полная версия

Виктор Мари Гюго
Les Misérables, v. 2

CHAPTER IV
ATTEMPTS TO ESCAPE

In order to understand the following, the reader must form an exact idea of the Droit-mur lane, and in particular of the angle which the visitor left on his left when he turned out of the Rue Polonceau into this lane. The lane was almost entirely bordered on the right by poor-looking houses, on the left by single slim-looking edifices, composed of several corps de logis, which gradually rose from one floor to two as they approached Little Rue Picpus so that this building, which was very lofty on that side, was very low on the side of Rue Polonceau, where, at the corner to which we have alluded, it sank so low as to be only a wall. This wall did not run parallel with the lane, but formed a very deep cant, concealed by its corners from any observers in Rue Polonceau and Rue Droit-mur. From this cant the wall extended along Rue Polonceau up to a house bearing the No. 49, and in Rue Droit-mur, where it was much shorter, up to the frowning building to which we have referred, whose gable it intersected, thus forming a new re-entering angle in the street. This gable had a gloomy appearance, for only one window was visible, or, to speak more correctly, two shutters covered with sheet zinc and always closed. The description of the locality which we are now giving is strictly correct, and will doubtless arouse a very precise souvenir in the mind of the old inhabitants of the quarter.

The cant in the wall was entirely occupied by a thing that resembled a colossal and wretched gateway; it was a vast collection of perpendicular planks, the top ones wider than those below, and fastened together by long cross-strips of iron. By the side of this gate was a porte-cochère of ordinary dimensions, which had apparently been made in the wall about fifty years previously. A linden-tree displayed its branches above the cant, and the wall was covered with ivy on the side of the Rue Polonceau.

In Jean Valjean's desperate situation this gloomy building had an uninhabited and solitary look about it which tempted him. He hurriedly examined it, and said to himself that if he could only enter it he might perhaps be saved. In the centre of the frontage of this building, turned to the Rue Droit-mur, there were old leaden drain-pipes at all the windows of the different floors. The various branches which led to a central pipe formed a species of tree on the façade; these ramifications with their hundred elbows imitated those old vine branches which cling to the front of old farm-houses. This singular espalier of lead and iron branches was the first thing that caught Jean Valjean's attention. He put Cosette down with her back against a post, bidding her be silent, and hurried to the spot where the main pipe reached the ground. Perhaps there might be a way to scale it and enter the house; but the pipe was worn out, and scarce held in its cramps. Besides, all the windows of this silent house were defended by thick iron bars, even the garrets. And then the moon shone full on this front, and the man watching at the end of the street would see Jean Valjean climb up; and then what was he to do with Cosette? How was he to hoist her up a three-storied house? He gave up all idea of climbing by the pipe, and crawled along the wall to re-enter Rue Polonceau. When he reached the cant where he had left Cosette he noticed that no one could see him there. As we stated, he was safe from all eyes, no matter on what side; moreover, he was in the shadow, and then, lastly, there were two gates, which might perhaps be forced. The wall over which he saw the linden-tree and the ivy evidently belonged to a garden in which he could at least conceal himself, though there was no foliage on the trees, and pass the rest of the night. Time was slipping away, and he must set to work at once. He felt the porte-cochère, and at once perceived that it was fastened up inside and out, and then went to the other great gate with more hope. It was frightfully decrepit, its very size rendered it less solid, the planks were rotten, and the iron bands, of which there were only three, were rusty. It seemed possible to break through this affair. On examining this gate, however, he saw that it was not a gate; it had no hinges, lock, or partition in the centre; the iron bands crossed it from side to side without any solution of continuity. Through the cracks of the planks he caught a glimpse of coarsely-mortared rag-stone, which passers-by might have seen ten years back. He was forced to confess to himself with consternation that this fancied gate was simply a make-believe; it was easy to pull down a plank, but he would find himself face to face with a wall.

CHAPTER V
A THING IMPOSSIBLE IN GASLIGHT

At this moment a hollow, cadenced sound began to grow audible a short distance off, and Jean Valjean ventured to take a peep round the corner of the street. Seven or eight soldiers were entering the street. He could see their bayonets gleaming, and they were coming toward him. These soldiers, at the head of whom he distinguished Javert's tall form, advanced slowly and cautiously, and frequently halted; it was plain that they were exploring all the corners and all the doors and lanes. It was – and here conjecture could not be wrong – some patrol which Javert had met and requested to assist him. Judging from the pace at which they marched, and the halts they made, they would require about a quarter of an hour to reach the spot where Jean Valjean was. It was a frightful thought; a few moments separated Jean Valjean from the awful precipice which yawned before him for the third time. And the galleys were now not merely the galleys, but Cosette lost forever; that is to say, a life resembling the interior of a tomb.

There was only one thing possible. Jean Valjean had one peculiarity, that he might be said to carry two wallets; in one he had the thoughts of a saint, in the other the formidable talents of a convict, and he felt in one or the other as opportunity offered. Among other resources, owing to his numerous escapes from the Toulon galleys, he had become a perfect master in the incredible art of raising himself without ladder or cramping irons, and by his mere muscular strength, and holding on by his shoulders and knees, in the right angle of a wall, to the sixth floor if necessary, – an art which rendered so terrible and so celebrated that corner of the yard in the Paris Conciergerie by which the condemned convict Battemolle escaped twenty years ago. Jean Valjean measured the height of the wall above which he saw the linden-tree, and found that it was about eighteen feet. The lower part of the angle which it made with the gable end of the large building was filled up with a triangular mass of masonry, very common in Parisian corners. This mass was about five feet high, and the space to be cleared from the top of it was not more than fourteen; but the difficulty was Cosette, for she could not climb a wall. Abandon her? Jean Valjean did not think of it, but carrying her was impossible; a man requires his whole strength to carry out such an ascent, and the slightest burden would displace his centre of gravity and hurl him down. He required a rope, but he had none. Where was he to find a rope at midnight in the Rue Polonceau? Assuredly at this moment if Jean Valjean had possessed a kingdom he would have given it for a rope. All extreme situations have their flashes, which at one moment blind, at another illumine us. Jean Valjean's desperate glance fell on the lamp-post in the blind alley. In those days there were no gaslights in the streets of Paris; at nightfall lamps were lit at regular distances, which were pulled up and down by a rope that crossed the street and fitted into a groove in a post. The end of the rope was kept in an iron box under the lantern, of which the lamp-lighter had the key, and the rope itself was protected by a metal case. Jean Valjean leaped across the street, burnt the lock of the box with the point of his knife, and a moment later was again by Cosette's side holding a rope. Such gloomy finders of expedients when struggling with fatality set rapidly to work. We have mentioned that the lamps were not lit on this night; the one in the blind alley therefore was naturally extinguished, and any one might have passed close without noticing that it was no longer in its place.

The hour, the place, the darkness, Jean Valjean's preoccupation, his singular gestures, his coming and going, were all beginning to alarm Cosette. Any other child would have begun crying kindly long before; but she confined herself to pulling the skirt of his coat. The noise of the approaching patrol constantly became more distinct.

"Father," she whispered, "I am frightened; who is coming?"

"Silence," the unhappy man replied; "it is Madame Thénardier."

The child trembled, and he added, —

"Do not say a word, but leave me to act: if you cry out or sob she will catch you and take you back again."

Then, without hurry, but without doing anything twice over, with a firm and sharp precision, which was the more remarkable at such a moment, when the patrol and Javert might be instantly expected, he undid his cravat, fastened it under Cosette's armpits, while careful not to hurt her, fastened the rope to the cravat, took the other end in his teeth, took off his shoes and stockings, which he threw over the wall, and began raising himself in the corner of the wall with as much certainty as if he had cramping irons under his heels and elbows. Half a minute had not elapsed ere he was astride the coping. Cosette looked at him in stupor, without saying a word; for Jean Valjean's mention of the landlady's name had frozen her. All at once she heard Jean Valjean say to her in a very low voice, —

"Lean against the wall."

She obeyed.

"You must not say a word, or feel frightened," he continued.

And she felt herself lifted from the ground, but before she had time to look round she found herself on the top of the wall. Jean Valjean placed her on his back, took her two little hands in his left hand, and crawled along the wall till he reached the cant. As he had suspected, there was a building here, whose roof began at the top of the bastard gate and descended in a gentle slope nearly to the ground, grazing the linden-tree. This was a fortunate circumstance, for the wall was much higher on this side than on that of the street, and Jean Valjean could scarce see the ground, so far was it beneath him. He had just reached the sloping roof, and had not yet loosed his hold of the coping, when a violent uproar announced the arrival of the patrol, and he heard Javert's thundering voice, —

"Search the blind alley; all the streets are guarded, and I will wager that he is in it."

The soldiers rushed forward into the alley Genrot. Jean Valjean slipped down the roof, still supporting Cosette, reached the linden-tree, and leaped on the ground. Either through terror or courage the child had not said a word; her hands were only slightly grazed.

CHAPTER VI
THE BEGINNING OF AN ENIGMA

Jean Valjean found himself in a large garden of most singular appearance, one of those gloomy gardens that appear made to be looked at in winter, and by night. This garden was of an oblong shape, with a walk of tall poplars at the end, tall shrubs in the corner, and an unshadowed space, in the centre of which an isolated tree could be distinguished. There were also a few stunted fruit-trees bristling like brambles, vegetable plots, a melon-bed, whose frames glistened in the moonlight, and an old well. Here and there were stone benches that seemed black with moss; the walks were bordered with small gloomy-looking and upright shrubs; grass covered one half of the walks, and a green mould the other half.

Jean Valjean had by his side the building by help of whose roof he had descended, a pile of fagots, and behind the latter, close to the wall, a stone statue whose mutilated face was merely a shapeless mask appearing indistinctly in the darkness. The building was a species of ruin, containing several dismantled rooms, of which one was apparently employed as a shed. The large edifice of the Rue Droit-mur had two façades looking into this garden at right angles, and these façades were even more melancholy than those outside. All the windows were barred, and not a single light could be seen, while at the upper window there were scuttles as in prisons. One of these frontages threw its shadow upon the other, which fell back on the garden like an immense black cloth. No other house could be noticed, and the end of the garden was lost in mist and night. Still, walls could be indistinctly noticed intersecting each other, as if there were other gardens beyond, and the low roofs in the Rue Polonceau. Nothing more stern and solitary than this garden could well be imagined; there was no one in it, as was natural at such an hour, but it did not look as if the spot were made for any one to walk in even in bright daylight.

Jean Valjean's first care was to put on his shoes and stockings again, and then enter the shed with Cosette. A man who is escaping never considers himself sufficiently concealed, and the child, who was still thinking of Madame Thénardier, shared his instinct for concealment. Cosette trembled and clung close to him: for she could hear the tumultuous noise of the patrol searching the street and lane, the blows of musket-butts against the stones, Javert's appeals to the men whom he had posted, and his oaths, mingled with words which could not be distinguished. At the expiration of a quarter of an hour this species of stormy grumbling appeared to be retiring, and Jean Valjean could scarce breathe. He had gently laid his hand on Cosette's mouth. The solitude in which he found himself was so strangely calm, however, that the furious uproar so close at hand did not even cast the shadow of a trouble over it. All at once in the midst of this profound calm a new sound burst forth, – a heavenly, divine, ineffable sound, as ravishing as the other had been horrible. It was a hymn, that issued from the darkness, a dazzling blending of prayer and harmony in the dark and fearful silence of the night: female voices, but composed at once of the pure accent of virgins and the simple voices of children, – such voices as do not belong to earth, and resemble those which the new-born still hear, and the dying begin to hear. This chant came from the gloomy building that commanded the garden, and at the moment when the noise of the demons was retiring it seemed like a choir of angels approaching in the dark. Cosette and Jean Valjean fell on their knees. They knew not what it was, they knew not where they were; but both man and child, the penitent and the innocent, felt that they must fall on their knees. The voices had this strangeness about them, that they did not prevent the edifice from appearing deserted; it seemed like a supernatural chant in an uninhabited house. While the voices sang, Jean Valjean thought of nothing else; he no longer saw the night, but an azure sky. He fancied that the wings which we all of us have within us were expanding in him. The singing ceased; it had probably lasted some time, but Jean Valjean could not have said how long, for hours of ecstasy never occupy more than a minute. All had become silent again: there was no sound in the garden, no sound in the street; that which threatened, that which reassured, all had vanished. The wind shook on the coping of the wall some dry grass, which produced a soft and melancholy sound.

CHAPTER VII
CONTINUATION OF THE ENIGMA

The night breeze had risen, which proved that it must be between one and two in the morning. Cosette said nothing, and as she was leaning her head against him, Jean Valjean fancied that she was asleep. He bent down and looked at her: her eyes were wide open, and she had a pensive look which hurt Jean Valjean. She was still trembling.

"Do you feel inclined to sleep?" he asked her.

"I am very cold," she answered; a moment after she continued, —

"Is she still there?"

"Who?" Jean Valjean asked.

"Madame Thénardier."

Jean had forgotten the way he had employed to keep Cosette silent.

"Ah," he said, "she is gone, and you have nothing to fear."

The child sighed, as if a weight had been taken off her chest.

The ground was damp, the shed open on all sides, and the wind grew more cutting every moment. He took off his coat and wrapped Cosette up in it.

"Are you less cold now?" he said.

"Oh yes, father."

"Well, wait for me a minute."

He left the ruin and began walking along the large building in search of some better shelter. He came to doors, but they were closed, and there were bars on all the ground-floor windows. After passing the inner angle of the edifice he noticed that he had come to some arched windows, and perceived a faint light. He raised himself on tip-toe and looked through one of the windows; they all belonged to a large hall paved with stones, in which nothing could be distinguished but a little light and great shadows. The light came from a night-lamp burning in the corner. This hall was deserted and nothing was stirring in it; and yet, after a long look, he fancied that he could see on the ground something that seemed to be covered with a pall and resembled a human form. It was stretched out flat, with its face against the stones, its arms forming a cross, and motionless as death. From a species of snake which dragged along the pavement, it looked as if this sinister form had the rope round its neck. The whole hall was bathed in that mist of badly-lighted places which intensifies the horror.

Jean Valjean often said afterwards that, although he had witnessed many mournful sights in his life, he had never seen one more chilling or terrifying than this enigmatical figure performing some strange mystery at this gloomy spot, and thus caught sight of through the darkness. It was frightful to suppose that it might be dead, and more frightful still to think that it might possibly be still alive. He had the courage to place his face to the pane, and watch whether the figure would stir; but though he remained for a time which appeared to him very long, the outstretched form made no movement. All at once he felt himself assailed by an indescribable horror, and he ran off toward the shed without daring to look back; he fancied that if he turned his head he should see the figure walking after him and waving its arms. When he reached the ruin he was panting, his knees gave way, and the perspiration was running down his back. Where was he? Who could have imagined anything like this species of sepulchre in the heart of Paris? What was the strange house? An edifice full of nocturnal mystery, calling souls in the darkness, the voice of angels, and when they arrive, suddenly offering them this frightful vision; promising to open the bright gate of heaven, and, instead, opening the horrible gate of the tomb! And it was really a mansion, a house which had its number in a street. It was not a dream; but he was obliged to touch the stones in order to believe it. Cold, anxiety, apprehension, and the emotion of the night brought on him a real fever, and all his ideas were confused in his brain. He approached Cosette. She slept.

CHAPTER VIII
THE ENIGMA INCREASES

The child had rested her head on a stone and fallen asleep. Jean Valjean sat down by her side and began gazing at her; gradually, as he looked, he grew calm and regained possession of his freedom of mind.

He clearly perceived this truth, the basis of his future life, that, so long as she was there, so long as he had her by his side, he would require nothing except for her, nor fear anything save on her account. He did not even feel the cold particularly; for, though he had taken off his coat, it was to cover her. Still, through the reverie into which he had fallen he had heard for some time past a singular noise, like a bell being rung, and it was in the garden. It could be heard distinctly, though faintly, and resembled those cattle-bells which produce a gentle melody at night in the grazing fields. This noise made Jean Valjean turn, and he saw that there was some one in the garden. A being looking like a man was walking among the melon-frames, rising, stooping, and stopping with regular movements, as if he was dragging or stretching out something on the ground. This man was apparently lame. Jean Valjean gave the continual, trembling start of the unhappy; everything is hostile and suspicious to them; they distrust the day because it allows them to be seen, and night because it helps in surprising them. Just now he shuddered because the garden was deserted, and now he shuddered because there was some one in it. He fell back from chimerical into real terror; he said to himself that Javert and the police had probably not gone away, that they had, in any case, left watchmen in the street; and that if this man discovered him he would give an alarm and hand him over to the police. He gently raised the still sleeping Cosette in his arms, and carried her behind a mass of old furniture in the most remote part of the shed; Cosette did not stir. From this spot he observed the movements of the being in the melon-ground; the strange thing was that the noise of the bell followed this man's every movement. When he approached the sound approached; when he went away the sound went away. If he made a sudden movement a little peal followed the movement, and when he stopped the noise ceased. It appeared evident that the bell was fastened to this man; but in that case what could be the meaning of it? Who was the man to whom a bell was fastened as if he were a ram or an ox? While asking himself these questions he touched Cosette's hands; they were chilled.

"Oh, Heaven!" he said.

And he asked in a whisper, – "Cosette!"

She did not open her eyes. He shook her sharply, but she did not awake.

"Can she be dead?" he said to himself; and he rose shivering from head to foot.

The most frightful thoughts crossed his mind pell-mell. There are moments when hideous suppositions assail us like a band of furies and violently force the bolts of our brain. When it is a question about people whom we love, our prudence invents all sorts of follies. He remembered that sleep in the open air on a cold night might be mortal. Cosette was lying stretched out motionless at his feet. He listened for her breath; she was breathing, but so faintly that it seemed as if the respiration would cease at any moment. How was he to warm her? How was he to wake her? All that did not refer to this slipped from his mind, and he rushed wildly from the shed. It was absolutely necessary that Cosette should be in bed before a fire within a quarter of an hour.