Thomas Bailey Aldrich
Marjorie Daw

I

DR. DILLON TO EDWARD DELANEY, ESQ., AT THE PINES. NEAR RYE, N.H

August 8, 1872.

My Dear Sir: I am happy to assure you that your anxiety is without reason. Flemming will be confined to the sofa for three or four weeks, and will have to be careful at first how he uses his leg. A fracture of this kind is always a tedious affair. Fortunately the bone was very skilfully set by the surgeon who chanced to be in the drugstore where Flemming was brought after his fall, and I apprehend no permanent inconvenience from the accident. Flemming is doing perfectly well physically; but I must confess that the irritable and morbid state of mind into which he has fallen causes me a great deal of uneasiness. He is the last man in the world who ought to break his leg. You know how impetuous our friend is ordinarily, what a soul of restlessness and energy, never content unless he is rushing at some object, like a sportive bull at a red shawl; but amiable withal. He is no longer amiable. His temper has become something frightful. Miss Fanny Flemming came up from Newport, where the family are staying for the summer, to nurse him; but he packed her off the next morning in tears. He has a complete set of Balzac’s works, twenty-seven volumes, piled up near his sofa, to throw at Watkins whenever that exemplary serving-man appears with his meals. Yesterday I very innocently brought Flemming a small basket of lemons. You know it was a strip of lemon-peel on the curbstone that caused our friend’s mischance. Well, he no sooner set is eyes upon those lemons than he fell into such a rage as I cannot adequately describe. This is only one of moods, and the least distressing. At other times he sits with bowed head regarding his splintered limb, silent, sullen, despairing. When this fit is on him—and it sometimes lasts all day—nothing can distract his melancholy. He refuses to eat, does not even read the newspapers; books, except as projectiles for Watkins, have no charms for him. His state is truly pitiable.

Now, if he were a poor man, with a family depending on his daily labor, this irritability and despondency would be natural enough. But in a young fellow of twenty-four, with plenty of money and seemingly not a care in the world, the thing is monstrous. If he continues to give way to his vagaries in this manner, he will end by bringing on an inflammation of the fibula. It was the fibula he broke. I am at my wits’ end to know what to prescribe for him. I have anaesthetics and lotions, to make people sleep and to soothe pain; but I’ve no medicine that will make a man have a little common-sense. That is beyond my skill, but maybe it is not beyond yours. You are Flemming’s intimate friend, his fidus Achates. Write to him, write to him frequently, distract his mind, cheer him up, and prevent him from becoming a confirmed case of melancholia. Perhaps he has some important plans disarranged by his present confinement. If he has you will know, and will know how to advise him judiciously. I trust your father finds the change beneficial? I am, my dear sir, with great respect, etc.

II

EDWARD DELANEY TO JOHN FLEMMING, WEST 38TH STREET, NEW YORK

August 9, 1872.

My Dear Jack: I had a line from Dillon this morning, and was rejoiced to learn that your hurt is not so bad as reported. Like a certain personage, you are not so black and blue as you are painted. Dillon will put you on your pins again in two to three weeks, if you will only have patience and follow his counsels. Did you get my note of last Wednesday? I was greatly troubled when I heard of the accident.

I can imagine how tranquil and saintly you are with your leg in a trough! It is deuced awkward, to be sure, just as we had promised ourselves a glorious month together at the sea-side; but we must make the best of it. It is unfortunate, too, that my father’s health renders it impossible for me to leave him. I think he has much improved; the sea air is his native element; but he still needs my arm to lean upon in his walks, and requires some one more careful that a servant to look after him. I cannot come to you, dear Jack, but I have hours of unemployed time on hand, and I will write you a whole post-office full of letters, if that will divert you. Heaven knows, I haven’t anything to write about. It isn’t as if we were living at one of the beach houses; then I could do you some character studies, and fill your imagination with groups of sea-goddesses, with their (or somebody else’s) raven and blonde manes hanging down their shoulders. You should have Aphrodite in morning wrapper, in evening costume, and in her prettiest bathing suit. But we are far from all that here. We have rooms in a farm-house, on a cross-road, two miles from the hotels, and lead the quietest of lives.

I wish I were a novelist. This old house, with its sanded floors and high wainscots, and its narrow windows looking out upon a cluster of pines that turn themselves into aeolian harps every time the wind blows, would be the place in which to write a summer romance. It should be a story with the odors of the forest and the breath of the sea in it. It should be a novel like one of that Russian fellow’s—what’s his name?—Tourguenieff, Turguenef, Turgenif, Toorguniff, Turgenjew—nobody knows how to spell him. Yet I wonder if even a Liza or an Alexandra Paulovna could stir the heart of a man who has constant twinges in his leg. I wonder if one of our own Yankee girls of the best type, haughty and spirituelle, would be of any comfort to you in your present deplorable condition. If I thought so, I would hasten down to the Surf House and catch one for you; or, better still, I would find you one over the way.

Picture to yourself a large white house just across the road, nearly opposite our cottage. It is not a house, but a mansion, built, perhaps, in the colonial period, with rambling extensions, and gambrel roof, and a wide piazza on three sides—a self-possessed, high-bred piece of architecture, with its nose in the air. It stands back from the road, and has an obsequious retinue of fringed elms and oaks and weeping willows. Sometimes in the morning, and oftener in the afternoon, when the sun has withdrawn from that part of the mansions, a young woman appears on the piazza with some mysterious Penelope web of embroidery in her hand, or a book. There is a hammock over there—of pineapple fibre, it looks from here. A hammock is very becoming when one is eighteen, and has golden hair, and dark eyes, and an emerald-colored illusion dress looped up after the fashion of a Dresden china shepherdess, and is chaussee like a belle of the time of Louis Quatorze. All this splendor goes into that hammock, and sways there like a pond-lily in the golden afternoon. The window of my bedroom looks down on that piazza—and so do I.

But enough of the nonsense, which ill becomes a sedate young attorney taking his vacation with an invalid father. Drop me a line, dear Jack, and tell me how you really are. State your case. Write me a long, quite letter. If you are violent or abusive, I’ll take the law to you.

III

JOHN FLEMMING TO EDWARD DELANEY

August 11, 1872.

Your letter, dear Ned, was a godsend. Fancy what a fix I am in—I, who never had a day’s sickness since I was born. My left leg weighs three tons. It is embalmed in spices and smothered in layers of fine linen, like a mummy. I can’t move. I haven’t moved for five thousand years. I’m of the time of Pharaoh.

I lie from morning till night on a lounge, staring into the hot street. Everybody is out of town enjoying himself. The brown-stone-front houses across the street resemble a row of particularly ugly coffins set up on end. A green mould is settling on the names of the deceased, carved on the silver door-plates. Sardonic spiders have sewed up the key-holes. All is silence and dust and desolation.—I interrupt this a moment, to take a shy at Watkins with the second volume of Cesar Birotteau. Missed him! I think I could bring him down with a copy of Sainte-Beuve or the Dictionnaire Universel, if I had it. These small Balzac books somehow do not quite fit my hand; but I shall fetch him yet. I’ve an idea that Watkins is tapping the old gentleman’s Chateau Yquem. Duplicate key of the wine-cellar. Hibernian swarries in the front basement. Young Cheops up stairs, snug in his cerements. Watkins glides into my chamber, with that colorless, hypocritical face of his drawn out long like an accordion; but I know he grins all the way down stairs, and is glad I have broken my leg. Was not my evil star in the very zenith when I ran up to town to attend that dinner at Delmonico’s? I didn’t come up altogether for that. It was partly to buy Frank Livingstone’s roan mare Margot. And now I shall not be able to sit in the saddle these two months. I’ll send the mare down to you at The Pines—is that the name of the place?

Old Dillon fancies that I have something on my mind. He drives me wild with lemons. Lemons for a mind diseased! Nonsense. I am only as restless as the devil under this confinement—a thing I’m not used to. Take a man who has never had so much as a headache or a toothache in his life, strap one of his legs in a section of water-spout, keep him in a room in the city for weeks, with the hot weather turned on, and then expect him to smile and purr and be happy! It is preposterous. I can’t be cheerful or calm.

Your letter is the first consoling thing I have had since my disaster, ten days ago. It really cheered me up for half an hour. Send me a screed, Ned, as often as you can, if you love me. Anything will do. Write me more about that little girl in the hammock. That was very pretty, all that about the Dresden china shepherdess and the pond-lily; the imagery a little mixed, perhaps, but very pretty. I didn’t suppose you had so much sentimental furniture in your upper story. It shows how one may be familiar for years with the reception-room of his neighbor, and never suspect what is directly under his mansard. I supposed your loft stuffed with dry legal parchments, mortgages, and affidavits; you take down a package of manuscript, and lo! there are lyrics and sonnets and canzonettas. You really have a graphic descriptive touch, Edward Delaney, and I suspect you of anonymous love-tales in the magazines.

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