Copyright

Collins

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First published in Great Britain in 2005 by HarperCollins Publishers.

Copyright © Richard Surman 2006

Richard Surman asserts the moral right to be identified as the author and photographer for this work.

A catalogue record for this book is available from the British Library.

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Source ISBN: 9780007235636

Ebook Edition © MARCH 2015 ISBN: 9780007416882

Version: 2015-03-12

Dedication

For my children and grandchildren

Contents

Cover

Title Page

Copyright

Dedication

Introduction

St Edmundsbury Cathedral, Bury St Edmunds

Canterbury Cathedral

Chelmsford Cathedral

Chester Cathedral

Chichester Cathedral

Durham Cathedral

St Mary’s Episcopal Cathedral, Edinburgh

Ely Cathedral

Exeter Cathedral

Gloucester Cathedral

Hereford Cathedral

Lichfield Cathedral

Portsmouth Cathedral

Ripon Cathedral

Rochester Cathedral

Salisbury Cathedral

Southwell Minster

Westminster Cathedral

Worcester Cathedral

Keep Reading

Acknowledgements

Other Books By

About the Publisher

Introduction

‘A man has to work so hard so that something of his personality stays alive. A tomcat has it so easy, he has only to spray and his presence is there for years on rainy days’

Albert Einstein

Steve Mellor in conversation with Wolfie

I’m not shy about my enduring admiration for cats. I grew up with them, and carry the scars to prove it. I regularly perform the supreme and nauseating sacrifice of opening tinned cat food at six o’clock in the morning. They share my office, every nook and cranny of our home. They dig their claws into my shins as a sign of pure pleasure, and magically become a deadweight on my lap whenever I want to move.

So what do I get in return? Good conversation, and (mostly) uncontentious company. No one will ever convince me that my own two Burmese cats don’t talk to me, and it’s not just about food either: the weather, politics, art; you name it, my cats have an opinion. Cats are the most fascinating, enchanting, exasperating and contrary of all nature’s creatures. They do not substitute for human relationships, they complement them.

The cats portrayed in this new collection of Cathedral Cats cover the whole gamut, ranging from farm cats like Lichfield Cathedral’s Kim, to aristocrats such as Chester Cathedral’s Olsen and Hansen. But no matter what the lineage of each cat is, they all have these essential feline features in common: a flagrant disregard for rules and convention; an uncanny tendency to identify and do exactly the opposite of what is wanted; an innate belief in their right to go anywhere they want; an ability to soothe and lower one’s blood pressure; and astonishing grace and dexterity. It would be fanciful and romantic to imagine that in past times cats were welcomed into cathedrals for any reason other than their skills at keeping down vermin, but today the number of cathedrals that good-humouredly tolerate the presence of cats is impressive. Maybe it has to do with the type of person that lives and works in today’s cathedrals: independent, and perhaps slightly idiosyncratic – the ideal companion for such independent and idiosyncratic animals.

Leofric, featured in Country Living

As for the cathedrals, they are a strange combination of the magnificent and the everyday. On one hand there are the awe-inspiring architecture and settings of these great buildings, while on the other hand there are all the human elements that have brought about these monolithic expressions of faith and power. Even the grandest cathedral has its human aspect, in the lives of those who live and work in it, and in its history and construction.

Many people helped me find a new line up of cathedral cats. In particular, I’d like to thank Pauline Hawkins at Lichfield Cathedral, Catherine Spender, Simon Lole and Alun Williams at Salisbury Cathedral, Tom Morton at Portsmouth Cathedral, Angela Prior at Canterbury Cathedral, Fiona Barnaby and Nicholas Fry at Chester Cathedral, Penelope Utting at Chichester Cathedral, Alison Chambers at Hereford Cathedral, Rosemary Murgatroyd at Ripon Cathedral, Sarah Friswell at St Edmundsbury Cathedral, Anna Davidson at St Mary’s Episcopal Cathedral, Jackie Pope and Joanne Green at Westminster Abbey, Fiona Price at Gloucester Cathedral, Susie Arnold at Worcester Cathedral, Chris Stone at Rochester Cathedral and Stephen Wickner at Ely Cathedral.

I’m also very grateful to Adam Munthe for providing me with a suitably eccentric and secluded hideaway in which to write, and of course to Ian Metcalfe at Collins for providing me with the opportunity to tackle anew a cherished topic, Cathedral Cats.

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