Copyright

The Borough Press

An imprint of HarperCollinsPublishers

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

Published by HarperCollinsPublishers 2016

First published by HarperCollinsPublishers 2016

Copyright © Eleanor Brown 2016

Cover design: Holly Macdonald © HarperCollinsPublishers Ltd 2016. Cover images © Vo Y Phong Mickael/EyeEm/Getty (Paris); Shutterstock.com (frame)

Eleanor Brown asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins

Sourse ISBN: 9780007393688

Ebook Edition © February 2016 ISBN: 9780007393695

Version: 2016-06-06

Dedication

For my parents and my grandparents, especially my grandmothers:

Madeline Mercier Brown and Catherine McReynolds Barnes

Epigraph

Paris in the rain is still Paris.

—Catherine Rémine McReynolds,

November 18, 1923

Contents

Cover

Title Page

Copyright

Dedication

Epigraph

One: Madeleine – 1999

Two: Margie – 1919

Three: Madeleine – 1999

Four: Margie – 1924

Five: Madeleine – 1999

Six: Margie – 1924

Seven: Madeleine – 1999

Eight: Margie – 1924

Nine: Madeleine – 1999

Ten: Margie – 1924

Eleven: Madeleine – 1999

Twelve: Margie – 1924

Thirteen: Madeleine – 1999

Fourteen: Margie – 1924

Fifteen: Madeleine – 1999

Sixteen: Margie – 1924

Seventeen: Madeleine – 1999

Eighteen: Margie – 1924

Nineteen: Madeleine – 1999

Twenty: Margie – 1924

Twenty-One: Madeleine – 1999

Twenty-Two: Margie – 1924

Twenty-Three: Madeleine – 1999

Twenty-Four: Margie – 1924

Twenty-Five: Madeleine – 1999

Twenty-Six: Margie – 1924

Twenty-Seven: Madeleine – 1999

Twenty-Eight: Margie – 1924

Twenty-Nine: Madeleine – 1999

Acknowledgments

Author’s Note

About the Author

Also by Eleanor Brown

About the Publisher

one
MADELEINE
1999

I didn’t set out to lose myself. No one does, really. No one purposely swims away from the solid, forgiving anchor of their heart. We simply make the tiniest of compromises, the smallest of decisions, not realizing the way those small changes add up to something larger until we are forced, for better or worse, to face the people we have become.

I had the best of intentions, always: to make my mother happy, to keep the peace, to smooth my rough edges and ease my own way. But in the end, the life I had crafted was like the porcelain figurines that resided in my mother’s china cabinets: smooth, ornate, but delicate and hollow. For display only. Do not touch.

Long ago, I might have called myself an artist. As a child, I drew on every blank surface I encountered—including, to my mother’s dismay, the walls, deliciously empty front pages of library books, and more than a few freshly ironed tablecloths. In high school, I spent hours in the art room after school, painting until the sun coming through the skylights grew thin and the art teacher would gently put her hand on my shoulder and tell me it was time to go home. Lingering under my Anaïs Anaïs perfume was the smell of paint, and the edges of every textbook I owned were covered with doodles and drawings. On the weekends, I hid from my mother’s bottomless disapproval in the basement of our house, where I had set up an easel, painting until my fingers were stiff and the light had disappeared, rendering the colors I blended on the palette an indiscriminate black.

But I hadn’t painted since I had gotten married. Now, I spent hours leading tour groups through the Stabler Art Museum’s galleries, pointing out the beautiful blur of the Impressionists, the lush clarity of the Romantics, the lawless color of Abstract Expressionism. As we moved between the rooms, I showed them the progression of the paintings, movement washing into movement like the confluence of rivers, the same medium, the same tools, yet so completely different in appearance, in intent, in heart. No matter how many times I explained it, it seemed beautifully impossible that Monet had been creating his gentle pastorals less than a hundred years before the delicious chaos of Jackson Pollock’s murals.

It was almost enough.

Usually Tanis took the older kids; she had four teenage sons and wasn’t afraid of anything. But she was out, and the other docents were booked, so the coordinator asked if I would take the group. I had hesitated for a moment—teenagers seemed scary and uncontrolled, all loose limbs and incomprehensible fashion decisions and bad attitudes—and then told him I would. Their teacher would be with us, after all, and she had requested one of my favorite tours, on artists and their influences.

When I met them in the lobby, I asked the kids their names and who their favorite artists were, to which they, predictably, reacted as though I were trying to get them to divulge state secrets. Their teacher, Miss Pine, was young and slender, with hair that fell loose around her shoulders, more knot than curl, as though she wound her fingers in it all the time. I—and most of the women I knew—wore slim sheath dresses with elegant scarves, an acceptably polite pop of color, but Miss Pine was wrapped in a pile of boysenberry-colored fabric that looked less like a dress and more like a collection of handkerchiefs that had been safety-pinned together. She must have been wearing bracelets or bells, because she jingled as she moved. Either that, or she was hiding a number of out-of-season reindeer underneath those swathes of fabric.

“How long have you been teaching?” I asked, making conversation as we headed to the first stop on the tour, followed by our little ducklings, the floors creaking agreeably beneath our feet.

“Almost ten years,” Miss Pine said, smiling at me. I must have made a face of horror, because she laughed, a light sound with a rough edge that made me smile just to hear it. “They’re not so bad, are they?”

Glancing over my shoulder at the kids, who meandered along in our wake as we climbed the wide marble staircase to the second floor, I laughed too. “Not so bad.” The boys were bouncing off each other like pinballs, a couple of the girls walked with their heads bent together in the inimitable intimacy of teenagers, a few others drifted off to the edges of the staircase to look at the paintings that lined the walls or the sculptures on the landing.

“I just have lingering flashbacks to my own experience. I didn’t cope so well with high school kids when I was in high school myself. I basically spent four years slinking around, trying to fly under the radar.”

Miss Pine waved her hand, setting off her bells again. “We all did. It’s much easier from this side of the desk, I promise you. Plus, you get to try to make it a slightly less miserable experience for them than it was for you.”

“All right, ladies and gentlemen, first stop,” I said when we reached the Renaissance room. I turned to face them, clapping my hands together and then instantly regretting it. I was not an earnest, hand-clapping, Precious Moments stationery–using sort of person. “What do you know about Renaissance art? Lay it on me.”

The kids, who had been chattering enthusiastically as we walked, of course chose that moment to fall sullenly silent. Elementary-aged children seemed almost violent in their desire to speak, hurling their entire bodies into the air when they raised their hands, as though they were controlled by marionette strings. But these high schoolers were draped with languid adolescent ease that didn’t hide the twitch of their eyes, their anxious fingers worrying their pencils, the edges of their sketch pads. I had thought for sure the Renaissance paintings might get them, all those nudes with their tender, pale skin and tactfully placed hands and leaves, but they seemed only politely interested.

“Come on, people,” I said. “I’m getting you out of school for the day. The least you can do is answer my questions.”

Miss Pine and a couple of the kids grinned. Eliza, a girl with long brown braids and a T-shirt bearing a faded print of Munch’s The Scream, raised her hand. She reminded me a little of myself at that age—a spray of pimples across her forehead, curls breaking free of her braids, a thick, sturdy body. She held a paintbrush between her fingers, perhaps in case of an unexpected art emergency, which kind of made me want to give her a hug.

“My savior!” I said. “Pray, my lady, speak.”

Eliza flushed a little as her classmates turned to look at her, but when she spoke, her voice was loud and clear and confident. Or at least as confident as a teenage girl could be, her voice lilting up into questions at the end. “They were really interested in, like, Classical art? Like, Greeks?”

“And the Romans, yeah!” I said. I was so excited someone was actually talking that I might have spoken a little too loudly, because a boy named Lam, his black hair swept into a style that made him look as though he were standing in a wind tunnel, actually took a step back. I cleared my throat and tried for something a little less enthusiastic, the reserved voice I used in the rest of my life, where I spent all my time talking about things I didn’t care about. “They were fascinated by Greco-Roman culture, and you can see those influences everywhere. Take this painting, for instance,” I said, pointing at a piece by an Italian artist. “Do you see these sculptures running along the top of the building in the background?”

The kids leaned forward and I suppressed a grin. So they were interested after all. It was just a matter of breaking through their external cool to find the real people underneath.

Lam spoke up. “It looks like those friezes on the Parthenon.”

“It does, doesn’t it?” I said. “And that’s not an accident. They were trying to revitalize art, so they went looking for the pinnacle of artistic achievement, and they found it in Classical art.”

“So they were copying?” a short, slender girl asked. I couldn’t remember her name. When she had introduced herself, I was distracted by how small and insubstantial she seemed, as though she were a shadow her owner had left behind.

“It’s not copying,” a boy named Hunter said, his words dripping with disdain. “It’s like, inspiration.” The shadow girl dropped her chin, shrinking even further into herself, and I wanted to rush to her rescue. Hunter was good-looking in the irritatingly effortless way some teenage boys have, their features delicate and girlishly pretty, and I could tell from the way the other kids arranged themselves around him that he was the center of their social constellation.

Fortunately, Miss Pine stepped in before I had to. “Dial down the attitude, Hunter,” she said mildly, and I watched the kids shift again, Hunter deflating slightly, the shadow girl glancing up from underneath her eyelashes, the others looking somewhat relieved. I gave Miss Pine a mental high five. “It’s a fair moral question, given how much you all get harangued about plagiarism.”

“And that’s really what we’re here to talk about today, right? Where artists get their ideas, their techniques, their style,” I said.

“From each other,” Eliza said, waving her paintbrush at me.

“Exactly,” I said. “Why don’t we go check out the Neoclassicists and see some more examples?”

Our conversation was livelier in the Neoclassical room, where I managed to engage the kids in a conversation about the Romans, possibly because I mentioned vomitoriums. Proof that no one ever progresses past the age of thirteen, and when nudity fails, gross-out humor is always a good idea.

When the kids had exhausted their (fairly impressive) repertoire of throw-up jokes, I gave them a few minutes to linger in the room. Some of them were sketching wildly, and I felt my fingers itch as I watched them. The self-conscious tightness that had surrounded them fell away, and their inner eager elementary schoolers sprang out. Long ago, that would have been me, so desperate to create I could hardly keep my hands still.

I leaned against the wall, and Miss Pine came to stand beside me. “Anyway,” she said, continuing our earlier conversation as though it had never been interrupted, “teaching is really the best way to stay in touch with my own art. If I’m encouraging them to create, I’d feel like a fraud if I didn’t do it myself. What about you? Are you an artist?”

“Oh, no. I mean, I took art in school, but that’s not, I mean, it wasn’t real,” I said hurriedly, lest she get the wrong idea.

“Really?” She raised a pale eyebrow. “But you talk about it so passionately. I just assumed …”

Tamping down the longing that always emerged when I was talking about art, I shook my head. “I wanted to be a painter, but I just … I guess I just grew out of it.”

The truth was far too difficult to explain, especially to Miss Pine, with her heart big and warm enough for these kids and their self-conscious eyes, and the earnest chitter of her jewelry. This was the bargain I had made. I knew Phillip had married me partially because he had zero taste and I knew something about art, but I was only allowed to be in contact with it in the most clinical of ways, preferably ones that made him look good. I could visit dealers and haggle over paintings for his office, or for the condo, purchases based more on square footage and their power to impress and/or intimidate the person looking at them than on artistic merit. I could lead tours here, volunteer, but I couldn’t make art myself.

“Art isn’t something you grow out of just because you’re not a teenager anymore. It’s not like falling out of love with a teen idol.”

I clutched at my heart in fake horror. “Don’t even joke about that. Isn’t it your job to protect teenage dreams?”

“Not officially, but I suppose I do it anyway. See, if I’d been your teacher, you wouldn’t have given up painting.”

“Ah, but then who would do the glamorous job of introducing apathetic teenagers to the glories of Rembrandt?” I asked.

“I’m sure someone would step into the breach. Not that I’m mocking what you do. You’re a volunteer, right?”

“Right,” I said, though I wasn’t sure whether volunteering truly made what I did more impressive. The deal was, I worked for free and got to pretend I was altruistic and not just bored to tears with the Chicago Women’s Club and the achingly dull business events Phillip insisted I attend with him.

And leading tours brought its own kind of discomfort, the way it boxed me in as surely as any of those other duties. When I talked to tour groups, I spoke about technique, about chiaroscuro and proportion, about brushwork and craquelure with the confidence of a scholar, but I never spoke about the way art made me feel. I never spoke about how seeing a painting for the first time—really seeing it—is a wondrous thing. When I open my eyes to a painting, it is as though everything has changed and will never be the same again. Colors look more vivid, the lines and edges of objects sharper, and I fall in love with the world and all its beauty—the tragedies and love stories on the faces of people walking by, the shine of a wet sidewalk or the way the leaves offer their pale bellies to the wind before a storm. I want to weep for a broken eggshell below a bird’s nest, for its jagged edges and the bird inside freed to take flight.

When we finished the tour, Miss Pine let her students spin off where they wanted—to sketch, she told them sternly, not to the gift shop or the café. A few of them wandered back to the Renaissance rooms (I suppose Venus’ bare breasts had been rather too much to turn down after all); a few others lingered with the vibrant beauty of the Impressionists.

“Listen,” Miss Pine said, coming over and thrusting a postcard at me, the edges slightly soft and bent from her bag, “if you change your mind and want to get in touch with your inner teenager, I’m teaching a painting class this weekend at a new studio in Bucktown. It starts tonight. You should come.”

Staring down at the postcard as though it were the door to Narnia, I pictured it: a bright studio, the smell of paint and canvas, the weight of the brush resting against the curve underneath my thumb, both new and familiar.

“That’s very kind of you,” I said, slipping back into that smooth, emotionless voice that was my armor, “but I have plans.” My presence had been demanded at one of Phillip’s dinners that night, and the next day I was leaving to visit my mother. I didn’t want to do either of those things, would far rather have spent the weekend at that painting class, but my life was heavy with obligations and light on everything I wanted to do.

She shrugged. “Another time, then. My phone number is right there.” She pointed at the bottom of the card, and I saw a smudge of dried paint on the inside of her finger, a sight so familiar it confused me—was it her hand, or mine, a decade ago? “No pressure. Just fun.”

“Thank you,” I said, knowing I would never reach out to her. I knew it was better to keep that part of myself at bay, but to my surprise, that knowledge felt sharp and raw, as though it were new and not years old.

After Miss Pine and the students left, I ate a handful of cookies in the staff room, shoving them so quickly into my mouth that they scraped against my tongue, then gathered my things and went home. Sometimes I took the long way, in order to pass a string of galleries that always had something deliciously irreverent and exciting on display, but I had to meet Phillip. He was desperately trying to make a deal with a developer named Teddy Stockton, which meant I was doomed to making polite conversation with Teddy’s wife, Dimpy, and the other wives all night.

At home, I paused at the front door. Lately I had found myself in a strange, black moment of hope every night, a half wish that my husband would not come home.

I didn’t want anything bad to happen to him; I just wished he would go away. He could disappear through a wormhole, or a circle of standing stones. Or maybe one day he would simply decide he’d had enough and move to some Caribbean island without me. I’d wish him well, honestly. I’d pack up his things and send them down to him with a tube of sunscreen and my best wishes. It would be tidy and emotionless and no one would be to blame.

I didn’t wonder about the meaning behind these thoughts. I had spent so long swallowing every unpleasant feeling I had that it never occurred to me that having a recurring fantasy in which your husband disappears is probably a sign that something is terribly wrong.

But of course there was no magical circle of stones and no Caribbean island, because when I opened the door, there he was, standing in the kitchen, flipping through the mail. He looked, as he always did, as though he were posing for a catalog photo.

Phillip was older than I was, dancing on the edge of forty, but he would be one of those men who simply became better looking as he aged, less pretty and more handsome, like a movie star, or a newscaster. As I had no interest in plastic surgery, I imagined the gulf between our attractiveness would only continue to widen, until I, wrinkled and tired and gray, would look like the maiden aunt he generously escorted to charity functions.

“You’re late,” he said as I set down my purse and reached for the sweater I kept in the coat closet. The floor-to-ceiling windows that allowed one to sit on the uncomfortable couch and admire the endless view of Lake Michigan were also, I was fairly sure, the main reason our home was always so chilly. The moment I came home, even during the summer, I slipped on that sweater. I wore socks and slippers at all times and when I stepped out of the shower, I hurried as quickly as possible into a towel and a bathrobe, the water beading into ice on my skin.

“Sorry,” I said perfunctorily, walking past him into the living room. We didn’t kiss hello or goodbye, not anymore. We had never been a particularly demonstrative couple—Phillip was too concerned with what other people thought, and I was too afraid, even after we were married, of being rejected—but now he didn’t even brush his lips across my forehead when he left for the day. The cool exterior we were required to present to the world had swept its way into our private lives, turning us into strangers at a cocktail party who were sure they had met before, giving each other curious glances across the room. Don’t I know you from … Didn’t we once …

Gathering the mail into a stack, he tapped the pile against the kitchen counter, a smooth, black granite that made it irritatingly impossible to find the dirty spots. “Hurry up. Put on the black dress you wore to the library fundraiser. You look like you ate too much today.”

I looked down at the gray dress I had worn to the museum, trying to spot a telltale cookie bump. Maybe I had eaten a few too many, but I couldn’t have gained that much weight in an afternoon. Then again, Phillip always seemed to know when I had eaten something I shouldn’t have. He was like a well-dressed bloodhound, and if I ate anything other than carrot sticks, he nailed me for it every time, even though I had finally learned to check my shirts for powdered sugar before going home.

“Fine,” I said, heading into the bedroom to change into the black dress. Fighting with him wasn’t worth the effort—it was easier to eat what he told me to, wear what he wanted me to, act how he thought I should. He was a little like my mother in that way, though in a competition between them, he’d never win. Phillip was used to getting his way, but my mother could kill you with canapés and kindness.

I changed into the assigned dress and slipped on a pair of heels that pinched at my toes. My stomach was tight and painful, but there were no antacids left in the bathroom. After going through a couple of evening bags and the bedside table, I finally found some in my closet and threw them in my mouth, wiping my hands on the hem of my dress as I walked back into the living room.

“I’m ready to go,” I announced, hanging my sweater in the closet.

Phillip, who had been flipping impatiently through channels on the television, turned and looked at me. “What is that on your dress?”

I looked down to see the outline of my chalky fingers on the bottom of the skirt. “Oh, you know. I was working a crime scene.”

No smile. He sighed and rubbed his eyes. “Just clean up, Madeleine. We’re going to be late.”

“And I’d hate to miss a moment with Dimpy,” I said. I walked over to the kitchen and wet the corner of a towel, dabbing at the dust until it disappeared. Throwing the damp towel onto the counter, I sighed loudly, which was my best passive-aggressive effort at letting Phillip know I didn’t want to go to this dinner. I didn’t want to pretend to be interested in real estate investment and development, and I didn’t want to make conversation with the wives. I hated that we were always on the periphery. And maybe it was worse that night because I knew I could have been with Miss Pine. I could have been painting, and afterward I could have gotten a steak sandwich, which was definitely not on my diet and even more definitely would have been delicious, Phillip’s sense of smell be damned.

Instead, we went to Twelve, which was about trendy cocktails, tiny, artfully arranged portions on enormous plates, and waiters so attentive I felt like I had to put my arm protectively around my meager dinner lest they whisk it away if I stopped to take a breath.

“Madeleine, hellllllooooo,” Dimpy Stockton brayed at me. We’d seen each other only a few days ago at the Women’s Club, and we weren’t particular friends, but you might have thought, from the performance she gave, that we were reuniting after the war.

“Hi, Dimpy,” I said as she dropped a cool, perfumed kiss on each of my cheeks. She looked exactly like you would expect someone named Dimpy Stockton to look, with a shockingly tight facelift and a pile of cocktail rings more threatening than a set of brass knuckles.

“I thought I might see you at the historical society board meeting today,” she said, and there was an odd scolding tone to her voice.

“Oh, on Fridays I read to orphans,” I said solemnly.

“Isn’t that nice? You’re always so community-minded.” Dimpy patted me on the hand. I tilted my head at her. How disconnected from reality was she? Life wasn’t a production of Annie. You couldn’t just go to an orphanage and corral unsuspecting children into storytime. But Dimpy was sailing along happily. “You missed the most ghastly argument,” she said, tossing her head back and regaling me with a story about the trauma of choosing a theme for the annual gala.

I nodded at whatever Dimpy was saying, watching Phillip glad-handing his way around the table. When he smiled, it was dazzling, and it reminded me of how charming he had been when we first met, how having his attention focused on me had felt rare and precious, had made me into someone else, someone who might have something beautiful and special inside her after all.

Over time, he had treated me less and less that way, focusing his charm on people from whom he still needed something, people who hadn’t already sworn to spend their lives with him. Now I could see his charisma was an act, something he turned on and off at will, but I could still recall the way it had felt to be held in the sunlight of his smile, and that only made being out of it colder.

Before Phillip, I had been biding my time until I got married, at which point I assumed my life would really begin. While the girls I had gone to school with found perfect husbands and had perfect babies, I went on blind dates my mother arranged for me with the sons and grandsons of women she knew from the country club. I never managed to retain their attention for more than a few dates (though, to be fair, they rarely retained mine for more than a few minutes). I had lived alone and worked in the alumni department of Magnolia Country Day, the same school I had attended, where I wrote fundraising appeals that managed to be gracefully desperate, and helped organize an endless parade of events even I didn’t want to go to. I painted, and I read, and the years went by, until I looked up and I was almost thirty and still no one had chosen me.

Phillip’s interest in me had come as a relief. Finally, I would not be the only single one at class reunions. Finally, my mother would be happy with me. Finally, I would have proof that someone thought I was beautiful, someone thought I was enough, someone thought I was worth marrying. I wore my engagement ring like a sigil to ward off everyone’s doubt and pity, most of all my own.

My mother, of course, had been thrilled with Phillip’s pedigree. His great-greats of some ordinal or another had made a fortune in real estate, and now the men of the family continued to make the money and the women spent it, an arrangement I found incredibly depressing for copious reasons. I found out after we were married that all was not as smooth as that—when Phillip’s father died, he had left the family’s real estate investment business in crisis, threatening the livelihood of miscellaneous cousins and brothers-in-law, and it was only through a lot of fist-clenchingly tough deals and a handful of patient investors, including my father, that the ship had been righted and everyone could go back to shopping in blissful ignorance.

Did I ask why he’d never married? Of course I did. I was almost thirty and single, so basically I might as well have been dead, and Phillip was thirty-five, which was not as problematic for a man, but was still old enough to raise some eyebrows. He told me he’d been engaged and she had broken his heart, and that he had never recovered. Until me, I guess.

But I knew why he had married me. It was because I was so eager to please, because he would be in control and I would not object when he told me what to wear or what I could eat or how I should spend my time. And it was because his family’s business was in trouble and my father might become an investor if Phillip could only get close enough, and how much closer can you get than to marry a man’s spinsterish daughter?

I know. I should have seen it coming. But I had been tired of Sunday night dinners at my parents’ house, tired of social events at which I was the only unmarried one, tired of the same job I had held since my college graduation, tied to the endless, thudding repetition of the academic year. And because I thought being married would change things. I thought it would make me someone special. I thought it would mean, at last, that I wasn’t wrong and ugly and broken.

So I put aside my misgivings and I married him. I married him and I had the wedding my mother had given up all hope of my having, and I moved to Chicago to be with him, and I told myself this was a sign, a sign that I might be something more than how people had seen me for my entire life. A sign that I might not be as beautiful as my mother wanted me to be, that I might never fit in as easily as everyone around me seemed to, but that someone thought I mattered.

And for a while, that had been enough. Enough for Phillip and me to convince ourselves we were in something that at least resembled love. But it didn’t feel that way now. It wasn’t enough anymore.

Around me, Dimpy and the other wives kept up a running chatter that I found myself unable to focus on. Most nights I would have suffered through the conversation, distracting myself with other things, but I felt unable to settle down, shifting in my chair, tugging at my dress. Meeting those kids and Miss Pine had reminded me of who I used to be, and now here I sat, squirming in a stylishly aggressive chair, tracing the steps of every tiny decision I had made that had led me away from her.

Swirling around the drain of my emotions, I became angrier and more resentful, wishing I were at that painting class, wishing I were wearing something I could breathe in, wishing I were someone and somewhere else. When the men pushed their chairs back from the table, I shot out of my own seat so quickly I nearly knocked Dimpy, who was leaning forward to hear what one of the other women was saying, on her very pointy chin. As Phillip lingered, I danced my way toward the door, anxious to get in the car, to be in motion.

Phillip’s charm must have worked, because as we drove away, he punched the car ceiling and shouted with excitement. Teddy, apparently, had agreed to the deal. I closed my eyes and felt the wheels moving underneath me, pretended I was on a train heading somewhere far away, somewhere I had chosen.

But we only went home, and in the foyer, Phillip stepped up behind me, slipping his arms around my waist so his hands rested on my cookie-swollen belly and kissing the back of my neck. I stepped away with a shiver.

“Come on, Madeleine. I just made a ton of money. Let’s celebrate.”

“I’m not in the mood.”

“You’re never in the mood,” he said sulkily, and my face went hot with guilt. When we first met, I had found Phillip desperately handsome, but his looks had soon seemed austere and perfect as a marble statue, and his desire something animal and impersonal, completely unrelated to me. He would wake me in the night, pressing himself against me, and I felt not arousal but an offended fury, because his desire came from somewhere else, and there in the darkness, I could have been anyone. “How are we going to have kids if you’re never in the mood?”

Phillip began to stalk around the kitchen, opening and closing cabinet doors. Finally, he huffed loudly, dropping a heavy-bottomed tumbler onto the counter so it rattled, and poured himself a drink.

I was still standing in the foyer, which was drafty and cool, and I reached into the closet for my sweater, wrapping myself in its comfortable warmth. I could smell myself on it—perfume, the illicit ice cream I ate when Phillip was out for the evening, NyQuil from my last cold.

“You’re not ready to have kids,” I said. Children were messy and inconvenient, and Phillip disliked both of those things, and once you had children, you would never be the most important person in the room, and Phillip really disliked that.

“It’s the next step. This is what you do. You get married and you have children. Everyone we know has kids. We’re the only ones.” He took an anxious sip of his drink. Phillip, always so conscious of what everyone else was doing, so worried about being left behind.

“Is that why you married me? Because it was the next step?” I asked. My feet hurt. I slipped out of my shoes, spreading my toes on the cold marble floor, looking for relief.

“Yes. I don’t know. It was time. We were both getting older. Both of our families wanted us to.”

“Right.” I turned and walked into the living room. It was dark inside, but through the windows, I could see the lights of the city stretching off into the distance, and the quiet blackness of the water. Phillip walked into the room behind me and flipped on a light switch, and immediately all I could see was our reflection: me wrapped in my sweater as though I were bracing against a storm, and him standing behind me, a faceless figure wearing an expensive suit and an impatient air.

“What do you want me to say? That’s your problem, Madeleine. Nothing is ever good enough for you. You’re never happy.”

“No,” I said, looking at us mirrored in the window as though I were watching a play. “I’m not happy.”

“You don’t even know how lucky you are.” He turned toward me, his mouth pulled down, and leaned back, draining the liquor in a single swallow.

Lucky. I thought of how the days were slipping through my fingers, how empty time went by. It didn’t feel lucky to live a life I had chosen but had never wanted. My fists were clenched, and I could feel myself shaking. I had been pushing down my anger, my disappointment, my irritation for years, and it seemed I couldn’t keep them inside anymore.

“How am I lucky, Phillip? How? Is it the way I never get do what I want to do? Is it the way you tell me I look fat when I so much as eat a cupcake on my own birthday? Is it that I live in this ugly place where I’m freezing all the time? Is that how I’m lucky?”

I knew I was risking something by speaking so plainly, but with a deep and desperate fervor, I wanted out. I wanted to pick my own clothes and decide my own schedule. I wanted a job and I wanted my own money and I wanted to paint and I wanted a house that didn’t feel like a museum, and I wondered how I had gotten to this place, where I had everything and still had nothing that was important to me.

Phillip scoffed, turned, poured himself another drink. “Most women would be thrilled to have a life like this. Expensive dinners, nice clothes, a professionally decorated home, a successful husband.”

“I would be thrilled, Phillip, if I cared about those things. But I don’t. I don’t care about fancy restaurants, or clothes, or interior decorators, and I don’t care …” I bit off the end of the sentence, my breath coming quickly. I don’t know what I would have said at that point; the words were bubbling out of me and I was filled with the kind of helpless, senseless rage that precedes an uncontrollable crying fit and doesn’t lend itself to thoughtful discourse.

“Then why,” Phillip asked, with a callous detachment, his eyes glittering, “are you still here? Maybe we shouldn’t even bother, Madeleine. Maybe we should just get a divorce.”

two
MARGIE
1919

My grandmother Margaret (Margie) Pearce was first and foremost a daydreamer, and as soon as she was old enough to write, she began to record the stories she told herself. They were adventure stories sometimes, love stories often. They were stories of escape, of romance, of the future she thought she might have, of the life she wished to live.

And in the same way I thought my life would begin with my wedding, my grandmother thought hers would begin with her debut. She believed her life had been a closed bud until that moment, waiting politely until that rite of passage came to bloom, to bring her all the things she dreamed about—romance and beauty and adventure and art—with the certain cultivated wildness of a rose.

Of course that wasn’t the way it worked out. In fact, if Grandmother and I had given it any thought at all, we would have realized debutante balls and weddings were the precise opposite of freedom: a courtly cementing of our futures into the concrete of the families and society in which we had been raised. But at the time, they seemed nothing more than a chance, for once, to be beautiful, and how could either of us turn that away?

Margie made her debut on a blustery, icy December day in Washington, D.C. It was so cold the clouds had been chased away, leaving a clear sky, bright with stars against the darkness. The week before, she had come home from her first semester of college, the months of classes a blur as she dreamed of the moment when she would finally descend the hotel’s staircase and make her grand curtsy, when everything would change, everything would begin.

Margie’s appetite had all but disappeared in the excitement, so her collarbones stuck out prettily, her cheekbones high, her face flushed. She tried to read, to sew, anything to pass the hours, but she couldn’t sit still. Instead, she found herself running to the window again and again, watching people stepping quickly along the sidewalk, their heads bent to break the wind. The weather made everyone hurry, rushing to get back inside, so it looked as though the entire scene had been sped up, the cars hurtling down the street, the tram at the corner buzzing recklessly by. But when she stepped away from the window and looked at the clock again, time had barely moved.

When five o’clock finally came, she rushed upstairs to her room and was already stripping off her day dress and putting on her own corset and petticoat by the time Nellie, the maid, came in.

The gown fell over her head in a rush of silk and the scent of flowers. Nellie had placed rose petals inside the dress while it was hanging, and a few of them fluttered to the floor when Margie slipped her arms into the sleeves. The gown was made with the palest cream silk and had a wide V-neckline. Despite the season, the sleeves were short, and she had a pair of long white gloves sure to make her hands sweat. But the dress’s loveliest feature was the delicate pink silk roses crossing the bodice and trailing their way down the skirt, tiny buds of spring pink with green leaves set behind them. To Margie, it looked like a garden come to life.

Other girls, in high school and in college, had suitors, even beaux, though Margie had never thought of such a thing for herself. Her parents would have forbidden it, for one, and for two, who would look at her, with her fat ankles and her broad shoulders, when there were girls like Elizabeth Tabb or Lucinda Spencer around, delicate little things with the girlish smile of Mary Pickford and dramatic eyes like Gloria Swanson? But that night, listening to the rustle of the silk against her petticoat as she walked slowly down the stairs, her head held high under the unfamiliar weight of a tiara, she thought she might, for once, be worth looking at. This was it, she thought. This was the night her life would begin.

At the hotel, the debutantes waited in an anteroom. Some of their dresses, Margie thought as she looked around, were shockingly modern—casual, even, a loose flow of fabric draping over their bodies without pause, making them look elegantly boyish and square. The dressmaker had offered Margie a similar gown. “It’s the newest fashion,” the woman had said, showing a dress of thin satin with a lace overlay, loose and flowing.

Margie’s mother had been horrified. “You can’t even wear a corset under that!”

About the corset, Margie didn’t mind, as she was rather fond of breathing, but she did mind that tender afterthought of a dress. It looked so plain compared to the gown she had imagined. And it was all well and good for someone who looked chic in dresses like the one the pleading designer was holding out to her. Those women didn’t have broad shoulders or large bosoms or muscular calves like she did. Margie knew well what she would look like in that kind of dress.

But clearly a number of the other girls had been brave enough to take the plunge. Anne Dulaney and Elsie Mills, who had been the first to bob their hair (to their mothers’ fury and everyone else’s shock), were, of course, wearing those dresses and, of course, being tall and so slender, looked stunning. They were lounging on a pair of fainting couches as though the very thought of the evening exhausted them. Two other girls in shorter dresses huddled together by an open window, smoking (and she was fairly sure the flask they were sharing wasn’t lemonade), and another cluster of girls in more traditional gowns stood at the opposite end of the room, pretending to talk while catching admiring glimpses of themselves in the mirror above the fireplace.

Feeling desperate, Margie kept looking for someone she knew well enough to sit with, until she spied Grace Scott and Emily Harrison Palmer, with whom she had gone to school until the ninth grade, when she had left for Abbott Academy and they for Miss Porter’s. Their dresses were as formal and old-fashioned as hers, and she felt a sense of relief as she settled down on a sofa beside them, the slight and familiar tremor she had felt upon comparing herself to the others, girls who would always be more beautiful, more fashionable, more right than she was, fading.

“Who are they?” Margie whispered, leaning forward and cocking her head toward the smokers.

“Southern,” Emily Harrison said, with a touch of haughty contempt, which was rich, considering her parents had come to Washington from Atlanta and her mother had an accent so thick you could have spread it on toast. “But those girls,” she said, nodding toward the group at the fireplace, “are European royals. Can you believe it? Minor, of course. Rumor has it they’re making the rounds looking for husbands here because their parents are flat broke.”

“Don’t gossip, Emily Harrison,” Grace scolded. Grace had always been overly kind, the sort of girl teachers selected to pal around with the new student, and prone to fits of tears over the tiniest of disappointments. “I’m sure they’re perfectly nice.”

“I didn’t say they weren’t perfectly nice, I said they were perfectly broke,” Emily Harrison said. She lifted her hands and examined her fingernails. “Everyone in Europe is broke. Everyone here, too, it seems. My mother says there never would have been a ball with this many debutantes in her day.”

“They’re so glamorous,” Margie said dreamily, looking at the Europeans. They faced away from her, a few of them with dresses cut low enough on their backs to reveal skin luminous as snow. Were they princesses? Margie wondered. Two of them wore tiaras, sparkling in the firelight, but Margie wore one herself and she was hardly a princess. It was just that they seemed so graceful, so perfect, every movement of their hands expressive as ballerinas, the curves of their throats, the bones of their faces as though they had been carved from marble. Their spines were stiff, their shoulders straight, and Margie self-consciously pulled herself back from slouching. Even if they weren’t princesses, they were royalty, and they would be walking down the steps with her.

“Isn’t it exciting?” Margie asked. She couldn’t contain herself. She supposed she ought to be blasé, like Anne and Elsie, so languidly aloof on their fainting couches, but she couldn’t. The night lay in front of them like a glittering promise, the sparkle of it, the elegance, the mystery of the excitement to come. Oh, Anne and Elsie were old poops, that’s all there was to it. She was going to dance with Robert Walsh, the terribly handsome friend of the family who was to be her escort, and drink champagne even if her parents didn’t approve, and she was going to enjoy every moment.

“Dreadfully exciting,” Grace said, and the sparkle in her eyes matched Margie’s, even though Grace was assured of marrying Theo Halloway—their families had arranged it long ago—and might not have bothered coming out at all if her mother hadn’t practically run Washington society. “I saw the ballroom on the way in, Margie. It’s simply gorgeous. And your gown is really stunning. You look lovely.”

“Thank you,” Margie said demurely, though inside she fluttered at the compliment.

Her father had said, “You look pretty, kitten,” but that was his job, and her mother had said, “Your tiara’s on crooked,” and then, after she had fixed it, “Nellie didn’t do a horrible job with your hair,” which was the closest thing to praise Margie had ever gotten from her mother, a tiny, precise woman who had never understood the starry-eyed, lead-footed daughter she had managed to produce.

“You look pretty too,” she said to Grace. Under normal circumstances that might have been an exaggeration—it was a good thing Grace was so kind and her parents were so wealthy, because Grace was so plain—but not that night. Grace was dark and the pale yellow of her gown glowed against her skin, and she looked happy, and Margie felt a little rush of sentimental nostalgia for the girls they had once been and the women they were becoming.

“Ladies.” Grace’s mother, Mrs. Scott, appeared at the doorway. The Southern girls quickly pitched their cigarette ends out the window and Margie saw the flask of not-lemonade disappear into one of their skirts. Mrs. Scott sniffed the air and looked at them disapprovingly. “We are ready to begin.”

Margie’s last name, Pearce, put her solidly in the middle of the line, right behind Emily Harrison Palmer, but that night she wished it were Robertson, or better yet, Zeigler, so she could savor the anticipation, the shiver in her stomach, the heat in her face. At first all she could see was the hallway and the line of debutantes in front of her, but as Emily Harrison began her slow descent, Margie saw it all laid out before her: the chandelier brilliant above, the pale glow of the girls’ dresses, light sparking prisms off hundreds of diamonds, setting the hall aglow. Her breath caught hard in her chest and she didn’t breathe, didn’t move, holding the moment in her hand like crystal, like snow, terrified it might disappear, shatter and whirl away in the air.

She promised herself she would remember it all, hold on to every moment. But as soon as she set one satin-slippered foot on the stairs, it became nothing more than a lovely blur. She stored away memories of everything she could—the plush carpet beneath her shoes, Robert’s hand under hers, the fall of her dress around her knees when she executed her curtsy, graceful and slow as a dancer’s plié. The sparkle of champagne on her tongue, and Robert standing beside her, stiff and formal in his white tie, and the kiss her father dropped on her forehead as they waltzed, and the sight of all the debutantes with their escorts, swirling around the enormous dance floor like flowers, like snowdrops, like everything beautiful and bright and enchanted.

When the night was coming to an end, when the tables had been cleared and most of the fathers had left to smoke in the billiard room and the mothers were fluttering around the ballroom, chatting or passing gossip, or sitting at the tables, listening to the orchestra and remembering their own debuts in a more elegant time, a time when there was not so much sadness, when so many young men had not been lost and so many young women were not so bold and strange and unsatisfied, Emily Harrison came to fetch Margie and Grace. They had been standing alone at the edge of the empty dance floor, sighing happily at the music. “Come upstairs,” Emily Harrison said. “There’s a party.”

“This is a party,” Margie said, confused. She realized, with a little surprise, that she was somewhat drunk, and with even more surprise, that she rather liked it.

Emily Harrison rolled her eyes. “Not like this. A real party. One of the Europeans has a suite upstairs. Everyone else is gone, didn’t you notice? Come on.” Margie looked around to see the three of them were the only debutantes left in the ballroom. The rest of the girls had disappeared, as had their escorts. They were, in fact, the youngest women in the room by a good twenty years.

“Oh, I couldn’t,” Grace demurred, and Emily Harrison huffed impatiently.

“Of course not. Perfect Grace. What about you?” she asked, turning toward Margie, who took a surprised step back. A real party? She didn’t know what that meant, but she was sure she’d never been to anything Emily Harrison, who had a tendency to wildness, would have called a real party. But the night was magic and she didn’t want it to end. Why shouldn’t she go?

“I have to tell my parents,” Margie said. “They’ll be leaving soon.”

“Tell them you’re coming home with me. Hurry up already.”

Margie found her mother sitting at a table with Anne’s and Grace’s mothers, their heads bent so close together it looked as though they were eating from a single plate. When Margie approached, they separated slowly, their conversation holding them together like sticky toffee. “Your tiara’s crooked again,” her mother said. She was wearing a gown of heavy blue velvet that made her eyes burn like sapphires.

Pushing a careless hand up toward her tiara, which didn’t feel crooked in the slightest, Margie told her mother she and some of the other girls were going to Emily Harrison’s, and she might stay the night there, if that was all right.

It was the biggest lie she had ever told, and she thought, for a moment, as her mother looked piercingly at her, that she had been found out, until her mother’s gaze flicked back to Mrs. Dulaney and Mrs. Scott, who hadn’t bothered to stop talking for one moment, and she waved Margie off, telling her not to ruin her gown, for goodness’ sake, to get Emily Harrison’s maid to take care of it and not to forget to pick up the fur she had borrowed from her mother and left at the coat check. Margie promised all these things, and her mother let her go.

Could it have been so simple all along? No wonder girls like Anne and Elsie and Emily Harrison were so wild. How easy it was to slip out from under someone’s thumb, if the conditions were right.

The girls left Grace swaying contentedly by herself by the dance floor, like a lily of the valley in a breeze. They took the elevator to the top floor and swished down the hall to a suite whose door was propped open slightly, letting out the sound of music. As Emily Harrison put her hand on the doorknob, there was a shout and a burst of raucous male laughter, and Margie jumped back slightly. She felt a little less drunk now, away from the orchestra and the sparkle of the ballroom, and a little more scared, but Emily Harrison simply hissed at her to come on.

Inside, Margie stood by the door, both terrified and fascinated. Someone put a glass of champagne in her hand and she drank it quickly, the pleasant light-headedness she had felt before rising up again.

One of the Southern girls sat on the sofa, a cigarette burning in one hand and what looked suspiciously like a tumbler of gin in the other. She had taken off the lace overlay of her dress—Margie could see it draped carelessly over the back of a nearby chair—and was sitting there only in the satin chemise, and Margie was certain she didn’t have anything on underneath it. A man sat on either side of her, one of them also smoking. Ash had fallen onto the cushions of the cream sofa between them.

In the corner, a phonograph played Al Jolson, and a few of the European girls (and, Margie was shocked to see, Elsie Mills) were dancing with their escorts, who had taken off their ties and tails. It wasn’t dancing of the sort she’d learned at cotillion; their bodies were pressed so close together Margie couldn’t have gotten a hand in between them. One of the men had dropped cigarette ash on the tallest European’s beautiful gown, but no one seemed to notice or care. Elsie and her escort, their eyes half closed, from attraction or liquor, moved more and more slowly, their heads drifting together, and then they began to kiss, at first gently, and then passionately. Margie stared—she had rarely seen anyone kiss, and certainly not with such hunger—and when she finally turned away, her face burned with shame and envy.

The air was hazy with smoke—in addition to the cigarette smokers, a group of escorts was playing cards and smoking cigars in a dining room off the front room. Emily Harrison had disappeared, and Margie felt immediately self-conscious and overheated, her corset pressing too tightly into her stomach. She walked quickly through the room to one of the side doors—This suite must take the whole floor, she thought—and opened it to find a couple engaged amorously on a bed. Slamming the door shut, she pressed her hand to her chest. Was this what everyone else had been doing while she and Grace were visiting and performing little plays together or reading on Friday nights? Had this been happening all around her and she had just never been invited until now? Or was this part of the new world that seemed to be trembling around them, ready to break open and swallow them all whole?

She didn’t belong here, she thought. But what could she do? She couldn’t leave now. Her mother thought she was spending the night at Emily Harrison’s, and she didn’t even have cab fare.

Taking another few steps away from the blur of the living room, Margie found herself in a hallway lined with rich damask wallpaper in cream and silver. Suddenly, one of the other doors opened, and her escort, Robert Walsh, emerged, straightening his vest, an unlit cigar clamped between his teeth, and she blushed. Margie had always had the worst habit of blushing anytime she was in the company of any boy—or now, man—near her age, especially if he was at all good-looking, which Robert Walsh definitely was. Hearing the sound of a commode flushing behind him, she burned even hotter. “Hey there, are you all right?” he asked. Unable to look at him, she nodded.

“Party rather too much for you, eh?” he asked, and then, accepting her apparently stunned look as a reply, took her by the elbow and steered her away from the living room. “Come on. Let’s get you a little fresh air.” He led her down the hall to the last door, which opened into an enormous, and blessedly uninhabited, bedroom. Guiding her inside, he closed the door behind them and walked over to a long wall, tugging aside a curtain to reveal a pair of French doors. Margie stepped outside gratefully when he opened them.

The air was icy against her skin, and Margie wished she had gotten her coat from the check after all. Her mother would be furious if she forgot it, especially after she had been reminded. She always complained that Margie was irresponsible and flighty and addle-minded, and most of the time, Margie had to admit, it was true. It was just so easy to get lost in her thoughts, or in a book, or in a story she was writing.

Breathing the air in deep, grateful gulps, Margie felt her heart slowing and the flush fading from her cheeks.

“Damn, it’s freezing out here,” Robert said mildly. He shook off his jacket and brought it over to Margie, settling it around her shoulders. She pulled it closer around herself, inhaling the smell of him on the fabric—soap and Brilliantine and unlit tobacco.

“I’m so sorry,” she said, when the air had done its job. She had begun to shiver, but she didn’t want to move just yet. The champagne giddiness had gone, replaced by a different pleasure. Above them, the stars were sharp and lustrous, and she liked the steady comfort of Robert beside her.

He was handsome in a careless way, and though he had been raised to be polite, there was something of a rake about him. He drove a sporty Monroe roadster and though he was older than she, almost twenty-five, he didn’t seem to be in any rush to settle down and get married, or even work for a living. She always heard him talking about one party or another, or a trip he had taken to Atlantic City, or Boston, or New York.

Her parents had selected him to be her escort, and his parents had probably agreed for him. Yet here they were now, alone, and he didn’t seem to want to be part of what was happening out in the party any more than she did. Could it be that he was like her, maybe a little shy, a little dreamy? Maybe he had been misunderstood all this time and all he needed was someone who would allow him to be himself, and he would see that in her and she would look up at him with dewy eyes, her heart pounding, and …

“No need to apologize,” Robert said. “Your teeth are chattering—you must be frozen. Are you feeling better? Should we go back inside?”

Startled, Margie nodded, and he gestured politely for her to go in first. He closed the doors behind them, but the chill remained in the air, so Robert strode over to the fireplace, taking the match holder from the mantel and lighting the fire that had been laid there. “Have a seat,” he said, gesturing toward the sofa closest to the fireplace. She settled into the cushions, sliding out of his jacket as he brought over the coverlet from the bed and tucked her in, grinning and winking at her as though they shared a secret. Margie felt the heat in her face again.

“Thank you,” she said after a few moments, when she was warm again. “I don’t know what came over me.”

Robert shrugged. He sat down in an armchair by the fireplace, resting one foot on the opposite knee. He took the still-unlit cigar out of his mouth and set it in a large crystal ashtray on the tiny, spindly end table. “You’ve had quite an evening. And this party did go from amusing to outrageous rather quickly.”

Margie’s heart quickened again, thinking of Elsie and that man kissing passionately, of the couple in the bedroom, a flash of bare arms and legs entwined before she had closed the door. “I hear Europeans are scandalously free these days,” she said, trying to sound worldly, like she went to parties like this all the time, as he apparently did.

Instead of laughing at her, Robert simply nodded. “They are. But you can’t blame them. They’ve been through a lot. It’s a miracle there’s anyone left, isn’t it? Between the war and the ’flu?”

“Why didn’t you go?” Margie asked tentatively. “To the war?”

Instead of answering, he stared into the fire silently for a few moments. “Money,” he said finally, “has all sorts of privileges. My father bought my way out.”

“Oh.” The idea that he had avoided service on purpose made her feel embarrassed for him. She scrambled for a conciliatory remark. “Of course you’re important to the company. It’s right you should have stayed home, or who would take over the business from your father if you …” she trailed off, realizing she was about to suggest Robert’s tragic demise.

He didn’t seem to notice. He was still watching the fire, and then, abruptly, he pulled himself out of his trance and slipped a hearty smile back onto his face. “Quite right, quite right. Shall I get us a drink?” he asked, but didn’t wait for a reply. He pushed himself up from the chair and was out of the room before Margie could say anything.

It wasn’t until he was gone that she really took in that she was sitting alone in a bedroom with a man. She’d never been in such a circumstance before, hadn’t even countenanced the idea that it might happen before she was married. Was it terrible she didn’t feel it was so wrong?

She knew what she should do, of course. She should leave this party and all its shocking business behind and go downstairs and get her coat from the check before it closed and her mother’s fur went into whatever purgatorial limbo happened to coats in the coat check past closing time. The hotel doorman would get her a taxicab and she would say her address loudly and confidently, as if she traveled by herself in the middle of the night all the time, “3241 R Street,” and she’d go home and ring the bell and her father would pay the taxi and she could be safe in her own bed in an hour, her dress hanging on the wardrobe door and this night nothing more than a beautiful dream with a queer ending.

But she didn’t. She sat by the fire wrapped in the coverlet, and in a few moments Robert came back carrying a champagne bucket in one hand and a pair of glasses between his fingers. She heard a rush of music and conversation when the door opened, which stilled again when he closed it.

“I hope you like champagne. There’s gin, but that’s an acquired taste.” He put the champagne bucket on the end table and pulled out the bottle, sweating and chilled from its ice bath, and used a napkin to gently tug out the cork. It sprang free with a sharp pop, and Margie could hear the fizz as he poured her a glass.

“I do like champagne,” Margie said, although she felt sure she had been on a roller coaster of it all night and it was long past time for her to get off. Still, when he handed it to her, she took it, sipping at it gently, letting the bubbles pop against the roof of her mouth, savoring the sweetness on her tongue.

“You don’t want to be out there? At the party?” she asked. Robert poured himself a drink and then, to her surprise, clinked his glass against hers as he sat down on the sofa, so close she could feel the warmth of him. Though she had touched him a dozen times that night—when he had walked her down the stairs, when they had danced, his hand against the small of her back—this felt blushingly intimate.

“Not tonight. Those girls are tiring. All they do is gossip and talk about dresses and marriage. I’d rather talk to you, Margie.”

“Thank you,” Margie said, dazzled by the compliment, small as it was.

“So did you enjoy the ball?”

“Very much so,” Margie said with a smile, and it all came back to her. The discomfort she had felt at the shock of the party had faded, the light-headedness from the alcohol was blurring into something quieter, a buoyant contentment, and when she stretched her feet out, she could see the roses marching down the front of her dress and the toes of her pretty satin slippers. And even if Robert were simply biding his time with her, she could pretend it was something else, and no one would ever have to know.

“When do you go back to school?”

“Not for ages and ages,” Margie said. She lifted her arms over her head and stretched. The fire and the champagne were making her toasty, and she let the coverlet slip down into her lap.

“I’m leaving for Europe right after the New Year.”

“Oh? Is it for work?”

“God, no,” Robert said, and took an enormous slug of his drink. “I am on a quest, Margie, to avoid that particular responsibility for as long as possible.”

“You don’t want to take over the business?”

“Not even a little bit. What about you? You aren’t in some God-awful rush to get married and start popping out children and turn into your mother, are you?”

“Goodness, no,” Margie said with a shudder, and took a large swig of her champagne in imitation of Robert, who laughed charmingly. “My mother is the last person I want to turn into.” And then, a little ashamed of herself for speaking ill of her mother aloud, she turned to him frantically. “You won’t tell her I said that, will you?”

He smiled, his teeth blindingly white, and gave her a slow, raffish wink. “Not as long as you promise not to tell my father I’d rather die than take over the helm of Walsh Shipping. Right now they’re so grateful I’m not pushing up poppies in Flanders Fields, they’re letting it lie, as long as I do little services like this and keep the family name clean. But eventually they’ll ask, Margie. Eventually they’ll demand it.” He was growing sadder and more morose as he talked. “We’re doomed, you know. Doomed to turn into our parents.”

“No!” Margie stood up, throwing off the coverlet and stamping her foot. “I won’t do it. I’m going to be different, you’ll see. I’m going to be a writer, and I’m going to live in Europe, and I’m never going to get married—I’m going to fall in love again and again, and no one can stop me.”

Robert looked up at her as though he were deciding something, and then he drained his own drink, stood up, and, to Margie’s complete surprise, slipped his arms around her as though they were going to begin a waltz. “Of course you are,” he said, and the sadness in his face was gone again, so far gone Margie wondered if she had only imagined his gloomy prophecies. “You’re going to live in Paris and drink champagne from a shoe and write books like no one has ever read before,” he said, and he swept her around the room as though they were back on the ballroom floor, guiding her expertly between the furniture without even seeming to look at it. Margie laughed, tilting her head back and watching the ceiling spin above her as they danced in the quiet room, the crackle of the fire and the pale thumps of the party outside their only music. “And I’m going to go to Italy and live as a marquis, and never, ever think about cargo or shipping or tariffs or any kind of freight at all.” Margie laughed again, and then he abruptly spun to a stop.

“Whoops!” She was still laughing, her eyes closed. When she opened them, Robert was looking at her intently, searching her face for something.

“Margie,” he said, low and quiet.

“Yes?”

He didn’t say anything; he simply pulled his hand from hers where their arms had been extended and slipped it around her waist, pulling her close, far closer than they had been on the dance floor, as close as the dancers had been in the living room of the suite, the roses of her gown crushed against his stiff white vest, and then, as though she had been doing it all her life and knew what was coming, her eyes fluttered closed as he kissed her.

It seemed impossible someone else’s lips could be so soft, and she wondered at so many sensations at once, at the smell of him, the warmth of his body against hers, his hands firm and strong against her back, the quiet movements of his mouth and then his tongue, at first shocking and then, when she opened her lips, both natural and incredibly arousing. Her body rose to meet his, and when he moved his mouth from hers and trailed a line of kisses down her neck, breathing in the scent of her perfume and her skin, one hand moving up, his fingers playing dangerously at the edge of her neckline, she didn’t stop him, didn’t want to stop him, because the voice inside her telling her she shouldn’t, this wasn’t something a lady, a proper girl, did, that voice belonged to her mother and this night was hers and hers alone, to do with as she wished.

They kissed until her lips were swollen and the dizziness of the champagne had been exchanged for the dizziness of desire, and they lay down on the bed together and they didn’t stop kissing, and her hands were as bold on him as his were on her. They fell asleep together, their mouths close, hands claiming a confident intimacy, his body warming hers, her mind whirling with the fulfillment of all her romantic fantasies.

In the morning when she woke, the dream was over. He was gone, and she didn’t see Robert Walsh again for almost five years.

three
MADELEINE
1999

Phillip hadn’t stuck around to see how his threat had affected me. He had taken his drink and stalked off to the study. I stood in the kitchen, stunned, and then stumbled into the bedroom, grabbing for some antacids to calm my stomach.

His side of the bed had stayed empty while I tossed and turned, unable to get warm despite the extra blankets I had wrapped myself in.

Finally, I had drifted off to sleep in the gray gruel of morning, woke up groggy and disoriented. Padding across the condo, I quietly opened the door to the study, but Phillip was gone. His keys and wallet weren’t by the front door. It was a weekend, but maybe he had gone to the office. Maybe he had left just to avoid me.

I had to talk to him, had to apologize, had to make it right again. No matter how much I complained, when it came down to it, I couldn’t actually get divorced. I couldn’t. It would be an admission that I was a failure, unlovable, that I hadn’t been good enough for him after all. I would be buried by the shame. My mother would be humiliated. I couldn’t.

I dialed Phillip’s mobile number again and again. His office phone. Nothing.

What if he had really meant it? What if it really were over? I lifted my hand to my throat as if I could physically unstop the breath that had caught there.

And what would I do? If there were no more Phillip, who would I be? No one else would marry me. I’d have to leave the Stabler. I’d have to leave Chicago, leave the rows of art galleries in River North where I could stroll for hours and see a dozen pieces that changed everything. I’d have to go back to my hometown. Back to Magnolia, to my mother, to the Ladies Association and humid summers, to walk among my ruins and stew in my failures.

Magnolia. The fight had eclipsed my dread over my impending peacekeeping trip to see my mother, but in three hours, I was supposed to be on a plane. But I couldn’t go now, could I? I had to stay and make things right with Phillip. Except he clearly didn’t want to see me. Didn’t want to talk to me.

But maybe if I went, maybe if I went and left Phillip alone for a while, he’d calm down. I’d just been upset the night before, drunk on the foolish idea of painting again, trapped in a too-tight dress (Phillip had been right about the cookies, he was always right), irritated by Dimpy Stockton’s cheerful entitlement. And he’d calm down, just as I had. Phillip was endlessly mercurial, and horribly spoiled, and sometimes the best thing to do, I’d found, was to leave him to it. Eventually he got bored of his own drama and would emerge from it as though it had never happened. And I wouldn’t say a word of it to my mother. She and Phillip adored each other, and if she knew I had screwed this up …

Well. I wasn’t going to think about that. Because it was going to be fine. Pulling my suitcase out of my closet, I packed in silence. I’d be gone for a week and by the time I came back, everything would be fine. He’d have forgotten all about a divorce. I’d have forgotten the anger that had swollen inside me, the resentment at the way he treated me, the sick certainty I felt when he pushed at the issue of a baby. The weather would be warm in Magnolia. I could take shorts, sleeveless shirts, not that anyone wanted to see my bare, chubby arms. There would be so much pollen in the air I wouldn’t be able to breathe, and my mother and I would be at each other’s throats within twenty-four hours, but it wouldn’t be here. I took the nearly empty bottle of antacids and ground them into a fine powder against my tongue on the way to the airport, feeling the twist in my stomach as it pulled angrily against itself.

Ostensibly, my parents had settled in Magnolia because it was in between Memphis and Little Rock, and my father had begun investing in real estate in both cities, but I think they chose it because it was equally inconvenient for both of their families to visit. My mother said she liked it because it was small, barely a city. “Memphis without all the fuss,” she called it, as though Memphis were a latter-day Gotham, all crime-fighting superheroes and threatening skylines. But Magnolia was a Goldilocks city—just large enough to have the cultural amenities my mother enjoyed, just small enough that she could run its social scene with her tiny, well-moisturized fist, just Southern enough for the charm without too much culture shock for my Northern parents, just Northern enough to cool off during the winter months without doing too much damage to my mother’s garden. As much as I complained about it, I’d been in no hurry to escape; it had held me in its slow, sticky thrall until Phillip and I had moved to Chicago.

I took a taxi to my mother’s house, the driver listening to hypnotically aggressive sports talk radio. He left me there, standing in the circular driveway. My parents had bought this house, an old brick colonial with black shutters and a gabled roof over the front door, when they had married in 1945—my mother only twenty years old, my father a few years older, back from a thankfully bland service in the war. They had periodically remodeled the interior, but the outside looked the same as it had since I was a child. I could smell the honeysuckle and wisteria growing along the side of the house, and the summery, green scent of damp soil. The hedges surrounding the property bore tiny white buds that would explode in a few weeks and flower profusely, covering the sidewalk with sticky yellow dust, until they had sown their wild oats and retreated into orderly decency, marking the edge of the property in a military-tight formation.

My mother’s house was in Briar Hill, where the enormous homes near the country club faded into family neighborhoods and trendy stores. The house next door was even older, the original farmhouse for the land that had turned into this wealthy neighborhood, and for years it had been owned by the Schulers, who were descendants of the family who had built it. My mother preferred that sort of thing, neighborhoods with history and old houses and families who had lived in them for years. The Schulers’ children had already been in high school when I was born, so over the years it had seemed emptier and emptier as they moved out, and the only times it came to life were Christmas and Easter, when everyone streamed home with their own families in tow, or the occasional summer Sunday dinner, when they played croquet in the back yard and ate on the porch while the children chased fireflies in the gathering dark.

But now it looked like there was a full-on party happening over there. Standing outside my mother’s silent house, I could hear conversation and laughter drifting over the fence, and people moving back and forth inside. Maybe I should go there instead, I thought. It sounded like much more fun.

Before I could make a break for it, the front door swung open and the familiar scent rushed up at me, dust and old books, wood polish and something floral from the arrangement on the table in the front hall, and under it all, the pale, faint traces of my father’s cigars. Even though he had died soon after Phillip and I were married, it still felt painful to think of it. I took a long, slow breath, inhaling the comforting smell of him. My anger and panic had burned away during the trip and now I was left with a slow, sad burn in my stomach that made the smell of my parents’ house seem comforting.

However, the person standing at the door was not my mother, but a woman about my age, her hair blown out into an appropriate bob, her makeup perfect, wearing a conservative navy suit with a white shell and pearls, straight out of the Magnolia Ladies Association Central Casting.

“Well, well, well. Madeleine Bowers. Aren’t you a sight for sore eyes?”

I squinted at her suspiciously. “It’s Madeleine Spencer, now, actually. Do I … ah … know you?”

She looked at me with a surprised expression and laughed. “You don’t recognize me? I don’t know whether to take that as a compliment or not! Honey, it’s Sharon Baker. From Country Day?”

“Oh. Wow.” This woman standing here with her French-manicured nails and her spotless outfit was Sharon Baker? In high school, Sharon had been the closest thing Magnolia Country Day had to a bad girl. Most of us had been together since nursery school, but Sharon had blown in at the beginning of ninth grade (the rumor, which she did nothing to dispel, was that she had been kicked out of three other private schools before she had come to ours). She smoked, and dated boys from public school, and her uniform skirt was always too short, and she had wild, loose, curly hair she never seemed to brush.

I’d always been both a little in awe and a little afraid of her, mostly because she didn’t seem to care what anyone else thought. I’d sat next to her during class elections the first year, and when we were supposed to hand our ballots in, I turned to take hers and pass it down, but her hands were empty. “That shit is on the floor where it belongs,” she had said. It had never even occurred to me that was an option. I had voted for Ashley Hathaway, the same way I had voted for her every year since the fifth grade.

“Hardly recognize me, huh? I went all respectable.” Turning toward the mirror by the door, she shook her hair into place, needlessly tugging her jacket straight. “I know. I hardly recognize me too.” She sighed, as though she were a disappointment to herself. “Don’t worry,” she said, turning her cheer back on. “I’m still rotten deep down at the core. How the hell are you?”

“I’m good,” I said, a little timorously. I was still reeling from the great reinvention of Sharon Baker, and a little bit wondering why she was there. My mother and I had never been the best of friends, but I thought getting a new daughter seemed a bit extreme, and Sharon would have been a … surprising choice, even cleaned up as she was.

“And what brings you back to this shit hole?” she asked cheerfully. She was still looking in the mirror, now reapplying her lipstick, a pearlescent pink that shimmered when she popped her lips at the end. It was strange—she looked so perfect and pure, but she still had a mouth like a sailor.

“I’m just in town for a visit.” I had been standing in the doorway, but I finally stepped in. “Not to be rude, but what are you doing here?”

Sharon stopped primping and turned to me, squinting slightly. “Your mother hasn’t told you?”

“Hasn’t told me what? Did she adopt you? Have I been disowned?”

Sharon laughed, a pleasantly rough-edged stone of a sound. Covering her lipstick, she stuck it back in her purse. “You’d better talk to Simone.”

“I’m here, I’m here,” my mother said, rushing downstairs. “I’m so sorry; I was terribly delayed. Have you been waiting long?” she asked Sharon solicitously, and then, noticing me, started and put her hand on her chest. “Well, goodness, Madeleine, are you arriving today?”

I looked down at myself and my luggage. “It appears I already have.”

“I’m sorry, it completely slipped my mind. Your clothes are all wrinkled.”

“I’ve been on a plane.” I’m sure my mother got off planes looking fresh as a daisy, but I, like most mere mortals, was wrinkle-prone. She sighed at me as though it were a personal failing.

“Aren’t you going to close the door?”

“It was on my to-do list. Nice to see you too.”

“I’m sorry, I’m sorry, I’m all aflutter.” She came forward and gave me a brittle hug. My mother was tiny and delicate and beautiful, like so many of the women in my life. She wore essentially the same thing every day—a pair of slacks, a cardigan, and a scarf tied around her neck. She had pearl earrings and a once-a-week hairdo and if you saw her at the grocery store you would pretty much know exactly the kind of person she was, which might be a terrible thing to say but is one hundred percent the truth.

Beauty, in my family, seems to skip a generation. I was not beautiful in the same way my grandmother hadn’t been beautiful—the body that had been unpopular in the 1920s was equally unpopular now, and I don’t think it ever had a heyday at any point in between. We were too tall to be average, but not tall enough to be interesting; we had broad shoulders and breasts that interfered with everyday activities and hips that belonged on a Soviet propaganda poster. When I looked in the mirror, I could see her features looking back at me—one eyebrow higher than the other, wide, milky brown eyes, a forgettable nose, a thin, poutless mouth.

But my grandmother, when I had known her, had possessed a certain elegance. She wore Chanel suits and she always had a glass of wine in her hand, and she never laughed too loud, and when she walked out of a room, you could tell she had been there from the trail of perfume she left behind, as though the room had recently been abandoned by a spirit with a preference for Shalimar. I had none of that ease: I had spent my entire life trying (and failing) to fit my uncooperative body into someone else’s mold. Every ten weeks, I went to a salon where they poured chemicals over my hair to calm it into smooth submission, and in between, I regularly flat-ironed it, the smell of heat and burnt hair filling my nose. I ate as little as possible, especially in public, leaving half my anemic salad on my plate at luncheons. When I remembered all the desserts I had pushed away—the rich cheesecakes, the delicate stacks of fruit and cream, the whirls of ganache—I wanted to weep. It had worked—to an extent—I was thin, but that did not make my shoulders any smaller, my calves any less like the trunks of sturdy young trees.

My mother, on the other hand, was beautiful, a clear genetic anomaly sandwiched between my grandmother and me, with delicate features, fine bones, and hair like champagne and corn silk. She had tried to raise me in her own image, but I was never able to match her easy elegance. I sweated through my gloves at cotillion, and though I followed her instructions on hair brushing to the letter, what made her hair smooth and sleek as a thoroughbred’s mane only seemed to leave mine fluffy and floating, as though I had disobeyed on purpose. I wore the clothes she bought me, though they never seemed to fit right, the shirts riding up no matter how much I tugged at them, the outfits that looked so perfect in the pages of Seventeen somehow losing their allure on me, making me look lumpy, as though I were smuggling packets of flour taped to my sides.

“How was your flight?” my mother asked as she released me, leaving a pale cloud of L’Air du Temps behind.

“Fine. What’s going on next door? It looks like they’re having a party.”

“It’s awful, isn’t it? The Schulers sold the house and the man who bought it has turned it into a restaurant. A restaurant! In this neighborhood! Can you believe it?”

Actually, I could. My parents’ neighborhood had been getting hipper and hipper for years, but my mother would have been unhappy with any change at all.

“Is it any good?”

“How would I know? They’ve turned my front lawn into a parking lot. I’m certainly not going to eat there.”

“To be fair, it’s not really your front lawn. It’s his.”

“It’s close enough. And the noise! Trucks backing in with that dreadful beeping sound, all hours of the day and night. They’ve turned the Schulers’ lovely back deck into a seating area and there’s just the most appalling racket from the garden.”

“So, like, people eating and drinking and being happy? I can see how that would be a major bummer to have around.”

“Don’t be sarcastic.”

“Sarcasm’s all I’ve got, Mother.” I had slept on the plane, but I was tired and my emotions were still jagged and thin.

“Well, it’s nice of you to come. Isn’t Phillip missing you?”

I neatly sidestepped the question. “Phillip has a business trip to New York this week.” This was true, but not the whole truth.

“Why didn’t you go with him? You could have gone shopping while he was working! That’s what I always used to do when your father had business in New York.” My mother clasped her hands together joyfully, like a little girl who had been given a new doll. I should have sent her to New York with Phillip. The two of them had always liked each other better than either of them seemed to like me.

“Well, there’s the fact that I hate shopping.” The idea of being stuck in a store—or, even worse, a mall—for hours at a time, with nothing to do other than try on clothes made me want to gnaw my own arm off. When I’d been younger and my mother had made me go shopping for clothes, I’d always taken a book, and while she swanned around the Juniors department, I’d crawl under a clothes rack and read until she’d reached critical dressing room mass and I had to go try things on so she could criticize me in public, the way Mother Nature had intended.

“So you’re staying the whole week?”

“That was the plan,” I said. Unless Phillip had been serious, and we really were getting a divorce. A fist twisted my guts at the thought. But I wasn’t going to get into that now. I clumsily changed the subject. “Sharon said you have something to tell me?”

“Well, I have some news.” Way-ull. Two syllables. Though she had been born and raised in Washington, D.C., a Southern accent had grown on her like wisteria. I had excised mine when I moved, taking on the bland, regionless diction of a newscaster, tired of people, including my husband, mentally docking me two dozen IQ points whenever they heard me speak.

“What’s wrong?”

“Nothing’s wrong, Madeleine. You are so dramatic. I just wanted to tell you I’ve decided to sell the house.”

Sharon had been gracefully backing away into the front room, and when I turned to her quickly, my eyes wide open, she all but bolted like a rabbit. I whirled back to my mother. “This house? Our house?”

“Of course this house. Who else’s house would I sell? It’s too big for me, really. Lydia Endicott has the loveliest condominium not far from here, and something like that would be so much easier to take care of.”

Because my mother never admitted to any weakness, I was instantly on alert. She woke up every morning and had dry toast and coffee for breakfast, while torturing whichever housekeeper was unfortunate enough to be in her employ at that time. She dressed (perfectly), she gardened (beautifully), she went to some luncheon function (elegantly), she played bridge (competitively), she had dinner at the club with a single glass of wine (socially), and she came home and went to bed. Her skin was luminous, probably due to the truly staggering amount of money she spent on moisturizers and facials and the vague promises of rejuvenating treatments, and though she was almost seventy-five, she didn’t look a day over sixty. Not even a silver hair on her head, though that may have been due to the ministrations of her hairdresser and not entirely to genetics.

“Are you okay?” I asked, bracing myself for some admission of illness.

She sighed in irritation, turned to the floral arrangement on the front table, and began to fuss with it. “Didn’t I already tell you I was fine?”

“You did, it’s just … what about … your garden?” I asked. It wasn’t the most intelligent question, but the idea of my mother moving someplace where she couldn’t have a garden was strange. She had always had a garden. Multiple gardens, in fact: the front garden, the herb garden, the rose garden, the back garden, the ornamental garden, and the side garden. Oh, and the kitchen garden, for the growing of vegetables she never seemed to eat. And there was also what was affectionately known as “the orchard,” which was actually a somewhat confusing collection of two apple trees, a pear tree, a plum tree, and a handful of raspberry bushes that had lost their way.

“There’s a community garden. Lydia has a plot. And I can have window boxes and planters on the balcony, of course. I mean, I’ll be left off the garden tour, but if it means I don’t have to manage three floors by myself, it will be worth it. I’ve been run off my feet with no housekeeper since Renata left. Honestly. Who gets married during planting season? That girl doesn’t have the sense God gave little green apples.”

“Mother!” I said sharply, interrupting what I knew was bound to be a detailed recounting of how much work the house was to keep up and how terribly busy she was all the time, interspersed with (and I am not kidding here) exegeses on how hard it was to find good help these days. No normal person would consider the housekeeper’s not planning her wedding around my mother’s gardening schedule a selfish act, but my mother was not normal. She was the star of her own movie. “When are you selling the house?”

“That’s why Sharon’s here. She’s a real estate agent. Her mother and I are on the Garden Society board.”

The mind boggled at the idea of Sharon’s having an actual job. We’d had geometry together first period sophomore year and she had regularly stumbled in late, smelling of cigarettes and coffee, asking to borrow a pencil. And now she was going to sell my mother’s house?

“You can’t sell it now! It’s too soon!” My emotions were already off-kilter, and the idea of her selling the house struck me with dumb terror.

“Too soon for what? If you had to take care of this place all on your own, you wouldn’t be saying that. Why, just last week the wiring in the living room was going absolutely haywire …”

My mother launched into a lengthy complaint about finding an electrician, and I tuned her out, trying to get my emotions under control. I hadn’t lived in my parents’ house for years. I went back to visit once a year and spent the entire time arguing with my mother and bumping into the enormous antique furniture that always seemed to be lurking around corners, waiting to surprise me. I had never had any particular feelings toward the house, but right then it seemed like the most important place in the whole world, as if it were a monument slated for demolition, to be replaced by a shopping mall.

“Mother, you’ve lived in this house for over fifty years! How can you sell it?”

“Don’t yell, Madeleine.” My mother flipped her hands into the air, her balletic fingers waving me away. “I’m right here.”

“I’m not yelling,” I said, even though I was.

“Sharon is here to go through the house with me, and I’d appreciate it if you’d stop with your hysterics long enough for us to do that.”

“I’m hardly hysterical,” I said, and that, at least, was true.

On cue, Sharon reappeared at the doorway and my mother turned to her as though she were an enormous relief, which she probably was, for all kinds of reasons. The two of them walked into the front room and I followed, mostly because I didn’t have anything better to do. As my mother guided Sharon around as though they were on the Parade of Homes tour, and Sharon took pictures and made notes to herself, I looked around, trying to see the house through someone else’s eyes. I could hear Sharon’s tone, and I knew she was making a colossal list of things my mother was going to have to fix or change or update. I couldn’t wait to hear that conversation.

My parents’ house had always been a showplace, more museum and shrine to family heritage than home. As a child, I had longed to touch everything, largely because it was off-limits, but also because everything was so beautiful. There were delicate bone china teacups to use for tea parties, tiny porcelain figurines I could pose and shift around to tell the stories that were always running wild through my mind (I was an only child of older parents, and often dreadfully lonely), antique furniture to climb, silver to smudge, and perfectly ironed, handmade table linens to drape myself in for costumes—bride, sheik, Greek goddess, attendant at the queen’s ball.

When I was a child, my parents had maintained a few employees—a cook, a housekeeper as well as a maid, a gardener, and the occasional backup dancer, a handyman or a builder, usually. Having “help” had always seemed old-fashioned and indulgent, but looking at the house now, I understood. It had been built for a large family and lots of guests. The furnishings were from another time, when there had been a full staff to take care of the endless dust, the silver that oxidized without any attention, the linens in need of ironing. And my mother was busy. You could make fun of ladies who lunched all you wanted—really, it was my favorite hobby—but my mother’s work mattered. She had raised and contributed literally millions of dollars to charities. And that, even I had to admit, was more important than vacuuming.

I carried my suitcase upstairs and tossed it into my old bedroom, watching Sharon making another note as I did. Probably “Madeleine should put her suitcase away instead of throwing it on the floor.” Duly noted.

“Can I see the attic?” Sharon asked.

“It’s a little chaotic,” my mother said. She pulled at the door, but it had swollen slightly in the heat and wouldn’t budge.

“Let me,” I said. I gave it a firm tug and it popped open, groaning to express its displeasure. The trapped air rushed out at me, stale and musty. “We’re in,” I said, like I was engineering a bank heist.

The stairs were so narrow I had to walk with my feet sideways so they would fit on the treads. When I was little, the attic had been one of my favorite parts of the house, a place to find a hundred mysteries and compose a hundred stories. A dress rack with plastic bags holding my mother’s old clothes, including her wedding gown, yellowing delicately in the silence, and enough vintage clothing to provide me with hours of dress-up entertainment. Boxes and trunks filled with the detritus of family shipwrecks, inscrutable objects from times gone by—shrimp forks, salt cellars, rolling ink blotters, monogrammed wax seals—piles of photographs of unidentified ancestors, and the occasional piece of broken jewelry, which I would generally stick in my hair, so when I came down for dinner I looked like a magpie had built its sparkly nest on my head.

“We could advertise this as a playroom,” Sharon said as she reached the top of the stairs, as though she had heard my memories. I could imagine what she was thinking—toy boxes lining the walls, a pink plastic castle, stain-resistant carpeting—and it made me feel protective of the attic’s homeliness. It had always been playroom enough for me with the ancient, creaking wooden floors and dust-covered hatboxes and trunks.

While my mother and Sharon talked about air-conditioning and Pottery Barn furniture, I sat down by one of the windows and looked out over the yard, the way I had so many afternoons when I was little. I didn’t remember its being so warm, but it certainly was now; sweat was already trickling down my forehead and I lifted an arm to blot it away.

Next door, the restaurant was open for lunch. I could see people sitting on the porch, the motion of servers walking back and forth. Beyond that, the entire yard had been transformed into a garden with slender paths between the beds for easy passage. It was early in the season, but the vegetables were already growing there; besides the tomato plants by the edge, I could see a small herb garden near the opposite fence, rows of strawberries, vines of squash spreading over the ground, and neat, orderly rows of lettuce, blossoming out of the earth like bridal bouquets. My stomach growled. I was definitely going there to eat sometime soon. I had never been one of those people whose appetite fell away under stress and grief. In fact, my consumption of snack cakes rose in direct proportion to my emotional turmoil.

When I turned away from the window, my mother and Sharon had disappeared back downstairs, heading for the basement. Looking around the attic, I imagined going through these things, packing them up, sending them off to auction or to the landfill, and it made me feel terribly wistful, as though I were saying goodbye to a part of myself I would never get back.

In front of me was a low, small trunk. Leaning forward, I opened it to find a stack of folded, faded fabric and a wooden box with a sliding top that turned out to be full of dark pebbles, rescued from the gentle smoothing of the water by some curious hand long ago. Below those were an accordion file full of financial paperwork, a stack of envelopes bound together so tightly the rubber band had bitten into the centers of the envelopes on both the top and the bottom, a pile of books, and a few composition books, their covers yellowed and dry. Picking one up, I flipped through the pages. It was a mishmash of things: a listing of clothing comprising a girl’s wardrobe, some poetry, a draft of a letter to the aforementioned girl’s mother with lots of cross-outs and exclamation points, a hastily drawn calendar, and some absentminded doodles. I looked through, smiling, thinking this could have been any girl’s diary, really, from anytime. Substitute high-heeled sneakers and short overalls for petticoats and gloves and it could have been written today, but the dates sprinkled throughout the pages told me it was from 1914. I flipped back to the front cover and there, in a valiant (if failed) effort at pretty penmanship, was my grandmother’s maiden name: Margaret Brooke Pearce.

Putting the notebook aside, I pulled the next one out of the trunk. This one was labeled four years later: 1918. It was more of a diary than the first notebook, though there were still occasional digressions into the mundane: pages of addition adding up to a teenage budget, a list of girls’ names and where they were going to college (I felt a little surge of pleasure at this: 1918 and the entire graduating class of girls—only thirty, but still—were every one of them going to college). In February, I read this entry:

The ’flu is here, and the school is in a complete panic. They can’t send us home, they say, because too many people are sick and we’d only infect them on our journeys. Instead, they’re quarantining us here. Everyone is awfully disturbed, but I think it’s rather romantic. Of course, I don’t have it yet. I’ve always been healthy as a horse, as Mother says, so maybe I won’t get it at all?

And a few weeks later:

Well, Lucinda’s caught it. They’ve run out of spaces in the infirmary, so they’ve gone and turned the gymnasium into another infirmary. She’s there now. Of course, it’s not as bad as it could be—there are these awful photographs of soldiers who are down with it, just shoved into bed after bed anywhere they can find the space—churches, gymnasiums. Abbott ran out of medical staff and teachers to help long ago, and they’re asking the mothers to come. The funniest part—Mother has agreed! I suppose she thinks it’s war service, even though the war is practically over, or so everyone keeps saying.

Anyway, they’ve closed down one of the other dormitories, so I’ve got a new roommate now that Lucinda is gone (and good riddance to bad rubbish, says I); Ruth is only a sophomore, but she’s quite droll and we get on très well. Her sister sent a pack of peanut brittle and we stayed up late last night gorging ourselves and laughing until we felt positively ill (or possibly that was due to the peanut brittle). The good news is there are only half the classes and with the weather so drab I was able to sleep it off. Mother would be furious I ate so many sweets.

To be honest, I feel a little jealous that Mother is coming up here to take care of these other girls. She’s never been up to visit me, not even for Family Weekend. Part of me wishes I would get the ’flu, just a little case, and then she’d have to take care of me, too. When I picture my own mother ministering to mean old Lucinda, sitting by her bedside and dabbing at her forehead with a cool cloth, it makes me more than a little ill with jealousy.

It was so strange to read the entries and think of my grandmother writing them. She had died when I was twelve, so to me she had only been Grandmother, old and stiff and formal to a fault. It was impossible to reconcile the woman I had known with this girl, so honest and young and silly. It could have been my diary, with all the complaints about her mother and the sugar overload.

My stomach growled again, hard and insistent, and I wiped a few more beads of sweat off my forehead. Time to go, then. I’d check in with Sharon to see if she’d strangled my mother yet, and then I’d figure out what to do next. I started to put the notebooks and letters back into the trunk and then paused. In my confusion that morning, I hadn’t packed a book, and these looked like a better-than-average distraction. Maybe I’d find something my mother and I could bond over. Gathering up the packet of letters and the pile of books and notebooks, I stacked my arms full and headed down the stairs.

In my bedroom, I dropped the papers on the bed and went to wash the travel stink and attic dust off my skin. Drying my hands, my engagement ring snagged on the towel, and I tugged it free, staring at it. It had been cleaned a few months ago when I went to Tiffany’s to buy a present for one of Phillip’s nieces (why a five-year-old girl needed a present from Tiffany’s was beyond me, but this was how the Spencer family worked), and it sparkled in the light, the scratches on the metal, evidence of years of bumps, bangs, and scrapes, barely visible.

There was a dark blue thread from the towel stuck underneath the stone. I pulled it out, the thread breaking on either side, leaving a tiny piece of blue fuzz underneath the prong. I picked at it for a moment, a tide of irritation building inside me, pushing aside the sick, sinking fear that had been resting heavily in my chest. Why did Phillip get to be the wronged party? What had I done wrong, other than be honest, admit for once that I was unhappy, that there was something broken between us?

On the counter was a small china dish and I tossed the rings in there, clinking the lid back on with satisfaction. Now I wouldn’t have to look at that piece of lint marring the ring’s perfection. I wouldn’t have to think about it at all. And I certainly wouldn’t pay any attention to its bare and blinding absence on my finger.

four
MARGIE
1924

Five years after her debut, my grandmother was sitting in the parlor, twenty-four years old and generally agreed to be a spinster. She had graduated from college two years before, and now she found herself lost.

“What are you thinking on, Margie?” her mother asked. “You’ve done half of that in the wrong color.”

Margie lifted her embroidery hoop and peered at it closely. “Oh, damn,” she said. “Well, it’s not as if it was any good to begin with.”

“Don’t swear, Margie. You’ll never get a husband with a mouth like a fishwife,” her mother scolded with a tired sigh. She held out her hand. “Give it here. I’ll take the stitches out.”

Margie crossed her eyes. There was going to be no husband. She knew it, and she guessed her mother knew it, and only said things like that to keep the fiction alive, for whose benefit she wasn’t sure. Margie hadn’t been keen on getting married in particular, but she had very much liked the idea of a love affair or two. There had been a time when she had been starry-eyed enough to think some man might see beyond her plainness and find the person underneath and fall madly in love. She thought maybe Robert Walsh had. Oh, but she didn’t like to think of him at all.

“Mr. Chapman is coming for dinner tonight,” her mother said without looking up. She was plucking out Margie’s sloppy, miscolored stitches. When she handed it back, there would be tiny holes where the thread had been, and puckers in the fabric, but Margie would be expected to redo it anyway. What use were these things now? When women had the vote, when girls could go to medical school, when every day little earthquakes of change brought something new? The time of embroidery and silver polishing was ending, and another time, one Margie had only glimpsed the night of her debut, of dancing and parties and women free to do as they pleased, dress as they wanted, had begun. But not in her mother’s parlor. It might as well have been 1885 in there, the décor Victorian, ornate wallpaper and dark wood and enormous, heavy, velvet-covered furniture that seemed to do nothing except produce dust. Her mother, who had been raised in a house even more dependent on rules and rigidity than the one she ran now, had gritted her teeth and barred the door against any change.

Margie wasn’t really interested in the speakeasies or the liquor or the Charleston, and heaven knows the clothes wouldn’t have suited her. Her interests were more creative. Upstairs in her room was a series of notebooks—some she used for journals, the others for her stories. Abbott Academy’s literary magazine had published a series of poems and short stories she’d written, and Margie had been proud to bursting to see her words somewhere other than in her notebooks, and in typeface instead of her cramped, busy hand. But when she’d shown the magazine to her parents, their reaction had been condescending, a dismissive nod after skimming through. Her father had grunted. “That’s nice,” her mother had said, but her mother didn’t think much of stories or poems in the first place. She believed reading should be edifying, and was particularly fond of publications from the Temperance League.

In college Margie had won the Mary Olivier Memorial Prize for Lyric Poetry, and the literary society had published a few of her stories in their journals. It wasn’t like high school; they didn’t send copies of everything home, and she didn’t think her parents had ever seen those, which was a pity, as they were much better. This was what she wanted, why she longed to be able to leave the parlor and go into the world outside, to write and to publish and to talk to other people with imagination. Nowadays it wasn’t like the unfortunate Brontë sisters, who’d had to publish as men to get any attention. Now women could be reporters and poets and even novelists. But how could she have anything to write about if she never left these four walls? She wanted to be out there, living!

“Again? Didn’t he come last week?”

“He did,” her mother said blandly. “I invited him back. I thought you two got on awfully well. And so did he, apparently. He was pleased to accept my invitation when I told him you would be at home.”

“Oh, no, Mother.”

“Now, Margie, he’s a perfectly nice man. You said so yourself.”

“I was being polite! Mother, he’s twice my age! And so dreadfully dull. All that talk about government securities or exchange rates or something. I wanted to impale myself on the shrimp fork.”

“Margie, do you always have to be so dramatic?” her mother asked, shaking her head in a disappointed way Margie knew well. She finished pulling the last line of thread out of the hoop, wrapped the loose floss neatly into a bundle, and handed it back to Margie. “I don’t have to remind you that you are in no position to be turning down offers from eligible bachelors.”

“Mother,” Margie cried. She felt as if she were sixteen again, being pressed to go to a dance she had no interest in. After her season had ended, her mother had continued making arrangements for Margie to go out: to the symphony, to balls, to parties. There she was either roundly ignored and would find a quiet corner to read in (in which case she might as well have just stayed home), or she was yanked around from group to group by her mother as though she were an exotic new pet who needed showing off. Worse, lately, her mother had taken it upon herself to invite her father’s single business associates over for dinner, seating them next to Margie as though to judge how they would look as a pair, so Margie was forced to make conversation. And of course all the men her own age were either married or terrible rakes (and sometimes both, she thought, thinking of Anne Dulaney’s husband), so the dinner guests had skewed older and older until they had lit on Mr. Chapman, who was nearly fifty and never married, and who was perfectly genteel, but, as previously mentioned, dreadfully boring (which probably explained the never-married part).

“Mother, please don’t make me.” Margie sighed. She hated the way she sounded, young and spoiled, but how could she sound any other way when she was being treated like a child? This was the problem, she thought, with living in this house year after year, locked in this room with her mother, Margie embroidering while her mother tore her stitches out, having the same conversations while they both went quietly mad. She faked headaches on a regular basis so she could sneak upstairs to her room and write or read. Her mother hated how much Margie read; in addition to the frivolity of novels, she complained, squinting at those books all the time was going to ruin Margie’s eyesight.

Margie wished she could run away. Women lived on their own all the time now. One of the houses at the end of the block had been turned into a boardinghouse; she saw the girls who lived there heading off to work every day in twos and threes, laughing, heads bent close, sharing the secrets of a life she could hardly imagine. Surely they had their own problems, but they also had the freedom to take whatever job they wanted and live wherever they wanted and marry whomever they wanted, and she imagined those freedoms were worth a fair amount of pain.

And she could work, couldn’t she? She could work at the library—just the thought of spending her days with all those books made her giddy. She could be a writer for a magazine. She could fetch coffee or take notes, if it came to it. And as always, when she ran through this scenario in her head, she could feel her hopes rising, could see it as though it were already true. And then something would happen, someone would speak, and her bubble would burst and she would come back to the ground, to her mother’s parlor and this crooked, rumpled embroidery, and a life full of gatherings she didn’t want to go to and people she didn’t want to talk to and all the obligations her mother pressed on her until she wanted to scream.

“It will be fine, Margie. He’s a lovely man, and financially secure.”

“I don’t care about financially secure.”

“You’d care a lot more about it if you hadn’t lived that way all your life,” her mother said.

“It doesn’t matter to me, Mother. Not the way it matters to you.”

“It will be all right in the end, Margie.” Her mother lowered her head to her embroidery with a quiet smile, as though she had won something. “You’ll see.”

Though in the end, it wasn’t fine. It wasn’t fine at all.

After dinner that night, an endless affair in which Mr. Chapman and her father talked at length about some provision in the Howland-Barnes Act and Margie valiantly resisted falling asleep in her potatoes, her mother suggested Margie and Mr. Chapman take a walk. Margie, who had been cooped up inside all day, nearly fled for her wrap. Even a walk with Mr. Chapman was better than sitting with him and her parents for the length of coffee and polite conversation in the parlor.

They had walked for a few blocks in silence when they reached Book Hill Park and Mr. Chapman suggested they sit down. Margie had a disturbing feeling of foreboding, and thought wildly, crazily, about escaping, about simply turning and running far away, where Mr. Chapman couldn’t catch her.

Instead, she sat down on the very edge of the bench, leaving a good two feet between them. “Margie,” Mr. Chapman began, in a somber tone, as though he were preparing to deliver a college lecture, “I’m sure you’re aware of how closely your father and I work together.”

He paused, and Margie realized she was supposed to respond. “Yes?” she said, though it came out more question than confirmation.

“It’s an alliance I wish to preserve at any cost. Your father is a great man, Margie. He’s brought change to Washington, to the banking industry.” Mr. Chapman was starting to drone. Margie wished there were a nearby plate of potatoes she could put her face in. She didn’t understand a fifth of what her father did; it all sounded dreadfully boring. The most exciting thing he had, as far as she was concerned, was a partial share in the Washington Senators, the baseball team, and her mother rarely allowed her to go to the games. “The obligations of someone of your class” apparently didn’t include eating peanuts, or doing anything fun, for that matter.

“I’d like to cement that relationship by marrying you, Margie,” Mr. Chapman said finally, putting his hands on his thighs and sitting up straight. He wasn’t looking at her; he hadn’t looked at her during the entire duration of his speech. He might have been talking to someone else entirely.

Margie wanted to laugh out loud, but she was too horrified. “I’m sorry, Mr. Chapman, but are you proposing?”

He looked at her frantically and she realized, with a jolt of sympathy, that he was nervous. Could it be that in his lengthy—impossibly lengthy, she thought!—life, he had never proposed to anyone before? Or maybe he had never proposed successfully, and was afraid of being shot down yet again?

Clearing his throat, Mr. Chapman pushed his hands down his thighs again. Margie guessed his palms were sweating. “I am, yes. Margie, we should get married. Your mother is anxious for you to get married, you know.”

Margie, who had read all sorts of romantic novels, had never heard of a proposal like this before. He hadn’t mentioned his feelings for her; hadn’t even mentioned her, really. Even Mr. Darcy had finally been moved to confess his emotions. She knew Mr. Chapman was older, and a pragmatic man, but what was she expected to say to this? If she’d been a different sort of girl, prettier, more graced in social niceties, she might have known how to respond, how to turn this back so he didn’t feel offended (though, really, she thought with some indignation, he deserved to be offended—he couldn’t even bother to pretend even the smallest bit of love for her?), but if she had been that sort of girl, she wouldn’t have gotten a proposal like this in the first place.

So Margie did the only rational thing. Standing up from the bench, she pulled her skirts up slightly to keep from tripping over them, and she turned toward the entrance of the park and ran. She ran the entire way home, not caring what the people she passed thought of this woman tearing down the sidewalk in her dinner clothes; she ran up the stairs and into her room, locked the door, and collapsed on the bed, panting, her body overheated, her feet sore from the press of her toes on the pavement through her delicate-soled shoes, her mind spinning.

She heard a knock at the door downstairs, voices in the hall, her mother’s high and anxious, her father’s and Mr. Chapman’s low and murmuring. The sound of her father’s study door opening and closing, and then an ominous silence for a long time. Margie closed her eyes on the bed. She couldn’t even think of what to do next. They were going to come up here, maybe both of them—God forbid all three of them—and her father was going to look hurt and her mother was going to be furious. She thought back to the conversation with her mother in the parlor. Her mother had known. Of course her mother had known. Mr. Chapman would have asked her father’s permission, and maybe her mother had been there, maybe her parents had even pleaded with him to take her on (that thought was too humiliating to linger on for long).

Below, her father’s study door opened and closed, voices in the hall, this time calmer, more conciliatory. The door closing. Her parents’ voices now, just the two of them. Margie stood, unlocked her bedroom door, and then lay down on the bed again, bracing herself for their footsteps on the stairs, their disappointed arrival.

No one came.

Instead, she heard them move into the parlor, their voices becoming only the faintest sound in the still house. The maid and the cook had cleaned up after dinner, put the house to bed, gone to bed themselves. It was only her parents below, deciding her fate, and her, lying hopeless and powerless in her room, wondering what, exactly, was to become of her now.

Finally, her mother flung the door of Margie’s room open. “Margaret Brooke Pearce,” she thundered, and her face was so tight with fury that Margie slid backward on her bed, as though she could disappear into the wall. “You horrible, ungrateful thing. How dare you refuse Mr. Chapman?”

Margie opened her mouth, but all that came out was a squeak. “Do you think you are such a desirable property that men are lined up around the block for you? You are twenty-four and unmarried. Do you know what that means? The men who might marry you are taken. Every day you get older, and every day there are girls younger than you, prettier than you, and heaven knows more polite than you, who are making themselves available for marriage. This was your chance, Margie, and you have destroyed it.”

“I didn’t want to marry him,” Margie said, her voice wavering on the edge of tears. “He doesn’t love me. And I don’t love him.”

“Love. Love! I suppose you get these ideas about love from the books you are always reading. Oh, you think I don’t know what you do up here with your time, Margie, but I know how you waste away the hours dreaming. Other girls are bettering themselves. They do good works, they go to Temperance League meetings, and if they do read, it’s something edifying. They go to parties without complaining. And you’re shut up here with your books and these notebooks and the one time you get a chance at marriage, you ruin it.” Her mother’s fury arced up and she raised her arm, reaching out and swiping a stack of notebooks and papers off Margie’s writing table.

Leaping off the bed, Margie stood up straight, her fists clenched by her sides. “You don’t care about me. You only want me to marry him because it will be good for Father’s business.” One of her notebooks had fluttered open on the ground and she lunged for it, closing it and clutching it to her chest.

“And what’s wrong with that? Your father’s business is what feeds you and clothes you. That business is what you use to buy these precious books. That business is what will pay your way when we are gone and you are old and alone and unmarried.”

A sob caught in Margie’s throat at her mother’s harsh words. “I’m not going to get married. I will pay my own way.”

“How?”

“I’m going to be a writer.” Margie lifted her chin defiantly, though she didn’t feel defiant. She felt like burying her face in the pillow and crying. It was all so unfair. She understood love didn’t have to be like it was in novels, but was it so wrong to want there to be something between her and the man she would marry? Something to look forward to, other than the cool, businesslike agreement her parents had?

“A writer? A woman writer? What living would you earn doing that? Not one that could keep you in the style to which you’ve been accustomed, I can tell you. You are far too old for these silly, foolish dreams, Margie.” She looked as though she were going to say something else and Margie braced herself, then, as abruptly as her mother had come, she turned on her heel and left the room, closing the door loudly behind her.

When her mother had gone, Margie unclenched her fists, looking at the pale moons her fingernails had carved in her palms. She felt, suddenly, very, very tired. She lay down on the bed again, staring at the ceiling, tears rolling down the sides of her face. There was no way out. She had everything, and she had nothing. She was going to spend the rest of her life like this, watching her mother pulling the threads out of her embroidery, sneaking up to her room to write stories no one would ever see, her parents bringing suitors to the table, digging closer and closer to the bottom of the barrel until there was no one left, and then Margie would be alone forever, and none of those foolish, lovely dreams would ever come true.

Margie fell asleep in her dinner dress, her shoes still on, lying there on top of the coverlet. When she woke in the morning, she drew herself a bath and sat in the water until it went cold. She pulled her hair into a simple knot at the base of her neck, dressed, faced herself in the mirror. She looked the part of the wretched spinster, she thought: pale, wearing a dark dress as though mourning the death of her own life. Well, this is it, she thought. And if they want me to marry him, I won’t. I just won’t. I’ll get a job, not even a fancy job, a typist somewhere—places are hiring female clerks more and more often now. And I’ll move into one of those boardinghouses, and I’ll only come over here for holidays, and we’ll all sit around the dinner table and be terribly polite, and then I’ll be happy because I’ll be free.

Squaring her shoulders, Margie shook her head. She marched herself downstairs and into the dining room, where her parents were eating breakfast. As usual, her father was hidden behind a newspaper. Her mother was drinking tea and did not, to Margie’s surprise, throw it in her face when she slid into her chair.

“Good morning,” her father said from behind his paper.

“Good morning,” Margie muttered. She took a piece of toast from the toast rack and spread it with marmalade.

Her mother lifted her eyes above her teacup, saying nothing. Margie chewed her toast, the crack of the crumbs between her teeth loud as artillery fire.

Finally, her father turned the last page of his paper, folded it, and put it on the table. Margie swallowed hard, the dry toast scraping its way down her throat.

“You’re going to Europe,” he said. Her father had the habit of starting conversations wherever his own thought process was, which generally caused a great deal of confusion and required catching up on the part of the listener.

“I’m sorry?” she asked. Of all the possible scenarios she had imagined last night, many of them deeply melodramatic, inspired by Gothic novels and a handful of Valentino movies, being sent to Europe had not been high on the list. Hadn’t been anywhere on the list, really.

“I’ll book your ticket today. Your mother will take you to New York and you will leave from there.”

“I don’t understand.” Was this supposed to feel like a punishment? A banishment? Europe. Margie had dreamed of going, of course, but it had always seemed just that—a dream.

“Your cousin Evelyn is going on her Tour.” Margie’s mother spoke finally. She lifted her napkin, dabbing carefully at the edges of her mouth, though there was nothing there, and Margie wished, sadly, for the millionth time, that she had been born with the tiniest amount of her mother’s poise. “And she’s in need of a chaperone. You’re to go with her.”

“But,” Margie started to object, and then closed her mouth. Evelyn was eighteen and incorrigible. Margie and Evelyn, being the only two cousins close in age, had been thrust together at family gatherings for years, and Margie was ashamed to admit Evelyn had bullied her from the start. Spoiled, demanding, and domineering, Evelyn took great pleasure in ordering Margie around. In their games, Evelyn was the princess, Margie the lady-in-waiting. Evelyn was the knight, Margie was the steed. Evelyn was the brave hero, Margie the (actually fairly ineffectual) villain. Evelyn was greatly experienced in setting up situations to her best advantage, and Margie would rather have eaten broken glass than spend six months traveling with her.

Except the alternative wasn’t broken glass. It was a lifetime with Mr. Chapman. And in contrast, dragging Evelyn to art galleries sounded like an absolute treat. And in Europe! London! Paris! Rome! The cobblestone streets, the cathedrals, the opera houses, the museums, the castles, the princes. Margie sighed a dreamy sigh.

Her mother, catching Margie’s slip into fancy, frowned. “You’ll be responsible for Evelyn, you understand. They’re sending her on the Tour in hopes that she will … mature somewhat. And frankly, I’m hoping the same thing for you. You’ve proven yourself unwilling to accept any responsibility here. I pray, for your sake, Margie, that this trip teaches you the value of everything you seem to think so little of.” She took a sip of her tea, but from the way her lips were pursed, she might as well have been drinking grapefruit juice.

She could have argued. But here she was, twenty-four and unmarried, and her best—well, only—prospect was someone she would marry only if he were the last eligible man on earth, and even then she would have to think hard on it. So here were her options: embrace her destiny as a maiden aunt to one of New York City’s most notorious harpies, or marry Mr. Chapman and be doomed to decades of conversations about municipal bonds and tax acts.

“When do I leave?” Margie asked.

five
MADELEINE
1999

Despite my exhaustion, I had stayed up late reading my grandmother’s journals, and I dreamed of flappers and debutante balls all night. When I woke in the morning, I was sleepy and disoriented. I blinked at the ceiling a few times, wondering why it was a different color, until I remembered where I was. Thought of Phillip. My mother. Sharon. Tensed, relaxed. Tensed again.

It was almost nine o’clock, which wasn’t entirely surprising. I had always been a morning person, but after I had gotten married, there was no reason to get up. “It wouldn’t look right for you to work. People would think I can’t support you,” Phillip had told me when I had started to browse the want ads, and when I said I would like to anyway, he was so irritated I had put the argument aside. At first I thought it might just be for a year, and then a year had grown into two, and then somehow the compromise I had made as a momentary peace offering had become permanent. When I had started volunteering at the Stabler, I had been desperate for the contact, the purpose, the meaning. The volunteer coordinator had told me she’d never had anyone master the entire collection of presentations so quickly, which had made me feel slightly embarrassed, but no less eager.

Downstairs, I could hear my mother moving around, a door opening and closing, her quick, efficient steps on the floor. For a moment, I imagined I was a child again, and I could run down to the kitchen and my father would be sitting with his newspapers at the table and I could steal the funny pages and we would read in silence together. It felt so real, the smudges of newsprint on my fingers, the smell of his coffee, the way he would clear his throat as he read an interesting story in the paper, that I caught my breath and held it in for a moment to keep from crying, overwhelmed with memory and confusion and loss.

And then, as if to remind me of the hierarchy of needs and nostalgia’s place in it, my stomach growled loudly. The night before, my mother had gone out and all I’d had to eat was a handful of stale crackers and some cheese of questionable freshness that tasted a lot like dirt. I sighed, pushing back the covers and dragging myself out of bed. I had been sleeping in an oversized shirt and a pair of boxer shorts, which was exactly what I loved to sleep in, and exactly what Phillip would never allow, and I looked down at my rumpled self, shrugged, and headed downstairs.

My mother’s refrigerator was as empty as it had been the night before. I took a swig of sweet tea from the carafe inside (sure, there was no food, but my mother clearly had her standards), wiping my mouth with the back of my hand, and prowled through the pantry and the rest of the cupboards, coming up empty.

As a last-ditch resort, I headed out into the back yard, padding barefoot through the moist grass, still damp with dew and the remnants of the morning’s sprinkler run, the perfect, soft blades tickling my ankles. Summer was my favorite season in my mother’s garden, when everything was exploding, wild and ripe, but it was already beautiful that spring. Early roses were opening, arching their stems as they spread their petals to the sun. The fruit trees bore pale leaves and buds extended blindly from the branches, testing the air. The herb garden held rows of low, cautious greenery, and the hedges and stones bordering the ornamental garden waited patiently for everything to bloom so they would have something to contain. Ducking under one of the apple trees, I walked over to the vegetable garden by the low fence.

It was really too early for anything to be ripe, but I pawed through the leaves, thinking nostalgically of summer afternoons when I would sneak through my mother’s kitchen garden, leaves brushing against my face, and pluck a fat, warm tomato from where it lay, sleeping heavily on the ground, and eat it like an apple, wet juice and seeds and plump, yielding skin. It was months too early for tomatoes, but I found a miracle in the form of a patch of strawberry runners, bearing tiny but inarguably red fruit. I picked them greedily, two at a time, eating one while I held my shirt out to make a basket and dropped the other in there. They were firm and not as juicy as they would be in a few weeks, but they were sweet and fresh and my stomach accepted them gratefully.

When I finally rose up, my tongue stained red, my shirt containing another handful or two of berries, I looked down over the other side of the fence and saw a man crouching low underneath the leaves of a pepper plant. He blinked at me solemnly through the green.

With a startled yelp, I stepped backward into a clump of soft dirt, nearly losing my balance and dropping the strawberries.

“I’m sorry, I’m sorry.” He rose, holding his hands out in surrender. He was wearing gardening gloves and holding a rubber mallet in one hand. Now that he was standing instead of crouching in the bushes like a serial killer, he looked much less threatening, even considering the mallet. His T-shirt was stretched out, with holes at the bottom, and his loose khakis had smudges of dirt all over them. His eyes were fringed with lashes I would have traded him for in a second, and his eyebrows were a little too thick, and he had shaggy brown hair and an equally shaggy beard. He looked like a large, friendly family dog. “I thought you were Mrs. Bowers.”

“You were hiding from my mother in the bushes?”

He gave a sheepish shrug. A pair of headphones hung around his neck, the cord trailing down into his pocket, where a Discman pushed the line of his pants out of shape.

“Mrs. Bowers is your mother? She doesn’t like me much,” he said, and he sounded disappointed about it.

“Buck up. She doesn’t like anybody, really. Not even me.”

“I’m sure that’s not true.” He had a comforting drawl that marked him as a local. Tilting his head, he looked at me curiously. “You don’t favor her at all.” His Discman was still playing; I could hear the tinny squeal of guitars issuing from the headphones into the still air, already heavy and wet, preparing itself for the hard work of humidity ahead.

Self-consciously, I reached for my hair with one hand, patting it down. I generally woke with a spectacular case of bedhead, and I hadn’t even bothered to look in the mirror before stumbling downstairs. No, at that moment I probably looked even less like my mother than usual.

“Oh, we’re not related,” I said. “I was hatched from a walnut shell.”

To my surprise, he threw back his head and laughed, a rich, low sound that rang through the morning. “You’re funny.”

I blinked at him. “Nobody thinks I’m funny.”

“I do,” he said, looking surprised.

“Well, there’s no accounting for taste, as my mother would say. Who are you, anyway?”

“I’m so sorry.” He pulled his gloves off and politely extended a hand to me. I took it, and instantly regretted it—my fingers were strawberry-sticky. “I’m Henry Hamilton. And you’re The Heiress Bowers.”

“You can call me Madeleine. No honorific necessary. And my last name is Spencer. I’m married.” I don’t know why I clarified my marital status, as though he might be interested in my pajama-clad, strawberry-stained self. Not that Henry was anyone to impress, really. He was perfectly nice-looking, but in general I wanted to take a pair of clippers to him, trim back the wildness of his curls, the scruffiness of his beard. He wasn’t especially tall, but he was broad-shouldered and big of hand, and at the moment, covered in dirt. My mother would have been horrified by the first impressions we were making.

“Madeleine Spencer. It’s a pleasure. So now you know my hiding place. May I ask why you’re creeping around in the garden?”

“My mother doesn’t keep any food in the house. She survives on Melba toast and the blood of her enemies.”

He barked out another laugh, his curls bouncing. “You’re lucky. Those strawberries shouldn’t be ripe for another two weeks.”

“Yet another one of the myriad ways fortune smiles upon me. What about you? Do you work at the restaurant?”

“I own it, actually.”

“Congratulations. My mother thinks you’re Satan for opening it next to her house, by the way.”

Henry winced. “I know. I feel awful. She’s an incredible gardener. I’d hoped we might have something to talk about.”

I looked over his shoulder at his garden, which was all function, long, straight rows of turned earth, tomato cages and strawberry planters standing sentry, stakes at regular intervals to separate out the crops. “Do you grow all this food for the restaurant?”

“As much as I can.”

“That’s amazing.”

“I’d like to grow more. I wish your mother would talk to me. I have so many questions about how she gets such incredible produce, but she refuses to talk to me.”

“Well, you don’t have to worry about it for much longer. She’s selling the house, apparently.”

Henry lifted a broad fist to his chest. “Mon Dieu!” he said. Okay, no, he didn’t, but he looked so surprised, his eyes opening wide, his hand clutching his itty-bitty sledgehammer to his heart as though he were a well-armed heroine in a Regency romance. “Oh no! Was it something I said?”

“Hmm. She does hate you a little bit.”

“Yes, she’s made that fairly clear. I invited everyone in the neighborhood for a private dinner before we opened. Everyone came except her. And this one other couple, but I gave them a bye because the wife was giving birth.”

“Generous of you.”

“I like to think of myself as a magnanimous neighborhood overlord,” he said, giving a little bow and then returning the mallet to his side. “In any case, your mother marched the invitation back over to me and told me exactly what I could do with it.”

“My mother? I don’t think so.”

“Well, there were no specific body parts suggested, but the phrase ‘ruining the neighborhood’ might have been involved.”

“Huh. Well, if anyone could tell you in a polite way that you’re ruining the neighborhood, it would be my mother.”

“So I’ll extend the invitation to you instead. You should come to dinner sometime. My treat.”

“That’s a very kind offer,” I said politely, but my stomach, hearing the suggestion of food, growled again quite rudely.

“You should get back to your strawberries,” he said, nodding at my impromptu basket.

“You should get back to your lurking.”

“Can’t lurk all day if you don’t start in the morning,” he said, with such genuine cheerfulness that I couldn’t help but laugh. “Nice to meet you, Madeleine.”

“Likewise.”

Trying to keep from exposing myself in my flimsy boxer shorts, I took a few steps backward, the earth yielding gently beneath me. How long had it been since I had felt the ground beneath my bare feet? It was delicious and made me feel oddly like weeping. When Henry went back to his work, I turned and began to walk toward the house, looking up at its sprawl, the empty windows winking back at me in the sun.

It had always been my destiny to have a big house like this, filled with antiques and enough furniture for dinner parties and enough lawn space to host a fundraiser. It was what everyone I had gone to school with was doing; my mother sent me casually remonstrative pages from the Magnolia Providence-Journal and Magnolia Style, in which the girls I had once known, now women, were photographed hosting luncheons at their home with distinguished guests.

But I didn’t want a house like this. I felt lost in our condo, which was not even a quarter as big, and still more than we required. I dreaded the day Phillip would announce we were going to move to the suburbs and I would have to hire a housekeeper and a gardener, a pool service. I far preferred a life I didn’t need assistance to maintain.

I finished eating the strawberries and tossed the hulls in an oversized planter by the French doors leading into the living room. Inside, the house was still. “Mother?” I called.

“Good, you’re awake.” My mother came bustling into the kitchen, carrying her purse and a stack of papers. Of course, I was still in my pajamas with sleep in my eyes and my hair standing on end, while my mother, who had probably been up since five, had her hair and makeup perfectly done and was armored in a pair of charcoal-gray slacks, a lavender cardigan, and a scarf knotted neatly around her neck like an air hostess.

“Sentient, even.”

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