# Hidden Sin: Part 1 of 3: When the past comes back to haunt you

Julie Shaw

The explosive sequel to #1 Sunday Times bestseller Bad Blood.Set 18 years later, Hidden Sin is the story of Joey, his girlfriend Paula and Rasta Mo, the man he is to discover is his dad.Joey Parker is a young man with big dreams. Almost eighteen, he’s desperate to escape the shackles of his window cleaning round, so when’s offered the chance to try out as a drummer in a local Blondie tribute band he jumps at the chance. But it isn’t just the music that moves him. It’s also the fact that Paula Foster is the lead singer. The daughter of his mum’s old mate, Josie, she was once a childhood friend. They’ve not seen each other in years, and their mutual attraction is immediate.Meanwhile, notorious local drug overlord, Rasta Mo, has recently returned to Bradford after a spell inside and years in Marbella. He is instantly enamored with the good-looking drummer he discovers is his son. He decides that his new club is in need of a house band – and so begins his attempts to woo him.This book charts a journey between two men into a future neither visualized. And, in Joey’s case, into a dangerous criminal world he’s never known. And, while his mother and step-father can only look on in horror as Joey potentially becomes the one thing she’s always dreaded – his father’s son.Joey is oblivious to who Mo is. The truth has always been hidden from him. All he cares about is that his and Paula’s dreams are all starting to come true. But will the cost of achieving them be too high to pay?

## Copyright

Certain details in this book, including names, places and dates, have been changed to protect the family’s privacy.

HarperElement

An imprint of HarperCollinsPublishers

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

First published by HarperElement 2018

FIRST EDITION

© Julie Shaw and Lynne Barrett-Lee 2018

Cover layout design © HarperCollinsPublishers Ltd 2018

Cover photographs © plainpicture/Valery Skurydin (young woman); © Romany WG/Trevillion Images (figure)

A catalogue record of this book is available from the British Library

Julie Shaw and Lynne Barrett-Lee assert the moral right to be identified as the authors of this work

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Source ISBN: 9780008228484

Ebook Edition © May 2018 ISBN: 9780008228521

Version: 2018-04-03

## Dedication

This book is simply dedicated to our Alan Taylor. Rest in peace, Alan – you fought with every last breath to stay as long as you could with my lovely little cousin, Sue, AKA our Nipper, and your girls, Penny, Lou and Lindsay. They all did you proud, Alan, and always will do. You were everything a man should be and you’ll be sadly missed. x

## Epigraph

‘Behold, I was brought forth in iniquity, and in sin my mother did conceive me.’

Psalm 51:5

## Contents

Cover

Title Page

Copyright

Dedication

Epigraph

Prologue

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Moving Memoirs eNewsletter

About the Publisher

## Prologue

Bradford, June 1997

Mo took a slow look around him and sniffed the air. Nothing had changed, he realised. The Sun Inn still delivered: its familiar cocktail of stale beer, cheap perfume and sweat. Did it feel good to be back? He wasn’t sure yet.

On balance, though, yes. Because he knew he still had it. Knew from the ripples of reaction that seemed to flow out when he moved. The odd stare. The covert nudge. The inevitable whispered conversations. Conversations that he knew were taking place in his wake. So on balance, yes. Yes, the weather was shit, obviously, but for the most part it felt good to be home.

He swayed – he couldn’t help it – to the rhythm of the music. A young band. Loud and fast. A little raw, but pretty good, currently banging out Blondie’s ‘Picture This’. He leaned in towards Irish Pete – well, as close as his nose allowed, anyway. ‘These are good, man,’ he shouted at his friend above the noise. ‘What they called?’

‘Parallel Lines,’ Pete said. ‘Blondie tribute band.’

‘I think I got that much.’

‘And that blonde tart’s a dead ringer for Debbie Harry, is she not? I know what I’d fucking like to do to her, too!’ Pete grabbed at his crotch and thrust his hips forward. ‘She wouldn’t have to picture this, eh? She’d get the whole ten fucking inches!’

Mo eyed his old friend with distaste. One thing he’d forgotten during his long years on the oh-so-much more civilised (well, at least in that sense) Spanish Costas was that the Petes of this world never changed. Dirty-tongued, always. And dirty-mouthed, too. The recipient of some very expensive dental work recently, Mo was the proud owner of a gleaming new set of teeth, which only served to highlight what a sewer Pete’s own mouth had become since he’d gone away. It stank like one every time he opened it, however sweet the words that issued forth, the rank-smelling interior fenced in by uneven rows of yellowy-brown, misshapen teeth.

‘In your dreams, Pete,’ he said, turning sideways to avoid the stench. ‘Ten fucking inches, my arse.’ He nodded back to the stage. ‘Seriously, you know anything about them? I’m on the lookout for some talent for when me and Nico’s place gets sorted. Decent house band. Something with a bit of class.’

And they did seem to have that. That sense of knowing their own worth. The blonde at the front, in particular – she had enough attitude to start a war. And the kid on the drums. There was definitely something special about him. Muscular. Mixed-race. Maybe twenty. Possibly younger. A whir of mesmerising movement beneath a cloud of chocolate curls, his hands moving in an expert blur across the whole drum kit.

‘Not sure about “class”,’ Pete was saying. ‘The bird’s Josie McKellan’s kid.’ He nudged Mo. ‘You know? Paula? Don’t you recognise her? Tidy wee fucker she’s turned out to be, eh?’

Mo looked more closely at the girl belting out the Blondie track. Of course. He’d been fooled by the bleached hair. If you took the peroxide out of the equation it was immediately obvious. That same familiar Hudson look. She was very like her mother. Taller than Josie, yes – hardly difficult, to be fair – but the same cocky expression. And a stark reminder of how times had changed in this particular corner of Bradford – like The Sun, which had reinvented itself from spit-and-sawdust to what was now obviously the thing: coloured-glass Tiffany light shades, lots of polished wood, dark, patterned carpets – like a migraine on the floor. He made a mental note, filing the look away for his latest venture.

The people had changed too. It no longer seemed such a man’s world. Not like Spain – well, his bit of it – which still clung to the old order. Where men were the bosses and women were mostly meek. He could hardly believe the amount of skirt that seemed to be out partying unaccompanied – and none of them seemed to look as if they cared less.

A fresh rum and Coke appeared in front of him. ‘Here you go, mate,’ said his friend Nico. ‘Lot to take in, isn’t it? A bit different to how it was when we were banged up, eh, my friend?’

Nico laughed – a big booming laugh that might grate if you didn’t know him. Ditto his usual moniker – the ridiculously unimaginative ‘Nic the Greek’. Still, it had served him well enough in prison, Mo decided, greasy Greek fucker that he was. And it was serving him well now. They’d do all right together in this new version of Bradford. Even if Nico couldn’t quite get his head around why Mo had wanted to return to it. After all, he’d been living the high life in Marbella since he’d come out of the nick, hadn’t he? But the pull had always been there. Even though sometimes Mo didn’t really understand why himself.

And he’d come back at the right time, with cash in his pockets, half of which he’d already invested in a house on Oak Lane’s ‘millionaire’s row’. And now the club – into which they’d both now invested a ton of money; Nico’s from the stash he’d managed to hang onto from the armed robbery that he’d done nine years for, and Mo from what he’d saved from his various business ventures while in Spain: the lease on a huge nightclub in Bradford city centre.

He sipped his drink, taking stock. All on track. Things looked good.

Pete was tugging at his sleeve. ‘And you know who he is, don’t you?’ he said, following this announcement with a fetid burp.

‘Who is?’ Nico asked, irritably fanning the air in front of him. He had yet to see the benefits of Irish Pete, Mo conceded.

‘Yes, who is?’ Mo asked, annoyed that Pete was pissed already, and already so incongruous among the mostly youthful, attractive crowd.

‘Joey Parker,’ Pete persisted. ‘I knew I recognised him. Joey Parker.’

‘Yes, I got that bit,’ Mo said. ‘And I’m supposed to know him, am I?’

And even as Pete’s mouth formed the shapes to say the next bit, the penny dropped, and Mo made the connection in his head.

‘Christine Parker’s lad, Mo.’ Pete nodded towards the stage. ‘As in –’ He faltered now. Nervous about saying it. ‘You know?’

As in – could it be? Really? Mo looked again, much more carefully. Considered. Checked the dates out. Could it be? Yes, it could.

The track having come to an end, the Debbie Harry bird – Paula – was doing her frontwoman bit, telling the audience that they were having a break and would return in fifteen minutes. Seconds later, some tinny shit from a CD started up, half drowned out by what seemed like genuinely rapturous applause. So they already had a bit of a following, which was a plus point, Mo noted.

And that drummer. Still in place, while the rest left the stage.

He put down his rum and Coke and motioned to the skinny barmaid to pull a pint for him.

And once in hand, he held it aloft to make his way through the chattering, sweaty crowd. Which parted to allow him through as if he was fucking Moses or something. He grinned as he sauntered. Still got it. That presence. That respect. That fear.

The young drummer was oblivious, fiddling with some component on one of his cymbals. No fear here, obviously. Mo cleared his throat.

The lad looked up finally. Big innocent eyes.

Mo smiled. ‘You look like you could use this,’ he said.

The boy’s face and neck were slick with sweat. He now looked wary. As was to be expected, Mo conceded. The young Mo would be wary if approached by the older Mo too.

‘Go on,’ he persisted. ‘It’s on me, dude. Great set. And it’s Joey, right? You’re good. You’ll go far.’

The boy glanced around. Not eighteen yet, by Mo’s quick calculations. But then thirst got the better of his evident concern about the landlord and, after eyeing it thirstily, he took the cold beer. And in two Adam’s-apple bobbing gulps had half of it downed.

‘Thanks,’ he said, surfacing. ‘Er …?’

Mo held his hand out to shake. Big, dark and manicured.

‘Macario,’ he said, surprising himself. He never told anyone his real name.

The boy nodded as he took it. ‘Okay. Macario. Right, cool.’

Knocked off-guard by a jolt of unexpected emotion, Mo crushed the smaller, paler hand with more force than he’d intended. But the boy held his gaze. Didn’t flinch. Squeezed right back, with powerful drummer’s hands.

He winked. ‘Hey, but you just call me Mo.’