thought he could still see the thin fractures of smoke tendrils on the horizon, but that had to be an illusion.

Strangeness was nothing new for Failure Island. If you listened to Old Jim, or some of the other locals, the myths of the forgotten coast had always included that island, even before the latest in a series of attempts at settlement had failed. The rough, unfinished stone and wood of the town’s buildings, the island’s isolation, the way the sea lanes had already begun to change while the lighthouse was under construction so long ago had seemed to presage its ultimate fate.

The lens in his lighthouse had previously graced the ruined tower on the island. In some people’s eyes that meant some essential misfortune had followed the lens to the mainland, perhaps because of the epic story of moving the four-ton lens, with a sudden storm come up and lightning breaking the sky, how the lens had almost sunk the ship that carried it, run aground carrying the light that might have saved it.

While Gloria was still glued to the telescope, Saul noticed something odd on the floor near the base of the lens, on the side facing away from the sea. A tiny pile of glass flakes glinted against the dark wood planks. What the heck? Had the Light Brigade broken a bulb up here or something? Then another thought occurred, and stooping a bit, Saul pulled up the lens bag directly above the glass shavings. Sure enough, he found a fissure where the glass met the mount. It was almost like what he imagined the hole from a bullet might look like, except smaller. He examined the “exit wound,” as he thought of it. The hairline cracks pushing out from that space resembled the roots of a plant. He saw no other damage to that smooth fractal surface.

He didn’t know whether he should be angry or just add it to the list of repairs, since it wouldn’t harm the functioning of the lens. Had Henry and Suzanne done this, deliberately or through some clumsiness or mistake? Unable to shake the irrational feeling of hidden connections, the sense that something had escaped from that space.

The reverberation of steps below him, the sound of voices—two sets of footsteps, two voices. The Light Brigade, Henry and Suzanne. On impulse, he pulled down the lens bag, dispersed the glass flakes with his boot, which made him feel oddly complicit.

When they finally appeared, Saul couldn’t blame Gloria for the way she looked at them—staring like a feral cat with hackles up from her position at the telescope. He felt the same way.

Henry was again dressed like he was going out on the town. Suzanne looked tense, perhaps because this time she was carrying the bulk of the equipment.

“You’re late,” he said, unable to keep an edge of disapproval out of his voice. Henry held the handle of what looked like a metal tool kit in his left hand, was rocking it gently back and forth. “And what’s that?” Saul hadn’t seen it before.

“Oh, nothing, Saul,” Henry said, smile as big as ever. “Just some tools. Screwdrivers, that kind of thing. Like a handyman.” Or someone taking samples from a first-order lens that had managed to escape vandalism for more than a century.

Apparently noting Gloria’s hostility, Suzanne put down the suitcase and cardboard box she was carrying, leaned over the telescope as she said, “You’re such a sweet kid. Would you like a lollipop?” Which she produced as if by magic from Gloria’s ear with the over-flourish of an amateur magician.

An appraising, hostile stare from Gloria. “No. We’re watching the island burn.” She dismissively put her eye to the telescope again.

“There’s a fire, yes,” Henry said, unperturbed, as Suzanne returned to his side. A tinny rattle as he set his tool kit next to the other equipment.

“What do you know about it?” Saul asked, although so many other questions now rose up.

“What would I know about it? An unfortunate accident. I guess we never got the right badges in the Boy Scouts, yes? No one has been hurt, luckily, on this glorious day, and we’ll be gone from there very soon anyway.”

“Gone?” Saul suddenly hopeful. “Closing up shop?”

Henry’s expression was less friendly than it had been a moment ago. “Just on the island. What we’re looking for isn’t there.”

Smug, like he enjoyed holding on to a secret that he wasn’t going to share with Saul. Which rubbed Saul the wrong way, and then he was angry.

“What are you looking for? Something that would make you damage the lens?” His directness made Suzanne wince. She wouldn’t meet Saul’s gaze.

“We haven’t touched the lens,” Henry said. “You haven’t, have you, Suzanne?”

“No, we’d never touch the lens,” Suzanne said, in a horrified tone of voice. The thought occurred that Suzanne was protesting too much.

Saul hesitated. Should he show them the spot on the lens that had been damaged? He didn’t really want to. If they’d done it, they’d just lie again. If they hadn’t done it, he’d be drawing their attention to it. Nor did he want to get into an argument with Gloria around. So he relented and with difficulty tore Gloria away from the telescope, knowing she’d been listening the whole time.

Down below, in his kitchen, he called the fire department in Bleakersville, who told him they already knew about the fire on the island, it wasn’t a threat to anything, and making him feel a little stupid in the process because that’s how they treated people from the forgotten coast. Or they were just terminally bored.

Gloria was sitting in a chair at the table, absentmindedly gnawing on a candy bar he’d given her. He figured she probably had wanted the lollipop.

“Go home. Once you’ve finished.” He couldn’t put words to it, but he wanted her far away from the lighthouse right now. Charlie would’ve called him irrational, emotional, said he wasn’t thinking straight. But in the confluence of the fire, the lens damage, and Suzanne’s strange mood … he just didn’t want Gloria there.

But Gloria held on to her stubbornness, like it was a kind of gift she’d been given along with the candy bar.

“Saul, you’re my friend,” she said, “but you’re not the boss of me.” Matter-of-fact, like something he should’ve already known, that didn’t need to be said.

He wondered if Gloria’s mother had said that—more than once. Wryly, he had to admit that it was true. He wasn’t the boss of Henry, either, or, apparently, anyone. The tedious yet true cliché came to mind. Tend to your own garden.

So he nodded, admitting defeat. She was going to do whatever she wanted to do. They all would, and he would just have to put up with it. At least the weekend was approaching fast. He’d drive to Bleakersville with Charlie, check out a new place called Chipper’s Star Lanes that a friend of Charlie’s liked a lot. It had the miniature golf Charlie enjoyed and he didn’t mind the bowling, although what Saul liked most was that they had a liquor license and a bar in the back.

Only an hour later, Henry and Suzanne were downstairs again—he noticed first the creaking of their steps and then through the kitchen window their repetitive pacing as they roved across the lighthouse grounds.

He would have stayed inside and left them to it, but a few minutes later Brad Delfino, a volunteer who sometimes helped out around the lighthouse, pulled in to the driveway in his truck. Already, even before he’d come to a stop, Brad was waving to Henry, and somehow Saul didn’t want Brad talking to the Light Brigade without him there. Brad was a musician in a local band who liked to drink and talked a lot, to anyone who’d listen. Sometimes he got into trouble; his spotty work at the lighthouse was what passed for community service on the forgotten coast.

“You heard about the fire?” Brad said as Saul headed him off in the parking lot.

“Yes,” Saul said curtly. “I heard about it.” Of course Brad knew; why else would he have come out?

Now he could see that Henry and Suzanne were ceaselessly snapping shots of every square inch of the grounds inside the fence. Adding to the chaos, Gloria had noticed him and was bounding toward him making barking noises like she sometimes did. Because she knew he hated it.

“Know what’s going on?” Brad asked.

“Not any more than you do. Fire department says there’s no problem, though.” Something in his tone changed when he talked to Brad, a kind of southern twang entering, which irritated him.

“Can I go up and look through the telescope anyway?” As eager as Gloria to get a peek at the only excitement going on today.

But before Saul could respond to that, Henry and Suzanne bore down on them.

“Photo time,” Suzanne said, smiling broadly. She had a rather bulky telephoto lens attached to her camera, the wide strap around her neck making her look even more childlike.

“Why do you want a photo?” Gloria asked.

That was Saul’s question, too.

“It’s just for our records,” Suzanne said, with a wide, devouring smile. “We’re creating a photo map of the area, and a record of the people who live here. And, you know, it’s such a beautiful day.” Except it was a little overcast now, the encroaching gray from clouds that would probably rain inland, not here.

“Yes, how about a photograph of you, your assistant—and the girl, I guess,” Henry said, ignoring Gloria. He was studying Saul with an intensity that made him uncomfortable.

“I’m not sure,” Saul said, reluctant if for no other reason than their insistence. He also wanted to find a way to extricate himself from Brad, who wasn’t anything as formal as an “assistant.”

“I’m sure,” Gloria muttered, glaring at them. Suzanne tried to pat her head. Gloria looked at first as if she might bite that hand, then, in character, just growled and leaned away from it.

Henry stepped in close to Saul. “What would a photograph of the lighthouse be without its keeper?” he asked, but it wasn’t really a question.

“A better picture?”

“You used to be a preacher up north, I know,” Henry said. “But if you’re worrying about the people you left behind, don’t—it’s not for publication.”

That threw him off-balance.

“How do you know that?” Saul said.

But Brad had gotten a kick out of this revelation, waded in before Henry could answer. “Yeah, that Saul, man. He’s a real desperado. He’s wanted in ten states. If you take his picture, it’s all over for him.”

Did a picture really matter? Even though he’d left unfinished business up north, it wasn’t like he’d fled, exactly, or as if this photo would wind up in the newspapers.

The wind had taken to gusting. Rather than argue, Saul pulled his cap out of his back pocket, figured wearing it might disguise him a bit, although why did he need a disguise? An irrational thought. Probably not the first irrational thought from a lighthouse keeper on the forgotten cost.

“Say ‘cheese.’ Say ‘no secrets.’ Count of three.”

No secrets?

Brad had decided to assume a stoic pose that Saul supposed might be a way of poking fun at him. Gloria, seeking the dramatic, made them wait while she drew the hood of her jacket over her head and then ran to the rocks as her protest, certain Suzanne wouldn’t be able to get her in the frame. Once at the rocks, she climbed away from them, and then turned around and began to climb back, shrieking with delight and shouting, for no good reason, “I’m a monster! I’m a monster!”

The count of three came, Suzanne grown still and silent, bending at the knees as if she were on the deck of a ship at sea. She gave the signal.

“No secrets!” Brad said prematurely, with an enthusiasm he might regret, given his drug record.

Then came the flash from the camera, and in the aftermath black motes drifted across the edges of Saul’s vision, gathered there, lingered for longer than seemed normal.

0005: CONTROL

They had exploded through and up out of that terrible corridor between the world and Area X into a lack of air that had shocked Control, until the solid push of Ghost Bird’s body against his, the weight of his backpack pulling him down, forced him to fight against the slapping pressure of what his burning eyes, strangled throat, told him was salt water. He had managed to shut his mouth against his surprise, to ignore the rush of bubbles pushing up and around the top of his head. Managed to clamp down on both his panic and his scream, to adjust as well to the ripping feel of a thousand rough-smooth surfaces against him, too much like the door that had become a wall cutting through his fingers, slashing against his arms, his legs, sure he had materialized into the middle of a tornado of shining knives—Whitby and Lowry and Grace and his mother the spy, the whole damned congregation of the Southern Reach calling out the word Jump! through those thousand silvery reflections. Even as his lungs flooded with water. Even as he struggled to lose the treacherous knapsack but still hold on to Whitby’s document inside it, grappling, flailing for the pages, some of which exploded out into the water, the rest plummeting into the murk below with the knapsack: a slab of pulp, a soggy tombstone.

Ghost Bird, he recognized dimly, had already shot up and past him, toward a kind of glistening yellow egg of a reflected halo that might, or might not, be the sun. While he was still sucking water among the converging circles of the many swirling knives that stared at him with flat judgmental eyes. Confused by the swirl of pages that floated above or below, that stuck to his clothes, that came apart in miniature whirlpools to join the vortex. For a fading second, he was peering at a line of text and suffocating while blunt snouts bumped up against his chest.

Only when a true leviathan appeared did his oxygen-starved brain understand that they had emerged into a roiling school of some kind of barracuda-like fish now being disrupted by a larger predator. There came an awful free-falling emptiness … the quickly closing space where the enormous shark had sped through the vortex, annihilating fish in a crimson cloud. A megalodon of a kind. Lowry in yet another form … the air trickling out of his mouth like a series of tiny lies about the world that had decided to extinguish him.

“Lowry” left offal in its wake, so close to Control as he rose and it descended that the side of his face slid half raw against its gills. The frill and flutter sharper and harder than he could have imagined as it sculpted him, the expulsion of water a roaring, gushing piston in his ear, and the huge yet strangely delicate eye away to his left staring into him. Then his stomach was banging into its body, his bruised waist smacked by a swipe of the tail, and his head was ringing and he was drifting and he couldn’t keep his mouth from beginning to open, the dot of the sun smaller and smaller above him. “Pick up the gun, Control,” said his grandfather. “Pick it up from under the seat. Then jump.”

Did Lowry, or anyone, have a phrase that could save him?

Consolidation of authority.

There’s no reward in the risk.

Floating and floating.

Paralysis is not a cogent analysis.

Except it was. And from the wash and churn, the thrashing around him, a familiar hand grasped his drifting wrist and yanked him upward. So that he was not just a swirl of confused memory, a bruised body, a cipher, but apparently something worth saving, someone in the process of being saved.

His feet had kicked out against nothing, like a hanging victim, while the fish again converged, his body buffeted by a hundred smooth-rough snouts as he rose, as he blacked out amid the torrent of upward-plunging bodies, the rough rebuke of continuous flesh that formed one wide maw from which he might or might not escape.

Then they were on the shore and Ghost Bird was kissing him for some reason. Kissing him with great, gulping kisses that bruised his lips, and touching his chest and, when he opened his eyes and looked up into her face, making him turn onto his side. Water gushed, then dribbled, from him, and he had propped himself up with both arms, staring down into the wet sand, the tiny bubbles of worm tunnels as the edge of the surf brushed against his hands and receded.

Lying there on his side, he could see the lighthouse in the distance. But as if she could tell his intent, Ghost Bird said, “We’re not going there. We’re going to the island.”

And just like that, he’d lost control.

Now, on their fourth day in Area X, Control followed Ghost Bird through the long grass, puzzled, confused, sick, tired—the nights so alive with insects it was hard to sleep against their roar and chitter. While in his thoughts, a vast, invisible blot had begun to form across the world outside of Area X, like water seeping from the bottom of a leaky glass.

Worse still, the gravitational pull Ghost Bird exerted over him, even as she was indifferent to him, even as they sometimes huddled together for warmth at night. The unexpected delicacy and delirium of that accidental touch. Yet her message to him, the moment he had crossed a kind of border and she’d moved away from him, had been unmistakable and absolute. So he’d retreated to thinking of himself as Control, from necessity, to try to regain some distance, some measure of the objective. To reimagine her in the interrogation room at the Southern Reach, and him watching her from behind the one-way glass.

“How can you be so cheerful?” he’d asked her, after she had noted their depleted food, water, in an energetic way, then pointed out a kind of sparrow she said was extinct in the wider world, an almost religious ecstasy animating her voice.

“Because I’m alive,” she’d replied. “Because I’m walking through wilderness on a beautiful day.” This with a sideways glance he took to mean that she wondered if he was holding up. One that made him realize that her goals might not be his, that they might converge only to diverge, and he had to be ready for that. Echoes of field assignments gone wrong. Of his mother saying, “The operational damage from an event can linger in the mind like a ghost.” While he wondered if even the more banal things she had said had a hidden meaning or agenda.

Freedom could take you farther from what you sought, not closer. Something he was learning out here, beyond any standard intel, in a wilderness he didn’t understand. About as prepared for Area X, he realized, as for Ghost Bird, and perhaps that was, in the end, the same thing. Because they existed alone together, walked a trail that threaded its way between reed-choked lakes that could be tar-black or as green as the reflected trees that congregated in islands among the reeds … and he was finally free to ask her anything he wanted to, but he didn’t. Because it didn’t really matter.

So, instead, he shoved his hand into his jacket pocket from time to time, clenched his fist around his father’s carving, taken from the mantel in the little house on the hill in Hedley. The smooth lines of it, the way the grain of the wood under the paint threatened a splinter, soothed him. A carving of a cat, chosen to remind him of long-lost Chorry, no doubt blissfully hunting rats among the bushes.

So, instead, he dove, resentful at their pull, into reexamining over and over his rescued Whitby pages, the “terroir pages,” although they were more personal than that. An anchor, a bridge to his memory of the rest of the manuscript, lost at sea. If he used those pages to talk to Ghost Bird, it was in part to bring relief or distraction from the closeness of her and the way that the endless reeds, the fresh air, the blue sky, all conspired to make the real world remote, unimportant, a dream. When it was the most important thing.

Somewhere back there his mother was fighting for her career at Central, that act synonymous with fighting against the encroachment of Area X. Somewhere, too, new fronts had opened up, Area X expanding in ways that might not even match its prior characteristics. How could he know? Planes might be falling from the skies, this non-mission, this following of his, already a failure.

Quoting Whitby’s report as he remembered it, paraphrasing: “Had they, in fact, passed judgment without a trial? Decided there could be no treaty or negotiation?”

“That might be closer to the truth, to a kind of truth,” Ghost Bird replied. It was now early afternoon and the sky had become a deeper blue with long narrow clouds sliding across it. The marsh was alive with rustlings and birdsong.

“Condemned by an alien jury,” Control said.

“Not likely. Indifference.”

“He covers that, too: ‘Would that not be the final humbling of the human condition? That the trees and birds, the fox and the rabbit, the wolf and the deer … reach a point at which they do not even notice us, as we are transformed.’” Another half-remembered phrasing, the real becoming half real. But his father had never valued authenticity so much as boldness of expression.

“See that deer over there, beyond the canal? She’s definitely noticing us.”

“Is she noticing us or is she noticing us?”

Either scenario might have horrified his mother the spy, who had never gotten along with nature. No one in his family had, not really. He couldn’t remember any real outings into the woods, just fishing around lakes and sitting by fireplaces in cabins during the winter. Had he ever even been lost before?

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