# Volumes 3 and 4 - Slawter/Bec

Darren Shan

The king of horror’s demonic symphony in ten volumes, now available in omnibus editions – each containing two titles in the spine-chilling Demonata series.Slawter:Nightmares haunt Dervish Grady since his return from the Demonata universe. When a legendary cult director calls in Dervish as consultant for a new horror movie, it seems a perfect excuse for a break from routine and a chance for some fun.But being on the set stirs up more than memories – and soon, the Slawter commences…Bec:As a baby, Bec fought for her life. As a trainee priestess, she fights to fit in to a tribe that needs her skills but fears her powers. And when the demons come, the fight becomes a war.But the final conflict demands a sacrifice too horrific to contemplate…

## CONTENTS

Cover

Title Page

Slawter

Dedication

Part One: Visitors

Life as We Know It

Pray at Him

Lambikins

Monsters Galore

Don’t Go Down the Cellar

Part Two: Lights… Camera… Demons!

Film Folk

The Laughing Stock

Missing

D

Fresh Meat

Kidnap

Part Three: The Laboratory

Disciples

Part Four: Demons-A-Go-Go

Wakey Wakey

Assembly Call

The Real Stars of the Show

The Chase

Battle

Bitter Sweet

A Little Chat

Bec

Dedication

Beginning

Casualties

Refugees

The Boy

The River

The Stones

The Crannog

Drust

Potential

An Uninvited Guest

Children of the Dark

Family

The Source

The Emigrants

The Geis

Old Creatures

Taming the Wild

The Final Day

The World Beneath

The Sacrifice

Escape

Full Circle

Celtic Terms and Phrases

Names

Other Books By

Copyright

About the Publisher

SLAWTER

## DEDICATION

First assistant director: Bas “lurhmann”

hair by: “figaro” Brian

screenwriting muse: Lynda “minder” Lewis

spliced together by: Stella “stargate” Paskins

a Christopher Little studios production

PART ONE VISITORS

## LIFE AS WE KNOW IT

→“My eyes! They stabbed out my eyes!”

I shoot awake. Start to struggle up from my bed. An arm hits the side of my head. Knocks me down. A man screams, “My eyes! Who took my eyes?”

“Dervish!” I roar, rolling off the bed, landing beside the feet of my frantic uncle. “It’s only a dream! Wake up!”

“My eyes!” Dervish yells again. I can see his face now, illuminated by a three-quarters full moon. Eyes wide open, but seeing nothing. Fear scribbled into every line of his features. He lifts his right foot. Brings it down towards my head—hard. I make like a turtle and only just avoid having my nose smashed.

“You took them!” he hisses, sensing my presence, fear turning to hate. He bends and grabs my throat. His fingers tighten. Dervish is thin, doesn’t look like much, but his appearance is deceptive. He could crush my throat, easy.

I swipe at his hand, yanking my neck away at the same time. Break free. Scrabble backwards. Halted by the bed. Dervish lunges after me. I kick at his head, both feet. No time to worry about hurting him. Connect firmly. Drive him back. He grunts, shakes his head, loses focus.

“Dervish!” I shout. “It’s me, Grubbs! Wake up! It’s only a nightmare! You have to stop before you –”

“The master,” Dervish cuts in, fear filling his face again. He’s staring at the ceiling—rather, that’s where his eyes are fixed. “Lord Loss.” He starts to cry. “Don’t… please… not again. My eyes. Leave them alone. Please…”

“Dervish,” I say, softly this time, rising, rubbing the side of my head where he hit me, approaching him cautiously. “Dervish. Derv the perv—where’s your nerve?” Knowing from past nights that rhymes draw his attention. “Derv on the floor—where’s the door? Derv without eyes—what’s the surprise?”

He blinks. His head lowers a fraction. Sight returns gradually. His pupils were black holes. Now they look quasinormal.

“It’s OK,” I tell him, moving closer, wary in case the nightmare suddenly fires up again. “You’re home. With me. Lord Loss can’t get you here. Your eyes are fine. It was just a nightmare.”

“Grubbs?” Dervish wheezes.

“Yes, boss.”

“That’s really you? You’re not an illusion? He hasn’t created an image of you, to torment me?”

“Don’t be stupid. Not even Michelangelo could sculpt a face this perfect.”

Dervish smiles. The last of the nightmare passes. He sits on the floor and looks at me through watery globes. “How you doing, big guy?”

“Coolio.”

“Did I hurt you?” he asks quietly.

“You couldn’t if you tried,” I smirk, not telling him about the hit to the head, the hand on my throat, the foot at my face.

I sit beside him. Drape an arm around his shoulders. He hugs me tight. Murmurs, “It was so real. I thought I was back there. I…”

And then he weeps, sobbing like a child. And I hold him, talking softly as the moon descends, telling him it’s OK, he’s home, he’s safe—he’s no longer in the universe of demons.

→Never trust fairy tales. Any story that ends with “They all lived happily ever after” is a crock. There are no happy endings. No endings, full stop. Life goes on. There’s always something new around the corner. You can overcome major obstacles, face great danger, look evil in the eye and live to tell the tale—but that’s not the end. Life sweeps you forward, swings you round, bruises and batters you, drops some new drama or tragedy in your lap, never lets go until you get to the one true end—death. As long as you’re breathing, your story’s still going.

If the rules of fairy-tales did work, my story would have ended on a high four months ago. That’s when Dervish regained his senses and everything seemed set to return to normal. But that was a false ending. A misleading happy pause.

I had to write a short autobiography for an English assignment recently. A snappy, zappy summing-up of my life. I had to discard my first effort—it was too close to the bone, and would have only led to trouble if I’d handed it in. I wrote an edited, watered-down version and submitted that instead. (I got a B minus.) But I kept the original. It’s hidden under a pile of clothes in my wardrobe. I dig it out now to read, to pass some time. I’ve read through it a lot these past few weeks, usually early in the morning, after an interrupted night, when I can’t sleep.

I was born Grubitsch Grady. One sister, Gretelda. Grubbs and Gret for short. Normal, boring lives for a long time. Then Gret turned into a werewolf.

There’s a genetic flaw in my family. Lots of my ancestors have turned into werewolves. It hits in your teens, if you’re one of the unlucky ones. You lose your mind. Your body alters. You become a blood-crazed beast. And spend the rest of your life locked up in a cage—unless your relatives kill you. There’s no cure. Except one. But that can be even worse than the curse.

See, demons are real. Gross, misshapen, magical beings, with a hatred of humans matched only by their taste for human flesh. They live in their own universe, but some can cross into our world.

One of the Demonata – that’s the proper term – is called Lord Loss. A real charmer. No nose or heart—a hole in his chest full of snakes. Eight arms. Horrible pale red flesh. Loads of cuts on his body from which blood flows in a never-ending stream. He’s big on misery. Feeds off the unhappiness, terror and grief of humans. Moves among us silently when he crosses into our universe, invisible to normal eyes, dropping in on funerals the way you or I would pop into a café, dining on our despair, savouring our sorrow.

Lord Loss is a powerful demon master. Most masters can’t cross from their universe to ours, but he’s an exception. He has the power to cure lycanthropy. He can lift the curse from infected Grady teenagers, rid them of their werewolf genes, return them to humanity. Except, y’know, he’s a demon, so why the hell should he?

“What are you reading?”

It’s Dervish, standing in the doorway of my room, mug of coffee in one hand, eyes still wide and freaky from his nightmare.

“My autobiography,” I tell him.

He frowns. “What?”

“I’m going to publish my memoirs. I’m thinking of Life with Demons as a title. Or maybe Hairy Boys and Girls of the Grady Clan. What do you think?”

Dervish stares at me uneasily. “You’re weird,” he mutters, then trudges away.

“Wonder where I get that from?” I retort, then shake my head and return to the autobiography.

Luckily for us, Lord Loss is a chess addict. Chess is the one thing he enjoys almost as much as a weeping human. But he doesn’t get to play very often. None of his demonic buddies know the rules, and humans aren’t inclined to test their skills against him.

One of my more cunning ancestors was Bartholomew Garadex, a magician. (Not a guy who pulls rabbits out of a hat—a full-on, Merlin- and Gandalf-class master of magic.) He figured out a way to cash in on Lord Loss’s love of chess. He challenged the demon master to a series of games. For every match Bartholomew won, Lord Loss would cure a member of the family. If old Bart lost, Lord Loss would get to torture and kill him.

Bartholomew won all their matches, but future members of the family – those with a flair for magic who made contact with Lord Loss – weren’t so fortunate. Some triumphed, but most lost. The rules altered over the years. Now, if a parent wants to challenge Lord Loss, they need a partner. The pair face not only the master, but two of his familiars as well. One plays chess with the big guy, while the other battles his servants. If either loses, both are slaughtered, along with the affected teen. If they win, one travels to Lord Loss’s realm and fights him there. The other returns home with the cured kid.

Time works differently in the universe of the Demonata. A year of our time can be a day there, a decade or a century. When the partner goes off with Lord Loss to do battle, their body remains in our world—only their soul crosses over. They become a mindless zombie. And they stay that way unless their soul triumphs. If that happens, their mind returns and they resume their normal life. If they don’t fare so well, they stay a zombie until the day they die.

“Are you coming down for breakfast?” Dervish yells from the bottom of the giant staircase which links the floors of the mansion where we live.

“In a minute!” I yell back. “I’ve just come to the bit when you zombied out on me.”

“Stop messing about!” he roars. “I’m scrambling eggs and if you’re not down in sixty seconds, too bad!”

Damn. He knows all my weaknesses.

“Coming!” I shout, getting up and reaching for my clothes, tossing the bio aside for later.

→Dervish does a mean scrambled egg. Best I’ve ever tasted. I finish off a plateful without stopping for breath, then eagerly go for seconds. I’m built on the big side – a mammoth compared to most of my schoolmates – with an appetite to match.

Dervish is wearing a pair of tracksuit bottoms and a T-shirt. No shoes or socks. His grey hair is frizzled, except on top, where he’s bald as a snooker ball. Hasn’t shaved (he used to have a beard, but got rid of it recently). Doesn’t smell good—sweaty and stale. He’s this way most days. Has been ever since he came back.

“You eating that or not?” I ask. He looks over blankly from where he’s standing, close to the hob. He’s been staring out the window at the grey autumn sky, not touching his food.

“Huh?” he says.

“Breakfast is the most important meal of the day.”

He looks down at his plate. Smiles weakly. Sticks his fork into the eggs, stirs them, then gazes out of the window again. “I remember the nightmare,” he says. “They cut my eyes out. They were circling me, tormenting me, using my empty sockets as –”

“Hey,” I stop him, “I’m a kid. I shouldn’t be hearing this. You’ll scar me for life with stories like that.”

Dervish grins, warmth in it this time. “Take more than a scary story to scar you,” he grunts, then starts to eat. I help myself to thirds, then return to the autobiography, not needing the sheet of paper to finish, able to recall it perfectly.

I have a younger half-brother, Bill-E Spleen. He doesn’t know we’re brothers. Thinks Dervish is his father. I met him when I came to live with Dervish, after my parents died trying to save Gret. (I spent a while in a loony asylum first.)

Bill-E and I became friends. I thought he was an oddball, but harmless. Then he changed into a werewolf. Dervish explained the situation to me, told me Bill-E was my brother, laid out the family history and our link to Lord Loss.

I wasn’t keen to get involved, but Dervish thought I had what it takes to kick demon ass. I told him he was mad as a moose, but… hell, I don’t want to come across all heroic… but Bill-E was my brother. Mum and Dad put their lives on the line for Gret. I figured I owed Bill-E the same sort of commitment.

So we faced Lord Loss and his familiars, Artery and Vein, a vicious, bloodthirsty pair. I got the better of Lord Loss at chess, more by luck than plan. The demon master was furious, but rules are rules. So I got to return to reality along with the cured Bill-E. And Dervish won himself a ticket to Demonata hell, to go toe to toe with the big double L on his home turf.

I’m not sure what happened there, how they fought, what sort of a mess Dervish went through, how time passed for him, the manner of his victory over Lord Loss. For more than a year I guarded his body, helped by a team of lawyers (my uncle—he mucho reeeech) and Meera Flame, one of Dervish’s best friends. I went back to school, rebuilt my life and babysat Dervish.

Then, without warning, he returned. I woke up one morning and the zombie was gone. He was his old self, talking, laughing, brain intact. We celebrated for days, us, Bill-E and Meera. And we all lived happily after. The end.

Except, of course, it wasn’t. Life isn’t a fairy tale. Stories don’t end. Before she left, Meera took me aside and warned me to be careful. She said there was no way to predict Dervish’s state of mind. According to the recorded accounts of the few who’d gone through the same ordeal as him, it often took a person a long time to settle after a one-on-one encounter with Lord Loss. Sometimes they never properly recovered.

“We don’t know what’s going on inside his head,” she whispered. “He looks fine, but that could change. Watch him, Grubbs. Be prepared for mood-swings. Try and help. Do what you can. But don’t be afraid to call me for help.”

I did call when the nightmares started, when Dervish first attacked me in his sleep, mistook me for a demon and tried to cut my heart out. (Luckily, in his delirium, he picked up a spoon instead of a knife.) But there was nothing Meera could do, short of cast a few calming spells and recommend he visit a psychiatrist. Dervish rejected that idea, but she threatened to take me away from him if he didn’t. So he went to see one, a guy who knew about demons, who Dervish could be honest with. After the second session, the psychiatrist rang Meera and said he never wanted to see Dervish again—he found their sessions too upsetting.

Meera discussed the possibility of having Dervish committed, or hiring bodyguards to look after him, but I rejected both suggestions. So, against her wishes, we carried on living by ourselves in this spooky old mansion. It hasn’t been too bad. Dervish rarely gets the nightmares more than two or three times a week. I’ve grown used to them. Waking up in the middle of the night to screams is no worse than being disturbed by a baby’s cries. Really it isn’t.

And he’s not that much of a threat. We keep the knives locked away and have bolted the other weapons in the mansion – it’s dotted with axes, maces, spears, swords, all sorts of cool stuff – to the walls. I usually keep my door locked too, to be safe. The only reason it was open last night was that Dervish had thrown a fit both nights before and it’s rare for him to fall prey to the nightmares three times in a row. I thought I was safe. That’s why I didn’t bother with the lock. It was my fault, not Dervish’s.

“I will kill him for you, master,” Dervish says softly.

I lower my fork. “What?”

He turns, blank-faced, looking like he did when his soul was fighting Lord Loss. My heart rate quickens. Then he grins.

“Asshole!” I snap. Dervish has a sick sense of humour.

I get back to wolfing down my breakfast and Dervish tucks into his, not caring that the scrambled eggs are cold. We’re an odd couple, a big lump of a teenager like me playing nursemaid to a balding, mentally disturbed adult like Dervish. And yeah, there are nights when he really frightens me, when I feel like I can’t take it any more, when I cry. It’s not fair. Dervish fought the good fight and won. That should have been the end of it. Happy ever after.

But stories don’t end. They continue as long as you’re alive. You just have to get on with things. Turn the page, start a new chapter, find out what’s in store for you next, and keep your fingers crossed that it’s not too awful. Even if you know in your heart and soul that it most probably will be.

## PRAY AT HIM

→School was strange when I first went back. I’d spent months outside the system, first in the asylum, then in the mansion with Dervish. It took me a while to find my feet. For the first couple of terms I didn’t really speak to anybody except Bill-E and the school counsellor, Mr Mauch, better known as Misery Mauch because of his long face. I’d always been popular at my old school, lots of friends, active in several sports teams, Mr Cool.

All that changed at Carcery Vale. I was shy, unsure of myself, reluctant to get involved in conversations or commit to after-school events. On top of the hell I’d been through, there was Dervish to consider. He needed me at home. I became an anonymous kid, one who spent a lot of time by himself or with a similarly awkward friend (step forward Bill-E Spleen).

Things are different now. I’ve come out of my shell a bit. I’m more like the old me, not quiet in class or afraid to speak to other kids. I’ve always been bigger than most people my age. In the old days I was a show off and used my bulk to command respect. At the Vale I kept my head bent, shoulders hunched, trying to suck my frame in to make myself seem smaller.

Not any more. I’m no longer Mr Flash, but I’m not hiding now. I don’t feel that I have to.

I’ve made new friends. Charlie Rall, Robbie McCarthy, Mary Hayes. And Loch Gossel. Loch’s big, not as massive as me, but closer to my size than anybody else. He wrestles a lot—real wrestling, not the showbiz stuff you see on TV. He’s been trying to get me to join his team since I started school. I resisted for a long time, but now I’m thinking of giving it a go.

Loch also has a younger sister, Reni. She’s pretty cute, even if she does have a nose that would put Gonzo to shame! I stare at her a lot and sometimes she makes eyes back. I think she’d go out with me if I asked. I haven’t. Not yet. But soon… maybe… if I can work up the nerve.

→The end of a typical school day. Yawning through classes, desperate for lunch-time so I could hang out with my friends and chat about movies, music, TV, computer games, whatever. Bill-E joined us for some of it. I don’t spend as much time with Bill-E as I used to. He doesn’t fit in with my new friends—they think he’s geekish. They don’t slag him off when I’m around, but I know they do when I’m not. I feel bad about that and try to help Bill-E relax so they can see his real side. But he gets nervous around the others, acts differently, becomes the butt of their jokes.

Thinking about Bill-E as I walk home. I don’t want us to stop being friends. He’s my brother and he was really good to me when I first moved here. But it’s difficult because I don’t want to lose my new friends either. Guess I’ll just have to work harder to make him feel like part of the group. Try and be like one of those TV kids who always solve their problems by the end of each show.

Dervish is sitting on the stairs when I let myself in. I’m dripping wet—it’s been pouring for the last couple of hours. Normally, when the weather’s bad, he picks me up on his motorbike. When there was no sign of him today, I figured his mood hadn’t improved since breakfast. I was right. He’s as blank as he was this morning, staring off into space, not registering me until I’m right in front of him.

“Dervish! Hey, Derveeshio! Earth to Dervish! Are you reading me, captain?”

He blinks, frowns as if he doesn’t know who I am, then smiles. “Grubbs. You’re alive. I thought…” His expression clears. “Sorry. I was miles away.”

I sit beside him. “Bad day?”

“Can’t remember,” he replies. “Why are you home early?” I hold up my watch and tap it. Dervish reads the time and sighs. “I’m losing it, Grubbs.”

My insides tighten, but I don’t let Dervish see my fear. “Losing what—your sanity? You can’t lose what you never had.”

“My grip.” Dervish looks down at his feet, bare and dirty. “I wasn’t like this before. I wasn’t this distracted and empty. Was I?” He looks at me pleadingly.

“You’ve been through hell, Derv,” I tell him quietly. “You can’t expect to recover without a few hiccups.”

“I know. But I wasn’t this way, right? Some days I can’t remember. I feel like it’s always been like this.”

“No,” I say firmly. “It’s just a phase. It’ll pass.”

“All things must pass,” Dervish mutters. Then he looks at me sideways, his cool blue eyes coming into focus. “Why are you wet?”

“Took a bath. Forgot to strip.” I rap his forehead with my knuckles, then point to the windows and the rain battering the panes. “Numbnuts.”

“Oh,” Dervish says. “I should have picked you up.”

“No worries.” I rise and stretch, dripping steadily. “I’m going up to shower and change into dry clothes. I’ll stick this lot in to wash. Anything you want me to add?” I did all the jobs around the house when Dervish was a vegetable. Hard to break the habit.

“No, I don’t think so. I…” Dervish stares at his left hand. There’s a black mark on it, a small ‘d’. “There was something I meant to tell you. What…?” He clicks his fingers. “I had a phone call, a follow-up to some e-mails I’ve been getting recently. Ever heard of someone called Davida Haym?”

“No, can’t say…” I pause. “Hold on. Not David A Haym, the movie producer?”

“That’s her.”

“I thought that was a guy.”

“Nope. She uses David A on her movies, but it’s Davida. You know about her?”

“Sure. She makes horror movies. Zombie Zest. Witches Weird. Night Mayors—that’s, like, Nightmares, only two words. It’s about evil mayors who band together to set up a meat production plant, except the meat they process is human flesh.”

“Win many Oscars?” Dervish asks.

“Swept the board,” I chuckle. “I can’t believe she’s a woman. I always thought… But what about her? I didn’t think you were into horror flicks.”

“She phoned me earlier.”

I do a double-take. “David A Haym called you?”

“Davida Haym. Yes.” Dervish squints at me. “Have I grown a second head?”

“Hell, it’s David A Haym, Dervish! That’s like saying Steven Spielberg was on the line, or George Lucas. OK, not as big as those, but still…”

“I didn’t know she was famous,” Dervish says. “She told me the names of some of her movies, but I don’t watch a lot of films. She made it sound like she was a cult director.”

“She is. She doesn’t make films with big-name stars. But her movies are great! Anyone who loves horror knows about David A Haym. Though I’m not sure many know she’s a woman.”

“That’s a big sticking point for you, isn’t it?” Dervish grins. “You’re not turning into a chauvinist, are you?”

“No, I just…” I shake my head. Water flies from my ginger hair and splatters the wall. “What did she want?”

“She’s making a new movie. Asked if she could meet me. She’d heard I know a lot about the occult. Wants to pick my brain.” He tweaks his chin, forgetting the beard isn’t there. “I hope she didn’t mean that literally.”

“Did you say yes?” I ask, excited.

“Said I’d think about it.”

“Dervish! You’ve got to! It’s David A Haym! Did she say she’d come here? Can I meet her? Do you think –”

“Easy, tiger,” Dervish laughs. “We didn’t discuss where we’d meet. But you think I should agree to it?”

“Absolutely!”

“Then meet we shall,” Dervish says, getting to his feet and heading up to his office. “Anything to please Master Grady.”

I tramp up the stairs after him, pulling off my clothes, thinking about how cool it would be if I could meet David A Haym… and also how weird it is that one of the world’s premier horror producers is a woman.

→“David A Haym’s a woman? No bloody way!” Loch howls.

“You’re having us on!” Robbie challenges me.

“How stupid do you think we are?” Charlie huffs.

“Of course she’s a woman,” Mary says. We gawp at her. “You didn’t know?”

“No,” Loch says. “You did?”

“Yes.”

“How long?”

Mary shrugs. “I dunno. Years.”

“And you never told us?” Robbie barks.

“It never came up,” Mary laughs. “I’ve no interest in horror movies. I always tune out when you guys start on that rubbish.”

“Then how did you know she’s a woman?” I ask.

“There was a feature on her in a magazine my mum reads,” Mary explains. “I think the headline was, ‘The horror producer chick who beats the boys at their own game’.”

They’re nearly as excited as I am. Most of my friends don’t know what to make of Dervish. In a way he’s cool, the adult who rides a motorbike, dresses in denim, lets me do pretty much what I like. On the other hand he sometimes comes across as a complete nutter. Plus they know he was a veg for more than a year.

But now that he’s in talks with the slickest, sickest producer of recent horror movies, his cred rises like a helium balloon. They want to know how she knows about him, when she’s coming, what the new movie’s about. I act mysterious and secretive, giving nothing away, but dropping hints that I’m fully clued-in. In truth, I know no more than they do. Dervish wasn’t able to get through to her last night. He left a message and was waiting for her to phone back when I left this morning.

***

→“Did she call?”

“Who?”

I groan, wishing Dervish wasn’t a complete airhead. “David A Haym, of course! Did she –”

“Oh, yeah, she rang.”

“And?” I practically shriek, as Dervish focuses on getting dinner ready.

“She’ll drop by within the next week.”

“Here?” I gasp. “Carcery Vale?”

“No,” he smirks. “Here—this house. I told her she could stay the night if she wanted, though I don’t know if –”

“David A Haym’s going to stay in our house?” I shout.

“Davida,” Dervish corrects me.

“Dervish… the terrible things I’ve said about you… the awful names I’ve called you… I take them all back!”

“Thanks,” Dervish laughs. Stops and frowns. “What awful names?”

→Everyone wants David A Haym’s autograph. They want to meet her, have dinner with us, maybe snag a part in her next movie. Loch auditions for me several times a day, moaning and screaming, pretending bits of his body have been chopped off, quoting lines from Zombie Zest and Night Mayors—“We elected a devil!” “That’s not my hand on your knee!” “Mustard or mayo with your brains?” Draws curious stares from teachers and kids who haven’t heard the big news.

Bill-E talks up script ideas. Reckons he can pitch to her and become the brains behind her next five movies. “Writers are getting younger all the time,” he insists. “Producers want fresh talent, original ideas, guys who can think outside the box.”

“You’re about as far outside the box as they come,” Loch laughs.

“I wouldn’t have to write the whole script myself,” Bill-E says, ignoring the jibe. “I could collaborate. I’m a team player.”

“Yeah,” Loch snorts. “Trouble is, you’re a substitute!”

I let them scheme and dream. Smile smugly, as if they’re just crazy, dreamy kids. Of course, I’m as full of wild notions as they are—I just prefer to play it cool.

→Days pass—no sign of Davida Haym. The weekend comes and goes. I bug Dervish constantly, asking if there’s been any further contact. Sometimes he pretends he doesn’t know what I’m talking about, just to wind me up.

By Tuesday I’m starting to wonder if it’s a gag, if Dervish never spoke to David A Haym at all. It would be a weird, unfunny joke—but Dervish is into weird and unfunny. I’ll look a right dope in school if she never shows. I’ll have to invent a story, pretend she was called away on an emergency.

Thinking about excuses I could use as I’m walking home. Nothing too simple, like a sick relative or having to pick up an award. Needs to be more dramatic. Her house burnt to the ground? She caught bubonic plague and had to go into isolation?

Warming to the plague theory – can people still get it these days? – when a car pulls up beside me. A window rolls down. A thin, black-haired woman leans across. “Excuse me,” she says. “Do you know where Dervish Grady lives?”

“Yeah.” I bend down, excitement building. “I’m his nephew, Grubitsch. I mean, Grubbs. Grubbs Grady. That’s me.” Can’t remember the last time I called myself Grubitsch. What a dork!

“Grubbs,” the woman says, nodding shortly. “Yes. I know about you.”

“You do?” Unable to hide my delight. “Dervish told you about me? Wow, that’s great! Uh, I mean, yeah, cool. I know about you too, of course.”

“Really?” She sounds surprised.

“Sure. I’ve been waiting all week for you.”

“You knew I was coming?” Sharp this time.

“Yeah. Dervish told me.”

She taps the steering wheel with her fingernails. They’re cut short, down to the flesh. “Well, may I give you a lift home, Grubbs? That way you can direct me as we go.”

“Sure!” I open the door and slide in. Put my seat belt on. Smile wide at David A—I mean, Davida Haym. She smiles back thinly. A narrow, pale face. Moody, if not downright gloomy. Exactly the way I expected a horror producer to look. “Just go straight,” I tell her. “The road runs by our house. You can’t miss it—only mansion in the neighbourhood.”

Silence. Davida is focused on the road. I’m trying to think of something to say that’s casual and witty. But my mind’s a blank. So I check her out. Thin all over, a long neck, bony hands, straight black hair, dark eyes. Dull white shirt and skirt. Flat, plain shoes. No jewellery, except one ring on her left hand with a large gold ‘L’ in the middle of a circle of flat silver.

“How have you been, Grubbs?” she asks suddenly.

“Fine.”

“I know something of your past. What happened last year with Billy Spleen.”

“What do you know about me and Bill-E?” I ask suspiciously, guard rising.

“I know about the lycanthropy. How you fought it.”

“Dervish told you that?” I cry, astonished.

“How has Billy been? Any recurrences of his old patterns?”

“Of course not! We cured him! He’s normal now!”

“And you?” she says quietly, and her eyes flick across, cold and calculating.

“Who the hell are you?” I ask, a tremble in my voice.

“Who do you think I am?” she replies.

“I thought you were David A Haym. But you’re not… are you?”

In answer she raises a finger and points. “That must be the mansion.”

She pulls into our drive. I have a bad feeling in my gut, not sure who this woman is or how she knows about Bill-E. She kills the engine and looks at me calmly. Her eyes are really dark. A robot-like expression. No make-up. Thin lips, almost invisible. A small nose with a wartish mole on the right nostril.

“Shall we go in together, or do you want to go on ahead and tell your uncle I’m here?” she asks.

“That depends. What’s your name?” She only smiles in reply. She looks more normal when she smiles, like a teacher—stern, but human. I relax slightly. “You can come with me,” I decide, not wanting to leave her here in case she’s an old friend of Dervish’s and I appear rude.

“Thank you,” she says and gets out of the car. She’s smoothing her skirt down and studying the mansion when I step out. “Nice place,” she comments, then raises a thin eyebrow, the signal for me to lead the way. I start ahead of her, whistling, not letting her see that I’m unnerved, acting like she’s an ordinary visitor. In through the oversized front doors. The juicy smell of sizzling steak drifts from the kitchen.

“Goodness,” the woman says, looking at the high ceilings, the size of the rooms, the weapons on the walls, the staircase.

“This way,” I tell her, heading for the kitchen. “You’re just in time for dinner.”

She follows slowly, absorbing the surroundings. Obviously hasn’t been here before. I keep trying to put a name to her face, thinking of all the people Dervish has mentioned in the past.

I reach the kitchen. Dervish is hard at work on the steak. “No!” he shouts before I say anything. “She hasn’t rung and there’s been no sign of her. Now stop pestering me or I might –”

“We have company,” I interrupt.

Dervish turns questioningly. The woman enters the kitchen. I step aside so he can see her. Instant recognition. His face goes white, then red. He steps away from the hob, abandoning the steak. Eyes tight. Lips quivering. With anger.

“You!” He spits the word out.

“It’s been a long time, Dervish,” the woman says softly, not moving forward to shake his hand. “You look better than I expected.”

“I thought she was David A Haym,” I tell him.

“She’s not,” he barks. “She’s Prae Athim.”

“Pray at him?” I echo.

“Pray Ah-teem,” the woman says, stressing the syllables.

“She’s one of the Lambs,” Dervish says with a sneer.

And the fear which was tickling away at me in the car kicks in solid, like a nail being hammered into my gut.

## LAMBIKINS

→In Dervish’s study. Like most of the rooms, it’s huge. But whereas the others have bare walls, with stone or wood floorboards, the study is carpeted and the walls are covered with leather panels. There are two large desks, bookcases galore, a PC, laptop, typewriter, paper and pens. There used to be five chess sets, but not any more. The swords and axes which hung from the walls are gone too.

Prae Athim doesn’t want me here. That’s obvious from her disapproving look. Dervish doesn’t care. He’s seated behind the computer on his largest desk, one hand on the mouse, moving it around in small circles, waiting for his unwelcome guest to speak. Prae Athim is seated opposite. I’m standing close to the door, ready to leave if Dervish tells me to.

Prae finally speaks. “Billy Spleen still lives with his grandparents?” Dervish nods slowly. “I thought you might have moved him in with you. To observe.”

“You’re the master observer, not me,” Dervish says quietly.

“Isn’t it dangerous, leaving him there?” she presses.

“Billy’s time of turning has passed. There’s nothing to fear from him now.”

“That’s debatable,” Prae smiles.

“No. It isn’t.”

Prae looks at her hands crossed over her lap. Thinks a moment. Then nods at me. “I’d rather not speak in front of the boy.”

“Is this about him?” Dervish responds.

“Partially.”

“Then you’ll have to.”

“I really don’t think –” she begins.

“Grubbs faced the demons with me,” Dervish interrupts. “He fought by my side. I’m not going to keep secrets from him.”

“Really?” Prae sniffs. “You tell him everything about your business?”

“No. But I don’t hide things from him. When he asks, I answer. And since I’m certain he’s going to be asking about this, he might as well stay and hear it first-hand.”

Prae sighs. “You never make life easy for us. You’ve always treated the Lambs like enemies. We’re on the same side, Dervish. You should afford us respect.”

“I do respect you,” Dervish says. “I just don’t trust you.”

I’d forgotten about the Lambs. They loomed large in my thoughts while Dervish was zombified, especially around the time of a full moon. If I’d found myself turning into a werewolf, I was going to phone them and ask them to put me out of my misery. But since Dervish returned, I haven’t had time to brood about my potentially fatal genes or the family bogey men.

The Gradys and their kin have been cursed for a long time. We’re talking a lot of generations. Over the centuries, family members have tried to figure out the cause of the curse, find a cure for it, and develop ways of dealing with the infected children quietly and efficiently.

The Lambs are the result. A group of scientists, soldiers and I don’t know what else, all focused on the problems and logistics of lycanthropy. They spend a lot of time, money and effort trying to unlock the secrets of the rogue Grady-genes. But they also play the part of executioners when necessary.

A lot of parents decide to kill their children if they turn into werewolves. But most can’t perform the dirty deed themselves. So they call in the Lambs, who take the transformed child away and do what must be done.

“How did you find out about Billy?” Dervish asks.

“We keep tabs on all the family children,” Prae says.

“But Billy didn’t leave a trail. There was no evidence that he was turning.”

Prae smiles. “You covered up admirably. Gathered the bodies of the animals he slaughtered, disposed of them quietly. But you couldn’t be expected to find every corpse. And you couldn’t do anything about the operative who saw him sneaking out of his house during a full moon.”

“You had him under direct surveillance?” Dervish snaps.

“Sometimes, yes.”

Dervish’s hand goes rigid on the mouse. “You had no right to do that.”

“We had every right,” Prae disagrees. “If a guardian chooses to deal personally with an infected child, it’s not our business. But you didn’t. You gave him free reign.”

“I was in control,” Dervish growls. “He wasn’t a danger to anyone. I was waiting for the right moment to act.”

“I understand,” Prae says. “But we couldn’t take any chances. We guessed you would handle the matter this way if he turned, so for some years we’d been keeping an eye on the boy. On your brother’s children too.”

Dervish starts to retort. Stops and scowls. “Tell me why you’ve come.”

“A few reasons,” Prae says. “One—to make sure Billy is normal.”

“He is,” Dervish says. “We cured him.”

“But how certain is your cure?” Prae asks. “We know about the demon you deal with, but there’s much about the process that’s a mystery. You and the others who have faced him keep it a secret. You don’t let the rest of us benefit.”

“We can’t include you,” Dervish says stiffly. “He deals with one case at a time, and only with those who have some experience of magic. That’s how it works. It’s not our choice—it’s his.”

“The demon,” Prae nods. “Lord –”

“Don’t say his name here,” Dervish stops her. “It’s dangerous.”

Prae looks around nervously. I feel the hairs rise on the back of my neck. Then Dervish catches my eye and tilts his head ever so slightly. It’s a gesture I know well—he does that sometimes instead of winking. I realise he’s winding Prae up, giving her a scare. I hide a smile behind my hand and wait for her to settle down.

“It’s not fair,” Prae resumes, less composed than before. “We’ve never had any contact with the demon. Maybe we could strike our own deal if you put us in touch with him.”

“You couldn’t.”

“But you should let us try. We –”

“We’ve had this conversation before,” Dervish interrupts. “We’re not having it again. The Lambs follow the path of science. Demons are creatures of magic. The two don’t mix. End of story.”

“Very well,” Prae says, showing open anger for a second, her pale face flushing. “You choose to lock us out—there’s nothing we can do about that. But it means we don’t know all that we should about the cure. We have no proof that it works in the long term, or why. So it’s natural for us to be suspicious, to run our own checks, to be safe.”

“Totally natural,” Dervish says sarcastically. “But I don’t think you’d have waited until now to make sure Billy wasn’t killing. If you were checking on him prior to his change, I’m sure you’ve monitored him in the year-plus since. So your first reason for being here is a crock—you know Billy’s fine. Let’s move on to reason two and try to make it a bit more believable this time.”

Prae glares at Dervish, then glances at me. “Two,” she growls. “We wanted to check on Grubbs. He’s at a dangerous age. Both his brother –” My stomach tightens another notch. She knows the truth about Bill-E! “–and sister turned. We thought it advisable to have a look at him. We kept out of the way while you were… indisposed, but now that you’re back on your feet, we felt it was a good time to have a chat.” She faces me and smiles. “How have you been sleeping lately? Any bad dreams? Woken up with dirt under your fingernails or –”

“You know what she’s doing, don’t you, Grubbs?” Dervish asks.

“Trying to freak me out,” I mutter edgily.

“Correct. If they wanted to check up on you, they’d do it secretly. You’d never know they were there. She’s saying this to upset you, because I’ve upset her. So ignore it. And you,” he says to Prae, “tell me the real reason you’re here or get the hell out.”

“Very well.” Prae stares at Dervish challengingly. “We want to run some tests on Billy under laboratory conditions.”

“You want to turn my nephew into a guinea pig?” Dervish laughs harshly. “You want me to sign him over, so you can prod and poke him and have him urinate into a bottle at your command?”

“It’s not like that. We –”

“Get out!” Dervish shouts.

“You’re being unreasonable,” Prae objects. “Let me finish.”

“Oh, you’re finished,” Dervish laughs. “I’ve heard enough. Now march back out to your car and –”

“Have you seen a child who’s turned?” Prae asks me, raising her voice. “You must have seen your brother, but only in the early stages of his transformation. It takes a few months for the disease to properly set in. They grow hair. Their features distort. Their spines twist. I have some photographs which –”

“No!” I shout. “I don’t want to see any photos. I’ve seen them before.”

“Children your own age,” Prae says quickly as Dervish stands and strides towards her. “Some even younger. We have an eight-year-old girl. Her parents didn’t know about the curse. She killed her mother. Chewed her throat open and –”

“You’re so out of here,” Dervish snarls, reaching to grab Prae’s collar.

“Wait,” I stop him, holding up a hand.

“Grubbs, don’t listen to –”

“Just wait a minute. Please?”

Dervish breathes out heavily, then takes a step back.

“We’re trying to help,” Prae says, speaking to me but looking at Dervish. “Your uncle is a man of old science—he calls it magic, but to us it’s science by a different name. We’re of the new school. Dervish fights one battle at a time. Your mother and father made that choice too. But we’re trying to attack the root of the disease. We want everyone to benefit, not just a few. To do that, we have to examine and explore.

“Your brother is one of the very few victims to beat the curse. If we can study him, unlock the secrets behind his remarkable cure, perhaps we can replicate it and save others—without the need for demons or so-called magic.”

“You can’t,” Dervish says wearily. “I’ve told you before, it’s not science. It’s not of this universe. You can’t understand it and you can’t mimic it. Do you think I’d stand in your way if I thought there was the slightest chance that you could?”

“You can’t be sure,” Prae says.

“I am.”

Prae mutters something beneath her breath, then tries me again. “We wouldn’t hurt Billy. You and your uncle could come and observe. We just want to know more, to understand… to help.”

I feel sorry for Prae Athim. Despite her scary appearance and manner, she only wants to do good. But the thought of her taking Bill-E away, locking him up, experimenting on him… I shake my head.

“You should leave now,” Dervish says quietly. “We can’t help you.”

“You’re condemning others to change, to die,” Prae says angrily.

Dervish shrugs. “We’ve been condemned a long time. We’re used to it.”

He lays a hand on Prae’s shoulder. She jerks away from him and stands. “My daughter changed,” she hisses. “I tried to cure her, but I couldn’t. She’s still alive. Because I hope and believe. By denying us, you deny her and all the others like her. How will you sleep with that on your conscience?”

“Lousily,” Dervish says. “But Billy will sleep sweetly. And to me, that’s what matters most, just as your daughter matters most to you.” He leans towards her. “If the positions were reversed, would you allow your loved one to be taken?”

“Yes,” Prae answers immediately. “Without question.”

“Well, that’s where we differ. Because I always question.”

“There are other ways,” Prae says, a dangerous tremble to her tone. “We didn’t have to ask. We could just take him.”

Dervish’s expression goes dead. “Try it,” he whispers. “See what happens.”

“You couldn’t stop us,” Prae insists, a red flush of anger rising up her throat. “You’re powerful, but so are the Lambs. We could –”

“Mess with me and you mess with us all,” Dervish interrupts. “Do you really want to do that? Do the Lambs now think themselves the equals of the Disciples?”

“We aren’t afraid of your kind,” Prae says, but her words ring hollow.

Dervish smiles lazily. “If you lay a hand on Billy or Grubbs, I’ll teach you to be afraid. That’s a promise.”

“You don’t want us as enemies,” Prae warns him. “Nobody stands alone in this world, not even the Disciples. You may need us one day.”

“Yes,” Dervish agrees. “But not today.” He points at the door.

Prae opens her mouth to try again. Realises she’d be wasting her breath. Shakes her head with disgust. Shoots a look at me. “Pray you never turn. Because if you do, thanks to people like your uncle, we won’t be able to help. All we’ll be able to do is kill.”

She strides to the door, throws it opens and marches out. The front doors slam several seconds later. Then the faint sound of her engine starting, rising, fading.

Dervish stares at me. I stare back. Neither of us says anything. I don’t know what my uncle’s thinking, but there’s only one glaring thought in my head—who the hell are the Disciples?

## MONSTERS GALORE

→Dervish has another nightmare. Four nights in a row—he must be going for the record. Luckily I’d been expecting this one. Dervish shut himself off from me after Prae Athim left. Kept to his study, pacing around, muttering, brooding. I guessed nightmares would follow. Stayed awake after he went to bed, alert, prepared for a long, active night.

I catch Dervish in the hall of portraits. He snuck past my room without me hearing, even though I’d been listening closely. But a minute ago the screaming started and it was easy to track him down.

The walls of this hall are lined with photographs and paintings of dead family members, mostly teenagers who became werewolves. It’s on the first floor, close to my bedroom. When I arrive, Dervish has knocked several photos to the floor and is wrestling with a large portrait, trying to tear it free of its peg.

“Leave me alone!” he screams. “It’s not my fault!”

“Dervish,” I call, hurrying over to him, grabbing his right hand, trying to prise his fingers loose. “Derveeshio! Derv on a curve—don’t lose your verve. Don’t roar and bawl—not in this hall.”

He ignores the rhymes and jerks free. “Get out of my skull! You’re eating my brain!” He collapses to his knees, grips his head hard with both hands, moans with pain and terror.

“Dervish, easy, it’s OK, it’s coolio, you have to chill. You on the ground—everything’s sound.”

His eyes fix on a nearby photograph. His breath catches. “I didn’t do it!” he gasps. “I didn’t kill you! Leave me alone!”

I sweep the photos away, then grab Dervish’s hands, pull them down from his head and lock gazes with him. “Wake up, you crazy, bald coot! It’s only a dream—no need to scream. None of it’s real—fantasy’s the deal. You have to snap back. Come on, I know you’re in there, I know…”

His expression clears. He looks like a lost child for a few seconds, pitiful, silently begging me for help. Then the real Dervish surfaces and terror gives way to exhaustion and embarrassment. I release him, nodding slowly and repeatedly to show that everything’s OK, no damage done.

Dervish looks around at the photos on the floor. Most are ripped, a couple beyond repair. No glass in the frames. We removed all the glass a few months ago, in case something like this happened. Didn’t want him hurting himself—or me.

“I thought they’d come back to life,” Dervish says. “They blamed me. Claimed I was the cause of the curse. They wanted revenge.”

“It was just a dream.”

“I know. But still…” He shivers. “I could have done without Prae Athim and the Lambs. I didn’t need them now. Not in this state. Why do bad things always come at the worst time?”

“Forget about her,” I tell him. “She’s gone. You ran her off.”

“Maybe I shouldn’t have. Maybe…” He coughs, then stands. “No. That’s the nightmare talking. The Lambs can’t help. They mean well, but in matters like this they’re helpless.”

“Unlike the Disciples?” I ask, broaching the mysterious subject for the first time, not sure if it’s the right moment, but curiosity getting the better of me.

Dervish shakes his head. “I’ll tell you about them later. Not now. OK?”

I sniff like it doesn’t matter.

Dervish grows thoughtful. “Billy doesn’t know about the change, Lord Loss, what we did for him. It’s better this way. No point throwing his world into chaos. The Lambs are part of the human world. They’ve no direct experience of the Demonata or magic. They couldn’t learn anything from Billy.”

“Then don’t worry about it,” I mutter. “Go back to bed, get a good night’s sleep, kick the nightmares out the window.”

Dervish laughs. “If only it was that easy.” He checks his watch. Yawns. “But I’ll try to snooze, to keep nurse Grubitsch happy.” He glances at me. “If I drop off, I might go walkabout again. You should lock me in.”

“Nah,” I smile. “You’d wreck the room. Don’t worry about it. I’ll sleep with one ear open. I’ll see you don’t come to harm.”

Dervish reaches over, squeezes my hand, then shuffles off for the stairs and bed. I watch until he turns the corner. Stay for a while, thinking about Bill-E, the Lambs, demons, the mysterious Disciples. Then I start clearing up the photos and hanging the less tattered snapshots back on their pegs, knowing I won’t be able to sleep.

→Tired. Finding it hard to stay awake. My friends want to know if there are any David A Haym updates, but I only grunt at their questions. Studying Bill-E during lunch. Thinking about him in the hands of the Lambs, strapped to a table, hooked up to banks of electrodes. Can’t let that happen. I faced Lord Loss for my brother. If Prae Athim tries anything with Bill-E, she won’t just have to worry about Dervish and the Disciples—she’ll have to deal with me.

Yeah, I know, she’s hardly trembling with terror at the thought of having to go up against a teenager. But I’m big. And I can be nasty. If I have to.

***

→A limousine’s parked in the drive when I get home. A chauffeur sits behind the wheel, dozing. No prizes for guessing who the limo belongs to.

I hear her as soon as I push open the front doors. She’s in the TV room. A loud voice, high-pitched, very theatrical. She’s talking about one of her earlier movies – it might be Zombie Zest – telling Dervish about the problems she faced trying to get the look of the monsters right.

“…but everybody’s using CGI these days! I don’t like it. The audience can tell. They’re not afraid. It’s psychological. You see a guy in a monster costume, or a cleverly designed puppet, and even though you know it’s not real, you can trick yourself into believing it is. But if you see something that’s the work of a computer, your brain can’t accept it. It doesn’t scare you. I think…”

I walk into the room and cough softly. Davida Haym looks up from where she’s sitting on the couch. A surprisingly normal-looking woman. Fiftyish. Black hair streaked with grey. Pudgy. A warm smile. Purple-rimmed glasses. A bright flowery dress. She looks more like a giggling granny than a horror-movie meister.

“Davida, this is my nephew, Grubbs,” Dervish introduces us. He’s sitting beside her on the couch, looking a bit overwhelmed—I have the feeling Davida hasn’t stopped talking since she came in. “Grubbs lives with me.”

“Hello, Grubbs,” Davida says, rising to shake my hand. A short woman. Barely comes up to my chest. “Neat name. Is it short for something?”

“Grubitsch,” I mutter. “I’m a big fan of yours. I thought Night Mayors was the best horror film of the last ten years.”

“Why, thank you!” Davida booms, not releasing my hand. “Although, to be honest, my input wasn’t so great. The director – Liam Fitz – is a real hardhead. Likes to make the creative decisions himself. I set him off, gave him whatever he asked for, but after that…” She shrugs, still holding my hand.

“And this is June,” Dervish says, drawing my attention to a third person in the room, sitting in a chair to my left.

“Juni,” she corrects him, getting up. “Juni Swan.” Davida Haym finally releases my fingers and I shake hands with the other woman. She’s small too, but slightly taller than Davida. Thin. Pretty. White hair, very pale skin, pinkish eyes. An albino. Her hair’s tied back in a ponytail. Hard to tell her age because her skin’s so white and smooth.

“Juni is Miss Haym’s assistant,” Dervish says.

“Davida,” the producer corrects him. She tuts loudly. “I don’t stand on ceremony.”

“And I’m not her assistant,” Juni says, almost apologetically. She speaks very softly. “Although I am here to assist.”

“Let’s sit down,” Davida says, as if this was her house. She leads us back to the chairs and pats the space on the couch beside her, forcing me to sit with her and Dervish. “I’ve been telling your uncle about my problems on my other movies. As I’m sure you know – I can tell you’re a horror buff – I love monsters. LOVE them! Fangs, tentacles, bulging eyes, slime… all great stuff, right? Right! But getting them to look real… believable… scare people to the max… that’s hard as hell. But I’m telling you nothing new. You’ve seen loads of terrible monster flicks, I’m sure. Where the creatures are about as scary as a baby in a pram?”

“Yeah,” I grin. “Most horror films are crap. That’s why they’re fun.”

“I agree!” Davida shouts. She thumps Dervish’s knee so hard that he gasps. “I like this kid! He knows his nettles from his roses!” She turns back to me. “We all love schlocky horror, where the effects are lame and the monsters tame. I grew up on old Universal and Hammer pictures! And that’s fine. Sometimes you just want to sit down to a corny bit of hokum and have a laugh.”

She raises a finger and lowers her voice. “But there are times when you don’t want to laugh, right? When you want to be scared, when you want your world turned upsidedown, when you want to sit there in the dark and really feel fear bite. Right?”

“Hell, yeah!” There was a period, after my battles with Lord Loss and his familiars, when I didn’t enjoy horror. Life was fearful enough. But as the months passed, and the memories of the real horror faded, I rediscovered my love of fictional terror.

“That’s where I want to go with my next movie,” Davida says, loud again. “I’ve been off the scene for a while—almost four years since my last film. That’s because I’ve been researching and planning. I want to do something BIG with my next one, not rehash an older story. I want screams, not laughs. I want to go for the jugular and shake audiences up, send them home shivering.”

“Coolio!” I exclaim.

“Which is where your uncle comes in.” Davida smoothes down her skirt and turns her smile on Dervish. “Will we talk business now or do you want to wait?”

“Now’s good for me,” Dervish says.

“OK.” Davida glances around, to be sure nobody’s eavesdropping. “I’m about to shoot my new film. Everything’s set. I’m not only producing—I’ve written the script and I’m directing too. Can you imagine? Me—a director!” She throws her head back and laughs. Dervish and I laugh too, even though we’ve no idea what the joke is.

“I’ve kept the project secret,” Davida continues. “I keep quiet about all my films, but I’ve been especially hush-hush on this one. Everyone connected has signed a lips-sealed contract. The monster designs are locked in a state-of-the-art safe, and only two other people beside myself have seen them in their entirety—everybody else gets a small piece to work on. We won’t be shooting in any of the established studios. I’ve created my own, far away from prying eyes. Most people aren’t even aware that I’m at work again—they think I’m sitting on my ass on a beach, twiddling my thumbs, creatively defunct.”

“Sounds like you’ve given yourself a lot of headaches,” Dervish says.

“Are you kidding?” Davida snorts. “I’m having a ball! It’s the film I’ve always wanted to make. I love intrigue, suspense, secrets. It’s a game, the best in the world, and I’m the only one who knows all the rules. I wouldn’t trade places with anybody right now, not for anything.”

“I’m glad you’re happy,” Dervish says. “But I don’t see why…?” He leaves the question hanging.

“Why I’m telling you?” Davida looks at me and winks. “Why I’m telling the two of you.” She lowers her voice again. I don’t think she’s capable of whispering, but this is as close as she gets. “What I say now has to remain between us. I haven’t asked you to sign a confidentiality form yet – you’ll have to do it later, if you agree to my offer – but from what I’ve heard, you’re a man of your word. I’m not sure about Grubbs…”

“I can keep a secret,” I huff. “You don’t have to worry about me.”

“Excellent.” She gives my right knee a squeeze and almost crushes it. “So, when I ask you to keep what I’m about to say to yourselves, not tell anybody, even your best friends… can I trust you?”

“I won’t speak, even under torture,” Dervish laughs.

“Me neither,” I back him up.

“Great!” Davida beams. “Then listen close and keep it quiet. The film’s called Slawter.”

“Slaughter!” I echo. “Brilliant!”

“I think so too,” Davida chuckles. “Slawter – which is spelt with a ‘w’ instead of a ‘ugh’ – is the name of the town in the movie. A bit obvious maybe, but I’ve always liked a gruesomely OTT play on words. I think it’ll look great on the posters—‘Welcome to Slawter!’ or ‘Let the Slawter commence!’” She squints. “Maybe we’ll have to work on the tagline, but you get the picture. Now, here’s the good part, the reason I’m here, and the bit I know you’re going to love the best. Slawter is going to be all about… demons!”

She sits back, grinning, and awaits our response, unaware that she’s just dropped the mother of all bombshells.

→Davida can’t understand why we’re not excited. Doesn’t know what to make of our shifty glances and awkward silence. She keeps talking about the movie. Tells us that demons take over the town of Slawter. She describes some of the characters and scenes. Dervish and I listen stiffly.

“OK,” Davida finally says, “what’s wrong?” She sniffs at her armpits. “Do I stink?”

Dervish forces a thin smile. “There’s nothing wrong. It’s just… We’re not fond of demons, are we, Grubbs?”

“No,” I grunt.

“Why not?” Davida asks. “Demons are the scariest monsters of the lot.”

“Too scary,” Dervish mutters, then laughs edgily.

Davida frowns. “But you’re supposed to be a demon expert. The more I research, the more your name crops up. I’ve been told you know all about their ways, their habits, their appearance.”

“You’re talking about them as if they were real,” Juni Swan chuckles.

“Of course they’re not real,” Davida snorts. “But there have been loads of stories and legends about demons, plenty of descriptions and paintings, and Dervish knows more about them than most. He has some of the hardest-to-find demonic books and manuscripts in the world. Right?”

“I know more than many, not as much as some,” Dervish answers cagily. “What I can say is, demons aren’t to be taken lightly. If you want to make stuff up, go ahead, use your imagination, have fun. But I suspect you want to do more than that.”

“Damn straight,” Davida huffs. “I want the real deal, the fiercest demons on record. I want this to be believable. I’ve got most of what I need—as I said, I’ve been working on this for four years. My demons are ready to go. But I want them to behave realistically. I want to get every last detail right, so even the greatest demon scholar won’t be able to find fault.”

Davida points at Dervish. “That’s where you come in. I want your expertise, your insight and knowledge. I want you to come on set as an advisor. Tell us when we make mistakes, steer us right, help us pin the images down.”

“You’ve got the wrong guy,” Dervish says. “I know nothing about movies.”

“There’s a first time for everything,” Davida insists. “I’m not saying you look on this as a career move—just a break from the norm. You get to see a film being made… hang out with the actors and crew… tell us what to do when we’re messing up… and the money’s not bad either!”

Juni coughs politely. “Davida, have you seen this place? I don’t think money is an issue. Correct, Dervish?”

“I have to admit, I’m not hard up,” Dervish says, smiling at the pretty albino.

“So don’t do it for the money,” Davida shrugs. “Do it for the experience. This is the chance of a lifetime. You could bring Grubbs along too. You’d like to see a movie being made, wouldn’t you, Grubbs?”

“You bet!” I reply enthusiastically. Then I remember what the film’s about. “But demons… they’re… it sounds silly, but…” I pull a face.

“This is incredible,” Davida snaps. “I thought you guys would be dying to get in on this. There are others I can ask if you’re going to be ridiculous about it. I’m not –”

“Davida,” Juni interrupts calmly. “You won’t convince them to get involved by antagonising them. If they don’t want to do it, you’ll have to accept their decision and move on.”

“I know,” Davida mutters. “I just don’t get why they’re turning me down!”

“It’s nothing personal,” Dervish says, then looks at Juni. “What’s your role in this, Miss Swan?”

“I’m a psychologist. There are lots of children involved in this movie. I’ve been hired to look after them on set.”

“Do you do a lot of this type of work?” Dervish asks.

Juni shakes her head. “This is my first time.”

“I brought Juni along because we’re going to interview a young actor later,” Davida says. “I like her to be involved with the kids as early as possible. She can spot a problem child a mile off.”

“What about problem adults?” Dervish asks.

“I don’t think you’d be any problem,” Juni responds with a shy smile.

“I’m not so sure about that,” Davida grumbles. Then she suddenly turns the full force of her smile on Dervish. “Hellfire, Grady! I don’t care if you’re a problem or not. I want you on my team. What can I do to convince you?”

Dervish starts to say there’s nothing she can do, then hesitates, glances at Juni and frowns. “Do you have a copy of the script?”

“No,” Davida says. “And I wouldn’t show it to you if I did. But I’ve got some excerpts on disc, along with a rough plot outline and descriptions of some of the demons—I needed something to grab the interest of potential investors. But I don’t like revealing even that much, especially to someone who hasn’t signed a contract.”

“I understand,” Dervish says. “But if I could have a look, I’d be able to tell you whether or not you need me. I don’t want to waste your time or mine. If there’s no reason for me to be there – nothing I can help you with – then…”

Davida doesn’t look happy. “I have a few copies of the disc,” she says, nodding at her handbag on the floor. “They’re digitally protected, so you shouldn’t be able to copy the material or send it to anyone by e-mail. But…”

She thinks it over, then reaches into the bag and produces a boxed disc. “I don’t know why I’m trusting you with this. You’re not that important to me. But you’re the first person to turn me down on this movie and I don’t like it. People aren’t supposed to say no to the fabulous Davida Haym.” She laughs shortly, then rises.

“You can have it for twenty-four hours. Juni and I have that interview tonight. We’ll be passing back this way tomorrow. We’ll drop in to collect the disc. I’ll ask – just once – if you’ve changed your mind. If you don’t want to do it, fine.” She beams at Dervish, nods at me, then heads for the door like a person of noble birth.

Juni gets up, smiling. “She’s a drama queen, isn’t she?” Juni says when Davida is out of earshot.

“And then some!” Dervish laughs.

“But she’s sweet,” Juni says. “And a natural with the children. She treats them like a mother. Not a bad bone in her body, despite the horrible films she makes.”

Juni starts for the door. Pauses. Looks at Dervish. “I hope you change your mind. I…” She stops, clears her throat, smiles quickly and exits.

Dervish hurries after her, to see the pair out. I remain in the TV room, staring at the disc on the couch, sensing trouble of the very worst kind, though I’m not sure why.

## DON’T GO DOWN THE CELLAR

→Dervish is humming when he returns. “Nice people,” he says.

“Especially Juni,” I note drily.

“Yes.” He picks up the disc and looks at it silently.

“What made you change your mind?” I ask.

“I haven’t,” he says.

“But you’re thinking about it, aren’t you?”

“Yes. This is probably nothing to worry about, just a filmmaker conjuring up the usual smorgasbord of hysterical fakes. But I got the feeling Davida knows too much for her own good. She wants the film to be realistic. Maybe she plans to dabble where she shouldn’t, use old rites that might backfire. I’m a hard man to find. I’m worried that she was able to root me out. It makes me wonder what else she might know.”

“So you want to check the plot and demon descriptions, make sure there’s nothing dodgy going on?” I ask. Dervish nods. “Except I got the impression you only agreed to think it over when Juni smiled at you.”

“Don’t be ridiculous!” Dervish protests. “She had nothing to do with it.”

But by the strength of his reaction, and the way he storms out of the room in a huff, I’m sure she did!

→Having shrugged off my foolish sense of unease, I try convincing Dervish to let me have a look at the disc. I want to know what a David A Haym film looks like at this early stage. But he refuses and locks himself in his study. Back downstairs, I fall asleep on the couch. Wake some time during the night, cold, shivering. Think about hauling myself up to bed, but I’m too lazy. Instead I grab a few pillows and stack them around me for warmth. Starting to drift off to sleep again when I suddenly snap wide awake.

Dervish is in trouble.

Not sure how I know—gut instinct. I slide off the couch, scattering the pillows, and race upstairs. Dervish isn’t in his bedroom or study. Nowhere on the second floor. Or the first. I wind up back on the ground floor. A quick scout—no sign of him. That means he either went out… or down to the cellar.

Before descending, I go to the kitchen and make sure Dervish hasn’t broken into the cutlery cupboard and stocked up on knives. Then I head down the stairs, automatic lights flickering on as I hit the bottom steps. The cellar’s where Dervish stores his wine. I don’t come down here much. Nothing of interest for me.

Listening to the hum of the lights, watching for shadows, trying to pinpoint Dervish’s position. After a minute I take the final step and explore the rows of wine racks, fists clenched, anticipating an attack.

I don’t find Dervish in the cellar. Search complete, I want to go back upstairs and try the area outside the house. But there’s one place still to look. It’s the last place I want to try—which makes me suspect that’s where Dervish is.

One of the walls houses a secret doorway. I make for that now. It’s covered by a giant wine rack, mostly containing normal bottles. But one’s a fake. I find it and press hard on the cork with a finger. It sinks in. The rack splits in two and both halves slide away from each other, revealing a dark, narrow corridor.

“Dervish?” I call. My voice echoes back to me, unanswered.

I start down the corridor, breathing raggedly. The halves of the wine rack slide back into place. I’m plunged into darkness. But it’s temporary. Moments later, lights flicker on overhead, the glow just strong enough to see by.

The corridor runs to a secret underground cellar. It’s where Dervish keeps his most magical and dangerous books, where he goes if he wants to practise magic. It’s where we fought Lord Loss all those months ago. Where I almost died.

I come to a thick wooden door with a gold ring for a handle. The door stands ajar and there’s a pale light coming from within. “Dervish?” I call again. No answer. I really don’t want to go in, but I must.

I push the door all the way open and enter, heart pounding.

A large room. Wooden beams support the ceiling. Many torches set in the walls, but none are lit. A steel cage in one corner, the bones of a deer lying on the floor within. Two broken tables. A third in good repair. Chess pieces, books, charred pages and other bits of debris brushed up against the walls. A stack of weapons close to the rubbish, lined with dust, riddled with cobwebs.

And Dervish, squatting in the middle of the room, a candle in one hand, a book in the other.

I approach cautiously. Freeze when I catch sight of the book. There’s a painting of Lord Loss on the cover. Just his face. And it’s moving. His awful red eyes are widening, his lips spreading. Dervish is muttering a spell, bending closer to the book. Lord Loss’s teeth glint in the light of the candle. His face starts to come off the page, like a 3D image, reaching for Dervish, as though to kiss him.

I hurl myself at Dervish. Knock him over and punch the book from his hand. The candle goes out. We’re plunged into darkness. Dervish screams. I hear him scrabbling for the book. I thrash around, find Dervish, throw myself on top and pin him to the floor, yelling at him, keeping him away from the book, calling his name over and over, using all my weight to keep him down.

Finally he stops fighting, pants heavily, then croaks, “Grubbs?” I don’t reply. “You’re squashing me,” he wheezes.

“Are you awake?” I cry.

“Of course. Now get off before…” A pause. “Where are we?”

“The secret cellar.”

“Damn. What was I…?”

“You had a book about Lord Loss. You were chanting a spell. His face was moving. It looked like he was coming alive—coming through.”

“I’m sorry. I… Let’s get some light. I’m awake. Honest. You can get off me. I promise.”

Warily I slide aside. Dervish gets to his feet. Stumbles to the nearest wall. I hear him rooting through his pockets. Then he strikes a match, finds the nearest candle and sets it aflame. The room lights up. I see the book, lying facedown. No movement.

“Could you have brought him here?” I ask, not taking my eyes off the book.

“No,” Dervish says. “But I could have summoned part of his spirit. Given him just enough strength to… hurt me.”

“And me?”

“Absolutely not. You were safe. The spirit couldn’t have got out of this room.”

“But when I came in?”

Dervish says nothing. A guilty silence. Then a deep sigh. “Let’s get out of here. There are things we must discuss.”

“And the book?” I ask.

“Leave it. It can’t do any harm. Not now.”

Standing, I stagger out of the room. Dervish follows, leaving the candle burning, shutting the door on the past, trailing me back up the corridor to the safety of the normal world.

→“The Disciples fight the Demonata and do what we can to keep them out of our universe.”

We’re in Dervish’s study. We both have mugs of hot chocolate. Sitting facing one another across the main desk.

“We’re all magically inclined,” Dervish continues. “Not true magicians, but we have talents and abilities—call us mages if you like. In an area of magic – the Demonata’s universe, or a place where a demon is crossing – our powers are magnified. We can do things you wouldn’t believe. No, scratch that—of course you’d believe. You fought Lord Loss.”

“How many Disciples are there?” I ask.

“Twenty-five, thirty. Maybe a few more.” Dervish shrugs. “We’re loose-knit. Our founder is a guy called Beranabus. He is a true magician, but we don’t see a lot of him. He spends most of his time among the Demonata, waging wars the rest of us couldn’t dream of winning.

“Beranabus sometimes gives orders, sets one or more of us a specific task. But mostly we do our own thing. That’s why I’m not sure of our exact number. There’s a core group who keep in touch, track the movements of demons and work together to deal with the threats. But there are others we only see occasionally. In an emergency I guess Beranabus could assemble us all, but in the usual run of things we don’t have contact with every member.”

“So that’s your real job,” I say softly. “Fighting demons.”

He smiles crookedly. “Don’t misinterpret what I’m telling you. This isn’t an organisation of crack magical heroes who battle demons every week. There are a few Disciples who’ve fought the Demonata several times, but most have never gone up against them, or maybe only once or twice.”

“Then what do they do?” I frown.

“Travel,” he says. “Tour the world, watch for signs of demonic activity, try to prevent crossings. Demons can’t swap between universes at will. They need human assistants. Wicked, power-hungry mages who work with them from this side and help them open windows between their realm and ours. Usually there are signs. If you know what to look for, you can stop it before it happens. That’s what we do—watch for evidence of a forming window, find the person working for the demon, stop them before it gets out of hand.”

“You don’t travel around,” I note. “Is that because of me?”

“No,” Dervish smiles. “I used to travel a lot, but I do most of my work here now, at the command of Beranabus. It’s my job to… well, let’s not get into that. It’s not relevant.”

Dervish sips from his mug, looking at me over the rim, awaiting my reaction.

“What happens when a demon crosses?” I ask.

“It depends on the strength of the demon. Most of the truly powerful Demonata can’t use windows—they’re too big, magically speaking. They need a tunnel to cross – a wider, stronger form of window. They’re much more difficult to open. It’s been centuries since anyone constructed a tunnel.”

“Lord Loss is a demon master,” I note. “He crosses.”

“He’s an exception. We don’t know why he can cross when others like him can’t. He just can. There are rules where magic’s concerned, but those rules can be bent. Anything’s possible with magic, even the supposedly and logically impossible.

“The other demons who cross are nowhere near as powerful as Lord Loss,” Dervish continues, “We drive back the lesser specimens, but we leave the stronger demons alone and try to limit the damage.”

“You let them get away with it?” I cry. “You let them kill?”

Dervish lowers the mug. “It’s not as heartless as it sounds. There’s far less magic in our universe than theirs. When they cross, they’re nowhere near as powerful as they are in their own realm. And most can only stay here for a few minutes. Occasionally a window will remain open longer, for an hour or two, but that’s rare. Thankfully. Because if they could cross with all their powers intact, and stay as long as they liked, we’d have been wiped out long ago.

“We stop maybe half of all potential crossings,” Dervish goes on. “Which is pretty good when you consider how few of us there are. Although we’re only talking six or seven attempts to cross in any given year.”

“So three or four get through?” I ask.

“Apporximately. We aren’t always there when one crosses. When we are…” He sighs. “If it’s a weaker demon, we try to drive it back. A single Disciple will engage it, occasionally a pair. We don’t like to risk too many in any single venture.”

“And when you don’t think you can stop it?” I ask quietly.

Dervish looks away. “A demon will normally kill no more then ten or twenty people when it crosses.”

“Still!” I protest. “Ten people, Dervish! Ten lives!”

“What do you want us to do?” he snaps. “There are battles we can’t win. We do what we can—we can’t do any more. We’re not bloody superheroes!”

“Sure,” I say quickly. “Sorry. I didn’t mean to sound critical. I just…”

“I know,” he mutters. “When I first heard about the Disciples, I was like you. I didn’t want to admit the possibility of defeat or make concessions. But when you see enough people die, you realise life’s not like the movies or comics. You can’t save everyone. It’s not an option.”

Dervish falls silent. We never talked much about his past. To be honest, with all the problems I’ve faced over the last couple of years, I haven’t had time to think about anybody else’s troubles. But now that I consider it, I realise my uncle must have seen a lot of bad stuff in his time. We got lucky against Lord Loss. We beat him at his own game and walked away relatively unharmed. But Dervish told me there are more failures than successes when humans battle demons. And if he’s been around for even a few failures… seen people die like I saw my parents and sister die… had to stand by and let it happen because he didn’t have the power to stop it…

“I’m telling you this because of Davida Haym,” Dervish says, interrupting my thoughts. “I went through her disc earlier. From the outline it sounds like fun – demons run wild and take over a town – but I don’t like it. The few demons she described are very realistic. She mentions rituals you can use to summon them. She’s gathered information cleverly but I don’t think she knows how dangerous that information is.

“I’m going to accept her offer to work on set as an advisor. I want to make sure she doesn’t accidentally summon a demon or supply others with the means to. The chances of that happening are slim, and in the normal run of things I wouldn’t bother with her.

“But I need to get away from here for a while.” His eyes are dark, haunted. “I haven’t been the same since I came back. The nightmares… fear… confusion. Maybe my brain will never properly recover and I’m doomed to live like this until I die. But I’m hoping I can shrug it off. I’ve been living the quiet life—too quiet. I need something to focus my attention. A challenge. Something to sweep away the cobwebs inside my head.”

“But you’re protected by spells here,” I note. “You might not be safe outside Carcery Vale. Lord Loss…”

“Remember the book in the cellar?” Dervish says. “Unless I dig myself out of this hole, I don’t think I’m safe anywhere.”

I nod slowly. “How long will you be gone?”

“However long the shoot lasts,” Dervish says. “I’ll ask Meera to keep an eye on things while I’m away.”

“Meera’s going to be staying with me?” I ask, not minding the sound of that one little bit—Meera Flame’s hot stuff!

“No,” Dervish says. “You won’t be here either. Unless you object, I want to take you with me. Billy too.”

“You want to take us on set?” I yelp.

“Davida said I could,” he reminds me. “Well, she didn’t mention Billy, but I’m sure that won’t be a problem.”

“Brilliant!” I gasp, face lighting up. Then doubt crosses my mind. “But why?”

“Two reasons,” Dervish says. “One—I need you to look out for me at night, to help me if the nightmares continue.” He stops.

“And the second reason?”

“I don’t trust Prae Athim and the Lambs. They might pull a fast one if I’m not around.”

“You think they’d kidnap Bill-E?”

“It’s possible. Right now I want Billy where I can protect him, twenty-four seven. I’ll rest easier that way.”

“So we’re going into the movie business,” I laugh.

“Yep.” Dervish laughs too. “Crazy, isn’t it?” He checks his watch. “Three-thirty in the morning. Ma and Pa Spleen would hit the roof if we phoned Billy at such an ungodly hour.” He cocks a wicked eyebrow at me. “Do you want to ring or shall I?”

PART TWO LIGHTS… CAMERA… DEMONS!

## FILM FOLK

→“I’ve always wanted to eat human flesh. I mean, it’s not an obsession or anything. I wouldn’t go out of my way to kill, skin and cook somebody. But I’ve always been curious, wondered what it would taste like. So, when the opportunity dropped into my lap, yeah, I took it. Does that make me a bad person? I don’t think so. At least, not much badder than –”

“Worse than,” Bill-E interrupts.

“Worse!” Emmet winces. “I keep tripping on that. ‘Not much worse than, not much worse than, not much worse than…’”

I feel sorry for Emmet, watching him struggle to learn his lines. It’s not easy to keep a load of words that aren’t yours straight inside your head, then trot them out in a seemingly natural fashion. I used to think actors had a great life. Not any more. Not after a week on the set of Slawter.

Slawter, as Davida told us when she visited Carcery Vale, is the title of the movie and the name of the fictional town which features in it. It’s also what they’ve called the huge set which Davida’s crew has constructed. It’s an amazing place. They found a deserted town in the middle of nowhere. Rented the entire area and set to work restoring the buildings, clearing the streets of rubble, putting in fake lamps, telephone wires, signs for restaurants, hotels, bars, etc. They also erected a lot of fake buildings which look real from the front but are entirely empty on the other side. Walking down the streets, it’s hard to tell the real buildings from the fake ones—until you open a door.

There are trailers on the outskirts of Slawter – the movie veterans refer to them as the circus – where many of the cast and crew sleep, but a lot of us are staying in the old, real buildings. Since we’re so far from any other town, Davida decided to turn some of the buildings into makeshift hotels, so everyone could stay in one place, in comfort. The ‘hotel’ where Dervish, Bill-E and I are staying looks like a butcher’s shop out front, but it’s cosy inside.

I’ve been told this isn’t the way films are normally made. Usually the crew does a bit of location work, then heads back to the studio to shoot the interior scenes. But Slawter is the studio. There are huge warehouses, built beyond one end of town, where the interiors can be shot. And since all the outdoor action in the film is set in the town, everything can be done on site. They even do the editing here, and the special effects. Often, on a big budget film, there might be several teams around the world working on effects at the same time. But Davida wants to keep total control over this project. She refuses to farm out any of the work, even though it makes life much harder for her. This is her baby, the jewel in her movie crown, and she’s doing it exactly the way she wants—damn the inconvenience!

She even insists on keeping the cast together for the duration of the shoot. Emmet’s worked on a couple of films before and explained how, if you have a small part in the movie, you only turn up for a few days, shoot your scenes, then head off. Even the big stars don’t hang around the set the whole time.

Well, here they do. All the actors, cameramen, artists, carpenters, caterers – everyone – had to agree to stay here until filming is finished. Davida kept everything secret in the build-up to shooting. Now that we’re all on set and the cameras are rolling, most of the secrets have been revealed. Copies of the full script have been circulated and we’ve seen some of the demon costumes. To make sure none of the secrets leak to the outside world, Davida arranged for everyone to remain in Slawter until the entire film has been shot.

It costs a fortune to keep us here – food and drinks are free, games have to be organised to keep people amused in their spare time, two swimming pools have been built, tennis courts, a football pitch and so on – but Davida doesn’t care. Her other movies made a load of money and she’s managed to convince her backers that this one is going to be a mega blockbuster, so she’s free to spend whatever she likes.

Not having any jobs to do, Bill-E and I have been enjoying the filming. We wander through Slawter, watch scenes being shot, check out the old buildings and fakes, hang out with some of the other kids and generally just have fun. It’s great. Reminds me of when I first moved to Carcery Vale, when Bill-E and I spent pretty much all our free time together. We’re best buddies again, breezing along in a little world of our own, no Loch Gossel or other friends of mine to complicate the situation.

You can divide the children of Slawter into three groups. There are the actors, twenty or so. Most haven’t much experience, or have only been in a few films, like Emmet Eijit, who’s our best friend here.

Then there are the actors’ relatives. It’s a big deal being a child actor. There are all sorts of rules and regulations. They can only work so many hours a day. They have to be schooled on set. At least one of their guardians – normally a parent – has to be with them all the time. And there have to be other children for them to play with. Juni’s in charge of that side of things. She makes sure the kids are being looked after, having fun, not feeling the stress of being part of such a costly, risky venture.

Finally there’s the likes of Bill-E and me, children of people working on the film. Because everyone involved had to move to Slawter for the duration of the shoot – at least three months – they were allowed to bring their families. Davida likes the relaxed family atmosphere.

We don’t have much personal contact with Davida Haym. Or with Dervish. He’s been working closely with Davida since we arrived, advising, censoring, subtly guiding her away from the workings of real demons wherever possible. He’s one of the few people to have seen inside the D workshops. That’s where the demon costumes are being created. The demons are to be a mix of actors in costumes and mechanised puppets. There will be some CGI effects, but Davida’s trying to keep the computer trickery to a minimum.

The costumes and puppets are housed in a giant warehouse, the biggest in Slawter, and access is granted only to a chosen few. Some of the costumes have been given a public airing, but most are still locked up within the D. Dervish said it’s a maze of corridors and sub-sections in there. He’s only been allowed into a couple of rooms so far, but he’s trying hard to gain access to the rest, to check out all the demonic details.

“I’ve always wanted to eat human flesh,” Emmet says again, running through his big lines for the fiftieth time today. He plays a minor villain in the film, a kid who becomes a cannibal and works for the demons. He dies about a third of the way through, having been discovered by one of the heroes while eating the corpse of their headmaster.

Davida is shooting the film in sequence as much as possible, although as on any movie, certain scenes from later in the script have to be shot early. Which means Emmet is getting to ‘die’ a couple of weeks earlier than he should have. He’s super excited about it.

“This is my first death scene!” he raved yesterday. “Most kids don’t get to die on screen—how many films have you seen where a child bites the big one? And it’s the first visible killing of the movie!”

Later, excitement gave way to nerves. He’s been fussing ever since, worried he’ll blow his lines or not be able to scream convincingly when the demon turns on him and rips him to pieces.

“At least, not much badder than – Hellfire! I did it again, didn’t I?”

“Afraid so,” I laugh.

“Take it cool,” Bill-E advises, mimicking Davida’s on-set mannerisms. He’s been even more impressed by the whole movie-shooting experience than me. He now wants to be a director when he grows up.

“Cool!” Emmet snorts. “That’s easy for you to say. You’re not the one up there on display.”

“You know the lines,” Bill-E murmurs, then laughs like Davida when she’s trying to calm a nervous actor. “You probably know your lines better than anyone on the set, even Davida. You’re a professional. They’ll come when you’re filming. And if not, who cares? Nobody gets it right the first time. And even if they do, Davida reshoots it anyway. You’ll nail it the fifth or sixth time.”

Bill-E’s not exaggerating about the reshoots. Every scene is played out at least six or seven times, from various angles, the actors trying out different expressions and tones. Repetition is part and parcel of the film-maker’s life. I don’t know how they stand it. I’d go cuckoo if I had to do the same thing over and over, day after day.

“He’s quite the expert, isn’t he?” Emmet remarks cuttingly.

“Hey, man, I’m just trying to help,” Bill-E says, unruffled.

“For someone with no real experience, you certainly know a lot about it.”

Bill-E laughs Emmet’s criticism away. “I’m just calling it like I see it. If you’d rather I removed myself, no problem. Come on, Grubbs, let’s go and –”

“No!” Emmet pleads. “I’m sorry. I’m just all wound up. One last time, please. If I don’t get it right, we’ll quit and all go play foosball. OK?”

“OK,” Bill-E says. “But don’t forget—coooooolllllllll.”

Emmet shoots him an exasperated glance, then shares a grin with me. Focusing, he repeats his lines silently to himself, then tries them out loud and all too predictably blows them again. As soon as he breaks down, we drag him off to the foosball table and keep him there, though we can’t stop him muttering the lines as he plays.

***

→Dinner with Dervish, Juni and some others, in the ginormous catering tent at the heart of Slawter. Everybody talking at once, a nice buzz in the air. A mime artist signals to me that he’d like the salt and pepper. His name is Chai and he’s a bit of a nutcase. He never speaks, although he’s not mute. Apparently he’s perfectly chatty when he’s not working. But throughout the duration of a shoot, he keeps his lips sealed. It doesn’t matter that he has a tiny part in the movie and will only be filming for a few days. Chai considers himself a method actor.

“How are you two faring?” Juni asks Bill-E and me. “Enjoying yourselves?”

“Totally!” Bill-E gushes. “It’s great. Incredibly invigorating and inspiring. I think I’ve found my calling in life.”

“Not getting into any trouble, are you?” Dervish grunts.

“As if!” Bill-E smirks.

“I was discussing your situation with Dervish earlier,” Juni says hesitantly.

Uh-oh! It’s never good when an adult says something like that.

“I’m worried that you’ll fall behind in your schoolwork,” Juni goes on. “Things have been a rush lately—Dervish accepting our offer, bringing you two with him, a crazy first week of shooting. Schooling arrangements have been made for the other children, but we overlooked you and Bill-E. I think it would be a mistake to let things continue as they are and Dervish agrees, so…”

“No!” Bill-E cries dramatically. “You’re going to stick us in a class? Say it ain’t so, Derv!”

“It’s so,” Dervish laughs. “Juni’s right. We’re going to be here three months, maybe longer. If you go that length of time without lessons, it’ll mean repeating a year when we get back to Carcery Vale.”

“You won’t have to do full days,” Juni promises. “We keep classes flexible, to fit in around shooting, so it’ll be a few hours here, a few hours there, just keeping you in line with what your friends are doing back home. That doesn’t sound so awful, does it?”

“Too bad if it does,” Dervish interjects before we can reply, “because you don’t have a choice.”

“Slave-driver,” Bill-E mutters, but he’s only pretending to be grumpy. We both knew this was coming. The freedom couldn’t last forever.

Juni and Dervish start talking to each other again. Juni’s been with my uncle most times that I’ve seen him recently, which is strange since they can’t have a lot of business together. Dervish is part of the inner technical circle, whereas Juni’s job revolves around the children. There must be another reason why he’s sticking to her like superglue and I think I know what it is—good old-fashioned physical attraction!

It seems incredible. If asked a week ago, I’d have laughed and said the bald old grump didn’t have a romantic bone in his body. But something’s stirring in the hidden depths of Dervish Grady. There’s a gleam in his smile which was never there before. He’s switched to a pungent new aftershave. His clothes are freshly ironed. He’s even started combing the wisps of hair dotted around the sides of his head into place. There’s no doubt about it—he’s trying to impress the cute albino!

→Juni knows that Bill-E and I are friends with Emmet, so she places us in his class. Most of the other students are actors. There’s the Kane twins, Kuk and Kik, a boy and girl, small and slender, very alike in looks. They don’t speak much to anyone, going off by themselves whenever there’s a free period. They have big roles in the film as eerie, psychic twins.

Salit Smit is the main child star of Slawter. He’s a bit older than the rest of us. A nice guy but not the brightest spark. He just smiles and nods a lot in class, not bothering to apply himself, convinced he’s going to be the biggest movie draw since Tom Cruise.

I absolutely despise the other three. A clique of snobs presided over by the dreadful Bo Kooniart, a girl who was born solely to annoy. She’s been in a few commercials and thinks she’s God’s gift. Always dresses stylishly, like a model. Sucks up to Davida and anyone else with power and influence. Ignores the rest of us, treating us like simpletons or servants.

Her brother, Abe, is almost as bad. A scrawny, miserable excuse for a child. He’s not an actor but his father – the loud, obnoxious Tump Kooniart, a movie agent – insisted he be cast if they wanted to hire Bo. From the rumours, Davida resisted, but finally caved in and gave him a small part as a kid who raises the alarm when the demons are about to break through en masse. I don’t think Davida gives way too often so Tump must be good at his job. Which is just as well, because from what I’ve seen of Bo and Abe, they’re awful at theirs!

The third mini-tyrant is Vanalee Metcalf. Her parents are multimillionaires. Too busy to waste time with their daughter on set, so she came equipped with her own bodyguard-cum-servant, who glares at anyone who doesn’t grovel at her feet.

Bo, Abe and Vanalee took one look at Bill-E and me when we were introduced to them this morning, smirked at each other in a snide, superior way and turned their noses up to let us know we weren’t worthy of direct notice.

Our tutor’s a sweet but nervous woman called Supatra Jaun. I can tell within ten minutes that she can’t handle Bo and her posse. She lets them talk to each other while she’s teaching and doesn’t ever try to assert her authority. Sometimes she’ll murmur, “Now, now, Bo, please pay attention,” but without any real hope that the blonde, ponytailed, stick-thin brat will obey.

Miss Jaun seems genuinely pleased that Bill-E and I have been added to her class, probably because we’re polite and show some interest. She chats to us warmly, finds out what we’ve been studying, takes a few notes, promises to haul us up to scratch in next to no time.

“I bet those scruffbags know a lot about scratching,” Bo sniffs.

“Meaning?” I growl at her.

“Lice, you moron!” she screeches, and Abe and Vanalee burst out laughing.

“We’ve found our nemesis,” Bill-E mutters in my ear, pegging it dead-on. “Hate her, Grubbs. Hate her good and proper.”

“Does her character die in the script?” I ask Emmet.

“No,” he says. “She ends up saving the town, along with Salit.”

“A pity,” I sigh.

“But she does fall into a pit full of demon manure at one stage,” Emmet says, and my day lights right up.

→Our first session lasts two hours, a mix of history, biology and maths. Miss Jaun seems to be confident in all subjects—a smart cookie. Then an assistant director pops in and says they need Bo and Salit. Miss Jaun checks her watch, says we might as well all take a break and asks those of us not involved in filming to return in an hour. It’s certainly a lot more laid back than our school in Carcery Vale.

Emmet wants to practise his lines on Bill-E and me again, but we don’t have the patience, so we leave him with his mum in his trailer. We grab sandwiches from one of the many mobile canteens, then go see if anything exciting is happening. There’s not much to keep us amused today. Davida and her crew are setting up a tracking shot on a street, trying to get lots of actors in place and working in sync with each other. Fairly boring to watch. A lot of filming is.

“I still can’t believe we’re here,” Bill-E says as we go for a wander. “Maybe this will become Dervish’s full-time job and we’ll travel around the world on film shoots with him.”

“I doubt it,” I laugh. “Your gran and grandad wouldn’t allow it. I’m surprised they agreed to let Dervish have you for this long. Did he work some magic spells on them?”

“Nope,” Bill-E says. “They were happy to let me come. Gran loves movies, especially old flicks starring the likes of David Niven and Ingrid Bergman. She thought this was a great opportunity for me. I think she’s hoping I’ll fall in love with a beautiful blind cellist or some such guff. She believes a lot of those old films were based on true stories, that the world’s really like that.”

“Mind you, a girl would have to be blind to fall in love with you,” I comment.

“Your face,” Bill-E snorts. “My flabby nether regions. Spot the similarity?”

I get Bill-E in a headlock and rub my knuckles into his skull, but it’s all in fun. He has no idea of the real reason why he’s here. He thinks Dervish is his father, that he didn’t want to spend a few months parted from his darling son. He doesn’t know about Dervish wanting to make sure Davida doesn’t raise hell, or about Prae Athim’s interest in experimenting on him.

“I can’t wait to see the demon tomorrow—or it might even be tonight,” Bill-E enthuses once I’ve released him. “Emmet says it depends on how shooting goes today. If they finish that shot on the street in time, they’ll do his scene later. It’ll be coolio!”

“Hmmm,” I say neutrally.

“What are you moaning about, Goliath?” Bill-E frowns. Then, studying me carefully, his expression clears. “Oh. I’d forgotten. Your parents and sister…” He trails off into silence. Although Bill-E doesn’t know about his lycanthropic genes, or the battle Dervish and I fought with Lord Loss, he knows demons killed my family.

“Are you going to be OK with all this?” Bill-E asks awkwardly. Sympathy isn’t something that he does well.

“Sure,” I grunt.

“Really?” he presses. “Because they can’t keep us here. I know Dervish signed those contracts saying we’d stay until the end, but we didn’t. If you want to leave, I’m sure there’s nothing they can do about it. I’ve watched lots of courtroom movies. I know what I’m talking about.”

“No,” I smile. “I’ll be OK. I mean, we’re talking movie demons here—rubber, wire and paint. How scary can they be?”

***

→Emmet’s nervous all afternoon, practising his lines even in class. Davida popped in to see him during lunch and told him they’d definitely be shooting his death scene tonight. The way he’s behaving – pale, shivering, mumbling to himself – I think it might take quite a few attempts to get it right!

Near the end of class, Emmet’s summoned to the makeup trailer. He won’t be required on set for a few hours yet, but they want to run some tests. It’s going to be a gory scene – Davida wants blood spurting every which way – so they need to make sure everything’s set up smoothly before they stick him in front of the cameras.

Salit and Bo return as Emmet’s leaving. “I can’t believe they’re letting you go through with this farce,” Bo says, blocking the doorway. “You’ll choke, Eijit. You know it, I know it, everybody knows it. So why don’t you just –”

“Leave him alone!” Bill-E shouts. “Meddling cow!”

“Now, Bill-E, that’s not –” Miss Jaun begins.

“Shut up, pipsqueak!” Bo defends herself, spitting venom at Bill-E. “If I want advice from a fat geek with a dodgy eye, I’ll let you know. Otherwise…”

I stand up, flexing my muscles, stretching aggressively. “You’re going to apologise,” I tell Bo flatly.

“Says who?” she retorts, but I’ve unnerved her. It’s not often that I threaten anyone, but when I do, I can make quite an impression.

I step out from behind my desk and crack my knuckles, staring at Bo levelly. “Now,” I say firmly.

Bo glares at me, then sneers and says mockingly, “I’m so sorry, Billy One-eye. I won’t point the truth out to you again.” Her gaze flicks back at Emmet. “But you’re still going to mess up. Let me know when you do. It’s not too late for Abe to step in and do the job properly.”

“Ignore her,” Bill-E says, his left eyelid fluttering furiously. “You’ll be great. Davida wouldn’t have picked you if she didn’t believe you could do it.”

“Thanks,” Emmet says hollowly, then pushes past Bo, visibly upset. Bo smirks and takes her seat.

“That wasn’t very nice,” Miss Jaun says disapprovingly.

Bo looks up at our teacher as though just noticing she’s there. “Excuse me?”

“You shouldn’t –” Miss Jaun begins.

“What was that?” Bo asks loudly, cutting Miss Jaun off. She tilts her head and pushes her lower lip out with her tongue, daring Miss Jaun to challenge her. For a moment it looks as though she will and I ready myself to cheer the timid teacher on. But then her shoulders sag and she looks away.

“Let’s get on with our lessons,” she says meekly. “I’ll finish up with the others, then take you and Salit for a couple of hours. Now, where were we…?”

→“Someone should sort her out,” Bill-E storms when class has finished. “Bo bloody Kooniart! Davida should put that little monster over her knee and spank her till her hand turns blue!”

“I agree,” I say grimly, “but it’s not going to happen. She’s a star. She can get away with crap like that. To be honest, I thought they’d all be like her. I’m surprised how normal most of the others are.”

“A pity the demons aren’t real,” Bill-E grumbles. “We could feed Bo to them, and her horrible little brother. Vanalee too.”

“It would certainly make life easier,” I agree. “But they’re not real. There’s nothing we can do except ignore her. Come on.” I slap his back. “Let’s go see what Emmet looks like in his make-up.”

→Emmet’s covered in fake blood. He’s spitting it out and wiping it from his eyes. “The bag exploded early,” he moans.

“You squeezed too hard,” a props person says, sliding a hand up inside Emmet’s jumper, removing an empty plastic bag which had been filled with the red, sticky liquid. “You have to be more gentle. Don’t worry—you’ll get the hang of it soon.”

Emmet goes off to be cleaned, before trying on a fresh costume and having his make-up applied again. Rather him than me. Sometimes an actor can spend most of the day sitting in a chair, having make-up dabbed on, cleaned off, dabbed on, cleaned off, dabbed…

Bill-E and I go for a swim, then head for dinner. We spot Dervish dining with Davida and Juni, but they’re talking shop so we don’t disturb them. After that we check on Emmet again. This time he’s managed not to burst the bag of blood and is ready to face the cameras.

“She’s been trying to unsettle me all week,” he says about Bo. “She thinks Abe should have had this part. Her dad does too. He told my mum I was an amateur and shouldn’t be here.”

“Charming!” Bill-E huffs.

“Mum hit the roof,” Emmet chuckles. “Told Tump Kooniart what she thought of him and to keep out of our way for the rest of the shoot. She complained to Davida, but he’s an agent for several of the actors so there’s not much Davida can do. In an argument, if it’s us or him, she has to take his side. I could be replaced easily, but if Tump walked off and told his gang to follow…”

“Never mind,” Bill-E says encouragingly. “There’s nothing they can do about it now. This is your scene. Go out there, strut your funky stuff, and leave Tump Kooniart and his brats to stew.”

Emmet laughs, then asks if he can run through his lines with us. This time we let him, and say nothing as he makes his customary mistake and grinds to a miserable halt. Then, before he can practise again, his call comes and we have to leave.

Showtime!

***

→This is the first big action shot of the movie, so a large crowd of curious bystanders has gathered. Thanks to modern technology, scenes with monsters aren’t normally interesting to watch being filmed. More often than not, an actor will play out their part against a blue-screen background. The monster effects are added later, using computers.

But Davida wants the demons to look as lifelike as possible, for the action to play realistically. That means taking a less flashy approach than in her other movies, keeping it gritty and believable, using almost no computer effects.

Bill-E and I find a good place to watch, next to Dervish and Juni. The scene’s being filmed on one of the smaller, darker alleys of Slawter. There’s a manhole on the left side of the street, from which the cover has been removed. The demon will spring out of the manhole, grab Emmet and drag him underground.

“This is going to be fun,” Dervish says warmly. “Hardly anyone here has seen the demon costume. I think people will be really scared.”

“Nonsense,” Bill-E says. “How can you be scared of a guy in a monster suit?”

“Trust me,” Dervish grins. “This doesn’t look like a guy in a suit. There are engines and wires within the costume, so it can pull expressions, ooze slime like you wouldn’t believe, even…” He lowers his voice. “It smells.”

“Come again?” Bill-E blinks.

“Emmet doesn’t know this, so don’t say anything, but Davida wants to wring as much genuine terror out of him as she can. So she created a demon-type stench, to throw him off guard. She has a few other tricks up her sleeve too. I feel sorry for the kid—he doesn’t know what’s going to hit him!”

“I don’t think that’s fair,” I mutter. “He’s nervous enough as it is.”

“Don’t worry,” Juni smiles. “We talked it over with his mother. She gave us the all-clear. He’ll enjoy the joke when he recovers. It will make the scene more believable, which will make his acting seem all the more professional. That will stand him in good stead when he’s looking for his next big role.”

I’m a bit worried about Emmet despite Juni’s reassurances. I’d hate if he got so freaked out that he couldn’t finish filming the scene and had to hand the part over to Abe. I can see the moody Master Kooniart standing across from us, with Bo and their fat, leering father, Tump. I wonder if the stench idea was theirs to begin with.

I’d like to warn Emmet, but Davida is talking with him and Salit, explaining the dynamics of the scene. This is where Salit finds Emmet eating their headmaster and realises he’s working for a demon. Emmet starts to give a long speech about how the demons are going to take over the town and why he’s working for them. In the middle of it, his demonic ally pops out of the manhole and makes off with him.

“It’s important you don’t look like you know what’s going to happen,” Davida tells Emmet. “As far as you know, this demon is your best buddy and Salit’s the one in trouble. You’ll hear some rumblings, feel a few tremors. Ignore them and concentrate on your lines.”

“About that,” Emmet cuts in. “I’ve been having a few problems.”

“Oh?” Davida smiles and waits for him to continue.

“It’s the line, ‘At least not much worse than a guy who gives in to temptation and steals a bar of chocolate.’ I know the line, but I keep coming out with ‘badder’ instead of ‘worse’. If it happens, can we do it again straightaway? I’ll try to get it right, but I might…”

Davida holds up a hand. “Emmet, as far as I’m concerned, there’s not one line in the script that isn’t open to negotiation. I should have made that clear earlier. It’s your voice I want to hear, not mine. If ‘badder’ is what comes naturally to you, then ‘badder’ it is.”

“I can change the line?” Emmet gawps.

“Absolutely.”

A big smile works its way across Emmet’s face. Across from us, Abe and the other Kooniarts are glowering. They couldn’t hear the conversation, but they can see the fear fade from Emmet. They’ve lost their chance to bump Abe up the pecking order. I want to thumb my nose at them and stick out my tongue. But that would be childish, so I settle for a smug wink when I catch Bo’s furious eye.

They shoot the early exchanges several times, from a variety of angles. A fake corpse is placed in the alley, close to the manhole cover. Emmet starts the scene crouched over it, pulling bits off and stuffing them in his mouth. He’s so convincing it’s hilarious, and Salit keeps laughing when he comes upon him.

“‘Matt!’” he cries, calling Emmet by his screen name. “‘What are you doing with Mr Litherland’s nose in your…’ Sorry!” he shouts, doubling over. “I can’t help it! He looks so crazy!”

“Don’t worry,” Davida says, smiling patiently. “We have all night. Keep trying. The joke will wear thin eventually.” She grimaces at a cameraman. “I hope!”

→Salit finally gets through his lines without laughing and they move on to the next scene. The cameras and lights are redirected, the make-up artists make sure Salit and Emmet are looking the way they should, Davida has a last few words with Emmet, then they’re ready to go.

“OK, people,” an assistant director yells. “We’re going to try and get this right first time, so we want absolute quiet!”

When everyone settles down, the technicians do their final checks, Davida looks around slowly from one member of the crew to another, then nods. A man calls out the title, scene and take, and snaps the traditional clapperboard shut.

“And… action!” Davida roars.

“‘How could you do it?’” Salit cries, in his role as Bobby Mint, boy-hero.

“‘What?’” Emmet protests. “‘It’s not as if anyone liked Mr Litherland.’”

“‘But he’s human!’” Salit cries.

“‘He was,’” Emmet corrects him. “‘He’s yummy for my tummy now!’” Emmet rubs his stomach with a sick laugh. “‘I’ve always wanted to eat human flesh. I mean, it’s not an obsession or anything. I wouldn’t go out of my way to kill, skin and cook somebody. But I’ve always been curious, wondered what it would taste like. So, when the opportunity dropped into my lap, yeah, I took it. Does that make me a bad person? I don’t think so. At least, not much badder than a guy who gives in to temptation and steals a bar of chocolate. It’s not like I killed him myself.’”

“‘But you let it happen!’” Salit cries. “‘You knew about the demon!’”

Emmet shrugs. “‘What’s done is done. No point crying over spilt milk—or a butchered headmaster.’” He holds out a severed, bloodied arm to Salit. “‘You should try some, Bobby. You might like it. It…’” The ground begins to rumble. A foul stench fills the air. For a second, Emmet falters and his gaze flicks to the open manhole. Then he recovers and continues like a true professional. “‘It goes down super sweet, especially if you add a dollop of ketchup. Tastes a bit like–’”

That’s when the demon bursts out of the manhole and grabs him.

It happens in a blur and is so fast, so violent, so shocking, that several people in the crowd gasp aloud.

The demon is green, slimy, with fierce yellow eyes, four long arms with claws at the ends, a mouth full of fangs. There’s something wolfish about its face, long and lean, with patches of hair here and there.

The demon whips Emmet off the ground. He screams, not having to fake it, caught off-guard. Salit falls backwards, yelling with genuine horror.

My world goes red with fear. I’m thrown back in time… that night in the cellar… earlier… my old home… walking into my parents’ bedroom to find Lord Loss, Vein and Artery at work. Feeling the exact same thing in my gut now as I did then.

The demon screeches and vanishes back underground, carrying Emmet with it. There’s a moment of hush. Then Emmet’s face appears, sheer terror in his expression. “Help!” he cries. “For the love of –”

Blood erupts around him, shooting up through the hole like a geyser. The howl of the demon drowns out his final words. His eyes go wide, then dead. As his head slumps, the demon pulls and Emmet disappears again, this time forever.

It all happened so swiftly, I’m in a state of shock. So’s everybody else. Stunned silence. People with hands over their mouths and disbelief in their eyes. I sense screams building in a dozen throats, ready to erupt at once, a chorus of terror.

“Now that’s what I call a death scene!” Davida Haym roars triumphantly, shattering the spell of fear. “Cut! Did you get that? You’d better have! We’ll never top that take!”

And suddenly everybody’s laughing, relief flooding through them. They thought for a few seconds that the demon was real, that Emmet was really being attacked. Now the moment has passed and they’ve remembered—this is make-believe, horrific fun, a movie. They’re embarrassed at having been caught out, but since so many of the others reacted the same way, they’re not left feeling too red-faced.

“I told you!” Dervish laughs, clapping loudly. “Wasn’t that the most vicious, coolest thing you’ve ever seen?”

“My heart!” Juni gasps, fanning her face with one hand. “I didn’t expect it all to happen so fast!”

“That was amazing!” Bill-E exclaims. “Did you see it, Grubbs? That spray of blood—like it was coming from a fireman’s hose! It was… Grubbs? Are you OK? Hey, Dervish, I think there’s something wrong with Grubbs. He looks like…”

I block out Bill-E’s words and the other sounds. I experienced the same sense of terror that many of the people around me felt. The same jolt of fear. The same moment of belief that this was real. But whereas they’ve got over that moment, I can’t.

Because I’m remembering the look of the demon. Its movements. The hate in its eyes. The effect it had on me.

And I’m staring at the open manhole, all the blood around it, no sign of Emmet or the monster.

And I’m thinking… every part of me is insisting…

That was no damn guy in a suit.

That demon was real!

## THE LAUGHING STOCK

→“It was just a movie monster,” Dervish says.

“No. It was real. It killed Emmet.”

We’re still in the alley. The blood’s being washed away and people are chattering about the big scene with the demon. I grabbed Dervish as soon as I could move. Told him what I thought. He thinks differently.

“Grubbs, come on, I said it was going to be realistic. You’re –”

“I know what I saw!” I retort, voice rising. “That was a demon, like Lord Loss! It killed Emmet!”

Juni looks at me oddly. Bill-E is gawping openly. Dervish smiles crookedly at them, takes hold of my elbow and marches me out of earshot. “Are you insane?” he hisses as we turn a corner. “We’re on a film set. That was a guy in a costume. A very convincing costume, but just –”

“Don’t tell me you thought that wasn’t real,” I moan. “Didn’t you feel it in your gut, the same thing you felt when we faced Lord Loss? The magic in the air?”

Dervish glares at me. Starts to say something. Stops, his expression softening. “I’ve been a fool. I thought you’d got over the Lord Loss incident, but I guess you haven’t.”

“Of course I haven’t ‘got over’ it!” I snort. “You don’t ‘get over’ demons murdering your parents and sister! But I’ve dealt with it. Moved on. This isn’t delayed shock. I know what I saw and that was a real bloody demon.”

“You’re hysterical,” Dervish says.

“No,” I snarl. “Look at me. Look into my eyes. I’m not being a big kid. That. Was. A. Demon. Nobody can mimic the look and movements – the aura – of a real demon. I don’t care how many special-effects artists work on it. Some things can’t be replicated, by anybody, ever.”

“Grubbs…” Dervish can’t think of anything else to add.

“Where’s Emmet?” I challenge him. “If he was acting, why didn’t he come out when Davida yelled ‘cut’?”

“They took him away to wash the blood off,” Dervish says.

I shake my head. “I bet you’re wrong. I bet we can’t find him.”

Dervish sighs impatiently. “OK. Let’s go look for Emmet. But!” He raises a finger. “When we find him and you see that he’s unharmed, I want you to accept it. I don’t want you saying it’s not really Emmet, it’s a changeling, or any nonsense like that. OK?”

“Fine,” I smile bitterly.

Grumbling sourly, Dervish leads me away in search of Emmet Eijit, even though I know in my heart that the only place we’ll find him now is amidst the bones and scattered shreds of skin in some dirty demon’s den.

→Emmet’s not in any of the trailers. Nobody’s seen him. I shoot Dervish a meaningful look, but he waves it away and goes looking for Davida. She’s still in the alley, talking with a technician. We wait for her to finish, then Dervish nudges forward and asks if she knows where Emmet is. Says we want to congratulate him on his performance.

“Of course!” Davida cries. “Hell, I want to too. I plain forgot about him. That was amazing. I loved the final touch—the scream for help. It worked perfectly. No need for a second take. He’ll be getting the blood cleaned off, so –”

“No,” I interrupt. “We checked. He isn’t in make-up.”

“Oh. Then I guess… Hey, Chuda! Where’d Emmet get to?”

A tall, thin man without eyebrows steps forward. Chuda Sool, the first assistant director and Davida’s closest confidant. They’ve worked together on her last four films. He’s a quiet sort, keeps to the background, makes sure everything’s running smoothly, tries to head off problems before they bother Davida.

“There’s been a flare-up,” Chuda says softly. “Perhaps we should speak about it in private.”

“What are you talking about?” Davida growls. “What happened?”

“Nora – Emmet’s mother – ran into Tump Kooniart after shooting,” Chuda says. “They had a huge argument. Tump said some very nasty things. He upset her. Nora grabbed Emmet, demanded a car, collected their belongings and…” Chuda shrugs.

“They left?” Davida barks. “Are you mad? Nobody leaves until shooting finishes. It’s in their contract. Get them back!”

“I can’t,” Chuda says. “When Nora calms down, maybe we can convince her to return, but –”

“She has no choice!” Davida insists. “She signed the contract. They have to stay on set for the duration.”

“You’re absolutely correct,” Chuda says patiently. “But she went anyway. You can withhold Emmet’s payment and maybe force them back that way, but for the time being…” He shrugs.

“Told you,” I mutter, glancing up at Dervish. Then I turn and walk off, not wanting to waste my time on more ridiculous excuses. Emmet’s dead, slaughtered by a demon. And if his mum’s missing, that means she was probably killed too. Time for Grubbs Grady to make an ultra-quick exit from Slawter!

→“You can’t just walk off,” Dervish argues as I pack my bag.

“Watch me.” I turn to Bill-E, who’s standing by his bed, blinking like a startled owl. “You’re coming too. I’m not leaving you to end up like Emmet.”

“It looks bad, especially as there’s no sign of Emmet,” Dervish says. “But we need to make sure. Chuda could have been telling the truth. Emmet’s mother –”

“Bull!” I snort. “There was no argument with Tump Kooniart. Chuda made that story up. Emmet was killed by a demon. His mum’s dead too, I guess. Chuda must be working for the demon, since he lied to cover up the truth. And I doubt if he’s the only one.”

“Wait a minute,” Bill-E splutters. “You believe that was a real demon? You think Emmet was really killed? Are you mad?”

“Maybe,” I laugh shortly. “But if I am, I’m going to be mad far, far away from Slawter. And you’re coming with me. I won’t leave you behind.” I look hard at Dervish. “I won’t.”

“OK,” Dervish sighs. “I won’t keep you here against your will. But you’re overreacting. Until we know for sure, we should –”

There’s a knock at the door. Juni Swan. “Can I come in?”

I go stiff. Is Juni working with Chuda Sool and the demon? Has she been sent to convince me that my imagination has run wild? I like Juni. I’d hate to think that she’s evil. But if she backs up Chuda’s story…

“I wanted to check that everything’s all right,” Juni says, eyeing the bag which I’m in the middle of packing.

“Did Chuda send you?” I ask tightly.

“No. I came because I heard you telling Dervish that Emmet had been killed by a real demon. I wanted to know what you meant.”

“I’d have thought that was obvious.”

“You can’t truly believe that was a real demon,” Juni says. “Demons don’t exist, do they, Dervish?”

Dervish clears his throat. “Well, I wouldn’t say that exactly.”

“But… we’re making a film about demons. That was just an act. Emmet –”

“–has mysteriously disappeared,” I cut in.

Juni frowns. “Excuse me?”

“Nora had a fight with Tump Kooniart,” Dervish explains. “The way we heard it, she lost her temper, grabbed Emmet, demanded a car and took off.”

“But she can’t have,” Juni says. “Their contract…”

“They tore it up,” Dervish says softly. “Allegedly.”

Juni’s frown deepens. Then she looks at me, expression clearing. “That explains the bag. You think this confirms what you suspected. You’re getting out before the demons kill you too.”

“Damn straight.”

Juni nods slowly. “And if I try to convince you that Emmet hasn’t been killed… that demons aren’t real… would you think I was part of a conspiracy?”

I hesitate, not wanting to offend her if she’s innocent.

“I don’t know anything about a fight between Nora and Tump, or why Nora would have been allowed to leave,” Juni says steadily. “And it’s strange that it happened so quickly, without them saying goodbye to anyone. You might be right. The demon could have been real. Maybe it did kill Emmet.”

Juni reaches inside the light jacket that she’s wearing and pulls a pink mobile phone out of a pocket. She holds it towards me. As I take it, suspicious, she says, “I have contact numbers for everyone connected to the children working on this film. Nora’s number is in there. I’d like you to call her.”

I glance up sharply. “No tricks,” Juni says. “I don’t know what will happen when you dial that number. I’m making no promises. I think Nora will answer, or if she doesn’t, you can leave a message and she’ll phone back shortly. But short of us getting a car and tearing after them in hot pursuit, I think this is the only way to determine the truth.”

I stare at the buttons. I don’t want to do this. I want to pass the phone back to Juni, finish packing and get the hell out.

But I can’t. Because maybe – just maybe – I called this wrong. Maybe the fear dates back to my fight with Lord Loss and my mind’s playing tricks on me. I’m pretty sure it isn’t. But if I refuse to dial, I’ll look like a crackpot.

I unlock the phone. Thumb up the list of names. “Is it under E or N?” I ask.

“N for Nora,” Juni says.

I search for the Ns. There’s a lot of them. I scroll down. There it is—Nora Eijit. I hit the dial button. It rings. Once. Twice. Three times. Four. Fi –

“I don’t want to talk about it!” a woman’s voice snaps. “Kooniart can fry in the fires of hell! You tell him –”

“Mrs Eijit?” I interrupt.

A pause. “Who’s this?”

“Grubbs Grady. Emmet’s friend.”

“Oh. I’m sorry. I saw Juni’s name come up, so I assumed…”

“I’m ringing from her phone.”

“I see. Do you want to speak to Emmet?”

“Yes please.” Speaking mechanically, figuring this could be any woman—I don’t know Mrs Eijit’s voice well enough to make a definite identification. Waiting for the kicker, for her to say he’s asleep, or he doesn’t want to talk to me, or –

“I’ll pass you over.”

The sound of her phone being handed across. The noise of a car engine in the background. Then—Emmet. “Hi, Grubbs,” he says quietly, miserably.

“Hi,” I reply weakly.

“I can’t talk now. I’m sorry I split without saying goodbye. I’m hoping we can come back later, when –”

“No way!” Emmet’s mum shrieks. “Not unless that fat fool Kooniart gets down on his knees and –”

“I’ll have to call you back,” Emmet says quickly and disconnects.

I look at the little red button on Juni’s phone. Slowly, reluctantly, I press it. Hand the phone back to Juni. Raise my eyes. And smile like a fool, silently admitting to Juni and the others that I was wrong—even though, inside, part of me still insists the demon was real.

→“I can’t believe you thought Emmet had been killed,” Bill-E chuckles. It’s the morning after. We’re on our way to class.

“I don’t want to talk about it,” I mutter.

“I just don’t see how you could –”

“Enough!” I snap. Then, softly, “Remember what I told you about my parents? How they died?”

“Oh. Yeah.” Bill-E’s face drops. “Grubbs, I didn’t mean –”

“It’s OK. Just don’t say anything about it. Please? To the others?”

“Of course not,” Bill-E smiles. “This stays between us. I’ll never breathe a word of it to anyone, especially not Bo Kooniart and her mob. They’d have to torture it out of me.”

“Thanks. Because if they knew…”

“Like I said, your secret’s safe with me,” Bill-E promises. “Dervish won’t say anything either, or Juni. Nobody will ever find out. It’ll be coolio.”

→“Look out!” Bo screams as we walk into class. “It’s a demon!”

Bo, Abe, Vanalee, Salit – even Kuk and Kik – howl theatrically, then burst out laughing. Miss Jaun blinks at them, astonished. I groan and raise my eyebrows at Bill-E, who can only shrug, bewildered.

“My dad was in the corridor outside your room,” Bo says smugly. “He heard you talking. He heard everything.” She laughs again and I know I’m in for a long few months.

## MISSING

→The joke doesn’t wear thin for Bo. Every day she drags it out, mocking and ridiculing me, keeping the story of my hysterics alive. She tells anyone who’ll listen, the other actors, the crew, Davida. Most smile and dismiss it, too busy to bother about such trivial matters. But knowing they know causes me to blush fiercely every time somebody even glances at me.

Emmet never rang back and I’m too shamefaced to call him. I doubt if he’ll have heard about my panic attack, but there’s no telling how far Bo might have decided to spread the joke.

The person I’m angriest with – apart from myself, for being such an idiot – is Tump Kooniart. I can’t blame Bo for wringing such wicked pleasure out of my embarrassment—it would be hard for any kid to ignore such a juicy bit of bait if it fell into their lap. But why was her father sneaking around outside our room? And why didn’t he keep his big mouth shut? If Dervish had heard something like this about Bo, he wouldn’t have told me. Tump Kooniart should have kept quiet. He didn’t. So now it’s payback time!

→I spend a lot of hours thinking about ways to get even with Bo’s father. Itching powder in his clothes? Rat droppings in his soup? Human droppings in his stew or chocolate ice cream?!? Shave him bald or glue his lips together while he sleeps?

All good stuff, but basic. I want something that’ll give him a fright, that I can use to humiliate him. Like, if he’s scared of rats, borrow one of the trained rats which are being used in the film, drop it down the back of his shirt when there’s a crowd around, laugh my head off as he writhes and screams. But to do that, I’ll have to find out more about him and what he’s scared of.

So I start shadowing him. I do it when I’m not in class. I don’t tell Bill-E. He’d happily join in if he knew what I was up to, but I don’t want him getting into trouble if this backfires. Tump Kooniart’s a powerful player. If I humble him in public, I might end up being booted off the set. I don’t mind that, but there’s no need for Bill-E to suffer too.

Tump’s easy to follow. Tall and wide, always dressed in a drab brown suit. He walks with a slow waddle, mopping sweat from his forehead with a handkerchief which rarely leaves his hand. He usually talks loudly as he strolls, to himself if no one’s with him. He doesn’t seem to be able to keep silent, except when a scene is being filmed. I bet he even talks in his sleep. If I was blind, I could probably follow him by sound alone.

I don’t learn much about Tump, except he loves to talk and eat. He has a trailer on the western edge of Slawter, separate trailers beside it for Bo and Abe. Three of the biggest trailers on the set. When he’s not on the prowl, making sure his actors are happy or pigging out in one of the canteens, he spends most of his time in the trailer. He makes lots of phone calls. There are no personal computers allowed in Slawter – no video mobiles either – so he has to work from a huge Filofax in which he keeps all his contact details and other info. I think about stealing the Filofax and burning it, but that’s hardly going to leave him a trembling wreck!

→Close to Tump’s trailer, nearly a week after I began shadowing him. Waiting for him to emerge, sitting in the shade of another trailer, reading a movie magazine—always plenty of those around. Starting to tire of the detective work. Bo’s still annoying me, but her insults have grown stale. Nobody really laughs at her jokes any more. Maybe I should quit this game and forget about vengeance.

Someone knocks on Tump’s door. I look up and spot Chuda Sool entering the trailer. I haven’t spoken to Chuda since the day of the ‘demon’ attack. I’m sure Bo told him about my hysterics. He must think I’m a right nutter. He might even feel insulted that I didn’t believe him when he told me about Nora and Tump.

“Look what the cat dragged in,” someone says behind me. I jump, but it’s only Bo, on her way back from filming. “Discover any demons today, Grady?”

“No. Discover any new jokes?”

“Don’t need them. Not when the old ones are still funny.” She flashes her teeth and growls demonically. I yawn and focus on my magazine until she loses interest and goes away. I wait for the sound of her trailer door locking, then get up, angry, sick of hanging around. I could be playing foosball with Bill-E, not sitting here like a third-rate substitute, wasting my –

Tump steps out of his trailer, followed by Chuda Sool. Tump’s talking loudly, mopping away busily at his forehead. Chuda never seems to sweat, which is handy—without eyebrows, sweat would flow straight into his eyes. The pair set off in a northerly direction, looking a bit like Laurel and Hardy from the rear. Since I’m here, I decide to follow. But this is the last time. I’ve had enough.

Tump and Chuda head for the D workshops. The huge warehouse dominates the northern part of Slawter. I haven’t spent much time up here—no point, since access to the workshops is strictly prohibited. As Tump and Chuda show their passes to a security guard on the western door – one of four doors leading into the warehouse – I hang back and take a long look at the building.

Three storeys high, 70 or 80 metres wide, maybe 120 metres long. Large, unplastered block walls. A flat roof. No windows. Grey and featureless, apart from a big red D painted on the wall above the door. A small guard’s hut to the right of the entrance.

I’d love to have a look inside, at the monster costumes and puppets. A small part of me still believes the demon was real. If I could check out the costumes perhaps it would help convince me of the truth. But hardly anyone is allowed to enter the hallowed halls of the D workshops. Even Dervish has only seen a small section of the complex.

I wait impatiently for Tump and Chuda to come out. Then I figure, stuff them! I’m through with this crap. I decide to find Bill-E and hang out with him for the rest of the afternoon. But before departing, I wander around the warehouse on the off chance that one of the doors is open, its guard asleep in his hut. That won’t happen, of course, but I might as well give it a shot while I’m here.

The guard on the southern door studies me suspiciously as I approach. Though he doesn’t openly carry any weapons, it wouldn’t surprise me if he had a gun hidden on him somewhere. I smile politely and don’t stray any closer. Walk to the eastern end and turn left. The door on this side is shut too and although the guard’s in his hut, he isn’t asleep—I spot him through the window as I walk past, leafing through a magazine with pictures of tanks on the cover.

I reach the northern end and turn left again. The guard here is standing next to the door, leaning against the wall. He smiles as I go past. I think about stopping to chat, maybe try to blag my way inside, but his smile isn’t that inviting.

Back to the western end. Heading south, thinking about where Bill-E might be. As I come up to the guard’s hut, the door to the workshops opens. I hear Tump’s voice and stop behind the hut, where he and Chuda can’t see me, to wait until they pass.

“…not going to like it,” Tump is booming.

“They’re not meant to like it,” Chuda replies in a much softer voice.

“But the boy will be hard to keep quiet. They’re so close to each other. Maybe we should take them both.”

“One will be enough,” Chuda says. “Now all we have to…”

Their voices fade. I remain where I am, frowning, wondering who and what they were talking about.

→The next day, Kik goes missing.

Kuk turns up for class by himself, looking lost. “Have any of you seen Kik?” he asks, eyes darting around the room as if his twin sister might be hiding behind a desk. “I can’t find her. I don’t know where she is. Kik? Are you here?”

Miss Jaun sits the agitated Kuk down, tries to soothe his nerves and coaxes the story out of him. It’s not complicated. He woke this morning and Kik’s bed was empty. He couldn’t find her. Their dad wasn’t too concerned – said she’d probably gone for a walk – but Kuk smelt a rat immediately.

“We don’t go anywhere without telling each other. She wouldn’t have slipped out without saying anything.”

“Maybe she just needed to be alone for a while,” Miss Jaun suggests.

“We don’t like being alone,” Kuk says, shaking his head vigorously. “Alone is bad. Alone is scary.”

When Miss Jaun fails to calm Kuk’s nerves, she calls security and asks a guard if he can put the word out to look for Kik. “It’s no big deal,” she tells him. “We’d just like to know where she is.”

Class proceeds as normal, except for Kuk, who fidgets behind his desk, eyes wide and searching, staring out the window. He unnerves the rest of us. Even Bo is discomfited by him and remains quiet, no jokes or digs.

Towards the end of class, Miss Jaun summons the guard again. He says nobody has seen Kik but they’re still looking.

I raise a hand. “Have you tried the D workshops?” I ask innocently.

The guard frowns. “She wouldn’t be there.”

“She might have snuck in.”

The guard grins. “Into the D? I don’t think so. Even I haven’t been inside—I don’t have clearance.”

“But she might be there,” I insist. I’m holding a steel ballpoint pen, gripping it tight, remembering the conversation I overheard yesterday, Tump saying “the boy will be hard to keep quiet”.

“I’ll check with the guys who were on duty this morning,” the guard says, rolling his eyes slightly. “If they’ve seen her, I’ll let you know.”

“Thanks.”

The guard leaves. Class ends. Kuk hurries out to search for his sister.

“What was that about the D warehouse?” Bill-E asks, hanging back.

“Nothing. I just thought they might not have looked there.”

Bill-E squints suspiciously. “I know you too well, Grubbs Grady,” he says in a bad Bela Lugosi accent. “You wouldn’t have said something like that without a reason. What are you hiding from me?”

I consider telling him what I heard Tump Kooniart say. But I’m still smarting from my previous humiliation. I don’t want to reveal my fears, only for Kik to turn up, leaving me looking like a paranoid maniac.

“It’s nothing,” I say, unclenching my fist to lay my pen down. “Let’s…”

Grey liquid drips from my hands on to the table. Bill-E pulls a face. “What’s that?” he asks. “It looks like mercury.”

I don’t reply. I’m staring at the liquid, the last few drops dripping from my fingers, black ink bubbling on my palms. It’s the remains of the pen. The steel ballpoint which I was holding.

I melted it.

→Night falls. Kik hasn’t been seen all day. Kuk’s not the only one worried about her now. Her father’s frantic. The search has intensified. The security forces have been deployed in earnest. Davida even suspended shooting so everyone could join the search parties and help.

I’m with a group exploring the eastern end of town, going through all the real buildings, checking behind the façades of the fakes. Trying to focus on the search. Trying not to think about the pen and how I melted it. But I can’t not think about it. There could be a scientific explanation. But I’m certain the melting had nothing to do with science. It was magic.

I’m not a natural magician. Dervish told me that only one or two real magicians are born every century. There are others like Dervish and Meera Flame – mages – with the potential to perform acts of magic, usually with the aid of spells. I could maybe do that. But I never have. I’m not keen on magic. Plus, there hasn’t been time. Dervish was a zombie for more than a year and he’s not been up for teaching duties since he recovered.

So how did I melt the pen?

There’s only one answer I can think of. When demons enter our universe, they affect the area where they cross. They’re creatures of magic and that magic infects the world around them. When my parents were killed, I was able to tap into the magical, demonic energy and use it to escape. I did it again later in the secret cellar, when I fought Artery and Vein.

I think that’s happening now. There’s magic in the air—the magic of demons.

→We don’t find Kik. The search concludes after midnight. Everybody turns in. Most people reckon she ran away. The guards say they’ll search for her beyond Slawter tomorrow, take Kuk and his father with them.

I haven’t told anyone about my fears. No point—I’d only be laughed at. But I can’t sit back and do nothing. I have to try to help Kik, assuming she can still be helped. So I track down Dervish. He’s been searching with Juni and a few others. Him and Juni aren’t an item yet, but they’ve been spending more and more time together, and she’s with him now. He says she’s helping him cope with his nightmares, that she’s taught him how to control his dreams, to keep the monsters of his subconscious at bay. But I think he’s more lustful than grateful—he’s practically bathing in that new aftershave now!

I get my story straight before I hit Dervish with it. I say I saw Kik yesterday, near the D workshops. Tell him I think she found a way in, that she’s hiding inside, possibly trapped. “Maybe something fell on her. She could be pinned to the floor, crying out for help, nobody around to hear.”

Dervish doesn’t think she could get in—security’s too tight. But Juni says they should check it out. “It’s the one place we haven’t explored. If she did somehow sneak in and had an accident…”

Neither Juni nor Dervish has the authority to enter the D workshops, so we go to Davida. We find her in her office, discussing the next day’s shoot with Chuda Sool. Davida’s tired and irritable—the delay has put the company behind schedule. She hears us out, then shakes her head. “We already checked. Grubbs mentioned the D earlier, so the guards who were on duty this morning – and last night – were questioned. They all said they hadn’t seen her.”

“But they wouldn’t have if she snuck in,” Dervish presses.

“Impossible,” Chuda says and I catch him shooting a glare at me. “There’s no way into the D warehouse other than through the doors. We constructed it to be impenetrable.”

“But –” Dervish begins.

“No!” Chuda snaps, staring at Dervish directly.

Dervish stares back at Chuda, his pupils widening. Then he smiles and shrugs. “Guess we were wrong.”

Chuda nods, his eyes still fixed on Dervish. “I guess you were.”

My stomach tenses. It’s not like Dervish to back down so easily. Is Chuda controlling Dervish’s thoughts? Was I right about the browless assistant director? Is he in league with demonic forces?

Before I can challenge Chuda, Juni speaks up. “We need to search there,” she tells Davida. “Or, if you won’t allow us in, send in a team of guards and tell them to fine-comb the place. Because if Kik is in there – and a determined child can always find a way in, no matter how tight the security – she might be in trouble. If we ignore that and something bad happens to her…”

Davida sighs. “Chuda, assemble a team of guards and –”

“I think you should oversee this personally, Davida,” Juni interrupts. She smiles sweetly at the glowering Chuda. “No offence, Mr Sool, but you’re too convinced the girl isn’t there. You might just take a cursory glance around, then quit.”

Chuda bristles angrily and squares up to Juni. Before he can start an argument, Davida says, “We’ll have no infighting, thank you. Chuda, please assemble a team for me. I’ll go with them into the D workshops and make sure every room and cupboard is scoured methodically. Is that acceptable, Miss Swan?”

“Perfect,” Juni smiles and we file out. I walk just behind Dervish, studying him carefully, worried about what might be going on inside his head.

→We wait outside the warehouse while Davida and the guards search for Kik. Juni is concerned about Dervish. She asks if he feels all right, if he has a headache. She saw it too, the exchange between him and Chuda. I doubt if she understood it the way I did, but she knows – or senses – something isn’t right.

It’s after 2:30 in the morning when a yawning Davida and her guards emerge. She shakes her head, exasperated. “No sign. We checked everywhere.”

“You’re sure?” I ask.

Davida doesn’t answer. “We’ll search the surrounding countryside tomorrow,” she tells Juni. “The girl probably had an argument with one of the other children and took off in a huff. Maybe she’ll turn up by herself.”

I smother a snort. “I doubt it!”

→I set the alarm back an hour and sleep in late. Stare at the ceiling when I wake, tired and grumpy, finding it hard to get out of bed. Wondering what to do about Kik. Ideally I’d like to tell Dervish what I heard Tump Kooniart and Chuda Sool saying. Insist that Emmet was butchered by a demon, and Kik…

But I spoke to Emmet. He wasn’t killed. Unless…

You can do just about anything with movie technology or magic. Maybe Chuda Sool was also eavesdropping with Tump Kooniart when I told Dervish and Juni my fears. Perhaps he intercepted the call and faked Emmet’s voice, using either a mechanical or magical vocal distorter. Difficult—but not impossible.

I grab my trousers from the chair at the foot of my bed, dig my mobile out of the pocket and dial Emmet’s number. There’s no dial tone at his end. His phone’s turned off or he’s somewhere without a signal.

I get up, dress and head for class. I think about asking Juni for alternate phone numbers for Emmet and his mum, but she’d probably want to know why I was looking for them now. I don’t want to reveal my suspicions to anyone in case I end up a laughing stock again. So, at the end of lessons, I casually ask Miss Jaun if she has Mrs Eijit’s number. I say I’ve been trying to contact Emmet on his mobile but haven’t been able to get through. Miss Jaun searches her list of names, then calls the number out to me. I thank her and dial it as I head for lunch. Dead, like Emmet’s. I try his number again—the same as earlier.

It might not mean anything. Then again, it might.

→I try the two numbers several times over the course of the day. Not a peep out of either. I dial directory enquiries and get their home number. Ring it, only to find that the line has been disconnected.

One last try. I remember Emmet telling us about his local school. Again I use directory enquiries, then call and ask if I can speak with Emmet Eijit. I say I found his mobile phone and want to return it. The secretary says Emmet’s not at school, he’s making a film. I say I thought he’d finished and returned. No, she says, he hasn’t. I ask if she’s sure, if maybe he’s back home, just not at school. She says definitely not, she knows his mother.

I stare at my phone a long time after that, certain I’ve been tricked. Emmet and his mum are still here, along with Kik—but not necessarily alive.

* * *

→Night. Kik hasn’t been found. The search teams return at seven. Kuk and his father aren’t with them. The searchers say Mr Kane and his son have gone home, in case Kik heads there. I groan when I hear that. I hope it’s true. I pray that it is. Not just because I don’t want Kuk and his dad to be dead—but because if it’s a lie, it means the guards who were with them are part of a cover-up. It means it isn’t just Chuda Sool and one or two others I have to be wary of. I might not be able to trust anybody in the entire cast and crew.

→Filming resumes in the morning. Davida’s still worried about the missing Kik (or claims to be—who can I trust?), but life must go on. A film costs a fortune to make. Every day is vital. She can’t afford to have her team sitting around idle. So, while a selection of guards took off to search the land around Slawter as the sun rose, the cameras rolled as normal.

They’re filming the second big demon scene tonight. No carnage or loss of life this time. It’s a scene from the third act, in which a demon appears to Bobby Mint and his friends. It predicts doom, warns them of the destruction to come, then tells them they can’t leave, it’s too late, they’re destined to die, along with everyone they care about and love.

I’ve lost interest in filming but I have to go watch tonight’s shoot, to check out the demon. I’ve heard it’s different to the one that killed Emmet. I wonder if this creature will be real or a model? I know what I’d put my money on!

→A large crowd gathers for the shoot, but not as many as at the first demon show. This scene’s being shot outside a church, one of the fake buildings in Slawter. In the script, the heroes have gathered inside to discuss the demons and what they can do to alert others to the danger. Those scenes have been filmed – or will be – on an interior set. This scene is set at the end of their debate. They’ve just come out. As they’re heading down the steps, the demon appears out of the church behind them, laughing, saying it’s overheard their entire plan.

Davida sets the scene, runs the actors through their paces, makes sure all the cameras and lights are correctly positioned, then takes her seat. Action!

I watch nervously, holding my breath, as Salit Smit and the others spill out of the church, faces bright and determined. There are eight steps down from the doors. As they hit the second from bottom step, laughter echoes from within.

“Poor, foolish humans,” the demon crows. Salit and his crew whirl, gasping. “You think you know so much. But, like all mortals, your knowledge of the world is pitiful. It would be amusing, were it not so sad.”

I start to shiver at the first syllable. There’s no mistaking that voice, the low, mournful tone. I know what’s coming next. I’d give anything to be wrong but I know I’m not.

The demon appears, gliding out of the shadows. He’s lit perfectly. I hear murmurs of approval from the people around me. They were caught by surprise with Emmet, but they’re ready this time, in control of their emotions. Besides, although this demon is more horrific in appearance than the first, he moves so fluidly and gracefully that they have time to appreciate his design, the months of hard work which must have gone into creating him.

“You cannot defeat me or my kind,” the demon says, looking from one so-called hero to another, then beyond, to the crowd watching the filming. “We can go anywhere you can and to places where you can’t. We see all, hear all, know all. And we will kill all.”

A tall demon, pale red skin with lots of cracks in it, from which blood continually oozes. Dark red eyes. No hair or nose. Grey teeth and tongue. A hole where his heart should be, filled with dozens of tiny snakes. Mangled hands at the ends of eight arms. No feet, just fleshy strips dangling from his waist, giving the appearance of thin, misshapen legs. He doesn’t touch the floor, but hovers a few centimetres above the ground all the time.

“This is our town now, or soon will be,” the demon says. “There is nothing you can do to stop us.” His eyes fall on me and he smiles widely. “There is nothing any of you can do—except be slaughtered.”

Then he laughs and drifts back into the church. The doors slam shut. A boy in the group of heroes screams. Davida yells, “Cut!”

Everyone pours forward, cheering, congratulating the actors, remarking on how realistic and creepy the demon was, questioning how the effects team got it to hover so believably, what mechanics were involved.

But there were no strings or engines. It wasn’t a model or costume. The few doubts I had up to this point vanish. We’re in seriously deep trouble. The demon wasn’t speaking from a script. His words weren’t meant for the fictional characters—but for those of us watching.

There are real demons here. Emmet has been killed, and probably Kik and her relatives too. And it’s going to get worse. Because the monster who wowed the crowd a minute ago is the one who killed my parents and sister, who vowed to kill Dervish, Bill-E and me… the majestic, terrible demon master himself… lowly Lord Loss.

## D

→Incredibly, impossibly, Dervish doesn’t believe me.

“It was just another guy in a costume,” he says. “You have to stop seeing demons everywhere you look. I know –”

“Don’t!” I snap. I’ve got him by himself, out of earshot of everybody. “That piece of scum killed my Mum and Dad. He slaughtered Gret. Don’t tell me I could ever confuse a movie prop for the real thing. Don’t you dare.”

“Grubbs, I know this is hard, but you’ve got to believe –”

“That was Lord Loss!” I cry.

“It looked like him,” Dervish says soothingly, “but that’s because Davida did a lot of research. She knows what real demons look like. Actually, I helped her out on this one. She had some of the details wrong. She didn’t know about the cracks in his skin, the colour of his eyes or that he didn’t have real feet.”

“Really?” I sneer. “And you filled her in on the facts?”

“Yes,” Dervish says, trying to sound modest.

“And her technicians were able to make the changes –” I click my fingers –“like that? They were able to take elaborate, mechanised costumes they’d been working on for months and alter them within the space of a few days?”

“Yes,” Dervish says evenly.

I stare into my uncle’s eyes but I don’t find him there. The Dervish I know wouldn’t smile at me glibly like this and dismiss my fears so carelessly. Chuda Sool has brainwashed him, I’m sure of it. I’ll have to look elsewhere for allies.

“Where are you going?” Dervish asks as I turn my back on him and march off.

“To find someone who’ll believe.”

→I ask Juni to visit Bill-E and me in our room. I say it’s about Bo Kooniart, that I’m having problems with her and would like Juni’s advice. Naturally Juni’s only too happy to help. Promises to drop by within the next half hour.

Bill-E knows something big is up. He doesn’t know what it is, but he’s delighted to be involved, proud that I’m including him. He wasn’t happy when I skulked around the set without him, not saying why, but now I’m bringing him in on the secret, all is forgiven.

I say nothing until Juni arrives, getting things clear in my head, deciding how much to tell them, what to say and what to keep to myself. When she’s finally here, sitting on a chair, hands clasped on her knees, I begin by confessing that I lied. “I didn’t really bring you here to talk about Bo.”

“I guessed,” she smiles. “You’re not a good liar. Which is a positive thing—don’t think I’m criticising you!”

“Before I get down to the crazy stuff, have either of you noticed anything strange about Dervish?” I ask.

“What do you mean?” Bill-E frowns.

“I’ll take that as a no. Juni?”

She pauses. “I don’t know your uncle very well, but he’s seemed a little… unfocused recently.”

“You saw it when he was talking with Chuda about the search for Kik, didn’t you?”

“I saw… something,” Juni says cagily. “Dervish has been through a lot these last two years. The responsibility of having to look after you, the temporary loss of his mind, trying to readjust to normal life, the nightmares.”

“Nightmares?” Bill-E asks. We never told him about Dervish’s bad dreams.

“He’s had trouble sleeping recently,” Juni explains.

“That’s the first I’ve heard of it,” Bill-E grumbles.

“He finds it easy to share his secrets and fears with me,” Juni says. “He’s able to tell me things he finds hard to discuss with others. I’ve been trying to help him sort through his problems. We were making good progress but now he seems to have regressed.”

“Chuda’s messing with his mind,” I tell her. “Controlling his thoughts.”

“You can’t be serious,” Juni laughs. But her laughter dies away when she sees that I am.

“I’m going to tell you something that will sound insane,” I begin. “Bill-E knows some of it but not all. I need you to hear me out and at least try to believe me.”

“Of course,” Juni says, leaning forward, intrigued.

I take a deep breath. Glance at Bill-E, knowing what I say is going to hurt him, then launch straight in. “Demons killed my parents and sister…”

→I fill them in on most of the details. My early encounter with Lord Loss. Escape. Madness. Recovery. Moving to Carcery Vale. The curse of the Gradys. Then the big one—Bill-E turning into a werewolf.

“So that’s it!” Bill-E cries. He’s trembling, his lazy eyelid quivering wildly. “I never bought your story that Dervish locked me up to protect me. I knew there was something you weren’t telling.” He glares at me accusingly. “You lied to me.”

“We didn’t want to hurt you,” I sigh.

“I can take hurt. Not lies. You should have told me.”