FELIX PALMA

The Map of Time

Translated from the Spanish by Nick Caistor

Copyright

Fiction

An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk

Copyright © Felix Palma 2008

Translation copyright © Nick Caistor 2011

First published in Spanish as El Mapa Del Tiempo 2008

Felix Palma asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

Source ISBN: 9780007344123

Ebook Edition © 2011 ISBN: 9780007344147

Version: 2016-02-18

‘The distinction between past, present and future is an illusion, but a very persistent one.’

ALBERT EINSTEIN

‘Mankind’s most perfectly terrifying work of art is the division of time.’

ELIAS CANETTI

‘What is waiting for me in the direction I don’t take?’

JACK KEROUAC

Contents

Cover

Title Page

Copyright

Epigraph

PART ONE

Chapter I

Chapter II

Chapter III

Chapter IV

Chapter V

Chapter VI

Chapter VII

Chapter VIII

Chapter IX

Chapter X

Chapter XI

Chapter XII

Chapter XIII

Chapter XIV

Chapter XV

Chapter XVI

Chapter XVII

PART TWO

Chapter XVIII

Chapter XIX

Chapter XX

Chapter XXI

Chapter XXII

Chapter XXIII

Chapter XXIV

Chapter XXV

Chapter XXVI

Chapter XXVII

Chapter XXVIII

Chapter XXIX

Chapter XXX

Chapter XXXI

Chapter XXXII

Chapter XXXIII

PART THREE

Chapter XXXIV

Chapter XXXV

Chapter XXXVI

Chapter XXXVII

Chapter XXXVIII

Chapter XXXIX

Chapter XL

Chapter XLI

Chapter XLII

Chapter XLIII

About the Author

About the Publisher

PART ONE

Chapter I

Andrew Harrington would gladly have died several times over if that meant not having to choose just one pistol from among his father’s vast collection in the living-room cabinet. Decisions had never been Andrew’s strong point. On close examination, his life had been a series of mistaken choices, the last of which threatened to cast its lengthy shadow over the future. But that life of unedifying blunders was about to end. This time he was sure he had made the right decision, because he had decided not to decide. There would be no more mistakes in the future because there would be no future. He was going to destroy it completely by putting one of those guns to his right temple. He could see no other solution: obliterating the future was the only way for him to eradicate the past.

He scanned the contents of the cabinet, the lethal assortment his father had lovingly assembled after his return from the war. He was fanatical about those weapons, though Andrew suspected it was not so much nostalgia that drove him to collect them as his desire to contemplate the novel ways mankind kept coming up with for taking one’s own life outside the law. In stark contrast to his father, Andrew was impassive as he surveyed the apparently docile, almost humdrum implements that had brought thunder to men’s fingertips and freed war from the unpleasantness of hand-to-hand combat.

He tried to imagine what kind of death might be lurking inside each of them, lying in wait like some predator. Which would his father have recommended he use to blow his brains out? He calculated that death from one of those antiquated muzzle-loading flintlocks, which had to be refilled with gunpowder and a ball, then tamped down with a paper plug each time it was fired, would be a noble but drawn-out and tedious affair. He preferred the swift death guaranteed by one of the more modern revolvers nestling in their luxurious velvet-lined wooden cases.

He considered a Colt single-action model, which looked easy to handle and reliable – but he had seen Buffalo Bill brandishing one in his Wild West Adventures: a pitiful attempt to re-enact his transoceanic exploits with a handful of imported Red Indians and a dozen lethargic, apparently opium-sated buffalo. Death for him was not just another adventure. He also rejected a fine Smith & Wesson, the gun that had killed the outlaw Jesse James, of whom he considered himself unworthy, and a Webley specially designed to hold back the charging hordes in Britain’s colonial wars; he thought it looked too cumbersome.

His attention turned next to his father’s favourite, a fine Pepperbox with rotating barrels, but he seriously doubted whether this ridiculously ostentatious weapon would be capable of firing a bullet with enough force.

Eventually he settled on an elegant 1870 Colt with mother-of-pearl inlay that would take his life with all the delicacy of a woman’s caress. He smiled defiantly as he plucked it from the cabinet, remembering how often his father had forbidden him to meddle with his pistols. But the illustrious William Harrington was in Italy at that moment, no doubt reducing the Fontana de Trevi to dust with his critical gaze. His parents’ decision to leave for Europe on the very day he had chosen to kill himself had been a happy coincidence. He doubted that either of them would ever decipher the true message concealed in his gesture (that he had preferred to die as he had lived – alone), but for Andrew it was enough to imagine the disgust on his father’s face when he discovered his son had killed himself behind his back and without his permission.

He opened the cabinet where the ammunition was kept and loaded six bullets into the chamber. He supposed that one would be enough, but who knew what might happen? After all, he had never killed himself before. Then he tucked the gun, wrapped in a cloth, inside his coat pocket, as though it were a piece of fruit he would eat later. In a further act of defiance, he left the cabinet door open. If only he had shown this much courage before, he thought. If only he had dared confront his father when it had mattered, she would still be alive. But by the time he had, it was too late. And he had spent eight long years paying for his hesitation. Eight years, during which his pain had only worsened, spreading its tendrils through him like poison ivy, wrapping itself around his guts, gnawing at his soul. Despite the efforts of his cousin Charles and the distraction of other women’s bodies, his grief over Marie’s death refused to be laid to rest. Tonight, though, it would all be over.

Twenty-six was a good age to die, he reflected, contentedly fingering the bulge in his pocket. He had the gun. Now all he needed was a suitable spot in which to perform the ceremony. And there was only one possible place.

With the weight of the revolver in his pocket comforting him like a good-luck charm, he descended the grand staircase of the Harrington mansion in elegant Kensington Gore, a stone’s throw from the Queen’s Gate entrance to Hyde Park. He had not intended to cast any farewell glances at the walls of what had been his home for almost three decades, but he could not help feeling a perverse wish to pause before his father’s portrait, which dominated the hall. His father stared down at him disapprovingly from the gilt frame, a proud, commanding figure, bursting out of the old uniform he had worn as a young infantryman in the Crimean War until a Russian bayonet had punctured his thigh; the wound had left him with a disturbingly lopsided gait. William Harrington surveyed the world disdainfully, as though in his view the universe was a botched affair on which he had long since given up. What fool had been responsible for the untimely blanket of fog that had descended on the battlefield outside the besieged city of Sebastopol so that nobody could see the tips of the enemy’s bayonets? Who had decided that a woman was the ideal person to preside over England’s destiny? Was the east really the best place for the sun to rise?

Andrew had never seen his father without cruel animosity in his eyes so could not know whether he had been born with it or had been infected with it when fighting alongside the ferocious Ottomans in the Crimea. In any event, it had not vanished, like a mild case of smallpox, leaving no mark on his face, even though the path that had opened in front of him on his return could only have been termed a fortunate one. What did it matter that he had to hobble along it with the aid of a stick? Without having had to enter any pact with the Devil, the man with the bushy moustache and clean-cut features depicted on the canvas had overnight become one of the richest men in England. Trudging around in that distant war, bayonet at the ready, he could never have dreamed of possessing a fraction of what he now owned. How he had amassed his fortune, though, was one of the family’s best-kept secrets, a complete mystery to Andrew.

The tedious moment is now approaching when the young man must decide which hat and overcoat to pick from among the heap in the hall cupboard: one has to look presentable even for death. This is a scene that, knowing Andrew, could take several exasperating minutes and, since I see no need to describe it, I shall take the opportunity to welcome you to this tale, which has just begun, and which, after lengthy reflection, I chose to begin at this juncture and not another – as though I, too, had to select a single beginning from among the many jostling for position in the closet of possibilities.

Assuming you stay until the end, some of you, no doubt, will think I chose the wrong thread with which to begin spinning my yarn, and that for accuracy’s sake I should have respected chronological order and begun with Miss Haggerty’s story. Perhaps so – but there are stories that cannot begin at their beginning, and this may be one of them.

So, let’s forget about Miss Haggerty for the moment, forget that I ever mentioned her, even, and go back to Andrew, who has just stepped forth from the mansion suitably dressed in a hat and coat, and even a pair of warm gloves to protect his hands from the harsh winter cold.

Once outside the mansion, the young man paused at the top of the steps, which unfurled at his feet like a wave of marble down to the garden. From there, he surveyed the world in which he had been brought up, suddenly aware that, if things went to plan, he would never see it again. Night was spreading its veil over the Harrington residence. A hazy full moon hung in the sky, bathing in its soft glow the immaculate lawns surrounding the house, most of them cluttered with flowerbeds, hedges and oversized stone fountains – dozens of them – decorated with excessively ornate sculptures of mermaids, fauns and other mythical creatures. His father had accumulated such a large number because, an unsophisticated soul, his only way of showing off his importance was to buy a lot of expensive and useless objects. In the case of the fountains his extravagance was excusable, because they combined to soothe the night with their watery refrain, making the listener want to close his eyes and forget everything except their hypnotic burble.

Further off, beyond the neatly clipped lawns, stood the immense greenhouse, graceful as a swan poised for flight, where his mother spent most of the day marvelling at the exotic flowers that sprouted from seeds brought back from the colonies.

Andrew gazed at the moon for several minutes. He wondered whether man would ever be able to travel there, as had the characters in Jules Verne and Cyrano de Bergerac’s works. What would he find if he did manage to land on its shimmering surface – in an airship, or shot out of a cannon, or with a dozen bottles of dew strapped to his body in the hope that, as it evaporated, he would float up to the sky, like the Gascon swashbuckler’s hero? Ariosto the poet had turned the planet into a warehouse where lunatics’ reason was stored in phials, but Andrew was more drawn to Plutarch, who imagined that the moon was where dead people dwelled. Andrew liked to picture them living at peace in ivory palaces built by an army of worker angels or in caves dug out of that white rock, waiting for the living to receive their safe-conduct to death and to carry on their lives anew, exactly where they had left off.

Sometimes he imagined that Marie was living at that very moment in one of those grottoes, oblivious to what had happened to her, and grateful that death had offered her a better existence than life. Marie, pale in that white splendour, waiting patiently for him to decide once and for all to blow his brains out and come to fill the empty space in her bed.

He stopped gazing at the moon when he noticed that Harold, the coachman, had followed his orders and was standing at the foot of the stairs with a brougham at the ready. As soon as he saw his young master descending the flight of steps, the coachman rushed to open the carriage door. Andrew had always been amused by Harold’s display of energy, considering it incongruous in a man approaching sixty, but the coachman clearly kept in good shape.

‘Miller’s Court,’ the youth commanded.

Harold was astonished by his request. ‘But, sir, that’s where—’

‘Is there some problem, Harold?’ Andrew interrupted.

The coachman stared at him for a moment, his mouth hanging ludicrously half open, then recollected himself: ‘None whatsoever, sir.’

Andrew gave a nod, signalling that the conversation was at an end. He climbed into the brougham and sat down on the red velvet seat. Glimpsing his reflection in the window, he gave a sigh of despair. Was that haggard countenance really his? It was the face of someone whose life had been seeping out of him unawares, like a pillow losing its stuffing through an open seam.

In a certain sense this was true. Although his face retained the harmonious good looks he had been born with, it now resembled an empty shell, a vague impression in a mound of ashes. The sorrow that had cast a shadow over his soul had taken its toll on his appearance: he could scarcely recognise himself in the ageing youth, with hollowed cheeks, downcast eyes and unkempt beard, who stared back at him in the glass. Grief had stunted him, transforming him into a dried-up, sullen creature.

The brougham rocked as Harold, having overcome his astonishment, clambered up to his perch, and took Andrew’s attention away from the blurred face sketched on the canvas of the night. The final act of the disastrous performance that had been his life was about to begin, and he was determined to savour every moment. He heard the whip crack above his head and, caressing the steely bulge in his pocket, he let himself be lulled by the vehicle’s gentle sway.

The brougham left the mansion and went down Carriage Drive, which bordered the lush vegetation of Hyde Park. Gazing through the window at the city, Andrew thought that in less than half an hour’s time they would be in the East End. This ride had always fascinated and puzzled him in equal measure: it allowed him to glimpse in a single sweep every aspect of his beloved London, the world’s greatest metropolis, the giant head of an insatiable octopus whose tentacles stretched over almost a fifth of the Earth’s surface, holding Canada, India, Australia and a large part of Africa in its vice-like grip.

As they sped east, the salubrious, almost countrified atmosphere of Kensington soon gave way to the crowded urban environment of Piccadilly, and beyond to the Circus, where Anteros, the avenger of unrequited love, is firing an arrow into the city’s heart. Beyond Fleet Street, the middle-class dwellings seemingly huddled around St Paul’s Cathedral gradually came into view, until finally, once they had passed the Bank of England and Cornhill Street, a wave of poverty swept over everything, a poverty that people from the adjoining West End knew of only from the satirical cartoons in Punch. It seemed to pollute the very air itself, as it mingled with the stench rising from the Thames.

Andrew had last made this journey eight years earlier, and had known ever since that, sooner or later, he would make it again, for the very last time. Hardly surprising, then, that as they drew nearer to Aldgate, the gateway to Whitechapel, he felt slightly uneasy. He peered warily out of the window as they entered the district, experiencing the same misgivings as he had in the past. He was overwhelmed, again, by shame because he was spying on an alien world with the dispassionate interest of someone who studies insects – even though, over time, his initial revulsion had turned into compassion for the souls who inhabited this place, where the city dumped its human waste.

Now it seemed that there was every reason for him to feel compassion still: London’s poorest borough had changed relatively little in the past eight years. Wealth brings poverty in its wake, thought Andrew, as they crossed the ill-lit, rowdy streets, crammed with stalls and handcarts, and teeming with wretched creatures whose lives were played out beneath the menacing shadow of Christ Church. At first he had been shocked to discover that behind the dazzle of the city’s façade there existed this outpost of hell where, with the Queen’s blessing, human beings were condemned to live like beasts. The intervening years had made him less naïve: he was no longer surprised that, even as the advances of science were transforming London – and the well-to-do amused themselves by recording their dogs’ barks onto the wax-coated cylinders of phonographs or conversed via telephone under the glow of Robertson’s electric lamps – Whitechapel had remained immune to progress, untouchable beneath its rotten shell, drowning in its own filth.

A glance was enough to tell him that crossing into this world was still like sticking his hand into a hornets’ nest. It was here that poverty showed its ugliest face, here that the same jarring, sinister tune was playing. He observed a couple of pub brawls, heard screams from the depths of dark alleyways, glimpsed a few drunks sprawled in the gutter, gangs of street urchins stripping them of their shoes, and exchanged glances with a pair of pugnacious-looking men standing on street corners, petty rulers in this parallel kingdom of vice and crime.

The luxurious brougham caught the attention of several prostitutes, who shouted lewd proposals to him, hitching up their skirts and showing their cleavage. Andrew felt a pang of sorrow as he gazed upon this pitiful spectacle. Most of the women were filthy and downtrodden, their bodies bearing the mark of their daily burden of customers. Even the youngest and prettiest were stained by the misery of their surroundings. He was revisited by the agonising thought that he might have saved one of these doomed women, offered her a better life than the one her Creator had allotted her, yet he had failed to do so.

His sorrow reached a crescendo as the carriage rattled past the Ten Bells, emitting an arpeggio of creaks as it turned into Crispin Street on its way to Dorset Street, passing in front of the Britannia pub where he had first spoken to Marie. This street was his final destination. Harold pulled the brougham up next to the stone arch leading to the Miller’s Court flats, and climbed off the box to open the carriage door.

Andrew stepped out, feeling suddenly dizzy. His legs were shaking as he looked around him. Everything was exactly as he remembered it, down to the shop with grimy windows run by McCarthy, the owner of the flats, which stood beside the entrance. Nothing he saw indicated to him that time also passed in Whitechapel, that it did not avoid it, as did the bigwigs and bishops visiting the city.

‘You can go home now, Harold,’ he told the coachman, who was standing at his side.

‘What time shall I fetch you, sir?’ asked the old man.

Andrew didn’t know what to say. He stifled a laugh. The only thing fetching him would be the cart from the Golden Lane morgue, the same one that had come there to fetch what was left of his beloved Marie eight years ago. ‘Forget you ever brought me here,’ was his reply.

The sombre expression that clouded the coachman’s face moved Andrew. Had Harold understood what he had come there to do? He could not be sure, because he had never given a moment’s thought to the coachman’s intelligence, or indeed to that of any servant. He always thought that at most they possessed the innate cunning of people who, from an early age, are obliged to swim against the current in which he and his class manoeuvred with ease. Now, though, he thought he detected in old Harold’s attitude an unease that might only have come from his having guessed Andrew’s intention.

And the servant’s capacity for deduction was not the only discovery Andrew made during that brief moment when, for once, they looked directly at each other. Andrew also became aware of something hitherto unimaginable to him: the affection a servant can feel for his master. Although he saw them as shadows drifting in and out of rooms, according to some invisible design, only aware of them when he needed to leave his glass on a tray or wanted the fire lighting, these phantoms could care about what happened to their masters. That succession of faceless people – the maids whom his mother dismissed on the flimsiest grounds, the cooks systematically impregnated by the stable boys as though conforming to some ancient ritual, the butlers who left their employ with excellent references for another mansion identical to theirs – made up a shifting landscape that Andrew had never taken the trouble to notice.

‘Very well, sir,’ murmured Harold.

Andrew understood that these words were the coachman’s last farewell; that this was the old fellow’s only way of saying goodbye to him – embracing him was a risk he appeared unwilling to take. With a heavy heart, he watched that stout, resolute man, to whom he would have had to relinquish the role of master if they had ever been stranded on a desert island, clamber back on to the brougham and urge on the horses, leaving only an echo of hoofs as the carriage was swallowed by the fog that spread through the London streets like muddy foam. It struck him as odd that the only person to whom he had said goodbye before killing himself should be the coachman, not his parents or his cousin Charles. Life was full of such ironies.

That was exactly what Harold Barker was thinking as he drove the horses down Dorset Street, looking for the way out of that accursed neighbourhood, where life was not worth thruppence. But for his father’s determination to pluck him from poverty and secure him a job as a coachman, he might have been one more among the hordes of wretched souls scraping an existence in this gangrenous patch of London. Yes, that surly old drunk had hurled him into a series of jobs that had ended at the coach house of the illustrious William Harrington, in whose service he had spent half his life. But they had been peaceful years. He could admit as much when he was taking stock of his life in the early hours after his chores were done and his masters were asleep; peaceful years in which he had taken a wife and fathered two healthy children, one of whom was employed as a gardener by Mr Harrington.

The good fortune that had allowed him to forge a different life from the one he had believed was his lot enabled him now to look upon the wretched souls of Whitechapel with a degree of objectivity and compassion. Harold had been obliged to go to Whitechapel more often than he would have liked when ferrying his master there that terrible autumn eight years ago, a period when even the sky seemed at times to ooze blood. He had read in the newspapers about what had happened in that warren of Godforsaken streets, but also he had seen it reflected in his master’s eyes.

He knew now that the young master had never recovered, that those reckless excursions to pubs and brothels, on which his cousin Charles had dragged them both (Harold had been obliged to remain in the carriage, shivering with cold), had not succeeded in driving the terror from his eyes. And that night young Harrington had appeared ready to lay down his arms, to surrender to an enemy who had proved invincible. Hadn’t that bulge in his pocket looked suspiciously like a firearm? But what could Harold do? Should he turn around and try to stop him? Should a servant step in to alter his master’s destiny?

Harold Barker shook his head. Maybe he was imagining things, he thought, and the young man simply wanted to spend the night in that haunted room, safe with a gun in his pocket.

He left off his uncomfortable broodings when he glimpsed a familiar equipage coming out of the fog towards him. It was the Winslow family carriage, and the bundled-up figure on the box was almost certainly Edward Rush, one of their coachmen. To judge from the way he slowed the horses, Rush appeared to have recognised him, too. Harold nodded a silent greeting to his colleague, before directing his gaze to the occupant of the vehicle. For a split second he and young Charles Winslow stared solemnly at one another. They did not say a word.

‘Faster, Edward,’ Charles ordered his driver, tapping the roof of the carriage with the knob of his cane.

Harold watched with relief as they vanished into the fog in the direction of the Miller’s Court flats. He was not needed now. He only hoped that young Winslow would arrive in time. He would have liked to stay and see how the affair ended, but he had an order to carry out – although he fancied it had been given him by a dead man – so he urged the horses on, and found his way out of that dread neighbourhood where life (I apologise for the repetition, but the same thought occurred to Harold twice) was not worth thruppence.

Admittedly, the expression sums up the area’s peculiarity very accurately, and we probably could not hope for a more profound appraisal from a coachman. However, although his life is worthy of recounting – as are all lives upon close scrutiny – the coachman Barker is not a relevant character in this story. Others may choose to write about it and will no doubt find plenty of material to endow it with the emotion every good story requires – I am thinking of the time he met Rebecca, his wife, or the hilarious incident involving a ferret and a rake – but that is not my purpose here.

And so let us leave Harold – whose reappearance at some point in this tale I cannot vouch for, because a whole host of characters will pass through it and I can’t be expected to remember every one of their faces – and return to Andrew, who at this very moment is crossing the arched entrance to Miller’s Court and walking up the muddy stone path to number thirteen while he rummages in his coat pocket for the key.

After stumbling around in the dark for a time he found the room, and paused before the door in an attitude that anyone seeing him from a neighbouring window would have taken for incongruous reverence. But for Andrew that room was infinitely more than some wretched lair where people who hadn’t a penny to their name took refuge. He had not been back there since that fateful night, although he had paid to keep everything exactly as it had been, exactly as it still was inside his head. Every month for the past eight years he had sent one of his servants to pay the rent, so that nobody could live there: if he ever went back he did not want to find traces of anyone but Marie. The few pennies were to him a drop in the ocean, and Mr McCarthy had been delighted that a wealthy gentleman and obvious rake should want to rent that hovel indefinitely – after what had taken place within its four walls he very much doubted that anybody would be brave enough to sleep there.

Andrew had always known he would come back, that the ceremony he was about to perform could not have been carried out anywhere else.

He opened the door and mournfully cast an eye around the room. It was a tiny space, scarcely more sophisticated than a barn, with flaking walls and a few sticks of battered furniture, including a dilapidated bed, a grimy mirror, a crumbling fireplace and a couple of chairs that might fall apart if a fly landed on them. He felt a renewed sense of amazement that life could take place somewhere like this. Yet had he not known more happiness in this room than in the luxurious Harrington mansion? If, as he had read somewhere, every man’s paradise was in a different place, his was undoubtedly here. He had reached it guided not by a map, charting rivers and valleys, but by kisses and caresses.

And it was a caress, this time an icy one on the nape of his neck, which drew his attention to the fact that nobody had taken the trouble to fix the broken window to the left of the door. What would have been the point? McCarthy belonged to that class of people whose motto was to work as little as possible, and had Andrew reproached him for not replacing the pane he would have argued that, since Mr Harrington had requested everything be kept just as it was, he had assumed that included the window glass. Andrew sighed. He could see nothing with which to plug the hole and decided to kill himself in his hat and coat.

He sat down on one of the rickety chairs, reached into his pocket for the gun and carefully unfolded the cloth, as if he were performing a sacrament. The Colt gleamed in the moonlight that filtered weakly through the small, grimy window.

He stroked the weapon as though it were a cat curled up in his lap and let Marie’s smile wash over him once more. Andrew was always surprised that his memories retained the vibrancy, like fresh roses, of those first days. He remembered everything so vividly, as though no eight-year gap stretched between them, and at times his memories seemed even more beautiful than the real events. What mysterious alchemy could make these imitations appear more vivid than the real thing? The answer was obvious: the passage of time. It transformed the volatile present into a finished, unalterable painting called the past, a canvas that was always executed blindly, with erratic brushstrokes, and only made sense when one stepped far enough away to admire it as a whole.

Chapter II

The first time their eyes had met, she was not even there. Andrew had fallen in love with Marie without needing to have her in front of him, and to him this was as romantic as it was paradoxical. The event had occurred at his uncle’s mansion in Queen’s Gate, opposite the Natural History Museum, a place Andrew had always thought of as his second home. He and his cousin were the same age, and had almost grown up together; the servants sometimes forgot which of them was their employer’s son.

As is easily imaginable, their affluent social position had spared them any hardship or misfortune, exposing them only to the pleasant side of life, which they immediately mistook for one long party where everything was apparently permissible. They moved on from sharing toys to sharing teenage conquests, and from there, curious to see how far they could stretch the impunity they enjoyed, to devising different ways of testing the limits of what was acceptable.

Their elaborate indiscretions and more or less immoral behaviour were so perfectly co-ordinated that for years it had been difficult not to see them as one person. This was partly down to their sharing the complicity of twins, but also to their arrogant approach to life and even to their physical similarity: both boys were lean and sinewy, and possessed angelic good looks that made it almost impossible to refuse them anything. This was especially true of women, as was amply demonstrated during their time at Cambridge, where they established a record number of conquests unmatched to this day.

Their habit of visiting the same tailors and hat-makers added the finishing touch to that unnerving resemblance, a likeness it seemed would last for ever, until one day, without warning, as though God had resolved to compensate for his lack of creativity, that wild, two-headed creature split into two distinct halves. Andrew turned into a pensive, taciturn young man, while Charles went on perfecting the frivolous behaviour of his adolescence. This change did not alter their friendship, which was rooted in kinship. Far from driving them apart, the unexpected divergence made them complement one another. Charles’s devil-may-care attitude found its counterpart in the refined melancholy of his cousin, for whom such a whimsical approach to life was no longer satisfying.

Charles observed with a wry smile Andrew’s attempts to give his life some meaning, wandering around in disillusionment, waiting for a flash of inspiration that never came. Andrew, in turn, was amused by his cousin’s insistence on behaving like a brash, shallow youth, even though some of his gestures and opinions betrayed disappointment similar to his own. Charles lived intensely, as though he could not get enough of life’s pleasures, while Andrew could sit alone for hours, watching a rose wilt in his hands.

The month of August when it all happened, they had both just turned eighteen, and although neither showed any sign of settling down, they sensed this life of leisure could not go on much longer, that soon their parents would lose patience with their unproductive indolence and find them positions in one of the family firms. In the meantime, though, they were enjoying seeing how much longer they could get away with it. Charles was already going to the office occasionally to attend to minor business, but Andrew preferred to wait until his boredom became so unbearable that taking care of family business would seem a relief rather than a prison sentence. After all, his older brother Anthony had already fulfilled their father’s expectations sufficiently in this respect to allow the illustrious William Harrington to consent to his second son pursuing his career of black sheep for a couple more years, provided he did not stray from his sight.

But Andrew had strayed. He had strayed a long way. And now he intended to stray even further, until he disappeared completely, beyond all redemption.

But let us not be sidetracked by melodrama. Let us carry on with our story. Andrew had dropped in at the Winslow mansion that August afternoon so that he and Charles could arrange a Sunday outing with the charming Keller sisters. As usual, they would take them to a little grassy knoll carpeted with flowers near the Serpentine, in Hyde Park, where they invariably mounted their amorous offensives. But Charles was still sleeping, so the butler showed Andrew into the library. He did not mind waiting there until his cousin got up; he felt at ease surrounded by the books that filled the large, bright room with their peculiar musty smell.

Andrew’s father prided himself on having built up a decent library, yet his cousin’s collection contained more than just obscure volumes on politics and other equally dull subjects. Here, Andrew could find the classics and adventure stories by authors such as Verne and Salgari, but still more interesting to him was a strange, rather picturesque type of literature many considered frivolous: novels in which the authors had let their imaginations run wild, regardless of how implausible or often downright absurd the outcome. Like all discerning readers, Charles appreciated Homer’s Odyssey and his Iliad, but his real enjoyment came from immersing himself in the crazy world of Batracomiomachia, the blind poet’s satire on his own work in an epic tale about a battle between mice and frogs. Andrew recalled a few books written in a similar style, which his cousin had lent him; one called True Tales by Luciano de Samósata, which recounted a series of fabulous voyages in a flying ship that takes the hero up to the sun and even through the belly of a giant whale; another called The Man in the Moon by Francis Godwin, the first novel ever to describe an interplanetary voyage. It told of a Spaniard named Domingo Gonzalez who travels to the moon in a machine drawn by a flock of wild geese.

These flights of fancy reminded Andrew of pop guns or firecrackers, all sound and fury yet he understood, or thought he did, why his cousin was so passionate about them. Somehow this literary genre, which most people condemned, acted as a sort of counterbalance to Charles’s soul; it was the ballast that prevented him from lurching into seriousness or melancholy, unlike Andrew, to whom everything seemed so achingly profound, imbued with the absurd solemnity that the transience of existence conferred upon even the smallest act.

However, that afternoon, Andrew did not have time to look at any book. He did not even manage to cross the room to the bookshelves because the loveliest girl he had ever seen stopped him in his tracks. He stood staring at her, bemused, as time seemed to congeal, to stand still. Finally he managed to approach the portrait slowly to take a closer look. The woman was wearing a black velvet toque and a flowery scarf knotted at the neck. Andrew had to admit she was by no means conventionally beautiful: her nose was disproportionately large for her face, her eyes too close together and her reddish hair looked damaged, yet at the same time she possessed a charm as unmistakable as it was elusive. He was unsure exactly what about her captivated him. Perhaps it was the contrast between her fragile appearance and the strength that radiated from her gaze; a gaze he had never seen in any of his conquests. It was wild, determined, and retained a glimmer of youthful innocence, as if every day the woman was forced to confront the ugliness of life, and yet, curled up in her bed at night, still believed it a regrettable figment of her imagination, a bad dream that would dissolve and give way to a more pleasant reality. It was the gaze of a person who yearns for something and refuses to believe it will never be hers, because hope is all she has left.

‘A charming creature, isn’t she?’ Charles’s voice came from behind him.

Andrew jumped. He had been so absorbed in the portrait he had not heard his cousin come in. He nodded as Charles walked over to the drinks cabinet. He himself could not have found a better way to describe the emotions the portrait had stirred in him, the desire to protect her mixed with the admiration he could only compare – rather reluctantly, owing to the inappropriateness of the metaphor – to that which he felt for cats.

‘It was my birthday present to my father,’ Charles explained, pouring brandy. ‘It’s only been hanging there a few days.’

‘Who is she?’ asked Andrew. ‘I don’t remember seeing her at any of Lady Holland or Lord B rough ton’s parties.’

‘At those parties?’ Charles laughed. ‘I’m beginning to think the artist is gifted. He’s taken you in as well.’

‘What do you mean?’ asked Andrew, accepting the glass his cousin was holding out to him.

‘Surely you don’t think I gave it to my father because of its artistic merit? Does it look like a painting worthy of my consideration, cousin?’ Charles grabbed his arm, forcing him to move a few steps closer to the portrait. ‘Take a good look. Notice the brushwork: utterly devoid of talent. The painter is no more than an amusing disciple of Degas. Where the Parisian is gentle, he is starkly sombre.’

Andrew did not understand enough about painting to discuss it with his cousin, and all he really wanted to know was the sitter’s identity, so he nodded gravely, giving his cousin to understand he agreed with his view that the artist would do better to devote himself to repairing bicycles. Charles smiled, amused by his cousin’s refusal to converse about painting – it would have given Charles a chance to air his knowledge – and declared: ‘I had another reason for giving it to him, dear cousin.’

He drained his glass slowly, and gazed at the picture, shaking his head with satisfaction.

‘And what reason was that, Charles?’ Andrew asked, becoming impatient.

‘The private enjoyment I get from knowing that my father, who looks down on the lower classes, has the portrait of a common prostitute hanging in his library.’

His words made Andrew reel. ‘A p-p-prostitute?’ he stammered.

‘Yes, cousin,’ replied Charles, beaming with content. ‘But not a high-class whore from the brothels in Russell Square, or even one of the tarts who ply their trade in the park on Vincent Street, but a dirty, foul-smelling draggletail from Whitechapel upon whose ravaged loins the wretched of the earth alleviate their misery for a few meagre pennies.’

Andrew took a swig of brandy. There was no denying that his cousin’s revelation had shocked him, as it would anybody who saw the portrait, but he also felt strangely disappointed. He stared at the painting again, trying to discover the cause of his unease. So, this lovely creature was a vulgar tart. Now he understood the mixture of passion and resentment that the artist had so skilfully captured in her eyes. But Andrew had to admit his disappointment related to a far more selfish logic: the woman did not belong to his social class, which meant he could never meet her.

‘I bought it thanks to Bruce Driscoll,’ Charles explained, pouring more brandy for them both. ‘Do you remember him?’

Andrew nodded unenthusiastically. Bruce was a friend of his cousin whom boredom and money had made an art collector; a conceited, idle young man who had no compunction in showing off his knowledge of painting at every opportunity.

‘You know how he likes to search for treasure in the most unlikely places,’ his cousin said, handing him his glass. ‘Well, the last time I saw him, he told me about a painter he’d dug up during one of his visits to the flea markets. A man called Walter Sickert, a founding member of the New English Art Club. His studio was in Cleveland Street, and he painted East End prostitutes as though they were society ladies. I dropped in there and couldn’t resist his latest canvas.’

‘Did he tell you anything about her?’ Andrew asked, trying to appear nonchalant.

‘About the whore? Only her name. I think she’s called Marie Jeanette.’

‘Marie Jeanette,’ Andrew murmured. The name suited her, like her little hat. ‘A Whitechapel whore …’ he whispered, still unable to get over his surprise.

‘Yes, a Whitechapel whore. And my father has given her pride of place in his library!’ Charles spread his arms theatrically in a mock-triumphant gesture. ‘Isn’t it absolutely priceless?’

With this, Charles flung his arm around his cousin’s shoulders and guided him to the sitting room. Andrew tried to hide his agitation, but could not help thinking about the girl in the portrait as they planned their assault on the charming Keller sisters.

That night, in his bedroom, Andrew lay awake. Where was the woman in the painting now? What was she doing? By the fourth or fifth question he had begun calling her by her name, as though he really knew her and they enjoyed a non-existent intimacy. He realised he was seriously disturbed when he began to feel an absurd jealousy towards the men who could have her for a few pennies when to him, despite his wealth, she was unattainable. And yet was she really beyond his reach? Surely, given his position, he could have her, physically at least, more easily than he could any other woman, and for the rest of his life. The problem was finding her.

Andrew had never been to Whitechapel, but he had heard enough about it to know it was dangerous, especially for someone of his class. It was not advisable to go there alone, but he could not count on Charles accompanying him. His cousin would not understand him preferring a tart’s grubby charms to what the delightful Keller sisters kept hidden beneath their petticoats, or the perfumed honey-pots of the Chelsea madams with whom well-to-do West End gentlemen sated their appetites. Perhaps he would understand, and even agree to go with him for the fun of it, if Andrew explained it as a passing fancy, but what he felt was too powerful to be reduced to a mere whim.

Or was it? He would not know what he wanted from her until he had her in his arms. Would she really be so difficult to find? Three sleepless nights were enough for him to come up with a plan.

And so it was that while the Crystal Palace (which had been moved to Sydenham after displaying the Empire’s industrial prowess) offered organ recitals, children’s ballets, ventriloquists’ acts and the possibility of picnicking in its gardens with dinosaurs, iguanodons and megatheriums reconstructed from fossils found in the Sussex Weald, and Madame Tussaud’s deprived its visitors of sleep with its famous Chamber of Horrors (in which madmen, cutthroats and poisoners huddled at the foot of the guillotine that had beheaded Marie-Antoinette), Andrew Harrington – oblivious to the festive spirit that had taken hold of the city – put on the humble clothes one of his servants had lent him, and examined his disguise in the cheval glass. He gave a wry smile at the sight of himself in a threadbare jacket and trousers, his fair hair tucked under a checked cap pulled low over his eyes. Surely, looking like that, people would take him for a nobody, possibly a cobbler or a barber.

Disguised in this way, he ordered the astonished Harold Barker to take him to Whitechapel. Before leaving, he made him swear to secrecy. No one must know about his expedition to London’s worst neighbourhood, not his father, not the mistress of the house, not his brother Anthony, not even his cousin Charles. No one.

Chapter III

In order not to draw attention to himself, Andrew made Harold pull up the luxurious carriage in Leadenhall, and continued alone on foot towards Commercial Street. After wandering a good way down that evil-smelling thoroughfare, he plucked up his courage and entered the maze of alleyways that made up Whitechapel. Within ten minutes, a dozen prostitutes loomed out of the fog to offer him a trip to Mount Venus for the price of a few pennies, but none was the girl in the portrait. Had they been draped in seaweed, Andrew might easily have mistaken them for faded, dirty ship’s figureheads. He refused them politely, a dreadful sadness welling up in him at the sight of those scarecrows, hunched against the cold, who had no better way to earn a living. Their toothless mouths, attempting bawdy smiles, were more repulsive than desirable. Would Marie look like that outside the portrait, far from the brushstrokes that had transformed her into an angel?

He soon realised he was unlikely to find her by chance. Perhaps he would have more luck if he asked for her directly. Once he was sure his disguise was convincing, he entered the Ten Bells, a popular tavern on the corner of Fournier Street and Commercial Street, opposite the ghostly Christ Church. When he peered inside the pub, it looked to him the sort of place whores would go in search of clients. As soon as he reached the bar, two came up to him. Trying to seem casual, Andrew refused their propositions as politely as he could and offered them a glass of stout. He explained he was looking for a woman called Marie Jeanette. One of the whores left immediately, pretending to be offended, but the other, the taller of the two, accepted a drink. ‘I suppose you mean Marie Kelly’ she said. ‘That dratted Irishwoman, everybody wants her. I expect she’s done a few by now and is in the Britannia – that’s where we all go when we’ve made enough for a bed and a bit more besides so that we can get drunk quick and forget our sorrows.’ She spoke with more irony than bitterness.

‘Where is this tavern?’ Andrew asked.

‘Near here, on the corner of Crispin Street and Dorset Street.’

The least Andrew could do was thank her for the information by giving her four shillings. ‘Get yourself a room,’ he recommended, with a smile. ‘It’s too cold out there tonight to be traipsing the streets.’

‘Why, thank you, mister. You’re too kind, I’m sure,’ said the whore, genuinely grateful.

Andrew said goodbye, politely doffing his cap.

‘If Marie Kelly won’t give you what you want, come back and see me,’ she added, with a flash of coquettishness that was blighted by her toothless smile. ‘My name’s Liz – Liz Stride. Don’t forget’

Andrew had no problem finding the Britannia, a seedy bar with a windowed front. The room was brilliantly lit by oil lamps and thick with tobacco smoke. At the far end there was a long bar, with a couple of private rooms to the left. A crowd of noisy customers filled the large main area, which was cluttered with tables and chairs, the floor strewn with sawdust. A fleet of bartenders in filthy aprons squeezed their way between tightly packed tables, juggling metal tankards brimming with beer. In the corner, a battered old piano displayed its grubby keys to anyone wishing to enliven the evening with a tune.

Andrew reached the bar, which was laden with large jugs of wine, oil lamps and plates of cheese cut into huge chunks – they looked like bits of rubble from a tip. He lit a cigarette from one of the lamps, ordered a pint of beer, and leaned discreetly against the bar, surveying the crowd and wrinkling his nose at the strong smell of sausage that emanated from the kitchen. As he had been told, the atmosphere was more convivial than it had been at the Ten Bells. Most of the tables were occupied by sailors on shore leave and local people dressed as modestly as he, although he also noticed a few groups of prostitutes busy getting drunk. He sipped his beer slowly and looked for one who fitted Marie Kelly’s description, but none did.

By his third beer, he had begun to despair, and wondered what on earth he was doing there, chasing an illusion. He was about to leave when she pushed her way through the pub door. He recognised her at once. There was no doubt about it: she was the girl in the portrait, but more beautiful still for being endowed with movement. Her face looked drained, yet she moved with the energy Andrew had imagined from seeing her on canvas. Most of the other customers remained oblivious to her. How was it possible for anyone not to react to the small miracle that had just taken place in front of them? Their complete indifference made him feel he was a privileged witness to the phenomenon.

He recalled when, as a child, he had seen the wind take a leaf between invisible fingers and balance its tip on the surface of a puddle, spinning it like a top until a carriage wheel had put an end to its dance. To Andrew, it had seemed Mother Nature had engineered that magic trick for his eyes alone. From then on he was convinced that the universe dazzled mankind with volcanic eruptions, but had its own secret way of communicating with the select few, people like himself, who looked at reality as though it were a strip of wallpaper covering something else. Taken aback, he watched Marie Kelly walk towards him as if she knew him. His heart started to pound. He calmed a little when she propped her elbow on the bar and ordered half a pint of beer without glancing at him.

‘Having a good night, Marie?’

‘Can’t grumble, Mrs Ringer.’

Andrew was on the verge of blacking out. She was standing next to him! He could scarcely believe it, yet it was true. He had heard her voice. A tired, rather husky voice, but lovely in any case. And if he really tried, ignoring the stench of tobacco smoke and sausages, he could probably smell her, too. Smell Marie Kelly. Mesmerised, Andrew gazed at her, rediscovering in her every gesture what he already knew. In the same way that a shell holds the roar of the sea so this fragile body seemed to contain within it a force of nature.

When the landlady placed the beer on the counter, Andrew realised this was an opportunity he must not waste. He rummaged swiftly in his pockets and paid before she could. Allow me, miss.’

The gesture, as unexpected as it was chivalrous, earned him an openly approving look from Marie Kelly. He was paralysed. As the painting had already shown, the girl’s eyes were beautiful, yet they seemed buried beneath a layer of resentment. He could not help comparing her to a poppy field where someone had decided to dump refuse. And yet he was completely, hopelessly enthralled by her, and he tried to make the instant at which their eyes met as meaningful to her as it was to him, but – my apologies to any romantic souls reading these lines – some things cannot be expressed in a look.

How could Andrew make her share in the almost mystical feeling overwhelming him? How could he convey, with nothing more than his eyes, the sudden knowledge that he had been searching for her all his life without knowing it? If in addition we consider that Marie Kelly’s existence up to that point had done little to increase her understanding of life’s subtleties, it should come as no surprise that this initial attempt at spiritual communion (for want of a better way of putting it) was doomed to failure. Andrew did his best, obviously, but the girl understood his passionate gaze just as she interpreted that of the other men who accosted her every evening.

‘Thanks, mister,’ she replied, with a lewd smile, no doubt from force of habit.

Andrew nodded, dismissing the significance of a gesture he considered an all-important part of his strategy, then realised with horror that his careful plan had not taken into account how he was to strike up a conversation with the girl once he found her. What did he have to say to her? Or, more precisely, what did he have to say to a whore? A Whitechapel whore, at that. He had never bothered speaking much to the Chelsea prostitutes, only enough to discuss positions or the lighting in the room, and with the charming Keller sisters, or his other female acquaintances -young ladies whom it would not do to worry with talk of politics or Darwin’s theories – he only discussed trivia: Paris fashions, botany and, more recently, spiritualism, the latest craze. But none of these subjects seemed suitable to embark on with this woman, who was unlikely to want to summon some spirit to tell her which of her many suitors she would marry. So he simply stared at her, enraptured.

Luckily, Marie Kelly knew a better way of breaking the ice. ‘I know what you want, mister, although you’re too shy to ask,’ she said, her grin broadening as she gave his hand a fugitive caress. It brought him out in goose pimples. ‘Thruppence, and I can make your dreams come true. Tonight, at any rate.’

Andrew was shaken: she did not know how right she was. She had been his only dream the past few nights, his deepest longing, his most urgent desire, and now, although he was still scarcely able to believe it, he could have her. His whole body tingled with excitement at the mere thought of touching her, of caressing the slender body silhouetted beneath the shabby dress, of bringing forth moans from her lips as he was set alight by her eyes, those of a wild animal, a tormented, indomitable creature. That tremor of joy rapidly gave way to a profound sadness when he considered the unjust plight of the fallen angel, the ease with which any man could grope her, defile her in a filthy back alley, without anyone in the world uttering a cry of protest. Was that what such a unique creature had been created for?

He had no choice but to accept her invitation, a lump in his throat, distressed at being compelled to take her in the same way as her other clients, as if his intentions were no different from theirs.

Once he had accepted, Marie Kelly smiled with what looked to Andrew like forced enthusiasm, and tilted her head for them to leave the pub.

Andrew felt odd following the whore, walking behind her with bird-like steps as though Marie Kelly were leading him to the gallows instead of to plunge between her thighs. But could their meeting have been any different? From the moment he had come across his cousin’s painting he had been penetrating deeper into unknown territory, where he could not get his bearings because nothing around him was familiar. Everything was new and, to judge from the deserted streets they were going through, quite possibly dangerous. Was he blithely walking into a trap laid by the whore’s pimp? He wondered whether Harold would hear his shouts and, if so, if he would bother coming to his aid, or use the opportunity to avenge himself for the offhand treatment he had received from his master all these years.

After guiding him along Hanbury Street, a muddy alley dimly lit by a single oil-lamp sputtering on a corner, Marie Kelly beckoned him down a narrow passageway leading into pitch darkness. Andrew followed her, convinced he would meet his death, or at least be beaten to within an inch of his life by a couple of ruffians much bigger than him who, having stolen everything including his socks, would spit contemptuously on his bloody remains. That was how they did things here, and his idiotic adventure richly deserved such an ending. But before fear had time to take hold, they came out into a filthy, water-logged backyard where, to his surprise, no one was waiting for him.

Andrew glanced warily about him. Yes: strange as it might seem, they were alone in that evil-smelling place. The world they had left behind was reduced to a muffled rumble in which a distant church bell’s chimes rang out. At his feet the moon, reflected in a puddle, looked like a crumpled letter some unhappy lover had tossed on the ground.

‘We won’t be disturbed here, mister,’ Marie Kelly reassured him, leaning back against the wall and drawing him to her.

Before he knew it, she had unbuttoned his trousers and pulled out his manhood. She did so with startling ease, without any of the provocative foreplay to which the Chelsea prostitutes had accustomed him. The matter-of-fact way in which she manoeuvred his sex beneath her hiked-up skirts made it clear to Andrew that what to him was another magical moment was to her no more than routine.

‘It’s in,’ she assured him.

In? Andrew had enough experience to know the whore was lying. She was simply gripping him between her thighs. He assumed it was common practice among them, a trick to avoid penetration, which, if they were lucky and the client failed to notice or was too drunk, reduced the number of hasty intrusions they were forced to undergo each day, and with them the unwanted pregnancies that such might bring about. With this in mind, he began to thrust energetically, prepared to go along with the charade.

It was enough for him to rub himself against the silky skin of her inner thigh, to feel her body pressed against his for as long as the pretence lasted. What did it matter whether it was a sham if this phantom penetration allowed him to cross the boundary imposed by good manners and force his way into the intimacy that only lovers share? Feeling her hot breath in his ear, inhaling the delicate odour of her neck and clasping her to him until he felt the contours of her body merge with his was worth infinitely more than thruppence. And, as he soon discovered when he ejaculated into her petticoats, it had the same effect on him as other, greater, undertakings. Slightly ashamed at his lack of endurance, he finished emptying himself in quiet contemplation, still pressed against her.

Eventually he felt her stir impatiently. He stepped back, embarrassed. Oblivious to his unease, the whore straightened her skirts and thrust out a hand to be paid. Trying to regain his composure, Andrew hurriedly gave her the agreed sum. He had enough money left in his pockets to buy her for the whole night, but he preferred to savour what he had just experienced in the privacy of his own bed, and to persuade her to meet him the next night.

‘My name’s Andrew,’ he introduced himself, his voice high-pitched with emotion. She raised an eyebrow, amused. ‘And I’d like to see you again tomorrow.’

‘Certainly, mister. You know where to find me,’ the whore said, leading him back along the gloomy passageway she had brought him down.

As they made their way towards the main streets, Andrew was wondering whether ejaculating between her thighs entitled him to put his arm around her shoulders. He had decided it did, and was about to do precisely that, when they ran into another couple walking almost blindly towards them down the dim alley. Andrew mumbled an apology to the fellow he had bumped into, who, although scarcely more than a shadow in the darkness, seemed quite a burly sort. He was clinging to a whore, whom Marie Kelly greeted with a smile.

‘It’s all yours, Annie,’ she said, referring to the backyard she and Andrew had just left.

Annie thanked her with a raucous laugh and tugged her companion towards the passageway. Andrew watched them stagger into the blackness. Would that fellow be satisfied with having his member trapped between her thighs? he wondered. He had noticed how avidly the man clutched the whore to him.

‘Didn’t I tell you it was a quiet spot?’ Marie Kelly remarked, as they came out into Hanbury Street.

They said a laconic goodbye in front of the Britannia. Rather disheartened by the coldness she had shown after the act, Andrew tried to find his way back through the gloomy streets to his carriage. It was a good half-hour before he came upon it. He avoided Harold’s eyes as he climbed into the brougham.

‘Home, sir?’ Harold enquired sardonically.

The following night he arrived at the Britannia determined to behave like a self-assured man instead of the fumbling, timid dandy of his previous encounter. He had to overcome his nerves and prove he could adapt to his surroundings if he was to display his true charms to the girl, the repertoire of smiles and flattery with which he habitually captivated the ladies of his own class.

He found Marie Kelly sitting at a corner table, brooding over a pint of beer. Her demeanour unnerved him, but as he was not the sort to think up a new strategy as he went along, he decided to stick with his original plan. He ordered a beer at the bar, sat down at the girl’s table, as naturally as he could, and told her he knew of a guaranteed way to wipe the worry from her face. Marie Kelly shot him a black look, confirming what he feared: he had made a tactless blunder. Andrew thought she was going to tell him to clear off with a simple wave of her hand, as if he were an irritating fly, but she restrained herself and gazed at him quizzically for a few seconds.

She must have decided he was as good a person as any to unburden herself to because she took a swig from her tankard, wiped her mouth on her sleeve, and told him that her friend Annie, the woman they had bumped into in Hanbury Street the night before, had been found that morning, murdered, in the same yard they had been in. The poor woman had been partially decapitated, sliced open, her intestines pulled out and her womb removed.

Andrew stammered that he was sorry, as shocked by the killer’s attention to detail as he was to have collided with him moments before the crime. Evidently that particular client had not been satisfied with the usual service. But Marie Kelly had other concerns. According to her, Annie was the third prostitute in less than a month to be murdered in Whitechapel. Polly Nichols had been found dead with her throat slit in Bucks Road, opposite Essex Pier, on 31 August, and on the seventh of that month, Martha Tabram had been found brutally stabbed with a penknife on the stairs of a rooming house. Marie Kelly laid the blame on the gang from Old Nichol Street, blackmailers who demanded a share of the whores’ earnings.

‘Those bastards will stop at nothing to get us working for them,’ she said, between gritted teeth.

This state of affairs disturbed Andrew, but it should have come as no surprise: after all, they were in Whitechapel – the putrid dung-heap upon which London had turned its back, home to more than a thousand prostitutes living alongside German, Jewish and French immigrants. Stabbings were a daily occurrence. Wiping away the tears that had finally flowed from her eyes, Marie Kelly sat, head bowed, as though in prayer, until, to Andrew’s surprise, she roused herself from her stupor, grasped his hand and smiled lustfully at him. Whatever else happened, life went on. Was that what she had meant by her gesture? After all, she, Marie Kelly, had not been murdered. She had to go on living, dragging her skirts through those foul-smelling streets in search of money to pay for a bed.

Andrew gazed with pity at her hand lying in his, the dirty nails poking through the frayed mitten. He, too, felt the need to concentrate for a moment in order to change masks, like an actor who needs time in his dressing room to concentrate on becoming a different character. After all, life went on for him, too. Time did not stop because a whore had been murdered. He stroked her hand tenderly, ready to resume his plan. As though wiping condensation from a window pane, he freed his young lover’s smile from its veil of sadness and, looking her in the eye for the first time, said: ‘I have enough money to buy you for the whole night, but I don’t want any fakery in a cold backyard.’

This startled Marie Kelly, and she tensed, but Andrew’s smile soon put her at ease. ‘I rent a room at Miller’s Court, but I don’t know as it’ll be good enough for the likes of you,’ she remarked flirtatiously.

‘I’m sure you’ll make me like it,’ Andrew ventured, delighted at the bantering tone their conversation had taken – this was a register at which he excelled.

‘But first I’ll have to turn out my good-for-nothing husband,’ she replied. ‘He doesn’t like me bringing work home.’

This remark came as yet another shock to Andrew on an extraordinary night over which he clearly had no control. He tried not to let his disappointment show.

‘Still, I’m sure your money will make up his mind for him,’ Marie concluded.

***

So it was that Andrew found paradise in the dismal little room where he was now sitting. That night, everything had changed between them. When at last she lay naked, Andrew made love to her so respectfully, caressing her with such tenderness, that Marie Kelly could feel the hard shell she had carefully built around her begin to crack. To her surprise, Andrew’s kisses, marking her body like a pleasurable itch, made her own caresses less mechanical, and she quickly discovered she was no longer a whore lying on the bed, but the woman crying out for affection that she had always been. Andrew also sensed his love-making was freeing the real Marie Kelly, as though he were rescuing her from one of the water tanks in which stage magicians immersed their beautiful assistants, bound hand and foot, or as though his sense of direction had saved him from getting lost in the maze, like her other lovers, allowing him to reach a secret corner where the girl’s true nature survived intact.

They burned with a single flame, and when it waned, and Marie Kelly began to talk about springtime in Paris, where she had worked as an artist’s model, and about her childhood in Wales and on Ratcliffe Highway in London, Andrew understood that the strange sensation in his chest must be the pangs of love: he was experiencing all the emotions of which the poets spoke.

He was touched by the tone her voice took on when she described the Parisian squares with their riot of gladioli and petunias, and how on her return to London she had insisted everybody say her name in French, the only way she had found of preserving intact the distant fragrance that softened life’s sharp edges. He was equally moved by the hint of sadness in her voice as she described how they had hanged pirates from the Ratcliffe Highway Bridge until they drowned in the rising waters of the Thames. This was the real Marie Kelly, this bitter-sweet fruit, nature’s flawed perfection, one of God’s contradictions.

When she asked what work he did that could apparently allow him to buy her for the rest of his life, he decided to risk telling her the truth. If their love were to exist it must be nurtured in truth or not at all, and the truth (of how her portrait had sent him on his foolish quest to find her in a neighbourhood so different from his own) seemed as beautiful and miraculous to him as those stories about impossible love you read of in books. When their bodies came together again, he realised that, far from being an act of madness, falling in love with her was possibly the most reasonable thing he had ever done. And when he left the room, with the memory of her skin on his lips, he tried not to look at her husband, Joe, who was leaning against the wall, shivering with cold.

It was nearly daylight when Harold delivered him home. Too excited to go to bed, if only to relish the moments he had spent with Marie Kelly, Andrew went to the stables and saddled a horse. It was a long time since he had woken at dawn to go riding in Hyde Park. This was his favourite time of day, when the grass was still dewy and everything appeared untouched. How could he waste such an opportunity? Within minutes, he was galloping through the trees opposite the Harrington mansion, laughing to himself and occasionally letting out a cry of joy, like a soldier celebrating victory, because that was how he felt, remembering the loving look she had given him before they had said goodbye until the following night. It was as though she could see in his eyes that, unwittingly, he had been searching for her for years and perhaps I should take this opportunity to apologise for my earlier scepticism and confess that there is nothing that cannot be expressed in a look. A look, it seems, is a bottomless well of possibilities.

And so Andrew rode on, seized by a wild impulse, overwhelmed by a burning, pulsating sensation that might reasonably be described as happiness. Prey to the effects of such a violent infatuation, everything he rode past appeared to sparkle, as though each of its elements the paths strewn with dead leaves, the rocks, the trees, even the squirrels leaping from branch to branch – were lit by an inner glow.

But, have no fear, I shall not become bogged down in lengthy descriptions of practically luminous parkland, because not only do I have no taste for it but it would be untrue. Despite Andrew’s altered vision, the landscape clearly did not undergo any transformation, not even the squirrels, which are well known as creatures that pursue their own interests.

After more than an hour of strenuous, exhilarating riding, Andrew remembered he had a whole day to get through before he could return to Marie Kelly’s humble bed, and must find some way of distracting himself from the dreadful feeling that would assail him when he realised that the hands of the clock were not turning at their usual speed but were actually slowing down on purpose. He decided to drop in on his cousin Charles, which he usually did when he wanted him to share in his joy, even though this time he had no intention of telling him anything. Perhaps he was simply curious to see what Charles would look like to his feverish gaze, which had the power to enhance everything. Would he glow, like the squirrels in the park?

Chapter IV

Breakfast had been laid out in the Winslow dining room for young Charles, who was doubtless still lazing in bed. On a table next to the French windows, the servants had set out a dozen covered platters, bread rolls, jams and marmalades, and several jugs brimming with grapefruit juice and milk. Most of it would be thrown away because, contrary to appearance, they were not expecting a regiment, only Andrew, who, given his famous lack of appetite in the mornings, would almost certainly be content to nibble at a roll, ignoring the extravagant spread displayed in his honour.

Andrew was surprised by the sudden concern he felt at such waste. He had spent years contemplating tables like this, creaking under the weight of food no one would eat. This curious response was the first of many that would result from his forays into Whitechapel, inhabited by people capable of killing one another for a half-eaten roll. Would his experiences there stir his conscience as they had his emotions? He was the type of person whose cultivation of his inner life left little time for worrying about the outside world of the street. He was above all devoted to resolving the mystery that was himself, to studying his feelings and responses: all his time was taken up in attempting to fine-tune the instrument that was his spirit until he felt satisfied with the sound it produced.

There were times, owing to the constantly changing and rather unpredictable nature of his thought patterns, when this task appeared as impossible to him as lining up the goldfish in their bowl, but until he succeeded he sensed he would be unable to worry about what went on in the world, which for him started where his own pleasant, carefully scrutinised private concerns ended. In any case, he thought, it would be interesting to observe in himself how hitherto unknown preoccupations emerged through simple exposure. Who could tell? Perhaps his response to these new worries might hold the key to the mystery of who the real Andrew Harrington was.

He took an apple from the fruit bowl and settled into an armchair to wait yet again for his cousin to return to the land of the living. He had rested his muddy boots on a footstool and was smiling as he remembered Marie Kelly’s kisses and how they had both, gently but completely, made up for all the years they had been starved of affection, when his eye alighted on the newspaper lying on the table. It was the morning edition of the Star, announcing in bold print the murder of a Whitechapel prostitute called Anne Chapman. It gave details of the horrific mutilation she had suffered: besides her uterus, which he had already learned about from Marie Kelly, her bladder and womb had also been removed. Among other things, the newspaper also mentioned a couple of cheap rings missing from one of her fingers. It appeared the police had no clues as to the murderer’s identity although, after questioning other East End whores, the name of a possible suspect had emerged: a Jewish cobbler nicknamed Leather Apron, who was in the habit of robbing prostitutes at knife point. The article came with a macabre illustration of a policeman dangling a lamp over the bloody corpse of a woman sprawled on the pavement.

Andrew shook his head. He had forgotten that his paradise was surrounded by hell itself, and that the woman he loved was an angel trapped in a world full of demons.

He closely read the three-page report on the Whitechapel crimes committed to date, feeling worlds away from it all in this luxurious dining room, where man’s capacity for baseness and aberration was kept at bay as surely as the dust tirelessly polished away by servants. He had thought of giving Marie Kelly the money to pay off the gang of blackmailers she thought were responsible for the crimes, but the report did not seem to be pointing in that direction. The precise incisions on the bodies suggested that the killer had surgical knowledge, which implicated the entire medical profession, although the police had not ruled out furriers, cooks and barbers – anyone, in short, whose job brought them into contact with knives.

Queen Victoria’s medium was reported to have seen the killer’s face in a dream. Andrew sighed. The medium knew more about the killer than he, even though he had bumped into the fellow moments before he had committed the crime.

‘Since when did you develop an interest in the affairs of empire, cousin?’ asked Charles’s voice from behind him. ‘Ah, no – I see you are reading the crime pages.’

‘Good morning, Charles,’ said Andrew, tossing the paper on to the table as though he had been idly leafing through it.

‘The coverage given to the murders of those wretched tarts is incredible,’ his cousin remarked, plucking a cluster of shiny grapes from the fruit bowl and sitting in the armchair opposite. ‘Although I confess to being intrigued by the importance they’re attaching to this sordid affair: they’ve put Scotland Yard’s finest detective, Fred Abberline, in charge of the investigation. Clearly the Metropolitan Police are out of their depth in a case like this.’

Andrew pretended to agree, nodding abstractedly as he gazed out of the window, watching the wind scatter an air-balloon-shaped cloud. He did not want to arouse his cousin’s attention by showing too much interest in the affair, but the truth was he longed to know every detail of the crimes, apparently confined to the area where his beloved lived. How would his cousin react if he told him he had bumped into that brutal murderer in a murky Whitechapel alleyway? The sad fact was that, even so, he was unable to describe the fellow except to say he was enormous and evil-smelling.

‘In any case, regardless of Scotland Yard’s involvement, all they have are suspicions, some of them quite preposterous,’ his cousin went on, plucking a grape from the bunch and rolling it between his fingers. ‘Did you know they suspect one of the Red Indians from that Buffalo Bill show we saw last week, and even the actor Richard Mansfield, who is playing in Strange Case of Doctor Jekyll and Mr Hyde at the Lyceum? I recommend it, by the way: Mansfield’s transformation on stage is truly chilling.’

Andrew promised he would go, tossing the remains of his apple on to the table.

‘Anyway’ Charles concluded rather wearily, ‘the poor wretches in Whitechapel have formed vigilante groups and are patrolling the streets. It seems London’s population is growing so fast the police force can no longer cope. Everybody wants to live in this accursed city. People come here from all over the country in search of a better life, only to end up being exploited in factories, contracting typhus fever or turning to crime in order to pay an inflated rent for a cellar or some other airless hole. Actually, I’m amazed there aren’t more murders and robberies, considering how many go unpunished. Mark my words, Andrew, if the criminals became organised, London would be theirs. It’s hardly surprising Queen Victoria fears a popular uprising – a revolution like the one our French neighbours endured, which would end with her and her family’s heads on the block. Her empire is a hollow façade that needs progressively shoring up to stop it collapsing. Our cows and sheep graze on Argentinian pastures, our tea is grown in China and India, our gold comes from South Africa and Australia, and the wine we drink from France and Spain. Tell me, cousin, what, apart from crime, do we produce ourselves? If the criminal elements planned a proper rebellion they could take over the country. Fortunately, evil and common sense rarely go hand in hand.’

Andrew liked listening to Charles ramble in this relaxed way, pretending not to take himself seriously. He admired his cousin’s contradictory spirit, which reminded him of a house divided into endless chambers all separate from one another, so that what went on in one had no repercussions in the others. This explained why his cousin was able to glimpse, amid his luxurious surroundings, the most suppurating wounds and forget them a moment later, while he found it impossible to copulate successfully after a visit to a slaughterhouse or a hospital for the severely injured. It was as if Andrew had been designed like a seashell: everything disappeared and resonated inside him. That was the basic difference between them: Charles reasoned and he felt.

‘The truth is, these sordid crimes are turning Whitechapel into a place where you wouldn’t want to spend the night,’ Charles declared sententiously, abandoning his nonchalance to lean across the table and stare meaningfully at his cousin. ‘Especially with a tart’

Andrew gaped at him. ‘You know about it?’

His cousin smiled. ‘Servants talk, Andrew. You ought to know by now our most intimate secrets circulate like underground streams beneath the luxurious ground we walk on,’ he said, stamping his feet symbolically on the carpet.

Andrew sighed. His cousin had not left the newspaper there by accident. In fact, he had probably not even been asleep. Charles enjoyed this kind of game. It was easy to imagine him hiding behind one of the many screens that partitioned the vast dining room, waiting patiently for his stunned cousin to fall into the trap he had laid.

‘I don’t want my father to find out, Charles,’ begged Andrew.

‘Don’t worry, cousin. I’m aware of the scandal it would cause in the family. But tell me, are you in love with the girl or is this just a passing fancy?’

Andrew remained silent. What could he say?

You needn’t reply’ his cousin said, in a resigned voice. ‘I’m afraid I wouldn’t understand either way. I only hope you know what you’re doing.’

Andrew, of course, did not know what he was doing, but could not stop doing it. Each night, like a moth drawn to the flame, he returned to the miserable room in Miller’s Court, hurling himself into the relentless blaze of Marie Kelly’s passion. They made love all night, driven by frantic desire, as though they had been poisoned during dinner and did not know how long they had left to live, or as though the world around them were being decimated by the plague. Soon Andrew understood that if he left enough coins on her bedside table, their passion could continue gently smouldering beyond the dawn. His money preserved their fantasy, and even banished Joe, Marie Kelly’s husband, whom Andrew tried not to think of when, disguised in his modest clothes, he strolled with her through the maze of muddy streets.

Those were peaceful, pleasant walks, full of encounters with the girl’s friends and acquaintances, the long-suffering foot-soldiers of a war without trenches; a bunch of poor souls who rose from their beds each morning to face a hostile world, driven on by the sheer animal instinct for survival. Fascinated, Andrew found himself admiring them, as he would a species of exotic flower alien to his world. He became convinced that life in Whitechapel was more real, simpler, easier to understand than it was in the luxuriously carpeted mansions where he spent his days.

Occasionally, he had to pull his cap down over his eyes in order not to be recognised by the bands of wealthy young men who laid siege to the neighbourhood some nights. They arrived in luxurious carriages and mobbed the streets, like rude, arrogant conquistadors, in search of some miserable brothel where they could satisfy their basest instincts for, according to a rumour Andrew had frequently heard in West End smoking clubs, the only limits on what could be done with the wretched Whitechapel tarts were money and imagination. Watching these boisterous incursions, Andrew was assailed by a sudden protective instinct, which could only mean he had unconsciously begun to see Whitechapel as a place he should perhaps watch over. However, there was little he could do, confronted with those barbarous invasions, besides feeling sad and helpless, and trying to forget about them in the arms of his beloved. She appeared more beautiful to him by the day, as though beneath his caresses she had recovered the innate sparkle of which life had robbed her.

But, as everyone knows, no paradise is complete without a serpent, and the sweeter the moments spent with his beloved, the more bitter the taste in Andrew’s mouth when he recalled that what he had of Marie Kelly was all he could ever have. Because, although it was never enough and each day he yearned for more, the love that could not exist outside Whitechapel, for all its undeniable intensity, remained arbitrary and illusory. And while outside a crazed mob tried to lynch the Jewish cobbler nicknamed Leather Apron, Andrew quenched his anger and fear in Marie Kelly’s body.

He wondered whether his beloved’s fervour sprang from her own realisation that they had embarked upon a reckless love affair, and that all they could do was greedily clasp the unexpected rose of happiness as they tried to ignore the painful thorns. Or was it her way of telling him she was prepared to rescue their apparently doomed love even if it meant altering the very course of the universe? And if that was the case, did he possess the same strength? Did he have the necessary conviction to embark upon what he already considered a lost battle?

However hard he tried, Andrew could not imagine Marie Kelly moving in his world of refined young ladies, whose sole purpose in life was to display their fecundity by filling their houses with children, and to entertain their spouses’ friends with their pianistic accomplishment. Would Marie Kelly succeed in fulfilling this role while trying to stay afloat amid the waves of social rejection that would doubtless seek to drown her, or would she perish like an exotic bloom removed from its hothouse?

The newspapers’ continued coverage of the whores’ murders scarcely managed to distract Andrew from the torment of his secret fears. One morning, while breakfasting, he came across a reproduction of a letter the murderer had audaciously sent to the Central News Agency, assuring the police they would not catch him easily and promising he would carry on killing, testing his fine blade on the Whitechapel tarts. Appropriately enough, the letter was written in red ink and signed ‘Jack the Ripper’, a name that, however you looked at it, Andrew thought, was far more disturbing and imaginative than the rather dull ‘Whitechapel Murderer’ by which he had been known until then.

The new name was taken up by all the newspapers, and inevitably conjured up the villain of the penny dreadfuls, Jack Lightfoot, and his treatment of women. It was rapidly adopted by everyone, as Andrew soon discovered from hearing it uttered everywhere he went. The words were always spoken with sinister excitement, as though for the sad souls of Whitechapel there was something thrilling and even fashionable about a ruthless murderer stalking the neighbourhood with a razor-sharp knife. Furthermore, as a result of this disturbing missive, Scotland Yard was deluged with similar correspondence (in which the alleged killer mocked the police, boasted childishly about his crimes and promised more murders). Andrew had the impression that England was teeming with people desperate to bring excitement into their lives by pretending they were murderers, normal men whose souls were sullied by sadistic impulses and unhealthy desires that fortunately they would never act upon.

Besides hampering the police investigation, the letters also transformed the vulgar individual he had bumped into in Hanbury Street into a monstrous creature apparently destined to personify man’s most primitive fears. Perhaps this uncontrolled proliferation of would-be perpetrators of his macabre crimes prompted the real killer to surpass himself. On the night of 30 September, at the timber merchants’ in Dutfield Yard, he murdered Elizabeth Stride – the whore who had originally put Andrew on Marie’s trail – and a few hours later, in Mtre Square, Catherine Eddowes, whom he had time to rip open from pubis to sternum, remove her left kidney and even cut off her nose.

Thus began the cold month of October, in which a veil of gloomy resignation descended upon the inhabitants of Whitechapel who, despite Scotland Yard’s efforts, felt more than ever abandoned to their fate. There was a look of helplessness in the whores’ eyes, but also a strange acceptance of their dreadful lot. Life became a long and anxious wait, during which Andrew held Marie Kelly’s trembling body tightly in his arms and whispered to her that she need not worry, provided she stayed away from the Ripper’s hunting ground, the area of backyards and deserted alleyways where he roamed with his thirsty blade, until the police managed to catch him.

But his words did nothing to calm a shaken Marie, who had even begun sheltering other whores in her tiny room at Miller’s Court to keep them off the unsafe streets. It resulted in her having a fight with her husband, Joe, during which he broke a window. The following night, Andrew gave her the money to fix the glass and keep out the piercing cold. However, she simply placed it on her bedside table and lay back dutifully on the bed so that he could take her. Now though all she offered him was a body, a dying flame, and the grief-stricken despair she had been unable to keep from her eyes in recent days, a look in which he thought he glimpsed a desperate cry for help, a silent appeal to him to take her away before it was too late.

Andrew made the mistake of pretending not to notice her distress, as though he had forgotten that everything could be expressed in a look. He felt incapable of altering the very course of the universe, which for him translated into the even more momentous feat of confronting his father. Perhaps that was why, as a silent rebuke for his cowardice, she began to go out looking for clients and spending the nights getting drunk with her fellow whores in the Britannia. There they cursed the uselessness of the police and the power of the monster from hell who continued to mock them, most recently by sending George Lusk, socialist firebrand and self-proclaimed president of the Whitechapel Vigilance Committee, a cardboard box containing a human kidney.

Frustrated by his lack of courage, Andrew watched her return drunk each night to the little room. Then, before she could collapse on the floor or curl up like a dog beside the warm hearth, he would take her in his arms and put her to bed, grateful that no knife had stopped her in her tracks. But he knew she could not keep exposing herself to danger in this way, even if the murderer had not struck for several weeks and more than eighty policemen were patrolling the neighbourhood. He also knew he was the only one able to stop her. For that reason, sitting in the gloom while his beloved spun her drunken nightmares of corpses with their guts ripped out, Andrew would resolve to confront his father the very next day. But when the next day came all he could do was prowl around his father’s study, not daring to go in. And when it grew dark, his head bowed in shame, occasionally clutching a bottle, he returned to Marie Kelly’s little room, where she received him with her eyes’ silent reproach.

Then Andrew remembered all the things he had said to her, the impassioned declarations he had hoped would seal their union. How he had been trying to find her for he did not know how long -eighteen, a hundred, five hundred years – how he knew that if he had undergone reincarnations he had looked for her in every one, because they were twin spirits destined to meet each other in the labyrinth of time, and other such pronouncements. Now he was sure Marie Kelly could only see his avowals as a pathetic attempt to cloak his animal urges in romanticism or, worse, to conceal the thrill he derived from those voyeuristic forays into the wretched side of existence. ‘Where is your love now, Andrew?’ her eyes seemed to ask, before she trudged off to the Britannia, only to return a few hours later rolling drunk.

Until, on that cold night of 7 November, Andrew watched her leave again for the tavern, and something inside him shifted. Whether it was the alcohol, which, consumed in the right quantity, can clear some people’s heads, or simply that enough time had passed for this clarity to occur naturally, it finally dawned on him that without Marie Kelly his life would no longer have any meaning so he had nothing to lose by fighting for a future with her. Filled with resolve, suddenly able to breathe freely once more, he left the room, slamming the door resolutely, and strode off towards the place where Harold Barker waited while his master took his pleasure. The coachman was huddled like an owl on the seat, warming himself with a bottle of brandy.

That night his father was to discover his youngest son was in love with a whore.

Chapter V

Yes, I know that when I began this tale I promised there would be a fabulous time machine, and there will be. There will even be intrepid explorers and fierce native tribes – a must in any adventure story. But all in good time. Isn’t it necessary at the start of any game to place all the pieces on their respective squares? Of course it is – so let me continue to set up the board, slowly but surely, by returning to young Andrew, who might have taken the opportunity of the long journey back to the Harrington mansion to sober up, but who chose instead to cloud his thoughts further by finishing the bottle he had in his pocket.

Ultimately, there was no point in confronting his father with a sound argument and reasoned thinking: he was sure that any civilised discussion of the matter would be impossible. He needed to dull his senses as much as he could, staying just sober enough not to be completely tongue-tied. There was no point in slipping back into the elegant clothes he always left judiciously in a bundle on the carriage seat.

That night there was no longer any need for secrecy. When they arrived at the mansion, Andrew stepped out of the carriage, asked Harold to stay where he was, and hurried into the house. The coachman watched in dismay as he ran up the steps in his rags, and wondered if he would hear Mr Harrington’s shouts from where he sat.

Andrew had forgotten his father had a meeting with businessmen that night until he staggered into the library. A dozen men stood gaping at him in astonishment. This was not the situation he had anticipated, but he had too much alcohol in his blood to be put off. He searched for his father amid the array of dinner jackets, and finally found him by the fireplace, next to his brother Anthony. Glass in one hand, cigar in the other, both men looked him up and down. But his clothing was the least of it, as they would soon discover, thought Andrew, who in the end felt pleased to have an audience. Since he was about to stick his head in the noose, it was better to do so in front of witnesses than alone with his father in his study.

He cleared his throat loudly under the fixed gaze of the gathering, and said: ‘Father, I’ve come here to tell you I’m in love.’

His words were followed by a heavy silence, broken only by an embarrassed cough here and there.

‘Andrew, this is hardly a suitable moment to—’ his father began, visibly irritated, before Andrew silenced him with a sudden gesture of his hand.

‘I assure you, Father, this is as unsuitable a moment as any other,’ he said, trying to keep his balance so he would not have to finish his bravura performance flat on his face.

His father bridled, but remained silent.

Andrew took a deep breath. The moment had come for him to destroy his life. ‘And the woman who has stolen my heart,’ he declared, ‘is a Whitechapel whore by the name of Marie Kelly’

Having unburdened himself, he smiled defiantly at the gathering. Faces fell, heads were clutched in hands, arms flapped in the air, but no one said a word: they all knew they were witnessing a melodrama with two protagonists and, of course, that William Harrington must speak. All eyes were fixed on the host.

Staring at the pattern on the carpet, his father shook his head, let out a low, barely repressed growl, and put down his glass on the mantelpiece, as though it were suddenly encumbering him.

‘Contrary to what I’ve heard you maintain, gentlemen,’ Andrew went on, unaware of the rage stirring in his father’s breast, ‘whores aren’t whores because they want to be. I assure you that any one of them would choose to have a respectable job if they could. Believe me, I know what I’m saying.’ His father’s colleagues continued to demonstrate their ability to express surprise without opening their mouths. ‘I’ve spent a lot of time in their company, these past few weeks. I’ve watched them washing in horse-troughs in the mornings, seen them sitting down to sleep, held against the wall by a rope if they could not find a bed …’

The more he went on speaking in this way about prostitutes, the more Andrew realised his feelings for Marie Kelly were deeper than he had imagined. He gazed round with infinite pity at the men with their orderly lives, their dreary, passionless existences, who would consider it impractical to yield to a near-uncontrollable urge. He could tell them what it was like to lose one’s head, to burn up with feverish desire. He could tell them what the inside of love looked like, because he had split it open like a piece of fruit.

But Andrew could not tell them this or anything else because at that moment his father, emitting enraged grunts, strode unsteadily across the room, almost harpooning the carpet with his cane. Without warning, he struck his son hard across the face. Andrew staggered backwards, stunned by the blow. When he finally understood what had happened, he rubbed his stinging cheek, trying to put on the same smile of defiance. For a few moments that seemed like eternity to those present, father and son stared at one another in the middle of the room, until William Harrington said: ‘As of tonight I have only one son.’

Andrew tried not to show any emotion. ‘As you wish,’ he replied coldly. Then, to the guests, he made as if to bow. ‘Gentlemen, my apologies, I must leave this place for ever.’

With as much dignity as he could muster, Andrew turned on his heel and left the room. The cold night air had a calming effect on him. In the end, he thought, trying not to trip as he descended the steps, nothing that had happened had come as a surprise. His disgraced father had just disinherited him, in front of half of London’s wealthiest businessmen, giving them a first-hand display of his famous temper, unleashed against his offspring without the slightest compunction. Now Andrew had nothing, except his love for Marie Kelly. If before the disastrous encounter he had entertained the slightest hope that his father might give in, and even let him bring his beloved to the house, to remove her from the monster stalking Whitechapel, it was clear now that they must live by their own means. He climbed into the carriage and ordered Harold to return to Miller’s Court.

The coachman, who had been pacing round the vehicle in circles, waiting for the dénouement of the drama, clambered back onto the box and urged the horses on. He was trying to imagine what had taken place inside the house – and to his credit, based on the clues he had been perceptive enough to pick up, we must say that his reconstruction of the scene was remarkably accurate.

When the carriage stopped in the usual place, Andrew got out and hurried towards Dorset Street, anxious to embrace Marie Kelly and tell her how much he loved her. He had sacrificed everything for her. Still he had no regrets, only a vague uncertainly regarding the future. But they would manage. He was sure he could rely on Charles. His cousin would lend him enough money to rent a house in Vauxhall or Warwick Street, at least until they were able to find decent jobs that would allow them to fend for themselves. Marie Kelly could find work at a dressmaker’s – but what skills did he possess? It made no difference. He was young, able-bodied and willing. He would find something. The main thing was he had stood up to his father, and what happened next was neither here nor there. Marie Kelly had pleaded with him, silently, to take her away from Whitechapel, and that was what he intended to do, with or without anyone else’s help. They would leave that accursed neighbourhood, that outpost of hell.

Andrew glanced at his watch as he paused beneath the stone archway into Miller’s Court. It was five o’clock in the morning. Marie Kelly would probably have already returned to the room, probably as drunk as he. Andrew visualised them communicating through a haze of alcohol in gestures and grunts like Darwin’s primates. With boyish excitement, he walked into the yard where the flats stood. The door to number thirteen was closed. He banged on it a few times but got no reply. She must be asleep, but that would not be a problem. Careful not to cut himself on the shards of glass sticking out of the window frame, Andrew reached through the hole and flicked open the door catch, as he had seen Marie do after she had lost her key. ‘Marie, it’s me,’ he said, opening the door. ‘Andrew’

Allow me at this point to break off the story to warn you that what took place next is hard to relate, because the sensations Andrew experienced were apparently too numerous for a scene lasting only a few seconds. That is why I need you to take into account the elasticity of time, its ability to expand or contract like an accordion, regardless of clocks. I am sure this is something you will have experienced frequently in your own life, depending on which side of the bathroom door you have found yourself. In Andrew’s case, time expanded in his mind, creating an eternity of a few seconds. I am going to describe the scene from that perspective, and therefore ask you not to blame my inept story-telling for the discrepancies you will no doubt perceive between the events and their correlation in time.

When he first opened the door and stepped into the room, Andrew did not understand what he was seeing or, more precisely, he refused to accept what he was seeing. During that brief but endless moment, he still felt safe, although the certainty was forming in some still-functioning part of his brain that what he saw before him would kill him. Nobody could be faced with a thing like that and go on living, at least not completely. And what he saw before him, let’s be blunt about it, was Marie Kelly – but at the same time it wasn’t, for it was hard to accept that the object lying on the bed in the middle of all the blood was she.

Andrew could not compare what awaited him in that room with anything he had seen before because, like most other men, he had never been exposed to a carefully mutilated human body. And once Andrew’s brain had finally accepted that he was indeed looking at a meticulously destroyed corpse, although nothing in his pleasant life of country-house gatherings and fancy headwear seemed to offer him any clues, he had no time to feel the appropriate revulsion: he could not avoid the terrible line of reasoning that led him to the inevitable conclusion that this human wreckage must be his beloved.

The Ripper, for this could be the work of none other, had stripped the flesh off her face, rendering her unrecognisable, and yet, however great the temptation, Andrew could not deny the corpse belonged to Marie Kelly. It seemed an almost simplistic, not to say improbable, approach, but given its size and appearance and, above all, the place where he had found it, the dismembered corpse could only be that of Marie Kelly.

After this, of course, Andrew was overcome by a devastating pain, which, despite everything, was only a pale expression of what it would later become: it was still tempered by the shock paralysing and, to some extent, protecting him. Once he was convinced he was standing before the corpse of his beloved, he felt compelled by a sort of posthumous loyalty to look tenderly upon that ghastly sight, but he was incapable of contemplating with anything other than revulsion her flayed face, the skull’s macabre, caricatured smile peeping through the strips of flesh.

But how could the skull on which he had bestowed his last passionate kisses revolt him now? The same applied to the body he had worshipped for nights on end, and which, ripped open and half skinned, he now found sickening. It was clear to him from his reaction that in some sense, although it was made of the same material, this object had ceased to be Marie Kelly. The Ripper, in his zeal to discover how she was put together inside, had reduced her to a simple casing of flesh, robbing her of her humanity.

After this last reflection, the time came for Andrew to focus, with a mixture of fascination and horror, on specific details, like the darkish brown lump between her feet, possibly her liver, or the breast lying on the bedside table, which, far from its natural habitat, he might have mistaken for a soft bun had it not been topped with a purplish nipple. Everything appeared neatly arranged, betraying the murderer’s grisly calm. Even the heat Andrew now noticed suffusing the room, suggested the ghoul had taken the time to light a nice fire in order to work in more comfort.

Andrew closed his eyes: he had seen enough. He did not want to know any more. Besides showing him how cruel and indifferent man could be towards his fellow human beings, the atrocities he could commit, given enough opportunity, imagination and a sharp knife, the murderer had provided him with a shocking and brutal lesson in anatomy. For the very first time Andrew realised that life, real life, had no connection with the way people spent their days, whose lips they kissed, what medals were pinned to their breasts or the shoes they mended. Life, real life, went on soundlessly inside our bodies, flowed like an underwater stream, occurred like a silent miracle of which only surgeons and pathologists were aware – and perhaps that ruthless killer. They alone knew that, ultimately, there was no difference between Queen Victoria and the most wretched beggar in London: both were complex machines made up of bone, organs and tissue, whose fuel was the breath of God.

This is a detailed analysis of what Andrew experienced during those fleeting moments when he stood before Marie Kelly’s dead body, although this description makes it seem as if he were gazing at her for hours, which was what it felt like to him. Eventually guilt began to emerge through the haze of pain and disgust for he immediately held himself responsible for her death. It had been in his power to save her, but he had arrived too late. This was the price of his cowardice. He let out a cry of rage and impotence as he imagined his beloved being subjected to this butchery.

Suddenly it dawned on him that unless he wanted to be linked to the murder he must get out before someone saw him. It was even possible the murderer was still lurking outside, admiring his macabre handiwork from some dark corner, and would have no hesitation in adding another corpse to his collection. He gave Marie Kelly a farewell glance, unable to bring himself to touch her, and with a supreme effort of will forced himself to withdraw from the little room, leaving her there.

As though in a trance, he closed the door behind him, leaving everything as he had found it. He walked towards the exit to the flats, but was seized by intense nausea and only just made it to the stone archway. There, half kneeling, he vomited, retching violently. After he had brought up everything, which was little more than the alcohol he had drunk that night, he leaned back against the wall, his body limp, cold and weak. From where he was, he could see the little room, number thirteen, the paradise where he had been so happy, now hiding his beloved’s dismembered corpse from the night. He took a few steps and, confident that his dizzy spell had eased sufficiently for him to walk, staggered out into Dorset Street.

Too distressed to get his bearings, he wandered aimlessly, letting out cries and sobs. He did not even attempt to find the carriage: now that he knew he was no longer welcome in his family home there was nowhere for him to tell Harold to go. He trudged along street after street, guided only by the forward movement of his feet. When he calculated he was no longer in Whitechapel, he looked for a lonely alley and collapsed, exhausted and trembling, in the midst of a pile of discarded boxes. There, curled up, he waited for night to pass.

As I predicted above, when the shock began to subside, his pain increased. His sorrow intensified until it became physical torment. Suddenly it was agony to be in his body, as if he lay in a sarcophagus lined with nails. He wanted to flee, unshackle himself from the excruciating substance he was made of, but he was trapped inside that martyred flesh. Terrified, he wondered if he would have to live with the pain for ever. He had read somewhere that the last image people see before they die is engraved on their eyes. Had the Ripper’s savage leer been etched on Marie Kelly’s pupils? He could not say, but he knew that if the rule were true he would be the exception: whatever else he might see before he died, his eyes would always reflect Marie Kelly’s mutilated face.

Without the desire or strength to do anything, Andrew let the hours slip by. Occasionally, he raised his head from his hands and let out a howl of rage to show the world his bitterness about all that had happened, which he was now powerless to change. He hurled random insults at the Ripper, who had conceivably followed him and was waiting, knife in hand, at the entrance to the alley. Then he laughed at his fear. For the most part, though, he wailed pitifully, oblivious to his surroundings, hopelessly alone with his own horror.

The arrival of dawn, leisurely sweeping away the darkness, restored his sanity somewhat. Sounds of life reached him from the entrance to the alley. He stood up with difficulty, shivering in his servant’s threadbare jacket, and walked out into the street, which was surprisingly lively.

Noticing the flags hanging from the fronts of the buildings, Andrew realised it was Lord Mayor’s Day. Walking as upright as he could, he joined the crowd. His grubby attire drew no more attention than that of any ordinary tramp. He had no notion of where he was, but that did not matter, since he had nowhere to go and nothing to do. The first tavern he came to seemed as good a destination as any. It was better than being swept along on the human tide making its way to the Law Courts to watch the arrival of the new mayor, James Whitehead. The alcohol would warm his insides, and at the same time blur his thoughts until they were no longer a danger to him.

The seedy public house was half empty. A strong smell of sausages and bacon coming from the kitchen made his stomach churn and he secluded himself in the corner furthest from the stoves and ordered a bottle of wine. He was forced to place a handful of coins on the table in order to persuade the man to serve him. While he waited, he glanced at the other customers, reduced to a couple of regular patrons, drinking in silence, oblivious to the clamour in the streets outside. One of them stared back at him, and Andrew felt a flash of sheer terror. Could he be the Ripper? Had he followed him there? He calmed down when he realised the man was too small to be a threat to anyone, but his hand was still shaking when he reached for the wine bottle. He knew now what man was capable of, any man, even the little fellow peacefully sipping his ale. He probably did not have the talent to paint the Sistine Chapel, but what Andrew could not be sure of was whether he was capable of ripping a person’s guts out and arranging their entrails around their body.

He gazed out of the window. People were coming and going, carrying on their lives without the slightest token of respect. Why did they not notice that the world had changed, that it was no longer habitable? Andrew gave a deep sigh. The world had changed only for him. He leaned back in his seat and applied himself to getting drunk. After that he would see. He glanced at the pile of money. He calculated he had enough to purchase every last drop of alcohol in the place, and so, for the time being, any other plan could wait. Sprawled over the bench, trying hard to prevent his mind from elaborating the simplest thought, Andrew let the day go by, his numbness increasing as he drew closer to the edge of oblivion.

But he was not too dazed to respond to the cry of a newspaper vendor. ‘Read all about it in the Star] Special edition: Jack the Ripper caught!’

Andrew leaped to his feet. The Ripper caught? He could hardly believe his ears. He leaned out of the window and, screwing up his eyes, scoured the street until he glimpsed a boy selling newspapers on a corner. He beckoned him over and bought a copy from him through the window. With trembling hands, he cleared away several bottles and spread the newspaper on the table. He had not misheard. ‘Jack the Ripper Caught!’ the headline declared. Reading the article proved slow and frustrating, due to his drunken state, but with patience and much blinking, he managed to decipher what was written.

The article began by declaring that Jack the Ripper had committed his last ever crime the previous night. His victim was a prostitute of Welsh origin called Marie Jeanette Kelly, discovered in the room she rented in Miller’s Court, at number twenty-six Dorset Street. Andrew skipped the following paragraph, which listed in gory detail the gruesome mutilations the murderer had perpetrated on her, and went straight to the description of his capture.

The newspaper stated that less than an hour after he had committed the heinous crime, the murderer who had terrorised the East End for four months had been caught by George Lusk and his men. Apparently, a witness who preferred to remain anonymous had heard Marie Kelly’s screams and alerted the Vigilance Committee. Unhappily, they reached Miller’s Court too late, but had managed to corner the Ripper as he fled down Middlesex Street. At first, the murderer tried to deny his guilt, but soon gave up after he was searched and the still warm heart of his victim was found in one of his pockets. The man’s name was Bryan Reese, and he worked as a cook on a merchant vessel, the Slip, which had docked at the Port of London from Barbados the previous July and would be setting sail for the Caribbean the following week.

During his interrogation by Frederick Abberline, the detective in charge of the investigation, Reese had confessed to the five murders of which he was accused, and had even shown his satisfaction at having been able to execute his final bloody act in the privacy of a room with a nice warm fire. He was tired of always having to kill in the street. ‘I knew I was going to follow that whore the moment I saw her,’ the murderer had gloated, before going on to claim he had murdered his own mother, a prostitute like his victims, as soon as he was old enough to wield a knife. This detail, which might have explained his behaviour, had yet to be confirmed.

Accompanying the article was a photogravure of the murderer so that Andrew could finally see the face of the man he had bumped into in the gloom of Hanbury Street. His appearance was disappointing. He was an ordinary-looking fellow, rather heavily built, with curly sideburns and a bushy moustache that drooped over his top Up. Despite his rather sinister smirk, which probably owed more to the conditions in which he had been photographed than anything else, Andrew had to admit he might just as well have been an honest baker as a ruthless killer. He certainly had none of the gruesome features Londoners’ imaginations had ascribed to him.

The following pages gave other related news items, such as the resignation of Sir Charles Warren following his acknowledgement of police incompetence in the case, or statements from Reese’s astonished fellow seamen on the cargo vessel, but Andrew already knew everything he wanted to know and went back to the front page. From what he could work out, he had entered Marie Kelly’s little room moments after the murderer had left and shortly before Lusk’s mob arrived, as if they were all keeping to a series of dance steps. He hated to think what would have happened had he delayed fleeing any longer and been discovered standing over Marie Kelly’s body by the Vigilance Committee. He had been lucky, he told himself.

He tore out the first page, folded it and put it into his jacket pocket, then ordered another bottle to celebrate that, although his heart was irreparably broken, he had escaped being beaten to a pulp by an angry mob.

Eight years later, Andrew took that same cutting from his pocket. Like him, it was yellowed with age. How often had he re-read it, recalling Marie Kelly’s horrific mutilations like a self-imposed penance? He had almost no other memories of the intervening years. What had he done during that time? It was difficult to say. He vaguely remembered Harold taking him home after scouring the various pubs in the vicinity and finding him passed out in that den. He had spent several days in bed with a fever, ranting and suffering from nightmares in which Marie Kelly’s corpse lay stretched out on her bed, her insides strewn about the room, or in which he was slitting her open with a huge knife while Reese looked on approvingly.

In a brief moment of clarity during his feverish haze, he was able to make out his father sitting stiffly on the edge of his bed, begging forgiveness for his behaviour. But it was easy to apologise now there was nothing to accept. Now all he had to do was join in the theatrical display of grief that the family, even Harold, had decided to put on for him as a mark of respect. Andrew waved his father away, with an impatient gesture that, to his annoyance, the proud William Harrington took to be absolution, judging from his smile of satisfaction as he left the room, as though he had sealed a successful deal. William Harrington had wanted to clear his conscience and that was what he had done, whether his son liked it or not. Now he could forget the matter and get back to business. Andrew did not really care: he and his father had never seen eye to eye and were not likely to do so now.

He recovered from his fever too late to attend Marie Kelly’s funeral, but not her killer’s execution. The Ripper was hanged at Wandsworth Prison, despite the objections of several doctors, who maintained Reese’s brain was worthy of scientific study: its bumps and folds must contain the crimes he had been predestined to commit since birth and should be recorded. Andrew watched as the executioner snuffed out Reese’s life but this did not bring back Marie Kelly’s or those of her fellow whores. Things did not work like that; the Creator knew nothing of bartering, only of retribution. At most, a child might have been born at the moment when the rope snapped the Ripper’s neck, but bringing back the dead to life was another matter. Perhaps that explained why so many had begun to doubt His power and even to question whether it was really He who had created the world.

That same afternoon, a spark from a lamp set alight the portrait of Marie Kelly hanging in the Winslows’ library. That, at least, was what Charles said – he had arrived just in time to put out the fire.

Andrew was grateful for Charles’s gesture, but the affair could not be ended by removing the cause. No, it was something that was impossible to deny. Thanks to his father’s generosity, Andrew got back his old life, but being reinstated as heir to the vast fortune his father and brother continued to amass meant nothing to him now. All that money could not heal the wound inside, although he soon realised that spending it in the opium dens of Poland Street helped. Too much drink had made him immune to alcohol, but opium was a far more effective and gentler aid to forgetting. Not for nothing had the ancient Greeks used it to treat a wide range of afflictions.

Andrew began to spend his days in the opium den, sucking his pipe as he lay on one of the hundreds of mattresses screened off by exotic curtains. In those rooms, lined with fly-blown mirrors that made their dimensions seem uncertain in the dim light cast by the gas lamps, Andrew fled his pain in the labyrinths of a shadowy, never-ending daydream. From time to time a skinny Malay filled his pipe bowl for him, until Harold or his cousin pulled back the curtain and led him out. If Coleridge had resorted to opium to alleviate the trifling pain of toothache, why should Andrew not use it to dull the agony of a broken heart, he replied, when Charles warned him of the dangers of addiction. As always his cousin was right, and although as his suffering abated Andrew stopped visiting the opium den, for a while he was obliged to carry phials of laudanum around with him.

That period lasted two or three years, until the pain finally disappeared, giving way to something far worse: emptiness, lethargy, numbness. Marie Kelly’s murder had obliterated his will to live, severed his unique communication with the world, leaving him deaf and dumb, manoeuvring him into a corner of the universe where nothing happened. He had turned into an automaton, a gloomy creature that lived out of habit, without hope, simply because life, real life, had no link to the way he spent his days, but occurred quietly inside him, like a silent miracle, whether he liked it or not. In short, he became a lost soul, shutting himself in his room by day and roaming Hyde Park by night. Even the action of a flower coming into bud seemed rash, futile and pointless.

In the meantime, his cousin Charles had married one of the Keller sisters – Victoria or Madeleine, Andrew could not remember which – and had purchased an elegant house in Elystan Street. This did not stop him visiting Andrew nearly every day, and occasionally dragging him to his favourite brothels on the off-chance that one of the new girls might have the fire between her legs to rekindle his cousin’s dulled spirit. But to no avail: Andrew refused to be pulled out of the hole into which he had dug himself.

To Charles – whose point of view I shall adopt at this juncture, if you will consent to this rather obvious switch of perspective within a paragraph – this showed the resignation of someone who has embraced the role of victim. After all, the world needed martyrs as evidence of the Creator’s cruelly. It was even conceivable that his cousin had come to view what had happened to him as an opportunity to search his soul, to venture into its darkest, most inhospitable regions.

How many people go through life without experiencing pure pain? Andrew had known complete happiness and utter torment; he had used up his soul, so to speak, exhausted it completely. And now, comfortably installed with his pain, like a fakir on a bed of nails, he seemed to await who knew what: perhaps the applause signalling the end of the performance. Charles was certain that if his cousin was still alive it was because he felt compelled to experience that pain to the hilt. It was irrelevant whether this was a practical study of suffering or to atone for his guilt. Once Andrew felt he had achieved this, he would take a last bow and leave the stage for good.

Thus, each time Charles visited the Harrington mansion and found his cousin prone but still breathing, he heaved a sigh of relief. And when he arrived home empty-handed, convinced that anything he could do for Andrew was useless, he reflected on how strange life could be, how flimsy and unpredictable it was if it could be altered so drastically by the mere purchase of a painting. Was it within his power to change his cousin’s life again? Could he alter the path it would take before it was too late? He did not know. The only thing he was certain of was that, given everyone else’s indifference, he had to try.

In the little room on Dorset Street, Andrew opened the cutting and read for the last time, as though it were a prayer, the account of Marie Kelly’s mutilations. Then he folded it and replaced it in his coat pocket. He contemplated the bed, which bore no trace of what had happened there eight years before. But that was the only thing that was different: everything else remained unchanged – the grimy mirror, in which the crime had been immortalised, Marie Kelly’s little perfume bottles, the cupboard where her clothes still hung, even the ashes in the hearth left from the fire the Ripper had lit to make slitting her open cosier. He could think of no better place to take his own life.

He placed the barrel of the revolver under his jaw and crooked his finger around the trigger. Those walls would be splattered with blood once more, and far away, on the distant moon, his soul would at last take up its place in the little hollow awaiting him in Marie Kelly’s bed.

Chapter VI

With the revolver barrel digging into the flesh beneath his jaw, and his finger poised on the trigger, Andrew thought how strange it was for him to have come to this. He had chosen to bring about his own death even though most of his life he had, like everyone else, been content merely to fear it, imagine it in every illness, see it lurking treacherously all around him in a world of precipices, sharp objects, thin ice and jumpy horses, mocking the fragility of those who claimed to be kings of Creation. All that worrying about death, he thought, only to embrace it now. But that was how things were: it was enough to find life a sterile, unrewarding exercise to want to end it, and there was only one way to do that. And he had to confess that the vague unease he felt was in no way existential. Dying itself did not worry him in the least, because fear of death, whether it was a bridge to a biblical universe or a plank artfully suspended above the void, always derived from the certainly that the world went on without us, like a dog after its ticks have been removed.

Broadly speaking, then, pulling the trigger meant pulling out of the game, relinquishing any possibility of being dealt a better hand in the next round. Andrew doubted this could happen. He had lost all faith. He did not believe fate had any reward in store for him that would make up for the pain he had suffered. He did not believe such recompense existed. He was afraid of something far more mundane: the pain he would doubtless feel when the bullet shattered his jaw. Naturally, it would not be pleasant, but it was part of his plan, and therefore something he must accept. He felt his finger grow heavy as it rested on the trigger, gritted his teeth and prepared to put an end to his tragic life.

Just then, a knock came on the door. Startled, Andrew opened his eyes. Who could this be? Had McCarthy seen him arrive and come to ask for money to fix the window? The knocking became more insistent. That accursed money-grubber! If the man had the gall to stick his snout through the hole in the window, Andrew would not hesitate to shoot him. What did it matter now if he broke the absurd commandment about not killing your fellow man, especially if that man happened to be McCarthy?

‘Andrew, I know you’re in there. Open the door.’

With a bitter grimace, Andrew recognised his cousin Charles’s voice. Charles, Charles – always following him everywhere, looking out for him. He would have preferred it to be McCarthy. He could not shoot Charles. How had his cousin found him? And why did he go on trying when Andrew himself had long since given up?

‘Go away, Charles, I’m busy’ he cried.

‘Don’t do it, Andrew! I’ve found a way of saving Marie!’

‘Saving Marie?’ Andrew laughed grimly. He had to admit his cousin had imagination, although this was verging on bad taste. ‘Perhaps I should remind you Marie is dead,’ he shouted. ‘She was murdered in this miserable room eight years ago. When I could have saved her I didn’t. How can we save her now, Charles? By travelling through time?’

‘Exactly’ his cousin replied, slipping something beneath the door.

Andrew glanced at it with vague curiosity. It looked like a leaflet.

‘Read it, Andrew,’ his cousin implored, through the broken window. ‘Please read it.’

Andrew felt rather ashamed that his cousin should see him with the revolver pressed ridiculously against his jaw – perhaps not the most suitable place if you wanted to blow your head off. Knowing his cousin would not go away, he lowered the gun with an exasperated sigh, placed it on the bed and rose to fetch the piece of paper.

‘All right, Charles, you win,’ he muttered. ‘Let’s see what this is about’

He picked up the sheet of paper and examined it. It was a faded sky-blue handbill. He read it, unable to believe that what it said could be true. Amazing though it seemed, he was holding the advertisement for a company called Murray’s Time Travel, which offered journeys through time. This was what it said:

Tired of travelling through space?

Now you can travel through time, into the fourth dimension.

Make the most of our special opening offer and journey to the year 2000. Witness an era only your grandchildren will live to see. Spend three whole hours in the year 2000 for a mere one hundred pounds. See with your own eyes the future war between automatons and humans that will change the fate of the world. Don’t be the last to hear about it.

The text was accompanied by an illustration intended to portray a fierce battle between two powerful armies. It showed a landscape of supposedly ruined buildings, a mound of rubble before which were ranged the two opposing sides. One was clearly human; the other consisted of humanoid creatures apparently made of metal. The drawing was too crude to make out anything more.

What on earth was this? Andrew felt he had no choice but to unlock the door. Charles walked in, closing it behind him. He stood breathing into his hands to warm them, but beaming contentedly at having intervened to stop his cousin’s suicide. For the time being, at least. The first thing he did was seize the pistol from the bed.

‘How did you know I was here?’ asked Andrew, while his cousin posed in front of the mirror waving the gun about furiously.

‘You disappoint me, cousin,’ replied Charles, emptying the bullets from the chamber into his cupped hand and depositing them in his coat pocket. ‘Your father’s gun cabinet was open, a pistol was missing, and today is the seventh of November. Where else would I have gone to look for you? You may as well have left a trail of breadcrumbs.’

‘I suppose so,’ conceded Andrew. His cousin was right. He had not gone out of his way to cover his tracks.

Charles held the pistol by its barrel and handed it to Andrew. ‘Here you are. You can shoot yourself as many times as you like now’

Andrew snatched the gun and stuffed it into his pocket, eager to make the embarrassing object disappear. He would just have to kill himself some other time. Charles looked at him with mock-disapproval, waiting for some sort of explanation, but Andrew did not have the energy to convince him that suicide was the only solution he could envisage. Before his cousin had the chance to lecture him, he decided to side-step the issue by enquiring about the leaflet.

‘What’s this? Some kind of joke?’ he asked, waving the piece of paper in the air. ‘Where did you have it printed?’

Charles shook his head. ‘It’s no joke, cousin. Murray’s Time Travel is a real company. The main offices are in Greek Street in Soho. And, as the advertisement says, they offer the chance to travel through time.’

‘But, is that possible?’ stammered Andrew, taken aback.

‘It certainly is,’ replied Charles, completely straight-faced. ‘What’s more, I’ve done it myself.’ They stared at one another for a moment.

‘I don’t believe you,’ said Andrew at last, trying to detect a hint in his cousin’s solemn face that would give the game away, but Charles shrugged.

‘I’m telling the truth,’ he assured him. ‘Last week, Madeleine and I travelled to the year 2000.’

Andrew burst out laughing, but his cousin’s earnest expression silenced his guffaws. ‘You’re not joking, are you?’

‘No, not at all,’ Charles replied. ‘Although I can’t say I was all that impressed. The year 2000 is a dirty, cold year where man is at war with machines. But not seeing it is like missing a new opera that’s all the rage.’

Andrew listened, still stunned.

‘It’s a unique experience,’ his cousin added. ‘If you think about it, it’s exciting because of all it implies. Madeleine has even recommended it to her friends. She fell in love with the human soldiers’ boots. She tried to buy me a pair in Paris, but couldn’t find any. I suspect it’s too soon yet.’

Andrew reread the leaflet to make sure he was not imagining things. ‘I still can’t believe …’ he stammered.

‘I know, cousin, I know. But, you see, while you’ve been roaming Hyde Park like a lost soul the world has moved on. Time goes by even when you’re not watching it. And, believe me, strange as it may seem to you, time travel has been the talk of all the salons, the favoured topic of discussion, since the novel that gave rise to it came out last spring.’

‘A novel?’ asked Andrew, increasingly bewildered.

‘Yes. The Time Machine by H. G. Wells. It was one of the books I lent you. Didn’t you read it?’

Since Andrew had shut himself away in the house, refusing to go along with Charles on those outings to taverns and brothels, his cousin had started bringing him books. They were usually new works by unknown authors, inspired by the century’s craze for science to write about machines capable of performing the most elaborate miracles. The stories were known as ‘scientific romances’ – the English publishers’ translation of Jules Verne’s ‘extraordinary voyages’, an expression that had taken hold with amazing rapidity and was used to describe any fantasy novel that tried to explain itself by using science. According to Charles, these novels captured the spirit that had inspired the works of Bergerac and Samosata, and had taken over from the old tales of haunted castles.

Andrew remembered some of the madcap inventions in those tales, such as the anti-nightmare helmet hooked up to a tiny steam engine that sucked out bad dreams and turned them into pleasant ones. But the one he remembered best was the machine that made things grow, invented by a Jewish scientist who used it on insects: the image of London attacked by a swarm of flies the size of airships, crushing towers and flattening buildings as they landed on them, was ridiculously terrifying. There had been a time when Andrew would have devoured such books but, much as he regretted it, the worlds of fiction were not exempt from his steadfast indifference to life: he did not want any type of balm but to stare straight into the gaping abyss, thus making it impossible for Charles to reach him via the secret passage of literature. Andrew assumed that this fellow Wells’s book must be buried at the bottom of his chest, under a mound of similar novels he had scarcely glanced at.

When Charles saw the empty look on his cousin’s face he gestured to him to sit back down in his chair and drew up the other. Leaning forward slightly, like a priest about to take confession from one of his parishioners, he began summarising the plot of the novel that, according to him, had revolutionised England. Andrew listened sceptically. As he could guess from the title, the main character was a scientist who had invented a time machine that allowed him to journey through the centuries. All he had to do was pull on a little lever and he was propelled at great speed into the future, gazing in awe as snails ran like hares, trees sprouted from the ground like geysers, the stars circled in the sky, which changed from day to night in a second … This wild and wonderful journey took him to the year 802,701, where he discovered that society had split into two different races: the beautiful and useless Eloi and the monstrous Morlocks, creatures that lived underground, feeding off their neighbours up above, whom they bred like cattle.

Andrew bridled at this description, making his cousin smile, but Charles quickly added that the plot was unimportant, no more than an excuse to create a flimsy caricature of the society of their time. What had shaken the English imagination was that Wells had envisaged time as a fourth dimension, transforming it into a sort of magic tunnel you could travel through.

‘We are all aware that objects possess three dimensions – length, breadth and thickness,’ explained Charles. ‘But in order for this object to exist,’ he went on, picking up his hat and twirling it in his hands like a conjuror, ‘in order for it to form part of this reality we find ourselves in, it needs duration in time as well as in space. That is what enables us to see it, and prevents it disappearing before our very eyes. We live, then, in a four-dimensional world. If we accept that time is another dimension, what is to stop us moving through it? In fact, that’s what we are doing. Just like our hats, you and I are moving forwards in time, albeit in a tediously linear fashion, without leaving out a single second, towards our inexorable end. What Wells is asking in his novel is why we can’t speed up this journey, or even turn around and travel backwards to that place we refer to as the past – which, ultimately, is no more than a loose thread in the skein of our lives. If time is a spatial dimension, what prevents us moving around in it as freely as we do in the other three?’

Pleased with his explanation, Charles replaced his hat on the bed. Then he studied Andrew, allowing him a moment to assimilate what he had just said.

‘I must confess when I read the novel I thought it was rather an ingenious way of making what was basically a fantasy believable,’ he went on, a moment later, when his cousin said nothing, ‘but I never imagined it would be scientifically achievable. The book was a raging success, Andrew, people spoke of nothing else in the clubs, the salons, the universities, during factory breaks. Nobody talked any more about the crisis in the United States and how it might affect England, or Waterhouse’s paintings or Oscar Wilde’s plays. The only thing people were interested in was whether time travel was possible or not. Even the women’s suffrage movement was fascinated by the subject and interrupted their regular meetings to discuss it. Speculating about what tomorrow’s world would be like or discussing which past events ought to be changed became England’s favourite pastime, the quickest way to liven up conversation during afternoon tea.

‘Naturally such discussions were futile, because nobody could reach any enlightened conclusions, except in scientific circles, where an even more heated debate took place, whose progress was reported almost daily in the national newspapers. But nobody could deny it was Wells’s novel that had sparked off people’s yearning to journey into the future, to go beyond the bounds imposed on them by their fragile, destructible bodies. Everybody wanted to glimpse the future, and the year 2000 became the most logical objective, the year everyone wanted to see. A century was easily enough time for everything to be invented that could be invented, and for the world to have been transformed into a marvellously unrecognisable, magical, possibly even a better place.

‘Ultimately, this all seemed to be no more than a harmless amusement, a naïve desire – that is, until last October, when Murray’s Time Travel opened for business. This was announced with great fanfare in the newspapers and on publicity posters. Gilliam Murray could make our dreams come true. He could take us to the year 2000. Despite the cost of the tickets, huge queues formed around his building. I saw people who had always maintained that time travel was impossible waiting like excited children for the doors to open. Nobody wanted to pass up this opportunity. Madeleine and I couldn’t get seats for the first expedition, only the second. And we travelled in time, Andrew. Believe it or not, I have been a hundred and five years into the future and returned. This coat still has traces of ash on it. It smells of the war of the future. I even picked up a piece of rubble from the ground when no one was looking, a rock we have displayed in the drawing-room cabinet, a replica of which must still be intact in some building in London.’

Andrew felt like a boat spinning in a whirlpool. It seemed incredible to him that it was possible to travel in time, not to be condemned to see only the era he was born into, the period that lasted as long as his heart and body held out, but to be able to visit other eras, other times where he did not belong, leap-frogging his own death, the tangled web of his descendants, desecrating the sanctuary of the future, journeying to places hitherto only dreamed of or imagined. For the first time in years he felt a flicker of interest in something beyond the wall of indifference with which he had surrounded himself.

He immediately forced himself to snuff out the flame before it became a blaze. He was in mourning, a man with an empty heart and a dormant soul, a creature devoid of emotion, the perfect example of a human being who had felt everything there was for him to feel. He had nothing in the whole wide world to live for. He could not live, not without her.

‘That’s remarkable, Charles.’ He sighed wearily, feigning indifference to these unnatural journeys. ‘But what has this to do with Marie?’

‘Don’t you see, cousin?’ Charles replied, in an almost scandalised tone. ‘This man Murray can travel into the future. No doubt if you offered him enough money he could organise a private tour for you into the past. Then you’d really have someone to shoot’

Andrew’s jaw dropped. ‘The Ripper?’ he said, his voice cracking.

‘Exactly’ replied Charles. ‘If you travel back in time you can save Marie.’

Andrew gripped the chair to stop himself falling off it. Was it possible? Could he really travel back in time to the night of 7 November 1888 and save Marie? The possibility that this might be true made him feel giddy not just because of the miracle of travelling through time, but because he would be going back to a period when she was still alive: he would be able to hold in his arms the body he had seen cut to ribbons. But what moved him most was that someone should offer him the chance to save her, to put right his mistake, to change a situation it had taken him all these years to learn to accept as irreversible. He had always prayed to the Creator to be able to do that. It seemed he had been calling upon the wrong person. This was the age of science.

‘What do you say, Andrew? We have nothing to lose by trying,’ he heard his cousin remark.

Andrew stared at the floor, struggling to put some order into the tumult of emotions he felt. He did not really believe it was possible, and yet if it was, how could he refuse to try? This was the chance for which he had waited eight years. He raised his head and gazed at his cousin, shaken. ‘All right,’ he said in a hoarse whisper.

‘Excellent, Andrew,’ said Charles, overjoyed, and clapped him on the back. ‘Excellent’

His cousin smiled unconvincingly then looked down at his shoes again: he was going to travel back to his old haunts, to relive moments already past, back to his own memories.

‘Well,’ said Charles, glancing at his pocket watch. ‘We’d better have something to eat. I don’t think travelling back in time on an empty stomach is a good idea.’

They left the little room and made their way to Charles’s carriage, which was waiting by the stone archway. They followed the same routine that night as though it were no different from any other. They dined at the Café Royal, which served Charles’s favourite steak and kidney pie, let off steam at Madame Norrell’s brothel, where Charles liked to try out the new girls while they were still fresh, and ended up drinking until dawn in the bar at Claridge’s, where Charles rated the champagne list above any other.

Before their minds became too clouded by drink, Charles explained to Andrew that he had journeyed into the future on a huge tramcar, the Cronotilus, which was propelled through the centuries by an impressive steam engine. But Andrew was incapable of showing any interest in the future: his mind was taken up with imagining what it would be like to travel in the exact opposite direction, into the past. There, his cousin had assured him, he would be able to save Marie by confronting the Ripper.

Over the past eight years, Andrew had built up feelings of intense rage towards that monster. Now he would have the chance to vent them. However, it was one thing to threaten a man who had already been executed, quite another to confront him in the flesh, in the sort of sparring match Murray would set up for him. Andrew gripped the pistol, which he had kept in his pocket, as he recalled the burly man he had bumped into in Hanbury Street, and tried to cheer himself with the thought that, although he had never shot a real person before, he had practised his aim on bottles, pigeons and rabbits. If he remained calm, everything would go well. He would aim at the Ripper’s heart or his head, let off a few shots calmly, and watch him die a second time. Yes, that was what he would do. Only this time, as though someone had tightened a bolt in the machinery of the universe to make it function more smoothly, the Ripper’s death would bring Marie Kelly back to life.

Chapter VII

Although it was early morning, Soho was already teeming with people. Charles and Andrew had to push their way through the crowded streets, full of men in bowlers and women wearing hats adorned with plumes and even the odd dead bird. Couples strolled along the pavements arm in arm, sauntered in and out of shops, or stood waiting to cross the streets, along which moved, as slowly as lava, a torrent of luxurious carriages, cabriolets, trams and carts carrying barrels, fruit, or mysterious shapes covered with tarpaulins, possibly bodies robbed from the graveyard. Scruffy second-rate artists, performers and acrobats displayed their dubious talents on street corners in the hope of attracting the attention of some passing promoter.

Charles had not stopped chattering since breakfast, but Andrew could hardly hear him above the loud clatter of wheels on the cobbles and the piercing cries of vendors. He was content to let his cousin guide him through the grey morning, immersed in a sort of stupor from which he was roused only by the sweet scent of violets as they passed one of many flower-sellers with fragrant baskets.

The moment they entered Greek Street, they spotted the modest building where the offices of Murray’s Time Travel were situated. It was an old theatre that had been remodelled by its new owner, who had not hesitated to blight the neo-classical façade with a variety of ornamentation that alluded to time. At the entrance, a flight of steps, flanked by two columns, led up to an elegant, sculpted wooden door crowned by a pediment decorated with a carving of Chronos spinning the wheel of the zodiac. The god of time, depicted as a sinister old man with a flowing beard reaching to his navel, was bordered by a frieze of carved hourglasses, a motif repeated on the arches above the tall windows on the second floor. Between the pediment and the lintel, ostentatious pink marble lettering announced that this picturesque edifice was the head office of Murray’s Time Travel.

Charles and Andrew noticed passers-by stepping off the section of pavement outside the unusual building. As they drew closer, they understood why. A nauseating odour made them screw up their faces in disgust and invited them to regurgitate the breakfast they had just eaten. The cause of the stench was a viscous substance, which a couple of workmen, masked with neckerchiefs, were vigorously washing off part of the façade with the aid of brushes and pails of water. As the brushes made contact with the dark substance, it slopped on to the pavement, transformed into a revolting black slime.

‘Sorry about the inconvenience, gents,’ one of the workmen said, pulling down his neckerchief. ‘Some louse smeared cow dung all over the front of the building, but we’ll soon have it cleaned off.’

Exchanging puzzled looks, Andrew and Charles pulled out their handkerchiefs and, covering their faces like highwaymen, hurried through the front door. In the hallway, the evil smell was being kept at bay by rows of strategically placed vases of gladioli and roses. Just as on the outside of the building, the interior was filled with a profusion of objects whose theme was time. The central area was taken up by a gigantic mechanical sculpture consisting of an enormous pedestal out of which two articulated spider-like arms stretched towards the shadowy ceiling. They were clutching an hourglass the size of a calf embossed with iron rivets and bands. It contained not sand but a sort of blue sawdust that flowed gracefully from one section to the other and even gave off a faint, evocative sparkle when caught by the light from the nearby lamps. Once the contents had emptied into the lower receptacle, the arms turned the hourglass by means of some complex hidden mechanism, so that the artificial sand never ceased to flow, a reminder of time itself.

Alongside the colossal structure there were many other remarkable objects. Although less spectacular, they were more noteworthy for having been invented many centuries before, like the bracket clocks bristling with levers and cogs that stood silently at the back: according to the plaques on their bases, they were early efforts at mechanical timepieces. The walls were lined with hundreds of clocks, from the traditional Dutch stoelklok, adorned with mermaids and cherubs, to Austro-Hungarian examples with seconds pendulums. The air was filled with a relentless ticking, which must have become an endless accompaniment to the lives of those who worked in the building and without whose comforting presence they doubtless felt bereft on Sundays.

A young woman stood up from her desk in the corner and came over to Andrew and Charles. She walked with the grace of a rodent, her steps following the rhythm of the insistent ticking. After greeting them courteously, she informed them excitedly that there were still a few tickets left for the third expedition to the year 2000 and that they could make a reservation if they wished. Charles refused her offer with a dazzling smile, telling her they were there to see Gilliam Murray. The woman hesitated briefly, then informed them that he was in the building and, although he was a very busy man, she would do her best to arrange for them to meet him. Charles showed his appreciation of this with an even more captivating smile. Once she had managed to tear her eyes away from his perfect teeth, she wheeled round and gestured to them to follow her.

At the far end of the vast hall a marble staircase led to the upper floors. She guided the cousins down a long corridor lined with tapestries depicting various scenes from the war of the future. Naturally, the corridor, too, was replete with the obligatory clocks, hanging on the walls and standing on dressers or shelves, filling the air with their ubiquitous ticking. When they reached Murray’s ostentatious office door, the woman asked them to wait outside, but Charles ignored her request and followed her in, dragging his cousin behind him.

The gigantic proportions of the room surprised Andrew, as did the clutter of furniture and the numerous maps lining the walls. He was reminded of the campaign tents from which field marshals orchestrated wars. They had to glance around the room several times before they discovered Gilliam Murray, lying stretched out on a rug, playing with a dog.

‘Good day, Mr Murray’ said Charles, before the secretary had a chance to speak. ‘My name is Charles Winslow and this is my cousin, Andrew Harrington. We would like a word with you, if you are not too busy’

Gilliam Murray, a strapping fellow in a garish purple suit, accepted the thrust sportingly but with the enigmatic expression of a man who holds a great many aces up his sleeve, which he has every intention of pulling out at the first opportunity. ‘I always have time for two such illustrious gentlemen as yourselves,’ he said, picking himself up.

When he had risen to his full height, Andrew and Charles could see that Gilliam Murray seemed to have been magnified by some kind of spell. Everything about him was oversized, from his hands, which appeared capable of wrestling a bull to the ground by its horns, to his head, which looked more suited to a Minotaur. However, he moved with extraordinary, even graceful, agility. His straw-coloured hair was combed carefully back, and the smouldering intensity of his big blue eyes betrayed an ambitious, proud spirit, which he toned down with a friendly smile.

With a wave, he invited to them to follow him to his desk on the far side of the room. He led them along the trail he had forged between globes, tables piled with books, and notebooks strewn all over the floor. Andrew noticed there was no shortage of clocks there either. Besides those hanging from the walls and invading the bookcase, an enormous glass cabinet contained a collection of portable clocks, sundials, intricate water clocks and other artefacts showing the evolution of the display of time. It appeared to Andrew that presenting all these objects was Murray’s clever way of showing the absurdity of man’s vain attempts to capture an elusive, absolute, mysterious and indomitable force. With his colourful collection, he seemed to be saying that man’s only achievement was to strip time of its metaphysical essence, transforming it into a commonplace instrument for ensuring he did not arrive late to meetings.

Charles and Andrew lowered themselves into two plush Jacobean-style armchairs facing the majestic desk at which Murray sat, framed by an enormous window behind him. As the light streamed in through the leaded panes, suffusing the office with rustic cheer, it even occurred to Andrew that the entrepreneur had a sun all of his own, while everyone else was submerged in the dull morning light.

‘I hope you’ll forgive the unfortunate smell in the entrance,’ Murray said, with a grimace. ‘This is the second time someone has smeared excrement on the front of the building. Perhaps an organised group is attempting to disrupt the smooth running of our enterprise in this unpleasant way’ He shrugged his shoulders despairingly, as though to emphasise how upset he was about the matter. ‘As you can see, not everyone thinks time travel is a good thing for society. And yet society has been clamouring for it ever since Mr Wells’s wonderful novel came out. I can think of no other explanation for these acts of vandalism, as the perpetrators have not claimed responsibility or left any clues. They simply foul the front of our building.’

He stared into space for a moment, lost in thought. Then he appeared to rouse himself, sat upright and looked straight at his visitors. ‘But, tell me, gentlemen, what can I do for you?’

‘I would like you to organise a private journey back to the autumn of 1888, Mr Murray’ replied Andrew, who had been waiting impatiently for the giant to allow them to get a word in edgeways.

‘To the Autumn of Terror?’ asked Murray, taken aback.

‘Yes, to the night of November the seventh, to be precise.’

Murray studied him silently. Finally, without trying to conceal his annoyance, he opened one of the desk drawers and took out a bundle of papers tied with a ribbon. He set them on the desk wearily, as if he were showing them some tiresome burden he was compelled to suffer. ‘Do you know what this is, Mr Harrington?’ He sighed. ‘These are the letters we receive every day from private individuals. Some want to be taken to the hanging gardens of Babylon, others to meet Cleopatra, Galileo or Plato, still more to see with their own eyes the battle of Waterloo, the building of the Pyramids or Christ’s crucifixion. Everybody wants to go back to their favourite moment in history, as though it were as simple as giving an address to a coachman. They think the past is at our disposal. I am sure you have your reasons for wanting to travel to 1888, like those who wrote these requests, but I’m afraid I can’t help you.’

‘I only need to go back eight years, Mr Murray’ replied Andrew. ‘And I’ll pay anything you ask.’

‘This isn’t about distances in time or about money’ Murray scoffed. ‘If it were, Mr Harrington, I’m sure we could come to some arrangement. Let us say the problem is a technical one. We can’t travel anywhere we want in the past or the future.’

‘You mean you can only take us to the year 2000?’ exclaimed Charles, visibly disappointed.

‘I’m afraid so, Mr Winslow We hope to be able to extend our offer in the future. However, for the moment, as you can see from our advertisement, our only destination is May the twentieth, 2000, the exact day of the final battle between the evil Solomon’s automatons and the human army led by the brave Captain Shackleton. Wasn’t the trip exciting enough for you, Mr Winslow?’ he asked, with a flicker of irony, giving Charles to understand he did not forget easily the faces of those who had been on his expeditions.

‘Oh, yes, sir,’ Charles replied, after a brief pause. ‘Most exciting. Only I assumed—’

‘You assumed we could travel in either direction along the time continuum,’ Murray interposed. ‘But I’m afraid we can’t. The past is beyond our competence.’ His face bore a look of genuine regret, as though he were weighing up the damage his words had done to his visitors. ‘The problem, gentlemen,’ he sighed, leaning back in his chair, ‘is that, unlike Wells’s character, we don’t travel through the time continuum. We travel outside it, across the surface of time, as it were.’

He fell silent, staring at them without blinking, with the serenity of a cat.

‘I don’t understand,’ Charles declared.

Gilliam Murray nodded, as though he had expected that reply. ‘Let me make a simple comparison: you can move from room to room inside a building, but you can also walk across its roof, can you not?’

Charles and Andrew nodded, somewhat put out by Murray’s seeming wish to treat them like a couple of foolish children.

‘Contrary to all appearances,’ their host went on, ‘it was not Wells’s novel that made me look into the possibilities of time travel. If you have read the book, you will understand that the author is simply throwing down the gauntlet to the scientific world by suggesting a direction for their research. Unlike Verne, he cleverly avoided any practical explanations of the workings of his invention, choosing instead to describe his machine to us using his formidable imagination – a perfectly valid approach, given the book is a work of fiction. However, until science proves such a contraption is possible, his machine will be nothing but a toy. Will that ever happen?

‘I’d like to think so: the achievements of science so far this century give me great cause for optimism. You will agree, gentlemen, we live in remarkable times. Times when man questions God daily. How many marvels has science produced over the past few years? Some, such as the calculating machine, the typewriter or the electric lift, have been invented simply to make our lives easier, but others cause us to feel powerful because they render the impossible possible. Thanks to the steam locomotive, we are now able to travel long distances without taking a single step, and soon we will be able to relay our voices to the other side of the country without having to move, like the Americans, who are already doing so with the so-called telephone.

‘There will always be people who oppose progress, who consider it a sacrilege for mankind to transcend his own limitations. Personally I believe science ennobles man, reaffirms his control over nature, in the same way that education or morality helps us overcome our primitive instincts. Take this marine chronometer, for example,’ he said, picking up a wooden box lying on the desk. ‘Today these are mass-produced and every ship in the world has one, but that wasn’t always the case. Although they may appear now always to have formed part of our lives, the Admiralty was obliged to offer a prize of twenty thousand pounds to the person who could invent a way of determining longitude at sea, because no clockmaker was capable of designing a chronometer that could withstand the rolling of a vessel without going wrong. The competition was won by a man called John Harrison, who devoted forty years of his life to solving this thorny scientific problem. He was nearly eighty when he finally received the prize money.

‘Fascinating, don’t you think? At the heart of each invention lie one man’s efforts, an entire life dedicated to solving a problem, to inventing an instrument that will outlast him, will go on forming part of the world after he is dead. So long as there are men who aren’t content to eat the fruit off the trees or to summon rain by beating a drum, but who are determined instead to use their brains in order to transcend the role of parasite in God’s creation, science will never give up trying.

‘That’s why I am sure that very soon, as well as being able to fly like birds in winged carriages, anyone will be able to get hold of a machine similar to the one Wells dreamed up, and travel anywhere they choose in time. Men of the future will lead double lives, working during the week in a bank, and on Sundays making love to the beautiful Nefertiti or helping Hannibal conquer Rome. Can you imagine how an invention like that would change society? ‘

Murray studied the two men for a moment before he replaced the box on the desk, where it sat, lid open, like an oyster or an engagement ring. Then he added, ‘But in the meantime, while science is looking for a way to make these dreams come true, we have another method of travelling in time, although unfortunately this one does not enable us to choose our destination.’

‘What method is that?’ Andrew enquired.

‘Magic,’ boomed Murray.

‘Magic?’ echoed Andrew, taken aback.

‘Yes, magic,’ repeated his host, waving his fingers in the air mysteriously and making a sound like wind whistling down a chimney, ‘but not the conjuring tricks you see in music halls or theatres, or the sort those frauds from the Golden Dawn claim to perform. I’m talking about genuine magic. Do you believe in magic, gentlemen?’

Andrew and Charles paused, a little confused by the direction the conversation was taking, but Murray needed no reply. ‘Of course not,’ he grumbled. ‘That’s why I avoid mentioning it. I prefer my clients to believe we are travelling through time by means of science. Everybody believes in science. It has become far more credible than magic. We live in modern times. But, I assure you, magic does exist.’

Then, to Andrew and Charles’s surprise, he rose deftly from his seat and gave a shrill whistle. The dog, which had been lying on the carpet all this time, stood up at once and trotted gaily over to its master. ‘Gentlemen, I’d like you to meet Eternal,’ he said, as the creature circled him excitedly. ‘Do you like dogs? It’s quite safe to stroke him.’

As though this were some sort of requirement they must fulfil for Gilliam Murray to continue his discourse, Charles and Andrew stood up and ran their hands over the soft, well-brushed coat of the golden retriever.

‘Gentlemen,’ Murray declared, ‘be aware that you are stroking a miracle. For, as I told you, there is such a thing as magic. It is even tangible. How old do you think Eternal is?’

Charles had no difficulty in answering the question: he had several dogs on his country estate and had grown up with them. He examined the animal’s teeth with a knowledgeable air, and replied confidently, ‘A year, two at the most.’

‘Spot on,’ confirmed Gilliam, kneeling and scratching the dog’s neck affectionately. ‘You look a year old, don’t you? That’s your age in real time?’

Andrew took this opportunity to catch his cousin’s eye, anxious to know what he thought of all this. Charles’s tranquil smile put his mind at rest.

‘As I said,’ Murray went on, rising to his feet, ‘I didn’t decide to set up my company on account of Wells’s novel. It was a complete coincidence, although I won’t deny I have greatly benefited from the hidden longing he stirred in people. Do you know why time travel is so attractive? Because we all dream of it. It is one of man’s oldest desires. But would you have considered it possible, gentlemen, before Wells wrote his book? I don’t think so. And I assure you neither would I. What Mr Wells has done is to make an abstract craving real, to articulate this latent desire ever-present in man.’

Murray paused, giving his summary the opportunity to descend on his visitors, like dust settling on furniture after a carpet has been beaten.

‘Before setting up this company, I worked with my father,’ he resumed. ‘We financed expeditions. We were one of the hundreds of societies sending explorers to the furthest corners of the world with the aim of gathering ethnographic and archaeological data to publish in scientific journals, or finding exotic insects or flowers for the showcases of some science museum eager to display God’s wildest creations. But, regardless of the business side of things, we were driven by a desire to get to know as accurately as possible the world we lived in. We were, to coin a phrase, spatially curious. However, we never know what fate has in store for us, do we, gentlemen?’

Again without waiting for a reply, Gilliam Murray gestured for them to follow him. Eternal at his heels, he led them through the obstacle course of tables and globes towards one of the side walls. Unlike the others, which were lined with shelves crammed with atlases, geographical treatises, books on astronomy and numerous other works on obscure subjects, this wall was covered with maps, arranged according to when the regions on them had been charted.

The collection covered a journey that started with a few reproductions of Renaissance maps inspired by Ptolemy’s works, which made the world look alarmingly small, like an insect with its legs chopped off, reduced to little more than a shapeless Europe. Next came the German Martin Waldseemüller’s map, where America had broken away from Asia, and finally the works of Abraham Ortelius and Gerhardus Mercator, which showed a much larger world, similar in size to that of the present day. Following this chronological order from left to right, as guided by Murray, the cousins felt as though they were watching the petals of a flower open or a cat stretch itself. The world seemed to unfurl before their eyes, to grow, as navigators and explorers extended its frontiers.

Andrew found it fascinating that only a few centuries earlier people had had no idea that the world went on across the Atlantic, or that its true size depended on the courage and fortunes of explorers, whose dare-devil journeys had filled the medieval void, the dwelling place of sea monsters. On the other hand, he regretted that the world’s dimensions were no longer a mystery, that the most recent maps of land and sea constituted an official world in which all that was left to chart were coastlines.

Murray made them pause in front of the last gigantic map in his collection. ‘Gentlemen, you have in front of you possibly the most accurate world map in all of England,’ he announced, openly gloating. ‘I keep it continually updated. Whenever another region of the planet is charted, I have a new version drawn up and I burn the obsolete one. I consider this a symbolic gesture, like erasing my old, imprecise idea. Many of the expeditions you see here were made possible by our funding.’

The map was a blurred mass of multicoloured lines that, Murray explained, represented all the expeditionary voyages hitherto undertaken by man, the vicissitudes of which he had written up, doubtless with morbid enjoyment, in the chart’s left-hand margin. However, one glance at the map was enough to see that the precision with which each sinuous voyage had been traced eventually became pointless: it was impossible to follow any single journey owing to the criss-cross of the lines that recorded every expedition. These ranged from the earliest, such as that of Marco Polo (represented by a gold line snaking around India, China, Central Asia and the Malayan archipelago), to the most recent, like that undertaken by Sir Francis Younghusband, who had travelled from Peking to Kashmir, crossing the Karakoram mountains with their soaring glacier-topped peaks.

The squiggles were not confined to land: others left terra firma, imitating the foamy wake of legendary ships such as Columbus’s caravels as they crossed the Atlantic Ocean, or the Erebus and the Terror as they tried to find a short-cut to China via the Arctic Ocean. These last two lines vanished suddenly, as had the actual ships when sailing across the Lancaster Strait, the so-called North-west Passage. Andrew decided to follow the blue line that cut across the island of Borneo, that sultry paradise overrun by crocodiles and gibbons to the south-east of Asia. It followed the tortuous journey of Sir James Brooke, nicknamed the Rajah of Sarawak, a name with which Andrew was familiar because the explorer popped up in Salgari’s novels as a ruthless pirate slayer.

Then Murray asked them to concentrate on the most intricate part of the map, the African continent. There, all of the expeditions that had attempted to discover the mythical source of the Nile -those of the Dutchwoman Alexandrine Tinné, Mr and Mrs Baker, Burton and Speke and, most famously, Livingstone and Stanley, as well as many more – converged to form a tangled mesh, which, if nothing else, illustrated the fascination Africa had held for the intrepid wearers of pith helmets.

‘The account of how we discovered time travel began exactly twenty-two years ago,’ Murray announced theatrically.

As he had heard the story many times before, Eternal stretched out at his master’s feet. Charles smiled gleefully at this promising beginning, while Andrew’s lips twisted in frustration. He realised he would need a lot of patience before he found out whether or not he would be able to save Marie Kelly.

Chapter VIII

Permit me, if you will, to perform a little narrative juggling at this point, and recount the story Gilliam Murray told them in the third person instead of the first, as if it were an excerpt from an adventure story, which is the way Murray would ultimately have liked to see it.

Back then, at the beginning of the nineteenth century, the main ambition of most expeditionary societies was to discover the source of the Nile, which Ptolemy had situated in the Mountains of the Moon, the magnificent range rising out of the heart of Africa. However, modern explorers seemed to have had no more luck than Herodotus, Nero or anyone else who had searched in vain for it throughout history. Richard Burton and John Speke’s expedition had only succeeded in making enemies of the two explorers, and David Livingstone’s had thrown little light on the matter.

When Henry Stanley found Livingstone in Ujiji, he was suffering from dysentery. Nevertheless, he refused to return with Stanley to the metropolis and set off on another expedition, this time to Lake Tanganyika. He had to be brought back from there on a litter, racked with fever and utterly exhausted. The Scottish explorer died at Chitambo, and his final journey was made as a corpse, embalmed and enclosed in a large piece of bark from a myonga tree. It took porters nine months to carry him to the island of Zanzibar, whence he was finally repatriated to Great Britain. He was buried in 1878 in Westminster Abbey with full honours, the source of the Nile remaining a mystery.

Everyone, from the Royal Geographic Society to the most insignificant science museum, wanted to take credit for discovering its elusive location. The Murray family were no exception, and at the same time as the New York Herald and the London Daily Telegraph sponsored Stanley’s new expedition, they, too, sent one of their most experienced explorers to the inhospitable African continent.

His name was Oliver Tremanquai, and he had undertaken several expeditions to the Himalayas. He was also a veteran hunter. Among the creatures he killed with his expert marksmanship were Indian tigers, Balkan bears and Ceylonese elephants. Although never a missionary, he was a deeply religious man, and never missed an opportunity to evangelise any natives he might come across, listing the merits of his God like someone selling a gun.

Excited about his new mission, Tremanquai left for Zanzibar, where he acquired porters and supplies. However, a few days after he had made his way into the continent the Murrays lost all contact with him. The weeks crept by and still they received no message. They began to wonder what had become of the explorer. With great sorrow, they gave him up for lost as they had no Stanley to send after him.

Ten months later, Tremanquai burst into their offices, days after a memorial service had taken place with the permission of his wife – loath to don her widow’s weeds. As was only to be expected, his appearance caused the same stir as if he had been a ghost. He was terribly gaunt, his eyes were feverish, and his filthy, malodorous body hardly looked as if he had spent the intervening months washing in rosewater. As was obvious from his deplorable condition, the expedition had been a complete disaster from the outset. No sooner had they penetrated the jungle than they were ambushed by Somali tribesmen. Tremanquai was unable even to take aim at those feline shadows emerging from the undergrowth before he was felled by a cascade of arrows. There, in the stillness of the jungle, far from the eyes of civilisation, the expedition was brutally massacred. The attackers had left him for dead, like his men.

But life had toughened Tremanquai and he had survived. He roamed the jungle for weeks, wounded and feverish, arrows still stuck in his flesh, using his rifle as a crutch, until his pitiful wanderings brought him to a small native village encircled by a palisade. Exhausted, he collapsed before the narrow entrance to the fence, like a piece of flotsam washed up by the sea.

He awoke several days later completely naked, stretched out on an uncomfortable straw mattress with repulsive poultices on his wounds. He was unable to identify the features of the young girl applying the sticky greenish dressings as belonging to any of the tribes he knew. Her body was long and supple, her hips extremely narrow and her chest almost as flat as a board. Her dark skin gave off a faint, dusky glow. He soon discovered that the men possessed the same slender build, their delicate bone structure almost visible beneath their slight musculature. Not knowing what tribe they belonged to, Tremanquai decided to invent a name for them. He called them the Reed People, because they were as slim and supple as reeds.

Tremanquai was an excellent shot, but he had little imagination. The Reed People’s otherworldly physique, as well as the big black eyes in their exquisite doll-like faces, was a source of astonishment, but as his convalescence progressed, he discovered further reasons to be amazed: the impossible language they used to communicate with each other, a series of guttural noises he found impossible to reproduce, even though he was accustomed to imitating the most outlandish dialects; the fact that they all looked the same age; and the absence in the village of the most essential everyday implements. It was as though the life of these savages took place elsewhere, or as if they had succeeded in reducing it to a single act: breathing.

But one question above all preyed insistently on Tremanquai’s mind: how did the Reed People resist the neighbouring tribes’ repeated attacks? They were few in number, they looked neither strong nor fierce, and apparently his rifle was the only weapon in the village.

He soon discovered the answer. One night, a lookout warned that ferocious Masai tribesmen had surrounded the village. From his hut, with his carer, Tremanquai watched his saviours form a group in the centre of the village facing the narrow entrance, which curiously had no door. Standing in a fragile line as though offering themselves up for sacrifice, the Reed People linked hands and began to chant an intricate tune. Recovering from his astonishment, Tremanquai reached for his rifle and dragged himself back to the window with the intention of defending his hosts as best he could. Scarcely any torches were lit in the village, but the moon cast sufficient light for an experienced hunter like himself to take aim. He set his sights on the gap in the stockade, hoping that if he managed to pick off a few Masai the others might think the village was defended by white men and flee.

To his surprise, the girl gently lowered his weapon, indicating to him that his intervention was unnecessary. Tremanquai bridled, but the Reed girl’s serene gaze made him think again. From his window, he watched with trepidation and bewilderment as the savage horde of Masai spilled through the entrance and his hosts carried on their discordant incantation while the spears came ever closer. The explorer steeled himself to witness the passive slaughter.

Then something happened, which Tremanquai had described in a quavering, incredulous voice, as though he found it hard to believe the words he himself was uttering. The air had split open. He could think of no better way to describe it. It was like tearing off a strip of wallpaper, he said, leaving the wall bare. Except in this case it was not a wall but another world. A world the explorer was at first unable to see into from where he was standing, but which gave off a pale glow, lighting the surrounding darkness. Astonished, he watched the first of the Masai tumble into the hole that had opened between them and their intended victims and vanish from reality from the world Tremanquai was in, as though they had dissolved into thin air. On seeing their brothers swallowed up by the night, the rest of the Masai fled in panic. The explorer shook his head slowly, stunned by what he had seen.

He had lurched out of his hut and approached the hole that his hosts had opened in the very fabric of reality with their chanting. As he stood facing the opening, which napped like a curtain, he realised it was bigger than he had first thought. It rose from the ground, reaching above his head, and was easily wide enough for a carriage to pass through. The edges billowed over the landscape, concealing then exposing it, like waves breaking on the shore. Fascinated, Tremanquai peered through it as if it were a window. On the other side, there was a very different world from ours, a sort of plain of pinkish rock, swept by a harsh wind that blew sand up from the surface: in the distance, blurred by the swirling dust, he was able to make out a range of sinister mountains. Disoriented and unable to see, the Masai floundered in the other world, gibbering and running each other through with their spears. Those left standing fell one by one. Tremanquai watched the macabre dance of death, transfixed: the Masais’ bodies were caressed by a wind not of his world, like the strange dust clogging their nostrils.

The Reed People, still lined up in the middle of the village, resumed their ghostly chanting, and the hole began to close, slowly narrowing before Tremanquai’s eyes until it had disappeared. The explorer moved his hand stupidly across the space where the air had split open. Suddenly it seemed as if there had never been anything between him and the choir of Reed People, which now broke up, its members wandering to different corners of the village, as though nothing out of the ordinary had occurred.

For Tremanquai, the world as he had known it would never be the same. He realised he now had only two choices. One was to see the world, which he had hitherto believed to be the only world, as one of many, superimposed like the pages of a book, so that all you had to do was thrust a dagger into it to open a pathway through all of them. The other was simpler: he could lose his mind.

That night, understandably, the explorer was unable to sleep. He lay on his straw mattress, eyes wide open, body tense, alert to the slightest noise coming from the darkness. The knowledge that he was surrounded by witches, against whom his rifle and his God were useless, filled him with dread. As soon as he was able to walk more than one step without feeling dizzy, he fled the Reed People’s village. It took him several weeks to reach the port of Zanzibar, where he survived as best he could until he was able to stow away on a ship bound for London. He was back ten months after he had set out, but his experiences had changed him utterly.

It had been a disastrous voyage and, naturally enough, Sebastian Murray, Gilliam’s father, did not believe a word of his story. He had no idea what had happened to his most experienced explorer during the months he had gone missing, but he was clearly unwilling to accept Tremanquai’s tales of Reed People and their ridiculous holes in the air, which he considered the ravings of a lunatic. And his suspicions were borne out as Tremanquai proved incapable of living a normal life with his ‘widow’ and their two daughters. His wife would doubtless have preferred to carry on taking flowers to his grave than to live with the haunted misfit Africa had returned to her.

Tremanquai veered between apathy and random fits of madness, which swiftly turned the hitherto harmonious family home upside down. His accesses of insanity, which occasionally drove him to run naked through the streets or shoot at the hats of passers-by from his window, were a constant menace to the otherwise peaceful neighbourhood, and he was eventually carted off to the asylum at Guy’s Hospital, where he was locked away.

Yet he was not entirely abandoned. Unbeknown to his father, Gilliam Murray went to see him in hospital as often as he could, moved by the grief he felt that one of his family’s best men should be reduced to such a wretched state, but also thrilled to hear him narrate that incredible story. The young man of barely twenty, as Murray then was, visited the explorer with the eagerness of a child at a puppet show, and Tremanquai never disappointed him. Sitting on the edge of his camp-bed, his gaze straying towards the damp patches on the walls, he needed no encouragement to retell the tale of the Reed People, embellishing it with new and extraordinary details each time, grateful for the audience and for being given time to inflate his fantasy.

For a while, Murray believed he would regain his sanity, but after four years of incarceration, Tremanquai hanged himself in his cell. He left a note on a grubby piece of paper. In a spidery scrawl that could just as well have been his normal writing as distorted by his inner torment, he stated ironically that he was departing this world for another, which was only one of the many that existed.

By that time Murray had begun working in his father’s company. Although Tremanquai’s story still seemed to him sheer madness, but perhaps for that very reason, without his father’s knowledge he sent two explorers to Africa to search for the apparently non-existent Reed People. Samuel Kaufmann and Forrest Austin were a couple of numbskulls, partial to showing off and drunken sprees, whose every expedition ended in disaster. But they were the only men his father would not miss, and the only two who would nonchalantly set off to the Dark Continent in search of a tribe of singing witches with the power to open doorways to other worlds. They were also the only men to whom, because of their glaring ineptitude, he dared assign a mission so hopeless, which was really only a modest tribute to the memory of the hapless Oliver Tremanquai.

Kaufmann and Austin left England almost in secret. Neither they nor Gilliam Murray could have known that they would become the most famous explorers of their day. Following instructions, as soon as they set foot in Africa they sent telegrams giving news of their progress. Murray read these cursorily before placing them in his desk drawer with a sad smile.

Everything changed when, three months later, he received one telling him they had at last found the Reed People. He could not believe it! Were they playing a joke on him in revenge for his having sent them on a wild-goose chase? he wondered. But the details contained in the telegrams ruled out any possibility of deceit because, as far as he remembered, they tallied entirely with those embellishing Oliver Tremanquai’s story. Astonished though he was, he could only conclude that both they and Tremanquai were telling the truth: the Reed People did exist.

From that moment on, the telegrams became Gilliam Murray’s reason for getting up in the morning. He awaited their arrival with eager anticipation, reading and rereading them behind the locked door of his office, unwilling for the time being to share the amazing discovery with anyone, not even his father.

According to the telegrams, once they had located the village, Kaufmann and Austin had no difficulty in being accepted as guests. In fact, the Reed People were apparently incapable of putting up any form of resistance. Neither did they seem particularly interested in the explorers’ reasons for being there. They simply accepted their presence. The two men asked for no more and, rather than lose heart when faced with the difficulty of carrying out the essential part of their mission (which was to discover whether or not these savages could open passageways to other worlds), they resolved to be patient and treat their stay as a paid holiday. Murray could imagine them lounging around in the sun all day, polishing off the crates of whisky they had sneaked with them on the expedition while he had pretended to be looking the other way.

Amazingly, they could not have thought up a better strategy, for their continual state of alcoholic stupor, and the frequent dancing and fighting they engaged in naked in the grass, drew the attention of the Reed People, who were curious about the amber liquid that generated such jolly antics. Once they began sharing their whisky, a rough camaraderie sprang up between them, which Murray rejoiced in back in his office, for it was without doubt the first step towards a future co-existence. He was not mistaken, although fostering this primitive contact until it grew into a common bond of trust and friendship cost him several consignments of the best Scotch. To this day he wondered whether so many bottles had really been necessary for such a small tribe.

At last, one morning, he received the long-awaited telegram, in which Kaufmann and Austin described how the Reed People had led them to the middle of the village and, in a seemingly beautiful gesture of friendship and gratitude, had opened for them the hole through to the other world. The explorers described the aperture and the pink landscape they had glimpsed through it, using exactly the same words as Tremanquai had employed five years earlier. This time, however, the young Murray no longer saw them as part of a made-up story: now he knew it was for real.

All of a sudden he felt trapped, suffocated, and not because he was locked away in his little office. He felt hemmed in by the walls of a universe he was now convinced was not the only one of its kind. But this constraint would soon end, he thought. He devoted a few moments to the memory of Oliver Tremanquai. He assumed that the man’s deep religious beliefs had prevented him from assimilating what he had seen, leaving him no other course than the precarious path of madness. Luckily, that pair of oafs, Kaufmann and Austin, possessed far simpler minds, which should spare them a similar fate.

He reread the telegram hundreds of times. Not only did the Reed People exist, they practised something that Murray, unlike Tremanquai, preferred to call magic, rather than witchcraft. An unknown world had opened itself up to Kaufmann and Austin, and naturally they could not resist exploring it.

As Murray read their subsequent telegrams, he regretted not having accompanied them. With the blessing of the Reed People, who left them to their own devices, the pair made brief incursions into the other world, diligently reporting its peculiarities. It consisted largely of a vast pink plain of faintly luminous rock, stretching out beneath a sky permanently obscured by incredibly dense fog. If there were any sun behind it, its rays were unable to shine through. As a consequence, the only light came from the strange substance on the ground, so that while one’s boots were clearly visible, the landscape was plunged into gloom, day and night merging into an eternal dusk, making it very difficult to see long distances. From time to time, a raging wind whipped the plain, producing sand storms that made everything even more difficult to see.

The two men had immediately noticed something strange: the moment they stepped through the hole their pocket watches stopped. Once back in their own reality the mechanisms mysteriously stirred again. It was as though they had unanimously decided to stop measuring the time their owners spent in the other world. Kaufmann and Austin looked at one another – it is not difficult to imagine them shrugging their shoulders, baffled.

They made a further discovery after spending a night, according to their calculations, in the camp they had set up right beside the opening so that they could keep an eye on the Reed People. There was no need for them to shave, because while they were in the other world their beards stopped growing. In addition, Austin had cut his arm seconds before stepping through the hole, and as soon as he was on the other side it had stopped bleeding, to the point that he had even forgotten to bandage it. He did not remember the wound until the moment they were back in the village and it bled again.

Intrigued, Gilliam Murray wrote down this extraordinary incident in his notebook, as well as what had happened with their watches and beards. Everything pointed to some impossible stoppage of time. While he speculated in his office, Kaufmann and Austin stocked up on ammunition and food and set out towards the only thing that broke the monotony of the plain: the ghostly mountain range, scarcely visible on the horizon.

As their watches continued to be unusable, they decided to measure the time their journey took by the number of nights they slept. This method soon proved ineffective, because at times the wind rose so suddenly and with such force they were obliged to stay awake all night holding the tent down, or their accumulated tiredness crept up on them when they stopped for food or rest. All they could say was that after an indeterminate length of time, which was neither very long nor very short, they reached the mountains. They proved to be made of the same luminous rock as the plain but had a hideous appearance, like a set of rotten, broken teeth, their jagged peaks piercing the thick clouds that blotted out the sky.

The two men spotted a few hollows that looked like caves. Having no other plan, they decided to scale the slopes until they reached the nearest one. This did not take long. Once they had reached the pinnacle of a small mountain, they had a broader view of the plain. Far off in the distance the hole had been reduced to a bright dot on the horizon. They could see their way back, acting as a guiding light. They were not worried that the Reed People might close the hole, because they had taken the precaution of bringing what remained of the whisky with them.

It was then that they noticed other bright dots shining in the distance. It was difficult to see clearly through the mist, but there must have been half a dozen. Were they more holes leading to other worlds?

They found the answer in the very cave they intended to explore. As soon as they entered it they could see it was inhabited. There were signs of life everywhere: burned-out fires, bowls, tools and other basic implements – things Tremanquai had found so conspicuous by their absence in the Reed People’s village. At the back of the cave they discovered a narrow enclosure, the walls of which were covered with paintings. Most depicted scenes from everyday life, and from the willowy rag-doll figures, only the Reed People could have painted them. Apparently, that dark world was where they really lived. The village was no more than a temporary location, a provisional settlement, perhaps one of many they had built in other worlds.

Kaufmann and Austin did not consider the drawings particularly significant. But two caught their attention. One of these took up nearly an entire wall. As far as they could tell it was meant to be a map of that world, or at least the part the tribe had succeeded in exploring, which was limited to the area near the mountains. What intrigued them was that this crude map marked the location of some other holes, and, if they were not mistaken, what they contained. The drawings were easy enough to interpret: a yellow star represented a hole, and the painted images next to it, the hole’s contents. At least, this was what they deduced from the dot surrounded by huts, apparently representing the hole the explorers had climbed through to get there and the village on the other side. The map showed four other openings, fewer than those the two men had glimpsed on the horizon. Where did they lead?

Whether from idleness or boredom, the Reed People had only painted the contents of the holes nearest their cave. One seemed to depict a battle between two different tribes: one human-shaped, the other square or rectangular. The remainder of the drawings were impossible to make out. Consequently, the only thing Kaufmann and Austin could be clear about was that the world they were in contained dozens of holes like the one they had come through, but they could only find out where any of them led if they passed through them: the Reed People’s scrawls were as mystifying as the dreams of a blind man.

The second painting that caught their eye was on the opposite wall and showed a group of Reed People running from what looked like a gigantic four-legged monster with a dragon’s tail and spikes on its back. Kaufmann and Austin glanced at one another, alarmed to find themselves in the same world as a wild animal whose mere image was enough to scare the living daylights out of them. What would happen if they came across the real thing? However, this discovery did not make them turn back. They both had rifles and enough ammunition to kill a whole herd of monsters, assuming they existed and were not simply a mythological invention. They also had whisky, which would fire up their courage – or, at least, turn the prospect of being eaten by an elephantine monster into a relatively minor nuisance. What more did they need?

Accordingly, they decided to carry on exploring, and set out for the opening where the battle was going on between the two tribes because it was closest to the mountains. The journey was gruelling, hampered by freak sandstorms that forced them to erect their tent and take refuge inside if they did not want to be scoured like cooking pots. Thankfully, they did not meet any of the giant creatures. Of course, when they finally reached the hole, they had no idea how long it had taken them to get there, only that the journey had been exhausting.

Its size and appearance were identical to the one they had first stepped through into that murky world. The only difference was that, instead of crude huts, inside this one there was a ruined city. Scarcely a single building remained standing, yet there was something oddly familiar about the structures. They stood for a few moments, surveying the ruins from the other side of the hole, as one would peer into a shop window, but no sign of life broke the calm. What kind of war could have wrought such terrible devastation?

Depressed by the dreadful scene, Kaufman and Austin restored their courage with a few slugs of whisky, then donned their pith helmets and leaped valiantly through the opening. Their senses were immediately assailed by an intense familiar odour. Smiling with bewilderment, it dawned on them that they were simply smelling their own world again: they had been unaware of it during their journey across the pink plain.

Rifles at the ready, they scoured their surroundings, moving cautiously through the rubble-filled streets, shocked at the sight of so much devastation, until they stumbled across another obstacle, which stopped them dead in their tracks. Kaufmann and Austin gazed incredulously at the object blocking their path: it was none other than the clock tower of Big Ben. It lay in the middle of the street like a severed fish head, the vast clock face a great eye staring at them with mournful resignation.

The discovery made them glance uneasily about them. Strangely moved, they cast an affectionate eye over each toppled edifice, the desolate ruined landscape where a few plumes of black smoke darkened the sky over a London razed to the ground. Neither could contain their tears. In fact, the two men would have stood there for ever, weeping over the remains of their beloved city, had it not been for a peculiar clanking sound that came from nearby.

Rifles at the ready again, they followed the clatter until they came to a small mound of rubble. They clambered up it noiselessly, crouching low. Unseen in their improvised lookout, they saw what was causing the racket. It was coming from strange, vaguely humanoid metal creatures, powered by what looked like tiny steam engines attached to their backs. The loud clanging noise they had heard was the sound of clumsy iron feet knocking against the metal debris strewn on the ground. The bemused explorers had no idea what these creatures might be, until Austin plucked from the rubble what looked like the crumpled page of a newspaper.

With trembling fingers, he opened it and discovered a photograph of the same creatures as the ones they could see below them. The headline announced the unstoppable advance of the automatons, and went on to encourage readers to rally to the support of the human army led by the brave Captain Derek Shackleton. What most surprised them, however, was the date: this loose page was from a newspaper printed 3 April 2000. As one, Kaufmann and Austin shook their heads, very slowly from left to right, but before they had time to express their amazement in a more sophisticated way, the remains of a rafter in the mound of rubble fell into the street with a loud crash, alerting the automatons.

Kaufmann and Austin exchanged terrified glances, and took to their heels, running full pelt towards the hole they had come through without looking back. They easily slipped through it again, but did not stop running until their legs would carry them no further.

They erected their tent and cowered inside, trying to collect their thoughts, to absorb what they had seen – with the obligatory help of some whisky, of course. It was clearly time for them to return to the village and report back to London everything they had seen. They were certain that Gilliam Murray would be able to explain it.

However, their problems did not end there. On the way back to the village, they were attacked by a gigantic beast with spikes on its back, whose potential existence they had forgotten about. They had great difficulty in killing it. They used up nearly all their ammunition trying to scare it away, because the bullets kept bouncing off the spiked armour without injuring it. Finally, they managed to chase it away by shooting at its eyes, its only weak point as far as they could determine.

Having successfully fought off the beast, they arrived back at the hole without further incident, and immediately sent a message to London relating all their discoveries.

As soon as he received their news, Gilliam Murray set sail for Africa. He joined the two explorers in the Reed People’s village where, like doubting Thomas plunging his fingers into Christ’s wounds after he had risen from the dead, he made his way to the razed city of London in the year 2000. He spent many months with the Reed People, although he could not be sure exactly how many as he spent extensive periods exploring the pink plain in order to verify Kaufmann and Austin’s claims.

Just as they had described in their telegrams, in that sunless world watches stopped ticking, razors became superfluous, and nothing appeared to mark the passage of time. Consequently he concluded that, incredible though it might seem, the moments he spent there were a hiatus in his life, a temporary suspension of his inexorable journey towards death. He realised his imagination had not been playing tricks on him when he returned to the village and the puppy he had taken with him ran to join its siblings: they had all come from the same litter but now the others were grown dogs. Gilliam had not needed to take a single shave during his exploration of the plain, but Eternal, the puppy, was a far more spectacular manifestation of the absence of time in the other world.

He also deduced that the holes did not lead to other universes, as he had first believed, but to different times in a world that was none other than his own. The pink plain was outside the time continuum, outside time, the arena in which man’s life took place alongside that of plants and other animals. And the beings inhabiting that world, Tremanquai’s Reed People, knew how to break out of the time continuum by creating holes in it that enabled man to travel in time, to cross from one era to another.

This realisation filled Murray with excitement and dread. He had made the greatest discovery in the history of mankind: he had discovered what lay underneath the world, what lay behind reality. He had discovered the fourth dimension.

How strange life was, he thought. He had started out trying to find the source of the Nile, and ended up discovering a secret passage that led to the year 2000. But that was how all the greatest discoveries were made. Had not the voyage of the Beagle been prompted by spurious financial and strategic interests? The discoveries resulting from it would have been far less interesting had a young naturalist perceptive enough to notice the variations between finches’ beaks not been on board. And yet the story of natural selection would revolutionise the world. His discovery of the fourth dimension had happened in a similarly random way.

But what use was there in discovering something if you could not share it with the rest of the world? Gilliam wanted to take Londoners to the year 2000 so that they could see with their own eyes what the future held for them. The question was: how? He could not possibly take boatloads of city-dwellers to a native village in the heart of Africa, where the Reed People were living. The only answer was to move the hole to London. Was that possible? He did not know, but he would lose nothing by trying.

Leaving Kaufmann and Austin to guard the Reed People, Murray returned to London, where he built a cast-iron box the size of a room. He took it, with a thousand bottles of whisky, to the village, where he planned to strike a bargain that would change people’s perception of the known world. Drunk as lords, the Reed People consented to his whim of singing their magic chants inside the sinister box. Once the hole had materialised, he herded them out and closed the heavy doors behind them. The three men waited until the last of the Reed People had succumbed to the effects of the whisky before setting off for home.

It was an arduous journey, and only when the enormous box was on the ship at Zanzibar did Murray begin to breathe more easily. Even so, he barely slept a wink during the passage. He spent almost the entire time on deck, gazing lovingly at the fateful box and wondering whether it was not in fact empty. Could one really steal a hole? His eagerness to know the answer to that question gnawed at him, making the return journey seem interminable. He could hardly believe it when at last they docked at Liverpool.

As soon as he reached his offices, he opened the box in complete secret. The hole was still there! They had successfully stolen it! The next step was to show it to his father.

‘What the devil is this?’ exclaimed Sebastian Murray, when he saw the hole shimmering inside the box.

‘This is what drove Oliver Tremanquai mad, Father,’ Gilliam replied, pronouncing the explorer’s name with affection. ‘So, take care.’

His father turned pale. Nevertheless, he accompanied his son through the hole and travelled into the future, to a demolished London where humans hid in the ruins like rats. Once he had got over the shock, father and son agreed they must make this discovery known to the world. And what better way to do this than to turn the hole into a business? Taking people to see the year 2000 would bring in enough money to cover the cost of the journeys and to fund further exploration of the fourth dimension.

They proceeded to map out a secure route to the hole into the future, eliminating any dangers, setting up lookout posts and smoothing the road so that a tramcar with thirty seats could cross it easily. Sadly, his father did not live long enough to see Murray’s Time Travel open its doors to the public, but Murray consoled himself with the thought that at least he had seen the future beyond his own death.

Chapter IX

Once he had finished telling his story, Murray fell silent and looked expectantly at his two visitors. Andrew assumed he was hoping for some kind of response, but had no idea what to say. He felt embarrassed. Everything his host had told them was no more believable than an adventure story. That pink plain seemed about as real to him as Lilliput, the South Sea Island inhabited by little people where Lemuel Gulliver had been shipwrecked. From the stupefied smile on Charles’s face, however, he assumed his cousin did believe it. After all, he had travelled to the year 2000: what did it matter whether he had got there by crossing a pink plain where time had stopped?

‘And now, gentlemen, if you would kindly follow me, I’ll show you something only a few trusted people are allowed to see,’ Murray declared, resuming the guided tour of his commodious office.

With Eternal continually running round his master, the three men walked across to another wall, where a small collection of photographs awaited them with what was probably another map, although this was concealed behind a red silk curtain. Andrew was surprised to discover that the photographs had been taken in the fourth dimension, although they might easily have depicted any desert, since cameras were unable to record the colour of this or any other world. He had to use his imagination, then, to see the white smear of sand as pink. The majority documented routine moments during the expedition: Murray and two other men, presumably Kaufmann and Austin, putting up tents; drinking coffee during a pause; lighting a fire; posing in front of the phantom mountains, almost entirely obscured by thick fog. It all looked too normal.

Only one of the images made Andrew feel he was contemplating an alien world. In it Kaufmann (who was short and fat) and Austin (who was tall and thin) stood smiling exaggeratedly, hats tilted to the side of their heads, rifles hanging from their shoulders, and one boot resting on the massive head of a fairy-tale dragon, which lay dead on the sand like a hunting trophy. Andrew was about to lean towards it and take a closer look at the amorphous lump, when an awful screeching noise made him start. Beside him, Murray was pulling a gold cord, which drew back the silk curtain, revealing what was behind it.

‘Rest assured, gentlemen, you will find no other map like it anywhere in England,’ he declared, swelling with pride. ‘It is an exact replica of the drawing in the Reed People’s cave, expanded, naturally, after our subsequent explorations.’

What the puppet-theatre curtain had uncovered looked more like a drawing by a child with an active imagination than a map. The colour pink predominated, of course, representing the plain, with the mountains in the middle. But the shadowy peaks were not the only geological feature on the map: in the right-hand corner, for example, there was a squiggly line, presumably a river, and close by it a light-green patch, possibly a forest or meadow. Andrew could not help feeling that these everyday symbols, used in maps that charted the world he lived in, were incongruous in what was supposed to be a map of the fourth dimension. But the most striking thing about the drawing was the gold dots peppering the plain, evidently meant to symbolise the holes. Two – the entrance to the year 2000, and the one now in Murray’s possession – were linked by a thin red line, which must represent the route taken by the time-travelling tramcar.

‘As you can see, there are many holes, but we still have no idea where they lead. Does one of them go back to the autumn of 1888? Who knows? It is certainly possible,’ said Murray, staring significantly at Andrew. ‘Kaufmann and Austin are trying to reach the one nearest the entrance to the year 2000, but they still haven’t found a way to circumnavigate the herd of beasts grazing in the valley right in front of it.’

While Andrew and Charles studied the map, Murray knelt down to stroke the dog. ‘Ah, the fourth dimension. What mysteries it holds,’ he mused. ‘All I know is that our candle never burns out there, to use a poetic turn of phrase. Eternal only looks one, but he was born four years ago. And I suppose that must be his actual age – unless the long periods he has spent on the plain, where time seems to leave no mark, are of no matter. Eternal was with me while I carried out my studies in Africa, and since we came back to London, he sleeps next to me every night inside the hole. I did not name him “Eternal” for nothing, gentlemen, and while I can, I’ll do everything in my power to honour his name.’

Andrew felt a shiver run down his spine when his and the dog’s eyes met.

‘What is that building supposed to be?’ asked Charles, pointing to an image of a castle close to the mountains.

‘Ah … that,’ Gilliam said uneasily. ‘That’s Her Majesty’s palace.’

‘The Queen has a palace in the fourth dimension?’ asked Charles, astonished.

‘That’s right, Mr Winslow Let us call it a thank-you present for her generous contribution to our expeditions,’ Gilliam paused, unsure whether he should go on. At last he added, ‘Ever since we organised a private journey to the year 2000 for the Queen and her entourage, she has shown great interest in the laws governing the fourth dimension and, well … She made it known to us that she would like a private residence to be put at her disposal on the plain, where she could spend time when her duties allow, as one does at a spa. She has been going there for some months now, which makes me think her reign will be a long one …’ he said, with no attempt to conceal his irritation at having been forced to make this concession. He, no doubt, had to be content to spend his nights in a wretched tent with Eternal. ‘But that doesn’t concern me. All I want is to be left alone. The Empire wishes to conquer the moon. Let it … But the future is mine!’

He closed the little curtain and led them back to his desk. He invited them to take a seat, and himself sat in his armchair, while Eternal – the dog who would outlive mankind, excepting Murray, the Queen and the lucky employees at her palace outside the time continuum – slumped at his feet.

‘Well, gentlemen, I hope I’ve answered your question about why we are only able to take you to May the twentieth in the year 2000, where all you will see is the result of the most decisive battle in human history,’ he said ironically.

Andrew snorted. None of that interested him in the slightest, at least while he was unable to experience anything other than pain. He was back at square one, it seemed. He would have to go ahead with his suicide plan as soon as Charles’s back was turned. The man had to sleep some time.

‘So, there’s no way of travelling back to the year 1888?’ said his cousin, apparently unwilling to give up.

‘Not without a time machine,’ replied Murray, shrugging his shoulders.

‘We’ll just have to hope science invents one soon,’ Charles said ruefully, patting his cousin’s knee and rising from his chair.

‘It’s just possible that one has already been invented, gentlemen,’ Murray blurted out.

Charles swivelled to face him. ‘What do you mean?’

‘Hm, it’s just a suspicion … but when our company first started, there was someone who vehemently opposed it. He insisted time travel was too dangerous, that it had to be taken slowly. I always suspected he said this because he had a time machine, and wanted to experiment with it before making it public. Or perhaps he wanted to keep it to himself, to become the only master of time.’

‘Who are you talking about?’ asked Andrew.

Murray sat back in his chair, a smug grin on his face. ‘Why, Mr Wells, of course,’ he replied.

‘But, whatever gave you that idea?’ asked Charles. ‘In his novel Wells only writes about journeying into the future. He doesn’t even envisage the possibility of going back in time.’

‘That’s exactly my point, Mr Winslow. Just imagine, gentlemen, if somebody were to build a time machine, the most important invention in the history of humanity. Given its incredible potential, they would have no choice but to keep it secret, to prevent it falling into the hands of some unscrupulous individual who might use it for their own ends. But would they be able to resist the temptation to divulge their secret to the world? A novel would be the perfect way of making their invention known without anyone ever suspecting it was anything but pure fiction. Don’t you agree? Or if vanity doesn’t convince you as a motive, then what if they weren’t trying to satisfy their ego at all? What if The Time Machine were merely a decoy, a message in a bottle cast into the sea, a cry for help to somebody who might know how to interpret it? Who knows? Anyway, gentlemen, Wells did contemplate the possibility of going back in time, and with the aim of changing it, moreover, which I imagine is what motivates you, Mr Harrington.’

Andrew jumped, as if he had been discovered committing a crime. Murray smiled at him wryly, then rifled through one of his desk drawers. He pulled out a copy of Science Schools Journal dating from 1888 and threw it on to the table. The title on the cover of the dog-eared periodical was The Chronic Argonauts, by H. G. Wells. He handed it to Andrew, asking him to take good care of it as it was a rare copy.

‘Exactly eight years ago, as a young man having recently arrived in London and ready to conquer the world, Wells published a serial novel entitled The Chronic Argonauts. The main character was a scientist called Moses Nebogipfel, who travelled back in time to commit a murder. Perhaps Wells considered he had overreached himself, and when he recycled the idea for his novel, he eliminated the journeys into the past, perhaps so as not to give his readers ideas. In any case, he decided to concentrate solely on travelling into the future. He made his protagonist a far more upright character than Nebogipfel, as you know, and never actually mentions his name in the novel. Perhaps Wells could not resist this gesture.’ Andrew and Charles stared at one another, then at Murray, who was scribbling something in a notebook. ‘Here is Wells’s address,’ he said, holding out a scrap of paper to Andrew. ‘You have nothing to lose by seeing whether my suspicions are well founded or not.’

Chapter X

Drifting through the scent of roses suffusing the lobby, the cousins left the offices of Murray’s Time Travel. In the street, they hailed the first hansom cab they saw and gave the driver the address in Woking, Surrey, where the author H. G. Wells lived. The meeting with Gilliam Murray had plunged Andrew into a profound silence where God only knew what dark thoughts he was grappling with. But the journey would take at least three hours, and therefore Charles was in no hurry to draw his cousin into conversation. He preferred to leave him to gather his thoughts. They had experienced enough excitement for one day, and there was still more to come. In any case, he had learned to sit back and enjoy the frequent unexpected bouts of silence that punctuated his relationship with Andrew, so he closed his eyes and let himself be rocked by the cab as it sped out of the city.

Although they were not troubled by the silence, I imagine that you, who are in a sense sharing their journey, might find it a little tiresome. Therefore, rather than lecture you on the nature and quality of this inviolate calm, scarcely broken by the cab’s creaks and groans, or describe to you the view of the horses’ hindquarters upon which Andrew’s gaze was firmly fixed, and, since I am unable even to relate in any exciting way what was going on in Andrew’s head (where the prospect of saving Marie Kelly was slowly fading because, although a method of travelling through time had apparently been discovered, it was still impossible to do so with any accuracy), I propose to make use of this lull in proceedings to tell you about something still pending in this story. I alone can narrate this, as it is an episode about which the cab’s occupants are completely unaware.

I refer to the spectacular ascent up the social ladder of their respective fathers, William Harrington and Sydney Winslow. William Harrington presided over it, with his typical mixture of good fortune and rough-and-ready abilities, and although both men resolved to keep it secret, they cannot do so from me, as I see everything whether I wish to or not.

I could give you my honest opinion of William Harrington, but what I think is of no consequence. Let us rather stick with Andrew’s idea of his father, which is not far from the truth. Andrew saw his father as a warrior of commerce, capable, as you will discover, of the most heroic exploits in the field of business. However, when it came to everyday hand-to-hand combat, in which the struggles that make us human take place, allowing us to show kindness or generosity, he was apparently incapable of anything but the meanest acts, as you have already seen. William Harrington was of the class of person who possesses a self-assurance that is both their strength and their downfall, a cast-iron confidence that can easily turn into excessive, blind arrogance. In the end, he was like someone who stands on his head, then complains that the world is upside down, or, if you prefer, like someone who believes God created the Earth for him to walk upon, with which I have said enough.

William Harrington returned from the Crimea to a world dominated by machines. He realised straight away that this would not supersede the old way of doing things since even the glass in the Crystal Palace, that transparent whale then marooned in Hyde Park, had been made by hand. That was evidently not the way to grow rich, a goal he had set himself, with the typical insouciance of a twenty-year-old, as he lay in bed at night with his new wife, the rather timid daughter of the match manufacturer for whom he worked. The thought of being trapped in the dreary life already mapped out for him kept him awake, and he wondered whether he ought not to rebel against such a common fate. Why had his mother gone to the trouble of bringing him into the world if the most exciting moment in his life was having been lamed by a bayonet? Was he doomed to be just another anonymous cipher, or would he pass into the annals of history?

His lamentable performance in the Crimea would appear to suggest the former, yet William Harrington had too voracious a nature to be content with that. ‘As far as I can tell, I only have one life,’ he said to himself, ‘and what I don’t achieve in this one I won’t achieve in the next.’

The following day he called on his brother-in-law Sydney, a bright, capable young man who was wasting his life as an accountant in the family match firm, and assured him that he, too, was destined for greater things. However, in order to achieve the rapid social ascent William envisaged, they must forget the match business and start up their own enterprise, easily done if they made use of Sydney’s savings. During the course of a long drinking session, William convinced his brother-in-law to let him play with his money, declaring that a small amount of entrepreneurial risk would inject some excitement into his dull life. They had little to lose and much to gain. It was essential they find a business that would bring in large profits quickly, he concluded.

To his amazement, Sydney agreed, and soon put his imaginative mind to work. He arrived at their next meeting with the plans for what he was convinced would be a revolutionary invention. The Bachelor’s Helpmate, as he had called it, consisted of a chair designed for lovers of erotic literature, and was equipped with a lectern that automatically turned the pages, allowing the reader to keep both hands free. William could see from Sydney’s detailed drawings that the device came with accessories, such as a small washbasin, and even a sponge, so that the client did not have to interrupt his reading to get up from the chair. Sydney was convinced his product would make their fortune, but William was not so sure: his brother-in-law had clearly confused his own necessities with those of others. However, once William had succeeded in the difficult task of convincing him that his sophisticated seat was not as essential to the Empire as he had imagined, they found themselves without a decent idea to their names.

Desperate, they concentrated on the flow of merchandise coming in from the colonies. What products had not yet been imported? What unfulfilled needs did the British have? They looked around carefully, but it seemed nothing was wanting. Her Majesty, with her tentacular grasp, was already divesting the world of everything her subjects required. Of course, there was one thing they lacked, but this was a necessity no one dared to mention.

They discovered it one day while strolling through the commercial district of New York, where they had gone in search of inspiration. They were preparing to return to the hotel and soak their aching feet in a basin of salt water, when their eye fell on a product displayed in a shop window. Behind the glass was a stack of strange packets containing fifty sheets of moisturised paper. Printed on the back were the words ‘Gayetty’s Medicated Paper’. What the devil was this for? They soon discovered the answer from the instructions pasted in the window, which, without a hint of embarrassment, depicted a hand applying the product to the most intimate area of a posterior. This fellow Gayetty had obviously decided that corncobs and parish newsletters were a thing of the past.

Once they had recovered from their surprise, William and Sydney looked at each other meaningfully. This was it! It did not take a genius to imagine the warm reception thousands of British backsides, raw from being rubbed with rough newspaper, would give this heaven-sent gift. At fifty cents a packet, they would soon make their fortune. They purchased enough stock to furnish a small shop they acquired in one of London’s busiest streets, filled the window with their product, put up a poster illustrating its correct usage, and waited behind the counter for customers to flock in. But not a single soul walked through the door on the day the shop opened, or in the days that followed, which soon turned into weeks.

It took William and Sydney three months to admit defeat. Their dreams of wealth had been cruelly dashed at the outset, although they had enough medicated paper never to need worry about procuring another Sears catalogue. However, at times society obeys its own twisted logic, and the moment they closed their disastrous shop, their business suddenly took off. In the dark corners of inns, in alleyway entrances, in their own homes during the early hours, William and Sydney were assailed by a variety of individuals who, in hushed tones and glancing furtively about them, ordered packets of their miraculous paper before disappearing back into the gloom.

Surprised at first by the cloak-and-dagger aspect they were obliged to adopt, the two young entrepreneurs soon became accustomed to tramping the streets at dead of night, one limping along, the other puffing and panting, to make their clandestine deliveries far from prying eyes. They soon grew used to depositing their embarrassing product in house doorways, or signalling with a tap of their cane on window-panes, or tossing packets off bridges on to barges passing noiselessly below, slipping into deserted parks and retrieving wads of pound notes stashed under a bench, whistling like a couple of songbirds through mansion railings. Everyone in London wanted to use Gayetty’s wonderful paper without their neighbour finding out, a fact of which William slyly took advantage, increasing the price of his product to what would eventually become an outrageous sum – which most customers were nevertheless willing to pay.

Within a couple of years they were able to purchase two luxurious dwellings in the Brompton Road area, from where they soon upped sticks for Kensington. In addition to his collection of expensive canes, William measured his success by the ability to acquire ever larger houses.

Amazed that the reckless act of placing his entire savings at his brother-in-law’s disposal had provided him with a fine mansion in Queen’s Gate from whose balcony he could survey the most elegant side of London, Sydney resolved to enjoy what he had, giving himself to the pleasures of family life, so extolled by the clergy. He filled his house with children, books, paintings by promising artists, took on a couple of servants and, at a safe distance from them now, cultivated the disdain he claimed he had always felt towards the lower classes to the extent that it became contempt. In brief, he quietly adapted to his new affluence even though it was based on the ignoble business of selling toilet paper.

William was different. His proud, inquisitive nature made it impossible for him to be satisfied with that. He needed public recognition, to be respected by society. In other words, he wanted the great and the good of London to invite him foxhunting, to treat him as an equal. But, much as he paraded through London’s smoking rooms doling out his card, this did not happen. Faced with a situation he was powerless to change, he built up a bitter resentment of the wealthy élite, who subjected him to the most abysmal ostracism while wiping their distinguished backsides with the paper he provided. During one of the rare gatherings to which the two men were invited, his anger boiled over when some wag bestowed on them the title ‘Official Wipers to the Queen’. Before anyone could laugh, William Harrington hurled himself on the insolent dandy, breaking his nose with the pommel of his cane before Sydney managed to drag him away.

The gathering proved a turning point in their lives. William Harrington learned from it a harsh but valuable lesson: the medicinal paper to which he owed everything, and which had generated so much wealth, was a disgrace that would stain his life for ever unless he did something about it. He began to invest part of his earnings in less disreputable businesses, such as the burgeoning railway industry. In a matter of months he had become the majority shareholder in several locomotive repair shops. His next step was to buy a failing shipping company called Fellowship, inject new blood into it, and turn it into the most profitable of ocean-going concerns. Through his tiny empire of successful businesses, which Sydney managed with the easy elegance of an orchestra conductor, in less than two years William had dissociated his name from medicinal paper, cancelling the final shipment and leaving London plunged in silent despair.

In the spring of 1872, Annesley Hall invited him to his first hunt gathering on his Newstead estate, which was attended by all of London society, who eagerly applauded William’s extraordinary achievements. It was there that the witty young man who had made a joke at his expense regrettably perished. According to the newspaper account, the ill-fated youth accidentally shot himself in the foot.

It was around that time when William Harrington dusted off his old uniform and commissioned a portrait of himself bursting out of it, smiling as though his unadorned chest were plastered with medals, and greeting all who entered his mansion with the masterful gaze of sole owner of that corner opposite Hyde Park.

This, and no other, was the secret their fathers so jealously guarded and whose air of light entertainment I considered appropriate for this rather wearisome journey. But I am afraid we have reached the end of our story too soon. Total silence still reigns in the cab and is likely to do so for some time because, when he is in the mood, Andrew is capable of daydreaming for hours, unless prodded with a red-hot poker or doused in boiling oil – neither of which Charles is in the habit of carrying around with him. Therefore I have no other choice but to take flight again so that we reach their destination, Mr Wells’s house, more quickly than they do. Not only, as you will have gathered from some of my commentaries, am I not subject to the cab’s tortuous pace but I can travel at the speed of light, so that – voilà! - in the blink of an eye, or faster still, we find ourselves in Woking, floating above the roof of a modest three-storey house with a garden overrun by brambles and silver birch, whose frail façade trembles slightly as the trains to Lynton roar past.

Chapter XI

I immediately discover I have picked an inopportune moment to intrude upon Herbert George Wells’s life. In order to inconvenience him as little as possible, I could quickly pass over the description of his physical appearance by saying no more than that the celebrated author was a pale, skinny young man who had seen better days. However, of all the characters swimming like fish in this story, Wells is the one who appears most frequently, no doubt to his regret, which compels me to be a little more precise in my depiction of him.

Besides being painfully thin, with a deathly pallor, Wells sported a fashionable moustache, straight with downward-pointed ends that seemed too big and bushy for his childish face. It hung like a dark cloud over an exquisite, rather feminine mouth, which, with his blue eyes, would have lent him an almost angelic air were it not for the roguish smile playing on his lips. In brief, Wells looked like a porcelain doll with twinkling eyes, behind which roamed a lively, penetrating intellect. For lovers of detail, or those lacking in imagination, I shall go on to say that he weighed little more than eight stone, wore a size eight and a half shoe and his hair neatly parted on the left. That day he smelt slightly of stale sweat – his body odour was usually pleasant – as some hours earlier he had been for a ride with his new wife through the surrounding Surrey roads astride their tandem bicycle, the latest invention that had won the couple over because it needed no food or shelter and never strayed from where you left it. There is little more I can add, short of dissecting the man or going into intimate details such as the modest proportions and slight south-easterly curvature of his manhood.

At that very moment, he was seated at the kitchen table, where he usually did his writing, a magazine in his hands. His stiff body, bolt upright in his chair, betrayed his inner turmoil. For while it might have seemed as though Wells were simply letting himself be enveloped by the rippling shadows cast by the afternoon sun shining on the tree in the garden; he was in fact trying to contain his simmering rage. He took a deep breath, then another and another, in a desperate effort to summon a soothing calm. Evidently this did not work, for he ended up hurling the magazine against the kitchen door. It fluttered through the air like a wounded pigeon and landed a yard or two from his feet.

Wells gazed at it with slight regret, then sighed and stood up to retrieve it, scolding himself for this outburst of rage unworthy of a civilised person. He put the magazine back on the table and sat in front of it again, with the resigned expression of one who knows that accepting reversals of fortune with good grace is a sign of courage and intelligence.

The magazine in question was an edition of the Speaker, which had published a devastating review of his most recent novel, The Island of Doctor Moreau, another popular work of science fiction. Beneath the surface lurked one of his pet themes: the visionary destroyed by his own dreams. The protagonist is a man called Prendick, who is shipwrecked and has the misfortune to be washed up on an uncharted island that turns out to be the domain of a mad scientist exiled from England because of his brutal experiments on animals. On that remote island, the eponymous doctor has become like a primitive god to a tribe made up of the freakish creations of his unhinged imagination, the monstrous spawn of his efforts to turn wild animals into men.

The work was Wells’s attempt to go one step further than Darwin by having his deranged doctor attempt to modify life by speeding up the naturally slow process of evolution. It was also a tribute to Jonathan Swift, his favourite author: the scene in which Prendick returns to England to tell the world about the phantasmagorical Eden he has escaped from is almost identical to the chapter in which Gulliver describes the land of the Houyhnhnm. And although Wells had not been satisfied with his book, which had evolved almost in fits and starts from the rather haphazard juxtaposition of more or less powerful images, and had been prepared for a possible slating by the critics, it stung all the same.

The first blow had taken him by surprise, as it had come from his wife, who considered the killing of the doctor by a deformed puma he had tried to transform into a woman a jibe at the women’s movement. How could Jane possibly have thought that? The next jab came from the Saturday Review, a journal he had hitherto found favourable in its judgements. To his further annoyance, the objectionable article was written by Peter Chalmers Mitchell, a young, talented zoologist who had been Wells’s fellow pupil at the Normal School of Science, and who, betraying their once friendly relations, now declared bluntly that Wells’s intention was simply to shock. The critic in the Speaker went still further, accusing the author of being morally corrupt for insinuating that anyone succeeding through experimentation in giving animals a human appearance would logically go on to engage in sexual relations with them. ‘Mr Wells uses his undoubted talent to shameless effect,’ declared the reviewer. Wells asked himself whether his or the critic’s mind was polluted by immoral thoughts.

Wells was only too aware that unfavourable reviews, while tiresome and bad for morale, were like storms in a teacup that would scarcely affect the book’s fortunes. The one before him now, glibly referring to his novel as a depraved fantasy, might even boost sales, smoothing the way for his subsequent books. However, the wounds inflicted on an author’s self-esteem could have fatal consequences in the long-term: a writer’s most powerful weapon, his true strength, was his intuition and, regardless of whether he had any talent, if the critics combined to discredit it, he would be reduced to a fearful creature who took a mistakenly guarded approach to his work that would eventually stifle his latent genius. Before cruelly vilifying them, mud slingers at newspapers and journals should bear in mind that all artistic endeavours were a mixture of effort and imagination, the embodiment of a solitary endeavour, of a sometimes long-nurtured dream, when they were not a desperate bid to give life meaning.

But they would not get the better of Wells. Certainly not. They would not confound him, for he had the basket.

He contemplated the wicker basket sitting on one of the kitchen shelves, and his spirits lifted, rebellious and defiant. The basket’s effect on him was instantaneous. As a result, he was never parted from it, lugging it around from pillar to post, despite the suspicions this aroused in his nearest and dearest. Wells had never believed in lucky charms or magical objects, but the curious way in which it had come into his life, and the string of positive events that had occurred since then, compelled him to make an exception in the case of the basket. He noticed that Jane had filled it with vegetables. Far from irritating him, this amused him. In allocating it that dull domestic function, his wife had at once disguised its magical nature and rendered it doubly useful: not only did the basket bring good fortune and boost his self-confidence, not only did it embody the spirit of personal triumph by evoking the extraordinary person who had made it, it was also just a basket.

Calmer now, Wells closed the magazine. He would not allow anyone to put down his achievements, of which he had reason to feel proud. He was thirty years old and, after a long, painful period of battling against the elements, his life had taken shape. The sword had been tempered and, of all the forms it might have taken, had acquired the appearance it would have for life. All that was needed now was to keep it honed, to learn how to wield it and, if necessary, allow it to taste blood occasionally. Of all the things he could have been, it seemed clear he would be a writer – he was one already. His three published novels testified to this. A writer. It had a pleasant ring to it. And it was an occupation that he was not averse to: since childhood it had been his second choice, after that of becoming a teacher – he had always wanted to stand on a podium and stir people’s consciences, but he could do that from a shop window, and perhaps in a simpler and more far-reaching way.

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