"I was just going to sleep, when suddenly I heard a sound that made me start up and hold my breath.
"'Honk!'
"I thought it was a dream followed by a nervous shock.
"'Honk! honk!'
"There it was again, in the yard. I was surely awake and in my senses.
"I heard the geese cackle.
"'Honk! honk! honk!'
"I got out of bed and lifted the curtain. It was almost as light as day. Instead of two geese there were three. Had one of the neighbors' geese stolen away?
"I should have thought so, and should not have felt disturbed, but for the reason that none of the neighbors' geese had that peculiar call—that hornlike tone that I had noticed in mine.
"I went out of the door.
"The third goose looked like the very gander I had given Nathaniel. Could it be?
"I did not sleep. I rose early and went to the crib for some corn.
"It was a gander—a 'wild' gander—that had come in the night. He seemed to know me.
"I trembled all over as though I had seen a ghost. I was so faint that I sat down on the meal-chest.
"As I was in that place, a bill pecked against the door. The door opened. The strange gander came hobbling over the crib-stone and went to the corn-bin. He stopped there, looked at me, and gave a sort of glad "honk," as though he knew me and was glad to see me.
"I was certain that he was the gander I had raised, and that Nathaniel had lifted into the air when he gave me his last recognition from the top of the hill.
"It overcame me. It was Thanksgiving. The church bell would soon be ringing as on Sunday. And here was Nathaniel's Thanksgiving dinner; and brother Aaron's—had it flown away? Where was the vessel?
"Years have passed—ten. You know I waited and waited for my boy to come back. December grew dark with its rainy seas; the snows fell; May lighted up the hills, but the vessel never came back. Nathaniel—my Nathaniel—never returned.
"That gander knows something he could tell me if he could talk. Birds have memories. He remembered the corn-crib—he remembered something else. I wish he could talk, poor bird! I wish he could talk. I will never sell him, nor kill him, nor have him abused. He knows!"
Whittier is known not only as a poet, but as a reformer and author. He was a member of the Society of Friends. He attended a New England academy; worked on a farm; taught school in order to afford further education, and at the age of twenty-two edited a paper at Boston. He was a leading opponent of slavery and was several times attacked by mobs on account of his opinions.
The life of Whittier may be read in his poems, and, by putting a note here and a date there, a full autobiography might be compiled from them. His boyhood and youth are depicted in them with such detail that little need be added to make the story complete, and that little, reverently done as it may be, must seem poor in comparison with the poetic beauty of his own revelations.
What more can we do to show his early home than to quote from his own beautiful poem, "Snow-bound"? There the house is pictured for us, inside and out, with all its furnishings; and those who gather around its hearth, inmates and visitors, are set before us so clearly that long after the book has been put away they remain as distinct in the memory as portraits that are visible day after day on the walls of our own homes. He reproduces in his verse the landscapes he saw, the legends of witches and Indians he listened to, the schoolfellows he played with, the voices of the woods and fields, and the round of toil and pleasure in a country boy's life; and in other poems his later life, with its impassioned devotion to freedom and lofty faith, is reflected as lucidly as his youth is in "Snow-bound" and "The Barefoot Boy."
He himself was "The Barefoot Boy," and what Robert Burns said of himself Whittier might repeat: "The poetic genius of my country found me, as the prophetic bard Elijah did Elisha, at the plow, and threw her inspiring mantle over me." He was a farmer's son, born at a time when farm-life in New England was more frugal than it is now, and with no other heritage than the good name and example of parents and kinsmen, in whom simple virtues—thrift, industry, and piety—abounded.
His birthplace still stands near Haverhill, Mass.,—a house in one of the hollows of the surrounding hills, little altered from what it was in 1807, the year he was born, when it was already at least a century and a half old.
He had no such opportunities for culture as Holmes and Lowell had in their youth. His parents were intelligent and upright people of limited means, who lived in all the simplicity of the Quaker faith, and there was nothing in his early surroundings to encourage and develop a literary taste. Books were scarce, and the twenty volumes on his father's shelves were, with one exception, about Quaker doctrines and Quaker heroes. The exception was a novel, and that was hidden away from the children, for fiction was forbidden fruit. No library or scholarly companionship was within reach; and if his gift had been less than genius, it could never have triumphed over the many disadvantages with which it had to contend. Instead of a poet he would have been a farmer like his forefathers. But literature was a spontaneous impulse with him, as natural as the song of a bird; and he was not wholly dependent on training and opportunity, as he would have been had he possessed mere talent.
Frugal from necessity, the life of the Whittiers was not sordid nor cheerless to him, moreover; and he looks back to it as tenderly as if it had been full of luxuries. It was sweetened by strong affections, simple tastes, and an unflinching sense of duty; and in all the members of the household the love of nature was so genuine that meadow, wood, and river yielded them all the pleasure they needed, and they scarcely missed the refinements of art.
Surely there could not be a pleasanter or more homelike picture than that which the poet has given us of the family on the night of the great storm when the old house was snowbound:
"Shut in from all the world without,
We sat the clean-winged hearth about,
Content to let the north wind roar
In baffled rage at pane and door,
While the red logs before us beat
The frost-line back with tropic heat.
And ever when a louder blast
Shook beam and rafter as it passed,
The merrier up its roaring draught
The great throat of the chimney laughed.
The house-dog on his paws outspread,
Laid to the fire his drowsy head;
The cat's dark silhouette on the wall
A couchant tiger's seemed to fall,
And for the winter fireside meet
Between the andiron's straddling feet
The mug of cider simmered slow,
The apples sputtered in a row,
And close at hand the basket stood
With nuts from brown October's wood."
For a picture of the poet himself we must turn to the verses in "The Barefoot Boy," in which he says:
"O for boyhood's time of June,
Crowding years in one brief moon,
When all things I heard or saw,
Me, their master, waited for.
I was rich in flowers and trees,
Humming-birds and honey-bees;
For my sport the squirrel played,
Plied the snouted mole his spade;
For my taste the blackberry cone
Purpled over hedge and stone;
Laughed the brook for my delight
Through the day and through the night,
Whispering at the garden-wall,
Talked with me from fall to fall;
Mine the sand-rimmed pickerel pond,
Mine the walnut slopes beyond,
Mine on bending orchard trees,
Apples of Hesperides!
Still as my horizon grew,
Larger grew my riches, too;
All the world I saw or knew
Seemed a complex Chinese toy,
Fashioned for a barefoot boy!"1
I doubt if any boy ever rose to intellectual eminence who had fewer opportunities for education than Whittier. He had no such pasturage to browse on as is open to every reader who, by simply reaching them out, can lay his hands on the treasures of English literature. He had to borrow books wherever they could be found among the neighbors who were willing to lend, and he thought nothing of walking several miles for one volume. The only instruction he received was at the district school, which was open a few weeks in midwinter, and at the Haverhill Academy, which he attended two terms of six months each, paying tuition by work in spare hours, and by keeping a small school himself. A feeble spirit would have languished under such disadvantages. But Whittier scarcely refers to them, and instead of begging for pity, he takes them as part of the common lot, and seems to remember only what was beautiful and good in his early life.
Occasionally a stranger knocked at the door of the old homestead in the valley; sometimes it was a distinguished Quaker from abroad, but oftener it was a peddler or some vagabond begging for food, which was seldom refused. Once a foreigner came and asked for lodgings for the night—a dark, repulsive man, whose appearance was so much against him that Mrs. Whittier was afraid to admit him. No sooner had she sent him away, however, than she repented. "What if a son of mine was in a strange land?" she thought. The young poet (who was not yet recognized as such) offered to go out in search of him, and presently returned with him, having found him standing in the roadway just as he had been turned away from another house.
"He took his seat with us at the supper-table," says Whittier in one of his prose sketches, "and when we were all gathered around the hearth that cold autumnal evening, he told us, partly by words and partly by gestures, the story of his life and misfortunes, amused us with descriptions of the grape-gatherings and festivals of his sunny clime, edified my mother with a recipe for making bread of chestnuts, and in the morning, when, after breakfast, his dark sallow face lighted up, and his fierce eyes moistened with grateful emotion as in his own silvery Tuscan accent he poured out his thanks, we marveled at the fears which had so nearly closed our doors against him, and as he departed we all felt that he had left with us the blessing of the poor."
Another guest came to the house one day. It was a vagrant old Scotchman, who, when he had been treated to bread and cheese and cider, sang some of the songs of Robert Burns, which Whittier then heard for the first time, and which he never forgot. Coming to him thus as songs reached the people before printing was invented, through gleemen and minstrels, their sweetness lingered in his ears, and he soon found himself singing in the same strain. Some of his earliest inspirations were drawn from Burns, and he tells us of his joy when one day, after the visit of the old Scotchman, his schoolmaster loaned him a copy of that poet's works. "I began to make rhymes myself, and to imagine stories and adventures," he says in his simple way.
Indeed, he began to rhyme very early and kept his gift a secret from all, except his oldest sister, fearing that his father, who was a prosaic man, would think that he was wasting time. He wrote under the fence, in the attic, in the barn—wherever he could escape observation; and as pen and ink were not always available, he sometimes used chalk, and even charcoal. Great was the surprise of the family when some of his verses were unearthed, literally unearthed, from under a heap of rubbish in a garret; but his father frowned upon these evidences of the bent of his mind, not out of unkindness, but because he doubted the sufficiency of the boy's education for a literary life, and did not wish to inspire him with hopes which might never be fulfilled.
His sister had faith in him, nevertheless, and, without his knowledge, she sent one of his poems to the editor of The Free Press, a newspaper published in Newburyport. Whittier was helping his father to repair a stone wall by the roadside when the carrier flung a copy of the paper to him, and, unconscious that anything of his was in it, he opened it and glanced up and down the columns. His eyes fell on some verses called "The Exile's Departure."
"Fond scenes, which delighted my youthful existence,
With feelings of sorrow I bid ye adieu—
A lasting adieu; for now, dim in the distance,
The shores of Hibernia recede from my view.
Farewell to the cliffs, tempest-beaten and gray,
Which guard the loved shores of my own native land;
Farewell to the village and sail-shadowed bay,
The forest-crowned hill and the water-washed strand."
His eyes swam; it was his own poem, the first he ever had in print.
"What is the matter with thee?" his father demanded, seeing how dazed he was; but, though he resumed his work on the wall, he could not speak, and he had to steal a glance at the paper again and again, before he could convince himself that he was not dreaming. Sure enough, the poem was there with his initial at the foot of it,—"W., Haverhill, June 1st, 1826,"—and, better still, this editorial notice: "If 'W.,' at Haverhill, will continue to favor us with pieces beautiful as the one inserted in our poetical department of to-day, we shall esteem it a favor."
Fame never passes true genius by, and when it came it brought with it the love and reverence of thousands, who recognize in Whittier a nature abounding in patience, unselfishness, and all the sweetness of Christian charity.
A festival held every year in memory of the birth of Christ. Christmas is essentially a day of rejoicing and thanksgiving and of good will toward others. Many customs older than Christianity mark the festivities. In our country the observance of the day was discouraged in colonial times, and in England in 1643 Parliament abolished the day. Now its celebration is world-wide and by all classes and creeds.
Of course Uncle Sam is best acquainted with the good old-fashioned Christmas—the kind we have known all about since we were little bits of children. There are the Christmas trees with their pretty decorations and candles, and the mistletoe and holly and all sorts of evergreens to make the house look bright, while outside the trees are bare, the ground is white with snow, and Jack Frost is prowling around, freezing up the ponds and pinching people's noses. And then there is dear old Santa Claus with his reindeer, galloping about on the night before Christmas, and scrambling down chimneys to fill the stockings that hang in a row by the fireplace.
It is the time of good cheer and happiness and presents for everybody; the time of chiming bells and joyful carols; of turkey and candy and plum-pudding and all the other good things that go to make up a truly merry Christmas. And here and there throughout the country, some of the quaint old customs of our forefathers are still observed at this time, as, for instance, the pretty custom of "Christmas waits"—boys and girls who go about from house to house on Christmas eve, or early Christmas morning, singing carols.
But, aside from the Christmas customs we all know so well, Uncle Sam has many strange and special ways of observing Christmas; for in this big country of his there are many different kinds of people, and they all do not celebrate Christmas in the same way, as you shall see.
Siss! Bang! Boom! Sky-rockets hissing, crackers snapping, cannons roaring, horns tooting, bells ringing, and youngsters shouting with wild delight. That is the way Christmas begins down South.
It starts at midnight, or even before; and all day long fire-crackers are going off in the streets of every city, town, and village of the South, from Virginia to Louisiana. A Northern boy, waking up suddenly in New Orleans or Mobile or Atlanta, would think he was in the midst of a rousing Fourth-of-July celebration. In some of the towns the brass bands come out and add to the jollity of the day by marching around and playing "My Maryland" and "Dixie"; while the soldier companies parade up and down the streets to the strains of joyous music and fire salutes with cannons and rifles.
To the girls and boys of the South, Christmas is the noisiest and jolliest day of the year. The Fourth of July doesn't compare with it. And as for the darkies, they look upon Christmas as a holiday that was invented for their especial happiness. They take it for granted that all the "white folks" they know will give them presents; and with grinning faces they are up bright and early, asking for "Christmus gif', mistah; Christmus gif, missus." No one thinks of refusing them, and at the end of the day they are richer and happier than at any other time during the whole year.
Except for the jingle of sleigh-bells and the presence of Jack Frost, a Christmas in the South is in other ways very much like that in the North. The houses are decorated with greens, mistletoe hangs above the doorways, Santa Claus comes down the chimneys and fills the waiting stockings, while Christmas dinner is not complete without the familiar turkey and cranberry sauce, plum puddings and pies.
For a great many years there was no Christmas in New England. The Pilgrims and the Puritans did not believe in such celebrations. In fact, they often made it a special point to do their hardest work on Christmas day, just to show their contempt for what they considered a pagan festival.
During colonial times there was a law in Massachusetts forbidding any one to celebrate Christmas; and if anybody was so rash in those days as to go about tooting a horn and shouting a "Merry Christmas!" he was promptly brought to his senses by being arrested and punished.
Of course things are very different in New England now, but in many country towns the people still make more of Thanksgiving than they do of Christmas; and there are hundreds of New England men and women still living who knew nothing of Christmas as children—who never hung up their stockings; who never waited for Santa Claus; who never had a tree; who never even had a Christmas present!
Nowadays, however, Christmas in New England is like Christmas anywhere else; but here and there, even now, the effects of the early Puritan ideas may still be seen. In some of the smaller and out-of-the-way towns and villages you will find Christmas trees and evergreens in only a very few of the houses, and in some places—particularly in New Hampshire—one big Christmas tree does for the whole town. This tree is set up in the town hall, and there the children go to get their gifts, which have been hung on the branches by the parents. Sometimes the tree has no decorations—no candles, no popcorn strings, no shiny balls. After the presents are taken off and given to the children, the tree remains perfectly bare. There is usually a short entertainment of recitations and songs, and a speech or two perhaps, and then the little folks, carrying their presents with them, go back to their homes.
In certain parts of New Mexico, among the old Spanish settlements, the celebration of Christmas begins more than a week before the day. In the evenings, a party of men and women go together to the house of some friend—a different house being visited each evening. When they arrive, they knock on the door and begin to sing, and when those in the house ask, "Who is there?" they reply, "The Virgin Mary and St. Joseph seek lodgings in your house." At first the inmates of the house refuse to let them in. This is done to carry out the Bible story of Joseph and Mary being unable to find lodgings in Bethlehem. But in a little while the door is opened and the visitors are heartily welcomed. As soon as they enter, they kneel and repeat a short prayer; and when the devotional exercises are concluded, the rest of the evening is spent in merrymaking.
On Christmas eve the people of the village gather together in some large room or hall and give a solemn little play, commemorating the birthday of the Saviour. One end of the room is used as a stage, and this is fitted up to represent the stable and the manger; and the characters in the sacred story of Bethlehem—Mary and Joseph, the shepherds, the wise men, and the angels—are represented in the tableaux, and with a genuine, reverential spirit. Even the poorer people of the town take part in these Christmas plays.
The Shakers observe Christmas by a dinner at which the men and women both sit down at the same table. This custom of theirs is the thing that serves to make Christmas different from any other day among the Shakers. During all the rest of the year the men and women eat their meals at separate tables.
At sunset on Christmas day, after a service in the church, they march to the community-house, where the dinner is waiting. The men sit on one side of the table and the women on the other. At the head sits an old man called the elder, who begins the meal by saying grace, after which each one in turn gets up and, lifting the right hand, says in a solemn voice, "God is love." The dinner is eaten in perfect silence. Not a voice is heard until the meal comes to an end. Then the men and women rise and sing, standing in their places at the table. As the singing proceeds they mark time with their hands and feet. Then their bodies begin to sway from side to side in the peculiar manner that has given this sect its name of Shakers.
When the singing comes to an end, the elder chants a prayer, after which the men and women silently file out and leave the building.
"You'd better look out, or Pelznickel will catch you!" This is the dire threat held over naughty boys and girls at Christmas-time in some of the country settlements of the Pennsylvania Germans, or Pennsylvania Dutch, as they are often called.
Pelznickel is another name for Santa Claus. But he is not altogether the same old Santa that we welcome so gladly. On Christmas eve some one in the neighborhood impersonates Pelznickel by dressing up as an old man with a long white beard. Arming himself with a switch and carrying a bag of toys over his shoulder, he goes from house to house, where the children are expecting him.
He asks the parents how the little ones have behaved themselves during the year. To each of those who have been good he gives a present from his bag. But—woe betide the naughty ones! These are not only supposed to get no presents, but Pelznickel catches them by the collar and playfully taps them with his switch.
The Porto Rican boys and girls would be frightened out of their wits if Santa Claus should come to them in a sleigh drawn by reindeer and should try to enter the houses and fill their stockings. Down there, Santa Claus does not need reindeer or any other kind of steeds, for the children say that he just comes flying through the air like a bird. Neither does he bother himself looking for stockings, for such things are not so plentiful in Porto Rico as they are in cooler climates. Instead of stockings, the children use little boxes, which they make themselves. These they place on the roofs and in the courtyards, and old Santa Claus drops the gifts into them as he flies around at night with his bag on his back.
He is more generous in Porto Rico than he is anywhere else. He does not come on Christmas eve only, but is likely to call around every night or two during the week. Each morning, therefore, the little folks run out eagerly to see whether anything more has been left in their boxes during the night.
Christmas in Porto Rico is a church festival of much importance, and the celebration of it is made up chiefly of religious ceremonies intended to commemorate the principal events in the life of the Saviour. Beginning with the celebration of his birth, at Christmas-time, the feast-days follow one another in rapid succession. Indeed, it may justly be said that they do not really come to an end until Easter.
One of the most popular of these festival-days is that known as Bethlehem day. This is celebrated on the 12th of January, in memory of the coming of the Magi. The celebration consists of a procession of children through the streets of the town. The foremost three, dressed in flowing robes to represent the wise men of the East, come riding along on ponies, holding in their hands the gifts for the Infant King; following them come angels and shepherds and flute-players, all represented by children dressed in pretty costumes and carrying garlands of flowers. These processions are among the most picturesque of all Christmas celebrations.
For many days before Christmas the Moravian housewives in Bethlehem, Pennsylvania, are busy in their kitchens making good things for the holidays—mint-cakes, pepper-nuts, Kümmelbrod, sugar-cake, mince-pies, and, most important of all, large quantities of "Christmas cakes." These Christmas cakes are a kind of ginger cooky, crisp and spicy, and are made according to a recipe known only to the Moravians. They are made in all sorts of curious shapes—birds, horses, bears, lions, fishes, turtles, stars, leaves, and funny little men and women; so that they are not only good to eat, but are ornamental as well, and are often used by the good fathers and mothers as decorations for the "Putz."