DEAN KOONTZ

77 Shadow Street

Dedication

From here in the Nutland,

To Ed and Carol Gorman,

Out there in the Heartland,

With undiminished affection

after all these years.

Epigraph

O dark dark dark.

They all go into the dark…

—T. S. ELIOT, East Coker

Contents

Cover

Title Page

Dedication

Epigraph

Part One

Chapter 1: The North Elevator

Chapter 2: The Basement Security Room

Chapter 3: The Basement Pool

Chapter 4: Apartment 3-C

Chapter 5: Apartment 2-C

Chapter 6: Apartment 3-C

Chapter 7: Apartment 2-A

Chapter 8: Apartment 2-C

One

Chapter 9: Apartment 2-A

Chapter 10: The Basement Security Room

Chapter 11: Apartment 3-F

One

Chapter 12: Apartment 3-A

Chapter 13: Apartment 3-D

Chapter 14: Apartment 2-G

Chapter 15: Apartment 2-A

One

Chapter 16: Topper’s

Chapter 17: Apartment 3-D

Chapter 18: Apartment 1-C

Chapter 19: Apartment 2-G

Chapter 20: Apartment 3-F

One

Chapter 21: Here and There

One

Chapter 22: Apartment 2-F

Chapter 23: Apartment 3-H

One

Chapter 24: Here and There

One

Part Two

Chapter 25: Topper’s

Chapter 26: Here and There

One

Chapter 27: Here and There

One

Chapter 28: Topper’s

Chapter 29: Here and There

One

Chapter 30: Here and There

One

Chapter 31: Here and There

One

Chapter 32: Here and There

One

Chapter 33: Here and There

One

Chapter 34: 77 Shadow Street

About the Author

Other Books by Dean Koontz

Copyright

About the Publisher

PART ONE Where the Shadows Gather

How slow the shadow creeps; but when ’tis pastHow fast the shadows fall. How fast! How fast!

—HILAIRE BELLOC, For a Sundial

Chapter 1
The North Elevator

Bitter and drunk, Earl Blandon, a former United States senator, got home at 2:15 A.M. that Thursday with a new tattoo: a two-word obscenity in blue block letters between the knuckles of the middle finger of his right hand. Earlier in the night, at a cocktail lounge, he’d thrust that stiff digit at another customer who didn’t speak English and who was visiting from some third-world backwater where the meaning of the offending gesture evidently wasn’t known in spite of countless Hollywood films in which numerous cinema idols had flashed it. In fact, the ignorant foreigner seemed to mistake the raised finger for some kind of friendly hello and reacted by nodding repeatedly and smiling. Earl was frustrated directly out of the cocktail lounge and into a nearby tattoo parlor, where he resisted the advice of the needle artist and, at the age of fifty-eight, acquired his first body decoration.

When Earl strode through the front entrance of the exclusive Pendleton, into the lobby, the night concierge, Norman Fixxer, greeted him by name. Norman sat on a stool behind the reception counter to the left, a book open in front of him, looking like a ventriloquist’s dummy: eyes wide and blue and glassy, pronounced marionette lines like scars in his face, head cocked at an odd angle. In a tailored black suit and a crisp white shirt and a black bow tie, with a fussily arranged white pocket handkerchief blossoming from the breast pocket of his coat, Norman was overdressed by the standards of the two other concierges who worked the earlier shifts.

Earl Blandon didn’t like Norman. He didn’t trust him. The concierge tried too hard. He was excessively polite. Earl didn’t trust polite people who tried too hard. They always proved to be hiding something. Sometimes they hid the fact that they were FBI agents, pretending instead to be lobbyists with a suitcase full of cash and a deep respect for the power of a senator. Earl didn’t suspect that Norman Fixxer was an FBI agent in disguise, but the concierge was for damn sure something more than what he pretended to be.

Earl acknowledged Norman’s greeting with only a scowl. He wanted to raise his newly lettered middle finger, but he restrained himself. Offending a concierge was a bad idea. Your mail might go missing. The suit you expected back from the dry cleaner by Wednesday evening might be delivered to your apartment a week later. With food stains. Although flashing the finger at Norman would be satisfying, a full apology would require doubling the usual Christmas gratuity.

Consequently, Earl scowled across the marble-floored lobby, his embellished finger curled tightly into his fist. He went through the inner door that Norman buzzed open for him and into the communal hallway, where he turned left and, licking his lips at the prospect of a nightcap, proceeded to the north elevator.

His third-floor apartment was at the top of the building. He did not have a city view, only windows on the courtyard, and seven other apartments shared that level, but his unit was sufficiently well-positioned to justify calling it his penthouse, especially because it was in the prestigious Pendleton. Earl once owned a five-acre estate with a seventeen-room manor house. He liquidated it and other assets to pay the ruinous fees of the blood-sucking, snake-hearted, lying-bastard, may-they-all-rot-in-hell defense attorneys.

As the elevator doors slid shut and as the car began to rise, Earl surveyed the hand-painted mural that covered the walls above the white wainscoting and extended across the ceiling: bluebirds soaring joyously through a sky in which the clouds were golden with sunlight. Sometimes, like now, the beauty of the scene and the joy of the birds seemed forced, aggravatingly insistent, so that Earl wanted to get a can of spray paint and obliterate the entire panorama.

He might have vandalized it if there hadn’t been security cameras in the hallways and in the elevator. But the homeowners’ association would only restore it and make him pay for the work. Large sums of money no longer came to him in suitcases, in valises, in fat manila envelopes, in grocery bags, in doughnut-shop boxes, or taped to the bodies of high-priced call girls who arrived naked under leather trench coats. These days, this former senator so frequently felt the urge to deface so many things that he needed to strive to control himself lest he vandalize his way into the poorhouse.

He closed his eyes to shut out the schmaltzy scene of sun-washed bluebirds. When the air temperature abruptly dropped perhaps twenty degrees in an instant, as the car passed the second floor, Earl’s eyes startled open, and he turned in bewilderment when he saw that the mural no longer surrounded him. The security camera was missing. The white wainscoting had vanished, too. No inlaid marble under foot. In the stainless-steel ceiling, circles of opaque material shed blue light. The walls, doors, and floor were all brushed stainless steel.

Before Earl Blandon’s martini-marinated brain could fully absorb and accept the elevator’s transformation, the car stopped ascending—and plummeted. His stomach seemed to rise, then to sink. He stumbled sideways, clutched the handrail, and managed to remain on his feet.

The car didn’t shudder or sway. No thrumming of hoist cables. No clatter of counterweights. No friction hum of rollers whisking along greased guide rails. With express-elevator speed, the steel box raced smoothly, quietly down.

Previously, the car-station panel—B, 1, 2, 3—had been part of the controls to the right of the doors. It still was there, but now the numbers began at 3, descended to 2 and 1 and B, followed by a new 1 through 30. He would have been confused even if he’d been sober. As the indicator light climbed—7, 8, 9—the car dropped. He couldn’t be mistaking upward momentum for descent. The floor seemed to be falling out from under him. Besides, the Pendleton had just four levels, only three aboveground. The floors represented on this panel must be subterranean, all below the basement.

But that made no sense. The Pendleton had one basement, a single underground level, not thirty or thirty-one.

So this could not be the Pendleton anymore. Which made even less sense. No sense at all.

Maybe he had passed out. A vodka nightmare.

No dream could be this vivid, this intensely physical. His heart thundered. His pulse throbbed in his temples. Acid reflux burned his throat, and when he swallowed hard to force down the bitter flood, the effort brought tears that blurred his vision.

He blotted the tears with a suit-coat sleeve. He blinked at the indicator board: 13, 14, 15….

Panicked by a sudden intuitive conviction that he was being conveyed to a place as terrifying as it was mysterious, Earl let go of the handrail. He crossed the car and scanned the backlit control board for an EMERGENCY STOP button.

None existed.

As the car passed 23, Earl jammed a thumb hard against the button for 26, but the elevator didn’t stop, didn’t even slow until it passed 29. Then rapidly yet smoothly, momentum fell. With a faint liquid hiss like hydraulic fluid being compressed in a cylinder, the car came to a full stop, apparently thirty floors under the city.

Sobered by a supernatural fear—fear of what, he could not say—Earl Blandon shrank away from the doors. With a thud, he backed into the rear wall of the car.

In his storied past, as a member of the Senate Armed Services Committee, he had once been to a meeting in the bunker far beneath the White House, where the president might one day try to ride out a nuclear holocaust. That deep redoubt was bright and clean, yet it impressed him as more ominous than any graveyard at night. He had some experience of cemeteries from his earliest days as a state law-maker, when he had thought that in such lonely places, from earth and graves and dust, no one could be raised up to witness the paying of a bribe. This quiet elevator felt far more ominous than even the presidential bunker.

He waited for the doors to open. And waited.

Throughout his life, he’d never been a fearful man. Instead, he inspired fear in others. He was surprised that he could be so suddenly and completely terrorized. But he understood what reduced him to this pathetic condition: evidence of something otherworldly.

A strict materialist, Earl believed only in what he could see, touch, taste, smell, and hear. He trusted nothing but himself, and he needed no one. He believed in the power of his mind, in his singular cunning, to bend any situation to his benefit.

In the presence of the uncanny, he was without defense.

Shudders passed through him with such violence that it seemed he should hear his bones knocking together. He tried to make fists, but proved to be so weak with dread that he could not clench his hands. He raised them from his sides, looked at them, willing them to close into tight knuckled weapons.

He was sober enough now to realize that the two words tattooed on the middle finger of his right hand could have made his insult no clearer to the clueless third-world patron in the cocktail lounge. The guy probably couldn’t read English any more than he could speak it.

As close to a negative self-judgment as he had ever come, Earl Blandon muttered, “Idiot.”

As the car doors slid open, his enlarged prostate seemed to clench as his fists would not. He came perilously close to peeing in his pants.

Beyond the open doors lay only a darkness so perfect that it seemed to be an abyss, vast and perhaps bottomless, into which the blue light of the elevator could not penetrate. In this icy silence of the tomb, Earl Blandon stood motionless, deaf now even to the pounding in his chest, as if his heart were suddenly dry of blood. This was the quiet at the limit of the world, where no air existed to be breathed, where time ended. It was the most terrible thing he had ever heard—until a more alarming sound, that of something approaching, arose from the blackness beyond the open doors.

Ticking, scraping, muffled rustling: This was either the blind but persistent questing of something large and strange beyond the power of the senator’s imagination … or a horde of smaller but no less mysterious creatures, an eager swarm. A shrill keening, almost electronic in nature yet unmistakably a voice, quivered through the blackness, a cry that might have been of hunger or desire, or bloodletting frenzy, but certainly a cry of urgent need.

As panic trumped Earl’s paralyzing dread, he bolted to the control panel, scanning it for a CLOSE DOOR button. Every elevator offered such a feature. Except this one. There was neither a CLOSE DOOR nor an OPEN DOOR button, neither one labeled EMERGENCY STOP nor one marked ALARM, neither a telephone nor a service intercom, only the numbers, as if this were an elevator that never malfunctioned or required service.

In his peripheral vision, he saw something loom in the open doorway. When he turned to face it directly, he thought the sight would stop his heart, but such an easy end was not his fate.

Chapter 2
The Basement Security Room

Having been shot five times when responding to a domestic-disturbance call, having almost died in the ambulance, having almost died on the operating table, having subsequently contracted a vicious case of viral pneumonia and almost died while recuperating in the hospital, Devon Murphy had quit the police force two years earlier. Although he’d once been a patrol officer, the real deal, he wasn’t in the least embarrassed to spend the rest of his career as a security guard, as what some of his former brothers in blue would call a rent-a-cop or a Barney. Devon didn’t have a macho problem. He didn’t need to prove his toughness. He was only twenty-nine, and he wanted to live, and his chances of living were greatly increased by being a Barney in the Pendleton rather than a target for every thug and crackpot on the city streets.

On the west side of the basement, the security center occupied a room between the superintendent’s apartment and the big heating-cooling plant. The windowless space, eighteen feet by thirty-six feet, felt cozy but not claustrophobic. A microwave, a coffeemaker, a refrigerator, and a sink provided most of the comforts of home.

The khaki uniform was kind of dorky, and all that saved Devon from looking like a janitor was a gun belt, from which were suspended a Mace holder containing a small canister of Sabre pepper spray, a cell-phone holder, work keys, a small LED flashlight, and a swivel holster sheathing a Springfield Armory XDM chambered for .45 ACP. In a luxury condominium like the Pendleton, the likelihood that he’d have to use the pistol was hardly higher than the probability that he’d be abducted by extraterrestrials on his way home from work.

Primarily, he was required to cycle through the twenty-four security cameras in the building. And on a random schedule, twice a shift, he got some fresh air by patrolling the basement, the ground floor, and the courtyard, a beat that took fifteen minutes to cover.

Six wall-mounted plasma screens each presented four security-camera views in a quartered format. With a touch-screen Crestron control, Devon could instantly select any one of the cameras for a full-screen display if he saw something suspicious, which he never did. Seventy-Seven Shadow Street was the most peaceful address in the city.

Both nice people and jerks lived in the Pendleton, but the homeowners’ association treated employees well. Devon was provided with a comfortable Herman Miller office chair. The refrigerator was stocked with bottled water, fresh cream, various flavors of coffee, and all of the fixings for whatever brew might be the favorite of the guard on duty.

He was drinking a Jamaican-Colombian blend with a dash of cinnamon when a breet-breet signal alerted him that someone had opened the lobby door to enter from the street. He looked to the appropriate plasma display, summoned the lobby camera to full screen, and saw Senator Earl Blandon come in from the December night.

Blandon was one of the jerks. He belonged in jail, but he bought his freedom by loading up on attorneys in five-thousand-dollar suits. No doubt he had also threatened to take half his political party down with him if they didn’t put their hands up the backsides of their puppet prosecutors and puppet judges to ensure that the Muppet show called justice would follow the plot he preferred.

Police work had made Devon somewhat cynical.

With Blandon’s thick white hair and Roman-coin face, he still looked like a senator, and he seemed to think that appearance alone should continue to command the respect that he had received before he disgraced his office. He was curt, dismissive, arrogant, and in need of having his ear hair trimmed, a detail that fascinated Devon, who was meticulous about his personal grooming.

Blandon had sopped up so much sauce over the years that he was inoculated against visible displays of inebriation; he no longer revealed his drunkenness with slurred speech or with an unsteady gait. Instead of staggering when he was loaded, he walked taller and threw his shoulders back farther and raised his chin more imperially than when he was sober. The telltales of his intoxication were faultless posture and an almost flamboyant poise.

Norman Fixxer, the night concierge, released the lock on the inner lobby door. A breet-breet signal issued from the security-station door monitor.

Although Blandon belonged in prison instead of in an ultra-luxury condominium, he was nevertheless an apartment owner. Like any resident, he expected to have his privacy even in the public spaces of the Pendleton. Devon Murphy never followed residents, by camera, along hallways and into elevators, except for the ex-senator, who could be singularly entertaining.

Once, having passed through the lobby and reached the ground-floor corridor, he had been too soused to maintain his deceptively regal posture and had dropped to all fours, crawling to the north elevator—and out of it on the third floor. On another post-midnight return, he strode confidently past the elevator, turned the corner into the north wing, seemed suddenly to become disoriented, opened the door to the concierge’s office, evidently mistook it for a bathroom, and urinated on the floor.

That office was now kept locked when not in use.

On this occasion, Blandon found the elevator easily enough, and he boarded it with an air of dignity worthy of a king climbing into his royal carriage. As the doors closed, and after he pressed the button for the third floor, he glanced up once at the security camera in the car, and then he looked around at the bird-and-cloud mural with an expression of pure contempt.

The ex-senator had written two long letters to the homeowners’ association criticizing the mural with what he must have assumed was the erudition of a knowledgeable art connoisseur. The board, on which sat at least one genuine art connoisseur, instead found the letters to be contemptible, confrontational, and alarming. The security staff had not been bluntly told to observe Earl Blandon in the elevator when he returned home inebriated, against the possibility that he might deface the mural, but the suggestion had been made indirectly.

Now, as the elevator passed the second floor, something unprecedented happened. An expression of surprise came over the senator’s face … and swirling currents of blue static, like nothing Devon had seen before, suddenly flushed the image from the screen. The five other screens, quartered into twenty camera shots, also succumbed to the static, and the security system went blind.

Simultaneously, Devon heard low tympanic beats, hollow and strange and barely audible extended notes. Through the soles of his shoes, he felt vibrations in the concrete floor, subtle waves resonating in time with the drumming.

He didn’t become alarmed, because the door and window monitors remained operative, and all the indicator lights were green on the board. No one was forcing entrance at any point. If the sound had grown louder and the accompanying vibrations had accelerated, Devon’s puzzlement and concern might have swelled into apprehension.

The phenomenon continued at a consistent level, however, and after about half a minute, the low drumming faded, the last of the vibrations passed through the floor, and the blue static receded from the plasma screens. The many security-camera points of view returned.

The elevator camera had a wide-angle lens and was mounted near the ceiling at a rear corner of the car, providing coverage of the entire interior, including the doors—which were closed. Earl Blandon was gone. Apparently the car had arrived at the third floor, and the ex-senator had disembarked.

Devon switched to the camera covering the short length of public corridor serving Apartments 3-A and 3-C, and then to the camera that provided a view of the entire long north-wing hallway on the third floor. No Earl Blandon. His was the first apartment in that wing, 3-D, overlooking the courtyard. He must have stepped out of the elevator, turned the corner, and let himself through his front door during the time that the video surveillance failed.

Devon cycled through all twenty-four cameras. Without exception, the public spaces were deserted. The Pendleton remained quiet and still. Evidently, above the basement, the sullen drumming and the vibrations had been so faint that, if anyone had been awakened, no one had been concerned enough to step out of his apartment and have a look around.

Chapter 3
The Basement Pool

Whether upon arising at four o’clock in the morning, as now, or after work, Bailey Hawks preferred to swim laps with only the underwater lights, the rest of the long room dark, the pool a great glowing jewel, bright watery reflections fluttering like diaphanous wings across the white ceramic-tile walls and ceiling. The pleasantly warm pool, the astringent scent of chlorine, the slish-slish of his limbs parting the water, the gentle swash of wavelets lapping at the pale-blue tiles … The tense expectation that preceded a trading day and the mental fatigue that followed one were sluiced from him when he swam.

He got out of bed before dawn to exercise, have breakfast, and be at his desk when the markets opened, but rising early was not the cause of the exhaustion that he felt by every Friday evening. A day spent investing other people’s money could sometimes leave him as weary as any day of combat when he’d been a marine. At thirty-eight, he was in his sixth year as an independent wealth manager, after having worked for a major investment bank for three years following his military career. During his first year at the bank, he’d thought that eventually, as success built his confidence, he would be less oppressed by the responsibility to protect and grow his clients’ assets. But the burden never became lighter. Money could be a kind of freedom. If he lost a portion of someone’s investments, he would be throwing away a measure of that client’s liberty.

When Bailey was a boy, his mother called him “my guardian.” His failure to protect her was an embedded thorn, perpetually working its way through his mind all these years later, too deep to pluck out. He could atone, if at all, only by reliable service to others.

At the end of his fifth lap, he touched bottom with his feet and turned to face the farther end of the long rectangle of shimmering water, where he had entered by the submerged steps. The pool was five feet deep, and Bailey stood six two, so when he leaned back against the coping to rest before doing another five laps, the water rose not quite to his shoulders.

He smoothed his wet hair back from his face—and saw a dark form coming toward him underwater. He hadn’t been aware of anyone entering the pool after him. The rippled surface spun the quivering light and wavelet shadows into purling patterns that severely distorted the approaching figure. When you were submerged, the greater resistance made progress harder than doing laps on the surface, but this swimmer bored through the water as if he were a torpedo. The exertion needed to make such headway should have forced the man to breach for air before he could complete a hundred-foot length, but he appeared to be as fully at home underwater as any fish.

For the first time since his days in the Marine Corps, Bailey sensed mortal and imminent danger. Wasting not an instant second-guessing his instinct, he turned, pressed his palms flat atop the coping, and levered himself out of the pool, onto his knees. Behind him, someone seized his left ankle. He would have been pulled back into the water if he hadn’t kicked furiously with his right foot and struck what seemed to be his assailant’s face.

Released, Bailey scrambled to his feet, staggered two steps on the matte-finish tile, and turned, suddenly breathless, overcome by the irrational fear that he was in the presence of something inhuman, one mythical monster or another that was not merely mythical anymore. Nothing confronted him.

The underwater lamps were not as bright as they had been. In fact, the quality of the light had changed from crisp white to a sullen yellow. The blue water-line tile appeared green in this sour glow.

The dark shape moved under the surface, sleek, swift, streaking back toward the steps. Bailey hurried along the apron, trying to get a better look at the swimmer. Now acid-yellow, the pool appeared to be polluted, clear in some places but cloudy in others. Discerning details of the person—or thing—in the water proved difficult. He thought he could make out legs, arms, a basic human form, yet the overall impression was of something deeply strange.

For one thing, the swimmer didn’t frog kick, which was almost essential for making way underwater without swim fins, and he wasn’t using a breaststroke, either. He appeared to undulate with the muscular sinuosity of a shark, propelling himself in a way no human being could.

If Bailey had been more prudent than curious, he would have snared his thick terry-cloth robe from the hook on which it hung, slipped into it and his flip-flops, and hurried to the nearby security room in the west wing of the basement. Devon Murphy would be on duty there. But Bailey was transfixed by the eerie nature of the swimmer, by the otherworldly mood that settled on the room.

The building shuddered ever so slightly. A low rumble rose from the earth under the Pendleton’s foundation, and Bailey glanced at the floor in front of him, half expecting to see hairline cracks opening in the mortar joints between the tiles, though none did.

With the brief shaking, the light in the pool changed again, from the pustulant shade of disease-darkened urine to red. Short of the steps, the swimmer turned with the serpentine ease of an eel, heading back toward the end of the pool from which Bailey had fled.

Where clear, the water was the color of cranberry juice. Where clouded as if from disturbed silt, it resembled blood, and that vile stain now spread more rapidly through the pool.

The fluttering watery reflections on the glossy white tiles of the walls and ceiling morphed into tongues of faux fire. The long room grew dimmer, murkier, and shadows swelled like billowing smoke.

Nearing the farther end of the lap pool, the swimmer became harder to see, although still visible in the fouled water. No man could have swum three lengths so quickly without once needing to surface for a breath.

The shuddering lasted five or six seconds, and half a minute after it subsided and after the building grew silent, the pool lamps phased from red to yellow to white again. The faux fire licking along the glossy walls became dancing wings of light as before, and the room brightened. The cloudy water turned crystalline once more. The mysterious swimmer had vanished.

Bailey Hawks stood with his hands fisted at his sides, dripping into the puddle in which he stood. His heart knocked with less force than it might have when he was under enemy fire, back in the day, but never the less hard enough for him to hear it hammering.

Chapter 4
Apartment 3–C

At 4:13 A.M. Silas Kinsley was awakened by a low thunderlike sound and thought the building seemed to be shaking. But the brief rumble and the movement stopped by the time that he sat up and came fully to his senses. He waited in darkness, listening for a moment, and then decided that the disturbance had been part of a dream.

When he lowered his head to the pillow once more, however, a sound arose from within the wall against which his bed stood. The whispery slithering noise brought to mind images of snakes writhing between the studs behind the plasterboard, which seemed improbable if not impossible. He had never before heard anything like it. He suspected—intuited—that it must be related to the disquieting history of the house.

The disturbance continued for perhaps five minutes. He lay listening, wondering, not fearful but certainly wary and alert for any change in the sound that might help him to identify the cause.

The subsequent silence was the expectant kind that fostered insomnia. Having recently turned seventy-nine, he usually found sleep elusive once it had been interrupted. Silas was a retired civil-litigation attorney, but his mind hummed as busily these days as when his calendar had been fully booked with clients. He rose before dawn, showered, dressed, and was frying eggs in butter when, beyond the kitchen window, the hot-pink light of morning painted coral reefs across the sky.

Later, after lunch, he fell asleep in an armchair. When he sat up in alarm an hour later, he could not recall much of the nightmare from which he had fled, only that it involved catacombs of flowstone, in which there were no skeletal remains, as in most catacombs, but empty burial niches carved into the sinuous walls. Something silent and unseen, something with implacable intent, had sought him through that maze of passageways.

His hands were as cold as those of a corpse. He stared at the rising moon at the base of each of his fingernails.

Still later on that somber December afternoon, Silas stood at a living-room window of his third-floor apartment in the Pendleton, on the crown of Shadow Hill, watching the lower avenues fade behind an advancing wall of rain. Buildings of buff brick, of red brick, of limestone, as well as newer and taller and uglier curtain-glass towers were at once bleached to a uniform gray as the storm washed over them, becoming like the ghostly structures of a long-dead city in a dream of plague and desolation. Neither the warm room nor his cashmere sweater could relieve the chills that, like a winged horde, fluttered through him.

The official story was that, 114 years earlier, Margaret Pendleton and her children—Sophia and Alexander—had been snatched from this house and murdered. Silas had come to doubt that the long-ago kidnapping occurred. Back in the day, something stranger than murder happened to those three, something worse.

Shadow Hill rose to the highest point in this heartland city, and the third floor was the Pendleton’s topmost. The west-facing structure seemed to rule the rain-swept metropolis below. Both hill and street were named for the shadows of trees and buildings that, on a sunny afternoon, grew longer by the hour until, at twilight, they crept to the summit and met the night as it came in from the east.

Not just a great house, not merely a mansion, the Pendleton was more accurately a Beaux Arts palace built in 1889, at the height of the Gilded Age, sixty thousand square feet under roof, not counting the vast basement or the separate carriage house. A combination of Georgian and French Renaissance styles, the building was clad in limestone, with elaborately carved window surrounds. Neither the Carnegies nor the Vanderbilts, nor even the Rockefellers, had ever owned a grander house.

Upon taking up residence shortly before Christmas 1889, Andrew North Pendleton—a billionaire in an era when a billion dollars was still real money—christened his new house Belle Vista. And so the place was known for eighty-four years; but in 1973, it was converted into condominium units and renamed the Pendleton.

Andrew Pendleton remained happy in Belle Vista until December 1897, when his wife, Margaret, and their two young children were supposedly abducted and never found. Thereafter, Andrew became a pitied recluse whose eccentricity matured into a genteel kind of madness.

Silas Kinsley had lost his wife in 2008, after fifty-three years of marriage. He and Nora were never blessed with children. Having been a widower for three years, he could imagine how loneliness and grief might have robbed Andrew Pendleton of his sanity.

Nevertheless, Silas had concluded that loneliness and loss were not the primary causes of the billionaire’s long-ago decline and suicide. Andrew North Pendleton had been driven insane also by some terrible knowledge, by a mysterious experience that he struggled to understand for seven years, on which he remained fixated until he took his own life.

A kind of fixation had gripped Silas, too, following Nora’s death. After selling their home and buying this apartment, he had filled his time by taking an interest in the history of this landmark building. That curiosity ripened into such an obsession that he spent uncounted hours poring through public records, back issues of newspapers more than a century old, and other archives in search of facts, no matter how ordinary, that might add to his knowledge of the Pendleton.

Now, although he had watched the legions of the storm marching out of the lowlands and up the long north slope of Shadow Hill, Silas startled back one step when the first wet volley snapped against the French panes, as if the rain, mistaken for mere weather, were instead a malevolent assault aimed specifically at him. The city blurred, the day seemed to darken, and the silvering effect of the living-room lamplight made an inadequate mirror of the window. In the wet glass, his face was transparent and lacking sufficient detail, as if it were not in fact his reflection but instead must be the face of another, the pale countenance of something less than fully human, a visitor from an occult realm temporarily connected to this world by the power of the storm.

Spikes of lightning split the darkening day, and Silas turned away from the window as thunder jackhammered the sky. He went to the kitchen, where the under-cabinet fluorescents brightened the golden-granite countertops and where all other lights were off. His files about the Pendleton littered the dinette table: newspaper articles, Xeroxes of public records, transcripts of interviews with people who claimed to have some experience of the building prior to 1974, and photocopies of the eleven scraps that remained of a handwritten journal that Andrew North Pendleton had destroyed immediately before killing himself.

Each surviving piece of Pendleton’s writing was an incomplete fragment, each singed brown around the edges because he burned the journal in his bedroom fireplace prior to biting a shotgun barrel and receiving a mortal meal of buckshot. Each of the eleven scraps of prose was intriguing, suggesting that Andrew Pendleton endured an experience so extraordinary as to be otherworldly. Or perhaps in the final stages of his madness, he was tormented by a dementia in which he mistook nightmares and hallucinations for memories of real events.

Of the eleven surviving scraps, Silas most often returned to a cryptic, disturbing fragment about Pendleton’s daughter, Sophia, who was seven years old when she disappeared. The words and all their possible meanings so haunted him that he’d committed them to memory: … and her once-pink skin gone gray, her lips as gray as ashes, and her eyes like smoke, a humorless and iron-gray grin, no longer my Sophie and less Sophie by the moment.

Andrew Pendleton’s loss of his family was not the only tragedy in the history of the great house. The second owner, Gifford Ostock, who was the sole heir to considerable wealth made in coal mining and in railroad coal-car manufacturing, lived well and fully in Belle Vista from 1905 until 1935. One night in December of ’35, the butler, Nolan Tolliver, slaughtered the Ostock family and all the live-in staff before killing himself. Tolliver left an incoherent handwritten note claiming to have murdered them in order to “save the world from eternal darkness,” and though he took responsibility for all sixteen killings, eight of the dead were never found. To this day it was not known why or how Tolliver disposed of half his victims, or why he did not likewise dispose of the other eight.

Chapter 5
Apartment 2–C

Bailey Hawks had not reported the encounter in the lap pool to building security. Out of consideration for the privacy of residents, no camera was mounted in that room; therefore, no proof existed that the bizarre incident had occurred.

Five residents of the Pendleton were among his clients: the Cupp sisters, Edna and Martha, in 3-A; Rawley and June Tullis in 2-D; and Gary Dai in 3-B. People with substantial investment portfolios were not likely to continue to entrust their assets to a man who began to rant about a supernatural experience, regardless of how solid his performance had been in the past.

Bailey spent most of the morning and early afternoon in his study, where he tracked the prices of stocks, bonds, and commodities on three dedicated computers while conducting research and analysis on a fourth. Only one of his two full-time employees, Jerry Allwine, worked here with him, and although Jerry was out with the flu, the day was not hectic. There wasn’t much movement in either equities or commodities, and when the major exchanges closed, at 2:00 his time, it proved to be a treading-water day.

Normally, Bailey possessed a sharp focus and singular powers of concentration, which served him as well on financial battlefields as in the wars in Afghanistan and Iraq. As he worked that Thursday, however, his mind repeatedly drifted to the memory of the mysterious figure in the pool, and the sense of peril that he had felt back in the moment rose anew and lingered, though not as acute as it had been during the encounter.

Computers off, working by the light of a single lamp, he was still at his desk past three o’clock when shatters of rain against the north-facing windows drew his attention. For the first time he realized how dark the day had grown. Dusk had crept in two hours ahead of schedule. The lowering clouds were as plush and gray as the coats of the Cupp sisters’ cats, seeming not only to belly over the city but also to curl around it as if settling in for a long dreamy evening.

Serial lightning flashed, flashed, flashed. The bright flares caused geometric shadows of the French-window muntins and stiles to flutter through the dimly lighted room and briefly print themselves upon the walls.

The quick-following crash of thunder, loud enough to suggest Armageddon, did not bring Bailey up from his chair. But as his desk lamp dimmed, he bolted to his feet during the subsequent barrage of lightning because this time, among the flung grids of window-frame shadows, another shadow moved. Sinuous and fleet. It raced across the room not as if it might be a silhouette of something inanimate projected and set in motion by the storm light, but instead as if it must be an intruder revealed.

Man-tall when it leaped, the featureless dark figure seemed more pantherlike as the leap became a lower lope. Having spun in his chair even as he sprang up from it, Bailey turned to follow the specter, if that’s what it was. The thing eluded the eye, swift and quicksilvery, its motion smooth and continuous while the lightning-inspired shadows of the window frames flickered and twitched in the stroboscopic pulses of the storm.

The black form didn’t print itself upon the wall, along with the window grids, but seemed to pass through the plaster. The chain of lightning cast out its last bright link, the brass desk lamp grew brighter, and Bailey hurried from the study in pursuit of the thing that walls could not contain.

Chapter 6
Apartment 3–C

After he stood staring for a moment at the Pendleton-related files on the kitchen table, Silas went to the coffeemaker. He filled a white ceramic mug and took down a bottle of brandy from a cupboard shelf and spiked the coffee. The clock showed 3:07 P.M., and though Silas never took a drink earlier than dinnertime, if at all, he felt the need to be fortified for a meeting at five o’clock.

He leaned against the counter, with his back to the double sink and to the window above it. Lightning flared, enlivening his shadow, which sprang forward and leaped back through the half-dark kitchen, forward and back again, as if the distorted silhouette were an entity with a mind of its own and with a keen desire to be free of him.

He sipped the coffee, which was as hot as he could tolerate, perhaps a cure not just for his unsteady nerves but also for the chills that plagued him. He was of half a mind to skip his scheduled meeting, to remain here and drink spiked coffee until his eyes grew heavy and he could no longer stay awake. Even in retirement, however, he was a lawyer who respected not just federal, state, and city laws, but also and primarily natural law, the code with which he believed that all men were born, a code of responsibilities that included the duty to love truth and always to pursue it.

Sometimes truth was elusive …

After Tolliver, the butler, murdered the Ostock family and his fellow workers in 1935, Belle Vista stood empty for three years, until a bachelor oilman named Harmon Drew Firestone, undeterred by the history of violence, purchased the great house at a bargain price. He spent a fortune to restore it to its former grandeur. By World War II, Belle Vista had become the center of the city’s vibrant social scene. Old Harmon Firestone died quietly in his sleep, of natural causes, in the spring of 1972.

Firestone’s estate sold Belle Vista to a property-development trust that converted the building into twenty-three condominium apartments of various sizes. The high ceilings, the lavish and well-crafted architectural details, the hilltop views, and the elegant public spaces ensured that the units sold out quickly in 1974, for the highest per-square-foot cost in the history of the city. Thirty-seven years later, a couple of the original owners still lived in their apartments, but other units had changed hands more than once.

Only the previous day, Silas learned that the Pendleton’s history of bloodshed didn’t end in 1935, with Nolan Tolliver’s killing spree. Not only had there been more recent violence of a bizarre nature; apparently, the incidents also occurred with a predictable regularity, every thirty-eight years, give or take a day, which suggested that another atrocity might occur soon.

Margaret Pendleton and her two children, Sophia and Alexander, disappeared on the night of December 2, 1897.

Thirty-eight years later, on December 3, 1935, the Ostock family and seven members of their household staff were murdered.

In 1973, thirty-eight years after the Ostock tragedy, no one had been living in Belle Vista because it was being remodeled into high-end apartments; no residents died. However, in late November and early December of that year, tradesmen and craftsmen working on the conversion had experiences so unsettling that a few quit their jobs and for all these years kept silent about what they witnessed. One of them, Perry Kyser, was meeting Silas at five o’clock.

At the coffeemaker, he refilled his mug. He hadn’t put away the brandy. After a hesitation, he decided not to spike the brew again.

As he capped the bottle, he glimpsed movement from the corner of his eye, a dark and fleeting something. Heart quickening, he turned toward the open door to the hallway. Light from a pair of crystal ceiling fixtures revealed cream-colored walls, a Persian-carpet runner, a gleaming mahogany floor, but no trespasser.

His recent discoveries had pulled his nerves taut. If the Pendleton was destined to be a death house once more, as in certain other Decembers, time might be running out. This was Thursday, December 1, 2011.

Silas wasn’t in a mood to dismiss the fleeting figure in the hallway as a misperception. He put down his coffee mug and ventured out of the kitchen, head cocked, listening for an intruder.

The dining room lay to the left, the study and a half bath to the right. All were unoccupied.

Beyond the dining room lay the large living room with its cast-iron firebox and elaborately carved limestone surround that extended to a fourteen-foot-high ceiling ornamented with reeded and egg-and-dart moldings. Directly opposite the fireplace, snakes of rain wriggled down the tall windows.

At the farther end of the living room, in the foyer, both the deadbolt and the security chain were engaged on the front door.

Across the hall from the living room, no one lurked in the bedroom or in either of the two walk-in closets. The quiet seemed deeper than usual, an expectant hush, although he might have been imagining the uncanny quality of this silence.

As he approached the half-open door to the spacious bathroom, a domain of gold-veined white marble and large expanses of mirrors, he thought that he heard susurrant voices or perhaps the slithering noise that had arisen within the wall during the night. But when he crossed the threshold, the bathroom also proved to be hushed—and deserted.

He stared at the room in one mirror and then in another, as if a reflection of the space might reveal something that could not be seen by looking directly. Because the mirrors faced each other, he stood among multiple Silas Kinsleys who were either advancing toward him single file or receding from him with their backs turned.

A long time had passed since he had studied his face in a mirror with full self-awareness. He appeared far older than he felt. He had aged ten years in the three since Nora died.

He glanced from face to face, half expecting to discover that one of them was that of a stranger, a malevolent Other hiding among the infinity of diminishing Silas Kinsleys. What a curious thought. The images were of course all identical old men.

As he returned to the hallway, a low and menacing rumble arose, not thunder, from underfoot, as if a subterranean train were passing beneath the building, although the city had no subway system. The Pendleton shuddered, and Silas swayed with it. He thought Earthquake, but in the fifty-five years that he had lived in this city, he never felt a temblor and never heard of a major fault underlying any part of the state. The shudder lasted ten or fifteen seconds, and then it faded away, leaving no damage in its wake.

In the study, Witness turned in a circle, wanting first to get the feel of the space. He might be there only seconds, a minute or two at most. This was a man’s room but warm, with one wall given to a gallery of photographs showing Silas Kinsley with some of the clients he had so ably represented; Silas and his late wife, Nora, in different exotic locales; and the two of them with various friends on celebratory occasions.

In the hallway, Kinsley walked past the open door, toward the kitchen. He didn’t glance this way. Witness waited for the attorney to reappear, belatedly alerted by peripheral vision, but domestic noises in the kitchen suggested that no confrontation was imminent.

How would he react to finding a stranger—a strong young man in boots, jeans, and sweater—in his apartment as if by magic? With the fear of an old man weakened by time or with the calm authority of a lawyer still confident after decades of courtroom triumphs? Witness suspected that this was a man whose composure wasn’t easily shaken.

Two walls of the room featured floor-to-ceiling shelves packed full of books. Most of them were books of laws, of cases that were significant for the interpretations of laws that set precedents, and thick biographies of important figures in the history of American jurisprudence.

With reverence, Witness slid one hand lightly across the spines of those books. Where he came from, there were no laws, no attorneys, no judges, no juries, no trials. The innocent had been swept away by a brutal tide of belief in the primacy of the primitive, by faith in the wrong things, by rebellion against reality and the elevation of idiot conviction to the status of the single Truth. He had killed many people in his time, certain that he would never be held to account for the blood he spilled. Nevertheless, he held the law in high regard, just as a man who lived in godless despair might esteem the idea of God that he was unable to embrace.

Chapter 7
Apartment 2–A

The storm was a gift. The lyrics of “One Rainy Night in Memphis” needed a melody with bounce but also with a melancholy edge, which was not an easy combination to achieve, especially for Twyla Trahern. The bounce part gave her no difficulty, but melancholy was for her a secondhand experience, something that happened to other people, and though she had written a few melancholy songs before, she needed a moody environment to inspire her. With her guitar, she sat on a stool by a window in the study of her apartment on the second floor of the Pendleton, gazing at the timely rain, at the city lights twinkling in the premature twilight that the thunderheads impressed upon the day, picking out notes and trying various chords, seeking the sound of sorrow.

Although she didn’t always compose this way, she got the chorus first, because that was where the bounce needed to be most emphatic. She worked on it—the final refinements would be made at the piano—leaving the eight-bar bridge for later, which she would write after she had extrapolated the clean lines of the melody from the refrain.

As usual, she had earlier laid down the lyrics line by line, verse by verse, polishing each until it had a shine but not so much that it was slick. Shine without slickness was a hard standard to meet. Many lyricists could spring all the way through a song, knowing that a few lines weren’t good enough, that they would have to go back later to rewrite, but Twyla could not work that way. Sometimes, to get the syncopations correct, to make the syllables fall gracefully with the music, she would have to tweak the words once she completed the melody, but tweaking always proved to be the extent of it.

She wrote country and she was country, the daughter of a farmer who lost his farm in the recession of 1980, when she was two years old. He worked thereafter as a maintenance mechanic in a coal-fired power plant, mostly in windowless chambers where the heat could reach 130 degrees. Ten hours a day, five and sometimes six days a week. Sweating continuously. Often doing dangerous work in air smoky with the fine ash of pulverized coal that was flash-burned in a continuous controlled explosion. Winston Trahern endured his job for twenty-two years, to keep his family clothed and fed and comfortable. Twyla never heard her dad complain, and he always showered at the plant, after his shift, and came home looking fresh and clean. When Twyla was twenty-four, a coal cracker at the plant exploded, killing her father and two other men.

She had gotten from him the sunny disposition that made it hard work to write a melancholy song, which was a better inheritance than a pot of money would have been.

As flags of rain unfurled across the city and rippled down the window glass, the melody coalesced around the lyrics. Twyla began to realize she was writing a song that nobody could sing better than Farrel Barnett, her former husband. His first big hit as a performer and her first top-ten tune as a songwriter was “Leaving Late and Low,” and they were married as she finished writing four songs for his second CD.

At the time, she thought she loved Farrel. Maybe she did. Eventually, she realized that in part she had been drawn to him because his eyes were the same shade of blue as her daddy’s and because he had about him an air of trustworthiness and unshakable good cheer reminiscent of Win Trahern.

In Farrel’s case, the cheerfulness was real, though sometimes manic and sometimes inappropriate to the moment. But the trustworthy air was a projection as ephemeral as the beam of light that paints pictures on a movie screen. He went through women like a tornado through a Kansas town, tearing apart other marriages and stripping his more vulnerable lovers of their sense of self-worth as if he took pleasure not in the sex but instead in the destruction that he left behind. Although he always treated Twyla tenderly, he was not as respectful of other women. On a few occasions, one of these wretched specimens, rinsed through with bitterness, washed up on Twyla’s doorstep, as though having endured Farrel Barnett made them sisters in suffering who could console each other and plan a mutual vengeance.

After four years, she had no longer loved him. She had needed two more years before she realized that if she didn’t divorce him, he would blow apart her life and scatter the wreckage so widely that she wouldn’t be able to put herself together as she’d once been. By then, Farrel had made the country-music charts with fifteen songs, twelve written by Twyla, eight of which reached number one.

More important, they created a child together—Winston, named for Twyla’s father—and Twyla was at first determined that Winny would not be raised in a home without a dad. Eventually she came to understand that in some rare cases, a broken home might be better for a boy than one in which his narcissistic old man showed up only occasionally and then merely to recuperate from touring and from marathon adultery, less engaged with his young son than with his little entourage of sycophantic buddies.

Although she didn’t love Farrel anymore, didn’t even like him much, she didn’t hate him, either. When she finished “One Rainy Night in Memphis,” she would offer it to Farrel first because he would do the best job with it. Her songs supported her aging mother. They were Winny’s future. What was best for a song trumped settling old scores.

When the rumble rose not from the storm-torn heavens but from the ground under the building, Twyla’s fingers froze on the frets and raised the plectrum from the strings. As the last chord faded, she felt tremors pass through the Pendleton. Her Grammy and Country Music Association awards rattled on the glass shelves in the display case behind her piano.

In expectation of some impending disaster, she was still gazing through the tall window when barbed lashes of lightning flailed the sky, several great flashes that made the rain appear to descend haltingly, that flared as if with apocalyptic power and seemed to obliterate the other buildings flanking Shadow Street. As the tremors rising from the ground passed and as hard thunderclaps shook the afternoon, the lightning and rain conspired for a moment to make the four lanes of pavement seem to disappear. The city streets below vanished, the buildings and their lights. In the flickering celestial display there appeared to be nothing but a vast, empty landscape, the long hill and a terrible plain below it, something like a sea of tall grass stippled with clusters of black trees, their craggy limbs clawing at the gloom.

This vision must have been a trick of storm light on rain-washed glass, nothing more, because when the pyrotechnics stopped, the city was there as before, the buildings and the parks. The busy traffic ascended and descended the long boulevard, the blacktop streaming with rain and with glimmering reflections of headlights, with slithering red rivulets of taillights.

Twyla discovered that she’d gotten off the stool and had lowered her guitar to the carpet without being aware of either action. She stood at the window. What she had seen could have been nothing but an optical illusion. Yet her mouth went dry as she waited for another volley of lightning. In the next barrage, the city did not disappear, but held its ground. The unpopulated vastness, glimpsed before, did not reappear. A mirage. An illusion.

She turned to look past the piano at the display case. None of the awards had fallen over, but the shuddering of the building had been real, not a trick of light and rain-blurred window.

Chapter 8
Apartment 2–C

Bailey turned on all the lamps and ceiling fixtures in the living room, dining room, kitchen, master bedroom, guest bedroom, and both baths. He left them blazing even when he found no one lurking anywhere in the apartment. He wasn’t frightened by what he had seen. More curious than anything. The brighter the light in the place, the likelier he was to get a better look at whatever—if anything—came next.

He wasted no time considering the possibility that he might have hallucinated the entity in the swimming pool and the phantom that passed through a wall. He didn’t do drugs. He didn’t drink to excess. If he suffered from a brain tumor or another mortal condition, there had been no previous indication. In his experience, post-traumatic stress disorder, caused by the horrors of the battlefield, was chiefly the invention of psychiatrists bent upon stigmatizing the military.

In the bedroom, he retrieved a pistol from the bottom drawer in his nightstand. The Beretta 9 mm featured a twenty-round magazine, a six-inch Mag-na-ported Jarvis barrel, and Trijicon night sights. He had purchased the weapon after returning to civilian life, and he never had occasion to use it except on the shooting range.

Once armed, he didn’t know what to do next. If the things that he had seen were not full-blown supernatural apparitions, they were at least paranormal. In either case, a pistol might not be of any use. He intended to keep the gun handy, anyway.

He stood by the bed, holding the weapon, feeling frustrated and somewhat foolish. In war, he never had a problem identifying his enemies. They were the guys who wanted him dead, who were shooting at him and his men. They might run away when their surprise attack failed to gain them a quick triumph, but they didn’t simply vanish. To survive a firefight, to win it, marines had to do more than persevere; they had to be strategists and tacticians, which required a solid grasp of reality, a capacity for clear reasoning. Now here he stood with the Beretta, waiting for an enemy to materialize out of the wall, for an apparition, a boogeyman, a manifestation of unreason, as if he were not a marine and never had been, as if he were instead a character from the movie Ghostbusters.

As in the pool room eleven hours earlier, a rumble rose from the ground under the Pendleton. This time it escalated rapidly, became louder than before, and the building shuddered for perhaps five or six seconds before both the sound and the tremors faded. He had no doubt that this apparently seismic event was somehow related to the mysterious swimmer and to the inky specter that passed cat-quick through his study. Techniques of financial analysis, no less than battlefield experience, had taught him that coincidences were rare and that unseen connections were everywhere waiting to be uncovered.

No sooner had the Pendleton become still and quiet than Bailey heard the voice. Low and portentous, it sounded like a newscaster reporting disaster on a radio in another room, the shape of the words distorted, their meaning elusive—except that this voice was here, as intimate as a lover’s murmurs.

When he bent to listen to the clock radio on the nightstand, the voice seemed to come from across the room. He went to the armoire that housed the television, opened the doors to reveal the dead dark screen—and heard the speaker now behind him, seemingly close and yet still unintelligible.

Wherever he went in the bedroom, the unseen speaker spoke in a corner different from the one to which he had been drawn, as though taunting him.

When Bailey stepped into the adjacent bathroom, the voice was there as surely as it had been in the previous room. It seemed to issue from behind a mirror, but then from out of an air-intake grill near the ceiling, and then from behind the textured plaster of the ceiling itself.

As Bailey proceeded through the bright rooms, pistol held down at his side with the muzzle toward the floor, the voice grew darker, more menacing. The direction of origin changed even more rapidly, as though the speaker were a crazed ventriloquist succumbing to the fear that, of he and his dummy, only the puppet was real.

And then in the kitchen, the words became clearer, more fully formed, but no more intelligible. Bailey realized he was listening to a foreign language. Neither French nor Italian, nor Spanish. Not German. Not Russian. Nothing Slavic. Nothing Asian. He had never heard anything like it before, which perhaps should have made it seem like one of those extraterrestrial languages in science-fiction movies. Instead he thought it sounded ancient and primitive, though he didn’t know why he felt that way about it.

Not once did he suspect that the voice came from the apartment next door. The Pendleton was a steel-reinforced, poured-in-place concrete structure, and the renovators employed that same technique to separate condominium units from one another, augmenting it with modern sound-suppression technology. The only neighbor with whom he shared a wall on this floor was Twyla Trahern, the songwriter, and he couldn’t hear even the faintest chords of her piano when she was composing.

Standing by the kitchen island, turning in place, he listened to the voice issue from the air all around him, at first louder but then fading as if someone somewhere was turning down a volume knob.

As the voice became less than a muttered curse, the wall phone rang, and he picked it up. “Hello?”

“Bailey, dear, Edna and I need your calming influence.” Martha Cupp, one of the elderly sisters who were among his clients in the Pendleton, spoke with a firmness that was not imperious but rather like that of a good schoolteacher who set high standards and, with affection, expected you to meet them always. “Sally is either off her nut or on the whiskey.” Sally Hollander was their housekeeper. “She says she’s seen Satan in the butler’s pantry, and she wants to quit her job. You know how we depend on Sally.”

“I’ll be there as quick as I can. Give me five minutes,” Bailey said.

“Dear boy, you are the son I never had.”

“You had a son.”

“But he’s nothing like you, I’m sorry to say. His failing chain of sushi restaurants will soon be as dead as the fish they serve. Now he wants me to back him in a wind farm, four thousand windmills on some dreary plain in Nevada, producing enough energy to power eleven houses while killing six thousand birds a day. The boy is a huge wind farm himself, he chatters faster than a carnival barker. Please hurry and talk some sense into our Sally.”

As Bailey racked the wall phone, he suspected that Sally’s encounter with the devil himself would turn out to have nothing to do with whiskey.

“What’s happening here?” he asked aloud, and waited only a moment for the disembodied voice to answer him in that unknown language. The kitchen was now as silent as it was bright.

One

I am the One, the all and the only. I live in the Pendleton as surely as I live everywhere. I am the Pendleton’s history and its destiny. The building is my place of conception, my monument, my killing ground.

In celebration of my triumph, I prepare this file to be conveyed to you of great faith, to you who knew the world had gone wrong and longed to repair it. The world you have known is destroyed. I will show you …

Andrew North Pendleton, proud and ignorant, built his great house on this site not because the vista pleased him, but because of the legend of Shadow Hill. Like some others in the upper class in the late nineteenth century, Andrew was eager to pursue new ways of thinking, to throw off the chains of tired tradition. He became fascinated with various forms of spiritualism, and he had the leisure time to pursue them. Séances, sessions of automatic writing, crystal readings, past-life regression through hypnosis: He was a seeker, no less a fool than other men. An Indian mystic, of what tribe was never clear, told him the history of Shadow Hill, and Pendleton declared that he must build there to benefit from the spiritual energy of that hallowed ground.

Indians once settled atop the hill because at certain times of the year, a pale-blue light rose sporadically from old volcanic fumaroles, shimmering and dancing in the air. Infrequently, loved ones long dead appeared briefly among the living, as if the past and the present were one. The ground must be sacred, so they said, and the tribe would be protected by both the ghosts of those lost and by the shining blue spirits.

The mystic, secretly an agent for the owner of the land, failed to tell Andrew Pendleton that the Native Americans eventually moved off the hill when they experienced a more vivid spectacle that filled the night—and their encampment—with a seeming horde of bright-blue spirits less benign than those that had come before them.

On that night, half the tribesmen disappeared forever. They came to me. I partook of them, for they were an affront to my existence.

When Andrew Pendleton, his wife, and his children were presented to me, I allowed him alone to live. In a sense, I owed my existence to him, because he chose to build on Shadow Hill. His Belle Vista became not merely a house but also a vehicle that brought me into the world.

I am the One, and there can be no other. They come to me, and I receive them as the meat they are. In time, all will come to me, and then what must be will be. Thereafter only I shall know the sun and the moon.

Soon the current residents of the Pendleton will appear before me, bewildered by my many manifestations. I know them, for I know everything. Not all will perish, but nearly all. I especially desire the children; I do not tolerate innocence, and I despise gentleness. The ex-marine will discover that the concepts of honor and responsibility are not rewarded under my dominion.

Those who might love one another will not be saved by love. The only love that matters is self-love, and the only self worth loving is the One.

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