Вашингтон Ирвинг
Bracebridge Hall, or The Humorists
LOVE-CHARMS
– Come, do not weep, my girl,
Forget him, pretty Pensiveness; there will
Come others, every day, as good as he.
– SIR J. SUCKLING.
The approach of a wedding in a family is always an event of great importance, but particularly so in a household like this, in a retired part of the country. Master Simon, who is a pervading spirit, and, through means of the butler and housekeeper, knows every thing that goes forward, tells me that the maid-servants are continually trying their fortunes, and that the servants'-hall has of late been quite a scene of incantation.
It is amusing to notice how the oddities of the head of a family flow down through all the branches. The Squire, in the indulgence of his love of every thing that smacks of old times, has held so many grave conversations with the parson at table, about popular superstitions and traditional rites, that they have been carried from the parlour to the kitchen by the listening domestics, and, being apparently sanctioned by such high authority, the whole house has become infected by them.
The servants are all versed in the common modes of trying luck, and the charms to insure constancy. They read their fortunes by drawing strokes in the ashes, or by repeating a form of words, and looking in a pail of water. St. Mark's Eve, I am told, was a busy time with them; being an appointed night for certain mystic ceremonies. Several of them sowed hemp-seed to be reaped by their true lovers; and they even ventured upon the solemn and fearful preparation of the dumb-cake. This must be done fasting, and in silence. The ingredients are handed down in traditional form: "An eggshell full of salt, an eggshell full of malt, and an eggshell full of barley-meal." When the cake is ready, it is put upon a pan over the fire, and the future husband will appear, turn the cake, and retire; but if a word is spoken or a fast is broken during this awful ceremony, there is no knowing what horrible consequences would ensue!
The experiments, in the present instance, came to no result; they that sowed the hemp-seed forgot the magic rhyme that they were to pronounce – so the true lover never appeared; and as to the dumb-cake, what between the awful stillness they had to keep, and the awfulness of the midnight hour, their hearts failed them when they had put the cake in the pan; so that, on the striking of the great house-clock in the servants'-hall, they were seized with a sudden panic, and ran out of the room, to which they did not return until morning, when they found the mystic cake burnt to a cinder.
The most persevering at these spells, however, is Phoebe Wilkins, the housekeeper's niece. As she is a kind of privileged personage, and rather idle, she has more time to occupy herself with these matters. She has always had her head full of love and matrimony. She knows the dream-book by heart, and is quite an oracle among the little girls of the family, who always come to her to interpret their dreams in the mornings.
During the present gayety of the house, however, the poor girl has worn a face full of trouble; and, to use the housekeeper's words, "has fallen into a sad hystericky way lately." It seems that she was born and brought up in the village, where her father was parish-clerk, and she was an early playmate and sweetheart of young Jack Tibbets. Since she has come to live at the Hall, however, her head has been a little turned. Being very pretty, and naturally genteel, she has been much noticed and indulged; and being the housekeeper's niece, she has held an equivocal station between a servant and a companion. She has learnt something of fashions and notions among the young ladies, which have effected quite a metamorphosis; insomuch that her finery at church on Sundays has given mortal offence to her former intimates in the village. This has occasioned the misrepresentations which have awakened the implacable family pride of Dame Tibbets. But what is worse, Phoebe, having a spice of coquetry in her disposition, showed it on one or two occasions to her lover, which produced a downright quarrel; and Jack, being very proud and fiery, has absolutely turned his back upon her for several successive Sundays.
The poor girl is full of sorrow and repentance, and would fain make up with her lover; but he feels his security, and stands aloof. In this he is doubtless encouraged by his mother, who is continually reminding him what he owes to his family; for this same family pride seems doomed to be the eternal bane of lovers.
As I hate to see a pretty face in trouble, I have felt quite concerned for the luckless Phoebe, ever since I heard her story. It is a sad thing to be thwarted in love at any time, but particularly so at this tender season of the year, when every living thing, even to the very butterfly, is sporting with its mate; and the green fields, and the budding groves, and the singing of the birds, and the sweet smell of the flowers, are enough to turn the head of a love-sick girl. I am told that the coolness of young Ready-Money lies very heavy at poor Phoebes heart. Instead of singing about the house as formerly, she goes about pale and sighing, and is apt to break into tears when her companions are full of merriment.
Mrs. Hannah, the vestal gentlewoman of my Lady Lillycraft, has had long talks and walks with Phoebe, up and down the avenue of an evening; and has endeavoured to squeeze some of her own verjuice into the other's milky nature. She speaks with contempt and abhorrence of the whole sex, and advises Phoebe to despise all the men as heartily as she does. But Phoebe's loving temper is not to be curdled; she has no such thing as hatred or contempt for mankind in her whole composition. She has all the simple fondness of heart of poor, weak, loving woman; and her only thoughts at present are how to conciliate and reclaim her wayward swain.
The spells and love-charms, which are matters of sport to the other domestics, are serious concerns with this love-stricken damsel. She is continually trying her fortune in a variety of ways. I am told that she has absolutely fasted for six Wednesdays and three Fridays successively, having understood that it was a sovereign charm to insure being married to one's liking within the year. She carries about, also, a lock of her sweetheart's hair, and a riband he once gave her, being a mode of producing constancy in a lover. She even went so far as to try her fortune by the moon, which has always had much to do with lovers' dreams and fancies. For this purpose, she went out in the night of the full moon, knelt on a stone in the meadow, and repeated the old traditional rhyme:
"All hail to thee, moon, all hail to thee;
I pray thee, good moon, now show to me
The youth who my future husband shall be."
When she came back to the house, she was faint and pale, and went immediately to bed. The next morning she told the porter's wife that she had seen some one close by the hedge in the meadow, which she was sure was young Tibbets; at any rate, she had dreamt of him all night; both of which, the old dame assured her, were most happy signs. It has since turned out that the person in the meadow was old Christy, the huntsman, who was walking his nightly rounds with the great stag-hound; so that Phoebe's faith in the charm is completely shaken.
THE LIBRARY
Yesterday the fair Julia made her first appearance downstairs since her accident; and the sight of her spread an universal cheerfulness through the household. She was extremely pale, however, and could not walk without pain and difficulty. She was assisted, therefore, to a sofa in the library, which is pleasant and retired, looking out among trees; and so quiet, that the little birds come hopping upon the windows, and peering curiously into the apartment. Here several of the family gathered round, and devised means to amuse her, and make the day pass pleasantly. Lady Lillycraft lamented the want of some new novel to while away the time; and was almost in a pet, because the "Author of Waverley" had not produced a work for the last three months.
There was a motion made to call on the parson for some of his old legends or ghost stories; but to this Lady Lillycraft objected, as they were apt to give her the vapours. General Harbottle gave a minute account, for the sixth time, of the Disaster of a friend in India, who had his leg bitten off by a tiger, whilst he was hunting; and was proceeding to menace the company with a chapter or two about Tippoo Saib.
At length the captain bethought himself and said, he believed he had a manuscript tale lying in one corner of his campaigning trunk, which, if he could find, and the company were desirous, he would read to them. The offer was eagerly accepted. He retired, and soon returned with a roll of blotted manuscript, in a very gentlemanlike, but nearly illegible, hand, and a great part written on cartridge-paper.
"It is one of the scribblings," said he, "of my poor friend, Charles Lightly, of the dragoons. He was a curious, romantic, studious, fanciful fellow; the favourite, and often the unconscious butt of his fellow-officers, who entertained themselves with his eccentricities. He was in some of the hardest service in the peninsula, and distinguished himself by his gallantry. When the intervals of duty permitted, he was fond of roving about the country, visiting noted places, and was extremely fond of Moorish ruins. When at his quarters, he was a great scribbler, and passed much of his leisure with his pen in his hand.
"As I was a much younger officer, and a very young man, he took me, in a manner, under his care, and we became close friends. He used often to read his writings to me, having a great confidence in my taste, for I always praised them. Poor fellow! he was shot down close by me, at Waterloo. We lay wounded together for some time, during a hard contest that took place near at hand. As I was least hurt, I tried to relieve him, and to stanch the blood which flowed from a wound in his breast. He lay with his head in my lap, and looked up thankfully in my face, but shook his head faintly, and made a sign that it was all over with him; and, indeed, he died a few minutes afterwards, just as our men had repulsed the enemy, and came to our relief. I have his favourite dog and his pistols to this day, and several of his manuscripts, which he gave to me at different times. The one I am now going to read, is a tale which he said he wrote in Spain, during the time that he lay ill of a wound received at Salamanca."
We now arranged ourselves to hear the story. The captain seated himself on the sofa, beside the fair Julia, who I had noticed to be somewhat affected by the picture he had carelessly drawn of wounds and dangers in a field of battle. She now leaned her arm fondly on his shoulder, and her eye glistened as it rested on the manuscript of the poor literary dragoon. Lady Lillycraft buried herself in a deep, well-cushioned elbow-chair. Her dogs were nestled on soft mats at her feet; and the gallant general took his station in an armchair, at her side, and toyed with her elegantly ornamented work-bag. The rest of the circle being all equally well accommodated, the captain began his story; a copy of which I have procured for the benefit of the reader.
THE STUDENT OF SALAMANCA
What a life do I lead with my master; nothing but blowing of bellowes, beating of spirits, and scraping of croslets! It is a very secret science, for none almost can understand the language of it. Sublimation, almigation, calcination, rubification, albification, and fermentation; with as many termes unpossible to be uttered as the arte to be compassed.
– LILLY'S Gallathea.
Once upon a time, in the ancient city of Granada, there sojourned a young man of the name of Antonio de Castros. He wore the garb of a student of Salamanca, and was pursuing a course of reading in the library of the university; and, at intervals of leisure, indulging his curiosity by examining those remains of Moorish magnificence for which Granada is renowned.
Whilst occupied in his studies, he frequently noticed an old man of a singular appearance, who was likewise a visitor to the library. He was lean and withered, though apparently more from study than from age. His eyes, though bright and visionary, were sunk in his head, and thrown into shade by overhanging eyebrows. His dress was always the same: a black doublet; a short black cloak, very rusty and threadbare; a small ruff and a large overshadowing hat.
His appetite for knowledge seemed insatiable. He would pass whole days in the library, absorbed in study, consulting a multiplicity of authors, as though he were pursuing some interesting subject through all its ramifications; so that, in general, when evening came, he was almost buried among books and manuscripts.
The curiosity of Antonio was excited, and he inquired of the attendants concerning the stranger. No one could give him any information, excepting that he had been for some time past a casual frequenter of the library; that his reading lay chiefly among works treating of the occult sciences, and that he was particularly curious in his inquiries after Arabian manuscripts. They added, that he never held communication with any one, excepting to ask for particular works; that, after a fit of studious application, he would disappear for several days, and even weeks, and when he revisited the library, he would look more withered and haggard than ever. The student felt interested by this account; he was leading rather a desultory life, and had all that capricious curiosity which springs up in idleness. He determined to make himself acquainted with this book-worm, and find out who and what he was.
The next time that he saw the old man at the library, he commenced his approaches by requesting permission to look into one of the volumes with which the unknown appeared to have done. The latter merely bowed his head, in token of assent. After pretending to look through the volume with great attention, he returned it with many acknowledgments.
The stranger made no reply.
"May I ask, senor," said Antonio, with some hesitation, "may I ask what you are searching after in all these books?"
The old man raised his head, with an expression of surprise, at having his studies interrupted for the first time, and by so intrusive a question. He surveyed the student with a side glance from head to foot: "Wisdom, my son," said he, calmly; "and the search requires every moment of my attention." He then cast his eyes upon his book, and resumed his studies.
"But, father," said Antonio, "cannot you spare a moment to point out the road to others? It is to experienced travellers like you, that we strangers in the paths of knowledge must look for directions on our journey."
The stranger looked disturbed: "I have not time enough, my son, to learn," said he, "much less to teach. I am ignorant myself of the path of true knowledge; how then can I show it to others?"
"Well, but, father – "
"Senor," said the old man, mildly, but earnestly, "you must see that I have but few steps more to the grave. In that short space have I to accomplish the whole business of my existence. I have no time for words; every word is as one grain of sand of my glass wasted. Suffer me to be alone."
There was no replying to so complete a closing of the door of intimacy. The student found himself calmly but totally repulsed. Though curious and inquisitive, yet he was naturally modest, and on after-thoughts he blushed at his own intrusion. His mind soon became occupied by other objects. He passed several days wandering among the mouldering piles of Moorish architecture, those melancholy monuments of an elegant and voluptuous people. He paced the deserted halls of the Alhambra, the paradise of the Moorish kings. He visited the great court of the lions, famous for the perfidious massacre of the gallant Abencerrages. He gazed with admiration at its mosaic cupolas, gorgeously painted in gold and azure; its basins of marble, its alabaster vase, supported by lions, and storied with inscriptions.
His imagination kindled as he wandered among these scenes. They were calculated to awaken all the enthusiasm of a youthful mind. Most of the halls have anciently been beautified by fountains. The fine taste of the Arabs delighted in the sparkling purity and reviving freshness of water; and they erected, as it were, altars on every side, to that delicate element. Poetry mingles with architecture in the Alhambra. It breathes along the very walls. Wherever Antonio turned his eye, he beheld inscriptions in Arabic, wherein the perpetuity of Moorish power and splendour within these walls was confidently predicted.
Alas! how has the prophecy been falsified! Many of the basins, where the fountains had once thrown up their sparkling showers, were dry and dusty. Some of the palaces were turned into gloomy convents, and the barefoot monk paced through these courts, which had once glittered with the array, and echoed to the music, of Moorish chivalry.
In the course of his rambles, the student more than once encountered the old man of the library. He was always alone, and so full of thought as not to notice any one about him. He appeared to be intent upon studying those half-buried inscriptions, which, are found, here and there, among the Moorish ruins, and seem to murmur from the earth the tale of former greatness. The greater part of these have since been translated; but they were supposed by many at the time, to contain symbolical revelations, and golden maxims of the Arabian sages and astrologers. As Antonio saw the stranger apparently deciphering these inscriptions, he felt an eager longing to make his acquaintance, and to participate in his curious researches; but the repulse he had met with at the library deterred him from making any further advances.
He had directed his steps one evening to the sacred mount, which overlooks the beautiful valley watered by the Darro, the fertile plain of the Vega, and all that rich diversity of vale and mountain that surrounds Granada with an earthly paradise. It was twilight when he found himself at the place, where, at the present day, are situated the chapels, known by the name of the Sacred Furnaces. They are so called from grottoes, in which some of the primitive saints are said to have been burnt. At the time of Antonio's visit, the place was an object of much curiosity. In an excavation of these grottoes, several manuscripts had recently been discovered, engraved on plates of lead. They were written in the Arabian language, excepting one, which was in unknown characters. The Pope had issued a bull, forbidding any one, under pain of excommunication, to speak of these manuscripts. The prohibition had only excited the greater curiosity; and many reports were whispered about, that these manuscripts contained treasures of dark and forbidden knowledge.
As Antonio was examining the place from whence these mysterious manuscripts had been drawn, he again observed the old man of the library wandering among the ruins. His curiosity was now fully awakened; the time and place served to stimulate it. He resolved to watch this groper after secret and forgotten lore, and to trace him to his habitation. There was something like adventure in the thing, that charmed his romantic disposition. He followed the stranger, therefore, at a little distance; at first cautiously, but he soon observed him to be so wrapped in his own thoughts, as to take little heed of external objects.
They passed along the skirts of the mountain, and then by the shady banks of the Darro. They pursued their way, for some distance from Granada, along a lonely road that led among the hills. The gloom of evening was gathering, and it was quite dark when the stranger stopped at the portal of a solitary mansion.
It appeared to be a mere wing, or ruined fragment, of what had once been a pile of some consequence. The walls were of great thickness; the windows narrow, and generally secured by iron bars. The door was of planks, studded with iron spikes, and had been of great strength, though at present it was much decayed. At one end of the mansion was a ruinous tower, in the Moorish style of architecture. The edifice had probably been a country retreat, or castle of pleasure, during the occupation of Granada by the Moors, and rendered sufficiently strong to withstand any casual assault in those warlike times.
The old man knocked at the portal. A light appeared at a small window just above it, and a female head looked out: it might have served as a model for one of Raphael's saints. The hair was beautifully braided, and gathered in a silken net; and the complexion, as well as could be judged from the light, was that soft, rich brunette, so becoming in southern beauty.
"It is I, my child," said the old man. The face instantly disappeared, and soon after a wicket-door in the large portal opened. Antonio, who had ventured near to the building, caught a transient sight of a delicate female form. A pair of fine black eyes darted a look of surprise at seeing a stranger hovering near, and the door was precipitately closed.
There was something in this sudden gleam of beauty that wonderfully struck the imagination of the student. It was like a brilliant, flashing from its dark casket. He sauntered about, regarding the gloomy pile with increasing interest. A few simple, wild notes, from among some rocks and trees at a little distance, attracted his attention. He found there a group of Gitanas, a vagabond gipsy race, which at that time abounded in Spain, and lived in hovels and caves of the hills about the neighbourhood of Granada. Some were busy about a fire, and others were listening to the uncouth music which one of their companions, seated on a ledge of the rock, was making with a split reed.
Antonio endeavoured to obtain some information of them, concerning the old building and its inhabitants. The one who appeared to be their spokesman was a gaunt fellow, with a subtle gait, a whispering voice, and a sinister roll of the eye. He shrugged his shoulders on the student's inquiries, and said that all was not right in that building. An old man inhabited it, whom nobody knew, and whose family appeared to be only a daughter and a female servant. He and his companions, he added, lived up among the neighbouring hills; and as they had been about at night, they had often seen strange lights, and heard strange sounds from the tower. Some of the country people, who worked in the vineyards among the hills, believed the old man to be one that dealt in the black art, and were not over-fond of passing near the tower at night; "but for our parts," said the Gitano, "we are not a people that trouble ourselves much with fears of that kind."
The student endeavoured to gain more precise information, but they had none to furnish him. They began to be solicitous for a compensation for what they had already imparted; and, recollecting the loneliness of the place, and the vagabond character of his companions, he was glad to give them a gratuity, and to hasten homewards.
He sat down to his studies, but his brain was too full of what he had seen and heard; his eye was upon the page, but his fancy still returned to the tower; and he was continually picturing the little window, with the beautiful head peeping out; or the door half open, and the nymph-like form within. He retired to bed, but the same object haunted his dreams. He was young and susceptible; and the excited state of his feelings, from wandering among the abodes of departed grace and gallantry, had predisposed him for a sudden impression from female beauty.
The next morning, he strolled again in the direction of the tower. It was still more forlorn, by the broad glare of day, than in the gloom of evening. The walls were crumbling, and weeds and moss were growing in every crevice. It had the look of a prison, rather than a dwelling-house. In one angle, however, he remarked a window which seemed an exception to the surrounding squalidness. There was a curtain drawn within it, and flowers standing on the window-stone. Whilst he was looking at it, the curtain was partially withdrawn, and a delicate white arm, of the most beautiful roundness, was put forth to water the flowers.
The student made a noise, to attract the attention of the fair florist. He succeeded. The curtain was further drawn, and he had a glance of the same lovely face he had seen the evening before; it was but a mere glance – the curtain again fell, and the casement closed. All this was calculated to excite the feelings of a romantic youth. Had he seen the unknown under other circumstances, it is probable that he would not have been struck with her beauty; but this appearance of being shut up and kept apart, gave her the value of a treasured gem. He passed and repassed before the house several times in the course of the day, but saw nothing more. He was there again in the evening. The whole aspect of the house was dreary. The narrow windows emitted no rays of cheerful light, to indicate that there was social life within. Antonio listened at the portal, but no sound of voices reached his ear. Just then he heard the clapping to of a distant door, and fearing to be detected in the unworthy act of eavesdropping, he precipitately drew off to the opposite side of the road, and stood in the shadow of a ruined archway.
He now remarked a light from a window in the tower. It was fitful and changeable; commonly feeble and yellowish, as if from a lamp; with an occasional glare of some vivid metallic colour, followed by a dusky glow. A column of dense smoke would now and then rise in the air, and hang like a canopy over the tower. There was altogether such a loneliness and seeming mystery about the building and its inhabitants, that Antonio was half inclined to indulge the country people's notions, and to fancy it the den of some powerful sorcerer, and the fair damsel he had seen to be some spell-bound beauty.
After some time had elapsed, a light appeared in the window where he had seen the beautiful arm. The curtain was down, but it was so thin that he could perceive the shadow of some one passing and repassing between it and the light. He fancied that he could distinguish that the form was delicate; and, from the alacrity of its movements, it was evidently youthful. He had not a doubt but this was the bed-chamber of his beautiful unknown.
Presently he heard the sound of a guitar, and a female voice singing. He drew near cautiously, and listened. It was a plaintive Moorish ballad, and he recognized in it the lamentations of one of the Abencerrages on leaving the walls of lovely Granada. It was full of passion and tenderness. It spoke of the delights of early life; the hours of love it had enjoyed on the banks of the Darro, and among the blissful abodes of the Alhambra. It bewailed the fallen honours of the Abencerrages, and imprecated vengeance on their oppressors. Antonio was affected by the music. It singularly coincided with the place. It was like the voice of past times echoed in the present, and breathing among the monuments of its departed glory.
The voice ceased; after a time the light disappeared, and all was still. "She sleeps!" said Antonio, fondly. He lingered about the building, with the devotion with which a lover lingers about the bower of sleeping beauty. The rising moon threw its silver beams on the gray walls, and glittered on the casement. The late gloomy landscape gradually became flooded with its radiance. Finding, therefore, that he could no longer move about in obscurity, and fearful that his loiterings might be observed, he reluctantly retired.
The curiosity which had at first drawn the young man to the tower, was now seconded by feelings of a more romantic kind. His studies were almost entirely abandoned. He maintained a kind of blockade of the old mansion; he would take a book with him, and pass a great part of the day under the trees in its vicinity; keeping a vigilant eye upon it, and endeavouring to ascertain what were the walks of his mysterious charmer. He found, however, that she never went out except to mass, when she was accompanied by her father. He waited at the door of the church, and offered her the holy water, in the hope of touching her hand; a little office of gallantry common in Catholic countries. She, however, modestly declined without raising her eyes to see who made the offer, and always took it herself from the font. She was attentive in her devotion; her eyes were never taken from the altar or the priest; and, on returning home, her countenance was almost entirely concealed by her mantilla.
Antonio had now carried on the pursuit for several days, and was hourly getting more and more interested in the chase, but never a step nearer to the game. His lurkings about the house had probably been noticed, for he no longer saw the fair face at the window, nor the white arm put forth to water the flowers. His only consolation was to repair nightly to his post of observation, and listen to her warbling; and if by chance he could catch a sight of her shadow, passing and repassing before the window, he thought himself most fortunate.
As he was indulging in one of these evening vigils, which were complete revels of the imagination, the sound of approaching footsteps made him withdraw into the deep shadow of the ruined archway opposite to the tower. A cavalier approached, wrapped in a large Spanish cloak. He paused under the window of the tower, and after a little while began a serenade, accompanied by his guitar, in the usual style of Spanish gallantry. His voice was rich and manly; he touched the instrument with skill, and sang with amorous and impassioned eloquence. The plume of his hat was buckled by jewels that sparkled in the moon-beams; and as he played on the guitar, his cloak falling off from one shoulder, showed him to be richly dressed. It was evident that he was a person of rank.
