# Mademoiselle Olympe Zabriski

Thomas Aldrich

## I

We are accustomed to speak with a certain light irony of the tendency which women have to gossip, as if the sin itself, if it is a sin, were of the gentler sex, and could by no chance be a masculine peccadillo. So far as my observation goes, men are as much given to small talk as women, and it is undeniable that we have produced the highest type of gossiper extant. Where will you find, in or out of literature, such another droll, delightful, chatty busybody as Samuel Pepys, Esq., Secretary to the Admiralty in the reigns of those fortunate gentlemen Charles II. and James II. of England? He is the king of tattlers as Shakespeare is the king of poets.

If it came to a matter of pure gossip, I would back Our Club against the Sorosis or any women’s club in existence. Whenever you see in our drawing-room four or five young fellows lounging in easy-chairs, cigar in hand, and now and then bringing their heads together over the small round Japanese table which is always the pivot of these social circles, you may be sure that they are discussing Tom’s engagement, or Dick’s extravagance, or Harry’s hopeless passion for the younger Miss Fleurdelys. It is here old Tippleton gets execrated for that everlasting bon mot of his which was quite a success at dinner-parties forty years ago; it is here the belle of the season passes under the scalpels of merciless young surgeons; it is here B’s financial condition is handled in a way that would make B’s hair stand on end; it is here, in short, that everything is canvassed—everything that happens in our set, I mean, much that never happens, and a great deal that could not possibly happen. It was at Our Club that I learned the particulars of the Van Twiller affair.

It was great entertainment to Our Club, the Van Twiller affair, though it was rather a joyless thing, I fancy, for Van Twiller. To understand the case fully, it should be understood that Ralph Van Twiller is one of the proudest and most sensitive men living. He is a lineal descendant of Wouter Van Twiller, the famous old Dutch governor of New York—Nieuw Amsterdam, as it was then; his ancestors have always been burgomasters or admirals or generals, and his mother is the Mrs. Vanrensselaer Van-zandt Van Twiller whose magnificent place will be pointed out to you on the right bank of the Hudson, as you pass up the historic river towards Idlewild. Ralph is about twenty-five years old. Birth made him a gentleman, and the rise of real estate—some of it in the family since the old governor’s time—made him a millionaire. It was a kindly fairy that stepped in and made him a good fellow also. Fortune, I take it, was in her most jocund mood when she heaped her gifts in this fashion on Van Twiller, who was, and will be again, when this cloud blows over, the flower of Our Club.

About a year ago there came a whisper—if the word “whisper” is not too harsh a term to apply to what seemed a mere breath floating gently through the atmosphere of the billiard-room—imparting the intelligence that Van Twiller was in some kind of trouble. Just as everybody suddenly takes to wearing square-toed boots, or to drawing his neckscarf through a ring, so it became all at once the fashion, without any preconcerted agreement, for everybody to speak of Van Twilier as a man in some way under a cloud. But what the cloud was, and how he got under it, and why he did not get away from it, were points that lifted themselves into the realm of pure conjecture. There was no man in the club with strong enough wing to his imagination to soar to the supposition that Van Twiller was embarrassed in money matters. Was he in love? That appeared nearly as improbable; for if he had been in love all the world—that is, perhaps a hundred first families—would have known all about it instantly.

“He has the symptoms,” said Delaney, laughing. “I remember once when Jack Hemming “—

“Ned!” cried Hemming, “I protest against any allusion to that business.”

This was one night when Van Twiller had wandered into the club, turned over the magazines absently in the reading-room, and wandered out again without speaking ten words. The most careless eye would have remarked the great change that had come over Van Twiller. Now and then he would play a game of billiards with De Peyster or Haseltine, or stop to chat a moment in the vestibule with old Duane; but he was an altered man. When at the club, he was usually to be found in the small smoking-room up-stairs, seated on a fauteuil fast asleep, with the last number of The Nation in his hand. Once, if you went to two or three places of an evening, you were certain to meet Van Twiller at them all. You seldom met him in society now.

By and by came whisper number two—a whisper more emphatic than number one, but still untraceable to any tangible mouthpiece. This time the whisper said that Van Twiller was in love. But with whom? The list of possible Mrs. Van Twillers was carefully examined by experienced hands, and a check placed against a fine old Knickerbocker name here and there, but nothing satisfactory arrived at. Then that same still small voice of rumor, but now with an easily detected staccato sharpness to it, said that Van Twiller was in love—with an actress! Van Twiller, whom it had taken all these years and all this waste of raw material in the way of ancestors to bring to perfection—Ralph Van Twiller, the net result and flower of his race, the descendant of Wouter, the son of Mrs. Van-rensselaer Vanzandt Van Twiller—in love with an actress! That was too ridiculous to be believed—and so everybody believed it. Six or seven members of the club abruptly discovered in themselves an unsuspected latent passion for the histrionic art. In squads of two or three they stormed successively all the theatres in town—Booth’s, Wallack’s, Daly’s Fifth Avenue (not burnt down then), and the Grand Opera House. Even the shabby homes of the drama over in the Bowery, where the Germanic Thespis has not taken out his naturalization papers, underwent rigid exploration. But no clue was found to Van Twiller’s mysterious attachment. The opéra bouffe