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Hamlet
Act III, Scene 1.
Elsinore. The platform before the Castle.
Enter King, Queen, Polonius, Ophelia, Rosencrantz, Guildenstern,
and Lords.
Claudius. And can you by no drift of circumstance
Get from him why he puts on this confusion,
Grating so harshly all his days of quiet 1685
With turbulent and dangerous lunacy?
Rosencrantz. He does confess he feels himself distracted,
But from what cause he will by no means speak.
Guildenstern. Nor do we find him forward to be sounded,
But with a crafty madness keeps aloof 1690
When we would bring him on to some confession
Of his true state.
Gertrude. Did he receive you well?
Rosencrantz. Most like a gentleman.
Guildenstern. But with much forcing of his disposition. 1695
Rosencrantz. Niggard of question, but of our demands
Most free in his reply.
Gertrude. Did you assay him
To any pastime?
Rosencrantz. Madam, it so fell out that certain players 1700
We o'erraught on the way. Of these we told him,
And there did seem in him a kind of joy
To hear of it. They are here about the court,
And, as I think, they have already order
This night to play before him. 1705
Polonius. 'Tis most true;
And he beseech'd me to entreat your Majesties
To hear and see the matter.
Claudius. With all my heart, and it doth much content me
To hear him so inclin'd. 1710
Good gentlemen, give him a further edge
And drive his purpose on to these delights.
Rosencrantz. We shall, my lord.
Exeunt Rosencrantz and Guildenstern.
Claudius. Sweet Gertrude, leave us too; 1715
For we have closely sent for Hamlet hither,
That he, as 'twere by accident, may here
Affront Ophelia.
Her father and myself (lawful espials)
Will so bestow ourselves that, seeing unseen, 1720
We may of their encounter frankly judge
And gather by him, as he is behav'd,
If't be th' affliction of his love, or no,
That thus he suffers for.
Gertrude. I shall obey you; 1725
And for your part, Ophelia, I do wish
That your good beauties be the happy cause
Of Hamlet's wildness. So shall I hope your virtues
Will bring him to his wonted way again,
To both your honours. 1730
Ophelia. Madam, I wish it may.
[Exit Queen.]
Polonius. Ophelia, walk you here. – Gracious, so please you,
We will bestow ourselves. – [To Ophelia] Read on this book,
That show of such an exercise may colour 1735
Your loneliness. – We are oft to blame in this,
'Tis too much prov'd, that with devotion's visage
And pious action we do sugar o'er
The Devil himself.
Claudius. [aside] O, 'tis too true! 1740
How smart a lash that speech doth give my conscience!
The harlot's cheek, beautied with plast'ring art,
Is not more ugly to the thing that helps it
Than is my deed to my most painted word.
O heavy burthen! 1745
Polonius. I hear him coming. Let's withdraw, my lord.
Exeunt King and Polonius].
Enter Hamlet.
Hamlet. To be, or not to be- that is the question:
Whether 'tis nobler in the mind to suffer 1750
The slings and arrows of outrageous fortune
Or to take arms against a sea of troubles,
And by opposing end them. To die- to sleep-
No more; and by a sleep to say we end
The heartache, and the thousand natural shocks 1755
That flesh is heir to. 'Tis a consummation
Devoutly to be wish'd. To die- to sleep.
To sleep- perchance to dream: ay, there's the rub!
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil, 1760
Must give us pause. There's the respect
That makes calamity of so long life.
For who would bear the whips and scorns of time,
Th' oppressor's wrong, the proud man's contumely,
The pangs of despis'd love, the law's delay, 1765
The insolence of office, and the spurns
That patient merit of th' unworthy takes,
When he himself might his quietus make
With a bare bodkin? Who would these fardels bear,
To grunt and sweat under a weary life, 1770
But that the dread of something after death-
The undiscover'd country, from whose bourn
No traveller returns- puzzles the will,
And makes us rather bear those ills we have
Than fly to others that we know not of? 1775
Thus conscience does make cowards of us all,
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pith and moment
With this regard their currents turn awry 1780
And lose the name of action. – Soft you now!
The fair Ophelia! – Nymph, in thy orisons
Be all my sins rememb'red.
Ophelia. Good my lord,
How does your honour for this many a day? 1785
Hamlet. I humbly thank you; well, well, well.
Ophelia. My lord, I have remembrances of yours
That I have longed long to re-deliver.
I pray you, now receive them.
Hamlet. No, not I! 1790
I never gave you aught.
Ophelia. My honour'd lord, you know right well you did,
And with them words of so sweet breath compos'd
As made the things more rich. Their perfume lost,
Take these again; for to the noble mind 1795
Rich gifts wax poor when givers prove unkind.
There, my lord.
Hamlet. Ha, ha! Are you honest?
Ophelia. My lord?
Hamlet. Are you fair? 1800
Ophelia. What means your lordship?
Hamlet. That if you be honest and fair, your honesty should admit no
discourse to your beauty.
Ophelia. Could beauty, my lord, have better commerce than with honesty?
Hamlet. Ay, truly; for the power of beauty will sooner transform 1805
honesty from what it is to a bawd than the force of honesty can
translate beauty into his likeness. This was sometime a paradox,
but now the time gives it proof. I did love you once.
Ophelia. Indeed, my lord, you made me believe so.
Hamlet. You should not have believ'd me; for virtue cannot so 1810
inoculate our old stock but we shall relish of it. I loved you
not.
Ophelia. I was the more deceived.
Hamlet. Get thee to a nunnery! Why wouldst thou be a breeder of
sinners? I am myself indifferent honest, but yet I could accuse 1815
me of such things that it were better my mother had not borne me.
I am very proud, revengeful, ambitious; with more offences at my
beck than I have thoughts to put them in, imagination to give
them shape, or time to act them in. What should such fellows as I
do, crawling between earth and heaven? We are arrant knaves all; 1820
believe none of us. Go thy ways to a nunnery. Where's your
father?
Ophelia. At home, my lord.
Hamlet. Let the doors be shut upon him, that he may play the fool
nowhere but in's own house. Farewell. 1825
Ophelia. O, help him, you sweet heavens!
Hamlet. If thou dost marry, I'll give thee this plague for thy dowry:
be thou as chaste as ice, as pure as snow, thou shalt not escape
calumny. Get thee to a nunnery. Go, farewell. Or if thou wilt
needs marry, marry a fool; for wise men know well enough what 1830
monsters you make of them. To a nunnery, go; and quickly too.
Farewell.
Ophelia. O heavenly powers, restore him!
Hamlet. I have heard of your paintings too, well enough. God hath
given you one face, and you make yourselves another. You jig, you 1835
amble, and you lisp; you nickname God's creatures and make your
wantonness your ignorance. Go to, I'll no more on't! it hath made
me mad. I say, we will have no moe marriages. Those that are
married already- all but one- shall live; the rest shall keep as
they are. To a nunnery, go. Exit. 1840
Ophelia. O, what a noble mind is here o'erthrown!
The courtier's, scholar's, soldier's, eye, tongue, sword,
Th' expectancy and rose of the fair state,
The glass of fashion and the mould of form,
Th' observ'd of all observers- quite, quite down! 1845
And I, of ladies most deject and wretched,
That suck'd the honey of his music vows,
Now see that noble and most sovereign reason,
Like sweet bells jangled, out of tune and harsh;
That unmatch'd form and feature of blown youth 1850
Blasted with ecstasy. O, woe is me
T' have seen what I have seen, see what I see!
Enter King and Polonius.
Claudius. Love? his affections do not that way tend;
Nor what he spake, though it lack'd form a little, 1855
Was not like madness. There's something in his soul
O'er which his melancholy sits on brood;
And I do doubt the hatch and the disclose
Will be some danger; which for to prevent,
I have in quick determination 1860
Thus set it down: he shall with speed to England
For the demand of our neglected tribute.
Haply the seas, and countries different,
With variable objects, shall expel
This something-settled matter in his heart, 1865
Whereon his brains still beating puts him thus
From fashion of himself. What think you on't?
Polonius. It shall do well. But yet do I believe
The origin and commencement of his grief
Sprung from neglected love. – How now, Ophelia? 1870
You need not tell us what Lord Hamlet said.
We heard it all. – My lord, do as you please;
But if you hold it fit, after the play
Let his queen mother all alone entreat him
To show his grief. Let her be round with him; 1875
And I'll be plac'd so please you, in the ear
Of all their conference. If she find him not,
To England send him; or confine him where
Your wisdom best shall think.
Claudius. It shall be so. 1880
Madness in great ones must not unwatch'd go. Exeunt.
Act III, Scene 2.
Elsinore. hall in the Castle.
Enter Hamlet and three of the Players.
Hamlet. Speak the speech, I pray you, as I pronounc'd it to you,
trippingly on the tongue. But if you mouth it, as many of our
players do, I had as live the town crier spoke my lines. Nor do 1885
not saw the air too much with your hand, thus, but use all
gently; for in the very torrent, tempest, and (as I may say)
whirlwind of your passion, you must acquire and beget a
temperance that may give it smoothness. O, it offends me to the
soul to hear a robustious periwig-pated fellow tear a passion to 1890
tatters, to very rags, to split the cars of the groundlings, who
(for the most part) are capable of nothing but inexplicable dumb
shows and noise. I would have such a fellow whipp'd for o'erdoing
Termagant. It out-herods Herod. Pray you avoid it.
First Player. I warrant your honour. 1895
Hamlet. Be not too tame neither; but let your own discretion be your
tutor. Suit the action to the word, the word to the action; with
this special observance, that you o'erstep not the modesty of
nature: for anything so overdone is from the purpose of playing,
whose end, both at the first and now, was and is, to hold, as 1900
'twere, the mirror up to nature; to show Virtue her own feature,
scorn her own image, and the very age and body of the time his
form and pressure. Now this overdone, or come tardy off, though
it make the unskilful laugh, cannot but make the judicious
grieve; the censure of the which one must in your allowance 1905
o'erweigh a whole theatre of others. O, there be players that I
have seen play, and heard others praise, and that highly (not to
speak it profanely), that, neither having the accent of
Christians, nor the gait of Christian, pagan, nor man, have so
strutted and bellowed that I have thought some of Nature's 1910
journeymen had made men, and not made them well, they imitated
humanity so abominably.
First Player. I hope we have reform'd that indifferently with us, sir.
Hamlet. O, reform it altogether! And let those that play your clowns
speak no more than is set down for them. For there be of them 1915
that will themselves laugh, to set on some quantity of barren
spectators to laugh too, though in the mean time some necessary
question of the play be then to be considered. That's villanous
and shows a most pitiful ambition in the fool that uses it. Go
make you ready. 1920
[Exeunt Players.]
[Enter Polonius, Rosencrantz, and Guildenstern.]
How now, my lord? Will the King hear this piece of work?
Polonius. And the Queen too, and that presently.
Hamlet. Bid the players make haste, [Exit Polonius.] Will you two 1925
help to hasten them?
Rosencrantz. [with Guildenstern] We will, my lord.
Exeunt they two.
Hamlet. What, ho, Horatio!
Enter Horatio.
Horatio. Here, sweet lord, at your service.
Hamlet. Horatio, thou art e'en as just a man
As e'er my conversation cop'd withal.
Horatio. O, my dear lord!
Hamlet. Nay, do not think I flatter; 1935
For what advancement may I hope from thee,
That no revenue hast but thy good spirits
To feed and clothe thee? Why should the poor be flatter'd?
No, let the candied tongue lick absurd pomp,
And crook the pregnant hinges of the knee 1940
Where thrift may follow fawning. Dost thou hear?
Since my dear soul was mistress of her choice
And could of men distinguish, her election
Hath seal'd thee for herself. For thou hast been
As one, in suff'ring all, that suffers nothing; 1945
A man that Fortune's buffets and rewards
Hast ta'en with equal thanks; and blest are those
Whose blood and judgment are so well commingled
That they are not a pipe for Fortune's finger
To sound what stop she please. Give me that man 1950
That is not passion's slave, and I will wear him
In my heart's core, ay, in my heart of heart,
As I do thee. Something too much of this I
There is a play to-night before the King.
One scene of it comes near the circumstance, 1955
Which I have told thee, of my father's death.
I prithee, when thou seest that act afoot,
Even with the very comment of thy soul
Observe my uncle. If his occulted guilt
Do not itself unkennel in one speech, 1960
It is a damned ghost that we have seen,
And my imaginations are as foul
As Vulcan's stithy. Give him heedful note;
For I mine eyes will rivet to his face,
And after we will both our judgments join 1965
In censure of his seeming.
Horatio. Well, my lord.
If he steal aught the whilst this play is playing,
And scape detecting, I will pay the theft.
Sound a flourish. [Enter Trumpets and Kettledrums. Danish 1970
march. [Enter King, Queen, Polonius, Ophelia, Rosencrantz, Guildenstern,
and other Lords attendant, with the Guard carrying torches.]
Hamlet. They are coming to the play. I must be idle.
Get you a place.
Claudius. How fares our cousin Hamlet? 1975
Hamlet. Excellent, i' faith; of the chameleon's dish. I eat the air,
promise-cramm'd. You cannot feed capons so.
Claudius. I have nothing with this answer, Hamlet. These words are not
mine.
Hamlet. No, nor mine now. [To Polonius] My lord, you play'd once 1980
i' th' university, you say?
Polonius. That did I, my lord, and was accounted a good actor.
Hamlet. What did you enact?
Polonius. I did enact Julius Caesar; I was kill'd i' th' Capitol; Brutus
kill'd me. 1985
Hamlet. It was a brute part of him to kill so capital a calf there. Be
the players ready.
Rosencrantz. Ay, my lord. They stay upon your patience.
Gertrude. Come hither, my dear Hamlet, sit by me.
Hamlet. No, good mother. Here's metal more attractive. 1990
Polonius. [to the King] O, ho! do you mark that?
Hamlet. Lady, shall I lie in your lap?
[Sits down at Ophelia's feet.]
Ophelia. No, my lord.
Hamlet. I mean, my head upon your lap? 1995
Ophelia. Ay, my lord.
Hamlet. Do you think I meant country matters?
Ophelia. I think nothing, my lord.
Hamlet. That's a fair thought to lie between maids' legs.
Ophelia. What is, my lord? 2000
Hamlet. Nothing.
Ophelia. You are merry, my lord.
Hamlet. Who, I?
Ophelia. Ay, my lord.
Hamlet. O God, your only jig-maker! What should a man do but be merry? 2005
For look you how cheerfully my mother looks, and my father died
within 's two hours.
Ophelia. Nay 'tis twice two months, my lord.
Hamlet. So long? Nay then, let the devil wear black, for I'll have a
suit of sables. O heavens! die two months ago, and not forgotten 2010
yet? Then there's hope a great man's memory may outlive his life
half a year. But, by'r Lady, he must build churches then; or else
shall he suffer not thinking on, with the hobby-horse, whose
epitaph is 'For O, for O, the hobby-horse is forgot!'
[Hautboys play. The dumb show enters.] 2015
Enter a King and a Queen very lovingly; the Queen embracing
him and he her. She kneels, and makes show of protestation
unto him. He takes her up, and declines his head upon her
neck. He lays him down upon a bank of flowers. She, seeing
him asleep, leaves him. Anon comes in a fellow, takes off his 2020
crown, kisses it, pours poison in the sleeper's ears, and
leaves him. The Queen returns, finds the King dead, and makes
passionate action. The Poisoner with some three or four Mutes,
comes in again, seem to condole with her. The dead body is
carried away. The Poisoner wooes the Queen with gifts; she 2025
seems harsh and unwilling awhile, but in the end accepts
his love.
Exeunt.
Ophelia. What means this, my lord?
Hamlet. Marry, this is miching malhecho; it means mischief. 2030
Ophelia. Belike this show imports the argument of the play.
Enter Prologue.
Hamlet. We shall know by this fellow. The players cannot keep counsel;
they'll tell all.
Ophelia. Will he tell us what this show meant? 2035
Hamlet. Ay, or any show that you'll show him. Be not you asham'd to
show, he'll not shame to tell you what it means.
Ophelia. You are naught, you are naught! I'll mark the play.
Pro. For us, and for our tragedy,
Here stooping to your clemency, 2040
We beg your hearing patiently. [Exit.]
Hamlet. Is this a prologue, or the posy of a ring?
Ophelia. 'Tis brief, my lord.
Hamlet. As woman's love.
Enter [two Players as] King and Queen.
Player King. Full thirty times hath Phoebus' cart gone round
Neptune's salt wash and Tellus' orbed ground,
And thirty dozen moons with borrowed sheen
About the world have times twelve thirties been,
Since love our hearts, and Hymen did our hands, 2050
Unite comutual in most sacred bands.
Gertrude. So many journeys may the sun and moon
Make us again count o'er ere love be done!
But woe is me! you are so sick of late,
So far from cheer and from your former state. 2055
That I distrust you. Yet, though I distrust,
Discomfort you, my lord, it nothing must;
For women's fear and love holds quantity,
In neither aught, or in extremity.
Now what my love is, proof hath made you know; 2060
And as my love is siz'd, my fear is so.
Where love is great, the littlest doubts are fear;
Where little fears grow great, great love grows there.
Player King. Faith, I must leave thee, love, and shortly too;
My operant powers their functions leave to do. 2065
And thou shalt live in this fair world behind,
Honour'd, belov'd, and haply one as kind
For husband shalt thou-
Player Queen. O, confound the rest!
Such love must needs be treason in my breast. 2070
When second husband let me be accurst!
None wed the second but who killed the first.
Hamlet. [aside] Wormwood, wormwood!
Queen. The instances that second marriage move
Are base respects of thrift, but none of love. 2075
A second time I kill my husband dead
When second husband kisses me in bed.
Player King. I do believe you think what now you speak;
But what we do determine oft we break.
Purpose is but the slave to memory, 2080
Of violent birth, but poor validity;
Which now, like fruit unripe, sticks on the tree,
But fall unshaken when they mellow be.
Most necessary 'tis that we forget
To pay ourselves what to ourselves is debt. 2085
What to ourselves in passion we propose,
The passion ending, doth the purpose lose.
The violence of either grief or joy
Their own enactures with themselves destroy.
Where joy most revels, grief doth most lament; 2090
Grief joys, joy grieves, on slender accident.
This world is not for aye, nor 'tis not strange
That even our loves should with our fortunes change;
For 'tis a question left us yet to prove,
Whether love lead fortune, or else fortune love. 2095
The great man down, you mark his favourite flies,
The poor advanc'd makes friends of enemies;
And hitherto doth love on fortune tend,
For who not needs shall never lack a friend,
And who in want a hollow friend doth try, 2100
Directly seasons him his enemy.
But, orderly to end where I begun,
Our wills and fates do so contrary run
That our devices still are overthrown;
Our thoughts are ours, their ends none of our own. 2105
So think thou wilt no second husband wed;
But die thy thoughts when thy first lord is dead.
Player Queen. Nor earth to me give food, nor heaven light,
Sport and repose lock from me day and night,
To desperation turn my trust and hope, 2110
An anchor's cheer in prison be my scope,
Each opposite that blanks the face of joy
Meet what I would have well, and it destroy,
Both here and hence pursue me lasting strife,
If, once a widow, ever I be wife! 2115
Hamlet. If she should break it now!
Player King. 'Tis deeply sworn. Sweet, leave me here awhile.
My spirits grow dull, and fain I would beguile
The tedious day with sleep.
Player Queen. Sleep rock thy brain, 2120
He sleeps.]
Player Queen. And never come mischance between us twain!
Exit.
Hamlet. Madam, how like you this play?
Gertrude. The lady doth protest too much, methinks. 2125
Hamlet. O, but she'll keep her word.
Claudius. Have you heard the argument? Is there no offence in't?
Hamlet. No, no! They do but jest, poison in jest; no offence i' th'
world.
Claudius. What do you call the play? 2130
Hamlet. 'The Mousetrap.' Marry, how? Tropically. This play is the
image of a murther done in Vienna. Gonzago is the duke's name;
his wife, Baptista. You shall see anon. 'Tis a knavish piece of
work; but what o' that? Your Majesty, and we that have free
souls, it touches us not. Let the gall'd jade winch; our withers 2135
are unwrung.
Enter Lucianus.This is one Lucianus, nephew to the King.
Ophelia. You are as good as a chorus, my lord.
Hamlet. I could interpret between you and your love, if I could see
the puppets dallying. 2140
Ophelia. You are keen, my lord, you are keen.
Hamlet. It would cost you a groaning to take off my edge.
Ophelia. Still better, and worse.
Hamlet. So you must take your husbands. – Begin, murtherer. Pox, leave
thy damnable faces, and begin! Come, the croaking raven doth 2145
bellow for revenge.
Luc. Thoughts black, hands apt, drugs fit, and time agreeing; Confederate season, else no creature seeing; Thou mixture rank, of midnight weeds collected, With Hecate's ban thrice blasted, thrice infected, Thy natural magic and dire property On wholesome life usurp immediately.
Pours the poison in his ears.
Hamlet. He poisons him i' th' garden for's estate. His name's Gonzago.
The story is extant, and written in very choice Italian. You 2150
shall see anon how the murtherer gets the love of Gonzago's wife.
Ophelia. The King rises.
Hamlet. What, frighted with false fire?
Gertrude. How fares my lord?
Polonius. Give o'er the play. 2155
Claudius. Give me some light! Away!
All. Lights, lights, lights!
Exeunt all but Hamlet and Horatio.
Hamlet. Why, let the strucken deer go weep,
The hart ungalled play; 2160
For some must watch, while some must sleep:
Thus runs the world away.
Would not this, sir, and a forest of feathers- if the rest of my
fortunes turn Turk with me-with two Provincial roses on my raz'd
shoes, get me a fellowship in a cry of players, sir? 2165
Horatio. Half a share.
Hamlet. A whole one I!
For thou dost know, O Damon dear,
This realm dismantled was
Of Jove himself; and now reigns here 2170
A very, very- pajock.
Horatio. You might have rhym'd.
Hamlet. O good Horatio, I'll take the ghost's word for a thousand
pound! Didst perceive?
Horatio. Very well, my lord. 2175
Hamlet. Upon the talk of the poisoning?
Horatio. I did very well note him.
Hamlet. Aha! Come, some music! Come, the recorders!
For if the King like not the comedy,
Why then, belike he likes it not, perdy. 2180
Come, some music!
Enter Rosencrantz and Guildenstern.
Guildenstern. Good my lord, vouchsafe me a word with you.
Hamlet. Sir, a whole history.
Guildenstern. The King, sir- 2185
Hamlet. Ay, sir, what of him?
Guildenstern. Is in his retirement, marvellous distemper'd.
Hamlet. With drink, sir?
Guildenstern. No, my lord; rather with choler.
Hamlet. Your wisdom should show itself more richer to signify this to 2190
the doctor; for me to put him to his purgation would perhaps
plunge him into far more choler.
Guildenstern. Good my lord, put your discourse into some frame, and start
not so wildly from my affair.
Hamlet. I am tame, sir; pronounce. 2195
Guildenstern. The Queen, your mother, in most great affliction of spirit
hath sent me to you.
Hamlet. You are welcome.
Guildenstern. Nay, good my lord, this courtesy is not of the right breed.
If it shall please you to make me a wholesome answer, I will do 2200
your mother's commandment; if not, your pardon and my return
shall be the end of my business.
Hamlet. Sir, I cannot.
Guildenstern. What, my lord?
Hamlet. Make you a wholesome answer; my wit's diseas'd. But, sir, such 2205
answer as I can make, you shall command; or rather, as you say,
my mother. Therefore no more, but to the matter! My mother, you
say-
Rosencrantz. Then thus she says: your behaviour hath struck her into
amazement and admiration. 2210
Hamlet. O wonderful son, that can so stonish a mother! But is there no
sequel at the heels of this mother's admiration? Impart.
Rosencrantz. She desires to speak with you in her closet ere you go to bed.
Hamlet. We shall obey, were she ten times our mother. Have you any
further trade with us? 2215
Rosencrantz. My lord, you once did love me.
Hamlet. And do still, by these pickers and stealers!
Rosencrantz. Good my lord, what is your cause of distemper? You do surely
bar the door upon your own liberty, if you deny your griefs to
your friend. 2220
Hamlet. Sir, I lack advancement.
Rosencrantz. How can that be, when you have the voice of the King himself
for your succession in Denmark?
Hamlet. Ay, sir, but 'while the grass grows'– the proverb is something
musty. 2225
[Enter the Players with recorders. ]
O, the recorders! Let me see one. To withdraw with you- why do
you go about to recover the wind of me, as if you would drive me
into a toil?
Guildenstern. O my lord, if my duty be too bold, my love is too unmannerly. 2230
Hamlet. I do not well understand that. Will you play upon this pipe?
Guildenstern. My lord, I cannot.
Hamlet. I pray you.
Guildenstern. Believe me, I cannot.
Hamlet. I do beseech you. 2235
Guildenstern. I know, no touch of it, my lord.
Hamlet. It is as easy as lying. Govern these ventages with your
fingers and thumbs, give it breath with your mouth, and it will
discourse most eloquent music. Look you, these are the stops.
Guildenstern. But these cannot I command to any utt'rance of harmony. I 2240
have not the skill.
Hamlet. Why, look you now, how unworthy a thing you make of me! You
would play upon me; you would seem to know my stops; you would
pluck out the heart of my mystery; you would sound me from my
lowest note to the top of my compass; and there is much music, 2245
excellent voice, in this little organ, yet cannot you make it
speak. 'Sblood, do you think I am easier to be play'd on than a
pipe? Call me what instrument you will, though you can fret me,
you cannot play upon me.
[Enter Polonius.] 2250
God bless you, sir!
Polonius. My lord, the Queen would speak with you, and presently.
Hamlet. Do you see yonder cloud that's almost in shape of a camel?
Polonius. By th' mass, and 'tis like a camel indeed.
Hamlet. Methinks it is like a weasel. 2255
Polonius. It is back'd like a weasel.
Hamlet. Or like a whale.
Polonius. Very like a whale.
Hamlet. Then will I come to my mother by-and-by. – They fool me to the
top of my bent. – I will come by-and-by. 2260
Polonius. I will say so. Exit.
Hamlet. 'By-and-by' is easily said. – Leave me, friends.
[Exeunt all but Hamlet.]
'Tis now the very witching time of night,
When churchyards yawn, and hell itself breathes out 2265
Contagion to this world. Now could I drink hot blood
And do such bitter business as the day
Would quake to look on. Soft! now to my mother!
O heart, lose not thy nature; let not ever
The soul of Nero enter this firm bosom. 2270
Let me be cruel, not unnatural;
I will speak daggers to her, but use none.
My tongue and soul in this be hypocrites-
How in my words somever she be shent,
To give them seals never, my soul, consent! Exit. 2275
